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Buses Are for Freaks
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How does an author demonstrate that their character is too poor for "proper" transportation such as planes, trains, or automobiles? They take the bus (or some other form of public transportation). Thanks to declining transit ridership in the 1960s and '70s, the public perceptions of customers changed dramatically from when it was popular post-The Great Depression, leading to this trope. No longer was the typical transit rider likely to be your socially-equal neighbor; it was the weirdo who lost his eyesight in a shootout or the bum who is too lazy to get a job and become a "proper" member of American society. The popular image of The City during the late 20th century also contributed to how bus transportation was viewed; as cities tend to attract a disproportionate amount of people who stray from what society perceives as normal, and as transit ridership is highest in large cities, buses began to be perceived as full of "not normal" people. A common variation on this trope is "leaving to make their fortune in the wide world", either by becoming a star or joining the military. It usually highlights the character getting on the bus as a wide-eyed naif who has no idea what the real world is like. If the medium is lighthearted, the naif will meet all the weirdos on the bus, and make friends or at least see them in as optimistic a light as possible. If the medium is more serious (or even Darker and Edgier), the naif will sit uneasily beside the oddballs or try to pretend they're not off-putting and unnerving. This trope's prominence varies on demographic. Since the early 2000s, bus ridership, as well as the image of bus transportation, has increased positively. Compounding factors such as reinvestment in service, a newly-found focus on environmentalism, Millennials postponing getting their drivers license, as well as an aging baby boomer population reluctant to drive, have all contributed to increasing ridership. To some extent even intercity bus travel has shed its prior image; legacy operators like Greyhound as well as new entrants such as Megabus compete on factors such as internet availability and express routes that don't stop in every farming village with three people. Furthermore, this trope tends to be downplayed or outright nonexistent in fiction originating from outside the United States; public transportation is usually seen in a much better light in other nations, thanks to city planning that generally disfavors private transportation such as cars, making public transportation more optimal. This trope applies only if the character or surrounding transit ridership is portrayed as removed from the norm. A bus full of clean, professionally dressed office workers doesn't count for this trope. See Subways Suck and Plane Awful Flight for similar tropes about other forms of transportation. Examples |
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In Bloodsucking Fiends, Jody ends up on a bus shortly after her vampiric transformation, and this trope is in full force, exemplified by the flasher. | |
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It's Always Sunny in Philadelphia. After Mac and Charlie wreck her car, Dee is reduced to riding the bus. The driver is rude, it's cramped, and she can't get off because it's so crowded. When she tries to talk to another passenger to get him to move out of her way, he just vomits on himself and doesn't even move. 11 seasons later, she decides to take the bus again, this time in an attempt to be eco-friendly. In an impressive feat of casting, she runs into the same passenger. |
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The Simpsons tends to make fun of public transporation. There's Homer Simpson's refusal to ride the bus because they tend to be full of, in his view, "jerks and lesbians". Ironically, because of this, Marge is able to find him easier in "El Viage de Mysterioso de Nuestro Jomer". Then there's "Lost Our Lisa", where Lisa gets lost after attempting to travel to a museum by bus because it went a different route and she was forced to get off in an unknown place by the Jerkass bus driver. | |
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In the Broad City episode "Destination: Wedding", the main characters board a bus to Connecticut filled with highly shady folks, one of whom proceeds to upset a tray of full of fish on Abbi. | |
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On All My Children, fed up with her father not letting her see her mother, then-8-year old Bianca Montgomery runs away from home and hops a cross country bus that takes her from Seattle to Pine Valley. Her mother Erica is aghast that "my daughter rode across the country on a bus!" It seems elitist of her, but considering the length of the trip, Bianca's young age, and the fact that she was indeed harassed by a creep throughout the trip, her outrage is completely understandable. | |
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Harry Potter: The one time Harry takes The Knight Bus, it's full of odd and colorful characters (including the driver). The Film of the Book takes this idea and runs with it. Mundungus Fletcher, who was pretty much unsavory as a career choice, rode it on the regular. | |
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The Doctor Who Magazine comic strip story "Bus Stop" has a nameless bus passenger initially thinking that the Tenth Doctor is a random lunatic sat next to him, until alien mayhem erupts. | |
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Rocko's Modern Life: In "Commuted Sentence", when Rocko's car gets impounded, he has to rely on public transportation to get to work. He first tries a cab, but he can't afford it. Next he tries the bus, but unfortunately, he has to sleep next to a drooling sleeping rider who leans on him. When Rocko becomes agitated by this, he pulls the cord for the next stop. | |
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In the film Adventures in Babysitting: Chris' friend Brenda has run away from home, and is waiting for Chris at the bus station to pick her up. While Chris and the kids are getting into dangerous and zany hijinks, Brenda is having her own misfortunate adventures at the gross and creepy bus station. | |
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In Star Trek IV: The Voyage Home, Kirk and Spock are riding a San Francisco bus with a mohawked punk with a boom box. When Kirk asks if the punk will turn it down, the punk flips him the bird, and cranks the volume up even louder. Spock does the logical thing and Vulcan neck-pinches the guy, turns the boombox off, and the rest of the riders applaud. | |
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Everybody Loves Raymond. Invoked in "Big Shots," where Ray says he doesn't want to drive four hours with Robert because his feet smell, but when Marie suggests taking a bus, Ray retorts, "A bus? That's a smelly feet convention!" | |
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In Unseen Academicals, the Night Bus to Sto Lat has passengers who can't afford the fancy stagecoach, described as "the sort of people who'd brought their own dinner in a paper bag". This being Discworld, however, they're portrayed positively. | |
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Emily the Strange: The Lost Days: Earwig thinks so, at least those who ride the Red Rabbit bus, in particular Sofronia Peabody Chucklebottom. | |
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At one point in their Sisyphean quest to reach the airport and flee the country, the bank-robber protagonists in Quick Change are forced into riding a city bus full of oddballs, along with a Lawful Stupid driver. | |
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Arthur. Invoked in "Lost!", where Buster and Francine fear for Arthur when they learn he's taking a city bus down town to the public pool for his swimming lessons - Buster heard of a bus who picked up a passenger and never made anymore stops before blasting off into outer space, while Francine heard of a kid who was never allowed off the bus for not having enough fare. Arthur becomes understandably nervous when he finally boards the bus, and is a little uncomfortable to see every single one of the other passengers are adults preoccupied with reading the paper. | |
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Phineas and Ferb: Case in point, Dr. Doofenshmirtz: (singing) "Yes! I'm just a guy who's a sucker for the sounds of mass transit!" | |
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In Attack of the Clones, after two close attempts to kill Senator Amidala on Coruscant she decides to retreat to her home world of Naboo. However, instead of a gleaming royal yacht, she and Jedi Skywalker take the Star Wars equivalent of a Greyhound shuttle, arriving on Naboo with other morose plebes. | |
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The Onion "30 Miserable Lives Lost in Greyhound Bus Crash" "Man With Serious Mental Illness Committed To City Bus" |
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David from Keep the Change (2017) is reluctant to take the bus because the homeless people creep him out. When he finally boards the bus towards the end to talk to Sarah, it's a sign that he's starting to overcome his hatred of weirdness. | |
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Scarlet Hollow opens with a bizarre conversation with a stranger on a bus. In short order, he confesses to making a hobby of pushing pedestrians into a lake, dating one of said pedestrians, getting her pregnant, and then states that he has strongly considered killing her. Then he reveals that she's currently in labor but he's considering just ditching her to go to New York City. Even better, he's based on a real person the developers met on a bus. | |
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The Sure Thing: After Gib gets into the shared-ride car and finds Allison, she says "I knew I should have taken the bus", and he says "What, and get stuck sitting next to some sleaze bag?" Sure enough, when they do go to a bus station, there are dirty homeless people sleeping on the benches. | |
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The Craft has this exchange as the four girls get off a public bus at the beach to go do a ritual: | |
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Rabbit Is Rich: Nelson and his friend Melanie hitchhiked most of the way from Colorado to Harry's home in suburban Pennsylvania. When Harry tells his son that he could have taken the bus, Nelson says "Buses are boring, Dad, and full of creeps." | |
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In Speed, passenger Annie Potts has to take the wheel of her bus after the driver is shot. Among the characters onboard are those people who don't own cars in Los Angeles: Hector Ortiz (a mechanic), Stephens (a tourist wanting to see the city), and a trigger-happy gang-banger. Annie has to keep the bus at 50mph or it will explode. Oh, the reason Annie was on the bus? She lost her license for habitual speeding. As a subversion to this trope, the passengers become Fire-Forged Friends from working to outsmart the ransom-terrorist Howard Payne. | |
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In the Doctor Who serial "Ghost Light", the Doctor's list of things he hates includes cruelty, tyranny, unrequited love, ... and bus stations: "Terrible places full of lost luggage and lost souls." | |
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His song "Another One Rides the Bus" (a parody of the Queen song "Another One Bites the Dust") portrays the bus as being smelly and crowded, and makes mentions of bums, perverts and freaks riding it. | |
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The In Betweeners has the titular insufferable immature jerks letting it go to their collective head when they finally get access to a car. Driving down the street, they cannot resist leaning out of the car windows and jeering at people waiting for the bus. Unfortunately, shortly after yelling "BUS WANKERS!" at people in the queue, they can go no further before being caught in standing traffic. A rather large man who had been in the bus queue strolls unhurriedly down the street to point out he isn't greatly impressed. | |
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How I Met Your Mother: When Lily is recounting how great her summer in San Francisco was, she says that even just riding the bus was like "a human tapestry" and viewers get flashbacks to all the interesting people she met on the bus. The episode later shows the truth... that all of those "interesting people" was a single insane man with multiple personalities. It's mentioned in a different episode that there's always at least one crazy person on the bus at any given time. If you can't figure out who it is, it's you. |
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Planes, Trains and Automobiles. Neal and Del have to resort to Greyhound after their train breaks down. A couple in the adjacent row makes out passionately, with the woman reaching across the center aisle to Neal. Intercity bus travel fits in with the eccentric nature of Del, but is contrary to the conservative character of Neal. | |
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Gravity Falls: Dipper and Mabel arrive by bus to visit Grunkle Stan. But when he tries to send them home in part one of the first season finale, he sends them by bus because it's all he can afford, having lost the Mystery Shack to Gideon's evil machinations. To emphasize the grossness of the bus, Mabel tries to cheer up Dipper by playing a game of identifying the stains under the bus seats. | |
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