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Who's That Knocking at My Door

 Who's That Knocking at My Door
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TVTItem
 Who's That Knocking at My Door
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Who's That Knocking at My Door
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WhosThatKnockingAtMyDoor
 Who's That Knocking at My Door
comment
Who's That Knocking at My Door is a 1967 Romantic Dramedy film written and directed by Martin Scorsese and starring Harvey Keitel and Zina Bethune.J.R. (Keitel) is an aimless young man who lives in New York's Little Italy, spending most of his days hanging out with his friends. One day, riding on the Staten Island Ferry, he meets a young, blonde, middle-class woman (Bethune). They fall in love, but the tug-of-war between J.R.'s familiar lifestyle and his uncertainty about the new possibilities that the Girl represents turns into a full-blown crisis when she reveals that she was raped by an old boyfriend. Riddled with Catholic guilt and toxic masculinity, J.R. struggles mightily with this revelation.This film marked Scorsese's feature debut as a director. It began life as a short, Bring on the Dancing Girls, he made while attending film school at New York University. Eventually more footage was added, and it gained acclaim on the film festival circuit under the title I Call First. This film introduced many of his signature motifs and tropes. It's also sometimes called the Ur-Example of a mainstream feature film that features extensive pre-existing pop music on the soundtrack, as a way to establish a mood, comment on the action, or provide Soundtrack Dissonance to the action. Scorsese would help make this an almost-universal technique of modern filmmaking with his use of it in later films.note With film studios having large music departments, and the expensive cost for music rights, using songs on a soundtrack was deemed unnecessary. Some experimental filmmakers started doing it in The '60s, and Scorsese, well-versed in the emerging underground cinema movement, created his own spin on the idea here.Michael Wadleigh was one of the cinematographers. When Wadleigh directed Woodstock three years later, Scorsese helped out with camerawork and editing. One of the movie's earliest and strongest advocates was a young Roger Ebert.BEWARE. Spoilers are unmarked.
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2024-02-13T08:45:11Z
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 Who's That Knocking at My Door / int_127fc252
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Creator Cameo
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comment
Creator Cameo: A very young, very clean-shaven Scorsese plays one of the guys at the party in the "El Watusi" sequence.
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 Who's That Knocking at My Door / int_18d15922
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Title Drop
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comment
Title Drop: From the 1959 Doo-wop song "Who's That Knocking?" by The Genies, which plays at the climax of the film (though the actual line is "Who's that knockin' on my door?").
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Single Woman Seeks Good Man
 Who's That Knocking at My Door / int_1aa30797
comment
Single Woman Seeks Good Man: The Girl describes her former boyfriend as "gentlemanly" and likes J.R. for his charming, likable nature. Unfortunately, both turn out to be assholes.
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Chekhov's Gun
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comment
Chekhov's Gun: The Madonna-and-child statue we first see in the opening scene with J.R.'s mother is seen later in his apartment, visually representing his Catholic guilt.
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 Who's That Knocking at My Door / int_2764d432
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Bitch in Sheep's Clothing
 Who's That Knocking at My Door / int_2764d432
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The Girl's former boyfriend who pretended to be a gentlemanly person but was really a violent rapist.
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Kick the Dog
 Who's That Knocking at My Door / int_34dcfc96
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Kick the Dog: Anytime J.R. slut-shames the Girl in regards to her rape.
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Anachronistic Soundtrack
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comment
Anachronistic Soundtrack: Even this early in his career, Scorsese was using pop music as a major part of the soundtrack, with frequent Soundtrack Dissonance. Here, he chooses songs from The '50s and the early part of The '60s that were a few years out-of-date to the setting, like "Who's That Knocking?" by The Genies, "I've Had It" by The Bell Notes, "El Watusi" by Ray Barretto, "Shout" by The Isley Brothers, "Shotgun" by Junior Walker, "The Plea" by The Chantels, "Jenny Take a Ride" by Mitch Ryder & The Detroit Wheels and "Ain't That Just Like Me" by The Searchers (a subtle Call-Back, since there's a conversation about The Searchers—the film—earlier in the movie). The infamous added sex scene used the more contemporary "The End" by The Doors.
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 Who's That Knocking at My Door / int_443b78cd
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Tranquil Fury
 Who's That Knocking at My Door / int_443b78cd
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Tranquil Fury: The Girl keeps her calm but is understandably seething with quiet rage and disappointment over J.R. Slut-Shaming and blaming for her rape.
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 Who's That Knocking at My Door / int_46784617
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Date Rape
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Date Rape: The Girl was raped by her former boyfriend during a date.
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 Who's That Knocking at My Door / int_4e3d253b
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Downer Ending
 Who's That Knocking at My Door / int_4e3d253b
comment
Downer Ending: J.R. and the Girl break-up as the former is unable to accept what happened to her and their relationship is fractured beyond repair. J.R. goes back to his empty life in Little Italy.
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 Who's That Knocking at My Door / int_524f94d3
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Rape as Backstory
 Who's That Knocking at My Door / int_524f94d3
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Rape as Backstory: During a date with a former boyfriend, the Girl was brutally raped by him.
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 Who's That Knocking at My Door / int_55232afa
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Politically Incorrect Hero
 Who's That Knocking at My Door / int_55232afa
comment
Politically Incorrect Hero: Deconstructed. J.R. has a very skewed view when it comes to women and what makes them "pure". However, this only serves to highlight his jerkass nature as it's he simply sees the Girl's rape as something that makes her "dirty", when it was a traumatic experience that wasn't her fault, but J.R. is too caught up in his own selfish views to fully see and understand it.
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Hair-Trigger Temper
 Who's That Knocking at My Door / int_63b02752
comment
Hair-Trigger Temper: This is a Scorsese trademark, and J.R.'s buddy Joey is the Ur-Example in his filmography. He's a loudmouth who always complains, even while looking at a beautiful scene after hiking to the top of a mountain. He also roughs up his friends who owe him money.
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 Who's That Knocking at My Door / int_66755d29
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Author Avatar
 Who's That Knocking at My Door / int_66755d29
comment
Author Avatar: J.R. is clearly a stand-in for Scorsese himself, as a Little Italy native who loves the work of John Ford, though giving him some less-admirable traits was probably a good way for Scorsese to distance himself enough from the character so he could approach the story more objectively.
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Covers Always Lie
 Who's That Knocking at My Door / int_7315fd38
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Covers Always Lie: The original poster features a still from the gratuitous sex scene that the distributor forced Scorsese to add. Even more misleading than it seems, since the woman in the picture isn't Zina Bethune.
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 Who's That Knocking at My Door / int_813afa05
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Defiled Forever
 Who's That Knocking at My Door / int_813afa05
comment
Defiled Forever: J.R. refuses to have sex with the Girl because he doesn't want to "spoil" her. Later on, he cruelly states that her rape meant she was this trope and that no one would want to marry her because of it.
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Random Events Plot
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comment
Random Events Plot: The romance has a definite arc, but everything else is episodic. This is understandable, since it's essentially three separate productions combined into a single film. The bits about J.R. and his pals are from the original Bring on the Dancing Girls short, J.R.'s relationship with The Girl was added to create I Call First, then the sex fantasy was a much later addition.
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Gender-Blender Name
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Also his buddy Sally Gaga (who's a guy).
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Karma Houdini
 Who's That Knocking at My Door / int_a70223
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Karma Houdini: The Girl's former boyfriend who raped her apparently didn't face any comeuppance for his brutal assault on her.
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Only Known by Their Nickname
 Who's That Knocking at My Door / int_a7850fbf
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Only Known by Their Nickname: J.R. simply goes by... J.R. Also his buddy Sally Gaga (who's a guy).
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Soundtrack Dissonance
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comment
Soundtrack Dissonance: Many of the songs are used in stark counterpoint to what's happening onscreen, but most dramatically with "Don't Ask Me (to be Lonely)" a dreamy 1957 Doo-wop ballad by The Dubs, playing during the rape flashback.
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Madonna-Whore Complex
 Who's That Knocking at My Door / int_b097493c
comment
Madonna-Whore Complex: During one of their dates, J.R. explains the difference between a "girl" and a "broad" — The former is a woman who you can settle down with, a "good girl" while the latter are women only good for sex, a "bad girl". During their fight in the last scene, J.R. angrily calls her a "broad" and then, a "whore" because of her rape.
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It's All About Me
 Who's That Knocking at My Door / int_bb18a227
comment
It's All About Me: The Girl tells J.R. a personal story of the traumatic rape she endured by a former boyfriend, and how does he respond? Angrily states how her rape negatively effects him and how she broke his heart.
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Anti-Hero
 Who's That Knocking at My Door / int_bec82f41
comment
Antihero: J.R. is much more likable than his macho buddies, has Hidden Depths, and has a sensitive side that The Girl helps bring out, but the negative attitudes of the culture he was raised in make him do and say some bad things.
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Mooks
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comment
Mooks: The film doesn't come right out and say that J.R. and his friends are this, but it's easy to figure out. For one thing, the reason J.R. is on the ferry in the first place is that he's delivering a suspicious-looking package (which he claims is from his grandmother). When The Girl asks him what he does for a living, he just vaguely replies that he's between jobs.
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Shout-Out
 Who's That Knocking at My Door / int_c75df49a
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Shout-Out: J.R. is a movie buff, and talks to The Girl about The Searchers and Lee Marvin (his performance in The Man Who Shot Liberty Valance in particular). They also go to see Rio Bravo. One of J.R.'s friends has a picture of Frank Sinatra on a table at his apartment. The Girl has a copy of Tender Is the Night in her apartment.
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Slut-Shaming
 Who's That Knocking at My Door / int_c972d624
comment
Slut-Shaming: When the Girl talks about the rape that happened to her, J.R.'s response is to blame and then accuse her of being a whore. Needless to say, the Girl is pissed.
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No Name Given
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No Name Given: Except for J.R. and a few of his friends, practically no one has their full name revealed. Not even J.R.'s girlfriend.
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Deliberately Monochrome
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Deliberately Monochrome: A consequence of No Budget, though it works in giving the film a gritty feel, not to mention highlighting the similarities between it and I Vitelloni.
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Vitriolic Best Buds
 Who's That Knocking at My Door / int_d7fc9fd0
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Vitriolic Best Buds: J.R. and Joey are always bickering back-and-forth.
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The Oner
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The Oner: Most of the scene where J.R. meets the Girl is a single shot, with the camera tracking side-to-side and moving in for close-ups.
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 Who's That Knocking at My Door / int_eb8ec7c8
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Jerkass
 Who's That Knocking at My Door / int_eb8ec7c8
comment
Jerkass: Despite his earlier kind nature, J.R. proves to be a selfish, misogynistic asshole who slut-shames the Girl in regards to her rape. And then has the nerve to say he forgives her for getting raped! The Girl's former boyfriend who pretended to be a gentlemanly person but was really a violent rapist.
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A Minor Kidroduction
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A Minor Kidroduction: The first scene shows a young J.R., his siblings, and their mother.
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Unbuilt Trope
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Unbuilt Trope: The No Budget naturalistic style, unorthodox use of camerawork, episodic story structure and extensive use of pop music on the soundtrack all make this feel like Scorsese took a time machine to The '90s, studied the Indie film boom, then went back to The '60s and did his own riff on the style.
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Who's That Knocking at My Door

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