...it's like TV Tropes, but LINKED DATA!
Public Enemies
- 327 statements
- 63 feature instances
- 28 referencing feature instances
| Public Enemies | type |
TVTItem | |
| Public Enemies | label |
Public Enemies | |
| Public Enemies | page |
PublicEnemies | |
| Public Enemies | comment |
Public Enemies is a 2009 crime drama directed by Michael Mann and starring Johnny Depp as infamous criminal John Dillinger, who robbed numerous banks during The '30s and was pursued by Special Agent Melvin Purvis (Christian Bale).Taking place in 1933, when Franklin Roosevelt took office in the midst of The Great Depression, bank robber Dillinger (Depp) and his crew of outlaws emerge as infamous thieves, brazenly stealing money from banks and being considered antiheroes by much of the disgruntled public.After Dillinger breaks a group of allies out of Indiana's state penitentiary, the recently-established FBI, headed by J. Edgar Hoover (Billy Crudup), begins working on a case to take him down for good. Hungry for publicity in order to win over skeptical voices in Congress, Hoover assigns Purvis (Bale) to track down Dillinger. Meanwhile, Dillinger takes time out of his busy schedule to romance a hatcheck girl named Billie Frechette (Marion Cotillard).The film was based on the book Public Enemies: America's Greatest Crime Wave and the Birth of the FBI, 1933–34 by Bryan Burrough, which covers all of the major bank robber gangs active from 1933 to 1936 and the FBI's work to stop them, including Dillinger, the Barker-Karpis gang, Bonnie and Clyde, and Pretty Boy Floyd.Compare the 1973 film Dillinger or the 1945 film also called Dillinger, both of which have a far darker take on the notorious gangster. | |
| Public Enemies | fetched |
2024-04-15T08:14:43Z | |
| Public Enemies | parsed |
2024-04-15T08:14:44Z | |
| Public Enemies | processingComment |
Dropped link to BillieHoliday: Not a Feature - IGNORE | |
| Public Enemies | processingComment |
Dropped link to GenreBlind: Not a Feature - UNKNOWN | |
| Public Enemies | processingComment |
Dropped link to ManhattanMelodrama: Not a Feature - ITEM | |
| Public Enemies | processingUnknown |
GenreBlind | |
| Public Enemies | isPartOf |
DBTropes | |
| Public Enemies / int_112daba0 | type |
Retired Badass | |
| Public Enemies / int_112daba0 | comment |
Retired Badass: Sort of; Purvis concludes that his crew of young, educated types aren't up to the task of catching Dillinger or other bank robbers, and insists on bringing in a group of hardened oldsters from Texas and Oklahoma, much to Hoover's annoyance, since those are just the kind of guys he wants to get away from using. | |
| Public Enemies / int_112daba0 | featureApplicability |
1.0 | |
| Public Enemies / int_112daba0 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_112daba0 | |
| Public Enemies / int_1501e2dd | type |
Hero Antagonist | |
| Public Enemies / int_1501e2dd | comment |
Hero Antagonist: Melvin Purvis and J. Edgar Hoover. | |
| Public Enemies / int_1501e2dd | featureApplicability |
1.0 | |
| Public Enemies / int_1501e2dd | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_1501e2dd | |
| Public Enemies / int_17ce80aa | type |
All There in the Manual | |
| Public Enemies / int_17ce80aa | comment |
All There in the Manual: The source historical novel helps describe some of the unnamed characters. For example, the motorcycle cop gunned down by Nelson at the third bank robbery is named Hale Keith (and this little part actually did happen). | |
| Public Enemies / int_17ce80aa | featureApplicability |
1.0 | |
| Public Enemies / int_17ce80aa | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_17ce80aa | |
| Public Enemies / int_1a066f1d | type |
Last Breath Bullet | |
| Public Enemies / int_1a066f1d | comment |
Last Breath Bullet: Nelson's death in the film. He manages to mortally wound one agent right before Purvis and Madala empty their weapons into him. | |
| Public Enemies / int_1a066f1d | featureApplicability |
1.0 | |
| Public Enemies / int_1a066f1d | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_1a066f1d | |
| Public Enemies / int_1b65dfad | type |
The Cameo | |
| Public Enemies / int_1b65dfad | comment |
The Cameo: As is common in Michael Mann films, they're are plenty of recognizable faces popping up in minor or supporting roles that sometimes last little more than seconds. Carey Mulligan as a prostitute. Channing Tatum as bank robber Charles "Pretty Boy" Floyd moments before he's shot and killed. Diana Krall is seen singing "Bye Bye Blackbird" in one scene. MMA legend Don Frye as FBI Agent Clarence Hunt, one of the men who shoots and kills Dillinger. Giovanni Ribisi as Dillinger's contact Alvin Karpis. Lili Taylor as Sheriff Lillian Holley, Dillinger's jailer. Leelee Sobieski as Polly, the waitress whom accompanies Dillinger to the Biograph theater. Matt Craven as FBI Agent Gerry Campbell. | |
| Public Enemies / int_1b65dfad | featureApplicability |
1.0 | |
| Public Enemies / int_1b65dfad | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_1b65dfad | |
| Public Enemies / int_1fb947b6 | type |
Just Train Wrong | |
| Public Enemies / int_1fb947b6 | comment |
Just Train Wrong: The producers decided to show a train arriving in Chicago Union Station carrying Agent Charles Winstead, Jerry Campbell and Clarence Hurt. While Milwaukee Road #261 and its cars in their orange and maroon livery could be reasonably explained, the locomotive is anachronistic to the late 1933-early 1934 setting of the scene. Alco did not build that particular locomotive until 1944. | |
| Public Enemies / int_1fb947b6 | featureApplicability |
1.0 | |
| Public Enemies / int_1fb947b6 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_1fb947b6 | |
| Public Enemies / int_222969af | type |
All There in the Script | |
| Public Enemies / int_222969af | comment |
All There in the Script: The screenplay gives numerous characters, even bit part ones, names, even if they aren't mentioned on screen: these include the cops at the first bank robbery, the names of those who get shot in the third bank robbery, and others. | |
| Public Enemies / int_222969af | featureApplicability |
1.0 | |
| Public Enemies / int_222969af | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_222969af | |
| Public Enemies / int_2470d8fd | type |
Steel Ear Drums | |
| Public Enemies / int_2470d8fd | comment |
Steel Ear Drums: Played straight in that the bank manager taken hostage in the first bank robbery doesn't even flinch despite a Thompson submachine gun and a BAR being fired simultaneously just feet from his head. Also, in the Little Bohemia shootout, the gang members are firing their BARs, Thompson submachine guns, .351 Winchesters, and machine pistols through the windows. They should be permanently deafened by firing those weapons inside that confined space. | |
| Public Enemies / int_2470d8fd | featureApplicability |
1.0 | |
| Public Enemies / int_2470d8fd | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_2470d8fd | |
| Public Enemies / int_2534ee67 | type |
In Medias Res | |
| Public Enemies / int_2534ee67 | comment |
In Medias Res: The film opens with Dillinger and Red staging a jailbreak | |
| Public Enemies / int_2534ee67 | featureApplicability |
1.0 | |
| Public Enemies / int_2534ee67 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_2534ee67 | |
| Public Enemies / int_27adb17a | type |
Train Job | |
| Public Enemies / int_27adb17a | comment |
Train Job: Dillinger and company discuss one of these early on in the film with Alvin Karpis. They never get around to it, though, in Dillinger's time, but Karpis did actually go ahead and pull it about a year after Dillinger was killed. | |
| Public Enemies / int_27adb17a | featureApplicability |
1.0 | |
| Public Enemies / int_27adb17a | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_27adb17a | |
| Public Enemies / int_2b706ca | type |
More Dakka | |
| Public Enemies / int_2b706ca | comment |
More Dakka: Everybody's got submachine guns, used to fire long, fully automatic bursts. | |
| Public Enemies / int_2b706ca | featureApplicability |
1.0 | |
| Public Enemies / int_2b706ca | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_2b706ca | |
| Public Enemies / int_2c1f1138 | type |
He Who Fights Monsters | |
| Public Enemies / int_2c1f1138 | comment |
He Who Fights Monsters: The summary of Purvis' story arc. You can clearly see in Bale's performance each time he compromises his values for the sake of getting the job done. | |
| Public Enemies / int_2c1f1138 | featureApplicability |
1.0 | |
| Public Enemies / int_2c1f1138 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_2c1f1138 | |
| Public Enemies / int_2d6f00e4 | type |
Psycho for Hire | |
| Public Enemies / int_2d6f00e4 | comment |
Psycho for Hire: Dillinger is shown having problems working with Baby Face Nelson. This was Truth in Television: Dillinger hated that he had been forced to work with a murderous bastard like Nelson later in his career, and never bothered to try and hide it. He even threatened to kill Nelson himself if he shot at anyone needlessly. This once happened when Nelson wounded a deaf man during their robbery of the First National Bank in Mason City, Iowa on March 13, 1934 - ten days after Dillinger escaped from Crown Point. Dillinger called Nelson out on this. This resentment was mutual: Nelson hated the fact that Dillinger got all the attention, and how the press were drooling all over him. | |
| Public Enemies / int_2d6f00e4 | featureApplicability |
1.0 | |
| Public Enemies / int_2d6f00e4 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_2d6f00e4 | |
| Public Enemies / int_319e4a2f | type |
Even Evil Has Standards | |
| Public Enemies / int_319e4a2f | comment |
Even Evil Has Standards: Dillinger doesn't want to get into the kidnapping business, which he states when Karpis mentions the upcoming kidnapping of Edward Bremer. Two days after Dillinger robbed a bank in East Chicago, Karpis actually did pull the job. Dillinger is also disgusted by Baby Face Nelson's trigger happy and murderous nature. This is Truth in Television for the real John Dillinger. | |
| Public Enemies / int_319e4a2f | featureApplicability |
1.0 | |
| Public Enemies / int_319e4a2f | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_319e4a2f | |
| Public Enemies / int_39b8d3d6 | type |
Boring, but Practical | |
| Public Enemies / int_39b8d3d6 | comment |
Boring, but Practical: When refusing protection to Dillinger's gang, Frank Nitti shows Dillinger a room full of operators at phones involved in various gambling, bookkeeping and racketeering operations, and explains how in a single day, every day, those phones bring in as much money as Dillinger's latest bank robbery with significantly less risk, and also how harbouring bank robbers would bring more unwanted attention from law enforcement. | |
| Public Enemies / int_39b8d3d6 | featureApplicability |
1.0 | |
| Public Enemies / int_39b8d3d6 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_39b8d3d6 | |
| Public Enemies / int_3bc88a7f | type |
Foregone Conclusion | |
| Public Enemies / int_3bc88a7f | comment |
Foregone Conclusion: Dillinger and all his friends die. Red Hamilton thinks at Little Bohemia that his time is up hours before he is fatally wounded in the shootout. The real John Hamilton was also fatalistic in his last weeks leading up to Little Bohemia. One of the last things he did before going to Little Bohemia was Dillinger took Hamilton to his sister Anna Steve in Sault St. Marie, Michigan. | |
| Public Enemies / int_3bc88a7f | featureApplicability |
1.0 | |
| Public Enemies / int_3bc88a7f | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_3bc88a7f | |
| Public Enemies / int_3c111ce6 | type |
Pistol-Whipping | |
| Public Enemies / int_3c111ce6 | comment |
In the Racine bank robbery (the first one, and the only one we see in full (as we only see the start of the second robbery and join the third robbery midway through its execution)), Dillinger says to the bank manager, "You can be a dead hero or a live coward," after Pistol-Whipping him. The police files show that Dillinger actually said it during the escape from Crown Point. | |
| Public Enemies / int_3c111ce6 | featureApplicability |
1.0 | |
| Public Enemies / int_3c111ce6 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_3c111ce6 | |
| Public Enemies / int_3cf29583 | type |
Trojan Prisoner | |
| Public Enemies / int_3cf29583 | comment |
Trojan Prisoner: The jailbreak in the opening scene. Dillinger and Hamilton infiltrate the prison by making it look like a prison drop, with Dillinger as the "prisoner" and Hamilton as the "sheriff" that is "escorting" him. Once inside, when one of the guards recognizes him, Dillinger breaks his cuffs and he and Hamilton draw their guns. | |
| Public Enemies / int_3cf29583 | featureApplicability |
1.0 | |
| Public Enemies / int_3cf29583 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_3cf29583 | |
| Public Enemies / int_3e8d9cd3 | type |
Historical Hero Upgrade | |
| Public Enemies / int_3e8d9cd3 | comment |
The Feds were actually worse in reality than they were in the movie, while Purvis himself was perhaps a bit better here than he was in real life. In this film, Purvis shoots down Nelson, Floyd, and Van Meter, when in reality, the former two were killed in shootings that happened without Purvis presentnote In Floyd's case, Purvis was present but wasn't one of those who shot him, and Van Meter was killed by St. Paul police.note The account that Mann seems to use for Floyd's death is the FBI account, which states that Floyd was shot by a sniper from a great distance (although the real shooting happened on an open field, not in an apple orchard). Here, the film gives that role to Purvis. The film also uses the real Purvis's claim that he kicked a pistol out of Floyd's hand. | |
| Public Enemies / int_3e8d9cd3 | featureApplicability |
1.0 | |
| Public Enemies / int_3e8d9cd3 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_3e8d9cd3 | |
| Public Enemies / int_537dd8fe | type |
Affably Evil | |
| Public Enemies / int_537dd8fe | comment |
Affably Evil: Dillinger is handsome, charming, and won't hesitate to smash your face against a hard surface if you stand between him and something he wants, like Billie Frechette. | |
| Public Enemies / int_537dd8fe | featureApplicability |
1.0 | |
| Public Enemies / int_537dd8fe | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_537dd8fe | |
| Public Enemies / int_548bd053 | type |
Guns Akimbo | |
| Public Enemies / int_548bd053 | comment |
Guns Akimbo: Dillinger often wields two pistols when holding up banks. Also seen when Dillinger and Red come into Frank Nitti's outfit. Red is brandishing twin Tommy Guns on lanyards! | |
| Public Enemies / int_548bd053 | featureApplicability |
1.0 | |
| Public Enemies / int_548bd053 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_548bd053 | |
| Public Enemies / int_56515a39 | type |
Artistic License – History | |
| Public Enemies / int_56515a39 | comment |
Artistic License – History: Some of the music featured is actually from the late 30s, such as swing music. And a Billie Holiday record is heard in one scene (Holiday would begin her career in 1935), which Dillinger later uses as his Last Words (according to Winstead, at least). At one theater, we see a Looney Tunes cartoon playing, featuring Porky Pig, who didn't appear until 1935 (although considering that at the time of the film's setting, the studio's "star" was the long-forgotten Buddy...). Dillinger dies after Pretty Boy Floyd, Homer Van Meter, and Baby Face Nelson in the film, whereas in Real Life he died before any of those three: Van Meter was shot to death by police in St. Paul in late August. Floyd was gunned down October 22, 1934 in East Liverpool, Ohio; and Nelson died in a shootout on November 27, 1934 in Barrington, Illinois that also led to the deaths of Samuel P. Cowley and Herman Hollis. Floyd, rather than being killed by Purvis with a rifle, was fatally injured by a volley of gunfire from a posse consisting of both FBI agents and local police. Purvis was present and nominally in charge of the lawmen but doesn't appear to have fired his weapon. Floyd was also allegedly shot by one of Purvis's agents after being disarmed, though this is a more controversial account given by a local police officer, which was disputed by other witnesses. The Feds were actually worse in reality than they were in the movie, while Purvis himself was perhaps a bit better here than he was in real life. In this film, Purvis shoots down Nelson, Floyd, and Van Meter, when in reality, the former two were killed in shootings that happened without Purvis presentnote In Floyd's case, Purvis was present but wasn't one of those who shot him, and Van Meter was killed by St. Paul police.note The account that Mann seems to use for Floyd's death is the FBI account, which states that Floyd was shot by a sniper from a great distance (although the real shooting happened on an open field, not in an apple orchard). Here, the film gives that role to Purvis. The film also uses the real Purvis's claim that he kicked a pistol out of Floyd's hand. The September 26, 1933 breakout of Dillinger's future accomplices from the Indiana State Penitentiary: While Dillinger did mastermind the plan, he did not participate in the breakout because he was locked up in Lima, Ohio awaiting trial for a bank robbery he committed in Bluffton, Ohio. He had someone else smuggle the guns in, the men broke themselves out, then they robbed a bank before traveling to Lima to free Dillinger. Dillinger also wasn't a household name at the time, only becoming this after he was broken out. John "Red" Hamilton is shown out of jail and helps Dillinger with the Trojan Prisoner breakout. When in reality, he was actually one of the escapees, and the only one of them who never got recaptured before his death in April of 1934. The real breakout did not have any of the bloodshed shown in the movie. There was no shootout, no deaths. All that did happen was that the prisoners used the guns to take the guards hostage, and had the guards lead them so as to give the impression to everyone else that nothing was wrong. Billie Frechette's arrest is shown happening after the shootout at Little Bohemia Lodge. In reality, the two events were reversed. In fact, the whole reason the Dillinger gang were at Little Bohemia was that the other members of the gang thought Dillinger could use the vacation to take his mind off Billie's legal troubles. Little Bohemia is shown as being used by the gang as a hideout after a disastrous bank robbery in Sioux Falls, South Dakota. The two events actually happened about a month and a half apart, and the movie completely skips over the things that happened in the interim: they robbed a bank in Mason City, Iowa a week after the Sioux Falls robbery. At the end of the month, Dillinger, Billie and Van Meter got into a shootout with police in St. Paul. Shortly after this, Dillinger and Billie made a visit to his family in Moorsville, and it was after this that Billie was arrested. Then the gang made a visit to Hamilton's sister Anna Steve before going to Little Bohemia. Purvis and his men are pursuing Dillinger in the first half of the film. During the fall of 1933, the FBI had no involvement in the Dillinger manhunt. The most they did was attend a number of conferences and offer to help the Indiana State Police in fingerprinting; following the death of Lima, Ohio's sheriff during the liberation of Dillinger from that jail, Hoover actually ignored pleas from Indiana Governor Paul McNutt for the FBI's help. So in this time period, responsibility for pursuing the Dillinger gang fell to the Indiana State Police. Hoover announces to reporters Purvis's assignment to the Chicago field office, saying "his task will be to get Public Enemy #1, John Dillinger." This is a scene happening in late 1933 - Dillinger wasn't named Public Enemy No. 1 until his 31st birthday on June 22, 1934. As well, Floyd and Nelson were declared Public Enemy No. 1 in succession after Dillinger's death. Purvis had been SAC of the Chicago field office for several months when Dillinger first began robbing banks. A botched attempt to arrest a criminal happens at the Sherone Apartments building on November 1, 1933. In the film, the criminal who escapes is Baby Face Nelson with Tommy Carroll. In reality, the FBI were attempting to capture Verne Miller, who was wanted as one of the suspected conspirators in the Kansas City Massacre in June 1933, happened at this apartment building on November 1, 1933. The Sioux Falls robbery: Nelson gunning a motorcycle cop through a window with a submachine gun, then cackling, "I GOT ONE!" is true, according to FBI files. However, the robbery appears to be a composite of the Sioux Falls robbery and two of Dillinger's bank robberies that followed later in 1934: Dillinger gets shot in the shoulder, which actually happened a week after the Sioux Falls robbery, when the gang robbed the First National Bank in Mason City, Iowa. Also taken from the actual Mason City robbery is the gang getting less than they were expecting. When told about the job by Tommy Carroll, Dillinger is told that the bank they'll hit may net them six figures. In the real Sioux Falls robbery, the gang only netted $46,000 (which is how much they count in the film). Them expecting more money than they really got went to Mason City - they knew there was about $250,000 in that bank's vault, but they netted only about 1/5th of that much as a result of Hamilton being stalled by an intelligent bank manager. During the shootout, a bit happens where a boy jumps on Nelson's back and struggles with him for a few moments before Nelson throws him backwards into a storefront window. Such an incident did happen with Nelson, but it was actually during Dillinger's last bank robbery, of the Merchants National Bank in South Bend, Indiana on June 30, 1934. | |
| Public Enemies / int_56515a39 | featureApplicability |
1.0 | |
| Public Enemies / int_56515a39 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_56515a39 | |
| Public Enemies / int_588d766f | type |
BlackAndGreyMorality | |
| Public Enemies / int_588d766f | comment |
Black-and-Grey Morality: Dillinger and his gang are criminals. J. Edgar Hoover is, well, J. Edgar Hoover (tough as nails), and some of his men are violently thuggish - especially Harold Reinecke, to the point it veers on Black-and-Black Morality at times. | |
| Public Enemies / int_588d766f | featureApplicability |
1.0 | |
| Public Enemies / int_588d766f | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_588d766f | |
| Public Enemies / int_5a40d6a | type |
Adaptation Distillation | |
| Public Enemies / int_5a40d6a | comment |
Adaptation Distillation: Burrough's book was about violent crime in the early 1930s, and Dillinger was just one of several criminals profiled, as mentioned above: while he receives a lot of attention, he's not especially prominent in the story line compared to the other figures. With the movie focusing on Dillinger (and Purvis, to a lesser extent), most of them are either excluded entirely (Bonnie and Clyde, Machine Gun Kelly, the Barkers) or Demoted to Extra (Floyd, Karpis, Nelson). The movie also makes no reference to the Kansas City Massacre, which is the central event in the FBI's rise to prominence. | |
| Public Enemies / int_5a40d6a | featureApplicability |
1.0 | |
| Public Enemies / int_5a40d6a | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_5a40d6a | |
| Public Enemies / int_5bdffefe | type |
Jitter Cam | |
| Public Enemies / int_5bdffefe | comment |
Jitter Cam: Used throughout the film, most prominently in the gunfights. | |
| Public Enemies / int_5bdffefe | featureApplicability |
1.0 | |
| Public Enemies / int_5bdffefe | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_5bdffefe | |
| Public Enemies / int_5d3e7c6 | type |
Kangaroo Court | |
| Public Enemies / int_5d3e7c6 | comment |
Kangaroo Court: Right after we see the Dillinger gang carry out a bank robbery, we are introduced to BOI director J. Edgar Hoover, who is in a committee hearing seeking the doubling of his agency's budget. Unfortunately, the man in charge of the committee, Tennessee Senator Kenneth McKellar, is a big Hoover-hater (which was true, according to the book the film took most of its source material from). McKellar humiliates Hoover into admitting that he has not participated in the arrests of any of the over 213 wanted felons that the BOI has either captured or killed, much less been a participant in the investigations around them. Hoover gets frustrated enough that he says, "Well I will not be judged by a kangaroo court of venal politicians!" | |
| Public Enemies / int_5d3e7c6 | featureApplicability |
1.0 | |
| Public Enemies / int_5d3e7c6 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_5d3e7c6 | |
| Public Enemies / int_64e975cf | type |
Manly Tears | |
| Public Enemies / int_64e975cf | comment |
Manly Tears: Dillinger when he witnesses Billie getting captured. Whether or not this is reality is unclear, although it is true that Dillinger was distraught afterwards, so much that the rest of the gang (even Nelson) had to discourage him from attempting to rescue Billie, although the Friday after the arrest, Dillinger and Van Meter raided an arsenal in Warsaw, Indiana and made off with several weapons and bulletproof vests. | |
| Public Enemies / int_64e975cf | featureApplicability |
1.0 | |
| Public Enemies / int_64e975cf | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_64e975cf | |
| Public Enemies / int_6552b710 | type |
The Syndicate | |
| Public Enemies / int_6552b710 | comment |
The Syndicate: The Trope Namer is depicted. Frank Nitti's reluctance to help Dillinger is accurate, too. This contrasted him from Al Capone, who was known to provide protection to bank robbers and outlaws. Both the real Dillinger gang and the Barker-Karpis gang both were wary of who they established contact with because they knew that the heat brought on by the crimes they committed and their respective police manhunts could also risk a chance of causing police investigation into Syndicate activities. | |
| Public Enemies / int_6552b710 | featureApplicability |
1.0 | |
| Public Enemies / int_6552b710 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_6552b710 | |
| Public Enemies / int_66ef1fa1 | type |
Hauled Before a Senate Subcommittee | |
| Public Enemies / int_66ef1fa1 | comment |
Hauled Before A Senate Subcommittee: J. Edgar Hoover's introductory scene is testifying before the McKellar committee, trying to justify increased funding for the FBI. This actually happened in Real Life, but after the film's events. | |
| Public Enemies / int_66ef1fa1 | featureApplicability |
1.0 | |
| Public Enemies / int_66ef1fa1 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_66ef1fa1 | |
| Public Enemies / int_77414bc2 | type |
Action Prologue | |
| Public Enemies / int_77414bc2 | comment |
Action Prologue: The opening scene is about the jailbreak out of Indiana's state penitentiary. | |
| Public Enemies / int_77414bc2 | featureApplicability |
1.0 | |
| Public Enemies / int_77414bc2 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_77414bc2 | |
| Public Enemies / int_77957f94 | type |
We'll See About That | |
| Public Enemies / int_77957f94 | comment |
We'll See About That: Dillinger says this to Purvis after being taunted that he'll never leave his jail cell until being removed for his execution in the electric chair. Though Purvis and Dillinger never actually spoke to each other, Dillinger did have multiple in-prison encounters with his original pursuer - Indiana State Police detective Matt Leach, who was somewhat more competent than the FBI in pursuing Dillinger. | |
| Public Enemies / int_77957f94 | featureApplicability |
1.0 | |
| Public Enemies / int_77957f94 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_77957f94 | |
| Public Enemies / int_7a14cdba | type |
Chewbacca Defense | |
| Public Enemies / int_7a14cdba | comment |
Chewbacca Defense: Dillinger's shady defense lawyer Louis Piquett manages to keep him out of the Indiana State Prison in Michigan City by saying that Sheriff Lillian Holley is a woman, and therefore afraid that she can't keep him locked up in minimum security, because she's a woman. "I'm not afraid!" Judge William Murray immediately concludes that means she thinks Dillinger should stay in Crown Point. Because of this, Dillinger is able to carve the wooden pistol and escape with ease. | |
| Public Enemies / int_7a14cdba | featureApplicability |
1.0 | |
| Public Enemies / int_7a14cdba | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_7a14cdba | |
| Public Enemies / int_7a3aa8ea | type |
You Must Be Cold | |
| Public Enemies / int_7a3aa8ea | comment |
You Must Be Cold: Dillinger does this twice: once to a hostage bank teller and once to Billie. Both times, he hands these girls coats. All of it is Truth in Television as this was considered one of Dillinger's more renowned trademarks. It helps contrast him from Baby Face Nelson. | |
| Public Enemies / int_7a3aa8ea | featureApplicability |
1.0 | |
| Public Enemies / int_7a3aa8ea | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_7a3aa8ea | |
| Public Enemies / int_863fa679 | type |
What Happened to the Mouse? | |
| Public Enemies / int_863fa679 | comment |
What Happened to the Mouse?: Herbert Youngblood, the black inmate who assists Dillinger in his escape from Crown Point, is never seen again after they are shown driving through the open fields. All we're shown is that Dillinger sees his photo stamped with "Deceased," indicating that he had died at some point. Likewise, we never see Pierpont and Makley after they and Dillinger are seen being arrested. In fact, no mention is made about them. | |
| Public Enemies / int_863fa679 | featureApplicability |
1.0 | |
| Public Enemies / int_863fa679 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_863fa679 | |
| Public Enemies / int_875615dd | type |
Truth in Television | |
| Public Enemies / int_875615dd | comment |
Dillinger is also disgusted by Baby Face Nelson's trigger happy and murderous nature. This is Truth in Television for the real John Dillinger. | |
| Public Enemies / int_875615dd | featureApplicability |
1.0 | |
| Public Enemies / int_875615dd | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_875615dd | |
| Public Enemies / int_88e5066d | type |
Trigger-Happy | |
| Public Enemies / int_88e5066d | comment |
Trigger-Happy: Baby-Face Nelson. He was like this in real life too. For example, in the Sioux Falls robbery, both in the movie and in real life, Nelson, upon seeing a motorcycle cop named Hale Keith pulling up alongside the bank, leaped onto a low railing and let loose a deafening burst of gunfire through a plate glass window that severely wounded Officer Keith (struck four times in the chest), then screamed "I got one!" (then in the film, he cackles and fires another deafening burst into the ceiling, and bits of plaster rain down). | |
| Public Enemies / int_88e5066d | featureApplicability |
1.0 | |
| Public Enemies / int_88e5066d | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_88e5066d | |
| Public Enemies / int_898ff050 | type |
Villain Protagonist | |
| Public Enemies / int_898ff050 | comment |
Villain Protagonist: John Dillinger. | |
| Public Enemies / int_898ff050 | featureApplicability |
1.0 | |
| Public Enemies / int_898ff050 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_898ff050 | |
| Public Enemies / int_8b606a51 | type |
There Is No Kill Like Overkill | |
| Public Enemies / int_8b606a51 | comment |
There Is No Kill Like Overkill: Purvis guns down Van Meter and Nelson in the field after the Little Bohemia shootout. Van Meter gets hit at least twenty or more times, raked up with submachine fire. Nelson gets one shotgun pellet and at least twelve bullets from Purvis's pistol. Van Meter's real life death at the hands of the St. Paul Police Department on August 23, 1934 was a lot uglier than the movie: he was shot at least 51 times with pistols, and once with a shotgun. Some of his fingers were shot off as well. | |
| Public Enemies / int_8b606a51 | featureApplicability |
1.0 | |
| Public Enemies / int_8b606a51 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_8b606a51 | |
| Public Enemies / int_9b6e33f3 | type |
Death by Cameo | |
| Public Enemies / int_9b6e33f3 | comment |
Death by Cameo: Channing Tatum as Pretty Boy Floyd. | |
| Public Enemies / int_9b6e33f3 | featureApplicability |
1.0 | |
| Public Enemies / int_9b6e33f3 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_9b6e33f3 | |
| Public Enemies / int_9ec60b8b | type |
White Shirt of Death | |
| Public Enemies / int_9ec60b8b | comment |
White Shirt of Death: Pretty Boy Floyd at the beginning, Homer Van Meter at the end of the Little Bohemia shootout and Dillinger himself at the end. | |
| Public Enemies / int_9ec60b8b | featureApplicability |
1.0 | |
| Public Enemies / int_9ec60b8b | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_9ec60b8b | |
| Public Enemies / int_a8559a9f | type |
RealLife | |
| Public Enemies / int_a8559a9f | comment |
Dillinger dies after Pretty Boy Floyd, Homer Van Meter, and Baby Face Nelson in the film, whereas in Real Life he died before any of those three: Van Meter was shot to death by police in St. Paul in late August. Floyd was gunned down October 22, 1934 in East Liverpool, Ohio; and Nelson died in a shootout on November 27, 1934 in Barrington, Illinois that also led to the deaths of Samuel P. Cowley and Herman Hollis. | |
| Public Enemies / int_a8559a9f | featureApplicability |
1.0 | |
| Public Enemies / int_a8559a9f | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_a8559a9f | |
| Public Enemies / int_ac09dc0f | type |
Alas, Poor Villain | |
| Public Enemies / int_ac09dc0f | comment |
Alas, Poor Villain: Dillinger himself at the end. | |
| Public Enemies / int_ac09dc0f | featureApplicability |
1.0 | |
| Public Enemies / int_ac09dc0f | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_ac09dc0f | |
| Public Enemies / int_ae3d6438 | type |
Deadpan Snarker | |
| Public Enemies / int_ae3d6438 | comment |
Deadpan Snarker: Two films were playing at the neighborhood's theaters the night Dillinger was killed: "Manhattan Melodrama", and a Shirley Temple movie. One of the agents remarks: "Dillinger ain't goin' to no Shirley Temple picture." | |
| Public Enemies / int_ae3d6438 | featureApplicability |
1.0 | |
| Public Enemies / int_ae3d6438 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_ae3d6438 | |
| Public Enemies / int_b4eff8a8 | type |
Epic Fail | |
| Public Enemies / int_b4eff8a8 | comment |
Epic Fail: Hoover reprimands Purvis over the phone for botching the attempt to capture Nelson, leading to Barton's death. | |
| Public Enemies / int_b4eff8a8 | featureApplicability |
1.0 | |
| Public Enemies / int_b4eff8a8 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_b4eff8a8 | |
| Public Enemies / int_b58b4e3c | type |
Too Dumb to Live | |
| Public Enemies / int_b58b4e3c | comment |
Too Dumb to Live: Many of Purvis's men: Barton, the agent killed in the botched apartment raid, and then later Baum at Little Bohemia. | |
| Public Enemies / int_b58b4e3c | featureApplicability |
1.0 | |
| Public Enemies / int_b58b4e3c | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_b58b4e3c | |
| Public Enemies / int_b93caaae | type |
Convenient Slow Dance | |
| Public Enemies / int_b93caaae | comment |
Convenient Slow Dance: "Bye Bye Blackbird" comes just at the right moment. For both John and Billie, the song is a cherished memory. | |
| Public Enemies / int_b93caaae | featureApplicability |
1.0 | |
| Public Enemies / int_b93caaae | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_b93caaae | |
| Public Enemies / int_beb9a361 | type |
Anti-Hero | |
| Public Enemies / int_beb9a361 | comment |
Anti-Hero: Unlike previous characterizations, Dillinger is portrayed as this instead of a Villain Protagonist. Actually, the Feds do understand why people sympathize with him. | |
| Public Enemies / int_beb9a361 | featureApplicability |
1.0 | |
| Public Enemies / int_beb9a361 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_beb9a361 | |
| Public Enemies / int_c4976d7c | type |
Vehicular Sabotage | |
| Public Enemies / int_c4976d7c | comment |
Vehicular Sabotage: When Dillinger escapes from Crown Point, he pulls the distributor and spark cables from a car with an open hood. He is then told it is the sheriff's personal vehicle. | |
| Public Enemies / int_c4976d7c | featureApplicability |
1.0 | |
| Public Enemies / int_c4976d7c | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_c4976d7c | |
| Public Enemies / int_c75df49a | type |
Shout-Out | |
| Public Enemies / int_c75df49a | comment |
Shout-Out: Dillinger says to a bank customer, "You can put it away. I'm not here for your money, I'm here for the bank's money." While it may be a reference to Michael Mann's earlier work, Dillinger actually said these words during his January 15, 1934 robbery of the First National Bank in East Chicago, Indiana. For whatever reason, some misattribute this line to Bonnie and Clyde (as Clyde was quoted as having said a similar line during a late February bank job). Some think that Clyde was intentionally modeling himself on Dillinger and attempting to clean up his act, as the real Clyde had more in common with Baby-Face Nelson than most Hollywood portrayals would tell you. | |
| Public Enemies / int_c75df49a | featureApplicability |
1.0 | |
| Public Enemies / int_c75df49a | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_c75df49a | |
| Public Enemies / int_c8a8c595 | type |
Retirony | |
| Public Enemies / int_c8a8c595 | comment |
Retirony: Subverted, though, in that Dillinger is not killed in the middle of his last big score, but gunned down by the police on the night before; of course, that's what actually happened. Indeed, Dillinger was planning a train robbery with Nelson and Van Meter when he was killed. | |
| Public Enemies / int_c8a8c595 | featureApplicability |
-0.3 | |
| Public Enemies / int_c8a8c595 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_c8a8c595 | |
| Public Enemies / int_d01cffbc | type |
Badass Longcoat | |
| Public Enemies / int_d01cffbc | comment |
Badass Longcoat: Most of the characters in the film wear one. Dillinger and his gang wear them during the bank robberies, to conceal their guns. | |
| Public Enemies / int_d01cffbc | featureApplicability |
1.0 | |
| Public Enemies / int_d01cffbc | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_d01cffbc | |
| Public Enemies / int_d3a4af1e | type |
Sympathy for the Devil | |
| Public Enemies / int_d3a4af1e | comment |
Sympathy for the Devil: Billie Frechette to John Dillinger. | |
| Public Enemies / int_d3a4af1e | featureApplicability |
1.0 | |
| Public Enemies / int_d3a4af1e | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_d3a4af1e | |
| Public Enemies / int_db2f3581 | type |
All Girls Want Bad Boys | |
| Public Enemies / int_db2f3581 | comment |
All Girls Want Bad Boys: Almost all of the gang members had girlfriends. Dillinger first had Billie Frechette, and then after her arrest, a waitress named Polly Hamilton. | |
| Public Enemies / int_db2f3581 | featureApplicability |
1.0 | |
| Public Enemies / int_db2f3581 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_db2f3581 | |
| Public Enemies / int_e154ff08 | type |
Jack Bauer Interrogation Technique | |
| Public Enemies / int_e154ff08 | comment |
Jack Bauer Interrogation Technique: The cops use this at a couple of points. The cops refuse to let a doctor tend to Tommy Carroll, who has been shot in the head, with a bullet resting above his right eye, while torturing him for Dillinger's hideout. Harold Reinecke slaps around Billie Frechette to get info out of her. | |
| Public Enemies / int_e154ff08 | featureApplicability |
1.0 | |
| Public Enemies / int_e154ff08 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_e154ff08 | |
| Public Enemies / int_e16217f8 | type |
Historical Villain Upgrade | |
| Public Enemies / int_e16217f8 | comment |
Historical Villain Upgrade: While not the homicidal maniac of the 1945 and 1973 films, this version of Dillinger has several bodies that can be attributed to him: two Racine cops and a Sioux Falls cop. In reality, Dillinger planned his robberies around not killing people. It's believed the only time Dillinger killed someone was on January 15, 1934 during a bank robbery in East Chicago, Indiana, when he killed a police officer named William O'Malley (it was this murder that Dillinger was awaiting trial for when he broke out of Crown Point), and even then, whether Dillinger was the one who shot O'Malley or not has sometimes been called into question. While in several of Dillinger's bank robberies, people did get shot, the person who shot them was typically Nelson or Van Meter. | |
| Public Enemies / int_e16217f8 | featureApplicability |
1.0 | |
| Public Enemies / int_e16217f8 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_e16217f8 | |
| Public Enemies / int_e4b69188 | type |
Very Loosely Based on a True Story | |
| Public Enemies / int_e4b69188 | comment |
Very Loosely Based on a True Story: This film basically semi-fictionalizes the pursuit of Dillinger by various law enforcement agencies. | |
| Public Enemies / int_e4b69188 | featureApplicability |
1.0 | |
| Public Enemies / int_e4b69188 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_e4b69188 | |
| Public Enemies / int_f42f96fa | type |
Would Hit a Girl | |
| Public Enemies / int_f42f96fa | comment |
Would Hit a Girl: Harold Reinecke slaps Billie Frechette around and denies her access to a toilet in hopes of getting her to reveal info about Dillinger. | |
| Public Enemies / int_f42f96fa | featureApplicability |
1.0 | |
| Public Enemies / int_f42f96fa | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_f42f96fa | |
| Public Enemies / int_f740a274 | type |
Historical Beauty Update | |
| Public Enemies / int_f740a274 | comment |
Historical Beauty Update: Branka Katic and the woman she played, Anna Sage (real name Ana Campanas), the "Lady in Red". The actual John Dillinger wasn't nearly as comely as Johnny Depp (generally the case when Johnny Depp portrays a real-life person.) | |
| Public Enemies / int_f740a274 | featureApplicability |
1.0 | |
| Public Enemies / int_f740a274 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_f740a274 | |
| Public Enemies / int_fc45bac0 | type |
Wouldn't Hit a Girl | |
| Public Enemies / int_fc45bac0 | comment |
Wouldn't Hit a Girl: While Reinecke is slapping Billie around, the rest of the FBI agents listen in with shame. The female secretary states that a woman should not be treated in such a manner. Even though Purvis is perfectly comfortable with denying medical attention to the dying Hamilton in order to get info on Dillinger, he behaves with perfect chivalry toward Billie, even personally carrying her to the bathroom. ** ** Without being prompted, Winstead grabs Reinecke's arm to prevent him from striking Billie any more, slams him against a wall, and holds him there until Billie is taken away. | |
| Public Enemies / int_fc45bac0 | featureApplicability |
1.0 | |
| Public Enemies / int_fc45bac0 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_fc45bac0 | |
| Public Enemies / int_ff6f943f | type |
Verbal Business Card | |
| Public Enemies / int_ff6f943f | comment |
Verbal Business Card: "I'm John Dillinger. I rob banks." | |
| Public Enemies / int_ff6f943f | featureApplicability |
1.0 | |
| Public Enemies / int_ff6f943f | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_ff6f943f | |
| Public Enemies / int_ff7f34c5 | type |
Pet the Dog | |
| Public Enemies / int_ff7f34c5 | comment |
Pet the Dog: Purvis finds the "interrogation" of Frechette horrific (though see Wouldn't Hit a Girl below for the hypocrisy of this). He steps in at the insistence of his secretary Doris Rogers. | |
| Public Enemies / int_ff7f34c5 | featureApplicability |
1.0 | |
| Public Enemies / int_ff7f34c5 | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_ff7f34c5 | |
| Public Enemies / int_ffad4e9f | type |
Shown Their Work | |
| Public Enemies / int_ffad4e9f | comment |
Shown Their Work: Dillinger's death scene, right down to the location and the path of the bullets that kill him, specifically, the fatal bullet - fired by Winstead from close range. It entered Dillinger through the back of his head, severed his spinal cord, tore through his brain, and exited out the front of his forehead above his right eye. They even redressed a few blocks of street to recreate the 1934 atmosphere of the Biograph. A different theater was used to represent the Biograph's interior, however. And yes, the movie Johnny Depp is shown watching is actually Manhattan Melodrama, the real film that the real Dillinger watched before he walked out of the theater and was gunned down. Although Nelson was not actually killed at Little Bohemia, the fact that he stood up and continued firing even after being shot more than ten times was true, although in the actual case, the agents whose bullets felled Nelson - Samuel P. Cowley and Herman Hollis - were both mortally wounded. The producers, several times, tried as much as they could to film on-location. Crown Point Jail, and Little Bohemia Lodge are all the real deal here. At Little Bohemia, you can even see the old bullet holes from the shootout. The dialogue Louis Piquett gives to Judge William Murray at Dillinger's arraignment hearing was taken almost verbatim from the actual court transcripts. Dillinger escaped from Crown Point with a wooden pistol. Though the escape did not go down quite as the film shows it, it was similar and was done on location. He also warbled the chorus to "The Last Roundup" while driving west into Illinois, according to the statements of everyone who got taken hostage. Based on a comparison between film dialogue and material mentioned in Bryan Borrough's book, there is a good amount of dialogue that was taken from the book or from the FBI files. However, the dialogue is not always consistent with when it actually happened: In the Racine bank robbery (the first one, and the only one we see in full (as we only see the start of the second robbery and join the third robbery midway through its execution)), Dillinger says to the bank manager, "You can be a dead hero or a live coward," after Pistol-Whipping him. The police files show that Dillinger actually said it during the escape from Crown Point. Likewise, in the Racine bank robbery, Dillinger notices a customer's loose cash and says, "You can put it away. I'm not here for your money; I'm here for the bank's money." He did say this, but newspapers from the period claim that Dillinger said this during his January 15, 1934 robbery of the First National Bank in East Chicago. The "I'm gonna give it to you high and give it to you low!" line that Nelson gives when shooting Agent Baum and stealing his car at Little Bohemia comes from FBI files as something he said when ambushing Baum and Agent Jay Newman at the local switchboard operator's house. However, he said it before he fired his pistol. | |
| Public Enemies / int_ffad4e9f | featureApplicability |
1.0 | |
| Public Enemies / int_ffad4e9f | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_ffad4e9f | |
| Public Enemies / int_name | type |
ItemName | |
| Public Enemies / int_name | comment |
||
| Public Enemies / int_name | featureApplicability |
1.0 | |
| Public Enemies / int_name | featureConfidence |
1.0 | |
| Public Enemies | hasFeature |
Public Enemies / int_name | |
| Public Enemies / int_name | itemName |
Public Enemies |
The following is a list of statements referring to the current page from other pages.
Copyright of DBTropes.org wrapper 2009-2013 DFKI Knowledge Management. Imprint. - Thanks to Bakken&Baeck for hosting. Contact.
Copyright of data TVTropes.org contributors under Creative Commons Attribution-Share Alike 3.0 Unported License.
Copyright of data TVTropes.org contributors under Creative Commons Attribution-Share Alike 3.0 Unported License.