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Where the Sidewalk Ends
- 218 statements
- 42 feature instances
- 15 referencing feature instances
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TVTItem | |
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Where the Sidewalk Ends | |
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WhereTheSidewalkEnds | |
Where the Sidewalk Ends | comment |
Where the Sidewalk Ends is a 1950 Film Noir, directed by Otto Preminger and starring Dana Andrews and Gene Tierney. The screenplay by Ben Hecht was adapted from the 1948 novel Night Cry by William L. Stuart.Mark Dixon (Andrews) is a violent NYPD cop haunted by his father's criminal past. When he accidentally kills Ken Paine (Craig Stevens) while investigating a murder, he hides his crime and tries to pin it on a kingpin criminal, Tommy Scalise (Gary Merril). Dixon is unable to prove the Scalise connection, however, and more problems arise when his superior, Lt. Thomas (Karl Malden), is convinced that Paine’s father-in-law, Jiggs Taylor (Tom Tully), committed the murder. Incapable of confessing to the crime, Dixon tries to set things straight by helping Jiggs's daughter, Morgan (Tierney), find legal help.Not to be confused with the children's poetry book of the same name by by Shel Silverstein. | |
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DBTropes | |
Where the Sidewalk Ends / int_1994ba0b | type |
Gone Horribly Right | |
Where the Sidewalk Ends / int_1994ba0b | comment |
Gone Horribly Right: Mark's attempts to deflect the suspicion from him works well. What goes horribly wrong is that Morgan’s father gets framed instead. | |
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Where the Sidewalk Ends / int_19fe3478 | type |
Daddy's Girl | |
Where the Sidewalk Ends / int_19fe3478 | comment |
Daddy's Girl: Morgan is very close to her father and moves in with him after she separates from Ken. | |
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Where the Sidewalk Ends / int_1fb4d915 | type |
The Stool Pigeon | |
Where the Sidewalk Ends / int_1fb4d915 | comment |
The Stool Pigeon: A member of the Scalise gang gives away their hideout, saving Mark. | |
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Where the Sidewalk Ends / int_2310dacb | type |
Dead Man Writing | |
Where the Sidewalk Ends / int_2310dacb | comment |
Dead Man Writing: Mark confesses to his crime, thinking that he'll get killed by Scalise in the process. | |
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Where the Sidewalk Ends / int_25524784 | type |
No-Holds-Barred Beatdown | |
Where the Sidewalk Ends / int_25524784 | comment |
No-Holds-Barred Beatdown: When Mark goes to get a confession out Scalise, it only gives the mobsters a chance to beat the crap out of him. | |
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Where the Sidewalk Ends / int_266b283 | type |
Crime After Crime | |
Where the Sidewalk Ends / int_266b283 | comment |
Crime After Crime: Mark's attempted coverup just gets worse and worse, with more crimes piling up after another. | |
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Where the Sidewalk Ends / int_2bdb6280 | type |
The Big Rotten Apple | |
Where the Sidewalk Ends / int_2bdb6280 | comment |
The Big Rotten Apple: New York is NOT cast in a friendly light here. | |
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Where the Sidewalk Ends / int_3f319f89 | type |
WronglyAccused | |
Where the Sidewalk Ends / int_3f319f89 | comment |
Wrongly Accused: Morgan's father becomes suspect number one when the police hear about his motive (being angry about Ken hitting Morgan) and being at the scene of the crime. | |
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Where the Sidewalk Ends / int_40cc0c7e | type |
Bittersweet Ending | |
Where the Sidewalk Ends / int_40cc0c7e | comment |
Bittersweet Ending: Morgan’s father is finally released but Mark confesses to the murder and will probably go to jail. | |
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Where the Sidewalk Ends / int_47bf7e16 | type |
Local Hangout | |
Where the Sidewalk Ends / int_47bf7e16 | comment |
Local Hangout: Martha’s Café for Mark. Here he trades sarcastic insults with the waitress/owner, Martha (played by the wonderful Ruth Donnelly), something they both love to do. | |
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Where the Sidewalk Ends / int_590eb583 | type |
Domestic Abuse | |
Where the Sidewalk Ends / int_590eb583 | comment |
Domestic Abuse: Morgan leaves Ken because of his beatings. This fact also convinces Lt. Thomas that her father had serious motive to kill Ken. | |
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Where the Sidewalk Ends / int_59907e4f | type |
Police Are Useless | |
Where the Sidewalk Ends / int_59907e4f | comment |
Police Are Useless: They're ready to pin a murder on an innocent man with only circumstantial evidence. | |
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Where the Sidewalk Ends / int_5c81a18b | type |
I Am Not My Father | |
Where the Sidewalk Ends / int_5c81a18b | comment |
I Am Not My Father: The biggest motivation for Mark becoming a cop was to be nothing like his crook father. | |
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Where the Sidewalk Ends / int_6af8ebb5 | type |
Death by Falling Over | |
Where the Sidewalk Ends / int_6af8ebb5 | comment |
Death by Falling Over: Dixon goes to Paine's apartment and questions him, but Paine becomes angry and starts a fight. Defending himself, Dixon does not know that a war injury has left Paine with a metal plate in his skull. When Paine falls, he hits his head and dies. | |
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Where the Sidewalk Ends / int_6d7cd3e | type |
Dead Person Impersonation | |
Where the Sidewalk Ends / int_6d7cd3e | comment |
Dead Person Impersonation: Mark pretends to be Ken to cover up the murder. He dresses up like him, goes to a train station as him, and comes back to dump the body. | |
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Where the Sidewalk Ends / int_73328e84 | type |
Suicide by Cop | |
Where the Sidewalk Ends / int_73328e84 | comment |
Suicide by Cop: Inverted. Detective Mark Dixon goes to confront mobster Tommy Scalise, fully expecting to be murdered but reasoning that at least this time Scalise will be held responsible. Scalise has anticipated this, too, and has realized what happened to Paine. He refuses to kill Dixon, who is shot in his arm instead. | |
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Where the Sidewalk Ends / int_744e3311 | type |
Police Brutality | |
Where the Sidewalk Ends / int_744e3311 | comment |
Police Brutality: This the moving force of the plot. Dixon has gotten many warnings about his violent behaviour towards suspects, so much so that he will be demoted if it happens again. His altercation with Ken Paine, and his subsequent death, makes him turn into a full out criminal. | |
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Where the Sidewalk Ends / int_75e2bf23 | type |
Chiaroscuro | |
Where the Sidewalk Ends / int_75e2bf23 | comment |
Chiaroscuro: The lighting in this film is a perfect example of the beauty of film noir lighting. Joseph LaShelle did the cinematography. | |
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Where the Sidewalk Ends / int_7870735b | type |
From Bad to Worse | |
Where the Sidewalk Ends / int_7870735b | comment |
From Bad to Worse: The murder cover-up gets worse and worse as Lt. Thomas pins the murder on Jiggs. | |
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Where the Sidewalk Ends / int_7f9b12a6 | type |
Chairman of the Brawl | |
Where the Sidewalk Ends / int_7f9b12a6 | comment |
Chairman of the Brawl: After Mark receives his No-Holds-Barred Beatdown from Scalise's goons, Scalise is ready to beat him to death with a stool, and is only stopped when one of his men convinces him that killing a cop will bring down too much heat on them. | |
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Where the Sidewalk Ends / int_86e12b9a | type |
City Noir | |
Where the Sidewalk Ends / int_86e12b9a | comment |
City Noir: The film takes place in NYC. | |
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Where the Sidewalk Ends / int_86e12b9a | |
Where the Sidewalk Ends / int_8ed5c6e4 | type |
Asshole Victim | |
Where the Sidewalk Ends / int_8ed5c6e4 | comment |
Asshole Victim: Ken. He’s a wife-beater who took Morgan to an illegal gambling room just to lure a man for his money. | |
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Where the Sidewalk Ends / int_970c790a | type |
Big Bad | |
Where the Sidewalk Ends / int_970c790a | comment |
Big Bad: Scalise and his group of mobsters. | |
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Where the Sidewalk Ends / int_a2359d9 | type |
Death Is the Only Option | |
Where the Sidewalk Ends / int_a2359d9 | comment |
Death Is the Only Option: Mark knows that if he goes to meet up with Scalise it's his demise. He uses this to secure Jiggs's innocence. | |
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Where the Sidewalk Ends / int_ad1db87c | type |
Oh, Crap! | |
Where the Sidewalk Ends / int_ad1db87c | comment |
Oh, Crap!: Mark's reaction when Ken doesn't get up from a slug to the chest. | |
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Where the Sidewalk Ends / int_ae3d6438 | type |
Deadpan Snarker | |
Where the Sidewalk Ends / int_ae3d6438 | comment |
Deadpan Snarker: Martha to Mark whenever he's in her café. | |
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Where the Sidewalk Ends / int_aed65980 | type |
All for Nothing | |
Where the Sidewalk Ends / int_aed65980 | comment |
All for Nothing: Mark’s confession letter wasn’t necessary: it was never opened. | |
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Where the Sidewalk Ends / int_afc6df04 | type |
What You Are in the Dark | |
Where the Sidewalk Ends / int_afc6df04 | comment |
What You Are in the Dark: Dixon has the chance to walk away from the whole ordeal and pin Paine's death on Scalise after they are arrested, but he instead chooses to confess, proving that he is indeed different from his father. | |
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Where the Sidewalk Ends / int_b034d333 | type |
Film Noir | |
Where the Sidewalk Ends / int_b034d333 | comment |
Film Noir: From the classic era. | |
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Where the Sidewalk Ends / int_b04fdcc4 | type |
Loners Are Freaks | |
Where the Sidewalk Ends / int_b04fdcc4 | comment |
Loners Are Freaks: Mark is unhappy and considered strange for his ruthlessness by his superiors and even by Scalise. | |
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Maybe Ever After | |
Where the Sidewalk Ends / int_b97c2cfb | comment |
Maybe Ever After: Morgan reads Mark's confession letter but still makes it clear that she still wants to be with him. | |
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Where the Sidewalk Ends / int_beb9a361 | type |
Anti-Hero | |
Where the Sidewalk Ends / int_beb9a361 | comment |
Anti-Hero: Mark Dixon, the brutal cop. | |
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Where the Sidewalk Ends / int_c868a42a | type |
Freudian Excuse | |
Where the Sidewalk Ends / int_c868a42a | comment |
Freudian Excuse: Mark's whole hatred of the “wrong” side of the law stems from his father's criminal past. He also hates Scalise because he was chummy with his father. | |
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Rabid Cop | |
Where the Sidewalk Ends / int_d6519b1b | comment |
Rabid Cop: Mark is really brutal. | |
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Where the Sidewalk Ends / int_d842e380 | type |
Love Redeems | |
Where the Sidewalk Ends / int_d842e380 | comment |
Love Redeems: Mark's relationship with Morgan affects his life and helps him make the right decision when he has the choice to hide his crime or fess up. | |
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Where the Sidewalk Ends / int_db71d717 | type |
Thanatos Gambit | |
Where the Sidewalk Ends / int_db71d717 | comment |
Thanatos Gambit: Mark Dixon plans one that does not come off. After a fruitless confrontation with Scalise, Dixon writes a letter, addressing the envelope to Inspector Foley and marking it "to be opened in the event of my death." He then arranges to meet with Scalise again, fully expecting to be murdered but reasoning that at least this time Scalise will be held responsible. Scalise has anticipated this, too, and has realized what happened to Paine. He refuses to kill Dixon, who is shot in his arm instead. Then one of Scalise's men arrives with the news that the police have gotten the truth about Morrison out of another gang member. | |
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Would Hit a Girl | |
Where the Sidewalk Ends / int_f42f96fa | comment |
Would Hit a Girl: We're introduced to Ken by him smacking Morgan across the face. | |
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Where the Sidewalk Ends / int_f76f8ac9 | type |
BruiserWithASoftCentre | |
Where the Sidewalk Ends / int_f76f8ac9 | comment |
Bruiser With A Soft Centre: Mark softens around Morgan. | |
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Where the Sidewalk Ends / int_f76f8ac9 | |
Where the Sidewalk Ends / int_f8c08650 | type |
Motive = Conclusive Evidence | |
Where the Sidewalk Ends / int_f8c08650 | comment |
Motive = Conclusive Evidence: Once the police realize Jiggs had a motive to kill Ken, they're more than happy to pin the murder on him, despite evidence backing this claim being circumstantial at best. | |
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Where the Sidewalk Ends / int_fd497706 | type |
Accidental Murder | |
Where the Sidewalk Ends / int_fd497706 | comment |
Accidental Murder: Dixon goes to Paine's apartment and questions him, but Paine becomes angry and starts a fight. Defending himself, Dixon does not know that a war injury has left Paine with a metal plate in his skull. When Paine falls, he hits his head and dies. | |
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Dark and Troubled Past | |
Where the Sidewalk Ends / int_fed93e1b | comment |
Dark and Troubled Past: Mark is the son of a criminal. | |
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Where the Sidewalk Ends |
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