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The Women's Room

173 statements
33 feature instances
3 referencing feature instances

The Women's Room	type	TVTItem
The Women's Room	label	The Women's Room
The Women's Room	page	TheWomensRoom
The Women's Room	comment	The Women's Room is the debut novel of Marilyn French, published in 1977. Beginning in the 1940s and ending some time in the 1970s, it tells the story of Mira Ward, her experiences as a young housewife and - later - a single mother and a mature student at Harvard University, and the friends she makes on the way.The book is roughly divided into two halves. In the first half, Mira, a young, bright and somewhat sheltered teenage girl, goes through school and starts to become aware of men, sex and relationships. Her first boyfriend, Lanny, is a free-spirited musician, albeit one with some pretty conservative beliefs about sex, who calls Mira a 'slut' after she has too much to drink and is almost raped at a party. She later marries Norm, a medical student, and the couple have two sons. Mira befriends several young mothers in the local area, including tough, redheaded Southern temptress Bliss, Catholic mother-of-five Adele - whose husband Paul cheats on her - and Natalie, whose husband harbours a secret crush on Mira. The women's daily routines are depicted in great detail, often shown to be filled with drudgery, boredom and ignorant, lazy and sometimes cruel husbands. When the Ward family move elsewhere, Mira makes some new friends: Samantha, a cheerful young newlywed; Lily, an Italian-American woman with an emotionally abusive husband, who later ends up in a mental institution; and Martha, who is fiercely intelligent and having an affair with her professor. During this time, Mira notices how many of the women she knows have suffered at the hands of their husbands, and how she has ended up scrubbing floors while Norm barely acknowledges her contribution to the household.Mira's life falls apart when Norm divorces her - it is implied he has been having an affair with his 'little chippy' for some time. Martha and Mira support each other through their break-ups with their respective partners and, inspired by Martha's decision to go to law school, Mira applies to Harvard University to read English. At Harvard, she meets and befriends several older students, including the women who go on to form the second half's core friendship group. There's Isolde, a lesbian divorcee; Val, a single mother, radical feminist and political activist; Kyla, an intense, borderline manic English student, married to scientist Harley; and Clarissa, a middle-class child prodigy, married to Army man Duke. Although her traditional upbringing makes her feel out of place at Harvard, with the help of her friends, Mira begins to loosen up, see the world differently and question her own beliefs. At a political meeting at Val's house, Mira meets and falls in love with Ben, a diplomat to the fictional African country of Lianu. This half of the book takes place against the backdrop of the Vietnam War and later, the Kent State massacre.The climax of the book comes when Val's daughter Christine is raped, and things start to take a darker turn as the group begins to grow apart, each women experiencing troubles of her own in her personal life, along with the realisation that none of them can escape from the system upheld by the patriarchy. It is at this point that Val says one of the book's most notorious lines (see Wham Line below) which has been misattributed to French.The Women's Room has been held up as one of the key novels of the 20th century women's movement. Some critics have criticised its focus on drudgery and negativity towards men, while latter-day feminists are critical of the book's lack of intersectionality (for instance, the lack of black characters).This page is a work in progress. Note that some of the content may be triggering.
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The Women's Room / int_15b2cab3	type	Tempting Fate
The Women's Room / int_15b2cab3	comment	Tempting Fate: after Chris has gone to live in the commune, Val states to Mira that there is nothing she can do for Chris 'except die, and I have no intention of doing that.' Three chapters later…
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The Women's Room / int_1badfb3a	type	The Heart
The Women's Room / int_1badfb3a	comment	Iso also lets her hair down after wearing it scraped back, as well as buying herself some new clothes, and becomes more cheerful and relaxed. She also ends up as The Heart of the group, though this is not always a good thing. See Team Mom below.
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The Women's Room / int_234fa9ba	type	Mayâ€“December Romance
The Women's Room / int_234fa9ba	comment	May–December Romance: Val and Tad. He's in his early twenties, she's in her forties. Unfortunately, it doesn't last. Tad gets jealous of the fact that Val has slept with other men and wants to spend time with Chris, who is visiting from university. He eventually gets drunk and abusive, and hits on Chris. Val throws him out the next day.
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The Women's Room / int_2dc0d2bf	type	Hidden Depths
The Women's Room / int_2dc0d2bf	comment	Hidden Depths: Clarissa may be sheltered and from a nice middle-class family, but one thing she keeps quiet is that when she was a student, she worked with a neighbourhood programme in Roxbury, teaching ghetto children to read, and eventually had to leave when funding was cut off under the Nixon government. In-universe, Val sees Mira as having Hidden Depths on learning about Mira's suicide attempt., saying that she found her shallow at first, but that Mira had deepened over the past few years and, to quote Val, "the fact you tried to knock yourself off tells me you always had strong feelings." A darker version occurs with Natalie's husband Hamp earlier in the novel. He's a mild, lazy, unassuming sort of guy…who writes pornographic torture fiction about women, including his wife and mother, and love letters to Mira.
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The Women's Room / int_4b316d47	type	Break the Cutie
The Women's Room / int_4b316d47	comment	Break the Cutie: Chris gets thoroughly broken, courtesy of a teenage rapist, and uncaring policemen and lawyers. She goes from a happy, precocious teenage girl to a frightened, miserable Broken Bird who gets terrified if her mother leaves the house, and can barely look her mother's friends or boyfriend in the eye. Eventually, Val sends her off to live with some friends on a commune. Chris is furious with Val, believing that her mother is abandoning her just when Chris needs her the most, and breaks off contact (although she does attend Val's funeral). Sadly, Mira never finds out what happened to her afterwards.
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The Women's Room / int_4e3d253b	type	Downer Ending
The Women's Room / int_4e3d253b	comment	Downer Ending: not as horrible as some other examples under this trope, but it's certainly not a happy one. Although some of the group - Iso, Clarissa and Kyla - do get relatively happy endings, others don't. Lily is, as far as we're aware, still in a mental institution. Although she has a successful acting career, Grete is unhappy in her relationship with Avery. Chris's fate remains unknown, Val is dead, and Mira spends most of her time outside of work wandering around on beaches. And one only wonders what happened to all the abandoned housewives in the first part of the novel.
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The Women's Room / int_4e7c4536	type	Wham Line
The Women's Room / int_4e7c4536	comment	Wham Line: Val's speech to Mira, which makes Mira realise just how much Val has changed, and how there is no turning back for her anymore: And from Mira: "I don't want another child, Ben." This signals the end of their relationship. Ben has assumed that Mira will go to Africa with him and have his baby, and not only is Mira angry with Ben for taking her for granted, but she realises she has spent so long thinking of other people's needs and wants, but not her own. "Mira. I just heard. Val's dead."
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The Women's Room / int_590eb583	type	Domestic Abuse
The Women's Room / int_590eb583	comment	Tom and Sandra's marriage is the only one to feature full-tilt Domestic Abuse.
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The Women's Room / int_62434fe2	type	Sanity Slippage
The Women's Room / int_62434fe2	comment	Sanity Slippage: Lily's descent into madness after her son Carlos is nearly killed by a gang of boys. Although Lily's husband Carl isn't bothered, saying it's just kids being kids, Lily completely snaps, crying and screaming at Carl to kill her, and is committed to a mental institution where she receives electric shock therapy. If Mira's narration is anything to go by, she's experienced it herself. She even states that she 'wonders if she's going mad.'
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The Women's Room / int_67d0342c	type	Breaking the Fellowship
The Women's Room / int_67d0342c	comment	Breaking the Fellowship: the group essentially breaks apart after Val's death, and they all go their separate ways, graduating from university or getting jobs. The Love Triangle between Clarissa, Iso and Kyla also causes a wedge in the group.
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The Women's Room / int_6a6760fa	type	The Power of Hate
The Women's Room / int_6a6760fa	comment	The Power of Hate: Val cites this when she and Mira see each other for the last time. Mira does not take it well.
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The Women's Room / int_6c275297	type	The Fettered
The Women's Room / int_6c275297	comment	The Fettered / The Unfettered: discussed by Mira, who falls into the former category, and Val, who falls into the latter category, after Val breaks up with Tad, and Tad gets drunk and abusive and hits on Chris. Mira has 'played the game' by marrying a nice young doctor and having his children, only to end up divorced. Val has gone against society's expectations by being a single mother and having numerous lovers, and she wonders if the whole scenario with Tad would have happened if she had played the game herself.
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The Women's Room / int_7241785e	type	You Can't Fight Fate
The Women's Room / int_7241785e	comment	You Can't Fight Fate: or, in Val's words, 'the institutions get us all in the end'. The other women are uncomfortable at this; while Iso thinks Val is right, she also thinks it's insensitive to Mira, Kyla and Clarissa, who have all been in unsatisfactory relationships with men as a result of playing the game. Iso makes a similar point to Kyla, saying that no matter what she does, she will feel dissatisfied because she's bright, she's a woman trying to make it in a man's world, and even though growing flowers and baking bread is more spiritually fulfilling for her than academia, it won't make her happy, because she's started on the path of trying to make it in academia and now that she has that mindset, there is no turning back:
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The Women's Room / int_7464705c	type	Arc Words
The Women's Room / int_7464705c	comment	Arc Words: 'shit and string beans', for the first half, as a shorthand for domestic drudgery. For the second half, it's 'bake bread and grow flowers', an allusion to one of Kyla's ambitions, to be able to do things which are seen as traditionally feminine without being patronised and treated like an idiot.
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The Women's Room / int_754df088	type	Put on a Bus
The Women's Room / int_754df088	comment	Put on a Bus: Val sends Chris to live on a commune as she thinks it might help her heal from her rape, much to Chris's disgust. She appears once again after that at Val's funeral, before her dad Neil takes her home. Mira has no idea what happened to her after that.
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The Women's Room / int_76d233f9	type	Straw Feminist
The Women's Room / int_76d233f9	comment	Straw Feminist: massively averted by Val. While she is extreme, and Mira is unhappy at her hatred of men and separatism, knowing that it will inevitably push them apart, she's not a caricature or a joke; she's a woman who has finally snapped after years of being treated badly by men, culminating in her daughter being treated like a piece of meat not only by the boy who raped her, but the police and the court system. She's still written as a sympathetic character, and when she dies, the group get back together to mourn her death and celebrate her life.
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The Women's Room / int_80251be3	type	How We Got Here
The Women's Room / int_80251be3	comment	How We Got Here: the novel begins with Mira taking shelter in the titular toilet at Harvard University, reading political graffiti on the walls. The narrator, who is a teacher at a small college, then talks about Mira and the other women she knew at Harvard, and decides to tell the story of how Mira came to be hiding in the toilet at the age of 38. It's not until the final chapter that we realise Mira herself was the Narrator All Along.
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The Women's Room / int_88574a	type	Narrator All Along
The Women's Room / int_88574a	comment	Narrator All Along: the final chapter reveals that it's Mira who's the narrator.
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The Women's Room / int_9a68179	type	Holding the Floor
The Women's Room / int_9a68179	comment	Holding the Floor: both Val and Mira do this a lot, as does the narrator (which isn't surprising as she and Mira are the same person. One example is Val's speech about her ideal community, where everyone - young and old - would pitch in and help each other.
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The Women's Room / int_affc0c98	type	Significant Wardrobe Shift
The Women's Room / int_affc0c98	comment	Significant Wardrobe Shift: Upon arriving at Harvard, Mira still dyes her hair and dresses like a classic housewife in knit suits and pumps. After meeting her group of friends, she wears more comfortable clothing and lets her hair grow out to its natural colour. Iso also lets her hair down after wearing it scraped back, as well as buying herself some new clothes, and becomes more cheerful and relaxed. She also ends up as The Heart of the group, though this is not always a good thing. See Team Mom below.
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The Women's Room / int_b11ac9f5	type	Abusive Parents
The Women's Room / int_b11ac9f5	comment	Abusive Parents: Lily's father, who regularly beat her, her mother and her siblings. At one point during her teens, she tries to escape by saving up and moving into a youth hostel, only to be found out, beaten in public and called a whore by her father, and forced to move back in with her family. The narrator does not go into great detail about Lily's childhood, stating that 'enough is enough'. Ava's father regularly beat her, both as a child and an adult. One time, he hit her for saying she dislikes Lyndon B. Johnson. She retaliated by stabbing him in the stomach with a giant fork.
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The Women's Room / int_b7e0c5ff	type	Love Triangle
The Women's Room / int_b7e0c5ff	comment	Love Triangle: between Iso, Kyla and Clarissa. At first, Kyla and Clarissa are unaware that Iso is in a relationship with the other, but eventually, they find out and all hell breaks loose.
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The Women's Room / int_bb0c0a4d	type	Fiery Redhead
The Women's Room / int_bb0c0a4d	comment	Fiery Redhead: Kyla, who's one of the most emotional and volatile characters, constantly chewing her lips, biting her nails and having crying fits or ranting. It's one of the reasons why she and Harley end up divorcing, and Iso also finds her hard to cope with because Kyla expects a lot from her, but gives little back in return.
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The Women's Room / int_bc00493f	type	Precision F-Strike
The Women's Room / int_bc00493f	comment	Precision F-Strike: Mira - in contrast to other members of the group - swears so little that the group find it hilarious when she tells them to 'go fuck themselves', which she sees as passing a sort of initiation test. Later on in the book, Ben realises just how angry Mira is with him when she screams, "FUCK OFF, BEN!", especially given that she never usually swears in front of him because she 'has categories'. In the novel's words, 'one advantage to not using indecorous language is that when you do use it, it carries quite a wallop'.
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The Women's Room / int_c0961831	type	Interrupted Suicide
The Women's Room / int_c0961831	comment	Interrupted Suicide: Martha finds Mira lying on her bathroom floor with her wrists slashed after Norm leaves her, though fortunately the cuts are not deep enough to be fatal. Mira later repays the favour when Martha takes an overdose of sleeping pills after David, her lover, goes back to his wife.
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The Women's Room / int_c3b40ab8	type	Evil Redhead
The Women's Room / int_c3b40ab8	comment	Evil Redhead: Bliss. She's racist, anti-Semitic, has an affair with Adele's husband Paul, and she and Paul conspire to make Mira take the fall for her, leading to Adele growing colder towards Mira. However, it can be argued that she's just another victim, and that she's not 'evil' so much as ruthless, jaded and trying to survive in a harsh world.
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The Women's Room / int_c5237cf	type	Ridiculously Average Guy
The Women's Room / int_c5237cf	comment	Ridiculously Average Guy: Norm in every respect: his appearance, his job, his likes, his dislikes, his hobbies, and his expectations. The book mentions in passing that he loved to draw as a child but never enjoyed any encouragement in this direction from his family.
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The Women's Room / int_cda501da	type	Killed Off for Real
The Women's Room / int_cda501da	comment	Killed Off for Real: Val is shot dead by police, after she and other members of a radical feminist group attempt to ambush a van carrying a black woman who has been convicted of murdering her attacker.
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The Women's Room / int_d08595d3	type	Broken Bird
The Women's Room / int_d08595d3	comment	Broken Bird: try finding a female character who hasn't been broken in some way, whether by childhood trauma or gradually being worn down by microaggressions and mundane miseries. Adele is run ragged by her five children; Oriane is Driven to Suicide after she has a mastectomy and her husband rejects her; Sandra's husband is a macho control freak who regularly beats her; Lily comes from an abusive family, is in a relationship with an emotionally abusive man and ends up institutionalised; Natalie has multiple affairs and is constantly angry and frustrated with her husband; Theresa is institutionalised after drowning her newborn baby; Martha tries to kill herself after her married lover goes back to his wife; Samantha's husband leaves her and her children in debt and at risk of losing their home; and Bliss grew up in abject poverty in the Deep South. From the Harvard group, Kyla and Clarissa are in unhappy marriages; Iso is a rape survivor; Ava has an unstable relationship with her father; Val is a single mother who has been in and out of numerous relationships and is growing increasingly disillusioned with men in general and even more so when Chris is raped, and Chris…well, see Break the Cutie above. And Mira ends up pretty damn broken by the end of the book as well, in no small part due to Norm divorcing her.
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The Women's Room / int_deecc9eb	type	Awful Wedded Life
The Women's Room / int_deecc9eb	comment	Awful Wedded Life: Mira and Norm's marriage has many low points, particularly her pregnancy with Normie and the months before their divorce. Lily and Carl's marriage is among the worst, with her clamorous nature being totally incompatible with his stoicism. Tom and Sandra's marriage is the only one to feature full-tilt Domestic Abuse. Of the Harvard group, both Kyla and Clarissa are in unhappy relationships with their husbands (although it's less obvious in Clarissa's case). Kyla finds Harley's coldness and stoicism difficult to cope with, as he makes her feel like a silly, hysterical woman, while Clarissa's feminism and left-wing, anti-war politics clash with Duke's more conservative politics, to say nothing of the fact that Duke is in the military. Duke refuses to join in the games at the group's parties and disapproves of Clarissa's friends, and they even have a physical fight over it. Both women end up using Iso as an outlet for their frustrations with their husbands, and both are divorced by the end of the book.
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The Women's Room / int_e13156e1	type	Mama Bear
The Women's Room / int_e13156e1	comment	Mama Bear: Val, and very tragically so. While she is a liberal parent who allows Chris plenty of freedoms, she does worry that living an unconventional lifestyle has had negative consequences for Chris, especially after Tad gets drunk and hits on Chris while calling Val a slut. See The Fettered above. When Chris is raped and Val accompanies her to the police station and court, she's fiercely protective of Chris and gives the misogynistic lawyers hell. However, her relationship with Chris becomes irreparably damaged when Chris can't bear to be left alone and panics when Val goes out, and she ends up sending Chris to a commune in the country. Chris is furious with Val because she thinks Val wants her out of the way. They never see each other again.
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The Women's Room / int_fb9e25e9	type	Team Mom
The Women's Room / int_fb9e25e9	comment	Team Mom / The Heart: Iso, who often acts as a shoulder to cry on for other members of the group. This is not always a good thing, especially as other characters - Kyla in particular - are willing to take advantage of her and take more than they give in return. Eventually, she has enough. After the group breaks up, Iso is the one who stays in touch with most of the others, and is shown to regularly write to Mira after she moves to Oxford.
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