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High&Low

 High&Low
type
TVTItem
 High&Low
label
High&Low
 High&Low
page
HighAndLow
 High&Low
comment
Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_content_3'); })Tengoku to Jigoku (English Title: High and Lownote The Japanese title literally means "Heaven and Hell") is a 1963 film directed by Akira Kurosawa and starring Toshiro Mifune and Tatsuya Nakadai, based on King's Ransom, an 87th Precinct novel by Ed McBain.Kingo Gondo (Mifune) is a wealthy executive (the factory manager) for National Shoes. He's caught in a power struggle between a trio of directors who want to wrest control from the company's president, and the autocratic president himself. Behind the scenes, he's arranged a leveraged buyout that will give him control of the company so that he can run it his way. Just as he's committed himself to this course of action, mortgaging everything he has, Gondo is informed that his child Jun has been kidnapped, and the kidnapper demands a ludicrously high ransom.Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_content_2'); })Gondo is prepared to pay even if it ruins him, but then learns that his son is safe. Instead, the kidnapper has accidentally taken Shinichi, the son of Gondo's chauffeur. Gondo must now struggle with the moral dilemma of either bankrupting himself for another man's child...or letting the child die at the hands of the kidnapper.While Gondo suffers from this dilemma, and the results of his decision, the police, led by Chief Detective Tokura (Nakadai) attempt to match wits with the kidnapper and bring him to justice.Do not confuse with the High&Low franchise by EXILE TRIBE, also Japanese made.
 High&Low
fetched
2019-04-14T18:24:52Z
 High&Low
parsed
2020-06-24T03:01:32Z
 High&Low
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DBTropes
 High&Low / int_1ee9819e
type
Scary Shiny Glasses
 High&Low / int_1ee9819e
comment
Scary Shiny Glasses: The kidnapper's sunglasses always manage to have bright light reflecting in them.
 High&Low / int_1ee9819e
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High&Low / int_1ee9819e
 High&Low / int_379dcdf2
type
Cowboys and Indians
 High&Low / int_379dcdf2
comment
Cowboys and Indians: Jun and Shinichi play "Sheriff and Outlaw", then switch roles and outfits; this leads to the wrong boy being kidnapped.
 High&Low / int_379dcdf2
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 High&Low / int_3e353a08
type
Accidental Kidnapping
 High&Low / int_3e353a08
comment
Accidental Kidnapping: The kidnapper gets confused and winds up taking the chauffeur's son instead of Gondo's.
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 High&Low / int_3f0b2f50
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Make It Look Like an Accident
 High&Low / int_3f0b2f50
comment
Make It Look Like an Accident: The kidnapper uses as his partners in crime two heroin junkies. He then murders them with heroin overdoses by deliberately giving them 95% pure heroin.
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 High&Low / int_40f3b23a
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FilmOfTheBook
 High&Low / int_40f3b23a
comment
Film of the Book: Based on the novel King's Ransom by Ed McBain (pen name of Evan Hunter).
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High&Low / int_40f3b23a
 High&Low / int_46118dc5
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Adult Fear
 High&Low / int_46118dc5
comment
Adult Fear: Your child being kidnapped? Check. Financial ruin? Double check.
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 High&Low / int_4814d132
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Big Fancy House
 High&Low / int_4814d132
comment
Big Fancy House: Gondo's large modern house with the amazing view at the top of the hill ("High") overlooking the city ("Low"). The first half is set entirely within that house.
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 High&Low / int_4f7c3890
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Shoddy Knockoff Product
 High&Low / int_4f7c3890
comment
Shoddy Knockoff Product: At the beginning of the movie, Gondo is being pressured into making crappier, cheaper and absolutely flimsy shoes at the National Shoe to drive up profits. He doesn't warm up to the idea at all.
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 High&Low / int_7a555627
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Honest Corporate Executive
 High&Low / int_7a555627
comment
Honest Corporate Executive: Gondo, while engaging in some sneaky dealings, wants to produce good quality and stylish shoes at a reasonable price as this will produce more profits in the long run. His own employees note that while Gondo might be stern and even a stickler, he was always fair and respectful and never asked them to do stuff he wouldn't do. The dilemma for Gondo in the first half, when the kidnapper took the wrong kid Shinichi, is whether he is willing to sacrifice his life savings and fortune for someone who is not his own child, and indeed the son of one of his servant's. Gondo ultimately does do the moral thing but he hesitated for a long time because he really did have a lot at stake and the police are moved by his moral gesture, with one cop noting that it's almost enough to change his opinion about businessmen, at least until Gondo's bosses prove how exceptional and rare a thing this is.
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 High&Low / int_85537320
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Police Procedural
 High&Low / int_85537320
comment
Police Procedural: Particularly in the second part of the film.
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 High&Low / int_87504252
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The Big Board
 High&Low / int_87504252
comment
The Big Board: The cops in Yokohama have a large map of the city that they use in an effort to puzzle out where the kidnapper called from.
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 High&Low / int_8ce55ec6
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Ransom Drop
 High&Low / int_8ce55ec6
comment
Ransom Drop: From a train per the kidnapper's meticulous instructions.
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 High&Low / int_957e5fc2
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Villainous Breakdown
 High&Low / int_957e5fc2
comment
Villainous Breakdown: The kidnapper breaks down sobbing and tries to swallow a heroin overdose when he is finally caught. And his brave front when he faces Gendo winds up dissolving into hysterical screaming.
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Big Bad
 High&Low / int_970c790a
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Big Bad: Ginjiro Takeuchi, the mastermind of Shinichi's kidnapping.
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 High&Low / int_9b54d536
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EvilCounterpart
 High&Low / int_9b54d536
comment
Evil Counterpart: The kidnapper to Gondo, as both have backgrounds from the urban slums, and from which Gondo worked his way up from the bottom to reach the professional class, while the kidnapper might have had a chance to potentially work to becoming a medical professional, but threw away his life committing the crimes.
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 High&Low / int_ab5eea65
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Dramatic Irony
 High&Low / int_ab5eea65
comment
Dramatic Irony: The kidnapper believes that he's striking a deserved blow against an uppity, privileged rich man who has always looked down (literally even) on the poor of the slum district below. Except that Gondo himself came up from those same slums.
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Chekhov's Skill
 High&Low / int_acecb17d
comment
Chekhov's Skill: Gondo's youth as a cobbler's apprentice comes in handy when the police need to hide something in briefcases.
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Hyperlink Story
 High&Low / int_aec19d54
comment
Hyperlink Story: The second half of the film is a drama without main characters largely following the cops as they investigate the kidnapper, it also switches by following the kidnapper, a brief episode where Shinichi's father tries to act like a hero and investigate on his own, and showing the fallout of the media publicity of Gondo's actions. The height of this is when the cops in the middle of their investigation see Gondo, who's been absent from the action for sometime, just run into the man who he doesn't know is the kidnappers. The cops can't believe the bizarre incident and unknown connection they are seeing.
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Face–Heel Turn
 High&Low / int_af3ea0e3
comment
Face–Heel Turn: Gondo's secretary Kawanishi defects to the side of the directors; he tries to disguise this as a Heel–Face Turn, but Gondo easily sees through it.
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 High&Low / int_b3f77675
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Grass Is Greener
 High&Low / int_b3f77675
comment
Grass Is Greener: Why the kidnapper did what he did. He was a poor medical student who lived in a hovel gazing up at Gondo's fancy house at the top of the hill and directed all his rage towards him, seeing him as a symbol and representative of the class structure.
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 High&Low / int_b7b0c10d
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Phone-Trace Race
 High&Low / int_b7b0c10d
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Phone-Trace Race: Police trying to trace the phone calls.
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 High&Low / int_b9fd7929
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MoralityChain
 High&Low / int_b9fd7929
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Morality Chain: Gondo's wife Reiko, at first, and later his son Jun.
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 High&Low / int_bbb3a5a0
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Splash of Color
 High&Low / int_bbb3a5a0
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Splash of Color: A plume of pink smoke when the kidnapper disposes of evidence appears in color.
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 High&Low / int_c3a57274
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True Craftsman
 High&Low / int_c3a57274
comment
True Craftsman: Gondo cares about making quality shoes, and takes offense when more ethically challenged executives at National Shoes suggest making a deliberately shoddy product.
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Freudian Excuse
 High&Low / int_c868a42a
comment
Freudian Excuse: It's hinted that the kidnapper's life has been hellish, including whatever gave him that nasty scar. But he decides not to tell Gondo about it, apparently because he doesn't want to be pitied, which of course begs the question as to why he's even telling Gondo about it.
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Corrupt Corporate Executive
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comment
Corrupt Corporate Executive: The three directors want to take over National Shoes so that they can make gaudy but shoddy products at a high profit, assuming their customers will be easily fooled by advertising. The "Old Man", who is never seen, does not appear to be corrupt, but is autocratic and behind the times.
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 High&Low / int_d3427b48
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YamatoNadeshiko
 High&Low / int_d3427b48
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Yamato Nadeshiko: Reiko
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 High&Low / int_de2ee4e8
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Two-Act Structure
 High&Low / int_de2ee4e8
comment
Two-Act Structure: The first half of the film involves the kidnapping and Ransom Drop, which is complicated by Gondo's planned takeover of National Shoes and his reluctance to expose himself to complete financial ruin. The second half of the movie largely leaves Gondo behind and follows the meticulous police investigation that eventually tracks down the kidnapper. Kurosawa emphasizes this by the fact that the first act is entirely set inside the confines of the house, while the second half is set across the city's lower-depths, with the scene where Gondo makes the drop in the train the bridge of the story. The film is divided between "high" and "low".
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Self-Made Man
 High&Low / int_ed874c14
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Self-Made Man: Gondo worked his way up from cobbler's apprentice to the position he now occupies, though his marriage to Reiko did give him much more wealth to work with. (And note that this kind of upward social mobility would have been extremely rare in Japan at the time, making Gondo's moral dilemma even more harrowing.) The fact that he was a leather worker implies that he was not simply poor, but a Burakumin, making his success even more extraordinary.
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EarnYourHappyEnding
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comment
Earn Your Happy Ending: Gondo's plan to take over National Shoes fails, and he loses all his possessions when his creditors call in his loan. But he gets the cash back when the kidnapper is finally caught, and he gets a chance to start over again with a smaller but better shoe company.
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High&Low

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 HighandLow
sameAs
High&Low