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The Leopard
- 161 statements
- 30 feature instances
- 4 referencing feature instances
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The Leopard (Il Gattopardo) is a 1963 film by Luchino Visconti, adapted from the book of the same name by Giuseppe Tomasi de Lampedusa, with a soundtrack by Nino Rota. It takes place in Western Sicily during the Wars of Italian Independence.Prince Don Fabrizio Corbera of Salina (Burt Lancaster) is The Patriarch of a powerful Sicilian aristocratic family. On the eve of Giuseppe Garibaldi's landing in Sicily, Don Fabrizio contemplates the future of his family and way of life in a post-Risorgimento Italy where the middle classes will hold power. Being highly realistic, he decides to go with the times. He's highly pleased that his more ruthless nephew Tancredi Falconeri (Alain Delon) has joined Garibaldi's Redshirts. When the fighting thins out, he moves his family to the country estate of Donnafugata in the hope of marrying his nephew to Angelica (Claudia Cardinale), the daughter of the Nouveau Riche Don Calogero.The film won the Palme d'Or at Cannes in 1963 and was a huge box-office success in Europe. It is generally considered one of Italy's greatest films and one of the greatest historical films ever made, and Luchino Visconti's best known work. It would go on to influence several film-makers around the world, including Sydney Pollacknote He actually worked on the American Re-Cut of the film and deeply regreted being asked to butcher a masterpiece, Martin Scorsese and Francis Ford Coppola (whose The Godfather films contain several homages to Visconti's film).In terms of style, it combines the Hollywood Epic Movie (exotic locations, big stars, battle scenes) with the European art film. It is especially famous for its jaw-dropping use of colour, location shooting and the famous hour long ball scene of the finale. Burt Lancaster, cast against type, always considered the film his favorite of all his roles and the one he was proudest of. | |
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| The Leopard / int_1d2400e9 | type |
Green-Eyed Monster | |
| The Leopard / int_1d2400e9 | comment |
Green-Eyed Monster: Concetta secretly wishes to poison Angelica, who has stolen Tancredi's affection from her. | |
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| The Leopard / int_21d47bb7 | type |
Nouveau Riche | |
| The Leopard / int_21d47bb7 | comment |
Nouveau Riche: Don Calogero Sedara, Angelica's father, is from a working-class background, got rich with cleverness, and managed to buy many of the feuds lost by aristocrats. | |
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Adaptation Expansion | |
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Adaptation Expansion: The film's ball-scene while largely featuring lines of dialogue and scenes from the book, expands upon it considerably. In the book, the ball scene was a largely internal moment; in the film it becomes a major setpiece. It also shows the battle scenes that were off-screen in the book. | |
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| The Leopard / int_2f36d97 | type |
Older Than They Look | |
| The Leopard / int_2f36d97 | comment |
Older Than They Look: Partly because of casting but also in terms of overall appearance, Prince Fabrizio looks much younger than a patriarch of a Sicilian aristocracy ought to be. He himself reflects on this poignantly, after learning that his daughter Concetta has fallen in love: | |
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Gratuitous French | |
| The Leopard / int_34f8042a | comment |
Gratuitous French: The Salinas' governess, Mademoiselle Dombreuil, speaks in French all the time despite everyone around her being Italian. | |
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Big Badass Battle Sequence | |
| The Leopard / int_37b5c1b0 | comment |
Big Badass Battle Sequence: An incredible lengthy scene showing the fighting in Palermo after the landing of Garibaldi's Thousands. | |
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Born in the Wrong Century | |
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Born in the Wrong Century: The decent government representative notes that the Prince is far more intelligent and politically shrewd than Don Calogero and that he would make a brilliant senator and statesman. The Prince for his part declines stating that this opportunity has come too late for him. | |
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| The Leopard / int_3a10b632 | type |
Playing Against Type | |
| The Leopard / int_3a10b632 | comment |
Playing Against Type: invoked Burt Lancaster, star of adventure movies and Film Noir, the son of working-class immigrant and a former circus performer plays a member of the fading aristocracy. The film's producer cast Lancaster against Visconti's wishes and he was initially opposed to it but agreed after meeting Lancaster. He learnt that Lancaster grew up with Sicilian immigrants as neighbours and he understood the political context, the culture and its grudges very well. | |
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Bittersweet Ending | |
| The Leopard / int_40cc0c7e | comment |
Bittersweet Ending: Tancredi learns that he will be nominated as a candidate for the new Italian Senate in Turin (which the Prince already suspected), and he has his upcoming marriage to Angelica Sedara to look forward to. However, Concetta is still pining for Tancredi, and although Don Fabrizio re-captured some of his former elegance and class while waltzing with Angelica, he is all too aware that the world his family has inhabited for centuries is crumbling into dust, symbolised by the final shot of him walking into a darkened alley. | |
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Full-Circle Revolution | |
| The Leopard / int_4ef62a4d | comment |
Full-Circle Revolution: Don Fabrizio tells Father Pirrone early on that the emerging middle-class revolutionaries don't want to kill the aristocracy but merely replace them, and continue on as before. This is the great reason why he decides to support the Risorgimento and make Sicily part of the Italian state. Tancredi, his nephew, is even more cynical: In the course of the ball, the Prince discovers that at dawn tomorrow, some dissenting Garibaldi loyalists will be shot. At dawn next day, Tancredi, Angelica and Don Calogero travel in a carriage and pass by the events. | |
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Gorgeous Period Dress | |
| The Leopard / int_4fe1aa4c | comment |
Gorgeous Period Dress: All over the place, especially in the ball scene. | |
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Adaptation Distillation | |
| The Leopard / int_5a40d6a | comment |
Adaptation Distillation: The film adapts the first three-quarters of the book, cutting out the final part and the "Where Are They Now?" Epilogue at the end. | |
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Impoverished Patrician | |
| The Leopard / int_7a0374eb | comment |
Impoverished Patrician: Tancredi's father lost all his wealth with his dissolute life and left Tancredi orphan at fourteen with only his title and his Blue Blood. | |
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Upper-Class Twit | |
| The Leopard / int_9cc1a329 | comment |
Upper-Class Twit: Early in the climactic ball sequence, Fabrizio watches a large group of aristocratic young ladies chattering loudly as they fan themselves, some of them jumping up and down on the sofas and laughing. He drily notes that this is what comes of generations of cousins intermarrying, hinting that the old aristocracy might survive Italian unification if they had better genetic diversity and thus more intelligence and political savvy. | |
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Meet the New Boss | |
| The Leopard / int_a44cd048 | comment |
Meet the New Boss: As far as Sicilians are concerned, the Italian Nation is just like every other invading usurper out to exploit them. The rigging of elections that we see merely confirms it. | |
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| The Leopard / int_a46ea5c1 | type |
LightFeminineDarkFeminine | |
| The Leopard / int_a46ea5c1 | comment |
Angelica and Concetta: the former is a dark-haired, seductive and a Nouveau Riche, the latter is a blonde Proper Lady of ancient nobility. | |
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Like a Son to Me | |
| The Leopard / int_a8adc5a0 | comment |
Like a Son to Me: It's no secret that Prince Fabrizio prefers Tancredi over his own offspring (less Concetta, maybe) like the firstborn he always wished to have, since his heir, Paolo, is far less smart and strong-willed. | |
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Off-into-the-Distance Ending | |
| The Leopard / int_aef5c283 | comment |
Off-into-the-Distance Ending: The final scene of Prince Fabrizio walking off into a dark alley. | |
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| The Leopard / int_c2d5b652 | type |
Playing Both Sides | |
| The Leopard / int_c2d5b652 | comment |
Playing Both Sides: What Don Fabrizio engages in with this film. He's ostensibly the landowning aristocracy loyal to the old nobility and aristocratic order but via Tancredi, he plays a role in making Sicily part of mainland Italy. Father Pirrone, a Jesuit priest in service to the family, is opposed to reunification and criticizes the Prince's support for reunification: | |
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Re-Cut | |
| The Leopard / int_c3ae004a | comment |
Re-Cut: Visconti's first cut was 205 minutes long, but was felt to be excessive in length by both the director and producer, and was shortened to 195 minutes for its Cannes Film Festival premiere. Visconti then cut the film further to 185 minutes for its official release, and considered this version to be his preferred one. The U.S English-dubbed version, in which the Italian and French actors were dubbed over (except for Burt Lancaster, whose original English voice work is heard), was edited down to 161 minutes by 20th Century Fox. | |
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ShesAllGrownUp | |
| The Leopard / int_d075311d | comment |
She's All Grown Up: Angelica at 13 was rather plain, while Angelica at 17 is a total stunner. | |
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Despair Event Horizon | |
| The Leopard / int_dda99fa8 | comment |
Despair Event Horizon: The final ball scene is a slow drawn out version for Prince Fabrizio, as he realizes that once Tancredi and Angelica marry, there's nothing left for him in life to do but wait for death. The aristocratic life that he knew has gone and he has no place in the new world. | |
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| The Leopard / int_e16217f8 | type |
Historical Villain Upgrade | |
| The Leopard / int_e16217f8 | comment |
Historical Villain Upgrade: The film portrays the Italian Risorgimento with a highly jaundiced view, where nationalist rhetoric allows middle-class Nouveau Riche to grab property. Sicilians largely see the new nation as just another in a long line of exploiters out to use them. | |
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| The Leopard / int_e2ccee25 | type |
Animal Motifs | |
| The Leopard / int_e2ccee25 | comment |
Animal Motifs: The Italian word "Gattopardo" includes several animals from the Big Cat family. The book's author, Giuseppe Tomasi di Lampedusa, an actual Sicilian aristocrat, based it on his family's coat-of-arms, which is technically the lesser known Serval. The International title makes it "The Leopard". As the quote above shows, it allows for a lot of applicability towards the class conflict at the time. | |
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| The Leopard / int_e9784ee6 | type |
Epic Movie | |
| The Leopard / int_e9784ee6 | comment |
Epic Movie: A three-hour End of an Era period piece featuring an All-Star Cast, Scenery Porn, big crowd scenes, an impressive ball sequence, and becoming a massive hit at the Italian box-office in 1963, and inspiring such directors as Francis Ford Coppola and Martin Scorsese? Yeah, that's an epic movie. | |
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Angry Collar Grab | |
| The Leopard / int_ea466005 | comment |
Angry Collar Grab: Prince Fabrizio angrily pulls Don Ciccio close during their second hunting scene when the latter openly opposes the marriage and proclaims it will be the end of the two families. | |
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Dances and Balls | |
| The Leopard / int_efe04722 | comment |
Dances and Balls: The film is famous for having what some call the greatest ball scene in movies. It lasts for a whole hour. | |
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Nobility Marries Money | |
| The Leopard / int_fe91380c | comment |
Nobility Marries Money: Impoverished patrician Tancredi needs Nouveau Riche Angelica's wealth to pursue the political career he wishes. | |
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| The Leopard / int_ffad4e9f | type |
Shown Their Work | |
| The Leopard / int_ffad4e9f | comment |
Shown Their Work: Visconti, being an actual aristocrat, went out of his way to get a lot of the period details right. He shot extensively in Sicily, including the actual locations fictionalized in the book. Most famously, when searching for a unique piece of music for the ball sequence, he actually discovered an unused piece of music by Verdi in his attic and the film is the first time it's featured. | |
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The following is a list of statements referring to the current page from other pages.
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Dances and Balls / int_1a3efc42 | |
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Definite Article Title / int_1a3efc42 | |
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Historical Fiction / int_1a3efc42 |
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