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Close Encounters of the Third Kind

 Close Encounters of the Third Kind
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TVTItem
 Close Encounters of the Third Kind
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Close Encounters of the Third Kind
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CloseEncountersOfTheThirdKind
 Close Encounters of the Third Kind
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Close Encounters of the Third Kind is a 1977 science fiction filmnote Spielberg insisted it was "science fact" written and directed by Steven Spielberg, with a score by John Williams and special effects by Douglas Trumbull.After a series of bizarre incidents where long-lost ships and aircraft begin reappearing in very unusual places around the world, a wide swath of the state of Indiana is buzzed by a very flashy troupe of UFOs. One of the many witnesses to this flyby is power-company employee Roy Neary (Richard Dreyfuss). Following the event, Neary is inflicted with visions of a distinctive-looking mountain. His family life quickly falls apart, and his wife Ronnie (Teri Garr) leaves him.He eventually learns that what he has been seeing and obsessively sculpting is the Devil's Tower rock formation in Wyoming. He meets fellow witness Jillian Guiler (Melinda Dillon), a widowed mother desperately seeking her young son Barry, who has been carried away by the UFOs. They attempt to reach the Tower, even as the U.S. government, well aware of what is happening, concocts a biohazard scare involving the derailment of a train carrying nerve gas and places a military cordon around the site...This film is one of only three in Spielberg's entire career for which he wrote the screenplay as well as directed, the others being A.I.: Artificial Intelligence and The Fabelmans. The original version was released in 1977; a "Special Edition" Re-Cut was released in 1980 after Spielberg had proven he was a serious director. (There had been Executive Meddling with the cut of the original, though entirely justified as the studio was going bankrupt and production had to be hastened.) Spielberg re-edited the film yet again for a "Collector's Edition" in 1998. All three cuts were included in the film's Blu-ray release in 2007, along with a new interview with Spielberg explaining the editing.The title comes from UFOlogy, an encounter of the third kind being one in which the observer sees the aliens themselves as well as their craft.François Truffaut, better known as a film director and a leader of the French New Wave, appears here as Lacombe, a scientist researching the UFOs who is sympathetic to Roy.
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Cymbal-Banging Monkey
 Close Encounters of the Third Kind / int_106a0ec2
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Cymbal-Banging Monkey: Creepy as always.
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Starfish Language
 Close Encounters of the Third Kind / int_115b9907
comment
Starfish Language: Near the end of the movie, the aliens communicate/signal with a series of tones that happens to be the same notes as the main Recurring Riff of the soundtrack. The iconic leitmotif of five tones — 4d3, 4e3, 4c3, 4c2, 4g2; or D, E, C, lower octave C, G — sounds a lot like "hello".
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The Call Knows Where You Live
 Close Encounters of the Third Kind / int_12628662
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The Call Knows Where You Live: People who made contact with the alien probe are filled with visions of Devil's Tower, Wyoming.
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Arbitrary Skepticism
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Arbitrary Skepticism: The Government of the United States is part of an international effort to have First Contact with aliens, and the first thing the man in charge of the Devil's Tower temporary base tells Lacombe when a dozen people arrive and it's apparent that they are not there because they want to but because they have been coerced is that they are lunatics and fanatics out to disrupt the operation and they must be kicked out.
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Dream Melody
 Close Encounters of the Third Kind / int_14ee9ce
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Dream Melody: The five-note theme that brainwashed characters seem to have internalized.
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This Loser Is You
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This Loser Is You: Roy Neary's family life.
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Close Encounters of the Third Kind / int_15184afb
 Close Encounters of the Third Kind / int_1a6960dd
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Flying Saucer
 Close Encounters of the Third Kind / int_1a6960dd
comment
Flying Saucer: And beautiful ones at that; they look like ornaments covered in lights. And wait until you see the mother ship. Imagine a ship the size of a town decked out with neon Christmas lights. Originally the mothership was supposed to be hugely impressive but a bit menacing. In fact, Trumbull was about to get all Freudian and have the underside of the ship resemble a giant breast. Then Spielberg, filming in India, drove six nights in a row past a gigantic oil refinery that was all lit up in a million colors, full of interesting antennae, walkways and pipes, and the "city of light" was born. Bless you, Bharat Petroleum◊.
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The Greys
 Close Encounters of the Third Kind / int_1ba5dc68
comment
The Greys: The extraterrestrials were physically modeled after real-life accounts of alien abductions. This is one of the first times they were actually used in cinema, the first having been in 1956's Earth vs. the Flying Saucers. Also an Unbuilt Trope, as Spielberg deliberately gave the Grays different heights, intending to show that their species had the same kind of diversity as ours. Most abduction accounts and subsequent fiction describe the Grays as all identical. The initial tall alien was a marionette. It was impossible to completely film it without the strings showing except in the shots visible in the movie, which is why you only see it the once. The other aliens at the end were all played by young girls, Spielberg felt that "girls move more gracefully than boys."
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Cool Shades
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Cool Shades: To shield their eyes from the blinding light of the Mothership, the scientists are all wearing Ray-Ban Aviators.
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Take My Hand!
 Close Encounters of the Third Kind / int_1fe36347
comment
Take My Hand!: Dramatic moment during the ascent to the mountain, Roy is about to slip down but Jillian stretches out her arm so he can clutch at her hand and pull himself out of danger.
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Lemming Cops
 Close Encounters of the Third Kind / int_262be073
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Lemming Cops: The one poor officer who tried to follow the UFOs off the side of a mountain.
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Disappeared Dad
 Close Encounters of the Third Kind / int_28cd01ca
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Disappeared Dad: Bye, Roy. Also, whoever Barry's father was.
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Faster-Than-Light Travel
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Faster-Than-Light Travel: Which is why the missing persons had a Year Outside, Hour Inside.
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Gas Leak Cover-Up
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Gas Leak Cover-Up: The government claiming a rail accident occurred with a train carrying nerve gas as a way to evacuate everyone from the area around Devil's Tower, Wyoming, where the aliens are soon due to show up.
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Hidden Depths
 Close Encounters of the Third Kind / int_2dc0d2bf
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During the press conference with the military brass, Roy pokes a hole in their condescending lecture, pointing out he is not some UFO conspiracy nut; he was never interested in them until he saw one up close. Later, when the military tries to deflect the questions, Roy calls them out on it, loudly. He is very close to taking control of the meeting, until the old farmer (Roberts Blossom — possibly his best known performance) derails the whole thing by claiming to have seen Bigfoot. It shows that Roy is quite an effective leader when he can pull himself together, something that becomes clear once he gets to Devil's Tower.
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Missing Child
 Close Encounters of the Third Kind / int_2de495bb
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Missing Child: Jillian lives in an isolated farmhouse with her only child, who she ends up trying and ultimately failing to protect from the aliens who want him for unknown reasons.
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Shower of Angst
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Shower of Angst: Roy has this in one of the added scenes from the 1980 recut.
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The Runt at the End
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The Runt at the End: The last UFO in the flyby.
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It Will Never Catch On
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It Will Never Catch On: Bob Balaban, who played Lacombe's interpreter Laughlin, believed they would have to change the film's title as nobody would possibly remember it.
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Mad Artist
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Mad Artist: Neary and his fellow volunteer/victims, each compelled to fill a Room Full of Crazy with artwork before they figure out Devil's Tower is a real place ... that now they have to go to.
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Rule of Cool
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Rule of Cool: The reason why the Mothership rises upward from behind the mountain in the finale, even though that would mean it had previously dug a hole into the Earthinvoked. Spielberg said in an interview that it didn't make any sense, but it was the image he wanted to convey. Or it's just making its final approach from that direction, having already entered the atmosphere and dropped down to low altitude further out.
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Not Drawn to Scale
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Not Drawn to Scale: The size of the mother ship is incompatible in different shots. When it arrives, it's behind the mountain and a lot bigger than the mountain. When it's in front of the mountain it's no longer bigger than the mountain but smaller or at best about the same.
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Actor Allusion
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A musical shout-out that borders on Actor Allusion: Briefly, during the Devils Tower musical sequence when contact is trying to be made with the alien ship, the Jaws theme can be heard briefly. John Williams wrote both soundtracks, and Richard Dreyfuss was in both CE3K and Jaws. invoked
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Stay with the Aliens
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Stay with the Aliens: In the end, Roy is leaving Earth to stay with the aliens.
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The Bermuda Triangle
 Close Encounters of the Third Kind / int_403ad150
comment
The Bermuda Triangle: There's a brief shot in the Special Edition of a ship in the middle of the Gobi desert. It's supposed to be the SS Cotopaxi, one of the Bermuda Triangle disappearances.note The wreck site of the real Cotopaxi was identified in 2020, by the way. Strangely, it was off the coast of Florida, near where the ship disappeared, rather than in the middle of Mongolia. The film opens with the discovery of Flight 19, a Navy aviation training exercise that disappeared out of Ft. Lauderdale.
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Bittersweet Ending
 Close Encounters of the Third Kind / int_40cc0c7e
comment
Bittersweet Ending: Jillian gets her son back and all those people who've been abducted throughout the ages are returned to Earth unharmed. However, Neary leaves the Earth to go off into space, which might be cool for him but remember he's leaving behind a wife and three kids who, last they saw him, thought he was going insane and they'll probably never see him ever again.
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Brainwashed
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comment
Brainwashed: The aliens use a Hypno Ray on Neary and the others to lead them to the ship and then decide to go with the aliens, leaving everyone and everything they've ever known, possibly never to return. However, the compulsion isn't irresistible, as Jillian is under the same effect, but is satisfied with just getting her son back and decides not to leave (though given the aliens are benign, it's possible they simply let her go).
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Exact Eavesdropping
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Exact Eavesdropping: Perfect timing for Roy and Jillian as they reach the landing site exactly the moment when things get interesting.
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Scenery Porn
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Scenery Porn: Especially when the audience gets their first up-close look at Devil's Tower. Just as in the movie, there were many viewers who had no idea the place actually existed, but it's real (albeit without the UFO landing pad). Many of the location shots are just beautiful. The one in India - involving a massive crowd of witnesses - does an incredible job of showing the geographic scale of where and how these encounters are taking place.
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Ominous Floating Spaceship
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Ominous Floating Spaceship: The alien mothership at first.
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Taking the Kids
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Taking the Kids: When Roy start acting really crazy, his wife takes the kids and they drive off to her sister's. We don't see them again.
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Beeping Computers
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Beeping Computers: During the Sensor Suspense scene at the Air Traffic Control near the beginning.
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Dramatic Alien VTOL
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Dramatic Alien VTOL: In fact, Spielberg did a lot of help to make this trope. The climax has the ship come in first, just as the bright lights at first with the shadow of the Flying Saucer shape eventually becoming clearer as the five notes we've heard through the movie comes through the score. It lands and then the ramp opens and again a crack of light and then the shadows of the aliens themselves, stamping the image of the Greys, in one of their first appearances on film, in our heads.
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Artistic License – History
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Artistic License – History: "Devil's Tower, Wyoming was the first national monument erected in this country by Theodore Roosevelt in 1915." Impressively, just about everything in this sentence is wrong. To start with, national monuments are designated. "Erected" falsely implies that Devil's Tower is a work of human construction rather than the natural formation it is. Next, the year is wrong. Roosevelt designated Devil's Tower as a national monument in 1906, not 1915. Indeed, Roosevelt wasn't even president in 1915.note Woodrow Wilson was. It is true that Devil's Tower was America's first national monument, however.
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Coincidental Broadcast
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comment
Coincidental Broadcast: How Neary finally learns what it is he's been obsessing about. Averted, ultimately—the thing Neary is obsessing about and the reason the broadcast is being made in the first place are related; in addition, Neary spends days, if not longer, obsessing over it. It would make sense that the two would eventually converge.
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Hiding Behind the Language Barrier
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Hiding Behind the Language Barrier: Neary complains about this when Lacombe speaks to Laughlin in French.
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 Close Encounters of the Third Kind / int_59788b2c
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Close Encounters of the Third Kind / int_59788b2c
 Close Encounters of the Third Kind / int_5a3b8032
type
The Un-Reveal
 Close Encounters of the Third Kind / int_5a3b8032
comment
The Unreveal: The scene of Barry looking at the fridge in awe. We are to assume he sees the extraterrestrials.
 Close Encounters of the Third Kind / int_5a3b8032
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1.0
 Close Encounters of the Third Kind / int_5a3b8032
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Close Encounters of the Third Kind / int_5a3b8032
 Close Encounters of the Third Kind / int_5a4aa505
type
Government Conspiracy
 Close Encounters of the Third Kind / int_5a4aa505
comment
Government Conspiracy: See Gas Leak Cover-Up.
 Close Encounters of the Third Kind / int_5a4aa505
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1.0
 Close Encounters of the Third Kind / int_5a4aa505
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1.0
 Close Encounters of the Third Kind
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Close Encounters of the Third Kind / int_5a4aa505
 Close Encounters of the Third Kind / int_5d397b9c
type
The Mountains of Illinois
 Close Encounters of the Third Kind / int_5d397b9c
comment
The Mountains of Illinois: Or northern Indiana. Southern Indiana is hilly and even has a few mountains (the Little Smokies), as it shades into the foothills of the Cumberland. Indiana would have been fine if Spielberg had chosen a town like Bean Blossom instead of Muncie.note A local joke is that the Wisconsin Glacier moved downward through the state until it got to Martinsville, whereupon it gave up and went back.
 Close Encounters of the Third Kind / int_5d397b9c
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 Close Encounters of the Third Kind / int_5d397b9c
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Close Encounters of the Third Kind / int_5d397b9c
 Close Encounters of the Third Kind / int_5d5cc3fd
type
Through the Eyes of Madness
 Close Encounters of the Third Kind / int_5d5cc3fd
comment
Through the Eyes of Madness: Neary believes that everything he's doing is reasonable, that the risks he takes and the rules he breaks are for heroic endsinvoked, and the film encourages the audience to agree with him.
 Close Encounters of the Third Kind / int_5d5cc3fd
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1.0
 Close Encounters of the Third Kind / int_5d5cc3fd
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Close Encounters of the Third Kind / int_5d5cc3fd
 Close Encounters of the Third Kind / int_611a1a5e
type
Nosy Neighbor
 Close Encounters of the Third Kind / int_611a1a5e
comment
Nosy Neighbor: The Nearys have one next door, always watching them from her window.
 Close Encounters of the Third Kind / int_611a1a5e
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1.0
 Close Encounters of the Third Kind / int_611a1a5e
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Close Encounters of the Third Kind / int_611a1a5e
 Close Encounters of the Third Kind / int_62434fe2
type
Sanity Slippage
 Close Encounters of the Third Kind / int_62434fe2
comment
Sanity Slippage: What happens after you get zapped by the Hypno Ray.
 Close Encounters of the Third Kind / int_62434fe2
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1.0
 Close Encounters of the Third Kind / int_62434fe2
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 Close Encounters of the Third Kind
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Close Encounters of the Third Kind / int_62434fe2
 Close Encounters of the Third Kind / int_6293c185
type
Sequel Hook
 Close Encounters of the Third Kind / int_6293c185
comment
Sequel Hook: Roy's voyage aboard the mothership seems ready-made for a follow-up, but to date no sequel has ever been produced, in any media. The closest we've ever gotten is the additional scenes in the later special edition versions that show us what Roy sees aboard the mothership before it takes off.
 Close Encounters of the Third Kind / int_6293c185
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 Close Encounters of the Third Kind / int_6293c185
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 Close Encounters of the Third Kind
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Close Encounters of the Third Kind / int_6293c185
 Close Encounters of the Third Kind / int_636768a6
type
Otherworldly Visits Youngest First
 Close Encounters of the Third Kind / int_636768a6
comment
Otherworldly Visits Youngest First: Barry Guiler is the first person to actually see the aliens in the film, though a select few are quickly made aware of their presence. Barry is also clearly unafraid of the extraterrestrial beings, while others who see their presence are initially terrified of the unknown. Fortunately, the aliens turn out to be benevolent.
 Close Encounters of the Third Kind / int_636768a6
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 Close Encounters of the Third Kind / int_636768a6
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Close Encounters of the Third Kind / int_636768a6
 Close Encounters of the Third Kind / int_65bc92fc
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Four-Temperament Ensemble
 Close Encounters of the Third Kind / int_65bc92fc
comment
Four-Temperament Ensemble: Roy Neary (choleric), Jillian Guiler (melancholic), Ronnie Neary (phlegmatic), and Barry Guiler (sanguine).
 Close Encounters of the Third Kind / int_65bc92fc
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 Close Encounters of the Third Kind / int_65bc92fc
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Close Encounters of the Third Kind / int_65bc92fc
 Close Encounters of the Third Kind / int_679f4d1c
type
Monumental View
 Close Encounters of the Third Kind / int_679f4d1c
comment
Monumental View: There's no place like the landing pad within sight of Devil's Tower.
 Close Encounters of the Third Kind / int_679f4d1c
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1.0
 Close Encounters of the Third Kind / int_679f4d1c
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Close Encounters of the Third Kind / int_679f4d1c
 Close Encounters of the Third Kind / int_6941e30b
type
Room Full of Crazy
 Close Encounters of the Third Kind / int_6941e30b
comment
Room Full of Crazy: In this case a mountain of mud in Neary's living room.
 Close Encounters of the Third Kind / int_6941e30b
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1.0
 Close Encounters of the Third Kind / int_6941e30b
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Close Encounters of the Third Kind / int_6941e30b
 Close Encounters of the Third Kind / int_6b723294
type
Techno Babble
 Close Encounters of the Third Kind / int_6b723294
comment
Techno Babble: Averted, at least in the air traffic control scene at the beginning; as soon as it becomes clear that a plane is about to collide with a UFO, the controllernote played by real ATC guy David Anderson issues perfectly sensible and practical instructions for conflict avoidance, albeit in ATC-speak.
 Close Encounters of the Third Kind / int_6b723294
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 Close Encounters of the Third Kind / int_6b723294
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Close Encounters of the Third Kind / int_6b723294
 Close Encounters of the Third Kind / int_6e8b95dc
type
The Teaser
 Close Encounters of the Third Kind / int_6e8b95dc
comment
The Teaser: The opening sequence at the Mexican junkyard where Lacombe's team discovers the missing planes of Flight 19.
 Close Encounters of the Third Kind / int_6e8b95dc
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1.0
 Close Encounters of the Third Kind / int_6e8b95dc
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Close Encounters of the Third Kind / int_6e8b95dc
 Close Encounters of the Third Kind / int_713e479
type
Sensor Suspense
 Close Encounters of the Third Kind / int_713e479
comment
Sensor Suspense: The air traffic control scene, where the aircraft (and possible UFOs) are represented not by blips as such, but by basic text and graphics on radar-like screens.
 Close Encounters of the Third Kind / int_713e479
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1.0
 Close Encounters of the Third Kind / int_713e479
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Close Encounters of the Third Kind / int_713e479
 Close Encounters of the Third Kind / int_7160b097
type
Dawn of an Era
 Close Encounters of the Third Kind / int_7160b097
comment
Dawn of an Era: Probably, as humanity makes first contact with alien life.
 Close Encounters of the Third Kind / int_7160b097
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1.0
 Close Encounters of the Third Kind / int_7160b097
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Close Encounters of the Third Kind / int_7160b097
 Close Encounters of the Third Kind / int_7286e96d
type
Idiot Ball
 Close Encounters of the Third Kind / int_7286e96d
comment
Idiot Ball: Why did a room full of scientists and technicians take so long to recognize that they were looking at latitude and longitude coordinates. True, there were astronomers there who started out thinking in terms of ascension/declination, but as soon as that didn't map onto anything that made sense, they would have immediately tried latitude and longitude as alternatives.
 Close Encounters of the Third Kind / int_7286e96d
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 Close Encounters of the Third Kind / int_7286e96d
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Close Encounters of the Third Kind / int_7286e96d
 Close Encounters of the Third Kind / int_764f6769
type
Canary in a Coal Mine
 Close Encounters of the Third Kind / int_764f6769
comment
Canary in a Coal Mine: In order to test the government cover story of a deadly chemical spill at what is really an alien meeting site, the protagonists buy a canary as they enter the area.
 Close Encounters of the Third Kind / int_764f6769
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1.0
 Close Encounters of the Third Kind / int_764f6769
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Close Encounters of the Third Kind / int_764f6769
 Close Encounters of the Third Kind / int_765a1683
type
Enemy Rising Behind
 Close Encounters of the Third Kind / int_765a1683
comment
Enemy Rising Behind: A lighter example, when the "truck" following Roy as he fumbles with his map early in the movie reveals itself to be a UFO by sailing upwards. And then the arrival of the Mothership in the finale.
 Close Encounters of the Third Kind / int_765a1683
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 Close Encounters of the Third Kind / int_765a1683
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Close Encounters of the Third Kind / int_765a1683
 Close Encounters of the Third Kind / int_7b8b3def
type
Celebrity Paradox
 Close Encounters of the Third Kind / int_7b8b3def
comment
Celebrity Paradox: Roy has models of the Starship Enterprise and a Klingon battle cruiser, but doesn't notice that his wife looks quite a bit like Roberta Lincoln from the Star Trek: The Original Series episode "Assignment: Earth."
 Close Encounters of the Third Kind / int_7b8b3def
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 Close Encounters of the Third Kind / int_7b8b3def
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Close Encounters of the Third Kind / int_7b8b3def
 Close Encounters of the Third Kind / int_7fe66618
type
You Can See That, Right?
 Close Encounters of the Third Kind / int_7fe66618
comment
You Can See That, Right?: Roy and Jillian ask this of each other at Devil's Tower, first when they climb a hill and see the huge landing pad built to receive the aliens, and later when alien spacecraft are zipping over their heads on the way to the landing pad.
 Close Encounters of the Third Kind / int_7fe66618
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 Close Encounters of the Third Kind / int_7fe66618
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Close Encounters of the Third Kind / int_7fe66618
 Close Encounters of the Third Kind / int_8042e814
type
Actually Pretty Funny
 Close Encounters of the Third Kind / int_8042e814
comment
Actually Pretty Funny: Jillian tells Roy that when she reported Barry's abduction, one of the things she was asked was if there had been any strangers in the neighborhood recently. Even with all the fear and stress they'd been under, the two of them can't help but chuckle at that.
 Close Encounters of the Third Kind / int_8042e814
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1.0
 Close Encounters of the Third Kind / int_8042e814
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Close Encounters of the Third Kind / int_8042e814
 Close Encounters of the Third Kind / int_816a4e80
type
Star Wars (Franchise)
 Close Encounters of the Third Kind / int_816a4e80
comment
The mothership has an R2D2 attached to its underside, among other things, including a mini graveyard and a VW van. The model, which is about the size of a large wedding cake, now resides in a glass case at the Steven F. Udvar-Hazy center, an annex of the Smithsonian National Air & Space Museum, located in Dulles, Virginia. Definitely worth a look if you're in the neighborhood.
 Close Encounters of the Third Kind / int_816a4e80
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1.0
 Close Encounters of the Third Kind / int_816a4e80
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Close Encounters of the Third Kind / int_816a4e80
 Close Encounters of the Third Kind / int_863fa679
type
What Happened to the Mouse?
 Close Encounters of the Third Kind / int_863fa679
comment
What Happened to the Mouse?: It's never revealed what happened to Larry Butler, the third companion with Roy and Jillian when they ascend the mountain after he gets gassed with sleep aerosol. However, it's possible that the Army found him later and simply returned him back home.
 Close Encounters of the Third Kind / int_863fa679
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 Close Encounters of the Third Kind / int_863fa679
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Close Encounters of the Third Kind / int_863fa679
 Close Encounters of the Third Kind / int_86bbf6b5
type
Newscaster Cameo
 Close Encounters of the Third Kind / int_86bbf6b5
comment
Newscaster Cameo: ABC's Howard K. Smith introduces the report on the evacuations near Devil's Tower due to the "gas spill". (It was originally supposed to be CBS's Walter Cronkite, hence the spot reporter's line, "Order your steak well-done, Walter".)
 Close Encounters of the Third Kind / int_86bbf6b5
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1.0
 Close Encounters of the Third Kind / int_86bbf6b5
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Close Encounters of the Third Kind / int_86bbf6b5
 Close Encounters of the Third Kind / int_87b8f581
type
Refusal of the Call
 Close Encounters of the Third Kind / int_87b8f581
comment
Refusal of the Call: Neary tries hard to stop obsessing about his visions, but is ultimately unsuccessful. It's implied a great number of people had visions of Devil's Tower, but only a few could decipher the visions or had the ability to travel there to meet the deadline. Of the few that do make, all save Roy, Jillian, and Larry meekly leave when the army scoops them up. Larry is subsequently hit with Knockout Gas as the three are scaling the mountain. Jillian makes it all the way to the landing pad with Roy, but her only motivation is to find her son, and she stays once he's been returned.
 Close Encounters of the Third Kind / int_87b8f581
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1.0
 Close Encounters of the Third Kind / int_87b8f581
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Close Encounters of the Third Kind / int_87b8f581
 Close Encounters of the Third Kind / int_8aae41e3
type
Saharan Shipwreck
 Close Encounters of the Third Kind / int_8aae41e3
comment
Saharan Shipwreck: There's a brief shot in the Special Edition which shows the wreck of the SS Cotopaxi, a ship that disappeared in the Bermuda Triangle, in the Gobi Desert. The Cotopaxi also appears in the 40th anniversary release, which has some footage of the original (the press conference) as well.
 Close Encounters of the Third Kind / int_8aae41e3
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1.0
 Close Encounters of the Third Kind / int_8aae41e3
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Close Encounters of the Third Kind / int_8aae41e3
 Close Encounters of the Third Kind / int_8c732f20
type
Time Dilation
 Close Encounters of the Third Kind / int_8c732f20
comment
Time Dilation: The reason why none of the abductees look any older when they return, including the pilots of Flight 19, who have been gone thirty years.
 Close Encounters of the Third Kind / int_8c732f20
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1.0
 Close Encounters of the Third Kind / int_8c732f20
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Close Encounters of the Third Kind / int_8c732f20
 Close Encounters of the Third Kind / int_97926168
type
Rewatch Bonus
 Close Encounters of the Third Kind / int_97926168
comment
Rewatch Bonus: When Roy's pigeons are taken out of the car by a soldier, you can hear a quick hissing noise, then the birds are revealed laying down in their cage. The sound is Knockout Gas being sprayed at them just out of frame to maintain the cover-up and scare Roy and Jillian.
 Close Encounters of the Third Kind / int_97926168
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1.0
 Close Encounters of the Third Kind / int_97926168
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Close Encounters of the Third Kind / int_97926168
 Close Encounters of the Third Kind / int_9d12bbc1
type
Foreshadowing
 Close Encounters of the Third Kind / int_9d12bbc1
comment
Foreshadowing: During the initial UFO chase, Barry and Jillian encounter a farmer note played by stage actor / poet Roberts Blossom sitting next to the road who is whistling "She'll Be Coming 'Round the Mountain." During the final scene, of course, a mothership comes 'round a mountain. After Roy's initial encounter with the UFO near the railroad, once he hears the news on the radio he storms off, his truck being followed by a huge shadow that more than resembles the mothership which appears during the movie's climax. During the press conference with the military brass, Roy pokes a hole in their condescending lecture, pointing out he is not some UFO conspiracy nut; he was never interested in them until he saw one up close. Later, when the military tries to deflect the questions, Roy calls them out on it, loudly. He is very close to taking control of the meeting, until the old farmer (Roberts Blossom — possibly his best known performance) derails the whole thing by claiming to have seen Bigfoot. It shows that Roy is quite an effective leader when he can pull himself together, something that becomes clear once he gets to Devil's Tower.
 Close Encounters of the Third Kind / int_9d12bbc1
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 Close Encounters of the Third Kind / int_9d12bbc1
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Close Encounters of the Third Kind / int_9d12bbc1
 Close Encounters of the Third Kind / int_9f6fb586
type
Leitmotif
 Close Encounters of the Third Kind / int_9f6fb586
comment
Leitmotif: The five tones (see Starfish Language below). "When You Wish Upon A Star".
 Close Encounters of the Third Kind / int_9f6fb586
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1.0
 Close Encounters of the Third Kind / int_9f6fb586
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Close Encounters of the Third Kind / int_9f6fb586
 Close Encounters of the Third Kind / int_a05522e3
type
Alien Abduction
 Close Encounters of the Third Kind / int_a05522e3
comment
Alien Abduction: The Movie.
 Close Encounters of the Third Kind / int_a05522e3
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1.0
 Close Encounters of the Third Kind / int_a05522e3
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Close Encounters of the Third Kind / int_a05522e3
 Close Encounters of the Third Kind / int_a080d7a9
type
Door Handle Scare
 Close Encounters of the Third Kind / int_a080d7a9
comment
Door Handle Scare: When the aliens arrive at the house, a Scare Chord is playing and the camera focused on the key hole of the front door showing a bright light on the other side. Then the little boy opens the door from the inside but no aliens are showing outside.
 Close Encounters of the Third Kind / int_a080d7a9
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 Close Encounters of the Third Kind / int_a080d7a9
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Close Encounters of the Third Kind / int_a080d7a9
 Close Encounters of the Third Kind / int_a412cd2b
type
Lens Flare
 Close Encounters of the Third Kind / int_a412cd2b
comment
Lens Flare: All of the UFOs produce lots of lens flare, culminating in the giant mothership.
 Close Encounters of the Third Kind / int_a412cd2b
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1.0
 Close Encounters of the Third Kind / int_a412cd2b
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Close Encounters of the Third Kind / int_a412cd2b
 Close Encounters of the Third Kind / int_a5e0c01
type
As Himself
 Close Encounters of the Third Kind / int_a5e0c01
comment
As Himself: J. Allen Hynek, the ufologist who coined the term "close encounters of the third kind," appears in a non-speaking cameo as one of scientists at the Devil's Tower base. He also served as the movie's technical consultant.
 Close Encounters of the Third Kind / int_a5e0c01
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 Close Encounters of the Third Kind / int_a5e0c01
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Close Encounters of the Third Kind / int_a5e0c01
 Close Encounters of the Third Kind / int_a70223
type
Karma Houdini
 Close Encounters of the Third Kind / int_a70223
comment
Karma Houdini: It can be chalked up to Blue-and-Orange Morality, but the aliens kidnapped humans and returned them 32 years later without explanation or apology to the abductees families. They implanted strange obsessions with them in humans, too. Yet they are not asked for an explanation or motif. It's obvious that they mean well, but Fridge Logic invokes this.
 Close Encounters of the Third Kind / int_a70223
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Close Encounters of the Third Kind / int_a70223
 Close Encounters of the Third Kind / int_a7caa5b5
type
First Contact
 Close Encounters of the Third Kind / int_a7caa5b5
comment
First Contact: Not the first movie to detail the first meeting between humans and aliens, but the one to codify it.
 Close Encounters of the Third Kind / int_a7caa5b5
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1.0
 Close Encounters of the Third Kind / int_a7caa5b5
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Close Encounters of the Third Kind / int_a7caa5b5
 Close Encounters of the Third Kind / int_acecb17d
type
Chekhov's Skill
 Close Encounters of the Third Kind / int_acecb17d
comment
Chekhov's Skill: Roy making a scale model of Devil's Tower gives him greater knowledge of the area than those that drew it, allowing him and Jillian to narrowly avoid being gassed.
 Close Encounters of the Third Kind / int_acecb17d
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 Close Encounters of the Third Kind / int_acecb17d
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Close Encounters of the Third Kind / int_acecb17d
 Close Encounters of the Third Kind / int_adf58b7a
type
Knockout Gas
 Close Encounters of the Third Kind / int_adf58b7a
comment
It's implied a great number of people had visions of Devil's Tower, but only a few could decipher the visions or had the ability to travel there to meet the deadline. Of the few that do make, all save Roy, Jillian, and Larry meekly leave when the army scoops them up. Larry is subsequently hit with Knockout Gas as the three are scaling the mountain.
 Close Encounters of the Third Kind / int_adf58b7a
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 Close Encounters of the Third Kind / int_adf58b7a
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Close Encounters of the Third Kind / int_adf58b7a
 Close Encounters of the Third Kind / int_b2d8059f
type
Innocent Aliens
 Close Encounters of the Third Kind / int_b2d8059f
comment
Innocent Aliens: Their methods may be a bit questionable, but the aliens are never depicted as malevolent.
 Close Encounters of the Third Kind / int_b2d8059f
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1.0
 Close Encounters of the Third Kind / int_b2d8059f
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Close Encounters of the Third Kind / int_b2d8059f
 Close Encounters of the Third Kind / int_b39def3c
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Deathly Dies Irae
 Close Encounters of the Third Kind / int_b39def3c
comment
Deathly Dies Irae: "Dies irae" sounds when bright lights are seen clearly approaching the encampment to give the scene an eerie tension as people start screaming.
 Close Encounters of the Third Kind / int_b39def3c
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1.0
 Close Encounters of the Third Kind / int_b39def3c
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Close Encounters of the Third Kind / int_b39def3c
 Close Encounters of the Third Kind / int_b50504d
type
Creepily Long Arms
 Close Encounters of the Third Kind / int_b50504d
comment
Creepily Long Arms: The first alien we see has very long, thin arms and legs, and is by far the most inhuman looking one. (It also has a very sweet smile and spreads its arms in an embracing gesture.)
 Close Encounters of the Third Kind / int_b50504d
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Glass-Shattering Sound: When the Mothership first 'speaks' it blows out the window of a tower at the landing site.
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Forced Perspective: The shot of a ship sitting in the middle of the desert. It wasn't really that big!
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Surprise Vehicle
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Surprise Vehicle: The "searchlight-bearing helicopter at night mistaken for a UFO" scene that would be copied by later TV shows. In fairness the helicopters first appear from over the horizon, so it's plausible the distinctive sound of their rotor blades might not be heard at that distance. Also the whole UN armada in the Gobi desert.
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Ominous Clouds
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Ominous Clouds: During the scenes where Barry is abducted, as well as the start of the finale, the arrival of the aliens is heralded by a sudden gathering of dark clouds.
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Neary tries hard to stop obsessing about his visions, but is ultimately unsuccessful.
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Big Blackout
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Big Blackout: The UFO's presence causes Muncie and other cities in Indiana to go dark in Slow Electricity fashion, along with temporarily disabling Roy's truck with an EMP-like effect when it Hypno Rays him.
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Re-Cut
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Re-Cut: The 1980 Special Edition added an extended introduction to the Neary family, a UFO scanning a McDonald's billboard, another UFO passing over Roy on the highway after the tunnel, the wreck of the Cotopaxi in the Gobi desert, Roy's Shower of Angst, and a look inside of the spaceship after Roy gets in. The billboard and spaceship interior shots were removed in the 1998 Director's Cut, which, conversely, restored some of the deleted scenesinvoked from the original theatrical version, including Jillian's arrival at the press conference, and Roy gathering the materials for his Room Full of Crazy.
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Hope Spot
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Hope Spot: After a family blowup over it, Neary decides to give up on his obsession. He takes down the UFO articles and starts dismantling the clay mountain replica he was building. However, when he rips off the top, he inadvertently makes it look like the real-world mountain it's supposed to. In the next scene, he's chucking dirt into his house to make a bigger mountain.
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Novelization
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Novelization: Penned (apparently) by Spielberg himself. It is written fairly haphazardly.
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Driver Faces Passenger
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Driver Faces Passenger: A case of Idiot Ball. Neary is holding up a map up in front of him while driving, causing his car to drift out of his lane and almost crash into oncoming traffic, becoming a poster child for future distracted driving laws.
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Shout-Out
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Shout-Out: The mothership has an R2D2 attached to its underside, among other things, including a mini graveyard and a VW van. The model, which is about the size of a large wedding cake, now resides in a glass case at the Steven F. Udvar-Hazy center, an annex of the Smithsonian National Air & Space Museum, located in Dulles, Virginia. Definitely worth a look if you're in the neighborhood. The Ten Commandments, Days of Our Lives, and Duck Dodgers in the 24½th Century are all seen on the Neary family TV set at various points. In one scene, we can also see models of the Enterprise and a Klingon battle cruiser in their house. A musical shout-out that borders on Actor Allusion: Briefly, during the Devils Tower musical sequence when contact is trying to be made with the alien ship, the Jaws theme can be heard briefly. John Williams wrote both soundtracks, and Richard Dreyfuss was in both CE3K and Jaws. invoked The scene where Jillian grabs Roy's hand while he is hanging onto the side of the mountain right before they see the landing site resembles that of Cary Grant's hanging on Mount Rushmore before he is helped up in the film North By Northwest. Note that Mount Rushmore is only about 90 miles away from the Devil's Tower.
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The Mentally Disturbed
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The Mentally Disturbed: Neary's behavior is clearly deranged, though to be fair it's not his fault.
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Fake Rabies
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Fake Rabies: Roy's brushing his teeth knowing his kids are behind him with a paddle and a Polaroid camera. When the kids whap him in the ass he whirls around with a mouth full of toothpaste froth and growls "ARRGH," and they get the perfect shot.
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The Aesthetics of Technology
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The Aesthetics of Technology: The alien ships are glowing heavily and the mothership is covered in billions of blinking lights.
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Nothing Is Scarier
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Nothing Is Scarier: The scene where a UFO causes a collision scare with some airliners could have been a big set-piece with lots of miniatures and special effects, shot from the perspective of the pilots. Having the scene play out entirely thought radio conversations and display screens at Air Traffic Control not only saved quite a bit of money, it also heightened the suspense and kept the ships' actual appearance concealed until the final scene at Devil's Tower, where The Reveal is truly spectacular.
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Monochrome Casting: The only non-white speaking roles are the NASA operator and the air traffic control commander (real-life ATC David Anderson) at the beginning.
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Everybody Lives
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Everybody Lives: A rare example of a science fiction blockbuster that doesn't involve any of the characters dying.
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First-Contact Math
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First-Contact Math: Instead of numbers, the scientists try to communicate with the aliens via a sequence of notes. To limited success.
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First Contact Team
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First Contact Team: The aliens are recruiting a First Contact Team from the humans via subliminal communication. The government has its own team ready, but the only human the aliens will deal with is Roy Neary, who is the only one of the alien-recruited humans to actually make it all the way to the contact site.
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Hypno Ray
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Hypno Ray: How the Grays turn people into Mad Artists and then enthusiastic abductees.
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Reaction Shot: Several during the alien arrival towards the end. The camera takes reaction shots of the amazed military crowd.
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Reasonable Authority Figure
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Reasonable Authority Figure: Both Lacombe and Laughlin believe in Neary's story and appeal to the military to investigate into his psychic phenomena. Their voices remain unheard.
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They Would Cut You Up
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They Would Cut You Up: Averted. This Government Conspiracy just wants everything to stay normal. It knows better than to fuck with these Sufficiently Advanced Aliens.
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No Antagonist
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No Antagonist: When it comes down to it in the end, there are no villains in this film. This is what made the movie such a refreshing take on alien contact in its time. The aliens are strange and mysterious and do some ethically questionable things, but they aren't overtly hostile and give everything and everyone back. The government creates a huge lie to clear Devil's Tower for the aliens to drop by, but you really can't blame them — they're meeting a possibly dangerous, obviously superior alien race. They would want the area clear for privacy and to have an army ready in the background just in case the aliens (or gun-toting human civilians) came out shooting. On a smaller scale, Ronnie Neary is a bit of a bitch, but you really can't blame her for being freaked out by Roy's crazy behavior and wanting to protect her kids. She does, however, put a little too much stake in the what-will-the-neighbors-think concern.
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Reconstruction
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Reconstruction of sci-fi alien movies. Except that the aliens that originally acted menacingly in the end turn out to be nice grey guys.
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Expy
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Expy: Lacombe is based on Real Life French UFOlogist Jacques Vallée.
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Blue-and-Orange Morality
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Blue-and-Orange Morality: We never learn why the aliens abducted people and why they're returning them now. They are depicted as an entirely unknowable force who do things for reasons the human characters cannot begin to fathom.
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Pinball Protagonist
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Pinball Protagonist: Roy is not a hero, merely the protagonist. He gets swept into constructing Devil's Tower models like several other people for reasons he does not understand. Then he realizes he's supposed to go to Devil's Tower and does, again only because he's compelled to. In the end he makes it past the army who are only trying to make sure First Contact goes smoothly, and gets to go on the alien spaceship, making him the "winner". Compare his fellow trying-to-reach-the-aliens person Jillian, who is at least trying to find her lost son.
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Beethoven Was an Alien Spy
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Beethoven Was an Alien Spy: Joked about by the personnel at Devil's Tower, quipping Albert Einstein "was probably one of them."
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Product Placement
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Product Placement: This film had a prominent Budweiser commercial, as well as the scientists' vans camouflaged with brand names. Spielberg has been criticized for overusing product placement in his pictures. The 1980 Special Edition featured an extended version of the flyby scene where one of the UFOs stops briefly to read a McDonald's billboard before disappearing into the night. This vignette appears only in that version. When Roy, Jillian, and Larry are escaping the Army camp, they pass by workers unloading crates labeled from various defense contractors at the time, such as Lockheed, Rockwell, and TRW. Given consumers are not likely to purchase products from these firms, this may be less product placement and more an attempt at accuracy, as it is just this type of firm which would be involved in this sort of operation.
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Faking the Dead
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Faking the Dead: The administration of Knockout Gas to the livestock around Devil's Tower in order to make the Gas Leak Cover-Up fly.
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The Mothership
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The Mothership: All the little and economy-sized spacecraft flying around Muncie, IN, and Devil's Tower, WY, are eventually followed up by a great whacking big UFO, which disgorges the missing persons and takes up Roy and the other astronauts.
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Practical Effects: SFX man Douglas Trumbull created the cloud effects by injecting white paint into tanks half filled with salt water and half filled with fresh water.
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Brick Joke
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Brick Joke: Early in the film, Roy tries to convince his kids that seeing Pinocchio would be more fun than mini golf, after which Ronnie calls him "Jiminy Cricket". Later, when Roy is about to enter the ship, the music plays the first line of "When You Wish Upon A Star".
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Diving Save
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Diving Save: Jillian dives for her son when he is about to be run over by Roy's truck on the road at night.
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Out of Job, into the Plot
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Out of Job, into the Plot: Roy Neary has lost his job as an electrician after the aliens had arrived on Earth. He starts to become obsessed with the Devil's Tower later on in the film.
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Daytime Drama Queen / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Deadly Gas / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Deathly Dies Irae / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Diving Save / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Door Handle Scare / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Dramatic Alien VTOL / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Dream Melody / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Drone of Dread / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Eternal Engine / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Everybody Lives / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Fake Rabies / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
First-Contact Math / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
First Contact Team / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Gas Leak Cover-Up / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Genre Roulette / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
George Lucas Altered Version / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Girls Stare at Scenery, Boys Stare at Girls / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Glass-Shattering Sound / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Hiding Behind the Language Barrier / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Hypno Ray / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
I Can See My House from Here / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
In-Camera Effects / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Innocent Aliens / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Inscrutable Aliens / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Knockout Gas / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Lens Flare / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Mad Artist / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Map All Along / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Monumental View / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Mood Motif / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Never Work with Children or Animals / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Newscaster Cameo / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Noodle People / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Nosy Neighbor / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Not Drawn to Scale / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Ominous Clouds / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Otherworldly Visits Youngest First / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Out of Job, into the Plot / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Pop-Culture Pun Episode Title / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Potty Emergency / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Re-Cut / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Real Trailer, Fake Movie / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Reference Overdosed / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Room Full of Crazy / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Saharan Shipwreck / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Scare Chord / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Sensor Suspense / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Starfish Language / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Stay with the Aliens / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Stock Unsolved Mysteries / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Surprise Vehicle / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
Taking the Kids / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
The Bermuda Triangle / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
The Greys / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
The Mountains of Illinois / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
White-and-Grey Morality / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
With Lyrics / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
You Can See That, Right? / int_78f6a3f
 Close Encounters of the Third Kind
hasFeature
AFI's 100 Years...100 Movies / int_78f6a3f