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Carmilla

385 statements
75 feature instances
43 referencing feature instances

Carmilla	type	TVTItem
Carmilla	label	Carmilla
Carmilla	page	Carmilla
Carmilla	comment	Written and published in 1872 by Irish author Joseph Sheridan Le Fanu, this novella mixes authentic Middle- and Eastern European folklore and Gothic literature. It formed the last story of five in the collection In a Glass Darkly, but it has since often been published separately.Its heroine and narrator is Laura, an English girl who lives with her father and a few servants in a secluded Austrian schloss.note German for a castle or château. Laura is suffering deeply from loneliness, when a strange incident results in a mysterious girl — the beautiful Carmilla — becoming a guest at the schloss. In Carmilla, Laura finally finds the friend she has been looking for, but she is puzzled by Carmilla’s odd habits and her unwillingness to reveal her true identity.Soon, an unknown disease that only kills young women strikes the countryside, and Laura herself eventually falls ill as well — when by chance, a friend of the family shows up with a tale that leads to a horrifying revelation.Carmilla is a milestone in Vampire Fiction: It includes a Haunted Castle, the Überwald (actually Styria in Austria), and tells you that Your Vampires Suck (when Laura compares Carmilla to "fictitious" vampires). Subtly, the striking beauty of the eponymous character suggests that Vampires Are Sex Gods. Yes, all these tropes are Older Than Radio.Most notably though, the novella is the Trope Maker for the Lesbian Vampire. Carmilla’s unspeakable secret echoes the taboo status of homosexuality in Victorian society, and Carmilla’s unholy appetite also evokes a different kind of forbidden desire. And while the story never ever talks about sex, the subtext is so obvious that Carmilla (or rather, Le Fanu) can discuss homosexuality without actually naming it.This theme was prefigured and quite possibly inspired by Samuel Taylor Coleridge's poem, Christabel. Scholars have noticed the similarities between Christabel and Laura, and also those between Coleridge's mysterious Geraldine and Le Fanu's Carmilla.The story has long been in the public domain, so feel free to check out the text or audiobook. It was recently adapted into an modern day Vlog Series similar to The Lizzie Bennet Diaries, featuring Laura and Carmilla as college roommates, the trope page for which can be found here. Another (loose) adaptation is the book and later film The Moth Diaries, to the point the originally story is directly referenced. A film version of the story, here set during the late 1700s, came out in 2019.
Carmilla	fetched	2023-09-09T22:01:41Z
Carmilla	parsed	2023-09-09T22:01:41Z
Carmilla	processingComment	Dropped link to ByronicHeroine: Not a Feature - UNKNOWN
Carmilla	processingUnknown	ByronicHeroine
Carmilla	isPartOf	DBTropes
Carmilla / int_1073963d	type	Psychosexual Horror
Carmilla / int_1073963d	comment	Psychosexual Horror: This is the book that introduced the Lesbian Vampire to the world, Carmilla is in love with Laura but is also slowly draining her life away. In an effort to spare Laura for a time, Carmilla drains several of the local village girls.
Carmilla / int_1073963d	featureApplicability	1.0
Carmilla / int_1073963d	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_1073963d
Carmilla / int_13992073	type	Rasputinian Death
Carmilla / int_13992073	comment	Rasputinian Death: According to the local vampire expert, the following must be done to prevent a vampire's resurrection: first they have to be impaled, then decapitated, burned, and then have their ashes thrown into a river. This is Carmilla's ultimate fate.
Carmilla / int_13992073	featureApplicability	1.0
Carmilla / int_13992073	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_13992073
Carmilla / int_1869b4b1	type	Unreliable Narrator
Carmilla / int_1869b4b1	comment	Unreliable Narrator: In the opening chapter, Laura emphasizes how very lonely and "solitary" the schloss is, describing it as situated in the middle of an extensive forest, and at seven miles distance from the nearest village, thus giving the impression that the schloss is the only human habitation for miles around. But over the course of her narration it becomes clear that there are people living in the surrounding area, some of them close by, as is shown by Laura and Carmilla watching a funeral procession passing by only a short walk from the schloss, and her father visiting a sick peasant "only a mile away"; indeed the "small estate" linked to the schloss implies the presence of tenants who work on the estate. Laura perceives the schloss as impossibly remote and "lonely" because she is almost entirely isolated from the people who live in the vicinity (like peasants, woodcutters, and forest rangers) by distinctions of class, and possibly also religion.note Austria used to be overwhelmingly Catholic, Laura and her English father may well be Anglican Protestants. Played with. After describing Carmilla's private displays of affection to her (like embracing her, kissing her cheek, and whispering confessions of love in her ear), Laura (relating the story ten years after the fact) emphasizes that Carmilla's behavior and words were incomprehensible and embarrassing to her, and that she wished to extricate herself from Carmilla's "foolish embraces", though at the same time she somehow lacked the power to resist them. She also says that at these occasions she felt "a strange tumultuous excitement", and also that, after such a long time, she only has a "confused [...] recollection of certain occurrences and situations". This lack of remembrance she justifies with the conjecture that "in all lives there are certain emotional scenes, those in which our passions have been most vividly and terribly roused, that are of all others the most vaguely and dimly remembered", which doesn't quite explain why Laura's "passions" are so "terribly roused" by Carmilla's embraces. In the same passage Laura also says that she was "conscious of a love growing into adoration", an ambiguous expression that could refer to both Carmilla's love for Laura, but also Laura's love for Carmilla. Taking furthermore into account that the words "excitement" and "passion" both also have a sexual sense, it cannot be ruled out that Laura uses ambiguous language and a feigned lack of recollection to conceal that she was sexually aroused by Carmilla, and that the "occurrences" between Carmilla and Laura did not stop at embraces and kisses on the cheek.
Carmilla / int_1869b4b1	featureApplicability	1.0
Carmilla / int_1869b4b1	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_1869b4b1
Carmilla / int_251bbe0e	type	Genre Blindness
Carmilla / int_251bbe0e	comment	Genre Blindness: To some extent, Laura can be forgiven her naïveté — she lives in a time when the vampire genre barely existed, and folklore was still very regional. Still, she seems overly willing to give Carmilla the benefit of the doubt even as her behaviour grows increasingly suspicious: showing fear and hatred towards religious symbols and ceremonies, disappearing from her room every morning and returning in the late afternoon — even after Laura herself turns up with bite marks on her chest, it never occurs to her that the odd stranger in her house whose appearance coincided exactly with her disturbing dreams and sickness might be to blame.
Carmilla / int_251bbe0e	featureApplicability	1.0
Carmilla / int_251bbe0e	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_251bbe0e
Carmilla / int_2848e7d2	type	Oblivious to Love
Carmilla / int_2848e7d2	comment	Oblivious to Love: Laura seems not to notice that Carmilla's feelings are deeper than friendship, even when she says that she loves her. She does, however, express discomfort with Carmilla's wilder utterances, perhaps indicating an awareness that she doesn't want to acknowledge. Other alternatives are that she acts oblivious to mask her fear of Carmilla's passion (and deny her own?), or because she is telling this story to a man, Dr. Hesselius, who she believes would judge her harshly.
Carmilla / int_2848e7d2	featureApplicability	1.0
Carmilla / int_2848e7d2	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_2848e7d2
Carmilla / int_2a8a7ea6	type	Bury Your Gays
Carmilla / int_2a8a7ea6	comment	Bury Your Gays: Of course at the end of the story the lesbian vampire dies, out of necessity as part of the lesbian vampire thing.
Carmilla / int_2a8a7ea6	featureApplicability	1.0
Carmilla / int_2a8a7ea6	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_2a8a7ea6
Carmilla / int_2c9ef8f7	type	Combo Platter Powers
Carmilla / int_2c9ef8f7	comment	Combo Platter Powers: Carmilla has supernatural strength and speed, can evaporate into thin air, appears to be able to pass through doors without opening them, and can transform into a monstrous cat.
Carmilla / int_2c9ef8f7	featureApplicability	1.0
Carmilla / int_2c9ef8f7	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_2c9ef8f7
Carmilla / int_2cac89cf	type	The Ingenue
Carmilla / int_2cac89cf	comment	The Ingenue: Due to her isolated upbringing, Laura is very naive and tends to believe the best in people, even when her instinct tells her otherwise. For example, after the carriage accident, she felt that Carmilla's mother was putting on a show but brushed it off as being just her theatrical personality.
Carmilla / int_2cac89cf	featureApplicability	1.0
Carmilla / int_2cac89cf	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_2cac89cf
Carmilla / int_312b02ac	type	Lipstick Lesbian
Carmilla / int_312b02ac	comment	Lipstick Lesbian: In an aside explaining why she doesn't think Carmilla is a man dressed as a woman to woo her, Laura says that despite Carmilla's "passionate declarations," her habits and mannerisms are female, and contain nothing indicating masculinity.
Carmilla / int_312b02ac	featureApplicability	1.0
Carmilla / int_312b02ac	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_312b02ac
Carmilla / int_3e06b5c7	type	Your Vampires Suck
Carmilla / int_3e06b5c7	comment	Your Vampires Suck: In the last chapter, Laura recounts some of the vampire lore she learned through Baron Vordenburg and mentions that the "deadly pallor" sometimes attributed to vampires is "a mere melodramatic fiction". This is likely a swipe at Varney the Vampire (1845-47), in which the titular vampire is often described as unnaturally pale.
Carmilla / int_3e06b5c7	featureApplicability	1.0
Carmilla / int_3e06b5c7	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_3e06b5c7
Carmilla / int_3fb4b1cb	type	The Renfield
Carmilla / int_3fb4b1cb	comment	Who was the tall, pale man in black who took Carmilla's mother away from the masquerade? If all these were vampires, why is the threat thought to be at an end, when only Carmilla has been destroyed? Although it's possible they were merely human accomplices.
Carmilla / int_3fb4b1cb	featureApplicability	1.0
Carmilla / int_3fb4b1cb	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_3fb4b1cb
Carmilla / int_40c57041	type	Manipulative Bastard
Carmilla / int_40c57041	comment	Manipulative Bastard: Carmilla and her accomplices. She manipulates various noblemen to host her for free in their castles, and preys on their daughters or wards. She also manipulates her victims into trusting her. In one instance, she even encourages Laura to purchase an ineffective anti-vampire charm in order to lull her into a false sense of security.
Carmilla / int_40c57041	featureApplicability	1.0
Carmilla / int_40c57041	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_40c57041
Carmilla / int_42f85f99	type	Shared Dream
Carmilla / int_42f85f99	comment	Shared Dream: Laura and the title character recognize each other from a shared dream in their childhoods upon first encountering each other. It later turns out, however, that Carmilla is a vampire who used her powers of suggestion on Laura in order to make her remember a dream she's never had and thus to get into her confidence.
Carmilla / int_42f85f99	featureApplicability	1.0
Carmilla / int_42f85f99	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_42f85f99
Carmilla / int_455f6a91	type	Long-Lost Relative
Carmilla / int_455f6a91	comment	Long-Lost Relative: Carmilla is actually distantly related to Laura, since the latter's mother is said to be a maternal descendant of the Karnsteins. What role this plays in Carmilla's attraction to Laura is ambiguous.
Carmilla / int_455f6a91	featureApplicability	1.0
Carmilla / int_455f6a91	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_455f6a91
Carmilla / int_45a387bc	type	Light Feminine and Dark Feminine
Carmilla / int_45a387bc	comment	Light Feminine and Dark Feminine: Laura and Carmilla. Laura is a fair-haired innocent and child-like young woman, while Carmilla is a dark-haired sophisticated, worldly and seductive Femme Fatale. And essentially a serial killer.
Carmilla / int_45a387bc	featureApplicability	1.0
Carmilla / int_45a387bc	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_45a387bc
Carmilla / int_4814d132	type	Big Fancy House
Carmilla / int_4814d132	comment	Big Fancy House: The schloss where Laura lives. One floor alone has about twenty-five rooms.
Carmilla / int_4814d132	featureApplicability	1.0
Carmilla / int_4814d132	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_4814d132
Carmilla / int_4881cda1	type	Ãœberwald
Carmilla / int_4881cda1	comment	Überwald: Styria lies a bit further west than conventional Überwald (it was a duchy in Austria in the 19th century, and is today divided between Austria and Slovenia), but otherwise it fits the trope: complete with Gothic ruins, a Haunted Castle, Lesbian Vampire and superstitious peasants.
Carmilla / int_4881cda1	featureApplicability	1.0
Carmilla / int_4881cda1	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_4881cda1
Carmilla / int_4b316d47	type	Break the Cutie
Carmilla / int_4b316d47	comment	Break the Cutie: Laura is traumatized by her experience, and even many years later, thinks about Carmilla and startles when she imagines Carmilla might enter her drawing-room.
Carmilla / int_4b316d47	featureApplicability	1.0
Carmilla / int_4b316d47	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_4b316d47
Carmilla / int_4b8932a4	type	Stalking Is Love
Carmilla / int_4b8932a4	comment	Stalking Is Love: In Carmilla's head. She says: "You will think me cruel, very selfish, but love is always selfish; the more ardent the more selfish. How jealous I am you cannot know. You must come with me, loving me, to death; or else hate me and still come with me, and hating me through death and after. There is no such word as indifference in my apathetic nature."
Carmilla / int_4b8932a4	featureApplicability	1.0
Carmilla / int_4b8932a4	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_4b8932a4
Carmilla / int_525df529	type	Not Using the "Z" Word
Carmilla / int_525df529	comment	Not Using the "Z" Word: The word "vampire" is not used up to chapter 13 (of 16), when it is used by the woodman who relates how the village of Karnstein came to be deserted. Before that, there is only ominous talk of the "oupire", the equivalent of vampire in the North-Slavic languages.
Carmilla / int_525df529	featureApplicability	1.0
Carmilla / int_525df529	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_525df529
Carmilla / int_52db461d	type	Significant Anagram
Carmilla / int_52db461d	comment	Significant Anagram: Carmilla apparently creates new aliases for herself by anagramming her original name Mircalla; a previous victim knew her as "Millarca."
Carmilla / int_52db461d	featureApplicability	1.0
Carmilla / int_52db461d	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_52db461d
Carmilla / int_5401e7ac	type	Daywalking Vampire
Carmilla / int_5401e7ac	comment	Daywalking Vampire: Carmilla is not hurt by sunlight, although even going for a short walk will exhaust her physically. However, she does appear to be more powerful at night.
Carmilla / int_5401e7ac	featureApplicability	1.0
Carmilla / int_5401e7ac	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_5401e7ac
Carmilla / int_563a542f	type	Eating Optional
Carmilla / int_563a542f	comment	Eating Optional: Carmilla drinks wine and hot chocolate on several occasions, although she is never mentioned to eat anything.
Carmilla / int_563a542f	featureApplicability	1.0
Carmilla / int_563a542f	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_563a542f
Carmilla / int_58e43f17	type	Cats Are Mean
Carmilla / int_58e43f17	comment	Cats Are Mean: Carmilla can assume the shape of a monstrous cat. This makes her an interesting counterpart to the more famous Dracula, who could take the form of a dog or wolf.
Carmilla / int_58e43f17	featureApplicability	1.0
Carmilla / int_58e43f17	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_58e43f17
Carmilla / int_5bc1ce14	type	Author Vocabulary Calendar
Carmilla / int_5bc1ce14	comment	Author Vocabulary Calendar: Le Fanu (or is it Laura?) sure uses the words "languid" and "languor" an awful lot.
Carmilla / int_5bc1ce14	featureApplicability	1.0
Carmilla / int_5bc1ce14	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_5bc1ce14
Carmilla / int_63004c52	type	Claimed by the Supernatural
Carmilla / int_63004c52	comment	Claimed by the Supernatural: Laura seems to inspire an undeniable fascination in Carmilla.
Carmilla / int_63004c52	featureApplicability	1.0
Carmilla / int_63004c52	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_63004c52
Carmilla / int_64ebbed6	type	Appeal to Nature
Carmilla / int_64ebbed6	comment	Appeal to Nature: When Laura's father brings news of another peasant woman falling sick from the mysterious disease and tries to reassure Laura and Carmilla by asserting that even the disease must be within God's will, Carmilla in constrast puts forth her belief that the disease is natural, and that "all things in the heaven, in the earth, and under the earth act and live as Nature ordains". As it is strongly implied the disease of the peasant woman is caused by Carmilla feeding on her, Carmilla is transparently justifying her vampiric predation as a part of the natural order of things.
Carmilla / int_64ebbed6	featureApplicability	1.0
Carmilla / int_64ebbed6	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_64ebbed6
Carmilla / int_66dfe36a	type	Missing Mom
Carmilla / int_66dfe36a	comment	Missing Mom: Laura's mother died from an unspecified cause when Laura was an infant. Laura shares the loss of a mother with other victims of Carmilla: Bertha Rheinfeldt is implied to be an orphan; the coffin of the forester's daughter whose funeral Laura and Carmilla watch is followed by her father only; and the ailing young peasant woman Laura's father tells about lives with her brother, implying her parents are no longer alive.
Carmilla / int_66dfe36a	featureApplicability	1.0
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Carmilla	hasFeature	Carmilla / int_66dfe36a
Carmilla / int_6f271c2e	type	Fangs Are Evil
Carmilla / int_6f271c2e	comment	When a mountebank who is selling charms remarks, in good will but with little tact, on Carmilla's pointed teeth, she flies into a rage and declares "My father would have had the wretch tied up to the pump, and flogged with a cart whip, and burnt to the bones with the cattle brand!"
Carmilla / int_6f271c2e	featureApplicability	1.0
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Carmilla	hasFeature	Carmilla / int_6f271c2e
Carmilla / int_6fb07cc4	type	Science Is Wrong
Carmilla / int_6fb07cc4	comment	Science Is Wrong: Laura's father thinks that the deaths in the region are caused by an epidemic or plague, and he is skeptical of the peasant superstitions proposing alternate explanations. What he does not realize is that the deaths really do have a supernatural cause, the peasants are right, and the killer is his guest.
Carmilla / int_6fb07cc4	featureApplicability	1.0
Carmilla / int_6fb07cc4	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_6fb07cc4
Carmilla / int_7301ae04	type	Serial Killer
Carmilla / int_7301ae04	comment	Serial Killer: Carmilla moves around through Styria and leaves a large number of bodies behind her. Theoretically, she could only feed once on a victim and leave her alive, but she seems perfectly content to drain them until death.
Carmilla / int_7301ae04	featureApplicability	1.0
Carmilla / int_7301ae04	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_7301ae04
Carmilla / int_76e24530	type	Delicate and Sickly
Carmilla / int_76e24530	comment	Delicate and Sickly: When Carmilla shows up, she is sickly and weak; this only seems to enhance her attractiveness, and a lot of her quirks are forgiven on this basis.
Carmilla / int_76e24530	featureApplicability	1.0
Carmilla / int_76e24530	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_76e24530
Carmilla / int_78d103c3	type	Exposition of Immortality
Carmilla / int_78d103c3	comment	Exposition of Immortality: Among the old paintings which Laura's mother inherited from her family is a portrait, dated 1698, of Countess Mircalla Karnstein, who Laura recognizes is the spitting image of Carmilla. While Laura is astounded by the perfect resemblance of Carmilla to the portrait, her father, though taking note of the similarity, chalks it up to coincidence.
Carmilla / int_78d103c3	featureApplicability	1.0
Carmilla / int_78d103c3	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_78d103c3
Carmilla / int_7ef728b1	type	Tsundere
Carmilla / int_7ef728b1	comment	Tsundere: Laura to Carmilla. She admits that she feels pleasure in Carmilla's arms, but also disgust.
Carmilla / int_7ef728b1	featureApplicability	1.0
Carmilla / int_7ef728b1	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_7ef728b1
Carmilla / int_80b5924	type	Left Hanging
Carmilla / int_80b5924	comment	Left Hanging: What happened to the lady in black velvet, believed to be Carmilla's mother? Who was the old ugly woman that never left the coach that brought Carmilla? Who (or what) were the repulsive-looking servants that handled the coach? Who was the tall, pale man in black who took Carmilla's mother away from the masquerade? If all these were vampires, why is the threat thought to be at an end, when only Carmilla has been destroyed? Although it's possible they were merely human accomplices. Did Bertha and Laura come back as vampires?
Carmilla / int_80b5924	featureApplicability	1.0
Carmilla / int_80b5924	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_80b5924
Carmilla / int_86e58ce9	type	No Time to Explain
Carmilla / int_86e58ce9	comment	No Time to Explain: Laura's father tells her not to ask questions after the doctor has told him of the possibility that a vampire is responsible for her illness.
Carmilla / int_86e58ce9	featureApplicability	1.0
Carmilla / int_86e58ce9	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_86e58ce9
Carmilla / int_88c6e936	type	Masquerade Ball
Carmilla / int_88c6e936	comment	Masquerade Ball: General Spielsdorf and his young ward first meet Millarca (one of Carmilla's aliases) and her mother at a masquerade ball. The mother acts as if she's an old friend of the general's, but to his frustration refuses to remove her mask or divulge her identity. During the party, the general agrees to host Millarca while her mother is out travelling.
Carmilla / int_88c6e936	featureApplicability	1.0
Carmilla / int_88c6e936	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_88c6e936
Carmilla / int_894f9af7	type	Lazy Alias
Carmilla / int_894f9af7	comment	Lazy Alias: Carmilla seems fond of using transparent anagrams of her name as aliases. Her real name is Mircalla, and General Spielsdorf knows her as Millarca. Laura speculates that this behaviour may be part of her vampiric nature.
Carmilla / int_894f9af7	featureApplicability	1.0
Carmilla / int_894f9af7	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_894f9af7
Carmilla / int_90b66e22	type	Femme Fatale
Carmilla / int_90b66e22	comment	Femme Fatale: Carmilla. A gorgeous and seductive young woman, she uses all tools in her feminine arsenal to charm everyone around her, especially her intended victims.
Carmilla / int_90b66e22	featureApplicability	1.0
Carmilla / int_90b66e22	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_90b66e22
Carmilla / int_953c910f	type	Undead Barefooter
Carmilla / int_953c910f	comment	Undead Barefooter: The novella's stage adaptation uses bare feet as a visual indication of vampirism.
Carmilla / int_953c910f	featureApplicability	1.0
Carmilla / int_953c910f	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_953c910f
Carmilla / int_96144372	type	Aristocrats Are Evil
Carmilla / int_96144372	comment	Aristocrats Are Evil: When a mountebank who is selling charms remarks, in good will but with little tact, on Carmilla's pointed teeth, she flies into a rage and declares "My father would have had the wretch tied up to the pump, and flogged with a cart whip, and burnt to the bones with the cattle brand!" Carmilla reacts with contempt towards Laura's empathy for a peasant girl who died of the mysterious illness (that is to say, a vampire feeding on her), stating that she doesn't "trouble her head about peasants." This remark becomes even more callous when it is revealed that it is Carmilla who had been feeding on her.
Carmilla / int_96144372	featureApplicability	1.0
Carmilla / int_96144372	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_96144372
Carmilla / int_97cf7f86	type	Vampire Hickey
Carmilla / int_97cf7f86	comment	Vampire Hickey: The doctor who examines Laura because of her deteriorating health is certain that she is being visited by a vampire when he discovers "a small blue spot, about the size of the tip of [a] little finger" on her upper chest, only a "little below [the] throat". Later we are told that a different doctor found a like "small livid mark" in the same spot on Bertha Rheinfeldt before she died. While these blue spots mark the points where the victim has been bitten by the vampire, the actual punctures left by the vampire's teeth are so small as to be almost invisible. Laura also one time mentions off-handedly that Carmilla has a "little mole on her throat"; it seems possible that the "mole" is actually the mark left by the vampire who killed her.
Carmilla / int_97cf7f86	featureApplicability	1.0
Carmilla / int_97cf7f86	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_97cf7f86
Carmilla / int_987dbb69	type	Vampire Hunter
Carmilla / int_987dbb69	comment	Vampire Hunter: Baron Vordenburg is likely the Trope Maker. He is an eccentric old nobleman who has devoted his life to the study of the lore of vampires and the tracking down and extermination of them. He also has family history with Carmilla: his ancestor was an admirer of Countess Mircalla during her life and did some research about what became of her. The Count doesn't physically track down Mircalla's grave (that is done by Laura's father and the General) and only appears after the grave has been located, but he has assisted with information throughout the hunt.
Carmilla / int_987dbb69	featureApplicability	1.0
Carmilla / int_987dbb69	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_987dbb69
Carmilla / int_9c209a57	type	The Hecate Sisters
Carmilla / int_9c209a57	comment	The Hecate Sisters: The carriage which crashes in front of the schloss contains Carmilla, first described as a "young lady" resp. a "slender girl", and a middle-aged lady in a black velvet dress who claims to be Carmilla's mother and who is described as "tall but not thin" and having a "commanding air and figure"; only the governess, Mademoiselle De Lafontaine, observes a third person looking out of the window but not leaving the carriage, and whom she describes as a "hideous black woman" with "gleaming eyes and large white eyeballs", and who is "nodding and grinning derisively". We never find out who Carmilla's companions really are, but together the three fulfill the "maiden, matron, hag" triad.
Carmilla / int_9c209a57	featureApplicability	1.0
Carmilla / int_9c209a57	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_9c209a57
Carmilla / int_9d12bbc1	type	Foreshadowing
Carmilla / int_9d12bbc1	comment	Foreshadowing: The evening Carmilla is taken in at the schloss, Laura, her father and her two governesses go for a walk in the moonlight, and Madame De Lafontaine opines that the intense moonlight indicates "a special spiritual activity", and underpins her claim by remarking that the windows of the schloss reflect the moonlight "as if unseen hands had lighted up the rooms to receive fairy guests". She also tells a story of how her cousin on a moonlit night dreamt of "an old woman clawing him by the cheek", and woke up with "his features horribly drawn to one side" and "never quite recover[ing their] equilibrium." Moments after, a troupe of (so we must assume) vampires stages a carriage crash in front of the schloss (vampires are ghosts, i.e. spirits, hence "a special spiritual activity"); Carmilla is taken in at the schloss (a "fairy guest" received); and finally Laura is attacked (physically and figuratively) by Carmilla, and, like the cousin's face, never recovers her former balance again.
Carmilla / int_9d12bbc1	featureApplicability	1.0
Carmilla / int_9d12bbc1	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_9d12bbc1
Carmilla / int_9f63d4f1	type	Our Vampires Are Different
Carmilla / int_9f63d4f1	comment	Our Vampires Are Different: Le Fanu's vampire facts: Can walk around in daylight, but are "languid" and quickly exhausted physically (not mentally), and appear to be much more powerful during the night. They are able to shapeshift, pass through closed doors, and move too quickly for the human eye to follow. They possibly can even turn invisible or dematerialize. The grip of their hands is unnaturally strong and can cause human limbs to grow stiff. Moonlight, especially, enhances their powers. They have to return to their grave at least for some hours every day and are unable to relocate their own gravesite on their own account, making their activities somewhat territorially restricted. Other than some special long, thin, pointy teeth that are hard to notice, they appear indistinguishable from living human beings, and have a faint pulse and respiration even in their dormant state. They suck blood only from sleeping victims. They may kill a victim in a single night, but usually return to the same person for a few days up to (rarely) several weeks. If not hindered, they always continue their visits until the victim dies, causing the victim to become a vampire themselves. Vampires are not peculiarly pale — on the contrary Carmilla is admired for her beautiful, brilliant, rosy complexion ... especially when she has fed on blood the previous night.
Carmilla / int_9f63d4f1	featureApplicability	1.0
Carmilla / int_9f63d4f1	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_9f63d4f1
Carmilla / int_a058376e	type	Pseudo-Romantic Friendship
Carmilla / int_a058376e	comment	Pseudo-Romantic Friendship: Played with. Carmilla is very affectionate towards Laura, telling her how much she loves her and that she wants them to be together forever. Laura sees Carmilla as a dear friend, and has no sexual attraction to her, and initially she believes that the same holds true for Carmilla, and that she's just using pseudo-romantic language to express her friendship (as was, indeed, common at the time). Laura soon senses something deeper in Carmilla's affections, though (whether sexual or predatory), which is worrying and somewhat repulsive to Laura.
Carmilla / int_a058376e	featureApplicability	1.0
Carmilla / int_a058376e	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_a058376e
Carmilla / int_a1b141f4	type	My God, What Have I Done?
Carmilla / int_a1b141f4	comment	My God, What Have I Done?: A nobleman from Upper Styria, who had been deeply in love with Carmilla when she was still alive, hid all traces of her tomb after she died because "he conceived a horror, be she what she might, of her remains being profaned by the outrage of a posthumous execution." When he grew old, he realized that he had made a terrible mistake, and left behind tracings and drawings which would eventually be used to find Carmilla's grave and put an end to her.
Carmilla / int_a1b141f4	featureApplicability	1.0
Carmilla / int_a1b141f4	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_a1b141f4
Carmilla / int_a2e887be	type	Secondary Character Title
Carmilla / int_a2e887be	comment	Secondary Character Title: Carmilla is not the protagonist, but the story is named after her.
Carmilla / int_a2e887be	featureApplicability	1.0
Carmilla / int_a2e887be	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_a2e887be
Carmilla / int_a7016efe	type	Lonely Rich Kid
Carmilla / int_a7016efe	comment	Lonely Rich Kid: Due to so rarely having company of her own age, Laura eagerly accepts that of Carmilla. The "rich" bit is somewhat downplayed, though: while Laura clearly belongs to the upper layers of society and lives in a Big Fancy House, her family can only afford it due to the low cost of living in Styria.
Carmilla / int_a7016efe	featureApplicability	1.0
Carmilla / int_a7016efe	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_a7016efe
Carmilla / int_ad66049e	type	Inspiration Nod
Carmilla / int_ad66049e	comment	Inspiration Nod: In the last chapter, Laura names several of the books in Baron Vordenburg's vampire library, one of them being Phlegon de Mirabilibus. The book thus referenced, the Book of Wonders by Phlegon of Tralles (2nd century CE), contains the story of Philinnion, about a beautiful young woman who dies young and returns as an undead in order to satisfy her erotic desire for a living target.
Carmilla / int_ad66049e	featureApplicability	1.0
Carmilla / int_ad66049e	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_ad66049e
Carmilla / int_b1346878	type	Fate Worse than Death
Carmilla / int_b1346878	comment	Fate Worse than Death: The Styrian nobleman who was in love with Carmilla when she was still alive believed that if she would be killed as a vampire, she would suffer one of those, although he never elaborated on what that meant. It was one of the reasons why he hid her tomb.
Carmilla / int_b1346878	featureApplicability	1.0
Carmilla / int_b1346878	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_b1346878
Carmilla / int_b506c9ff	type	Hide Your Lesbians
Carmilla / int_b506c9ff	comment	Hide Your Lesbians: The facts that Carmilla obviously only stalks women, preferably girls of her own age, and is eager to form a romantic relationship with Laura (instead of finishing her off within days, as she does with her other victims), are superficially glossed over as just a peculiar manifestation of vampiric bloodlust. Carmilla is never stated to be lesbiannote ... which would have been scandalous in 1872 Victorian Britain, of course, and which might be justified insofar as she only seeks to quench her thirst for blood, not seek satisfaction for sexual desires. However, the erotic subtext is pretty explicit (and most readers seem to take Carmilla's homosexuality as a given).
Carmilla / int_b506c9ff	featureApplicability	1.0
Carmilla / int_b506c9ff	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_b506c9ff
Carmilla / int_b91eaeea	type	Must Be Invited
Carmilla / int_b91eaeea	comment	Must Be Invited: Subverted in that Carmilla's desire for an invitation doesn't seem to stem from any particular restriction but from a desire to live legitimately with her next victim and nurture a relationship with her.
Carmilla / int_b91eaeea	featureApplicability	-0.3
Carmilla / int_b91eaeea	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_b91eaeea
Carmilla / int_bd2de2d7	type	Kiss of the Vampire
Carmilla / int_bd2de2d7	comment	Kiss of the Vampire: Laura (who is not aware that she is being fed on by a vampire) perceives Carmilla's bites in a semi-conscious state as "a hand [...] drawn softly along my cheek and neck", followed by a feeling "as if warm lips kissed me, and longer and more lovingly as they reached my throat, but there the caress fixed itself". Despite Carmilla's apparent wish to make her bite painless, maybe even pleasurable to Laura, this is not truly successful; the actual bite (which is not felt by Laura) induces physical reactions that are evocative of orgasm ("my heart beat faster, my breathing rose and fell rapidly and fully drawn"), only to pass over into "a sense of strangulation", a "dreadful convulsion", and loss of consciousness.
Carmilla / int_bd2de2d7	featureApplicability	1.0
Carmilla / int_bd2de2d7	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_bd2de2d7
Carmilla / int_bf780240	type	Boy Meets Ghoul
Carmilla / int_bf780240	comment	Boy Meets Ghoul: Laura is captivated by Carmilla. While she thinks of Carmilla as a friend, without any apparent eroticism, Carmilla declares several times that she is in love with Laura.
Carmilla / int_bf780240	featureApplicability	1.0
Carmilla / int_bf780240	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_bf780240
Carmilla / int_c335b9ec	type	Irony
Carmilla / int_c335b9ec	comment	Irony: The mountebank sells anti-vampire charms to Carmilla, the very vampire responsible for the malady plaguing Styria. She buys it immediately, and gushes to Laura about how well it supposedly works. This serves to lure Laura into a false sense of security.
Carmilla / int_c335b9ec	featureApplicability	1.0
Carmilla / int_c335b9ec	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_c335b9ec
Carmilla / int_c5821f0e	type	Ghostly Glide
Carmilla / int_c5821f0e	comment	Ghostly Glide: The first night that Carmilla enters Laura's bedroom at night, Laura wakes up and sees "a female figure" standing at the foot of her bed. Though the figure stands perfectly still, she seems nevertheless to change its place and move out by the door.
Carmilla / int_c5821f0e	featureApplicability	1.0
Carmilla / int_c5821f0e	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_c5821f0e
Carmilla / int_c9a71d47	type	Innocence Lost
Carmilla / int_c9a71d47	comment	Innocence Lost: At the end of the book, it is clear that Laura never really recovered from her experience. [..] and to this hour the image of Carmilla returns to memory with ambiguous alternations—sometimes the playful, languid, beautiful girl; sometimes the writhing fiend I saw in the ruined church; and often from a reverie I have started, fancying I heard the light step of Carmilla at the drawing room door.
Carmilla / int_c9a71d47	featureApplicability	1.0
Carmilla / int_c9a71d47	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_c9a71d47
Carmilla / int_cde51255	type	Antagonist Title
Carmilla / int_cde51255	comment	Antagonist Title: One more thing Carmilla did decades before Dracula.
Carmilla / int_cde51255	featureApplicability	1.0
Carmilla / int_cde51255	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_cde51255
Carmilla / int_cf92fea8	type	Cassandra Truth
Carmilla / int_cf92fea8	comment	Cassandra Truth: The peasants claim that the disease in the region is caused by oupire attacks, but initially Laura's father refuses to believe them.
Carmilla / int_cf92fea8	featureApplicability	1.0
Carmilla / int_cf92fea8	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_cf92fea8
Carmilla / int_d1c8f2b3	type	Vampires Are Sex Gods
Carmilla / int_d1c8f2b3	comment	Vampires Are Sex Gods: Although there is no actual sex in the story, everyone is smitten by Carmilla's beauty and charm (well, until The Reveal). Also, her "mum" is definitely a looker.
Carmilla / int_d1c8f2b3	featureApplicability	1.0
Carmilla / int_d1c8f2b3	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_d1c8f2b3
Carmilla / int_d3a4af1e	type	Sympathy for the Devil
Carmilla / int_d3a4af1e	comment	Sympathy for the Devil: Laura still nourishes some affection for Carmilla, even after it has been revealed that Carmilla is a vampire who is not only responsible for the death of many people, but also wants to kill Laura. It is not clear whether this is a true remainder of their friendship or just an effect of the vampire's power over her victims.
Carmilla / int_d3a4af1e	featureApplicability	1.0
Carmilla / int_d3a4af1e	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_d3a4af1e
Carmilla / int_defd0c58	type	A Taste of Their Own Medicine
Carmilla / int_defd0c58	comment	A Taste of Their Own Medicine: Carmilla preys on her victims while they are asleep and helpless. She herself is helpless and asleep when the vampire hunters find her in her tomb and execute her.
Carmilla / int_defd0c58	featureApplicability	1.0
Carmilla / int_defd0c58	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_defd0c58
Carmilla / int_e03533c8	type	Blood Bath
Carmilla / int_e03533c8	comment	Blood Bath (evoked): When the grave of Mircalla Karnstein is opened, her body is found in a leaden coffin perfectly uncorrupted, and floating in seven inches of blood.
Carmilla / int_e03533c8	featureApplicability	1.0
Carmilla / int_e03533c8	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_e03533c8
Carmilla / int_e28f88b8	type	Last-Name Basis
Carmilla / int_e28f88b8	comment	Last-Name Basis: General Spielsdorf, Madame Perrodon, Mademoiselle LaFontaine and Baron Vordenburg. This is of course normal for the period.
Carmilla / int_e28f88b8	featureApplicability	1.0
Carmilla / int_e28f88b8	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_e28f88b8
Carmilla / int_e61e246b	type	Blood Countess
Carmilla / int_e61e246b	comment	Blood Countess: Carmilla's real name is Countess Mircalla Karstein and it is revealed that she is an actual vampire, and that she has been killing random women for a very long time. Her obsession with Laura only indicates this trope further. Carmilla was most likely another inspiration for the trope, and she's also an Expy in a ton others.
Carmilla / int_e61e246b	featureApplicability	1.0
Carmilla / int_e61e246b	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_e61e246b
Carmilla / int_e8b0f099	type	Dark Is Evil
Carmilla / int_e8b0f099	comment	Dark Is Evil: Carmilla's mother wears black velvet in the chariot scene, Carmilla is described by Laura as having black eyes and dark hair with "something golden". Also, Carmilla can assume the shape of a black cat.
Carmilla / int_e8b0f099	featureApplicability	1.0
Carmilla / int_e8b0f099	featureConfidence	1.0
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Carmilla / int_ea8ba51d	type	No Full Name Given
Carmilla / int_ea8ba51d	comment	No Full Name Given: That Laura is on First-Name Basis with her friend Carmilla is not surprising. It seems a bit unusual, though, that nobody else uses her full name either, until the reveal at the end of her true name and title, Countess Mircalla Karnstein.
Carmilla / int_ea8ba51d	featureApplicability	1.0
Carmilla / int_ea8ba51d	featureConfidence	1.0
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Carmilla / int_f01a54f1	type	Evil Feels Good
Carmilla / int_f01a54f1	comment	Evil Feels Good: Carmilla, although she did not become a vampire of her own free will, obviously fully embraced her vampiric existence. She is, however, not totally without moral reflection, as she tries on several occasions to justify or rationalize her behavior. (Naturally, nobody gets it.) Some of her strange fits of agitation could even be the effect of feelings of guilt.
Carmilla / int_f01a54f1	featureApplicability	1.0
Carmilla / int_f01a54f1	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_f01a54f1
Carmilla / int_f6624c30	type	Together in Death
Carmilla / int_f6624c30	comment	Together in Death: Carmilla frequently says things like "But to die as lovers may — to die together, so that they may live together" to Laura. Laura first thinks of this as hyperbolic expressions of their Pseudo-Romantic Friendship, but as Carmilla's true nature is revealed, it seems that this was her literal plan for Laura. Unlike some of her other victims, which she just discarded and let die, Carmilla wants to kill Laura so they can stay together, probably raising her as a vampire.
Carmilla / int_f6624c30	featureApplicability	1.0
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Carmilla	hasFeature	Carmilla / int_f6624c30
Carmilla / int_f909b185	type	Lesbian Vampire
Carmilla / int_f909b185	comment	Lesbian Vampire: Trope Maker, if not Trope Codifier. Note that the novella never makes it clear whether Carmilla's attraction to Laura is erotic in nature ... or gastronomical. The ambiguity, however, is quite unambiguous.
Carmilla / int_f909b185	featureApplicability	1.0
Carmilla / int_f909b185	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_f909b185
Carmilla / int_ff6ae1f6	type	Evil-Detecting Dog
Carmilla / int_ff6ae1f6	comment	Evil-Detecting Dog: The mountebank's dog will not cross the drawbridge into the courtyard of the schloss, and howls continually while the mountebank converses with Laura and Carmilla. For added irony, the mountebank is eager to sell his vampire-repellent charms, but scolds his dog for howling.
Carmilla / int_ff6ae1f6	featureApplicability	1.0
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Carmilla / int_ff7e9adf	type	Hair of Gold, Heart of Gold
Carmilla / int_ff7e9adf	comment	Hair of Gold, Heart of Gold: Laura is portrayed as a sweet and innocent but naive and inexperienced young woman. Her golden hair and Innocent Blue Eyes are used to emphasize this characterization.
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Carmilla / int_name	type	ItemName
Carmilla / int_name	comment
Carmilla / int_name	featureApplicability	1.0
Carmilla / int_name	featureConfidence	1.0
Carmilla	hasFeature	Carmilla / int_name
Carmilla / int_name	itemName	Carmilla

The following is a list of statements referring to the current page from other pages.

Carmilla	hasFeature	All-Natural Snake Oil / int_65a21d7e
Carmilla	hasFeature	Amulet of Dependency / int_65a21d7e
Carmilla	hasFeature	Antagonist Title / int_65a21d7e
Carmilla	hasFeature	Appeal to Nature / int_65a21d7e
Carmilla	hasFeature	Blood Bath / int_65a21d7e
Carmilla	hasFeature	Blood Countess / int_65a21d7e
Carmilla	hasFeature	Boy Meets Ghoul / int_65a21d7e
Carmilla	hasFeature	Burn the Undead / int_65a21d7e
Carmilla	seeAlso	Carmilla
Carmilla	hasFeature	"Darkness von Gothick" Name / int_65a21d7e
Carmilla	hasFeature	Daywalking Vampire / int_65a21d7e
Carmilla	hasFeature	Evil Desires Innocence / int_65a21d7e
Carmilla	hasFeature	Exposition of Immortality / int_65a21d7e
Carmilla	hasFeature	Feigned Trope / int_65a21d7e
Carmilla	hasFeature	Ghostly Glide / int_65a21d7e
Carmilla	hasFeature	Hemo Erotic / int_65a21d7e
Carmilla	hasFeature	Hide Your Lesbians / int_65a21d7e
Carmilla	hasFeature	Inspiration Nod / int_65a21d7e
Carmilla	hasFeature	Journey to the Center of the Mind / int_65a21d7e
Carmilla	hasFeature	Kiss of the Vampire / int_65a21d7e
Carmilla	hasFeature	Lazy Alias / int_65a21d7e
Carmilla	hasFeature	Lesbian Vampire / int_65a21d7e
Carmilla	hasFeature	Must Be Invited / int_65a21d7e
Carmilla	hasFeature	Not His Blood / int_65a21d7e
Carmilla	hasFeature	Not Using the "Z" Word / int_65a21d7e
Carmilla	hasFeature	Novella / int_65a21d7e
Carmilla	hasFeature	Pseudo-Romantic Friendship / int_65a21d7e
Carmilla	hasFeature	Psycho Lesbian / int_65a21d7e
Carmilla	hasFeature	Psychosexual Horror / int_65a21d7e
Carmilla	hasFeature	Public Domain Character / int_65a21d7e
Carmilla	hasFeature	Removing the Head or Destroying the Brain / int_65a21d7e
Carmilla	hasFeature	Shared Dream / int_65a21d7e
Carmilla	hasFeature	Signature Line / int_65a21d7e
Carmilla	hasFeature	Skeptic No Longer / int_65a21d7e
Carmilla	hasFeature	The Hecate Sisters / int_65a21d7e
Carmilla	hasFeature	Ãœberwald / int_65a21d7e
Carmilla	hasFeature	Unbuilt Trope / int_65a21d7e
Carmilla	hasFeature	Undead Barefooter / int_65a21d7e
Carmilla	hasFeature	Vampire Hickey / int_65a21d7e
Carmilla	hasFeature	Vampire Hunter / int_65a21d7e
Carmilla	hasFeature	Why I Suck Blood / int_65a21d7e
Carmilla	hasFeature	You Sexy Beast / int_65a21d7e
Carmilla	hasFeature	Your Vampires Suck / int_65a21d7e

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