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The Art of War
- 326 statements
- 63 feature instances
- 33 referencing feature instances
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TVTItem | |
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The Art of War | |
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TheArtOfWar | |
| The Art of War | comment |
The Art of War is a 2000 action film directed by Christian Duguay, starring Wesley Snipes, Anne Archer, Michael Biehn, and Donald Sutherland.Neil Shaw (Snipes) is a covert operative assigned to the United Nations, who is apparently framed for a high-profile assassination by his employers.It was followed by two Direct to Video sequels, the last of which did not feature Snipes. | |
| The Art of War | fetched |
2024-02-14T05:01:18Z | |
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2024-02-14T05:01:18Z | |
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Dropped link to AvertedTrope: Not a Feature - IGNORE | |
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| The Art of War / int_122e956a | type |
One Bullet Left | |
| The Art of War / int_122e956a | comment |
One Bullet Left: During the climax, Shaw and the villain grapple with a gun at close range, so Shaw manages to eject the magazine to protect himself. However, Robert Bly sneers that "there's still one left in the chamber." | |
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| The Art of War / int_14e1f6b2 | type |
Assassins Are Always Betrayed | |
| The Art of War / int_14e1f6b2 | comment |
Assassins Are Always Betrayed: Shaw is an assassin/covert agent for the UN, who has to uncover an international conspiracy after being set up by his employer and his teammate. | |
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| The Art of War / int_1c79ae8c | type |
Those Two Guys | |
| The Art of War / int_1c79ae8c | comment |
Those Two Guys: FBI agents Frank Capella and Ray, who continuously canvas the previous scenes in Shaw's wake. | |
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| The Art of War / int_25524784 | type |
No-Holds-Barred Beatdown | |
| The Art of War / int_25524784 | comment |
No-Holds-Barred Beatdown: A villainous version as the Triads track down Shaw's partner Jenna and brutally beat her to death. Shaw immediately pays her killer in kind. | |
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| The Art of War / int_27f10418 | type |
Impersonating an Officer | |
| The Art of War / int_27f10418 | comment |
Impersonating an Officer: Shaw is checking out a Triad hangout when the police raid it. He apparently evades them, but a black FBI agent starts moving in the same direction he did, gun at the ready. Later one of the perps is getting in the face of several officers when that same agent appears, slams the man's head into the table, then hauls him outside to the amusement of the officers. It turns out to be Wes wearing the FBI man's cap and raid jacket. | |
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| The Art of War / int_295087bf | type |
Non-Indicative Name | |
| The Art of War / int_295087bf | comment |
Non-Indicative Name: The film's title, given that nothing in the film ever suggests that Shaw is seeking revenge for anything. In fact, the titles of the two sequels would actually make more sense if they were swapped around, given that in the second film Shaw is investigating the death of his mentor, and in this film Shaw gets betrayed by Sun Yi. | |
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| The Art of War / int_2dff6b95 | type |
Two Guys and a Girl | |
| The Art of War / int_2dff6b95 | comment |
Two Guys and a Girl: The U.N.'s secret-ops team of Shaw, Bly, and Jenna Novak. | |
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| The Art of War / int_32768814 | type |
Kick the Son of a Bitch | |
| The Art of War / int_32768814 | comment |
Kick The Son Of A Bitch: Sallas gets something of a Cruel and Unusual Death, whereby Shaw shoots him in the chest, then shoots him in both kneecaps, and then as he's leaving the room shoots the L-900, causing it to fire upwards and bring down the entire ceiling, finishing Sallas off. | |
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| The Art of War / int_34260591 | type |
Impromptu Tracheotomy | |
| The Art of War / int_34260591 | comment |
Impromptu Tracheotomy: Bly's death via glass shard. It's as horrifying as you may think, but a perfect death for a traitor. | |
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| The Art of War / int_38d02d44 | type |
Batman Gambit | |
| The Art of War / int_38d02d44 | comment |
Batman Gambit: In the final scene, Shaw shoots Melina/Susan dead, then drops the gun and walks away. Garrett then picks up the gun and tries to shoot Shaw, only to find that there are no more bullets left, thereby incriminating himself for the murder. | |
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| The Art of War / int_3fb02630 | type |
Conveniently Empty Building | |
| The Art of War / int_3fb02630 | comment |
Conveniently Empty Building: The U.N. building is apparently manned by one security guard. There's an attempted handwave briefly by the villains about clearing the building with a security drill, but neither that nor the patrol are seen. | |
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| The Art of War / int_4ab9c868 | type |
Pretty Little Headshots | |
| The Art of War / int_4ab9c868 | comment |
Pretty Little Headshots: Played straight with Ambassador Wu, Anna's mother, and David Chan, averted with Eleanor Hooks, whose brain matter ends up on the window. | |
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| The Art of War / int_5a94cbf6 | type |
Fake Assassination | |
| The Art of War / int_5a94cbf6 | comment |
Fake Assassination: ZigZagged. The film first appears to play this straight, by having David Chan arrange a fake assassination attempt on himself, at a UN summit, during which he takes a bullet in his arm. But it's later revealed that, 1.) Chan wasn't the actual target, it was Chinese ambassador, Chin Xi Wu. The only reason Chan was shot, was to make it appear they were both being targeted. 2.) The shot that hit Chan was fake. When Shaw corners him, and removes the bandage, there wasn't a wound. 3.) Then Chan gets Killed Off for Real, seconds later, by the assassin he hired: Shaw's former teammate, Bly. | |
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| The Art of War / int_5aa8d3d8 | type |
Friendly Enemy | |
| The Art of War / int_5aa8d3d8 | comment |
Friendly Enemy: Every time Capella and Shaw cross paths, their tones are rather pleasant as opposed to one of an agent and a man wanted for an international incident. Mainly because Capella is a Deadpan Snarker and Shaw is a good guy. | |
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| The Art of War / int_5bc36262 | type |
Backwards-Firing Gun | |
| The Art of War / int_5bc36262 | comment |
Backwards-Firing Gun: An improvised version occurs during a Gun Struggle, with the protagonist jamming the barrel of The Dragon's pistol against a marble floor and forcing him to fire, causing part of the slide to fly back into his face from the confined gunshot. Actually this is an Averted Trope. There's a scene where Bly throws his gun at Shaw, and the slide is still attached (but the end of the suppressor is mangled); Bly got hit by pieces of the floor. | |
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| The Art of War / int_625cfe89 | type |
Emergency Stash | |
| The Art of War / int_625cfe89 | comment |
Emergency Stash: Neil Shaw accessed an emergency stash of weapons and tools. It was hidden behind a mirror in the apartment of the one comrade who didn't betray him. | |
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| The Art of War / int_670b7e0e | type |
I Know You're Watching Me | |
| The Art of War / int_670b7e0e | comment |
I Know You're Watching Me: After being arrested and left alone in an interrogation room, Shaw raps suddenly on the glass, startling Julia who's been called in to identify him, and causing Capella to spill his coffee. | |
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| The Art of War / int_6b2b3b59 | type |
The Reveal | |
| The Art of War / int_6b2b3b59 | comment |
The Reveal: Throughout most of the film, Kim is presented as the main antagonist. As it actually turns out, he was a United Nations investigator working with South Korean intelligence to capture the arms dealers who were trying to sell nuclear weapons to North Korea. Though this does have the slight side-effect of meaning that all that Shaw managed to accomplish in the film was totally screw up Kim's operation and slaughter a dozen or so South Korean intelligence agents and police officers. | |
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| The Art of War / int_6eb4e408 | type |
Artistic License – Military | |
| The Art of War / int_6eb4e408 | comment |
Artistic License – Military: Two of the film's main plotlines are North Korea and South Korea being on the verge of peaceful reunification, but the North Korean government apparently wanting to buy nuclear weapons. In reality, the former happening in anything like the way the film depicts it is absurdly improbable, and North Korea already had the ability to produce its own nuclear weapons even when the film was being made. | |
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| The Art of War / int_733e007a | type |
Unwitting Pawn | |
| The Art of War / int_733e007a | comment |
Unwitting Pawn: Shaw, big-time. He gets easily taken in by Sun Yi's act, eventually culminating in his unwittingly allowing her to assassinate the South Korean ambassador and very nearly the Secretary-General herself. | |
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| The Art of War / int_754df088 | type |
Put on a Bus | |
| The Art of War / int_754df088 | comment |
Put on a Bus: Unlike the second film, this one actually explains Julia's absence, saying that she broke up with Shaw after he decided to return to working for the United Nations. | |
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| The Art of War / int_77552932 | type |
Character Shilling | |
| The Art of War / int_77552932 | comment |
Character Shilling: In the ending, the Secretary-General gives a speech about what a brilliant agent Shaw is, for saving her from being assassinated by a terrorist. A terrorist, by the way, who was only able to even threaten her life in the first place thanks to Shaw himself, and would otherwise have probably never even gotten through the front doors of the UN building. | |
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| The Art of War / int_7ae994c5 | type |
Delivery Guy Infiltration | |
| The Art of War / int_7ae994c5 | comment |
Delivery Guy Infiltration: There's a Bait-and-Switch when Wesley Snipes appears to be using Marie Matiko's character to infiltrate a Triad brothel, which is hidden behind a Front Organisation of a restaurant. Instead he handcuffs her to the steering wheel, grabs a crate of groceries which are being unloaded from a truck, and walks in that way. | |
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The Art of War / int_7ae994c5 | |
| The Art of War / int_7d791b62 | type |
Rewind, Replay, Repeat | |
| The Art of War / int_7d791b62 | comment |
Rewind, Replay, Repeat: When Julia is in the diner getting food, Shaw spots someone dropping a bag into a trash can. He replays it in his mind to confirm it, realizes it's a bomb, and crashes into the diner to dispose of it. Later, Shaw and Julia watch the footage of Ambassador Wu's assassination and notice that David Chan looks up in the direction of the shooter just before the gunfire occurs. | |
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| The Art of War / int_812fc350 | type |
Turn of the Millennium | |
| The Art of War / int_812fc350 | comment |
Turn of the Millennium: The story starts on New Year's Eve 1999. | |
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| The Art of War / int_8344209e | type |
BFG | |
| The Art of War / int_8344209e | comment |
BFG: The L-900 battle rifle, which fires depleted uranium rounds that are capable of blowing up tanks. Strangely, though, despite being repeatedly referred to as a "battle rifle" the weapon itself is actually fairly small, more resembling a larger automatic pistol and held one-handed. | |
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| The Art of War / int_8591611a | type |
Shameful Strip | |
| The Art of War / int_8591611a | comment |
Shameful Strip: As they drive, Shaw tells Julia that she must have a Tracking Device on her, and makes her strip to her panties and throw her clothes, watch and glasses out the car window. | |
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| The Art of War / int_8af25294 | type |
Bullet Time | |
| The Art of War / int_8af25294 | comment |
Bullet Time: The climactic shootout slows down for a moment to show a bullet whizzing just by Shaw's knee. | |
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| The Art of War / int_8b606a51 | type |
There Is No Kill Like Overkill | |
| The Art of War / int_8b606a51 | comment |
There Is No Kill Like Overkill: Oddly enough, downplayed somewhat when Sallas uses the L-900 to execute a mole; while the gun does mess his body up pretty badly, leaving his torso looking like a piece of carbonized Swiss cheese, considering what we see elsewhere the guy should have been blown into a million little bits. | |
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| The Art of War / int_8c4b72dd | type |
United Nations Is a Superpower | |
| The Art of War / int_8c4b72dd | comment |
United Nations Is a Superpower: Neil Shaw is an agent working for a United Nations black ops team that uses espionage, assassination, and other quasi-ethical methods to ensure cooperation from problematic nations. Played with in that it's made clear several points throughout the film that Shaw and his team are essentially mercenaries with no official mandate, and that the U.N. doesn't actually have the authority to do any of the things it does in the film. The Secretary General even notes that if the trade agreement goes through under the U.N.'s auspices instead of the Americans', it may finally allow the U.N. to become a world power (which is implied to be what happens in the end of the film). | |
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| The Art of War / int_90e31482 | type |
Laser-Guided Karma | |
| The Art of War / int_90e31482 | comment |
Laser-Guided Karma: Eleanor Hooks's death at the hands of the Triad, right after gloating to Shaw everything that she's responsible for is easily pinned on them. | |
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| The Art of War / int_9e86e227 | type |
The End... Or Is It? | |
| The Art of War / int_9e86e227 | comment |
The End... Or Is It??: Shaw fakes his death and escapes to France, only to have his picture taken as he walks off arm-in-arm with Julia, by the same man who took the blackmail photos earlier. | |
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| The Art of War / int_a70223 | type |
Karma Houdini | |
| The Art of War / int_a70223 | comment |
Karma Houdini: By the end of the film, the only thing that Shaw has accomplished is knocking out the Big Bad, while committing many colossal fuck-ups including murdering a bunch of South Korean intelligence agents who were just doing their jobs, unwittingly letting said Big Bad tag along with him, and thereby giving her the opportunity to assassinate the South Korean ambassador. The Secretary-General still gives a speech about how vital Shaw is to the security of the UN. | |
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| The Art of War / int_a796d2a6 | type |
Imperial Stormtrooper Marksmanship Academy | |
| The Art of War / int_a796d2a6 | comment |
Imperial Stormtrooper Marksmanship Academy: Taken to ridiculous levels in the film's various fight scenes, eventually culminating in Shaw and Kim having a gunfight with Sun Yi in the Secretary-General's office, where they're separated by just ten feet and a couple of couches. Kim is the only person who actually ends up getting killed, and it eventually takes Jason distracting Sun Yi for Shaw to finally incapacitate her. | |
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| The Art of War / int_a9f2e259 | type |
Mole in Charge | |
| The Art of War / int_a9f2e259 | comment |
Mole in Charge: Hooks is the leader of the U.N.'s extralegal black ops, an extremely sensitive position seemingly charged with increasing the U.N.'s power through questionably legal means, while actually being a member of a group of nationalist American power brokers who want to discredit the U.N. and return to one nation politics. | |
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| The Art of War / int_ace24b2c | type |
Halfway Plot Switch | |
| The Art of War / int_ace24b2c | comment |
Halfway Plot Switch: The film starts out as Shaw investigating the death of his mentor, but near the end of the first act switches to his protecting some senators from a terrorist organization. His mentor's death does become important again in the ending, though. | |
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| The Art of War / int_ad1db87c | type |
Oh, Crap! | |
| The Art of War / int_ad1db87c | comment |
Oh, Crap!: Shaw stumbles onto a tracking device that makes him realize he's the one who's been bugged the whole time, and immediately connects the dots that Bly re-injured his shoulder during the pickup game so the doctor could place the tracker in the wound. Cue Bly's arrival. | |
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| The Art of War / int_b1a7cd14 | type |
Tap on the Head | |
| The Art of War / int_b1a7cd14 | comment |
Tap on the Head: Robert Bly to Julia during the climax. | |
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| The Art of War / int_b1c2112 | type |
Tracking Device | |
| The Art of War / int_b1c2112 | comment |
Tracking Device: Shaw suspects Julia has a tracking device on her clothes and makes her take it all off and throw the clothes out the window of their car. Needless to say she is not happy. Later Shaw finds a tracking sensor and realises he is the one who has the tracking device implanted under his skin by a doctor working in league with The Mole, who 'accidentally' injured him during a basketball game. | |
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| The Art of War / int_b4f48596 | type |
BondColdOpen | |
| The Art of War / int_b4f48596 | comment |
Bond Cold Open: The movie starts with Shaw and his team working on an assignment covering David Chan. Like the actual Bond movie that opened the year before, the cold open ends with Shaw falling a long way and taking a shoulder injury that plays an important role in the plot. | |
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| The Art of War / int_bcd27e37 | type |
Improbable Aiming Skills | |
| The Art of War / int_bcd27e37 | comment |
Improbable Aiming Skills: Shaw is able to shoot the shaft of Capella's umbrella while hiding offscreen at an unknown distance. | |
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| The Art of War / int_bd50ec63 | type |
Battle in the Rain | |
| The Art of War / int_bd50ec63 | comment |
Battle in the Rain: Well, it's a fight in a building and it's raining ''outside.'' | |
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| The Art of War / int_bedd799b | type |
Blunt "Yes" | |
| The Art of War / int_bedd799b | comment |
Blunt "Yes": When we first meet Capella, he's without a stir straw for his hot coffee, so he swirls around the sugar with his finger. | |
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| The Art of War / int_c2fc1ae | type |
Neck Snap | |
| The Art of War / int_c2fc1ae | comment |
Neck Snap: Shaw does this to an assassin in the hospital and Bly does it one-handed to a guard. | |
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The Art of War / int_c2fc1ae | |
| The Art of War / int_c335b9ec | type |
Irony | |
| The Art of War / int_c335b9ec | comment |
Irony: David Chan sports a bandage on his arm where he was shot during the assassination of Ambassador Wu; when Shaw rips it off to expose the lack of a wound underneath, a sniper then shoots Chan right where the original "wound" would have been, followed by a headshot. | |
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| The Art of War / int_c33ba0a8 | type |
Chuck Cunningham Syndrome | |
| The Art of War / int_c33ba0a8 | comment |
Chuck Cunningham Syndrome: Julia doesn't appear or even get mentioned at any point in the film. | |
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| The Art of War / int_c3585f4a | type |
Boom, Headshot! | |
| The Art of War / int_c3585f4a | comment |
Boom, Headshot!: Ambassador Wu, David Chan, Anna's mother, the Triad who killed Jenna, and Eleanor Hooks are all executed in this manner. | |
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| The Art of War / int_c4c4004a | type |
Treachery Cover-Up | |
| The Art of War / int_c4c4004a | comment |
Treachery Cover Up: Shaw is set up for the murder of the Chinese ambassador in the middle of US-China trade talks. After finding out that a UN Liason/Covert Mission Control who was involved in the talks is the mastermind, he reveals the truth to the Triads. She is murdered by a member of the Triads and is lauded as a hero, who gave her life to ensure the success of US-China trade relations. Of course, this also serves as a big "fuck you" to her, as she was secretly working on sabotaging the talks. | |
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The Art of War / int_c4c4004a | |
| The Art of War / int_c93a6560 | type |
Impaled with Extreme Prejudice | |
| The Art of War / int_c93a6560 | comment |
Impaled with Extreme Prejudice: One of the Triad mooks gets a steel beam, through his face and before that, another got a rifle barrel through his eye. Then Bly gets impaled on a giant shard of glass, neck-first! | |
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The Art of War / int_c93a6560 | |
| The Art of War / int_cf511248 | type |
All Part of the Show | |
| The Art of War / int_cf511248 | comment |
All Part of the Show: The guests at David Chan's Y2K rooftop bash think Shaw fighting Chan's henchman is part of the festivities and get excited when a body camera is activated to be shown on the big screen during the fisticuffs. | |
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The Art of War / int_cf511248 | |
| The Art of War / int_d5d976dd | type |
I Have Many Names | |
| The Art of War / int_d5d976dd | comment |
I Have Many Names: Athena Karkanis's character is initially introduced as "Melina," but near the end of the film we find out that her real name is Susan Marsden. Then, just to really confuse things, she's credited as "Heather" in the end credits despite no-one ever referring to her by that name in the film. | |
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The Art of War / int_d5d976dd | |
| The Art of War / int_d99a228f | type |
Unusually Uninteresting Sight | |
| The Art of War / int_d99a228f | comment |
Unusually Uninteresting Sight: In the film's opening sequence, Shaw assassinates an arms dealer by throwing a bomb through his car window, then stabs a would-be suicide bomber to death. Despite this all taking place in front of a busy hotel in downtown Los Angeles, no-one at all notices any of this. | |
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The Art of War / int_d99a228f | |
| The Art of War / int_de9047ac | type |
Gambit Pileup | |
| The Art of War / int_de9047ac | comment |
Gambit Pileup: Chan and his triad allies wanted to kill Wu and derail the U.S.-China trade agreement so he could maintain his monopoly on business operations in China. Hooks was working with him, but was actually planning to betray and kill him, implicating the U.N. in the deaths of both Wu and Chan in order to discredit the U.N. and return America to a more nationalist, anti-globalist policy. | |
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The Art of War / int_de9047ac | |
| The Art of War / int_dfe687c9 | type |
Alone with the Psycho | |
| The Art of War / int_dfe687c9 | comment |
Alone with the Psycho: Julia is trapped at the end inside the UN Building, first alone with Eleanor Hooks, who lets her walk out, only to be stalked by Bly. | |
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| The Art of War / int_e43b42ea | type |
We Need a Distraction | |
| The Art of War / int_e43b42ea | comment |
We Need a Distraction: The Big Bad ensures the building is empty by announcing a fake motion detector test, causing all security to leave the affected areas except the poor sap in the monitor room. | |
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The Art of War / int_e43b42ea | |
| The Art of War / int_edaedf90 | type |
Vomit Discretion Shot | |
| The Art of War / int_edaedf90 | comment |
Vomit Discretion Shot: When the FBI comes across a shipping container full of dead refugees, Capella's partner turns to hurl on the pavement, and the camera thankfully pans to an overhead shot. | |
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| The Art of War / int_f178203a | type |
Inspector Javert | |
| The Art of War / int_f178203a | comment |
Inspector Javert: Agent Capella on the trail of Shaw. | |
| The Art of War / int_f178203a | featureApplicability |
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| The Art of War / int_f3894c02 | type |
Underside Ride | |
| The Art of War / int_f3894c02 | comment |
Underside Ride: Happens near the end, when Shaw escapes from a group of assassins by lying flat in the road, seemingly to avoid being hit by an oncoming truck. When it passes, he's nowhere to be seen, until it's revealed he escaped by grabbing on to the undercarriage. | |
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| The Art of War / int_f3f1a9e2 | type |
Not My Driver | |
| The Art of War / int_f3f1a9e2 | comment |
Not My Driver: Hooks's limo driver is not her driver, but rather a Triad member who executes her right then and there. | |
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The Art of War / int_f3f1a9e2 | |
| The Art of War / int_f516f938 | type |
Never Found the Body | |
| The Art of War / int_f516f938 | comment |
Never Found the Body: A big tip-off that Robert Bly is The Mole is the chase scene with Bly and "the assassin" takes place off-screen and over the radio, and no sight of Bly's body when he's "killed". | |
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The Art of War / int_f516f938 | |
| The Art of War / int_f9876f7e | type |
Faking the Dead | |
| The Art of War / int_f9876f7e | comment |
Faking the Dead: When the Triads spring Shaw to frame him by disabling and flipping the police van, they shoot a prone Capella (whose eyes then close) to make sure he's dead. When they drive off, Capella climbs out of the wreckage and unbuttons his shirt to reveal a bulletproof vest. At the end of the movie, Capella helps fake Shaw's death so he can go off-the-grid with Julia in France. | |
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| The Art of War / int_fb6b207f | type |
You Killed My Father | |
| The Art of War / int_fb6b207f | comment |
You Killed My Father: Or the closest thing Shaw had to a father, anyway. The death of his mentor spurs Shaw into getting involved with the plot. | |
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The Art of War |
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