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Angry Black Man
- 517 statements
- 97 feature instances
- 49 referencing feature instances
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This trope is under discussion in the Trope Repair Shop. Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_mobile_ad_1'); })A stock character and stereotype popular in the 1970s–1980s. A male black youth, the Angry Black Man knows that The Man is out to get him and that the Revolution will soon come and whitey will have his back against the wall. The Angry Black Man sees injustice everywhere and is capable and intelligent but usually financially destitute because the damn Honkies won't hire him to give him an opportunity. Liberal white people will attempt to befriend him, but he will have none of it, seeing even being friends with white people as a betrayal to his race without realizing the hypocrisy of this logic. Not quite a Dead Horse Trope, because while society has mostly marched on through affirmative action and other policies intended to help black Americans get ahead in addition to even electing a black man President, this behavior is still prevalent within the black community as ancient culture is near-impossible to track due to the dilution of cultural traits during the slave trade. Jazz musicians and other historical greats like Muhammad Ali and Jackie Robinson, while talented, mostly only matter to people today in the context of rebelling against the historical oppression of their people. There were few black heroes that weren't rebellious in some way, leading some black youths to try to emulate them despite living in far better conditions and even lambast those who rebel against their rebelliousness for "acting white". Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_mobile_ad_2'); })Oh, and despite the name, this trope is not about characters who are black and have a Hair-Trigger Temper (see Scary Black Man for that). Compare Malcolm Xerox. Compare and contrast Angry White Man. In South Asia, the equivalent is the Angry Tamil Man. |
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| Angry Black Man / int_113f128e | type |
Angry Black Man | |
| Angry Black Man / int_113f128e | comment |
Bigger Thomas of Native Son is a dumbed-down version. Besides the intelligence part, he fits the trope like a glove. It should also be noted that Richard Wright, the author of Native Son, is a famous black author. | |
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| Angry Black Man / int_177cf946 | type |
Angry Black Man | |
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Hardware (1993), very much so. The trope name is actually the title of his first story. Justified by the fact that he is constantly being directly and intentionally oppressed by a physical incarnation of the Man, his arch-nemesis and surrogate father Edwin Alva. The conflict is never explicitly made racial, however. It's worth noting that Hardware's creator, Dwayne McDuffie, is a black liberal who knows what he's talking about, not a white liberal trying and failing to be "socially conscious". If anything, the character is a deliberate exploration of the trope, not a straight example. | |
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Angry Black Man | |
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The Mental State has a prison inmate called 'Little Mickey' Crane. He knows every racial slur against Caucasians that there is and can barely open his mouth without blurting one out. To make matters worse, he actively encourages the other black inmates to think the same way and plans to make life miserable for the white inmates once he gets elected Prisoner Representative. | |
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| Angry Black Man / int_2212773a | type |
Angry Black Man | |
| Angry Black Man / int_2212773a | comment |
Played straight and subverted in Angel with Gunn. While Gunn can have his angry moments there is a fantastic scene when he helps Angel break into Wolfram and Hart: Gets turned up to eleven in "Spin the Bottle". Teen!Gunn was REALLY militant. Made rather funny though when you consider what ultimately happened to Gunn. |
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| Angry Black Man / int_22fb57e7 | type |
Angry Black Man | |
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Used beautifully in the UK comedy show Balls of Steel with the character of "Militant black guy" see here: Other Wiki | |
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| Angry Black Man / int_249b3519 | type |
Angry Black Man | |
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Subverted in Harold & Kumar Go to White Castle. Harold's cellmate Jackson is a black guy reading a book on civil disobedience who calmly reveals he was arrested because he was black. He then says that he's overweight, black, and has two gay dads, so he's pretty much immune to whatever crap people throw his way. When the police return and get him up against the wall of the cell, he calmly accepts it. | |
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Angry Black Man | |
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Sgt James Doakes from Dexter. "SURPRISE, MOTHERFUCKER!" | |
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| Angry Black Man / int_25fff573 | type |
Angry Black Man | |
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The Turner Diaries explores this trope from, to put it as tactfully as possible, the perspective of the sort of people real-life examples of Angry Black Men are angry with. | |
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| Angry Black Man / int_2616a1e8 | type |
Angry Black Man | |
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Deconstructed in Richard Morgan's Black Man novel (which was, interestingly enough, titled Th1rt33n in the US) | |
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Angry Black Man | |
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Sideshow Raheem, afro'd former assistant of Krusty the Klown in The Simpsons. Described by Krusty as an "angry, angry young man". | |
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Angry Black Man | |
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Grace Walker is the female version of this trope in Wolfenstein II: The New Colossus, picking up where J left off by touching on the racial tensions of mid-20th century America and adding in issues on sexism to the mix just to be thorough. As with J, through her encounters with B.J. and fighting alongside him, she becomes one of Blazkowicz's Fire-Forged Friends by the end of the game. | |
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Angry Black Man | |
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Played straight and subverted with Marcus in Airheads. Throughout the movie, he accuses Rex and Milo of having racist motivations, but has no idea why they start chanting "Rodney King". | |
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Angry Black Man | |
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Falling Down has an angry black man shouting on a street corner about how he was rejected for a small loan because he was "not economically viable." His anger has a deep impact on the main character. | |
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Angry Black Man | |
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Higher Learning Malik turns into this type of character towards the middle of the movie, and also the character Fudge in the film fits this trope. | |
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Baldur's Gate II: Valygar Corthala doesn't take your shit. Even if you're an elf. | |
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Angry Black Man | |
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Parodied in the Scrubs episode "My Roommates": | |
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Angry Black Man | |
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Bob Sapp's larger-than-life character in Japan. | |
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Angry Black Man | |
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Warren "Easy Money" Williams in Saints Row constantly butts heads with his boss, Benjamin King, largely due to the fact that he sees King "sticking his nose up them white boy asses" at city hall as a waste of time and proposes directly attacking Saints Row every time the Vice Kings suffer a setback. King tries to point out that working with men like Richard Hughes grants the Kings an advantage over other street gangs, and that they can't start a war every time someone challenges them, but Warren is deaf to his arguments. | |
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Angry Black Man | |
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Booker T became this in 2004 after being drafted from RAW to Smackdown, most of it stemming from his belief that the blue show was the Minor leagues. | |
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Angry Black Man | |
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MC Ride, the frontman of Death Grips, is known for putting a never-before-seen level of ferocity into his vocal delivery, tending to shout and scream his raps. | |
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Angry Black Man | |
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Chaka's brother Vince Chandler, in the Whateley Universe. Even though the Chandlers are upper-middle class in the nice suburbs of Baltimore. The Tigers are an Afro-centric martial arts club at Whateley, formed by N'Dizi in response to perceived (and probably real) racism on the part of the existing martial arts club, the Dragons. N'Dizi has basically made this trope mandatory for the members, male and female alike, though he himself seems to see women as inferior and encourages such sexism in the group. |
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Angry Black Man | |
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Subverted again in Harold & Kumar Escape from Guantanamo Bay, as with just about every other race trope. The duo's car breaks down in a black neighborhood when Harold breaks a fire hydrant and the water gushing out kills their music box, then a bunch of big guys grab some metal equipment and start converging on their car, scaring the duo into running away. When they're gone, the viewer is told they were going to fix the car. | |
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Charcoal from Thunderbolts did not start out like this but evolved in this direction. Kurt Busiek gave him a Child Soldier and Super Soldier background, but otherwise Charlie Burlingame was still a kid who attempted to acquire a semblance of a normal life and make some friends at school. Fabian Nicieza first had Charlie witness the assassination of his best friend, then revealed that under the calm facade Charcoal harbored a lot of anger and resentment at the world. Under Nicieza, Charcoal became angrier, progressively anti-social, and started seeing "racists" everywhere around him. Not only did he have trouble associating himself with his non-superpowered friends, he also started demonstrating a sadistic streak, such as enjoying the smell of his opponents' burning flesh. | |
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Angry Black Man | |
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The Hatta from Neurotically Yours, an angry black squirrel, is a parody of this trope. He's commonly held to be the most offensive character on the show. | |
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Angry Black Man | |
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Green Lantern: John Stewart was originally this kind of character, which meant he had to prove himself to Green Lantern Hal Jordan that he was a worthy recruit to the Corps. While John eventually mellowed for the most part, Bruce Timm and Paul Dini decided the early take on John would make for the most dramatically interesting Green Lantern for the DC Animated Universe version of Justice League. | |
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Nighthawk in Supreme Power takes this trope and doubles down on the borderline racist elements to the point of being a blatant black supremacist who will literally ignore black gangbangers mugging, raping, and murdering white civilians to instead rant about how much evil whites do unto blacks. Ironically, the superhero who dislikes Nighthawk the most is the African-American speedster Blur, who opines that Nighthawk is full of garbage and has actually assaulted him several times, noting that despite living all his life in the Deep South, he's received more racism from Nighthawk than any of the white people he grew up with. | |
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Parodied in Chasing Amy. Hooper pretends to be one of these in order to sell a comic book about a black power superhero, but he's actually a Flamboyant Gay. He's a sympathetic character, however, who laments having to sell out. | |
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Dexter in The John Larroquette Show, who combines it with hefty doses of Everything Is Racist. | |
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Sons of Anarchy: Lampshaded in an episode: Tig and Clay are planning on framing a black gang, the One-Niners for a murder they plan to commit. Generally subverted, however; the Niners are generally shown to be much more controlled and low key than the mostly white Sons, since they are in the employ of a wealthy black businessman with ties to organised crime who keeps a firm lid on them. |
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Joined the The Nation of Domination in 1998. | |
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Spoofed in 21 Jump Street: Ice Cube's character rants, | |
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Marcus in The Learning Tree. He has plenty of reasons to be angry. His mother is gone, his father is a shiftless drunk, they live in a broken-down shack, and Marcus is a black man dealing with the endemic racism of 1920s Kansas. | |
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Batman: Soul of the Dragon: Ben Turner went to Nanda Parbat to learn to control his anger, but as mentioned by O-Sensei, it's a work in progress. He even picks up a fight against Bruce over trivial slights. By the time he reappears, he has greatly mellowed out and is a teacher himself. | |
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Angry Black Man | |
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Rocket Racer in Spider-Man: The Animated Series was a Gadgeteer Genius and a black teenager living in a poor neighborhood who frequently got in trouble with the police. When he's framed by Big Wheel for a robbery he's confronted by Spider-Man, and goes on an angry tirade accusing him of not knowing what it's like to be poor (not knowing it's Peter Parker of all people he's talking to) and questioning what the point of being good is if everyone assumes you're a criminal. However, he calms down after they take down Big Wheel together and reiterates his desire to use his skills to help the community. | |
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Angry Black Man | |
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Marvel Universe: The Avengers: In the 1990s, Marvel introduced Rage, a superhero from the slums whose first appearance included him getting up in Captain America's face about why the Avengers (at the time) had no African-American members, as seen above. The relative immaturity of his arguments and social views was given a surprising explanation: at the time, Rage was actually only 13 years old; after being exposed to toxic waste, he developed a super-powered body that looked like it belonged to a grown man. Once they learned the truth, the Avengers booted him from their ranks citing that he was far too young to be an Avenger; he instead went on to join the New Warriors, Marvel's primary "teen supers team". After being in Comic-Book Limbo for quite a while, Rage returned in Captain America: Sam Wilson, now in his late teens and accordingly more reasonable and mature than before, if no less passionate about fighting against injustice and being a hero. Captain America: The Falcon was this when he was younger, but moved out of this trope as the '70s were left behind. Subverted with Jackie McGee in Immortal Hulk. She points out that she lives in a society that tells her she can't get angry, no matter how much crap is thrown her way. She calls out the Hulk on how he, a genius white man who turns into a walking superweapon, can be given government pardons and statues no matter how much destruction is left in his wake, while she can't so much as become angry at whatever injustice befalls her. In fact, she has dedicated her life to finding Bruce just so she can discover how she could become like him, with her anger recognized and accepted rather than dismissed and looked down upon. Luke Cage, a.k.a. Power Man, the superpowered version, zigzags this trope. He started it off playing this trope straight, if downplayed (his major enemy was, in fact, fellow Afro-American "Diamondback", a former buddy of his turned crime-lord). While he grew out of this behavior as he gained experience and matured, there are times when he slips back into it, and it's Depending on the Writer whether or not he still holds these views. However, the new Power Man — Afro-Dominican teen Victor Alvarez — is this example straight. It'd take forever to list the things he is angry about. This was the personality of Spider-Man character the Prowler, as well as Robbie Robertson's activist son. Nighthawk in Supreme Power takes this trope and doubles down on the borderline racist elements to the point of being a blatant black supremacist who will literally ignore black gangbangers mugging, raping, and murdering white civilians to instead rant about how much evil whites do unto blacks. Ironically, the superhero who dislikes Nighthawk the most is the African-American speedster Blur, who opines that Nighthawk is full of garbage and has actually assaulted him several times, noting that despite living all his life in the Deep South, he's received more racism from Nighthawk than any of the white people he grew up with. Charcoal from Thunderbolts did not start out like this but evolved in this direction. Kurt Busiek gave him a Child Soldier and Super Soldier background, but otherwise Charlie Burlingame was still a kid who attempted to acquire a semblance of a normal life and make some friends at school. Fabian Nicieza first had Charlie witness the assassination of his best friend, then revealed that under the calm facade Charcoal harbored a lot of anger and resentment at the world. Under Nicieza, Charcoal became angrier, progressively anti-social, and started seeing "racists" everywhere around him. Not only did he have trouble associating himself with his non-superpowered friends, he also started demonstrating a sadistic streak, such as enjoying the smell of his opponents' burning flesh. Ultimate Galactus Trilogy: Captain America wants to detain Misty Knight for the incident with the Silver Wing. She replies: "Kiss my black butt, Captain Whitey." Patriot from Young Avengers is not like this, but is assumed to be by his classmates in his solo one-shot, when he tries to give a report about how the first African-American superhero (his grandfather) was treated. (The point of the story is that you don't have to say My Country, Right or Wrong to be a patriot.) |
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One could say that there are a few in Do the Right Thing (particularly Buggin Out), but the trope is somewhat inverted when one black man tells another who is spouting ABM language that he "doesn't want to hear that horseshit." In the commentary track for the DVD release, Spike Lee specifically notes, when Buggin Out begins ranting about the pictures in the Pizzeria, that he disagrees with the character, saying that it's Sal's place, so it's his right to put whatever pictures he likes on the walls. | |
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The Stormlight Archive: While discrimination in the Alethi culture is generally along the lines of eye color rather than skin shade, Kaladin fits the spirit of this trope in a number of ways. He's a member of a discriminated group, harboring massive justified hatred towards all members of the oppressing group, and makes more trouble for himself by making this hatred clear to anyone and everyone he meets. | |
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Lucius Fox's son, Tim, was portrayed this way in 1980s Batman comics. | |
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In the Firestar Series, Azim Thomas and gang-banging company. A first-rate education helmed by an African teacher helps his case, though his best friend Zipper does his level best to snap him out of the Race Traitor route he's taking. "Do his level best" here means "make Azim part of a robbery/murder against his will". The kid's a sociopath. | |
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Medabots: Metabee's English voice actor plays him as one of these. | |
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Tracy Jordan on 30 Rock is often too stupid and distracted to care about race, but he will occasionally cross into this, and sometimes come out with oddly profound and knowledgeable (albeit bombastic) statements about race relations and the history of racism in America. For instance, on a walking tour of Boston, he calls out an actor playing John Hancock on the hypocrisy of many Founding Fathers being slave-owners. | |
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Parodied in A Very Harold & Kumar 3D Christmas where there are two black brothers Latrell and Lamar who are selling Christmas trees. They take turns playing the "angry black guy" and the other must act very nice and good-mannered. | |
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Mildly deconstructed in Law & Order season 17 episode "Bling"; the primary suspect, Andre Blair is a classic Angry Black Man stereotype, hurling borderline racist invective at the Caucasian investigators and shrugging off criticisms of his lifestyle (profiteering off of stereotypical "thug life" rap and hip-hop artists) as just anti-Afro-American racism. Even the African-American rappers who work with him privately loathe him, confessing to the investigators "off the record" that Blaire is a physically abusive bully who uses his financial and social connections to extort them into hushing up about his assaults on them (the man revealing this was once pushed out of a window by Blaire, and had to get a titanium rod implanted in his arm due to how badly shattered it was). During his trial, he makes little real effort to defend himself, instead simply asserting that he's only being blamed because he's African-American and the other possible suspect is a Caucasian Jew. Whilst it turns out that the other suspect was responsible, and the investigators feebly assert that Blaire "had a reason to be angry", the truth is that Blaire did not help his case at all with his behavior or attitudes; if the investigators had been less scrupulous and dedicated to the truth, his antics would have gotten him sent to jail for a murder he didn't commit— not because of anti-Afro-American bias, but because he made himself seem so obviously guilty. | |
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Clerks II has a scene with a black couple, played by comedians Wanda Sykes and Earthquake, where the wife goes berserk when Randal says "porch monkey" in front of her. The husband, on the other hand, doesn't really give a crap and just wants the food they were ordering. | |
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All three of the main characters in The Boondocks: Huey, Riley, and Robert Freeman are all angry black males, albeit for differing reasons. | |
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The DCU: Lucius Fox's son, Tim, was portrayed this way in 1980s Batman comics. Green Lantern: John Stewart was originally this kind of character, which meant he had to prove himself to Green Lantern Hal Jordan that he was a worthy recruit to the Corps. While John eventually mellowed for the most part, Bruce Timm and Paul Dini decided the early take on John would make for the most dramatically interesting Green Lantern for the DC Animated Universe version of Justice League. Hardware (1993), very much so. The trope name is actually the title of his first story. Justified by the fact that he is constantly being directly and intentionally oppressed by a physical incarnation of the Man, his arch-nemesis and surrogate father Edwin Alva. The conflict is never explicitly made racial, however. It's worth noting that Hardware's creator, Dwayne McDuffie, is a black liberal who knows what he's talking about, not a white liberal trying and failing to be "socially conscious". If anything, the character is a deliberate exploration of the trope, not a straight example. Tyroc from Legion of Super-Heroes, even though it takes place in the year 3000. Notably, the writers and artists were all painfully aware of how this trope was being played in a setting where racism should've been eliminated, but were forced to portray Tyroc as such due to the Executive Meddling. When Paul Levitz brought Tyroc back in the late 2000s, he received some Character Development beyond his initial portrayal. An early Teen Titans issue featured a teenage hero called Jericho (who is ANGRY BLACK! Robin) in a racial-issues themed issue. The executives didn't want controversy, so they prevented the story from being published, but many of Jericho's characteristics were later reused in Cyborg, and his name was recycled as Deathstroke's son. |
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Transcended metaphorically in early episodes of Futurama which let Bender the robot speak up on behalf of the oppressed robot class. His dissatisfaction with life on Earth sometimes mirrored real-life criticisms made by black nationalists, notably in the episode "Fear of a Bot Planet", the episode title itself an allusion to a seminal Public Enemy album. | |
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In The Walking Dead: Season One, some of Lee's dialogue choices on threatening others can often come across this territory. Characters such as Kenny, Larry, Ben, and even Clementine can be on the receiving end, whether as a warning or as a show of intimidation. | |
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The Axis of Anarchy member Bruiser in The Guild. May be a parody because he seems less to be angry about racial issues than about, well, everything. | |
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On The Daily Show with Trevor Noah, this trope is examined by Roy Wood, Jr. in regards to black journalists. He shows clips of them making a lot of effort to not burst out in anger towards other journalists and pundits, lest the media label them as Angry Black People. | |
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Very much a thing in Victoria where roving gangs of angry Black and Hispanic men (called "orcs" by the heroes} roam the countryside, at least one city is destroyed by angry Black rioters, and another is nuked by the heroes following a similar uprising. Compare and contrast with the "Council of Responsible Negroes", who are aligned with the ostensible good guys. | |
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Luke Cage, a.k.a. Power Man, the superpowered version, zigzags this trope. He started it off playing this trope straight, if downplayed (his major enemy was, in fact, fellow Afro-American "Diamondback", a former buddy of his turned crime-lord). While he grew out of this behavior as he gained experience and matured, there are times when he slips back into it, and it's Depending on the Writer whether or not he still holds these views. However, the new Power Man — Afro-Dominican teen Victor Alvarez — is this example straight. It'd take forever to list the things he is angry about. |
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Cobra of Wing Commander is a really angry black woman who hits all the right notes of this trope, directing her anger at friend and foe alike. She was taken by the Kilrathi when ten and kept in a slave labor camp for ten years, instead of lashing out at mainly white man she wants every Kilrathi dead. | |
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Saturday Night Live: Chris Rock's character from The Dark Side with Nat X. Eddie Murphy did it first with Prof. Shabazz Morton's Black History Minute. Better remembered now for one of the few times Eddie screwed up on camera. |
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Jenny's Black Panther acquaintances in Forrest Gump, to the latter. | |
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Invoked in The Destroyer novels. Master Chiun, the Wise Old Mentor, is an incredible racist (having been raised in the 19th century) of the Korean stripe, so he sees all races as specific insulting tropes. Blacks, in his viewpoint, are "always angry." (Which is better than his opinions of Japanese, or Russians, or Americans, or Chinese, or... damn well everyone who had the bad taste to not be Korean, really). Book #30, Mugger Blood, was set in the New York ghettos, and has more straightforward portrayals alongside the more villainous gang members. | |
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This was the personality of Spider-Man character the Prowler, as well as Robbie Robertson's activist son. | |
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In the Heat of the Night has Det. Virgil Tibbs who finds investigating a murder in a deep south small town is seriously trying his patience to say the least, and eventually admitted that his albeit justified irritation had put him on the wrong track for a bit in his investigation. | |
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Female example in Gentefied. In "Protest Tacos", Yessika claims that most of the Morales' treatment of her protest at Mama Fina's earlier that day make it somewhat clear that they see her as an angry black girl. | |
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George Jefferson on The Jeffersons, though not much. His brother Henry on All in the Family was a bit more verbose and soft-spoken, but arguing with Archie, after a time, will bring out the rage. Archie tends to do that to most people. | |
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Parodied in Undercover Brother with Conspiracy Brother - a very angry, very ill-informed radical. | |
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Shaft is basically all about taking this character and portraying him as the most badass motha you can imagine, allowing him to successfully stick it to the Man. | |
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Tyroc from Legion of Super-Heroes, even though it takes place in the year 3000. Notably, the writers and artists were all painfully aware of how this trope was being played in a setting where racism should've been eliminated, but were forced to portray Tyroc as such due to the Executive Meddling. When Paul Levitz brought Tyroc back in the late 2000s, he received some Character Development beyond his initial portrayal. | |
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On In Living Color!, you had Herman Simpson, or Homey D. Clown, who was put in prison for a couple of years via a Noodle Incident and had to work as a clown as a part of his release program. Every appearance he had had him going off on at least one tangent (usually in a song) about The Man. | |
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Bad News Brown basically hated everything and trusted no one. | |
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Mr. Grits from Sausage Party loathes crackers up to the point where he forces the crackers to have sex with him during the food orgy. | |
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Sgt Greer on Stargate Universe appears to be set up as a military version of this. Then subvert the hell out of that expectation to the point where he's one of the strongest, most capable, fair but strong-willed members of the entire team. | |
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[PROTOTYPE 2] has its protagonist James Heller, whose life was made a living hell due to the Blacklight virus. And the fact that he now infected with a special strain thanks to the first game's protagonist, Alex Mercer. | |
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Ultimate Galactus Trilogy: Captain America wants to detain Misty Knight for the incident with the Silver Wing. She replies: "Kiss my black butt, Captain Whitey." | |
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An early Teen Titans issue featured a teenage hero called Jericho (who is ANGRY BLACK! Robin) in a racial-issues themed issue. The executives didn't want controversy, so they prevented the story from being published, but many of Jericho's characteristics were later reused in Cyborg, and his name was recycled as Deathstroke's son. | |
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Mark Henry whenever he's a heel. Scary Black Man is always in effect as well. Joined the The Nation of Domination in 1998. Joined Thugging & Bugging Enterprises in 2003. His Monster Heel run of 2006. His Hall of Pain World Heavyweight Champion run in 2011-12, which saw him at his angriest and most aggressive, taking his 15 years of frustration on any and everyone. |
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Dancing Aztecs: Wylie Cheshire, a former NFL linebacker whose Establishing Character Moment is irritably calling a man to help him fix his punching bag because he just punched it off the wall, and reflecting that he was imaging his brother in-law's face on it. | |
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Troy McCann from Survival of the Fittest tends to drop into this from time to time. Notably, he intentionally made himself out this way in order to be more like the rap stars he idolizes. Bryant Carver of Spin-Off The Program also fits. It's actually pretty justified; the setting he's in is based entirely off of Deliberate Values Dissonance, which is basically a good example of Eagle Land type 2 with fairly extreme nationalist/xenophobic tendencies. So naturally he tends to distrust white people. |
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Originally, the formation of The New Day was under these circumstances. This was quickly dropped and only implied as they turned heel soon after their debut, with Kofi Kingston intimating they embrace positivity by clapping, or they snap. | |
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The Avengers: In the 1990s, Marvel introduced Rage, a superhero from the slums whose first appearance included him getting up in Captain America's face about why the Avengers (at the time) had no African-American members, as seen above. The relative immaturity of his arguments and social views was given a surprising explanation: at the time, Rage was actually only 13 years old; after being exposed to toxic waste, he developed a super-powered body that looked like it belonged to a grown man. Once they learned the truth, the Avengers booted him from their ranks citing that he was far too young to be an Avenger; he instead went on to join the New Warriors, Marvel's primary "teen supers team". After being in Comic-Book Limbo for quite a while, Rage returned in Captain America: Sam Wilson, now in his late teens and accordingly more reasonable and mature than before, if no less passionate about fighting against injustice and being a hero. | |
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Frank in Ocean's Eleven acts like this as a part of the heist: | |
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Abdul, the main character in The Kid. | |
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Don't Be a Menace to South Central While Drinking Your Juice in the Hood parodies this character complete with African robes and long-winded speeches to the others about how their behavior is just playing into "the man's" oppression of them. He excuses his own hypocrisy in exclusively dating white women by saying he's "sticking it to the white man, by sticking it to the white woman." | |
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Like the Oz example, Tacoma from Demo Reel is a slow-burning version. He eventually accepts being white-face because "you crackers had it coming", and tries his best to subvert the awful of Transformers when Donnie tells him to spoof it. But he's a Nice Guy too and opens up to both Donnie and Rebecca when they prove they're good people. | |
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Played with in Unbreakable Kimmy Schmidt. Titus is pudgy, middle-aged, and incredibly flamboyant, making him utterly unintimidating. But when he needs to get rid of a group of white teenagers, he simply shouts (apropos of nothing) "what'd you just call me?!". They immediately scatter in fear. | |
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One Blue Heelers episode focused on a female version, justified as she is introduced being harassed by a sexist racist and Tom took her from her family as part of the Australian government Indigenous relocation program, the Stolen Generation, some twenty-five years before. | |
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During the controversy surrounding the town flag in South Park, Chef became a mix of this and Malcolm Xerox. | |
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Song of Solomon by Toni Morrison has Guitar, a member of the group "Seven Days" dedicated to killing white people in revenge for black deaths. He is not depicted as very intelligent. | |
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Crooks from Of Mice & Men is a black stable hand who due to racial segregation must live in a separate bunk because the whites dislike him. Crooks tries to come off as being this trope, but when Curley offers to befriend him, Crooks is overjoyed to finally have some company but pretends to be angry about it. | |
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Purna of Dead Island is an Angry Black Woman. | |
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Code Monkeys has Black Steve, a ludicrously over-the-top parody of this trope, who is literally angry all the time — at white people, at his colleagues, and at inanimate objects. This trope is also balanced by giving Black Steve the most Hidden Depths out of all the other characters, usually just to play it for comedy against his stereotypical personality. |
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Cruising has a Big-Lipped Alligator Moment when, in the middle of an otherwise standard police interrogation, a gigantic African-American nab clad only in a jockstrap and a cowboy hat enters the room and slaps a suspect to the floor. | |
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Sergio in Get Him to the Greek. He's a likeable character. He gives Aaron a break—and Aldous Snow ends up abandoning him when Aaron sets up his own record company. | |
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On Family Guy, Peter (who has swallowed a cellphone) gets a call from Quagmire, bragging about how he had sex with a black woman. Everyone can hear, so Peter ends the conversation when a black couple walks by (a little surprised, but not upset or anything). Peter explains that he didn't want to offend them, in case the man was one of those angry black men. He wasn't, until Peter started with the whole Pretty Fly for a White Guy thing, thus offending him. Recurring character newscaster Ollie Williams. Though at times it's hard to tell if he's angry, or just has No Indoor Voice. |
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Hermann X (formerly Hermann Lincoln) in Bank Shot. An angry black man who joins The Caper in order to fund his campaign for mayor of Anaheim, he carries a gun everywhere and flourishes it at the slightest opportunity. Interestingly, he has no trouble working with a crew of white criminals (although he does lampshade the fact that he is the only minority on the team) and ex-FBI agent Victor doesn't seem to be able to open his mouth without setting Hermann off. | |
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Key & Peele parodied how US President Barack Obama sought to avert this trope by giving him an "anger translator" named Luther, who turned the famously polite and diplomatic Obama's public statements and let everybody know how he was really feeling about the political issues of the day. Later sketches revealed that Michelle and Malia Obama have their own anger translators, Michelle's being named Katendra. And in another one, so did Hillary Rodham Clinton, whose anger translator Savannah was portrayed as an Academic Alpha Bitch. Keegan-Michael Key later went to the 2015 White House Correspondents' Dinner to play Luther for the real Obama. And it was the real Obama who wound up going into this mode on the issue of Global Warming, to the point where even Luther eventually had to tell him to cool it. |
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Watermelon Man has Karmic Transformation victim Godfrey Cambridge wake up black and transition to this sort of character as he realizes just how rigged the system is. At the close of the film, he's actively training in martial arts with other black people so as to be able to defend himself. | |
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One episode of Penn & Teller: Bullshit! looked at reparations and how some African Americans and minorities were...um, angry at the real and perceived crimes committed against them and demanded money. But the show also had angry black men who were opposed to compensation because it comes across as, "I'm weak because of my race" up to and including an African proud of Confederate soldiers being men who had answered the call and served even if it was over slavery. | |
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Joe from Megalo Box. While whether or not he is black isn't especially clear, he's at least coded black — he sports a large, almost afro-like hairstyle, has darker skin than most of the characters, and is from a crime-infested ghetto fond of rap. He also hates authority and the Shirato corporation, especially Yukiko when he thinks she's taking pity on him. He grows out of it eventually, with his disdain for the Shirato corporation and Yukiko being dropped after a few episodes. | |
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Patriot from Young Avengers is not like this, but is assumed to be by his classmates in his solo one-shot, when he tries to give a report about how the first African-American superhero (his grandfather) was treated. (The point of the story is that you don't have to say My Country, Right or Wrong to be a patriot.) | |
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Sweet Sweetback's Baadasssss Song: Sweet Sweetback (a '70s name if ever there was one) is a black man raging against the system. The film was required viewing of the Black Panthers and kicked off Blaxploitation as a genre. | |
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Captain America: The Falcon was this when he was younger, but moved out of this trope as the '70s were left behind. | |
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