...it's like TV Tropes, but LINKED DATA!
Apocalypse Wow
- 758 statements
- 146 feature instances
- 141 referencing feature instances
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Okay, so they've spent the entire series talking about it, and it finally happens: The giant, crazy, blow-the-budget scene where they show the apocalypse. Or, y'know, they open the movie with it. Whatever. This can't just be a brief shot of a planet popping out of existence like bubblegum — the sound, fury and destruction should be as spectacular as it is complete and total. Disaster Porn if you will. In an academic sense, this trope has a wide variety of uses, from Ending Tropes to the Cold Open and everywhere in between. Equally capable of introducing a setting or establishing a character, it can be used to underscore how brutal a situation has become, or render an Eldritch Abomination Deader than Dead. Often an After the End scenario will have one as part of the flashback Backstory. When it comes right down to it, the only true constant between all the uses of this trope is the spectacular nature of the event itself. This trope is the visual, descriptive embodiment of The End of the World as We Know It.note For when "Take Our Word for It" just isn't good enough. Said event will usually be on the Apocalypse How scale, but not always. Often invokes the Distant Reaction Shot, since that's the cleanest way to show something of this magnitude. If it's a recording in-story by a firsthand observer, it doubles as an Apocalyptic Log. See also Apocalyptic Montage, Earth-Shattering Poster. Compare Storyboarding the Apocalypse, which uses a (generally hypothetical) description (with or without Spreading Disaster Map Graphic) of an apocalyptic event to create dramatic tension. Contrast Scenery Gorn, which has a rather specific narrative use. If the audience is Just Here for Godzilla, this is usually what they've come to see. There are, of course, some very serious spoilers detailed below. |
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| Apocalypse Wow / int_1133352a | type |
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Terminator: The nuclear holocaust that Skynet unleashes. Both Terminator 2: Judgment Day (inside Sarah's dream) and Terminator 3: Rise of the Machines (for real at the end) show it in great detail. | |
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In the final episode of Puella Magi Madoka Magica, Madoka's wish causes one of these in the process of rewriting the universe multiple times - with Homura watching the whole thing. | |
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2012's use of this was parodied even before it came out. The main characters say "Hey, come look at this!" often during the film just to show off the effects: LA crumbling and sliding into the sea, Hawaii, the Crack in Las Vegas, the tsunami coming over the... oh heck. It's two hours of Scenery Gorn. (The movie seems well aware of its purpose as such and dashes through the pseudo-explanation and character introduction with efficient haste to get to the show.) | |
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Mobile Suit Gundam Seed Destiny has the infamous Break The World incident. After the previous episode was spent fighting a rogue faction of Omnicidal Maniac ZAFT soldiers, most of the cast gets a prime view of the fragments of Junius 7 carpet-bombing Earth with each impact producing a fireball visible from orbit. All the while Lacus is singing this to calm down a group of children on the verge of panic from their underground shelter being shaken up by the impacts' seismic shockwaves. It's pretty obvious where the writers got the idea for this scene... | |
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Might and Magic VI features an optional case — at the end of the game, you are tasked with destroying a reactor. If you do this but fail to take certain steps you were instructed to follow afterwards, you get to visit a cinematic showing first several explosions rocking the building the reactor was in, and then the scene shifts to a view of the planet, zooming out until you see the planet and its moon. Then the planet explodes, with the shockwave obliterating the moon. | |
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Ender's Game showcases precisely what Dr. Device did to the bugger homeworld. | |
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The Halloween broadcast of The War of the Worlds should be mentioned. An hour long description of Humongous Mecha from another planet destroying everything in their path. Bonus points for making people actually believe it was happening. | |
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The Talos Principle: On finishing the game, the simulation is deleted, which is depicted as everything disintegrating and falling apart. Road to Gehenna shows the same event from the perspective of one still inside, if you choose to stay behind. | |
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Death's End includes an antagonistic alien race which literally flattens the Solar System with a weapon that folds a dimension away into the quantum level, turning it 2D. This is described in horrifically intimate detail for several pages. | |
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The opening sequence of Primal Rage shows the Earth being struck by a meteor, triggering the cataclysm that reduces humanity to a primitive state and frees the god-like dinosaurs that rule the planet in the new After the End setting. | |
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An alternate universe episode of Star Trek: Enterprise shows the Xindi super weapon kabooming Earth. | |
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The aftermath of Operation Oyster Bay in the Honor Harrington series is described in substantial detail, despite being "only" a set of class 0 events. | |
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The 1980s TV films The Day After and Threads were made specifically to scare the world straight about the threat of nuclear war. Increasing the fear factor for audiences is how both films are set in smaller, lesser-known cities of the US and UK (Kansas City and Sheffield, respectively), showing that nowhere is truly safe, and that the characters are ordinary people just trying to survive. The Day After was originally going to have a more graphic nuclear holocaust scene, but this didn't get past the ABC censors. | |
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SR388 in Metroid Fusion; the Biological Research Laboratory space station plummets into the plant and self-destructs, wiping out both in a titanic Earth-Shattering Kaboom. | |
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The final track of The Mechanisms' Rock Opera The Bifrost Incident, appropriately titled "Terminus", depicts the delayed arrival of Yog-Sothoth to the Yggdrasil system. It's not a song, so much as a series of distress calls that overlap and build to a cresendo before cutting out. | |
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Given, it doesn't last particularly long, but the sound of the Earth exploding in The Hitchhiker's Guide to the Galaxy (1978) is absolutely perfect. | |
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Darksiders opens with the Biblical Apocalypse. Angels, Demons, the whole shebang. You get to run around and kill things (briefly). | |
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V for Vendetta ends with the exact event the plot's been building towards: The destruction of British Parliament. It might not even count as a Class-Zero, but dang was it well done. | |
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It wasn't permanent, but late in Fullmetal Alchemist Father succeeded in turning the souls of everyone in Amestris into a giant Philosopher's Stone (including shots of dying Winry, Gracia, and Elicia, among many others), turned himself into a giant Living Shadow covered in eyes, ripped open the door to Truth, ate it, then turned into a younger version of Hohenheim. | |
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The aptly named "End of the World" stage in Sonic the Hedgehog (2006). You see some really trippy colors while playing the level as it slowly gets more and more screwed up. Orbs appear as it gets more intense, and then there is a purple glaze that goes over the levels you are playing, until it is a very dark green all over. Somehow, statues with eagles on them can reverse this effect temporarily. It's intense, but for all the wrong reasons. Accompanied with very echoey music which is incredible. | |
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In Cerberon, the complete destruction of Loethess and everything around it is described in detail from multiple perspectives, from a mage in the center of the city paralyzed with Oh, Crap!, to a family nearby hoping they'll survive, to a distant overview by a pair of people being carried away by a flying dragon. | |
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Though the actual Shattering is not described, the vivid imagery of huge fragments of landscape tumbling through the Void in The Shattered World makes it clear that the titular world's breaking must have been an Apocalypse Wow. The collision between two fragments in the sequel, The Burning Realm, gives an ominous preview of the surviving fragments' impending doom. | |
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One episode of Captain Planet and the Planeteers ("Planeteers Under Glass") has the Planeteers and a female scientist (Dr. Derek) enter a virtual planet where pollution is sickening the planet in centuries (sped up in minutes), starting from societal disruption up to planetary devastation and species extinction. But then Dr. Blight traps them all in the rapidly wasting virtual planet, bringing the Apocalypse Class up to total extinction and closer to physical annihilation before destroying them all (not even Captain Planet can save them)... or so Blight thinks. Fortunately, the team of Planeteers have a backup spot before they vanish so they can return safely to stop Blight. | |
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Dragon Ball: Episode of Bardock ends with Frieza destroying the planet Vegeta and marveling at the destruction he caused. The same event is depicted in Cooler's Revenge from Cooler's perspective and in Broly – The Legendary Super Saiyan from Paragus's perspective, and is the opening scene to the first episode of Dragon Ball Z Kai. In Broly - The Legendary Super Saiyan planet New Vegeta is destroyed by the Comet Camouri with the heroes escaping in the nick of time. Dragon Ball Z's Frieza Saga had Frieza blowing up Namek, only for it to have a 5 minute delay (and a much longer one episode-wise). This is the only time that the destruction of a planet is not instantaneous in the series. Dragon Ball Z: Resurrection 'F' basically repeats this sequence with Freeza destroying the earth after it's absolutely clear that Vegeta has beaten him. Unlike on Planet Namek, he doesn't drag things out, but the ensuing destruction is still quite spectacular, as we see the ground cracking beneath the heroes' feet, volcanoes starting to erupt everywhere, and a good 30-second CGI shot from outer space. Luckily, Whis and Goku were able to undo and prevent this. In Dragon Ball Super, Beerus says that no matter how many times he does it, he never gets tired of destroying planets. Though this sounds callous, destroying planets is literally his job. |
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In Don't Escape: 4 Days to Survive, the moon has been shattered, causing various deadly phenomena, and will culminate in the moon crashing into the Earth in 4 days, destroying everything left. The protagonist's party's only option for survival is reaching a space station on the moon, built by the same people who caused the apocalypse, to access technology that will transfer their consciousness to an alternate universe before that happens. The protagonist has a nice view of the moon falling to Earth as everything starts tearing apart. | |
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The Weaver Option: The finale of the raid on Commorragh is a spectacular cascading destruction. Entire sub-realms and settlements of the Webway are consumed by explosions, which in turn cause the connected gates to detonate and set off more explosions in the next realm. Chains binding suns break and they return to full size, consuming all surroundings, while daemons and the crystallized power of the Emperor clash. All of this leads up to the Will of Eternity, infused with the Emperor's power, exploding and consuming the entire Dark City in planet-sized explosions. | |
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The Beast Planet, would EAT planets several times through the duration of Shadow Raiders. First, a giant metal hatch on the Beast Planet would open and a truly massive claw would come out. That claw would then reach out and grab the planet to be eaten, then pull the planet back inside the Beast Planet, before the hatch would close. | |
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Dragon Ball Z: Resurrection 'F' basically repeats this sequence with Freeza destroying the earth after it's absolutely clear that Vegeta has beaten him. Unlike on Planet Namek, he doesn't drag things out, but the ensuing destruction is still quite spectacular, as we see the ground cracking beneath the heroes' feet, volcanoes starting to erupt everywhere, and a good 30-second CGI shot from outer space. Luckily, Whis and Goku were able to undo and prevent this. | |
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HeartCatch Pretty Cure!, a usually happy-go-lucky magical girl series, has one. When the true Big Bad, Dune, arrives, he promptly curbstomps the heroines, kidnaps the lead's grandmother, regains his full power and turns Earth into a massive desert, the only survivors being the main heroines and the people whom they purified from being monsters. | |
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SCP Foundation has the "Competitive Eschatology" series of tales. Essentially, the pantheons of every human culture (and many non-human ones) are all trying to end the world in their own ways. Also, SCP-1288's dimension heard about our 2012 Mayan Apocalypse and decided they should get in on that. The "Wow" factor is from the giant Mayan pyramids (apparently nuclear power plants) at the center of every major city. |
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Halo: Reach: The later levels have a Watching Troy Burn feel, as you travel around Reach that is being further and further destroyed by the Covenant. The level "New Alexandria" has you fly around the city as the Covenant burn it around you. It is simultaneously visually amazing and absolutely heartbreaking. | |
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The Long Utopia ends with the complete destruction of an alternate Earth (Earth West 1,217,756 to be precise), described in minute details, as it is observed by Lobsang who downloaded himself to an orbiting satellite. | |
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This is how Neon Genesis Evangelion ended. End Of Evangelion ended this way; episodes 25 and 26 just implied it. Maybe. Rebuild of Evangelion 2.0 had a much more spectacular (read: less Squick and Mind Screw) version but it was interrupted by Kaworu doing the Villainous Rescue in the after-credits scene. Rebuild 3.33 went even further than 2.22, to the point where EVA-13 becomes a Physical God and really makes the apocalypse look like it's well worth the risk. |
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In Super Metroid, after defeating the Mother Brain and successfully making it back to your ship, the camera zooms out, showing massive cracks in the surface of the planet Zebes, which are apparently even visible from high orbit, before the planet is reduced to space debris. There is a secret sidequest at the end where the last surviving natives of Zebes escape with just moments to spare. | |
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Rogue One goes the other direction, showing the Death Star's first two "test shots". At single-reactor power, these are "merely" strong enough to vaporize entire cities and launch chunks of planetary crust into orbit. | |
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The asteroid colliding with Earth and breaking it into pieces in Remnants, near the end of the first book. | |
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The World Is Full Of Monsters Now starts with the apocalypse. When the main character wakes up, some unknown event has flooded Earth with fantasy staple monsters, goblins, orcs, etc. Vehicles are completely trashed by said monsters. Power and running water no longer work. To top everything off, law and order has completely fallen apart and anarchy rules the land. | |
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Final Fantasy XIV: Near the end of the original, pre-A Realm Reborn version of the game, one of the antagonists, Nael Van Darnus, sent one of the moons on a collision course with the planet. As the moon reached closer and closer, it began to break apart until... this happened. The kicker? That cutscene was the last thing any player of the game saw before the servers were cut until the release of A Realm Reborn, three years later. So in a way, Bahamut's rampage completely destroyed the entire first world of Final Fantasy XIV. The end of Shadowbringers has you witness firsthand the destruction that befell the world that came before The Source and its shards. A terrible sound came from within the Star, with no known explanation of what it was. The native inhabitants of this world were driven mad by their fear of what could be causing it, and this, in turn, caused their natural ability of Creating Life to spiral out of control, causing them to unwillingly manifest the very monsters that would tear their world apart. It's made especially tragic in that you get to meet and interact with shades of this world's original inhabitants, and they are all nothing but pleasant and friendly to you and your companions. As you make your way to the Final Boss you are completely unable to stop any of the destruction going on or save any of the innocents you see dying around you. |
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Supergirl (2015) starts with Krypton exploding right after the House of El launches Kal and Kara into space. | |
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Star Trek (2009) has the mightily impressive destruction of Vulcan, not before (well... actually, yes, before...) the destruction of Romulus in a super nova, which sparks off the whole chain of events. | |
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Knights of the Old Republic: The glassing of Taris near the beginning of the game is a good minute of cutscenes showing a Beam Spam of turbolaser fire blowing up buildings and turning the sky red as the Ebon Hawk takes off. And keeping with tradition, Star Wars: The Old Republic has the Devastator's use on the formerly-fertile world of Uphrades in the Jedi Knight storyline. It also invokes it again with the "former" Sith Emperor exterminating all life on Ziost in Rise of the Emperor. |
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Deep Impact: The meteor impact, which causes a huge tsunami that floods the U.S. eastern seaboard as far as the Appalachian Mountains. | |
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Battlestar Galactica: The series starts with one in both the original and the reimagining. Galactica 1980 starts with a computer simulation of one, and goes downhill from there. In the post-reimagined series Made-for-TV Movie The Plan, we see the series' opening Apocalypse How from the point of view of The Cylons. Massive simultaneous orbital nuclear carpet bombing of all 12 colonies. |
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Superman: The Animated Series, of course, begins with the destruction of Krypton, but with a rather impressive presentation and rochestral musical score to match. As we see it deteriorate, it starts with the populace panicing and the destruction of infrastructure, moving on to planetquakes and tectonic fissures, escalating into surface explosions on par with nuclear detonations with the entire outer portion of the planet becoming molten, until finally the entire planet explodes into oblivion. | |
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The last remaining normal human broadcasts the earth essentially being vapourized at the end of Childhood's End. | |
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The third act of The Talon of Horus opens with the nascent Legion completely annihilating the Canticle City by the way of throwing a kilometers-long ship at it from orbit. Khayon takes his sweet time observing it and notes, among other things, that the entire city is engulfed in a miles-tall layer of dust and smoke and that the entire continent shakes. | |
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The Songs of Distant Earth had its doomed planetbound inhabitants set up cameras to record images of the end of the Earth for the posterity of those stargoing vessels which just managed to escape its final destruction. Mike Oldfield's album The Songs of Distant Earth which is meant as an accompaniment to that novel has a music track that chronicles the Earth's destruction. The ship that features in the novel, Magellan, was the last ship to leave the solar system. Its primary mission (before going on to set up a new colony) had been to operate as the relay station for all the cameras, probes, sensors and other telemetry, forwarding the data collected on to the rest of civilisation. [Insert video clip of the Giza Pyramids melting.] | |
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The ending cutscene (one of only two not rendered using the game's engine) in Assassin's Creed: Revelations shows exactly how the First Civilization was destroyed. There's a Kick the Dog moment with a terrified mother clutching her child as an explosion slowly engulfs them. After this, the hologram simply mentions that out of two civilizations (humans and the First People), only about 10,000 individuals survived after only a few days of the catastrophe. | |
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Halo: Hunters in the Dark starts with a family fleeing their home world as the Covenant arrive to glass it. Luther Mann, four years old, is amazed by the power of the Covenant vessels and whispers "Pretty". His mother flips out and hits him. As anyone who has played the games can tell you, the Covenant plasma fire is hauntingly beautiful. And deadly. | |
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Subverted in The Hitchhiker's Guide to the Galaxy (2005). the Vogon constructor fleet has surrounded the Earth and are about to demolish it. You expect a spectacular explosion, but the Earth just disappears in a pathetically small puff of smoke. | |
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The Farscape Grand Finale "The Peacekeeper Wars, Part 2" has John Crichton finally demonstrate the full destructive power of a wormhole weapon, summoning into existence an expanding black hole that destroys a planet depopulated by Scarran death squads and gradually eats the warring Scarran and Peacekeeper fleets. John threatens to allow the black hole to devour everyone present, himself included, unless the Scarrans and Peacekeepers agree to sign a peace treaty. | |
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Stargate SG-1 The episode "A Matter of Time" starts with one of a pair of binary stars collapsing into a black hole, while SG-10 desperately scrambles to reach the Stargate in slow-motion... at least, that's how it appears because of the massive time-dilation. Carter later invokes when she comments they can actually witness spaghettification and the planet being torn appear by the black hole, earning her a rebuke from O'Neill who reminds her that she's talking about watching good men die horribly, in extreme slow-motion. This pales in comparison to some of the Season Finale episodes. The writers often didn't know if the series would be picked back up for another season and would blow the entire SFX budget. Extreme examples are the season 6 finale destruction of Abydos by Anubis' super weapon, and the famous season 4 Sam Carter triggered super nova which decimated Apophis' fleet. |
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Goodbye Volcano High: Starting from the end of episode 5 and throughout the rest of the game, the asteroid's proximity to the planet as it gets closer causes its electromagnetic field to trigger a permanent aurora borealis in the sky, which triggers global Apocalypse Anarchy. Fang admits they like looking at it despite knowing they shouldn't, and later laments how much it sucks that the end of the world is so beautiful. At the finale of episode 8, the aurora's colors intensify and fluctuate on the final day during the concert, making it look like a light show. | |
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In Danganronpa: Trigger Happy Havoc, it is later revealed that The Most Despair-Inducing Event in the History of Mankind happened, converting most of the world into a wasteland, prior to the events of the game. | |
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Halo quite a few, almost always involving the Covenant. The War Is Hell opening montage of Halo Wars includes shots of vessels glassing the planet Harvest. Halo: Reach: The later levels have a Watching Troy Burn feel, as you travel around Reach that is being further and further destroyed by the Covenant. The level "New Alexandria" has you fly around the city as the Covenant burn it around you. It is simultaneously visually amazing and absolutely heartbreaking. Halo 4 set on the shield world Requiem. One level is set in an inner level of the planet (in or near the core), and ends with you racing out of it as collapses around. You can't stay to take the (very impressive) destruction in though, or you'll be caught in it. |
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In Mass Effect 3, you are right in the middle of the action when huge swarms of Kaiju-sized Eldritch Abominations descend on planets and start to rip them apart while swarms of Cyborg Zombies pour through the streets. | |
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The Day After Tomorrow spends a lot of time showing us the destruction of downtown LA by a super tornado and New York getting flooded by a monster tsunami wave, followed by New York's entire cityscape getting completely frozen over after it's been buried in snow on top of the frozen floodwaters. | |
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The Transformers: The Movie: Unicron, while on-camera, graphically and messily devours a small planet, a moon, and rips into a larger planet with his bare hands. It's kind of like The Worf Effect, but with a planet... | |
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In Footfall (the publisher took a look at a partial draft, and suggested they do a book just on this event, which is Lucifer's Hammer) it included the aliens, after being driven off Earth once, dropping an asteroid in the Indian Ocean to soften up resistance before trying again. | |
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And keeping with tradition, Star Wars: The Old Republic has the Devastator's use on the formerly-fertile world of Uphrades in the Jedi Knight storyline. It also invokes it again with the "former" Sith Emperor exterminating all life on Ziost in Rise of the Emperor. | |
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Freespace 2 ends with the Sathanas Fleet causing Capella to go supernova. | |
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Star Trek: Star Trek II: The Wrath of Khan: Inverted at the end, only to be played straight in III. Both times with the same planet (Genesis). Star Trek (2009) has the mightily impressive destruction of Vulcan, not before (well... actually, yes, before...) the destruction of Romulus in a super nova, which sparks off the whole chain of events. |
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Know No Fear, of Horus Heresy, spends nearly thirty pages to describe the opening attack on Calth. Ship speeding near c crashes into orbital installations, half of the waiting fleet is annihilated, two or three city-sized vessels hit the planet, the impact causes earthquakes and tsunamis and that's just the beginning. Highlights include: "It starts raining main battle tanks." and "For a brief moment, Calth has no nightside." | |
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That is All goes through every day of 2012 as it deals with Ragnorak via the awakening of the 700 Ancient and Unspeakable Ones. All the oceans are flooded by a giant sentient pool of blood. All the dogs gather together and eat most of humanity, while the animatronic presidents finish off any remnants. Finally, all the Iron in the world magnetizes, burrowing into the Earth, cutting it in two. | |
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Final Fantasy IX Kuja destroys the entire world of Terra at the end of the third disk. This makes him one of the few FF villains to actually succeed in destroying a world. | |
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In Final Fantasy VI, after Kefka destroys the balance of the Warring Triad, the world is torn asunder. This is depicted as the land shaking, shifting, mountains rising and chasms opening, all while helpless people run for their lives. Then the view changes to a distant view of the planet, covered in hundreds of explosions... and all of a sudden, to drive the point home that everything has changed, a chain of explosions travels across the planet and splits the continents apart. | |
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The sequel has this as one of the optional endings. Lose the final battle on purpose to see it. | |
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Kurohime: The end of the world is this plus Mind Screw. The Gateway to Hell opens and drowns almost the entire world under an ocean of corrosive blood. Skeletons and dead souls are running rampant eating people, trees are dying and to cap it all off, the Head God is eating the sun. The final chapter ups this by having The Heroine slice the ENTIRE WORLD (and the Big Bad) in half using an enormous Laser Blade. |
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Armageddon (1998) features the destruction of Paris by asteroid impact in one of the more impressive scenes of the movie. | |
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Space Siege opens with the Kerak devastating Earth and eliminating nearly the entire evacuation fleet. | |
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A New Hope: The obliteration of Alderaan, showcasing just how powerful the Death Star's superlaser is. The scene was especially spectacular, as Star Wars may be the first film to actually show an entire planet exploding in this manner. | |
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The end of the final episode of Walking with Dinosaurs. | |
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Dollhouse deconstructs its premise to this conclusion: after a season of ridiculously, incredibly Misapplied Phlebotinum, the Season One finale skipped forward 10 years and revealed that the Dollhouse's technology would destroy civilization if used just a little bit more creatively. | |
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Dungeon Crawler Carl is all about aliens watching the last few humans struggle through an eighteen-level dungeon assembled from what's left of Earth. It's a fantastically popular and profitable show — so long as you're in the audience instead of being one of the poor sods in the dungeon. | |
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Even people who say that Pixels is terrible agree that scenes of pixellated destruction are amazing. Even more so in the short film, as there the apocalypse goes on undisturbed rather than being stopped. | |
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This is the meat of the book Death from the Skies by the astronomer Phil Plait. It deals with the different ways everything may end in Real Life, from the effect of asteroid impacts to the death of the entire Universe and everything between and each chapter opening with a description of one of those events not sparing details at all. note See Death World for an example | |
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In Dragon Ball Super, Beerus says that no matter how many times he does it, he never gets tired of destroying planets. Though this sounds callous, destroying planets is literally his job. | |
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Star Trek II: The Wrath of Khan: Inverted at the end, only to be played straight in III. Both times with the same planet (Genesis). | |
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Bokurano shows an Earth being consumed by an exploding sun, followed by every star in its universe blinking out of existence. | |
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Lars Von Trier's Melancholia does it twice. At the start of the movie, the titular planet engulfs Earth while classical music plays. The movie also ends this way, but now we see the collision on a human scale from the Earths' surface. | |
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Command & Conquer: Tiberian Sun: The ending of the Nod campaign has Kane teleporting off the world while his Apocalypse missile starts, then launch its capsules and finally unleashes the Tiberium bomb that sets Earth's atmosphere ablaze and turns everything into pure Tiberium. | |
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The ending of Mother 3, which features lingering shots of all of the places you've visited crumbling away to nothing. Though the "The End?" screen shows that at least the people somehow managed to survive. | |
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Although on a smaller scale, the anime adaptation of Fate/Zero shows the destruction wrought by the Grail, overlaid by Ilya recounting her prophetic dream for extra creepiness. | |
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The Last Great Time War: Happens several times, most notably at the end when the War Doctor uses the Moment to obliterate all combatants and civilizations fighting in the Time War. | |
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Futurama, in "The Late Philip J. Fry": The one-way time machine goes so far into the future that Fry, the Professor, and Bender watch a time-lapse of the end of the universe, complete with stars exploding like fireworks and receding into the distance, while drinking beer and generally treating the events as a spectacle. | |
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Origin: Spirits of the Past has a gorgeous opening in which the world gets peppered with very explosive Tree Dragons leaving the moon in pieces and the Earth within a Class 1/2 state of affairs. | |
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Despite the subversion of the film adaptation, The Hitchhiker's Guide to the Galaxy Trilogy plays it straight: | |
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Independence Day revels in the wholesale destruction of the populated centres of the world by alien forces. Love of this trope must be the reason that a movie which features the destruction of the White House is shown on American television every year on the Fourth of July. | |
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Krypton's apocalypse takes up the opening 20 minutes of Man of Steel | |
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This happens in the 1933 classic When Worlds Collide, in the kind of spectacular fashion that you'd probably have guessed from the title. The 1951 film adaptation did the best it could with this, but the upcoming remake certainly should provide more of the disaster porn as described in the book, to say the least. | |
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Final Fantasy: In Final Fantasy VI, after Kefka destroys the balance of the Warring Triad, the world is torn asunder. This is depicted as the land shaking, shifting, mountains rising and chasms opening, all while helpless people run for their lives. Then the view changes to a distant view of the planet, covered in hundreds of explosions... and all of a sudden, to drive the point home that everything has changed, a chain of explosions travels across the planet and splits the continents apart. Final Fantasy IX Kuja destroys the entire world of Terra at the end of the third disk. This makes him one of the few FF villains to actually succeed in destroying a world. Final Fantasy X has (Sin) do this regularly. The fun comes when the rest of the world fights back. It was taken up to eleven at the conclusion of the game, when Sin was shown punching holes in continents, leaving trails of explosions visible from space, and releasing gravity magic that made the moon visibly shudder... The sequel has this as one of the optional endings. Lose the final battle on purpose to see it. In Final Fantasy XII: Revenant Wings, though hardly apocalyptic, we get treated to a rare fully animated scene when Bahamut first appears, just in time to show it shattering an entire floating continent, crumbling it almost to nothing. Final Fantasy XIV: Near the end of the original, pre-A Realm Reborn version of the game, one of the antagonists, Nael Van Darnus, sent one of the moons on a collision course with the planet. As the moon reached closer and closer, it began to break apart until... this happened. The kicker? That cutscene was the last thing any player of the game saw before the servers were cut until the release of A Realm Reborn, three years later. So in a way, Bahamut's rampage completely destroyed the entire first world of Final Fantasy XIV. The end of Shadowbringers has you witness firsthand the destruction that befell the world that came before The Source and its shards. A terrible sound came from within the Star, with no known explanation of what it was. The native inhabitants of this world were driven mad by their fear of what could be causing it, and this, in turn, caused their natural ability of Creating Life to spiral out of control, causing them to unwillingly manifest the very monsters that would tear their world apart. It's made especially tragic in that you get to meet and interact with shades of this world's original inhabitants, and they are all nothing but pleasant and friendly to you and your companions. As you make your way to the Final Boss you are completely unable to stop any of the destruction going on or save any of the innocents you see dying around you. |
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A lot of the more destructive cards in Magic: The Gathering show the spectacle of what's going on, especially the "Wrath effects". Most versions of Wrath of God, Damnation, All Is Dust, Day of Judgment, Planar Cleansing and Supreme Verdict are all good examples. | |
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The Unicron Trilogy version does it a bit differently: he generates sort of a suction that causes a planet to be torn apart as it's pulled toward him. By the time it reaches him, the planet is in chunks small enough to be pulled inside the (relatively) small circle on his body. Ouch.◊ | |
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Rebuild of Evangelion 2.0 had a much more spectacular (read: less Squick and Mind Screw) version but it was interrupted by Kaworu doing the Villainous Rescue in the after-credits scene. | |
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Your Name: A comet central to the story fragmenting results in an entire small town's destruction, but that same comet has a long technicolor tail and its fragments gets a smaller version of that tail, resulting in the sky becoming a beautiful sight while the whole thing is happening. | |
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The Force Awakens one-ups ANH with the destruction of the Republic's capital worlds in the Hosnian system. In addition to showing the destruction of every planet in the system simultaneously, it avoids A Million Is a Statistic by actually showing the terrified faces of the citizenry as the blast approaches. | |
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The destruction of Krypton also featured prominently into the beginning of Superman: The Movie. | |
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Unsurprising for a series in which regular starship weapons can wipe a city off the map with a few shots, bombs exist that can consume an entire planet in a slowly but steadily spreading unstoppable nuclear firestorm, and even stars get blown up once in a while, Perry Rhodan has been known to indulge in this in what over time amounts to a fair few issues. | |
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Hermitcraft Season 8 ended with a professionally-made animation of the moon crashing into the planet, featuring close-ups on some of the series' beautiful builds being torn apart by gravity and smashed by moon rocks. | |
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Also happens in Smile PreCure!, where the Big Bad succeeds in rendering the world into a wasteland... and when that wasn't enough to drive the girls into a Despair Event Horizon, promptly smashes a large chunk out of the planet for good measure. | |
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Digital Devil Saga features two of these: In the first game, the Junkyard disintegrates into green data, starting from the edges. Before it reaches them, the gates to Nirvana at the top of the Karma Temple explode and everything is engulfed in a golden light. In the second game, the Sun downloads the Earth. That is depicted as the Earth slowly dissolving into - golden this time - data and being absorbed in a manner eerily similar to that of a black hole. It doesn't help that the sun is black. |
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Warhammer 40,000 is the setting that gave us Exterminatus, so when it gets adapted in a visual medium expect to see major fireworks. Fire Warrior features a spectacular orbital bombardment for its ending, but was one-upped by Dawn of War II: Retribution, where the sudden death of a world serves as a potent Wham Episode. | |
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Final Space: Season 1, Chapter 9 treat us to some terribly beautiful and somber shots from Earth as the planet's cities, atmosphere and crust are being torn apart by the Final Space breach's gravity overwhelming Earth's own, whilst this piece of soundtrack is playing. | |
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Shows up in the end of the pilot episode of SGU, and again about halfway through the 19th episode, where both the Icarus-type planets capable of dialing Destiny, end up suffering an Earth-Shattering Kaboom as a result. | |
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Chrono Trigger Losing to Lavos will "treat" you to a scene where you see the world getting fried by Lavos's explosive fury. The most iconic scene is watching the viewscreen in the dome fill up with red dots that each represent a big crater, driving the point home that the world is now FUBAR. The Fall of Zeal is also a pretty destructive scene in its own too. |
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Quantum Devil Saga: Avatar Tuner features the destruction of the Junkyard - which to the characters was their entire world. At first absolutely everything, including the impossibly tall Karma Tower is covered by the black ooze. Then, the ooze vanishes in an instant, leaving everything perfectly clean, and the whole Junkyard disintegrates in a gold light. | |
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Final Fantasy X has (Sin) do this regularly. The fun comes when the rest of the world fights back. It was taken up to eleven at the conclusion of the game, when Sin was shown punching holes in continents, leaving trails of explosions visible from space, and releasing gravity magic that made the moon visibly shudder... The sequel has this as one of the optional endings. Lose the final battle on purpose to see it. |
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In Sands of Destruction, Kyrie's destructive powers are shown twice in all their sand-inducing glory. | |
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The Mitchells vs. the Machines: This happens midway when PAL's army of robots captures all humans on Earth except the Mitchells and imprisons them in environmentally-sealed pods (with free WiFi). The ultimate plan is to pool them into a giant spaceship and shoot everyone off into outer space. | |
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The whole last volume, and especially the last few chapters, of the original Mistborn trilogy is a spectacular example, complete with volcanic particulate winter, the planets being moved in their orbits (by warring gods), and the entire surface of the world being scourged by fire as it is moved too close to the sun, while the surviving humans shelter in underground bunkers. And that's in a world that was a postapocalyptic wasteland from the very start of the series. It ends with an inversion, though: a World-Healing Wave. | |
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Call of Duty 4: Modern Warfare: The end of the mission "Shock and Awe" which comes complete with satellite images of the nuclear detonation that kills your character and most of his unit. A striking point...the people who made the game showed us part of how you would die if you were within about 3 miles of ground zero and not vaped in the blast. Yes folks, expect your death to include barfing your organs out in your last moments on earth to the sound of radioactive wind blowing away the last of your Organ of Corti, that is, the organ that does the actual hearing in your ears. Things get even worse (or better, in way of trope examples) in the sequel. We see the US East Coast being invaded by the Russians, Washington, D.C. in ruins, and an EMP occurring over the city wiping out all forms of electronics on the US East Coast! |
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Michael Crichton's Jurassic Park features this at the end. Where the fictional Costa Rican Air Force destroys Isla Nublar with Napalm. | |
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Shin Megami Tensei III: Nocturne.The planet turned inside-out and all but five people on the planet were wiped out and replaced with demons before you enter a single battle. Six if you count Hijiri. But he was Dead All Along, so not really. Seven if you count Dante, since he's only half-demon. | |
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In Lucifer's Hammer, Niven and Pournelle detail the end of the world with beautiful descriptions. The meteor leaves behind a fiery rainbow trail that blinds anyone who looks at it. The resulting multiple-impacts cause earthquakes and giant tsunamis all around the earth, flooding entire mountain ranges. | |
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Superman films: The start of Superman Returns shows the destruction of Krypton. The destruction of Krypton also featured prominently into the beginning of Superman: The Movie. Krypton's apocalypse takes up the opening 20 minutes of Man of Steel |
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In Final Fantasy XII: Revenant Wings, though hardly apocalyptic, we get treated to a rare fully animated scene when Bahamut first appears, just in time to show it shattering an entire floating continent, crumbling it almost to nothing. | |
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The series starts with one in both the original and the reimagining. | |
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In the post-reimagined series Made-for-TV Movie The Plan, we see the series' opening Apocalypse How from the point of view of The Cylons. Massive simultaneous orbital nuclear carpet bombing of all 12 colonies. | |
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Halo 4 set on the shield world Requiem. One level is set in an inner level of the planet (in or near the core), and ends with you racing out of it as collapses around. You can't stay to take the (very impressive) destruction in though, or you'll be caught in it. | |
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The opening of Meteos, involving a number of planets getting obliterated in seconds. | |
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This is how AKIRA started... and ended (the movie at least). Same with the manga (although the ending was under very different circumstances)... except that the manga has yet another Apocalypse about halfway through. All three have the same cause though (namely Akira). |
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The start of Superman Returns shows the destruction of Krypton. | |
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The end of The Chronicles of Narnia is described in detail at the end of The Last Battle — which, by no coincidence, heavily draws upon the biblical apocalypse. | |
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Galactica 1980 starts with a computer simulation of one, and goes downhill from there. | |
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Gender Confusion: The end of humanity, and possibly the rest of the world, is described in excruciating detail. | |
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One of Godzilla's themes is him being nuclear apocalypse in the form of a giant creature. Just look at Honolulu and San Francisco in the wake of the monster. This also ties into Gareth Edwards' "delayed gratification" approach to showing the monsters; Godzilla and the MUTOs don't fill the screen as often as the CGI stars of other summer blockbusters do, but the aftermath of their rampages can still be used to imply their recent presence. In fact, that's the major indicator of their presence. | |
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Surrogates ends in a way with this, as all the surrogates just shut down, and as a result, cars start crashing en masse into buildings and each other, with all the destruction drawn out (though it is Bloodless Carnage since the surrogates are not human. | |
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In the original PlanetSide, the Bending that caused the breakup of Oshur continent into 4 islands and scattered the rest of Auraxis across the cosmos culminated in a massive meteor storm across the planet as an unknown voice initiated the "bend sequence". When the game shut down after 13 years, the world ended in a cross-empire party around Ishundar's 'stonehedge' as meteors rained down and the ground shook as the shut down timer approached. | |
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Dino Attack RPG's alternate ending, December 21, 2010, is fully dedicated to showing off this trope in all its horrifying glory. | |
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Pretty Cure: HeartCatch Pretty Cure!, a usually happy-go-lucky magical girl series, has one. When the true Big Bad, Dune, arrives, he promptly curbstomps the heroines, kidnaps the lead's grandmother, regains his full power and turns Earth into a massive desert, the only survivors being the main heroines and the people whom they purified from being monsters. Also happens in Smile PreCure!, where the Big Bad succeeds in rendering the world into a wasteland... and when that wasn't enough to drive the girls into a Despair Event Horizon, promptly smashes a large chunk out of the planet for good measure. |
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NieR opens up with an intro beginning shortly after the apocalypse hit, with the hero scraping by to support himself and his daughter, fighting off monsters in the process. The game then skips forward thousands of years after the apocalypse, with humanity now struggling to scrape by. | |
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The Lensman series provides a few examples as the trope namer to the Lensman Arms Race. Spaceships capable of depopulating or destroying a planet on their own are already present in the first book, and by the end of the sixth we've had the "nutcracker" (hitting a planet from opposite sides with two other planets) and doing similar but with a planet made of antimatter, and end up with firing planets travelling faster than light by launching them from a parallel universe, not only giving them insane levels of destructive power but also making them impossible to detect or counter in any way. | |
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The final chapter of Elfen Lied has 10 or so pages dedicated to Lucy initiating The End of the World as We Know It while simultaneously repairing Kouta's gunshot wound. While singing. For comparison, 2 or so chapters are the destruction of the research facility, ending with it being annihilated from below. Why so short? Because that's how long it lasted. | |
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The Ciaphas Cain novel Caves of Ice ends with the detonation of a gigaton range Fuel Air Explosive. It completely obliterates the sole settlement on the planet, and the shockwaves are felt by ships in low orbit. | |
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Knowing: The ending. As the plasma burst from the sun slowly blowtorches Earth it is all shown in incredible detail. | |
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Dragon Ball Z's Frieza Saga had Frieza blowing up Namek, only for it to have a 5 minute delay (and a much longer one episode-wise). This is the only time that the destruction of a planet is not instantaneous in the series. | |
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Metroid: In Super Metroid, after defeating the Mother Brain and successfully making it back to your ship, the camera zooms out, showing massive cracks in the surface of the planet Zebes, which are apparently even visible from high orbit, before the planet is reduced to space debris. There is a secret sidequest at the end where the last surviving natives of Zebes escape with just moments to spare. SR388 in Metroid Fusion; the Biological Research Laboratory space station plummets into the plant and self-destructs, wiping out both in a titanic Earth-Shattering Kaboom. Phaaze in Metroid Prime 3: Corruption, with added drama with the Galactic Federation fleet trying to escape in time. Subverted in Metroid Prime 2: Echoes with the destruction of Dark Aether, we only get a space view of the half-visible Dark Aether fading from Aether. |
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Destroy the Godmodder: Destroy the Godmodder 2 ends with an illustrated version of this. To summarize, not only is Minecraftia's Moon destroyed and its fragments are sent on a collision course to Minecraftia while the Sun itself turns a crimson red in Trial 6, and Earth itself is destroyed by crashing its Moon into it in the End of Act 4, but the universes that those planets are located in are destroyed through the power of the Conflict. | |
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X-Men: Apocalypse: During the film, Apocalypse uses his power to tear apart and reshape Cairo into a giant pyramid lair, and he has Magneto use his powers over the Earth's magnetic field to begin leveling every city on the planet. | |
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Titan A.E.: The desperate evacuation and subsequent Earth-Shattering Kaboom at the beginning. One shuttle is disintegrated by the force of the destruction, and the moon is shattered as it bombarded with continent sized shrapnel. The rest of the movie deals with making a new one. Inverted at the end of the movie. Not particularly important if it was scientifically inaccurate; it was freakin' cool, and you know it. | |
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The slow apocalypse in Seveneves is described in detail. It gets especially spectacular around the A+2 year point where the larger rocks start dropping (and there are still earthbound POVs to show it). | |
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Moon Girl and Devil Dinosaur (2023): In episode 6, the Beyonder performs his erasure of Earth and humanity like he's conducting an orchestra. People and objects levitate as structures crumble, gradually glitching out of existence. However, he restores everything back to normal, revealing he wasn't gonna do it because Eduardo's science fair project (which he made the determining factor of humanity’s fate) impressed him. | |
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Transformers: The Transformers: The Movie: Unicron, while on-camera, graphically and messily devours a small planet, a moon, and rips into a larger planet with his bare hands. It's kind of like The Worf Effect, but with a planet... The Unicron Trilogy version does it a bit differently: he generates sort of a suction that causes a planet to be torn apart as it's pulled toward him. By the time it reaches him, the planet is in chunks small enough to be pulled inside the (relatively) small circle on his body. Ouch.◊ |
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Episode of Bardock ends with Frieza destroying the planet Vegeta and marveling at the destruction he caused. The same event is depicted in Cooler's Revenge from Cooler's perspective and in Broly – The Legendary Super Saiyan from Paragus's perspective, and is the opening scene to the first episode of Dragon Ball Z Kai. | |
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Crysis 3 opens up with a vision Prophet has about the Ceph forces arriving at Earth, with him being unable to do anything but watch as it is destroyed. Towards the end of the game, the very same thing happens and you can even watch the Ceph freeze the planet if you do not succeed in stopping them in time. | |
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Phaaze in Metroid Prime 3: Corruption, with added drama with the Galactic Federation fleet trying to escape in time. Subverted in Metroid Prime 2: Echoes with the destruction of Dark Aether, we only get a space view of the half-visible Dark Aether fading from Aether. | |
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