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Stage Fright (1950)
- 234 statements
- 45 feature instances
- 2 referencing feature instances
Stage Fright (1950) | type |
TVTItem | |
Stage Fright (1950) | label |
Stage Fright (1950) | |
Stage Fright (1950) | page |
StageFright1950 | |
Stage Fright (1950) | comment |
Stage Fright is a 1950 crime thriller film directed by Alfred Hitchcock, adapted from the novel Man Running by Selwyn Jepson. The main stars are Jane Wyman, Marlene Dietrich, Michael Wilding and Richard Todd.The events of the film take place in London and involve students of the Royal Academy of Dramatic Art (RADA). Eve Gill (Wyman) is one such student. She has long had an unrequited crush on fellow student Jonathan Cooper (Todd). One day, Jonathan interrupts her rehearsal. He is frantic and seeking her help. He explains that he got himself in a mess. He is the secret lover of Charlotte Inwood (Dietrich), a well-known singer and actress. Who happens to be married. Or rather WAS married. He claims that Charlotte killed her husband in an argument and then left her house in a bloodstained dress. She visited him in his apartment and got him to go back to her house. He was only supposed to get her a clean dress. He decided instead to re-arrange the crime scene and make it look as if the death was the result of a burglary gone wrong. He got caught in the act and is now on the run. He is a wanted man and needs a place to hide.Eve convinces her father, Commodore Gill (Alastair Sim), to help Jonathan stay out of sight for a while. The Commodore notices something peculiar in the bloodstained dress Jonathan carries with him. The blood spatter is not random enough to be accidental. It looks as if someone deliberately smeared the cloth in blood. Eve concludes that Charlotte has framed poor Jonathan for the murder. She decides to investigate Charlotte and her activities first hand. She bribes Charlotte's maid to play sick for a while and poses as temporary replacement "Doris Tinsdale".Both as Eve and Doris, our amateur sleuth meets Detective Inspector Wilfred Smith (Wilding) and starts falling for him. But all is not as it seems. Charlotte may have benefited from the murder but there are clues that she is not the actual killer. Jonathan may not be as innocent as he acts, and Smith knows more than he is willing to share with Eve.Noted for how its plot twist broke a long-established cinematic convention, something that Hitchcock later regretted. | |
Stage Fright (1950) | fetched |
2023-04-25T16:13:57Z | |
Stage Fright (1950) | parsed |
2023-04-25T16:13:58Z | |
Stage Fright (1950) | processingComment |
Dropped link to Blackmail: Not a Feature - ITEM | |
Stage Fright (1950) | isPartOf |
DBTropes | |
Stage Fright (1950) / int_127fc252 | type |
Creator Cameo | |
Stage Fright (1950) / int_127fc252 | comment |
Creator Cameo: As usual with Alfred Hitchcock. Here a very obvious one, as he walks right past Eve and glances back at her as Eve is going over her fake "Doris" identity. | |
Stage Fright (1950) / int_127fc252 | featureApplicability |
1.0 | |
Stage Fright (1950) / int_127fc252 | featureConfidence |
1.0 | |
Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_127fc252 | |
Stage Fright (1950) / int_146f4e0 | type |
Blind Without 'Em | |
Stage Fright (1950) / int_146f4e0 | comment |
Blind Without 'Em: Subverted for a little gag early on. Eve tries to disguise herself more elaborately before she poses as 'Doris', taking her mother's glasses. But even without them, her mother recognises her instantly. | |
Stage Fright (1950) / int_146f4e0 | featureApplicability |
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Stage Fright (1950) / int_146f4e0 | featureConfidence |
1.0 | |
Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_146f4e0 | |
Stage Fright (1950) / int_15b09af9 | type |
Heel–Face Door-Slam | |
Stage Fright (1950) / int_15b09af9 | comment |
Heel–Face Door-Slam: Before the movie even got started no less. Jonathan taking time to smear more blood on Charlotte's dress to frame her for the murder led to him getting caught in the house. | |
Stage Fright (1950) / int_15b09af9 | featureApplicability |
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Stage Fright (1950) / int_15b09af9 | featureConfidence |
1.0 | |
Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_15b09af9 | |
Stage Fright (1950) / int_1869b4b1 | type |
Unreliable Narrator | |
Stage Fright (1950) / int_1869b4b1 | comment |
Unreliable Narrator: Jonathan Cooper. This movie is significant because it broke a long-established cinematic convention that flashbacks were always a true account of earlier events. In this film, though, the opening flashback turns out to be a lie, a device which at first baffled then enraged cinemagoers who felt that they had in some way been cheated. | |
Stage Fright (1950) / int_1869b4b1 | featureApplicability |
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Stage Fright (1950) / int_1869b4b1 | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_1869b4b1 | |
Stage Fright (1950) / int_191a3673 | type |
Graceful Loser | |
Stage Fright (1950) / int_191a3673 | comment |
Graceful Loser: Charlotte Inwood takes the news that she's confessed to being an accessory to murder rather well. | |
Stage Fright (1950) / int_191a3673 | featureApplicability |
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Stage Fright (1950) / int_191a3673 | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_191a3673 | |
Stage Fright (1950) / int_20a14df0 | type |
Wrong Genre Savvy | |
Stage Fright (1950) / int_20a14df0 | comment |
Wrong Genre Savvy: Charlotte says to Eve "it's the scene of the crime the murderer returns to, not the theatre" - but sure enough, Jonathan does come to the theatre. | |
Stage Fright (1950) / int_20a14df0 | featureApplicability |
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Stage Fright (1950) / int_20a14df0 | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_20a14df0 | |
Stage Fright (1950) / int_23781532 | type |
Ironic Name | |
Stage Fright (1950) / int_23781532 | comment |
Ironic Name: Nellie Goode, Charlotte's maid, who's egotistical and greedy and ultimately engages in Blackmail. Lampshaded by Commodore Gill. | |
Stage Fright (1950) / int_23781532 | featureApplicability |
1.0 | |
Stage Fright (1950) / int_23781532 | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_23781532 | |
Stage Fright (1950) / int_2534ee67 | type |
In Medias Res | |
Stage Fright (1950) / int_2534ee67 | comment |
In Medias Res: The movie opens with Eve driving a panicked Jonathan to safety. He then tells her the story of how Charlotte got him to clean up for her after she killed her husband. | |
Stage Fright (1950) / int_2534ee67 | featureApplicability |
1.0 | |
Stage Fright (1950) / int_2534ee67 | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_2534ee67 | |
Stage Fright (1950) / int_381855db | type |
Five-Second Foreshadowing | |
Stage Fright (1950) / int_381855db | comment |
Five-Second Foreshadowing: During the final scenes with Jonathan trapped in the orchestra pit, scrambling up on the stage, you can hear one of the policemen shouting "Lower the safety curtainnote made of steel, meant to be used in case of fire, cut him off!". The policeman obviously means 'cut off his line of retreat' but it's heavily implied that the 'cut' part is far more literal. | |
Stage Fright (1950) / int_381855db | featureApplicability |
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Stage Fright (1950) / int_381855db | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_381855db | |
Stage Fright (1950) / int_38bf28e3 | type |
Engineered Public Confession | |
Stage Fright (1950) / int_38bf28e3 | comment |
Engineered Public Confession: Eve pulls this on Charlotte. | |
Stage Fright (1950) / int_38bf28e3 | featureApplicability |
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Stage Fright (1950) / int_38bf28e3 | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_38bf28e3 | |
Stage Fright (1950) / int_403b6f3 | type |
Fainting | |
Stage Fright (1950) / int_403b6f3 | comment |
Fainting: Eve does this in a very obvious manner to prevent Smith's partner from catching Jonathan. | |
Stage Fright (1950) / int_403b6f3 | featureApplicability |
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Stage Fright (1950) / int_403b6f3 | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_403b6f3 | |
Stage Fright (1950) / int_43b154c9 | type |
Not Even Bothering with the Accent | |
Stage Fright (1950) / int_43b154c9 | comment |
Not Even Bothering with the Accent: Eve Gill is an English girl but Jane Wyman keeps her American accent, with the Hand Wave that she was educated in America. She does however imitate a working class accent to pass herself off as Nellie's cousin. Charlotte Inwood is presumably English but Marlene Dietrich uses her German accent. Although since Inwood is her husband's last name, she could be German in this universe too. | |
Stage Fright (1950) / int_43b154c9 | featureApplicability |
1.0 | |
Stage Fright (1950) / int_43b154c9 | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_43b154c9 | |
Stage Fright (1950) / int_49f20c6a | type |
Gory Discretion Shot | |
Stage Fright (1950) / int_49f20c6a | comment |
The very first image in the movie is a steel fire safety stage curtain, which the opening credits play out against. At the end of the movie, the same curtain is brought down on Jonathan with fatal effects. | |
Stage Fright (1950) / int_49f20c6a | featureApplicability |
1.0 | |
Stage Fright (1950) / int_49f20c6a | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_49f20c6a | |
Stage Fright (1950) / int_56725578 | type |
Driving a Desk | |
Stage Fright (1950) / int_56725578 | comment |
Driving a Desk: Very obvious on mutliple occasions as people are driving around. | |
Stage Fright (1950) / int_56725578 | featureApplicability |
1.0 | |
Stage Fright (1950) / int_56725578 | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_56725578 | |
Stage Fright (1950) / int_567e7c4d | type |
Wounded Gazelle Gambit | |
Stage Fright (1950) / int_567e7c4d | comment |
Wounded Gazelle Gambit: Jonathan pretends to be the innocent victim of Charlotte. He may be her victim, but not really innocent. | |
Stage Fright (1950) / int_567e7c4d | featureApplicability |
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Stage Fright (1950) / int_567e7c4d | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_567e7c4d | |
Stage Fright (1950) / int_75e2bf23 | type |
Chiaroscuro | |
Stage Fright (1950) / int_75e2bf23 | comment |
Chiaroscuro: Used to great effect in the film's climax. | |
Stage Fright (1950) / int_75e2bf23 | featureApplicability |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_75e2bf23 | |
Stage Fright (1950) / int_85debad9 | type |
Plucky Girl | |
Stage Fright (1950) / int_85debad9 | comment |
Plucky Girl: Eve goes undercover to try and save her friend from being wrongfully committed of murder. | |
Stage Fright (1950) / int_85debad9 | featureApplicability |
1.0 | |
Stage Fright (1950) / int_85debad9 | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_85debad9 | |
Stage Fright (1950) / int_90b66e22 | type |
Femme Fatale | |
Stage Fright (1950) / int_90b66e22 | comment |
Femme Fatale: Charlotte Inwood is the film's antagonist, and is a sultry seductress. Played with in the sense that she didn't commit the murder in question. | |
Stage Fright (1950) / int_90b66e22 | featureApplicability |
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Stage Fright (1950) / int_90b66e22 | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_90b66e22 | |
Stage Fright (1950) / int_91697559 | type |
Half the Man He Used to Be | |
Stage Fright (1950) / int_91697559 | comment |
Half the Man He Used to Be: Jonathan is implied to have ended up this way after the stage's safety curtain lands on him. | |
Stage Fright (1950) / int_91697559 | featureApplicability |
1.0 | |
Stage Fright (1950) / int_91697559 | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_91697559 | |
Stage Fright (1950) / int_94e4c8ab | type |
Betty and Veronica | |
Stage Fright (1950) / int_94e4c8ab | comment |
Betty and Veronica: Eve sees herself as the Betty to Charlotte's Veronica, at least where Jonathan is concerned. Jonathan himself turns into the Veronica to Smith's Betty, with Eve as the 'Archie'. | |
Stage Fright (1950) / int_94e4c8ab | featureApplicability |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_94e4c8ab | |
Stage Fright (1950) / int_99ddfcec | type |
Unwitting Instigator of Doom | |
Stage Fright (1950) / int_99ddfcec | comment |
Unwitting Instigator of Doom: Eve's actress friends who she tries to get to distract Smith. They end up giving away that Eve hasn't been rehearsing with them. It's a double whammy with Eve's father, whose Indy Ploy to agitate Charlotte with a blood-stained doll blows Eve's cover in front of Smith. | |
Stage Fright (1950) / int_99ddfcec | featureApplicability |
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Stage Fright (1950) / int_99ddfcec | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_99ddfcec | |
Stage Fright (1950) / int_9d12bbc1 | type |
Foreshadowing | |
Stage Fright (1950) / int_9d12bbc1 | comment |
Foreshadowing: The very first image in the movie is a steel fire safety stage curtain, which the opening credits play out against. At the end of the movie, the same curtain is brought down on Jonathan with fatal effects. Charlotte's song "The Laziest Girl In Town" contains the lyrics "it's not coz I wouldn't, it's not coz I shouldn't, it's not coz I wouldn't" - foreshadowing that she got someone else to commit the murder in her place. When Eve first meets Smith, she puts on a good act of being frail and distressed about the murder. She pulls the same trick on Jonathan in the climax to out him. | |
Stage Fright (1950) / int_9d12bbc1 | featureApplicability |
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Stage Fright (1950) / int_9d12bbc1 | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_9d12bbc1 | |
Stage Fright (1950) / int_a734c20 | type |
Black Widow | |
Stage Fright (1950) / int_a734c20 | comment |
Black Widow: Essentially the reasons Charlotte has for killing her husband. | |
Stage Fright (1950) / int_a734c20 | featureApplicability |
1.0 | |
Stage Fright (1950) / int_a734c20 | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_a734c20 | |
Stage Fright (1950) / int_acecb17d | type |
Chekhov's Skill | |
Stage Fright (1950) / int_acecb17d | comment |
Chekhov's Skill: Eve being a RADA actress means she's very good at going undercover and playing a character. | |
Stage Fright (1950) / int_acecb17d | featureApplicability |
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Stage Fright (1950) / int_acecb17d | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_acecb17d | |
Stage Fright (1950) / int_ad1db87c | type |
Oh, Crap! | |
Stage Fright (1950) / int_ad1db87c | comment |
Oh, Crap!: Eve gets worried when she lets slip that she knows that Smith is working the Inwood investigation (which he hadn't told her yet), but nothing more is said about it. Then she has a real moment like this when she sees Nellie at the garden party. | |
Stage Fright (1950) / int_ad1db87c | featureApplicability |
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Stage Fright (1950) / int_ad1db87c | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_ad1db87c | |
Stage Fright (1950) / int_ae3d6438 | type |
Deadpan Snarker | |
Stage Fright (1950) / int_ae3d6438 | comment |
Deadpan Snarker: With Dietrich in the role, Charlotte naturally is an example. Commodore Gill is played by Alastair Sim at his most affable, but he still gets off some good zingers. | |
Stage Fright (1950) / int_ae3d6438 | featureApplicability |
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Stage Fright (1950) / int_ae3d6438 | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_ae3d6438 | |
Stage Fright (1950) / int_b9af5ef3 | type |
The Film of the Book | |
Stage Fright (1950) / int_b9af5ef3 | comment |
The Film of the Book: Based on the novel Man Running by Selwyn Jepson, which was originally published serially in Collier's magazine in 1947. | |
Stage Fright (1950) / int_b9af5ef3 | featureApplicability |
1.0 | |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_b9af5ef3 | |
Stage Fright (1950) / int_bc3cb7ff | type |
Clear My Name | |
Stage Fright (1950) / int_bc3cb7ff | comment |
Clear My Name: Why Jonathan needs Eve's help. Subverted when he turns out to be guilty. | |
Stage Fright (1950) / int_bc3cb7ff | featureApplicability |
-0.3 | |
Stage Fright (1950) / int_bc3cb7ff | featureConfidence |
1.0 | |
Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_bc3cb7ff | |
Stage Fright (1950) / int_c00484eb | type |
Accent Relapse | |
Stage Fright (1950) / int_c00484eb | comment |
Accent Relapse: Eve's cockney accent slips a few times, particularly when she's nervous or distressed. She abandons it completely when she busts Charlotte. | |
Stage Fright (1950) / int_c00484eb | featureApplicability |
1.0 | |
Stage Fright (1950) / int_c00484eb | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_c00484eb | |
Stage Fright (1950) / int_c023a146 | type |
Hollywood Homely | |
Stage Fright (1950) / int_c023a146 | comment |
Hollywood Homely: In-universe. Eve does this to herself to pass off as a lower class maid. Freddie and Charlotte suggest a few alterations to look attractive. When they see her dressed up for the garden party, it's an in-universe Beautiful All Along moment for them. | |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_c023a146 | |
Stage Fright (1950) / int_cf92fea8 | type |
Cassandra Truth | |
Stage Fright (1950) / int_cf92fea8 | comment |
Cassandra Truth: The Commodore attempts to tell his wife the truth about Jonathan, but she thinks he's making fun of her. | |
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Stage Fright (1950) / int_cf92fea8 | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_cf92fea8 | |
Stage Fright (1950) / int_d7117f01 | type |
Angst? What Angst? | |
Stage Fright (1950) / int_d7117f01 | comment |
Angst? What Angst?: In-universe. Eve tries to use this to convince Smith of Charlotte's guilt, noting how she continues with her work so soon after her husband's death. | |
Stage Fright (1950) / int_d7117f01 | featureApplicability |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_d7117f01 | |
Stage Fright (1950) / int_dbb414ed | type |
Hand Wave | |
Stage Fright (1950) / int_dbb414ed | comment |
Eve Gill is an English girl but Jane Wyman keeps her American accent, with the Hand Wave that she was educated in America. She does however imitate a working class accent to pass herself off as Nellie's cousin. | |
Stage Fright (1950) / int_dbb414ed | featureApplicability |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_dbb414ed | |
Stage Fright (1950) / int_dc057cf3 | type |
Adaptation Name Change | |
Stage Fright (1950) / int_dc057cf3 | comment |
Adaptation Name Change: In the book, Jonathan Cooper is called Jonathan Penrose. | |
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Stage Fright (1950) / int_dc057cf3 | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_dc057cf3 | |
Stage Fright (1950) / int_de5e9f69 | type |
Bluffing the Murderer | |
Stage Fright (1950) / int_de5e9f69 | comment |
Bluffing the Murderer: Jonathan lies to Charlotte that he didn't destroy her blood-stained dress. | |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_de5e9f69 | |
Stage Fright (1950) / int_e2cd1428 | type |
Widow's Weeds | |
Stage Fright (1950) / int_e2cd1428 | comment |
Widow's Weeds: Charlotte's insincerity is demonstrated in a scene where she's preening and primping while putting on widow's weeds, wondering if she can show more cleavage. | |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_e2cd1428 | |
Stage Fright (1950) / int_e3048d1b | type |
Amateur Sleuth | |
Stage Fright (1950) / int_e3048d1b | comment |
Amateur Sleuth: Eve Gill for most of the movie. | |
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Stage Fright (1950) / int_e3048d1b | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_e3048d1b | |
Stage Fright (1950) / int_e407c172 | type |
Silk Hiding Steel | |
Stage Fright (1950) / int_e407c172 | comment |
Silk Hiding Steel: Once Eve gets the truth out of Jonathan, she seems like she's going to help him escape through the stage doors. As soon as he goes through, she locks them and screams to alert the police. | |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_e407c172 | |
Stage Fright (1950) / int_eae41a | type |
The Vamp | |
Stage Fright (1950) / int_eae41a | comment |
The Vamp: Two words: Charlotte. Inwood. | |
Stage Fright (1950) / int_eae41a | featureApplicability |
1.0 | |
Stage Fright (1950) / int_eae41a | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_eae41a | |
Stage Fright (1950) / int_edeafb2e | type |
Malicious Misnaming | |
Stage Fright (1950) / int_edeafb2e | comment |
Malicious Misnaming: Charlotte knows her new temp maid is called "Doris" but keeps calling her things like "Elsie" or "Mavis". | |
Stage Fright (1950) / int_edeafb2e | featureApplicability |
1.0 | |
Stage Fright (1950) / int_edeafb2e | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_edeafb2e | |
Stage Fright (1950) / int_f9e16ef | type |
Distressed Dude | |
Stage Fright (1950) / int_f9e16ef | comment |
Distressed Dude: Jonathan. Wanted by the police and in desperate need of protection. | |
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Stage Fright (1950) / int_f9e16ef | featureConfidence |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_f9e16ef | |
Stage Fright (1950) / int_fa6bfde9 | type |
Have a Gay Old Time | |
Stage Fright (1950) / int_fa6bfde9 | comment |
Have a Gay Old Time: "Must be dreadful to sing and dance and be gay with that horrible picture still burning in one's mind." | |
Stage Fright (1950) / int_fa6bfde9 | featureApplicability |
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Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_fa6bfde9 | |
Stage Fright (1950) / int_ff251a68 | type |
Doting Parent | |
Stage Fright (1950) / int_ff251a68 | comment |
Doting Parent: The Commodore is apparently willing to do everything for his daughter, including harboring wanted criminals. | |
Stage Fright (1950) / int_ff251a68 | featureApplicability |
1.0 | |
Stage Fright (1950) / int_ff251a68 | featureConfidence |
1.0 | |
Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_ff251a68 | |
Stage Fright (1950) / int_ff7f34c5 | type |
Pet the Dog | |
Stage Fright (1950) / int_ff7f34c5 | comment |
Pet the Dog: Near the end, Charlotte gives Eve a little extra money and says she's been happy having her as a dresser. Likewise when she sees Eve dressed up at the garden party, she compliments her. | |
Stage Fright (1950) / int_ff7f34c5 | featureApplicability |
1.0 | |
Stage Fright (1950) / int_ff7f34c5 | featureConfidence |
1.0 | |
Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_ff7f34c5 | |
Stage Fright (1950) / int_name | type |
ItemName | |
Stage Fright (1950) / int_name | comment |
||
Stage Fright (1950) / int_name | featureApplicability |
1.0 | |
Stage Fright (1950) / int_name | featureConfidence |
1.0 | |
Stage Fright (1950) | hasFeature |
Stage Fright (1950) / int_name | |
Stage Fright (1950) / int_name | itemName |
Stage Fright (1950) |
The following is a list of statements referring to the current page from other pages.
Stage Fright | processingUnknown |
Stage Fright (1950) | |
Stage Fright (1950) | hasFeature |
Widow's Weeds / int_73d0841d |
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Copyright of data TVTropes.org contributors under Creative Commons Attribution-Share Alike 3.0 Unported License.