...it's like TV Tropes, but LINKED DATA!
Careful with That Axe
- 528 statements
- 79 feature instances
- 263 referencing feature instances
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So you just got a brand new CD from your favorite band. You put in your stereo, lie down, and relax — HOLY CRAP, SOMEONE BROKE INTO THE STUDIO AND CHOPPED THE SINGER'S LEGS OFF! Not literally, of course, but it sounds an awful lot like it. While some artists scream constantly, others will use unexpected bloodcurdling cries and screams to convey fear, pain, and madness, or just to freak listeners out. Sister trope to Metal Scream. See also Scatting. Named for Pink Floyd's "Careful with That Axe, Eugene", which features Roger Waters (pictured) screaming his lungs out as if in serious pain. |
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Dream Theater have this on a few occasions, notably LaBrie's ultra-high F# at the climax of "Learning to Live" and "TRAPPED IN-SIDE THIS OC-TA-VAR-I-'UUUUUUUUUUUUUUUUUUUUM!'" He's also hit a high A5 on a few live songs. Before damaging his vocal cords in the mid-nineties, LaBrie was even worse better with this live. The Live at the Marquee version of "The Killing Hand" is practically made of high-pitched screaming. |
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The Binding of Isaac: Repentance has the penultimate boss' theme, Living in the Light, and its "lyrics", which consist of ludicrously hammy fire and brimstone preachers quoting Bible verses. Even among those, however, there is one verse that stands out with its volume spike and sheer rawness. | |
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Chris Barnes lets out a few on Tomb of the Mutilated. He uses them sparingly, and it's very noticeable because it contrasts with his demonically low growl. With Six Feet Under, his screams became an extremely high-pitched screech, making it even more startling. | |
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Shane MacGowan of The Pogues often inserts shrieks into the more energetic songs of the band. | |
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Alt-Rockers Alien Ant Farm, while tackling Michael Jackson's Smooth Criminal. Comes in full volume with a very loud, high-pitched scream that almost comes off like it was put there on purpose just to make listeners jump. | |
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Horrible Histories's William Wallace song. The Luddite song gets pretty screamy too, especially on "ANAR-CHIIIIISTS!" And in the (not so screamy) Viking song "Literally", the guitar literally is an axe... | |
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Mike Patton of Faith No More and Mr. Bungle does this every other song, a particularly frightening example being the ending of 'Cuckoo For Caca'....Jesus! 'YOU CAN'T KILL IIIITT!!! YOU CAN'T KILL IIIITT!!!' From "Caffeine", this pearl: 'I'M WARNING YOU, I'M WARNING YOU, I'M FUCKING YOU, I'M WARNING YOU' Also from his project Tomahawk the song Malocchio starts out with Patton screaming 'CHEW IT!! CHEW IT!! CHEW IT TO SPIT IT OUT!!'. Fantômas' cover of the Twin Peaks: Fire Walk With Me theme is sort of an interesting case because it contains a scream that's not actually performed by Mike Patton at all: It's a sample from the final episode of the TV series, which is scarier if you've seen the episode in question. The end of the bridge to Mr. Bungle's "Goodbye Sober Day" has one section in which Patton, unaccompanied, screams "CHAK! CHAK CHAK CHAK CHAKA CHAKA CHAKA CHAKA CHAKA CHAKA CHAK CHAK CHAK!" If you've never heard the song before, and it comes on while you're asleep, be prepared to wake up in terror. Many of his live performances are also full of him doing this. With how high his voice can get, it becomes absolutely jarring at times. |
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Fantômas' cover of the Twin Peaks: Fire Walk With Me theme is sort of an interesting case because it contains a scream that's not actually performed by Mike Patton at all: It's a sample from the final episode of the TV series, which is scarier if you've seen the episode in question. | |
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And there's that segment of "Peacebone". Which, in the video, is shown to be provided by a woman's Gigerian inner mouth! | |
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Abbey Road features I Want You (She's So Heavy), on which John screams so loudly that it damages the tape itself, and you can hear the feedback caused by his voice. | |
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Chris Cornell did this every chance he got. A great case is the beginning of the Soundgarden song "New Damage". | |
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Geddy Lee of Rush did this on occasion in their '70s work. "YEAH! OOOHHHH YEAAAH" From "Finding My Way", "wonders in the world they WROOOOOUUUUUUUUUUGGGHHT!" from "Anthem", and, perhaps most significantly, "every nerve is ... TOOORN APAAAAAAAAART" from "Cygnus X-1", to name a few. | |
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"∞" from the album 666 by Aphrodite's Child consists of Irene Pappas shouting the words "I was, I am, I am to come" again and again, louder every time | |
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The beginning of Beck's "Lord Only Knows" off Odelay - for all of ten seconds, before the country-blues style song actually starts... Likewise at the end of the happily loping "Sissyneck" that ends with a wailing shriek under wild percussion. The end of "Canceled Check", a country-ish ditty, has shouting obscured by lots of percussion, random banging on a piano, and laser gun-ish sounds; the subtlety of the screaming actually makes it more disturbing. This may come across as someone's name being yelled at the top of their lungs. The ending of "Minus" tinkers with a scream, pitch-shifting it and such. |
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Taking Back Sunday. "Ghost Man On Third", "The Blue Channel", and "Sink Into Me", to name a couple. A few more include John's scream in "Cute Without The E (Cut From the Team)" , Fred's scream-chanting in "A Decade Under The Influence" ("I GOT IT BAD! I GOT IT BAAAAAD!!!"), and Adam's scream in "I'll Let You Live" that actually made him unable to speak for days. |
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The Replacements turn this into a prank on the listener on Don’t Tell a Soul (and the remix, Dead Man’s Pop). The ballad “They’re Blind� wafts you away on an “ooh-ooh� fade-out… then “Anywhere’s Better Than Here� opens with “YAAAAAHHHH!!!� | |
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Eric Adams of Manowar is infamous for this: I AM AN OUTCAST ON THE PATH OF NO RETURN PUNISHER AND SWORDSMAN I WAS BORN TO BURN BLACK WIND ALWAYS FOLLOWS WHERE MY BLACK HORSE RIDES FIRE'S IN MY SOUL STEEL IS ON MY SIDE!!! BURNING EMBERS OF THE SECOND DEATH THAT BURNS IN THE NIGHT Around the 7:54 mark: SOUND THE CHARGE INTO GLORY RIDE OVER THE TOP OF A VANQUISHED PRIDE |
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The album version of The Alarm's "Sixty Eight Guns" ends its extended quiet passage with Mike Peters screaming "I'm breaking UUUUUUP!!!". | |
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Most of the vocals on Lifelover's third album Konkurs are a blend of weird whispering and passionate speaking/shouting, which makes the demented scream that opens the song "Mental Central Dialog" so surprising. | |
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"Tired of Sex" by Weezer has Rivers Cuomo let out two loud and painful cries halfway through the track. | |
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Brett Eldredge lets out a yowl halfway through "Somethin' I'm Good At". According to a Billboard article, this was a Throw It In! moment due to him losing count of the beat. | |
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Suicide's "Frankie Teardrop" is probably the most disturbing example of this. | |
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John Frusciante's song "Omission" has gentle-sounding vocals shared by him and Josh Klinghoffer. Right at the end, Josh's soft voice abruptly turns into a distressed scream. | |
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Axl Rose of Guns N' Roses is well known for his screams, but the scream right before the solo of "Oh My God" is MONSTROUS in how raw and bloodcurdling it is. | |
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Nomeansno's song "Stop It" begins with a disturbing, distorted scream. | |
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Katatonia has a bit of this in their early Death-Doom Metal material. | |
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Their album The Downward Spiral ran absolutely rampant with this trope, with special note going to "Eraser"note near the end, Trent Reznor screams "KILL ME" over and over until it bleeds into the music and the Title Tracknote even while muffled, Reznor's screaming is so loud, it almost drowns out the Machine entirely; then again, the song is depicting a suicide (attempt) of the protagonist. | |
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Arthur Von Nagel (of the band Cormorant) delivers some truly blood-curdling screams at the end of the song "Two Brothers". | |
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In This Moment has Maria sounding like she's going insane in almost every song. | |
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The notorious middle section of Ryuuguu Rena's Image Song, Egao Happy Peace: "USO DAAAA!" Even more frightening is Shmion's "Futari no Birthday": cue the random, bloodcurdling "IYAAAAA!!" and desperate pleas not to be killed with the upbeat, cheerful music still going on in the background... fun. |
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"The Great Gig in the Sky" combines this with One-Woman Wail, in which guest vocalist Clare Torry randomly switches between soulful wordless singing and brief spurts of frantic shrieking. The use of her screaming in "Speak to Me" is possibly an even better example. It's all fairly creepy with the cash register noises and Peter Watts' creepy laugh when suddenly you hear "AAAAAAHHH! AAAAAAHHHHHH! AHHHHHH!" which leads you loudly and theatrically into "Breathe". |
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Something Broke's ending combines this with Last Note Nightmare. "HELP ME CHASE AWAY MY FEARS-" | |
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The breakdown of "TV Eye" from Fun House (Album) by The Stooges. | |
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Long by Chevelle has a few screams, including a surprising one halfway through and a 12 second long one at the end. | |
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Thursday's Geoff Rickly does nothing if not utilize this trope. | |
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Jack Off Jill based their whole career around this trope. Not helped by the fact that Jessicka sounds like a six-year-old child at times, which makes it even more disturbing when she suddenly starts screaming at the top of her lungs. "Angels Fuck Devils Kiss" made it into Touch Me, I'm Sick: the 52 creepiest love songs you've ever heard by Tom Reynolds specifically for this reason. "Witch Hunt" is probably one of the most terrifying examples on this page. Scarling., her second band, have "Black Horse Riding Star", where you may find the most powerful "fuck you" that her angelical voice can muster. It's so powerful that you don't even see it coming, and you may end up screaming it along with her. |
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Lostprophets' song "We Are Godzilla, You Are Japan" is almost entirely sung in this style. | |
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Twenty One Pilots, when Tyler's not rapping or singing, gives off a couple of these. See "Car Radio" and "The Run and Go". This also occurs at the final chorus of the song, "Ride". “...so I’m taking my TIIIIIIIIIIIIIIIIME!!!!� |
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Disturbed: The child abuse segment in "Down with the Sickness" is quite easily the most violently screamy 40 seconds in the band's discography (their later work relies more on clean, traditional metal belting). And yet, the hardest scream they have comes from "Conflict" during the last 30 seconds: |
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'The End' from The Doors probably counts as well. "Mother... I WANT TO... WAHHHHHHH, ALL NIGHT LONG!!! COME ON, BABY!!!!!" | |
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Finch abuses this trope, namely on their sophomore album Say Hello to Sunshine. Nate's screams are usually punctuated by sharp inhalation. | |
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Passenger of Shit loves this trope to death and is not afraid to use it several times per recording. In some circles, he is considered the best example. | |
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Cedric was especially good at this in At the Drive-In. | |
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The godawful shrieking on "Scentless Apprentice" from In Utero, truly bloodcurdling. | |
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Several Jun Togawa songs, most notably "Punk Mushi no Onna", a self-cover where she screams for almost the entire song. Her original song "Punk Mushi no Onna" is almost unrecogniseable in comparison. | |
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The intro\chorus of "Immigrant Song" by Led Zeppelin is simply "Aaa-aaaaaa-aaa-aaa!" twice. | |
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Drunk Walk Home by Mitski ends with multiple drawn-out screams sounding underneath the instruments. | |
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A mild example in Skid Row's "I Remember You." It's a crushy love song, but in the middle, Sebastian Bach shrieks "Oh my darlin' I LOOOOOOOVVVE YOOOOOU!" It's as if someone lit him on fire and let him run around the studio for a bit before they got the fire extinguisher. | |
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Bassist Ellen Wong and drummer Mila de la Garza from The Linda Lindas scream out the chorus in "Racist, Sexist Boy" | |
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Also in "Jurassic Park", "Cavity Search", and "Nature Trail to Hell". | |
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Slayer's vocalist Tom Araya had this moment at the beginning of "Angel of Death". Frankly, Araya is MADE of screams. Check out the beginning of "Evil Has No Boundaries", as well as "Kill Again", "Crypts of Eternity", the end of "Necrophobic"... |
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Stratovarius have quite a few examples, though more melodic than most. Timo Tolkki did this impressively on Dreamspace - that high-pitched noise you hear in the track "Thin Ice"? It's not a violin. It's Tolkki screaming. There are also examples in "Shattered" and the title track, among others. | |
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The Who's "Won't Get Fooled Again" and "Love Reign Over Me" (the latter being the most melodic use possible of this trope) The famous "Won't Get Fooled Again" scream has become quite familiar to people online thanks to CSI: Miami. You might say it was *dons shades* a roaring success. note YEAHHHHHHHHHHHHHHHHHHHHHHHHHHH!! |
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Cannibal Corpse - "Blood-Drenched Execution", "Devoured by Vermin", "Blunt Force Castration". And many more. Chris Barnes lets out a few on Tomb of the Mutilated. He uses them sparingly, and it's very noticeable because it contrasts with his demonically low growl. With Six Feet Under, his screams became an extremely high-pitched screech, making it even more startling. |
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Elvis Costello is far better known for his songwriting than for his screaming, but he's let loose with some unexpectedly bloodcurdling screams on a number of songs throughout his long career, sometimes screaming sections of lyrics (the ending of "Beaten To The Punch"), sometimes...not (the wordless screeches during the uptempo sections that bookend "Man Out Of Time"). | |
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Anaal Nathrakh. No examples, since they could call themselves, "Careful With That Axe: The Band" if they wanted to. | |
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The Plasmatics: Wendy O. Williams could shriek like no other. During the tour to promote "Coup d' Etat" she pushed her vocals so hard she had to follow treatment to avoid permanent damage to her vocal cords. | |
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Harry Potter and the Goblet of Fire has "Do The Hippogriff" by the Weird Sisters (Fake Band turned superband - the singer is Pulp's Jarvis Cocker) - it doesn't appear in the movie, but the soundtrack version linked there starts with a 6-second scream (and must be a shocker, considering it follows 21 instrumental tracks). | |
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Naked City (as well as bandleader John Zorn’s other grindcore band Painkiller) in general employs this with just about any song with vocals. | |
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He did it again in "Albuquerque". Granted, at that point in the song he's being attacked by weasels... | |
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Karl Sanders of Nile is primarily known for his extremely low and guttural vocals (to the point where if the bass guitar is too loud, the two pitches are competing to be heard over each other), but when he wants to, he can let out some quite creepy screams. Notable examples are the breakdown in "Cast Down the Heretic," where he screams the song title along with the rest of the band, as well as some truly unnerving high and distant-sounding screams during the bridge of "Masturbating The War God." | |
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In Slipknot's song "Scissors" Corey Taylor sings quietly for some time until he blurts out with loud roars and screams. At the end of the song, he sounds as if he's about to vomit, which is quite unsettling... During live performances he has actually been known to vomit from the strain of singing so gutturally. |
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In the song "In Your Honor", by the Foo Fighters, near the end of the song - after what seemed to be the ending -, during the bridge, Dave Grohl lets out a long, bloodcurdling scream, for no apparent reason. "White Limo" similarly has one after a Fake-Out Fade-Out... but at least the "for no apparent reason" applies less given the song is one of the most yelled in their catalog. "Enough Space" builds up from quiet to yelling during the verses and the chorus. The solo ends with a full-throated scream, followed by him shouting the chorus again, and then making a sound like his pants are on fire and he's trying to put them out and sing at the same time. |
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The Cure's "Subway Song" combines this with Last Note Nightmare. | |
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NIN made the song Burn for the Natural Born Killers soundtrack, but it became a staple for a while. Toward the end of the song, the vocals are replaced with prolonged screams of agony, akin to what you'd expect from someone who was lit on fire. | |
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Matt from The 1975 is a tenor, so this is expected naturally. That being said, their first album's most chilling (and saddening) moment comes from his epic scream on "Robbers": "Now everybody's DEEEEEEEEAAAAAAAAD!!" | |
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Another example is "Don't Leave Me Now," which makes sense in context because the enraged scream at the end predicts the events of the next track on the album. | |
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Many of The Pop Group's songs feature blood-curdling screams from Mark Stewart, usually right at the beginning: "We Are All Prostitutes", "Blind Faith", "Citizen Zombie", "St. Outrageous"... | |
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Also from his project Tomahawk the song Malocchio starts out with Patton screaming 'CHEW IT!! CHEW IT!! CHEW IT TO SPIT IT OUT!!'. | |
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Rob Kersey of Psychostick is quite the fan of this, to the point that usage of it is the first thing that comes out of his mouth when the actual music starts. | |
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XXXTentacion was known for screaming in his songs, but "Gnarly Bastard" in particular is a song full of this trope, paired with Madness Mantra. | |
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The 13-second scream in Iron Maiden's "Number of the Beast" from The Number of the Beast is unexpected not only by the listeners but wasn't a part of the original song. It was caused by Bruce Dickinson's frustration over the number of takes, and the producers decided to Throw It In!. Apparently, he has never been able to reproduce it in subsequent performances. | |
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From Dota 2, Bane rarely does a metal scream when he buys a Blink Dagger. | |
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Yoko Ono's One-Woman Wail, which can be heard on Unfinished Music No. 1: Two Virgins and side 1 of Unfinished Music No. 2: Life with the Lions. | |
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Iced Earth's first singer Gene Adam, most notably on their titular song Iced Earth, with his elongated yell of "The desolate onnnnnnnnnnnne", which reduces many fans into hysterics. It's said that he was fired from the band because he refused to take singing seriously. | |
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Metalcore fathers Converge live off this trope by way of their vocalist Jacob Bannon. This is considered one of their softer outputs. | |
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"The Great Southern Trendkill" (the song) by Pantera opens with a scream by Seth Putnam of grindcore band Anal Cunt. This is usually pretty unexpected. It could count for both the song and the album itself since the song is the opening track of the album. | |
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"Stein um Stein" by Rammstein. The shriek of "STEIN!!!" as the instruments suddenly stop perfectly suits the lyrics. To clarify: the song is about building a wall/house around somebody. The full last line is "Und keiner hört dich schreien" (And no one will hear you scream). |
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Trevor Phipps of Unearth is fond enough of this that it's rare for one of their songs to pass without at least one blood-curdling scream, and sometimes he just does entire songs this way. | |
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