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Mean Streets

 Mean Streets
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TVTItem
 Mean Streets
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Mean Streets
 Mean Streets
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MeanStreets
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Mean Streets is a 1973 film directed by Martin Scorsese and starring Harvey Keitel as Charlie, a morally and spiritually conflicted young mobster, and Robert De Niro as Johnny Boy, his immature and irresponsible best friend. Charlie has his hands full keeping the reckless Johnny Boy on the straight and narrow. At the same time, Charlie is having an affair with Johnny's cousin, Teresa, but keeping it secret because Teresa is an epileptic and the community shuns her for this.The film was Scorsese's Breakthrough Hit, establishing him as a major talent, and proved to be DeNiro's Star-Making Role. It was seen as the counterpart to The Godfather as it took a gritty, down-to-earth approach to the Italian American mob, showing them without the Affably Evil stylizations of Coppola's film. Much of what came to be Scorsese's Signature Style is visible in this film, including stylized camera movements, sudden violence, troubling religious iconography and use of popular music as scores.It was also the first of Scorsese's films to deal with the mob, a subject he returned to with GoodFellas and Casino, later noting that all three films represent an informal trilogy of the Italian American mob from low-level hoodlums to power brokers.
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2023-08-26T00:15:06Z
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2023-08-26T00:15:06Z
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Dropped link to IVitelloni: Not a Feature - ITEM
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Dropped link to MissionFromGod: Not a Feature - ITEM
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 Mean Streets / int_104c62cd
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Facecam
 Mean Streets / int_104c62cd
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Facecam: Used during Charlie's aforementioned Binge Montage. Arguably the Trope Maker for "Facecam = intoxicated."
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The Millstone
 Mean Streets / int_121476bd
comment
The Millstone: Johnny. When they finally get to collect a debt after a pool hall brawl, Johnny re-ignites the brawl gratuitously. On another occasion, even when Charlie's trying to help him, Johnny spends the money Charlie loaned him to pay Michael just out of spite. He then insults Michael, threatens him, behaves like an idiot. In the end Charlie is probably going to get into trouble for disobeying his uncle and helping Johnny.
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 Mean Streets / int_127fc252
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Creator Cameo
 Mean Streets / int_127fc252
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Creator Cameo: Martin Scorsese plays hood Jimmy Shorts, the one who takes the shots at Johnny Boy at the end. He's also the voice of the priest when Charlie goes to pray in church at the start.
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 Mean Streets / int_19f527df
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Blowing Smoke Rings
 Mean Streets / int_19f527df
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Blowing Smoke Rings: At the party for the returning soldier, Michael sits and calmly blows smoke rings while the others get louder and drunker, showing how he's somewhat removed from their circle.
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 Mean Streets / int_2bdb6280
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The Big Rotten Apple
 Mean Streets / int_2bdb6280
comment
The Big Rotten Apple: New York looks rotten, filthy, awful. About thirty seconds in there's a shot of a guy shooting up in a bar bathroom.
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 Mean Streets / int_2dc0d2bf
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Hidden Depths
 Mean Streets / int_2dc0d2bf
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Hidden Depths: Tony the Mook is apparently familiar with William Blake poetry, as evidenced by a throwaway comment about how he wanted to buy a tiger.
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 Mean Streets / int_34dcfc96
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Kick the Dog
 Mean Streets / int_34dcfc96
comment
Kick the Dog: Johnny Boy coldly abandoning Charlie and Teresa while she has an epileptic seizure due to their fight not caring if she'll make it. And just before that mock hers and Charlie's relationship by asking if she has seizures when she climaxes.
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 Mean Streets / int_3fe2b13f
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Ungrateful Bastard
 Mean Streets / int_3fe2b13f
comment
Ungrateful Bastard: Johnny Boy. Charlie manages to get his debt reduced by a thousand dollars and negotiates with Michael to lay off him until they can all negotiate a settlement, but not only does he do everything he can to not pay Michael back, by the time they meet face-to-face, he gives him a meager ten dollars (after spending most of his cash on drinks), then threatens Michael with a gun. All of this earns him a bullet to the neck, his survival unclear.
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 Mean Streets / int_4968ed35
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Door-Closes Ending
 Mean Streets / int_4968ed35
comment
Door-Closes Ending: Sort of. The very last shot shows some of the windows of the apartment building. The old lady (played by Martin Scorsese's mother) in the far right window lowers her blinds. Smash to Black.
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 Mean Streets / int_56240281
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Country Matters
 Mean Streets / int_56240281
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Country Matters: While Charlie is in bed with Teresa early in the movie, he calls her a cunt. She does not take it well.
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 Mean Streets / int_5f54a67b
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Enter Stage Window
 Mean Streets / int_5f54a67b
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Enter Stage Window: Johnny Boy does this to get into Charlie’s apartment, finds Teresa and Charlie embracing, and finds out about their affair.
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 Mean Streets / int_65bc92fc
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Four-Temperament Ensemble
 Mean Streets / int_65bc92fc
comment
Four-Temperament Ensemble: Johnny Boy=Sanguine (Teresa also counts), Charlie=Phlegmatic, Tony=Choleric, Michael=Melancholic.
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 Mean Streets / int_66755d29
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Author Avatar
 Mean Streets / int_66755d29
comment
Author Avatar: Charlie is at least partly one for Martin Scorsese. His last name is even Scorsese's mother's maiden name (Cappa).
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 Mean Streets / int_6bf93fc7
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FanService
 Mean Streets / int_6bf93fc7
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Fanservice: Even with pasties on, the topless dancers at the bar merit a lot of the camera’s attention. Later on, the bedroom scenes with Teresa show full frontal nudity (though not from Harvey Keitel).
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 Mean Streets / int_716d9138
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Bar Brawl
 Mean Streets / int_716d9138
comment
Bar Brawl: One breaks out when Charlie goes to collect a payment from a pool hall owner, the pool hall owner is reluctant to pay, and a brawl breaks out.
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 Mean Streets / int_786d6cf6
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You Wouldn't Shoot Me
 Mean Streets / int_786d6cf6
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You Wouldn't Shoot Me: "You don't have the guts" — followed by the target fleeing the premises sharpish, only to set up a drive-by in revenge.
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 Mean Streets / int_7e081ea0
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Slice of Life
 Mean Streets / int_7e081ea0
comment
Slice of Life: There isn't much of a plot, although Charlie's efforts to keep Johnny Boy from fucking up form a theme of sorts. It's basically a study of the lives of some mooks over a few days. Very much like the film's inspiration, I Vitelloni.
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 Mean Streets / int_7eb73553
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Bullying a Dragon
 Mean Streets / int_7eb73553
comment
Bullying a Dragon: After Charlie has gone out of his way to rectify Johnny Boy's debt situation with a neighborhood mobster, Johnny Boy not only refuses to pay but also insults the mobster to his face and threatens him with a gun. Not a wise move.
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 Mean Streets / int_7febc23b
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Establishing Character Moment
 Mean Streets / int_7febc23b
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Establishing Character Moment: In the opening scenes, Charlie is shown leaving confession in a church, while Johnny Boy is shown blowing up a mailbox For the Evulz.
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 Mean Streets / int_8fd7af48
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Sir Swears-a-Lot
 Mean Streets / int_8fd7af48
comment
Sir Swears-a-Lot: Johnny Boy.
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 Mean Streets / int_962ffef6
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ISO-Standard Urban Groceries
 Mean Streets / int_962ffef6
comment
ISO-Standard Urban Groceries: Does Teresa have a long French bread roll sticking out of the grocery bag she carries home? Is there a quart of milk in there? Yes and yes.
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 Mean Streets / int_9d17b859
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Made of Iron
 Mean Streets / int_9d17b859
comment
Made of Iron: The drunk played by David Carradine, who gets shot three times, turns and grabs his assailant and drags him out of the bathroom, gets shot a fourth time, grabs his assailant again, and appears to be winning the fight by the time they roll out into the street and he collapses. The gang marvels at this, and comparisons to Rasputin are made.
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 Mean Streets / int_a861560f
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The Friend Nobody Likes
 Mean Streets / int_a861560f
comment
The Friend Nobody Likes: Johnny Boy seems to be this. Charlie is the only one he has a close bond with, everyone else regards him as a loose cannon, and it's implied that Charlie's Supervision of him is what's keeping Johnny Boy in their circle.
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 Mean Streets / int_b0a529cb
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Extreme Doormat
 Mean Streets / int_b0a529cb
comment
Extreme Doormat: Both Charlie and Michael are unusually patient and lenient by mobster standards, but it works against them. Charlie is too attached to Johnny and goes out of his way to help his situation despite the fact that Johnny does nothing to help himself, putting himself in danger by merely associating with a loser like him. Michael is lenient enough to lower Johnny's debt by a full $1000 but he can't intimidate Johnny enough to get him to pay even that.
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Too Dumb to Live
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Too Dumb to Live: Johnny Boy (especially after he insults and threatens a mobster he's heavily indebted to).
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 Mean Streets / int_bf75c797
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Binge Montage
 Mean Streets / int_bf75c797
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Binge Montage: The scene where there's a Face Cam in front of a very tipsy Charlie at a party is a textbook example.
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 Mean Streets / int_c36cba70
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Mooks
 Mean Streets / int_c36cba70
comment
Mooks: One of the earliest known uses of the term thereby making the film a Trope Namer. The whole movie, in fact, is about the day-to-day life of low-level mooks.
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 Mean Streets / int_c49935fa
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20 Minutes into the Past
 Mean Streets / int_c49935fa
comment
20 Minutes into the Past: Set in the latter part of The '60s, with September 1968 likely being the specific time frame (since that's the month the San Gennaro festival takes place and it's also around the time "Jumpin' Jack Flash" was peaking on the charts).
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 Mean Streets / int_c75df49a
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Shout-Out
 Mean Streets / int_c75df49a
comment
Shout-Out: There are many movie references even this early in Scorsese's oeuvre: The film Charlie, Johnny Boy and Teresa go to is Ligeia by Roger Corman (producer and Scorsese's old boss). The film is Scorsese's personal favorite of Corman's Poe films. One of the posters at the theater is for Husbands, directed by John Cassavetes, whose work was obviously an influence on this film, but also a tip-of-the-hat because Cassavetes personally encouraged Scorsese to put more of his life experiences into his films, which led to the creation of Mean Streets. The finale, the montage of Johnny Boy's mooks friends and associates in their own life, intercut with Johnny and Charlie in the aftermath of the attack is structured like the end of I Vitelloni only with the opposite ending, the hero leaves the town in Federico Fellini's film but Scorsese's hero fails.
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 Mean Streets / int_cdad4b25
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Toxic Friend Influence
 Mean Streets / int_cdad4b25
comment
Toxic Friend Influence: Johnny Boy is so much of this to Charlie that even Charlie's Mob superior—his uncle—warns him to stay away. Subverted in the end, it turns out that it's Charlie who's this to Johnny Boy, at least from Scorsese's perspective, who believes that Charlie was using Johnny Boy for his own selfish moral conflict.
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Gangland Drive-By
 Mean Streets / int_d46a809e
comment
Gangland Drive-By: Michael and Jimmy Shorts spray the car that Johnny is in full of lead at the end of the movie, after Johnny Boy goes way, way, way too far with antagonizing Michael. Apparently Charlie, Johnny Boy, and Teresa all survive, although it's not completely clear.
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 Mean Streets / int_e150c4c7
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Manchild
 Mean Streets / int_e150c4c7
comment
Manchild: Johnny Boy. Although, given his penchant for blowing up mailboxes, starting bar brawls, and sticking (unloaded) guns in the faces of mobsters he owes money to, it can be argued he's closer to a Psychopathic Man Child. In either case, he still has the emotional, intellectual, and mental maturity of a young—and rather dim—adolescent.
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 Mean Streets / int_e5421161
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Expy
 Mean Streets / int_e5421161
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Expy: I Vitelloni is used more as a point of reference than a blueprint for Mean Streets, but you can make a case for Moraldo/Charlie and Fausto/Johnny Boy.
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 Mean Streets / int_ea2e9f2d
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No Ending
 Mean Streets / int_ea2e9f2d
comment
No Ending: Michael, having been pushed way too far by Johnny Boy, stages a drive-by assault as Charlie is driving Johnny to Brooklyn with Teresa tagging along. After Jimmy Shorts pumps bullets into their car, Charlie crashes. Johnny is shot in the neck but apparently not fatally, as he stumbles away from the car. Charlie exits the car, shot in the hand. Teresa is also able to walk away, helped out by the EMTs after suffering a cut on the scalp. There's a quick montage of other characters from the film. Then the film ends.
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 Mean Streets / int_eb251937
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Dirty Cop
 Mean Streets / int_eb251937
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Dirty Cop: The cop who breaks up the Bar Brawl then casually accepts "car fare" to Philadelphia—that is, a bribe.
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 Mean Streets / int_ecc8b108
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Damn, It Feels Good to Be a Gangster!
 Mean Streets / int_ecc8b108
comment
Damn, It Feels Good to Be a Gangster!: Played With. The guys certainly think they have a good life, but as the film goes on we see they're not in a great position. The older Mafia leaders (like Charlie's uncle Giovanni) hold all the power and use the mooks like pawns. They really don't have much of a life outside of hanging out in bars and restaurants and getting drunk, and for all the fun they have they also have their associates (like Michael) who see organized crime as Serious Business, with dangerous consequences.
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 Mean Streets / int_fb3576b2
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The Dog Bites Back
 Mean Streets / int_fb3576b2
comment
The Dog Bites Back: Pushed to the limits of his patience throughout the film, Michael eventually acts on his threats after Johnny not only refuses to cough up the money but threatens Michael with a gun.
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 Mean Streets / int_fdbd6162
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With Friends Like These...
 Mean Streets / int_fdbd6162
comment
With Friends Like These...: It's really hard to see why Charlie remains friends with Johnny Boy, not even causing Teresa to have a seizure makes Charlie turn on him or Johnny throwing all his hard effort to make things right with Michael into his face.
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Mean Streets

The following is a list of statements referring to the current page from other pages.

 Mean Streets
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 Mean Streets
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Binge Montage / int_9cf7191
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 HarveyKeitel
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Mean Streets
 Mean Streets
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Poisonous Friend / int_9cf7191
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The Big Rotten Apple / int_9cf7191
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You Wouldn't Shoot Me / int_9cf7191