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L'eclisse

772 statements
152 feature instances
8 referencing feature instances

L'eclisse	type	TVTItem
L'eclisse	label	L'eclisse
L'eclisse	page	Leclisse
L'eclisse	comment	L'eclisse (English translation: The Eclipse, might also be untranslated) is a 1962 romance drama film directed by Michelangelo Antonioni. The movie is set in Rome in the summer and autumn of 1961. Main roles are performed by Monica Vitti and Alain Delon. It was awarded the Special Jury Prize at the 1962 Cannes Film Festival.Also starring is Lilla Brignone as Vittoria's mother and Francisco Rabal as her former fiancé Riccardo.This was the third in the informal trilogy of alienation, with its predecessors being L'Avventura and La notte. L'eclisse also was Antonioni's final black-and-white film. Sometimes Antonioni's subsequent film, Il deserto rosso, is included in this series too, to make it a tetralogy.Antonioni wrote the script in collaboration with Tonino Guerra and two other writers. Gianni di Venanzo was the cinematographer for the fifth and the last time in Antonioni films.
L'eclisse	fetched	2018-09-29T23:56:12Z
L'eclisse	parsed	2020-06-24T03:21:48Z
L'eclisse	processingComment	Dropped link to CallBack: Not a Feature - ITEM
L'eclisse	processingComment	Dropped link to Foil: Not a Feature - IGNORE
L'eclisse	processingComment	Dropped link to Romance: Not a Feature - ITEM
L'eclisse	processingComment	Dropped link to RomeoAndJuliet: Not a Feature - ITEM
L'eclisse	isPartOf	DBTropes
L'eclisse / int_1434e55c	type	Amazingly Embarrassing Parents
L'eclisse / int_1434e55c	comment	Amazingly Embarrassing Parents: Vittoria's mother to her daughter. Even on the winning day she tries to bargain with a street seller paying her less. On a bad day mother experiences a breakdown in La Borsa. Vittoria tries to convince her to simply go home.
L'eclisse / int_1434e55c	featureApplicability	1.0
L'eclisse / int_1434e55c	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_1434e55c
L'eclisse / int_1484dba1	type	Foreshadowing
L'eclisse / int_1484dba1	comment	Foreshadowing: The loss of the car Alpha Romeo Giulietta predicts that the romance between Vittoria and Piero is doomed
L'eclisse / int_1484dba1	featureApplicability	1.0
L'eclisse / int_1484dba1	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_1484dba1
L'eclisse / int_1495d0e6	type	Non Sequitur
L'eclisse / int_1495d0e6	comment	Non Sequitur: Vittoria is fond of them. After Piero proposes her she says she is tired of marriage. Piero remarks that she has never been married but she inconsequently says that she means another thing. Piero reasonably says that he does not understand her.
L'eclisse / int_1495d0e6	featureApplicability	1.0
L'eclisse / int_1495d0e6	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_1495d0e6
L'eclisse / int_174d487f	type	Dull Eyes of Unhappiness
L'eclisse / int_174d487f	comment	Dull Eyes of Unhappiness: Ricardo in the opening scene has this look for the prolonged time when he sits in the armchair. He appears to be far away in his thoughts.
L'eclisse / int_174d487f	featureApplicability	1.0
L'eclisse / int_174d487f	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_174d487f
L'eclisse / int_191535aa	type	Eiffel Tower Effect
L'eclisse / int_191535aa	comment	Eiffel Tower Effect: St. Peter's Basilica can be seen from the window of the former room of Vittoria in her mother's flat.
L'eclisse / int_191535aa	featureApplicability	1.0
L'eclisse / int_191535aa	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_191535aa
L'eclisse / int_1b4e322c	type	Mr. Fanservice
L'eclisse / int_1b4e322c	comment	Mr. Fanservice: Alain Delon. It is lampshaded in many reviews. including those written by the males who say they are hetero.
L'eclisse / int_1b4e322c	featureApplicability	1.0
L'eclisse / int_1b4e322c	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_1b4e322c
L'eclisse / int_1b70ccc6	type	The Cynic
L'eclisse / int_1b70ccc6	comment	The Cynic: Piero who after the accident leading to the death of the hijacker of his car confesses to Vittoria that he is mostly concerned about the amount of the damage to the vehicle.
L'eclisse / int_1b70ccc6	featureApplicability	1.0
L'eclisse / int_1b70ccc6	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_1b70ccc6
L'eclisse / int_1c571556	type	The Tease
L'eclisse / int_1c571556	comment	The Tease: Vittoria while on date with Piero in his parents posh appartment. She runs away several times in the end she gives in.
L'eclisse / int_1c571556	featureApplicability	1.0
L'eclisse / int_1c571556	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_1c571556
L'eclisse / int_1c5bf1fd	type	The Tower
L'eclisse / int_1c5bf1fd	comment	The Tower: a somewhat odd mushroom-shaped EUR water tower which is shown from the window in the very first scene. Actually it is present in the very first shot of the outside world when Vittoria draws the curtain of the window.
L'eclisse / int_1c5bf1fd	featureApplicability	1.0
L'eclisse / int_1c5bf1fd	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_1c5bf1fd
L'eclisse / int_1c6a9289	type	Bishōnen
L'eclisse / int_1c6a9289	comment	Bishōnen: Alain Delon as always, his eyes really shine in black-and-white.
L'eclisse / int_1c6a9289	featureApplicability	1.0
L'eclisse / int_1c6a9289	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_1c6a9289
L'eclisse / int_1d9a2764	type	Reality Ensues
L'eclisse / int_1d9a2764	comment	Reality Ensues: For Vittoria's mother who was not eager to save and thought that the stock market rally would last forever.
L'eclisse / int_1d9a2764	featureApplicability	1.0
L'eclisse / int_1d9a2764	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_1d9a2764
L'eclisse / int_1e39757d	type	Servant Race
L'eclisse / int_1e39757d	comment	Servant Race: Africans for Marta who lived all her life in Kenya. Subverted by the history as Kenya achieved independence in 1963, the next year after the release of the film. Or two years after the time of action which is the summer of 1961.
L'eclisse / int_1e39757d	featureApplicability	-0.3
L'eclisse / int_1e39757d	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_1e39757d
L'eclisse / int_1ec7ea4a	type	Watch Out for That Tree!
L'eclisse / int_1ec7ea4a	comment	Watch Out for That Tree!: An outlandish shot in the beginning when Vittoria leaves the house of Riccardo she passes a T-junction in the very middle of which a tree appears to grow out of asphalt. If Riccardo drives through that road he definitely needs to watch out.
L'eclisse / int_1ec7ea4a	featureApplicability	1.0
L'eclisse / int_1ec7ea4a	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_1ec7ea4a
L'eclisse / int_207e000c	type	Reveal Shot
L'eclisse / int_207e000c	comment	Reveal Shot: In the date scene Vittoria arrives at the appointment in time with Piero not in view. Then a horse-drawn carriage passes from right to left and as the camera pans to the left after the carriage it shows Piero going toward Vittoria.
L'eclisse / int_207e000c	featureApplicability	1.0
L'eclisse / int_207e000c	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_207e000c
L'eclisse / int_2292c854	type	Between My Legs
L'eclisse / int_2292c854	comment	Between My Legs: An interesting example. Vittoria in one scene is watched by the camera from the Dutch angle with the statue on the pedestal in the foreground. First it is not this trope but then Vittoria makes several steps and takes a position such that for a moment her head and upper torso are seen above the pedestal between the legs of the monument. Camera promptly cuts to a reverse angle with the heroine's head now in the foreground placed between the legs of the statue.
L'eclisse / int_2292c854	featureApplicability	1.0
L'eclisse / int_2292c854	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_2292c854
L'eclisse / int_23330a99	type	Immediate Self-Contradiction
L'eclisse / int_23330a99	comment	Immediate Self-Contradiction: Vittoria pretends to be tired of marriage, then promptly agrees with Piero's remark that she's never been married. Might be that she subconsciously considered her life with Riccardo as "marital".
L'eclisse / int_23330a99	featureApplicability	1.0
L'eclisse / int_23330a99	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_23330a99
L'eclisse / int_23be181a	type	Patriotic Fervor
L'eclisse / int_23be181a	comment	Patriotic Fervor: Interestingly, that is Marta's sentiment for her country which is Kenya, not Italy. She puts its beauty above Congo, Rhodesia and South Africa. Subverted when she later says that she is going to remain in Italy.
L'eclisse / int_23be181a	featureApplicability	-0.3
L'eclisse / int_23be181a	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_23be181a
L'eclisse / int_24321e44	type	Only Sane Man
L'eclisse / int_24321e44	comment	Only Sane Man: Vittoria during the second La Borsa scene when the crash happens.
L'eclisse / int_24321e44	featureApplicability	1.0
L'eclisse / int_24321e44	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_24321e44
L'eclisse / int_2534ee67	type	In Medias Res
L'eclisse / int_2534ee67	comment	In Medias Res: The film starts with a decisive meeting, at first silent, between Vittoria and Riccardo. It ends by their final break-up.
L'eclisse / int_2534ee67	featureApplicability	1.0
L'eclisse / int_2534ee67	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_2534ee67
L'eclisse / int_262861e1	type	Blade on a Stick
L'eclisse / int_262861e1	comment	Blade on a Stick: Vittoria brandishes a spear playing an African woman.
L'eclisse / int_262861e1	featureApplicability	1.0
L'eclisse / int_262861e1	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_262861e1
L'eclisse / int_26eb6287	type	Funny Background Event
L'eclisse / int_26eb6287	comment	Funny Background Event: In the scene where the car is lifted from the lake a boy is pushed into the water by his mates.
L'eclisse / int_26eb6287	featureApplicability	1.0
L'eclisse / int_26eb6287	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_26eb6287
L'eclisse / int_27a42ebc	type	Spiritual Successor
L'eclisse / int_27a42ebc	comment	Spiritual Successor: To Antonioni's two previous films, L'Avventura and La Notte.
L'eclisse / int_27a42ebc	featureApplicability	1.0
L'eclisse / int_27a42ebc	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_27a42ebc
L'eclisse / int_28cd01ca	type	Disappeared Dad
L'eclisse / int_28cd01ca	comment	Disappeared Dad: The father of Vittoria died when she was very small.
L'eclisse / int_28cd01ca	featureApplicability	1.0
L'eclisse / int_28cd01ca	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_28cd01ca
L'eclisse / int_294ed981	type	Bilingual Bonus
L'eclisse / int_294ed981	comment	Bilingual Bonus: Invoked in-universe. Vittoria addresses to Marta in English in the presense of Anita. The latter protests and asks to return to Italian because she doesn't understand.
L'eclisse / int_294ed981	featureApplicability	1.0
L'eclisse / int_294ed981	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_294ed981
L'eclisse / int_2d364343	type	Frame-Up
L'eclisse / int_2d364343	comment	Frameup A pretty slight, somewhat slapstick example. Vittoria whistles loudly and hides bedind the tree. A bicycle rider turns in her direction and sees only Piero who denies that he has anything to do with the whistle. This scene is then continued by Marta's shooting of the ballon, together they constitute a Mood Whiplash.
L'eclisse / int_2d364343	featureApplicability	1.0
L'eclisse / int_2d364343	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_2d364343
L'eclisse / int_2dc3e97c	type	Ghost Town
L'eclisse / int_2dc3e97c	comment	Ghost Town: A necessarily weak example but it is still noteworthy that this trope can be applied to a film nearly entirely set in Rome which is a very big city. Both in the opening scene and in the ending scene the people on the street are very few. In the beginning after Vittoria and Piero leave her house some time passes before they see a man (a boy). Justified because the scene takes place in the early morning. In the long final scene some people are present but many shots show vacant roads without human presence.
L'eclisse / int_2dc3e97c	featureApplicability	1.0
L'eclisse / int_2dc3e97c	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_2dc3e97c
L'eclisse / int_34dcfc96	type	KickTheDog
L'eclisse / int_34dcfc96	comment	Kick the Dog: Examples abound with Piero. He meets a girl at a date, finds out that while she used to be a blonde now she has her hair dyed in a darker colour. He interrupts their date immediately, merely leaving her and driving away.
L'eclisse / int_34dcfc96	featureApplicability	1.0
L'eclisse / int_34dcfc96	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_34dcfc96
L'eclisse / int_34e1ef45	type	Unnamed Parent
L'eclisse / int_34e1ef45	comment	Unnamed Parent: The character of Lilla Brignone is credited only as Vittoria's mother, her name is never given. Same with the name of Vittoria's father though it is more explainable in that case.
L'eclisse / int_34e1ef45	featureApplicability	1.0
L'eclisse / int_34e1ef45	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_34e1ef45
L'eclisse / int_3618ebb9	type	TheSixties
L'eclisse / int_3618ebb9	comment	The '60s: The early sixties with their nuclear threat shenanigans. The film is set in the summer and autumn of 1961.
L'eclisse / int_3618ebb9	featureApplicability	1.0
L'eclisse / int_3618ebb9	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_3618ebb9
L'eclisse / int_372bc105	type	Sliding Scale of Idealism Versus Cynicism
L'eclisse / int_372bc105	comment	Sliding Scale of Idealism vs. Cynicism: The general mood of the film is pretty cynical when it is not reflective. Not much idealism throughout though. Piero is both feet on the cynical side though even he has his moments with Vittoria. Vittoria although trying to resist the overbearing cynicism at times gives in too. when she says that at time it is all equal to her whether to hold a thread and a needle, a book or a man in her hands.
L'eclisse / int_372bc105	featureApplicability	1.0
L'eclisse / int_372bc105	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_372bc105
L'eclisse / int_3b4185fb	type	Stalker without a Crush
L'eclisse / int_3b4185fb	comment	Stalker Without a Crush: Riccardo probably acts as such when after the breakup he once stalks Vittoria, coming under her window, throwing pebbles and trying to break into the building where she lives. Vittoria hides behind the drapes trying not to be seen. He fails to get in contact with her and never appears in the movie again. YMMV as to whether he has a crush on Vittoria, all signs would say that he does except that he totally disappears from the film after his stalking scene.
L'eclisse / int_3b4185fb	featureApplicability	1.0
L'eclisse / int_3b4185fb	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_3b4185fb
L'eclisse / int_3eee0728	type	Captain Obvious
L'eclisse / int_3eee0728	comment	Captain Obvious: When the drunk drives to the house of Vittoria Piero shouts "my car" and rushes to the road only to narrowly avoid being hit. Then while the drunk speeds away he explains to Vittoria "he stole my car".
L'eclisse / int_3eee0728	featureApplicability	1.0
L'eclisse / int_3eee0728	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_3eee0728
L'eclisse / int_40bb59d0	type	Blatant Lies
L'eclisse / int_40bb59d0	comment	Blatant Lies: When Piero proposes to Vittoria she rejects it saying that she is fed up with marriage. Piero replies that she never was married. Vittoria mysteriously answers that she means another thing.
L'eclisse / int_40bb59d0	featureApplicability	1.0
L'eclisse / int_40bb59d0	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_40bb59d0
L'eclisse / int_40cc0c7e	type	Bittersweet Ending
L'eclisse / int_40cc0c7e	comment	Bittersweet Ending: Arguably. While Vittoria and Piero both never come to the appointment place they are still young and beautiful. Thus it doesn't look like the film has a Downer Ending
L'eclisse / int_40cc0c7e	featureApplicability	1.0
L'eclisse / int_40cc0c7e	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_40cc0c7e
L'eclisse / int_4394b4be	type	Messy Hair
L'eclisse / int_4394b4be	comment	Messy Hair The hair of Vittoria's mother becomes pretty messy in the end of the second La Borsa scene when she becomes desperate.
L'eclisse / int_4394b4be	featureApplicability	1.0
L'eclisse / int_4394b4be	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_4394b4be
L'eclisse / int_43b67361	type	Have We Met?
L'eclisse / int_43b67361	comment	Have We Met?: Piero says to Vittoria during their first meeting in La Borsa that she does not know him but he knows her. It probably is a reference to Vittoria's mother who should have talked to the broker about her.
L'eclisse / int_43b67361	featureApplicability	1.0
L'eclisse / int_43b67361	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_43b67361
L'eclisse / int_45a559cf	type	Wardrobe Malfunction
L'eclisse / int_45a559cf	comment	Wardrobe Malfunction: Vittoria's dress brace is inadvertently ripped by Piero.
L'eclisse / int_45a559cf	featureApplicability	1.0
L'eclisse / int_45a559cf	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_45a559cf
L'eclisse / int_46118dc5	type	Adult Fear
L'eclisse / int_46118dc5	comment	Adult Fear: The danger of the nuclear apocalypse is implied in the final scene by the title of the newspaper article carried by an extra.
L'eclisse / int_46118dc5	featureApplicability	1.0
L'eclisse / int_46118dc5	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_46118dc5
L'eclisse / int_4756a7f	type	Bourgeois Bohemian
L'eclisse / int_4756a7f	comment	Bourgeois Bohemian: Riccardo who appears quite well-off and has a lively interest in the socialist theory which is implied by the books in his house. Subsequently Vittoria starts a relationship with a stockbroker Piero who has no interest in any social ideas whatsoever
L'eclisse / int_4756a7f	featureApplicability	1.0
L'eclisse / int_4756a7f	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_4756a7f
L'eclisse / int_49d59be9	type	SceneryPorn
L'eclisse / int_49d59be9	comment	Scenery Porn: The film is shot extensively in Rome and it is generally considered by cinephiles to be one of the few movies to really show the weirdness of Modern Rome rather than simply focus on the touristy eternal city (it's often compared to La Dolce Vita which was the defining film of Rome in that era). Antonioni has a lot of fun showing the Borsa, Rome's stock exchange which is indeed located in an Ancient Roman temple, showing how the ancient and modern, sacred and profane have joined together. Likewise, the opening focuses on the EUR tower, one of Mussolini's old projects.
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L'eclisse / int_49f6a9e4	type	Most Writers Are Writers
L'eclisse / int_49f6a9e4	comment	Most Writers Are Writers: Vittoria is a translator from Spanish.
L'eclisse / int_49f6a9e4	featureApplicability	1.0
L'eclisse / int_49f6a9e4	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_49f6a9e4
L'eclisse / int_4c27e0e8	type	Temporary Love Interest
L'eclisse / int_4c27e0e8	comment	Temporary Love Interest. That's what both characters eventually prove to be for each other.
L'eclisse / int_4c27e0e8	featureApplicability	1.0
L'eclisse / int_4c27e0e8	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_4c27e0e8
L'eclisse / int_4c961994	type	Acquired Situational Narcissism
L'eclisse / int_4c961994	comment	Acquired Situational Narcissism. Vittoria's mother demonstrates it after a successful session in the first La Boursa scene.
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L'eclisse / int_4e3e577a	type	Psychological Horror
L'eclisse / int_4e3e577a	comment	Psychological Horror: While not a horror film L'eclisse has the element of this in the last minutes invoked both by soundtrack and empty streets of the roman neighbourhood. The atmosphere is very unsettling in the ending.
L'eclisse / int_4e3e577a	featureApplicability	1.0
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L'eclisse / int_4eaa9b84	type	Author Tract
L'eclisse / int_4eaa9b84	comment	Author Tract: According to the Word of God the director was in fact very keen on exposing the materialism and vapidity of the modern life.
L'eclisse / int_4eaa9b84	featureApplicability	1.0
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L'eclisse / int_53034c21	type	Great White Hunter
L'eclisse / int_53034c21	comment	Great White Hunter: Subverted because Marta's father kills hippos only when they eat plants required for the cattle. Still Marta can shoot a balloon from some distance.
L'eclisse / int_53034c21	featureApplicability	-0.3
L'eclisse / int_53034c21	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_53034c21
L'eclisse / int_53224e46	type	Bookends
L'eclisse / int_53224e46	comment	Bookends: Of sorts. The film starts with a scene of the break-up of Vittoria and Riccardo and its penultimate scene is the break-up of Vittoria and Piero foillowed by the tremendous silent final scene.
L'eclisse / int_53224e46	featureApplicability	1.0
L'eclisse / int_53224e46	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_53224e46
L'eclisse / int_5369c081	type	Invisible Parents
L'eclisse / int_5369c081	comment	Invisible Parents: Not the strongest example of this trope. Still Piero who says that he has his own appartment invited Vttoria to a supposedly much posher appartment of his parents. It does not appear to be lived in by anyone (but Piero). Of course the sole scene happens in this appartment and it is implied that they left for some time. Later Piero invites Vittoria to the appartment where the office of his brokerage firm is located.
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L'eclisse / int_55232afa	type	Politically Incorrect Hero
L'eclisse / int_55232afa	comment	Politically Incorrect Hero: Monica Vitti's Vittoria puts on a Blackface, and Marta who lived in Kenya voices racist opinions that are unacceptable by today's standards, and even by the standards of that time. Considering that Antonioni was a figure in the European Left, it is likely that he is invoking this trope and intending it to see it as an expression of the racism of the middle-class of that era.
L'eclisse / int_55232afa	featureApplicability	1.0
L'eclisse / int_55232afa	featureConfidence	1.0
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L'eclisse / int_553aaabe	type	Safety in Indifference
L'eclisse / int_553aaabe	comment	Safety in Indifference: Interestingly zigzagged as Vittoria says to Piero: "I wish I loved you more or did not love you at all".
L'eclisse / int_553aaabe	featureApplicability	1.0
L'eclisse / int_553aaabe	featureConfidence	1.0
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L'eclisse / int_59657f84	type	Trapped in a Sinking Car
L'eclisse / int_59657f84	comment	Trapped in a Sinking Car: The drunk who steals Piero's car dies in that way in the small lake.
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L'eclisse / int_5b88d4c4	type	A Fool and His New Money Are Soon Parted
L'eclisse / int_5b88d4c4	comment	A Fool and His New Money Are Soon Parted. When in the first La Borsa scene Vittoria's mother brags about how she made big money in no time it is easy to see how clueless she is. Reality strikes back in the second La Boursa scene.
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L'eclisse / int_5fcb9ad1	type	Time Skip
L'eclisse / int_5fcb9ad1	comment	Time Skip: The editing of the scenes of the romance between Piero and Vittoria implies that some adjacent scenes are separated by days or weeks. Also Vacation Episode in Verona is cut off abruptly and the second La Borsa scene begins with an indefinite number of days (though probably not weelks) between them. Two short ones are in the scene of the Vittoria's African dance performance. The scenes before and after when she puts on and removes the make-up and constume are elided. She first appears after cut already in blackface and brandishing a spear. Then cut and she is again in her plain clothes.
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L'eclisse / int_618c7492	type	The Protagonist
L'eclisse / int_618c7492	comment	The Protagonist: Definitely Vittoria played by Monica Vitti.
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L'eclisse / int_62f9d08e	type	Freeze-Frame Bonus
L'eclisse / int_62f9d08e	comment	Freeze-Frame Bonus: At La Borsa one can see briefly indications "VEN(erdi)" "21" "LUG(lio)" and "13:09" meaning "Friday" and "July".That's the date of one of the shooting days.
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L'eclisse / int_6509bb9f	type	Non-Indicative Name
L'eclisse / int_6509bb9f	comment	Nonindicative Name: Played with. The word "eclipse" might apply to many things and thus this film might not this trope however Antonioni initially named it "L'eclisse/The Eclipse" keeping in mind an actual solar eclipse he once experienced. He wanted to show it in the film but never did.
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L'eclisse / int_663f35c0	type	Only One Name
L'eclisse / int_663f35c0	comment	Only One Name: For everyone else apart from Vittoria's mother who has none. No surnames are mentioned except for the offscreen characters. A boss on the contrary has a surname - Ercoli but no name. Subverted with a deceased broker to whom the minute of silence is dedicated. He is mentioned by both his name and surname. He was named Domenico Pietrozzi which might be a sort of hint at Piero.
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L'eclisse / int_68a77024	type	Untranslated Title
L'eclisse / int_68a77024	comment	Untranslated Title
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L'eclisse / int_6b05b601	type	Jerkass Has a Point
L'eclisse / int_6b05b601	comment	Jerkass Has a Point: Piero might be a heartless, callous shark however during the rally he actually helped his clients to make amounts of money probably unheard for them. He is not to blame for the stock crash.
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L'eclisse / int_6bda9a30	type	Meaningful Name
L'eclisse / int_6bda9a30	comment	Meaningful Name: Vittoria means "victory". More speculatively Piero is a variation of Pietro derived from the Greek for "stone". Piero also contains allusion to Pierot, the stock character in the commedia dell'arte.
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L'eclisse / int_6d332aea	type	Driven to Suicide
L'eclisse / int_6d332aea	comment	Driven to Suicide: Most probably subverted regarding the unlucky investor who lost 50 million lire in the stock market crash. However visibly shaken he seems he might take the misforture stoically.
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L'eclisse / int_6ec4ae5b	type	Absurdly Cool City
L'eclisse / int_6ec4ae5b	comment	Absurdly Cool City: Rome
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L'eclisse / int_7012424f	type	Stealth Hi/Bye
L'eclisse / int_7012424f	comment	Stealth Hi/Bye: Piero does the stealth bye. Vittoria is going away from him in the long shot while he remains on the spot. Then cue her medium shot from the back as she walks on. When she turns around to look at Piero he is nowhere to be seen. Later Piero appears out of thin air when a horse-drawn carriage passes near Vittoria on their dating spot. Both the heroine and the camera follow it by a pan which reveals Piero already approaching Vittoria.
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L'eclisse / int_711714da	type	Opposites Attract
L'eclisse / int_711714da	comment	Opposites Attract: Invoked. Vittoria and Piero are very different for some time their differences do not prevent them from being together. Still it does not last.
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L'eclisse / int_71a223fc	type	Up to Eleven
L'eclisse / int_71a223fc	comment	Up to Eleven: The second La Borsa scene is like the first one but on steroids. Not surprising because the crash happens exactly during the second La Borsa scene.
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L'eclisse / int_7a4013f3	type	Deuteragonist
L'eclisse / int_7a4013f3	comment	Deuteragonist: Piero is both far behind Vittoria and far ahead of anyone else in regard to his screentime. He is much less present in the first half movie than it would appear in the retrospect, until 50 minutes into the movie he is actually only seen in the first stock exchange scene (admittedly a pretty long one). He rebounds in the second half, starting with the second stock exchange scene at 50 minutes into the film. He is on par with Vittoria throughout the third act where he appears as often as his counterpart. Overall his arc is very significant but he is definitely the second important character even though Alain Delon actually received the top billing.
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L'eclisse / int_7abd339f	type	Black-and-White Morality
L'eclisse / int_7abd339f	comment	Black and White Morality: Vittoria invokes this, believing that the proceedings in La Borsa are immoral.
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L'eclisse / int_7cc3f425	type	Moment of Silence
L'eclisse / int_7cc3f425	comment	Moment of Silence: A minute of silence in La Borsa after the announcement about the death of a stockbroker. A literal example for the silence lasts exactly one minute. Subverted by Piero who addresses Vittoria during the minute of silence.
L'eclisse / int_7cc3f425	featureApplicability	-0.3
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L'eclisse / int_7cc8d769	type	Sore Loser
L'eclisse / int_7cc8d769	comment	Sore Loser: Vittoria's mother takes her loss of 10 million lire in a most unpleasant way. She starts to accuse the emplyees of La Borsa and even criticises the capitalism with which she previously is totally content. Lampshaded by Vittoria who notes that her mother will not draw flowers as opposed to the mans who loses 50 million lire. Subverted in the case of an anonymous investor who loses 50 million lire in a crash and remains visibly quiet, merely ordering a tranquilizer in a drugstore and drinking it with water. Later he draws flowers on a rag of paper.
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L'eclisse / int_7d89315b	type	"The Reason You Suck" Speech
L'eclisse / int_7d89315b	comment	"The Reason You Suck" Speech: Piero delivers it in a strangely cut sequence. He first addresses a female investor in his room. Then cut and he already continues the same speach to a male investor in the corridor leading him to the door of his office. He explains to both that previously they earned fortunes because of him and never even thanked him, wasting their profits.
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L'eclisse / int_81a1960f	type	Silence Is Golden
L'eclisse / int_81a1960f	comment	Silence Is Golden: The film opens with an extended silent sequence in Vittoria's apartment with her current boyfriend and some time passes before they start to speak. Itis implied that what we are seeing is the aftermath of a bitter lover's quarrel leading to the breakup of their relationship on very bad terms. And of course the finale, an extended 10 minutes sequence without dialogues, where the only sound is ambient background noises, car noises, traffic and finally the hum of a street-light in close-up, and so on.
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L'eclisse / int_82accf22	type	Gainax Ending
L'eclisse / int_82accf22	comment	Gainax Ending: One of film history's famous, and the first in Antonioni's career. Much of the film tracks the romance of Piero and Vittoria who keep meeting in a particular place, and near the end, they set up a promise to meet again there for a date. The final sequence is a ten minute sequence which shows the same setting without the characters, with random shots of location, buildings, passer by and bystanders moving around without anyone there to give it meaning. It's assumed that the couple break up and don't meet up again, since the scenes before show them perturbed and worried about the relationship, but the final scene is clearly about something more than the relationship, and it's not clear what it is.
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L'eclisse / int_8386a7a	type	Three-Act Structure
L'eclisse / int_8386a7a	comment	Three Act Structure: The 2-hour film can be pretty evenly divided into three acts 40 minutes each. The first act deals with Vittoria's everyday life and her break-up with Riccardo. Piero is only shown in the first stock exchange scene. Riccardo appears the second and the last time onsceen 40 minutes into the movie, after that he is put on the bus. The second act gradually shifts attention to Piero, in its second half of the second act he even has several scenes of his own. The third act is completely separate in that it is totally dedicated to the romance between two main characters. After 1 hour 20 minute mark only one other character episodically appears - Marta who shoots the balloon at the bizarre request of Vittoria. The epilogue is a beast of its own - 10 minutes of the silent hallucinatory cinema.
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L'eclisse / int_875615dd	type	Truth in Television
L'eclisse / int_875615dd	comment	Actually this is Truth in Television as socialists at that time were indeed publicly accused of intervention in the operation of La Borsa which resulted in the crash.
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L'eclisse / int_87ab7f69	type	Sharp-Dressed Man
L'eclisse / int_87ab7f69	comment	Sharp-Dressed Man: Piero the stockbroker played by none else than Alain Delon.
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L'eclisse / int_8831e97	type	Tritagonist
L'eclisse / int_8831e97	comment	Tritagonist: Vittoria's mother just wrestles away this title from Riccardo because she appears in several scenes throughout the first two acts.
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L'eclisse / int_8a295a46	type	Cool Car
L'eclisse / int_8a295a46	comment	Cool Car Alfa Romeo Giulietta owned by Piero which is drowned in a small lake by a drunk hijacker. Later he mentions that he bought BMW but it is never shown.
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L'eclisse / int_8b60a09b	type	Capitalism Is Bad
L'eclisse / int_8b60a09b	comment	Capitalism Is Bad: The stock market scene is drawn in really broad comedy, unusually so by Antonioni's standards. The whole visuals of the Roman Borsa (which really is located in a real-life Roman Temple) and the fact that Vittoria's mother pins a lot of her hopes in the stocks she has invested, to the point of even crossing there, more or less shows that money and the pursuit of it is becoming the new religion.
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L'eclisse / int_8b68d9a7	type	Stalker with a Crush
L'eclisse / int_8b68d9a7	comment	Stalker with a Crush: Piero who comes under Vittoria's windows but the heroine talks to him although still refuses to let him in. Even after his car is stolen she only agrees to call a taxi for Piero. Once Vittoria acts like the one when she calls Piero at night and says nothing when he replies.
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L'eclisse / int_8c3241aa	type	One-Hour Work Week
L'eclisse / int_8c3241aa	comment	One-Hour Work Week Subverted with Vittoria. She spends her days not working however when Piero visits her appartment at night cue the sound of the typewriter. Later it stops when Vittoria enters the screen to watch Piero from her window. She explains that she translates the Spanish text. Still somewhat invoked since Vittoria is never shown printing anything. Subverted with Piero, he is shown at work both at La Borsa and in the office of his brokerage firm.
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L'eclisse / int_91b55fe	type	Pop-Star Composer
L'eclisse / int_91b55fe	comment	Pop-Star Composer: Mina who was a pop star wildly popular at the time wrote the music for opening credits song L'eclisse Twist. The lyrics were written by Antonioni himself. The song L'eclisse Twist sounds during the opening credits and once later as Vittoria is alone in the room of the Piero's appartment. It might be a foreshadowing of their subsequent sex which ensues pretty soon.
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L'eclisse / int_94e4c8ab	type	Betty and Veronica
L'eclisse / int_94e4c8ab	comment	Betty and Veronica: A less obvious example. The blond Vittoria is Betty while an episodic character appearing onscreen in one scene, a girl, played by actress who remained uncredited, is actually Veronica. Stressed by the fact that she is now brunette having dyed her hair and thus changing her previous blond color. Piero sees her new look, disapproves of it and immediately stops the date going for Vittoria in his car.
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L'eclisse / int_95329e8	type	All Dogs Are Purebred
L'eclisse / int_95329e8	comment	All Dogs Are Purebred: Appears to be the case in the flock of dogs joined by Marta's poodle who ran away from her appartment.
L'eclisse / int_95329e8	featureApplicability	1.0
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L'eclisse / int_954ad71c	type	Evil Colonialist
L'eclisse / int_954ad71c	comment	Evil Colonialist Marta who grew in Kenya is depicted as such.
L'eclisse / int_954ad71c	featureApplicability	1.0
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L'eclisse / int_98bb5d19	type	Mistaken from Behind
L'eclisse / int_98bb5d19	comment	Mistaken from Behind: Two women in two scene or it might be one and the same woman look like Vittoria but as they (or she) turn it (both times) turns out they are totally different from Vittoria.
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L'eclisse / int_9ee7ff42	type	No Conservation of Energy
L'eclisse / int_9ee7ff42	comment	No Conservation of Energy: Vittoria asks Piero whether all the money lost by numerous investors in La Borsa is redistributed to the other people who become richer because so many became poorer. Piero flatly denies it saying that this capital goes nowhere.
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L'eclisse / int_9f7769a2	type	The Gunslinger
L'eclisse / int_9f7769a2	comment	The Gunslinger: In a bizarre scene Vittoria asks Marta to bring a rifle, lets go in the air a balloon tied to a perambulator. Then Marta hits it. The problem is that Marta shoots from the balcony of a flat in a three-storey house in the the city. No-one cares except for Vittoria and Piero who cheer her marksmanship. Justified as to the marksmanship because Marta lived almost her entire life in Kenya where she happened to hunt various animals when it was necessary to save the crops.
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L'eclisse / int_9fb5d589	type	Not Now, Kiddo
L'eclisse / int_9fb5d589	comment	Not Now, Kiddo: Having earned a round sum in a successful trading session Vittoria's mother doesn't pay attention to her daughter words. In fact Vittoria wants to let her mother know that she has broken with Ricardo. Minute later, when mother asks her whether she eats together with Ricardo, Vittoria confirms.
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L'eclisse / int_a00f2ac9	type	First Kiss
L'eclisse / int_a00f2ac9	comment	First Kiss: Lampshaded for Vittoria and Piero. When they are in the very middle of the zebra crossing on an empty street he says that he will kiss her when they reach the opposite site. They proceed through the crossing markedly slowly. When they are there Piero kisses Vittoria without much energy.
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L'eclisse / int_a24670a4	type	Benevolent Boss
L'eclisse / int_a24670a4	comment	Benevolent Boss: Piero's boss is generally that for him. He does not scold him for his blunder. Also he always treats him politely.
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L'eclisse / int_a24670a4	featureConfidence	1.0
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L'eclisse / int_a2492aff	type	Dogged Nice Guy
L'eclisse / int_a2492aff	comment	Dogged Nice Guy: Riccardo definitely behaves like the one in the first scene. Later it becomes somewhat complicated in the scene where he stalks Vittoria. He finally does not cause any serious trouble at least because he cannot enter the building where her flat is.
L'eclisse / int_a2492aff	featureApplicability	1.0
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L'eclisse / int_a3912d0e	type	Sexy Discretion Shot
L'eclisse / int_a3912d0e	comment	Sexy Discretion Shot: Played straight when Vittoria finally gives in to Piero.
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L'eclisse / int_a4c37cbe	type	Mood Whiplash
L'eclisse / int_a4c37cbe	comment	Mood Whiplash: A very pronounced example in the last meeting of Vittoria and Piero in his office which is oddly completely at their disposal at day. They are energetically laughing and joking when a timer rings. Their mood suddenly and completely sours, they become gloomy and aloof, Vittoria wants to leave. Vittoria and Piero follow towards the door and after the final make-out she exits the office. Also the other scene contains the double example. Vttoria first whistles behind the back of the starting cyclist and hides behind the tree making it look like Piero whistled for the cyclist who turns and notices only him. Then Vittoria asks Marta to bring a rifle, lets go a balloon and is very enthusiastic when Marta hits it. Subsequetly the two characters become much sombrer.
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L'eclisse / int_a588cd12	type	Cool House
L'eclisse / int_a588cd12	comment	Cool House: Riccardo's house is abound with avant-garde paintings. It also is decorated with a sculpture. Marta's appartment with African-themed design qualifies as well.
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L'eclisse / int_a6278d84	type	Wacky Parent, Serious Child
L'eclisse / int_a6278d84	comment	Wacky Parent, Serious Child: Vittoria might be at times a Cloudcuckoolander to a certain extent but when with her mother she is the one who is down to earth and speaks as the voice of reason.
L'eclisse / int_a6278d84	featureApplicability	1.0
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L'eclisse / int_abad35b4	type	Soundtrack Dissonance
L'eclisse / int_abad35b4	comment	Soundtrack Dissonance: When Viccoria starts to give in to Pietro's advances in the room of their parents' house where they end, moderately eerie music starts.
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L'eclisse / int_abad35b4	featureConfidence	1.0
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L'eclisse / int_ac1e30d8	type	Red Scare
L'eclisse / int_ac1e30d8	comment	Red Scare: After the stock market crash Vittoria's mother who feels completely defeated blames... the socialists. While she doesn't mention communists, the trope still applies because socialists are also leftists and their official color in Italy is also red. Actually this is Truth in Television as socialists at that time were indeed publicly accused of intervention in the operation of La Borsa which resulted in the crash.
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L'eclisse	hasFeature	L'eclisse / int_ac1e30d8
L'eclisse / int_ace24b2c	type	Halfway Plot Switch
L'eclisse / int_ace24b2c	comment	Halfway Plot Switch In fact the romance between Piero and Vittoria starts 1 hour into the film. In the first hour they talk very rarely. The film in the first half works as a psychological drama depicting a 60's young urban heroine in her everyday life. After 1:20 the rest of the characters disappear completely with one minor and rather outlandish exception of Marta who shoots the balloon. The third act is entirely dedicated to the romance.
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L'eclisse / int_ace24b2c	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_ace24b2c
L'eclisse / int_b2af79fb	type	Leave the Camera Running
L'eclisse / int_b2af79fb	comment	Leave the Camera Running: An omnipresent trope for Antonioni.
L'eclisse / int_b2af79fb	featureApplicability	1.0
L'eclisse / int_b2af79fb	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_b2af79fb
L'eclisse / int_b58c51d8	type	My Beloved Smother
L'eclisse / int_b58c51d8	comment	My Beloved Smother: Vittoria's mom is a somewhat mild example in film. When she learns that Vittoria and Riccardo are no more a couple she repeatedly reproaches Vittoria and insistently says that Riccardo was a magnificent match for her. However she is nowhere close to coercing her adult and independent daughter to revise her decision.
L'eclisse / int_b58c51d8	featureApplicability	1.0
L'eclisse / int_b58c51d8	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_b58c51d8
L'eclisse / int_b5b4c0cf	type	The End
L'eclisse / int_b5b4c0cf	comment	The End: The final shot is the intertitle "fine" meaning "end" in Italian in white letters on the black background.
L'eclisse / int_b5b4c0cf	featureApplicability	1.0
L'eclisse / int_b5b4c0cf	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_b5b4c0cf
L'eclisse / int_ba0b808e	type	Tantrum Throwing
L'eclisse / int_ba0b808e	comment	Tantrum Throwing: Angered with the events at La Borsa, Vittoria's mother throws two her notebooks so that they land on the spots separated by two barriers from her. Lampshaded by the character herself.
L'eclisse / int_ba0b808e	featureApplicability	1.0
L'eclisse / int_ba0b808e	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_ba0b808e
L'eclisse / int_baa526f0	type	Trolling Translator
L'eclisse / int_baa526f0	comment	Trolling Translator: Vittoria tells Piero who stands under her window that she is currently translating the text from Spanish (into Italian). He asks her what will be the Spanish for "I want to come up to your place". She answers (obviously in Italian) "You cannot" and adds "Spanish is a rude (brutal) language".
L'eclisse / int_baa526f0	featureApplicability	1.0
L'eclisse / int_baa526f0	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_baa526f0
L'eclisse / int_bda2a088	type	Did They or Didn't They?
L'eclisse / int_bda2a088	comment	Did They or Didn't They?: Indeed they did! It remained offscreen but it is pretty obvious.
L'eclisse / int_bda2a088	featureApplicability	1.0
L'eclisse / int_bda2a088	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_bda2a088
L'eclisse / int_bfc2ec8a	type	That Makes Me Feel Angry
L'eclisse / int_bfc2ec8a	comment	That Makes Me Feel Angry: Vittoria says "I'm so tired and depressed. Disgusted and confused" in a conversation with her friend Anita. Might be a trope pushed Up to Eleven to imply irony on the part of the director.
L'eclisse / int_bfc2ec8a	featureApplicability	1.0
L'eclisse / int_bfc2ec8a	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_bfc2ec8a
L'eclisse / int_c1b2c63f	type	Dull Surprise
L'eclisse / int_c1b2c63f	comment	Dull Surprise: When Piero's car is stolen and passes straight under Vittoria's windows speeding away, Piero explains the situation. Vittoria is shown from the back so her facial reaction is not available. Verbally she reacts with the blunt "I am sorry".
L'eclisse / int_c1b2c63f	featureApplicability	1.0
L'eclisse / int_c1b2c63f	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_c1b2c63f
L'eclisse / int_c2d978fe	type	Car Fu
L'eclisse / int_c2d978fe	comment	Car Fu: An incidental (and nearly accidental) case. A drunkard who steals a car passes Piero very close so that Piero has to jump back in the last moment but still is nearly hit. It is said that the car actually went very close to him, it was not a stunt and Alain Delon could have been hit in real life if he were not so lucky.
L'eclisse / int_c2d978fe	featureApplicability	1.0
L'eclisse / int_c2d978fe	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_c2d978fe
L'eclisse / int_c33ba0a8	type	Chuck Cunningham Syndrome
L'eclisse / int_c33ba0a8	comment	Chuck Cunningham Syndrome: Riccardo. He and Vittoria separate then he appears in one scene to somewhat insistently stalk her even shaking the door into her appartment block. This scene ends at about 40 minutes into the movie (the end of the first act). He is never seen again. To some extent every other character after 1 hour 20 minutes into the film (that is, after the end of the second act of the 2-hour film). After that the only characters are Vittoria and Piero with a minor episode of Marta shooting a balloon. Justified in that other characters do not have any arcs of significance that remain unresolved. Vittoria's mother conflict is pretty obvious and rather secondary for the movie.
L'eclisse / int_c33ba0a8	featureApplicability	1.0
L'eclisse / int_c33ba0a8	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_c33ba0a8
L'eclisse / int_c34a39ab	type	Karma
L'eclisse / int_c34a39ab	comment	Karma Piero spends his working day being casually rude to various people. Then he promptly interrupts his after-hours meeting with a girl because she dyed her hair black. He sets off to Vittoria on his posh Alpha Romeo Giulietta. When he arrives a drunkard hijacks his costly car which finishes in the small lake. It is implied that it is not damaged beyond repair but Piero decides to buy a new one.
L'eclisse / int_c34a39ab	featureApplicability	1.0
L'eclisse / int_c34a39ab	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_c34a39ab
L'eclisse / int_c4b09e97	type	Doppelgänger
L'eclisse / int_c4b09e97	comment	Also in the last sequence a man and later a woman who pass near the meeting place of Vittoria and Piero seem to resemble them when shown from the back. This trope is much less relevant in the case of a man who hardly can be taken for Alain Delon. The female extra's hair on the contrary looks like Vitti's, it is only when she turns to the camera that one discovers that it is a different person. It is possible that both time the viewer is shown the same Doppelgänger of Vittoria.
L'eclisse / int_c4b09e97	featureApplicability	1.0
L'eclisse / int_c4b09e97	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_c4b09e97
L'eclisse / int_c605da88	type	EstablishingShot
L'eclisse / int_c605da88	comment	Establishing Shot: Often averted. The cut from one location regularly is made to the medium shot on the other location without clearing up where it it. That confuses some of those who watch the movie for the first time.
L'eclisse / int_c605da88	featureApplicability	-1.0
L'eclisse / int_c605da88	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_c605da88
L'eclisse / int_c752f937	type	Sell-Out
L'eclisse / int_c752f937	comment	Sellout Piero acknowledges that he is a whore.
L'eclisse / int_c752f937	featureApplicability	1.0
L'eclisse / int_c752f937	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_c752f937
L'eclisse / int_c75df49a	type	Shout-Out
L'eclisse / int_c75df49a	comment	Shout-Out: The headline in the paper held by an extra refers to the nuclear threat of the early 60's.
L'eclisse / int_c75df49a	featureApplicability	1.0
L'eclisse / int_c75df49a	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_c75df49a
L'eclisse / int_c87737d9	type	Vacation Episode
L'eclisse / int_c87737d9	comment	Vacation Episode: A sequence of the trip from Rome to Verona made by Vittoria and her friend Anita by the small plane transferred to the latter town by Anita's husband. It is cut off when they sit in the cafe after arrival and their stay in Verona and return to Rome is never shown. It is reported that Vacation Episode was planned to last about seven minutes longer but the rest of Verona scenes was cut out on the suggestion of the producers because of the runtime concerns.
L'eclisse / int_c87737d9	featureApplicability	1.0
L'eclisse / int_c87737d9	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_c87737d9
L'eclisse / int_ca720408	type	They Wasted a Perfectly Good Sandwich
L'eclisse / int_ca720408	comment	They Wasted a Perfectly Good Sandwich: Played with. In the scene which is fairly short cut Piero first takes a croissant in the cafe and bites into into by the cafe counter, then in the other shot speaking on the phone bites it once again holding it in his right hand. Subsequently Piero returns to the counter and his right hand at first is below camera then he makes a swift movement of his right hand dropping something the viewer cannot see into the trash bin. If it were the rest of the croissant he would have wasted at least its half. If not the trop is reinforced.
L'eclisse / int_ca720408	featureApplicability	1.0
L'eclisse / int_ca720408	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_ca720408
L'eclisse / int_caa28b82	type	Cloudcuckoolander
L'eclisse / int_caa28b82	comment	Cloudcuckoolander : Vittoria is a mild example but qualifies as such.
L'eclisse / int_caa28b82	featureApplicability	1.0
L'eclisse / int_caa28b82	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_caa28b82
L'eclisse / int_cc7d7f75	type	Easy Come, Easy Go
L'eclisse / int_cc7d7f75	comment	Easy Come, Easy Go: That's apparently how every investor played by extras in this film handles incomes received during the stock rally. Brokers earn considerable fortunes for them then people waste them never making savings.
L'eclisse / int_cc7d7f75	featureApplicability	1.0
L'eclisse / int_cc7d7f75	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_cc7d7f75
L'eclisse / int_ce389717	type	Harassing Phone Call
L'eclisse / int_ce389717	comment	Harassing Phone Call: A mild example. Vittoria calls Piero but says nothing when he picks up a receiver. He says "pronto" three times, increasingly loudly, then angrily throws down the receiver. In the next scene they already meet on their crossroad spot though the conversation in which they made their appointment is never shown.
L'eclisse / int_ce389717	featureApplicability	1.0
L'eclisse / int_ce389717	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_ce389717
L'eclisse / int_d0f0a80d	type	One-Word Title
L'eclisse / int_d0f0a80d	comment	One-Word Title
L'eclisse / int_d0f0a80d	featureApplicability	1.0
L'eclisse / int_d0f0a80d	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_d0f0a80d
L'eclisse / int_d148b019	type	MundaneMadeAwesome
L'eclisse / int_d148b019	comment	Mundane Made Awesome: For Vittoria's fascinated gaze. She is fascinated by the statue. Also by the fencing making sounds in the wind.
L'eclisse / int_d148b019	featureApplicability	1.0
L'eclisse / int_d148b019	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_d148b019
L'eclisse / int_d171a8c1	type	Evil Debt Collector
L'eclisse / int_d171a8c1	comment	Evil Debt Collector: Subverted with Piero. It is clear that Vittoria's mother owes his firm a certain sum but he simply listens to her security proposal. Moreover he lets one client of his firm who owes his firm 4 million lire go away without leaving an address. It is not explained how he could prevent the client from moving to other city but his boss reprimands him for that.
L'eclisse / int_d171a8c1	featureApplicability	-0.3
L'eclisse / int_d171a8c1	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_d171a8c1
L'eclisse / int_d5139ac	type	Reality Has No Soundtrack
L'eclisse / int_d5139ac	comment	Reality Has No Soundtrack. For the first two acts at least. In the third act menacing chords step in.
L'eclisse / int_d5139ac	featureApplicability	1.0
L'eclisse / int_d5139ac	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_d5139ac
L'eclisse / int_d8d22bb0	type	Dutch Angle
L'eclisse / int_d8d22bb0	comment	Dutch Angle: Most memorably in the night scene when Vittoria looks at the statue. Both shot and reverse shot are made from the dutch angles.
L'eclisse / int_d8d22bb0	featureApplicability	1.0
L'eclisse / int_d8d22bb0	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_d8d22bb0
L'eclisse / int_da484c4a	type	Drunken Master
L'eclisse / int_da484c4a	comment	Drunken Master: The drunken passer-by manages to hijack a costly car of Piero. Subverted because he drives it in the small lake and drowns the car, dying himself too.
L'eclisse / int_da484c4a	featureApplicability	-0.3
L'eclisse / int_da484c4a	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_da484c4a
L'eclisse / int_da4d59ae	type	Memento MacGuffin
L'eclisse / int_da4d59ae	comment	Memento MacGuffin: For Vittoria it is a small wood floating into the barrel at the place where she and Piero meet. It is shown several times in the film carrying a strong symbolic meaning.
L'eclisse / int_da4d59ae	featureApplicability	1.0
L'eclisse / int_da4d59ae	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_da4d59ae
L'eclisse / int_db2f3581	type	All Girls Want Bad Boys
L'eclisse / int_db2f3581	comment	All Girls Want Bad Boys: After Piero tells her that in the previous evening he was at a meeting, Vittoria makes an assumption that call-girls were present there. Piero denies it but her own conjecture doesn't bother her in the slightest.
L'eclisse / int_db2f3581	featureApplicability	1.0
L'eclisse / int_db2f3581	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_db2f3581
L'eclisse / int_db8b1727	type	Window Love
L'eclisse / int_db8b1727	comment	Window Love: Twice for Vittoria and Piero. First in the appartment of Piero's parents. Vittoria seemingly protects herself with a glass door of a cupboard. They kiss as per the trope then immediately proceed to actual kisses. Then at Piero's office they make a reprise, kissing jokingly through the glass balcony door. A Call-Back of sorts to the previous appearance of this trop.
L'eclisse / int_db8b1727	featureApplicability	1.0
L'eclisse / int_db8b1727	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_db8b1727
L'eclisse / int_dca70c44	type	Reasonable Authority Figure
L'eclisse / int_dca70c44	comment	Reasonable Authority Figure: The chief of the Piero's brokerage firm appears exactly that. He convinces his employees that the market will soon recover. He also reprimands Piero for a blunder without rudeness.
L'eclisse / int_dca70c44	featureApplicability	1.0
L'eclisse / int_dca70c44	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_dca70c44
L'eclisse / int_dda99fa8	type	Despair Event Horizon
L'eclisse / int_dda99fa8	comment	Despair Event Horizon: Played with: A stock investor who lost a huge sum in a crash goes to a cafe visibly shaken. There he merely drinks water with a tranquiliser and draws flowers on a rag of paper implying that he might not be desperate and suicidal.
L'eclisse / int_dda99fa8	featureApplicability	1.0
L'eclisse / int_dda99fa8	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_dda99fa8
L'eclisse / int_e0aed924	type	No Antagonist
L'eclisse / int_e0aed924	comment	No Antagonist: while male characters in two previous films by the director can with some stretch be considered antagonists, Piero definitely is not the one even though he is a jerkass with other people. At no point he is at fault in his relationship with Vittoria any more than she is.
L'eclisse / int_e0aed924	featureApplicability	1.0
L'eclisse / int_e0aed924	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_e0aed924
L'eclisse / int_e567510d	type	Determinator
L'eclisse / int_e567510d	comment	Determinator Piero both in La Borsa scenes and courting Vittoria.
L'eclisse / int_e567510d	featureApplicability	1.0
L'eclisse / int_e567510d	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_e567510d
L'eclisse / int_e596f27b	type	Star-Crossed Lovers
L'eclisse / int_e596f27b	comment	Star-Crossed Lovers: Vittoria and Piero, not due to any outside factor but merely because of their apathy and urban malaise.
L'eclisse / int_e596f27b	featureApplicability	1.0
L'eclisse / int_e596f27b	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_e596f27b
L'eclisse / int_e796ce97	type	Blackface
L'eclisse / int_e796ce97	comment	Blackface: Vittoria in one scene puts on exactly that, playing an African tribal warrior brandishing a spear. Later Vittoria meets two blacks in a cafe during her trip to Verona.
L'eclisse / int_e796ce97	featureApplicability	1.0
L'eclisse / int_e796ce97	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_e796ce97
L'eclisse / int_e7e558	type	The Oner
L'eclisse / int_e7e558	comment	The Oner: The grandiose last sequence showing the ghostly streets of the Roman neighborhood.
L'eclisse / int_e7e558	featureApplicability	1.0
L'eclisse / int_e7e558	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_e7e558
L'eclisse / int_e8cae797	type	Freudian Trio
L'eclisse / int_e8cae797	comment	Freudian Trio: the Id - Vittoria's mother. the Superego - Vitoria. the Ego - Piero.
L'eclisse / int_e8cae797	featureApplicability	1.0
L'eclisse / int_e8cae797	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_e8cae797
L'eclisse / int_eb275537	type	I'm Not Hungry
L'eclisse / int_eb275537	comment	I'm Not Hungry: Exactly what Vittoria says to Riccardo when he in the end of the first sequence remarks that an outlet is open and they can have breakfast. Actually the venue is shown from a fairly long distance and it is not clear why Riccardo decides that it is open so early in the morning.
L'eclisse / int_eb275537	featureApplicability	1.0
L'eclisse / int_eb275537	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_eb275537
L'eclisse / int_eb8ec7c8	type	Jerkass
L'eclisse / int_eb8ec7c8	comment	Jerkass: Piero during a chance meeting with his ex. Also while talking to his clients whose stocks lost the bulk of their value. In that case he tries to justify himself, reminding clients how much money they were making during the rally because of his recommendations only to spend it thoughtlessly instead of saving.
L'eclisse / int_eb8ec7c8	featureApplicability	1.0
L'eclisse / int_eb8ec7c8	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_eb8ec7c8
L'eclisse / int_ee05de54	type	Salt Solution
L'eclisse / int_ee05de54	comment	Salt Solution: Vittoria's mother pours some salt under her feet and stamps on it. She believes it will bring her luck in the stock trade. Ironically she does it in the second La Borsa scene and the crash follows immediately. Downplayed by the fact that later in the moment of crash she crosses herself.
L'eclisse / int_ee05de54	featureApplicability	1.0
L'eclisse / int_ee05de54	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_ee05de54
L'eclisse / int_eef90616	type	Bread, Eggs, Milk, Squick
L'eclisse / int_eef90616	comment	Bread, Eggs, Milk, Squick: also
L'eclisse / int_eef90616	featureApplicability	1.0
L'eclisse / int_eef90616	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_eef90616
L'eclisse / int_ef2fcbe1	type	Le Film Artistique
L'eclisse / int_ef2fcbe1	comment	Le Film Artistique
L'eclisse / int_ef2fcbe1	featureApplicability	1.0
L'eclisse / int_ef2fcbe1	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_ef2fcbe1
L'eclisse / int_f3fd818b	type	Dark Reprise
L'eclisse / int_f3fd818b	comment	Dark Reprise: The second La Borsa scene is that to the first one.
L'eclisse / int_f3fd818b	featureApplicability	1.0
L'eclisse / int_f3fd818b	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_f3fd818b
L'eclisse / int_f621e657	type	Hollywood Pudgy
L'eclisse / int_f621e657	comment	Hollywood Pudgy: Anita once complains that she is putting on weight while in fact the actress does not look fat at all. This phrase is probably meant to lampshade how lean Vittoria is as Anita then notices that her friend always manages to remain slim and even has lost a bit.
L'eclisse / int_f621e657	featureApplicability	1.0
L'eclisse / int_f621e657	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_f621e657
L'eclisse / int_f6b2bfb7	type	Gold Digger
L'eclisse / int_f6b2bfb7	comment	Gold Digger: Subverted by Vittoria who claims that she is not the one and is generally not interested in the money.
L'eclisse / int_f6b2bfb7	featureApplicability	-0.3
L'eclisse / int_f6b2bfb7	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_f6b2bfb7
L'eclisse / int_f88f2449	type	Downer Beginning
L'eclisse / int_f88f2449	comment	Downer Beginning: A weaker example because no-one dies however the first scene which shows a breakup of the relationship of Vittoria and Riccardo is very intense and exhausting.
L'eclisse / int_f88f2449	featureApplicability	1.0
L'eclisse / int_f88f2449	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_f88f2449
L'eclisse / int_f96f188c	type	Drives Like Crazy
L'eclisse / int_f96f188c	comment	Drives Like Crazy: The Drunk. It ends fatally for him.
L'eclisse / int_f96f188c	featureApplicability	1.0
L'eclisse / int_f96f188c	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_f96f188c
L'eclisse / int_f9cf12b2	type	Love Cannot Overcome
L'eclisse / int_f9cf12b2	comment	Love Cannot Overcome: Vittoria and Piero do care to an extent for each other but there's too much baggage for them to really commit to one another.
L'eclisse / int_f9cf12b2	featureApplicability	1.0
L'eclisse / int_f9cf12b2	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_f9cf12b2
L'eclisse / int_fc3f3cf3	type	Little Black Dress
L'eclisse / int_fc3f3cf3	comment	Little Black Dress: The elegant Vittoria wears it in the first scene.
L'eclisse / int_fc3f3cf3	featureApplicability	1.0
L'eclisse / int_fc3f3cf3	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_fc3f3cf3
L'eclisse / int_fec2b522	type	HappyEnding
L'eclisse / int_fec2b522	comment	Happy Ending: This trope is present in this film according to the Word of God. Antonioni believed that it was a good riddance for both.
L'eclisse / int_fec2b522	featureApplicability	1.0
L'eclisse / int_fec2b522	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_fec2b522
L'eclisse / int_ff7e9adf	type	Hair of Gold, Heart of Gold
L'eclisse / int_ff7e9adf	comment	Hair of Gold, Heart of Gold: Vittoria is a kind-hearted person.
L'eclisse / int_ff7e9adf	featureApplicability	1.0
L'eclisse / int_ff7e9adf	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_ff7e9adf
L'eclisse / int_ff7f34c5	type	Pet the Dog
L'eclisse / int_ff7f34c5	comment	Pet the Dog: in one of the weirder examples in the ending of the first sequence Riccardo strokes a passing boy's head without apparent reason. Interestingly the boy is the first character to appear in the film apart from Vittoria and Riccardo, until then they were the only two people in the street. (Justified because the action of the scene is set in the very early morning). Is used literally when Vittoria pets a poodle. Also Piero's attitude to Vittoria's mother might be considered as such, he treats her uncharacteristically gently. Of course she has a daughter he is clearly interested in.
L'eclisse / int_ff7f34c5	featureApplicability	1.0
L'eclisse / int_ff7f34c5	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_ff7f34c5
L'eclisse / int_ffb1df90	type	Perpetual Poverty
L'eclisse / int_ffb1df90	comment	Perpetual Poverty: The main fear of Vittoria's mother. Vittoria herself would accept it. She claims that she is not interested in the money.
L'eclisse / int_ffb1df90	featureApplicability	1.0
L'eclisse / int_ffb1df90	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_ffb1df90
L'eclisse / int_name	type	ItemName
L'eclisse / int_name	comment
L'eclisse / int_name	featureApplicability	1.0
L'eclisse / int_name	featureConfidence	1.0
L'eclisse	hasFeature	L'eclisse / int_name
L'eclisse / int_name	itemName	L'eclisse

The following is a list of statements referring to the current page from other pages.

LEclisse	sameAs	L'eclisse
L'eclisse	hasFeature	Acquired Situational Narcissism / int_bee23918
L'eclisse	hasFeature	Blackface / int_bee23918
L'eclisse	hasFeature	Drunken Master / int_bee23918
L'eclisse	hasFeature	Moment of Silence / int_bee23918
L'eclisse	hasFeature	The Tower / int_bee23918
L'eclisse	hasFeature	Unnamed Parent / int_bee23918
L'eclisse	hasFeature	Wacky Parent, Serious Child / int_bee23918

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