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Cavalry Officer

 Cavalry Officer
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 Cavalry Officer
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Cavalry Officer
 Cavalry Officer
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CavalryOfficer
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The Cavalry Officer is the leader of a group of mounted soldiers. Although by no means restricted to the genre, he appears especially as a stock character in Western fiction. Given the ridiculously huge nature of the American west, cavalry forces were the workhorses of military forces trying to control the frontier. The Cavalry Officer is typically a professional soldier but may also be represented by anyone in control of mounted civilian or paramilitary forces (such as Texas Rangers, for example).
However, as cavalry forces have operated in one form or another all over the world throughout history, the trope of the Cavalry Officer extends beyond the use in the Western. The role of the Cavalry Officer implies a certain amount of macho swagger and hubris. They are authoritative and demanding, and contemptuous of people of lesser social station. Even if the officer is in command of an infantry unit, if he is riding a horse while his men are hoofing it, he still counts as a Cavalry Officer. On the positive side, a Cool Horse is a Loyal Animal Companion giving the rider plenty of Pet the Dog moments, and a cavalry charge looks so cool even if often it is Hollywood Tactics . And a Cavalry Officer will have more varied adventures roaming about in no mans land then an infantryman standing in formation. If the Cavalry Officer is a good guy, the negative traits may be played down or diminish over the course of the story. Depending on the setting, the Cavalry Officer is usually of noble birth, or at least very wealthy, and is characteristically arrogant and aristocratic. Expect to see them carrying a Suave Sabre in order to demonstrate finesse or class as they fight.
This is partly because it usually was more expensive to serve in the cavalry than in other arms of service because they wore more glamorous dress and had to pay for their own horses — and as a cavalryman you generally could expect to lose at least one or two horses in the course of a campaign. Add to this a tendency of cavalry officers to look upon themselves as a continuation of of the knights of old in more modern times, and you see why in many films set in historic wars a Cavalry Officer tends to be more strict in the appliance of military rituals and codes of honour — when you have a duel scene, there is often a cavalry officer involved — and also more likely to indulge in a spendthrift "aristocratic" lifestyle including gambling, womanizing, racing and various eccentricities to a larger extent than officers of other services. In this context it is worth recalling that both the positive "chivalrous" and the negative "cavalier" are derived from a French root meaning "horseman".
Being a cavalry officer also required very specialized skills and a readiness to take (calculated) risks. To be successful, cavalry usually had to charge, and thus the stereotype of cavalry officers favouring Attack! Attack! Attack! and Zerg Rush tactics, also when put in command of infantry, emerged. Conversely, cavalry standing in one place within the range of enemy artillery or infantry fire often meant having to take losses without being able to inflict some on the enemy, so a sensible officer would take his men out of range, which could lead others to charge the cavalry with not having the stomach for a real fight and waging a war of their own divorced from the real one. Thus in the first half of the The American Civil War, a popular dig among the soldiers of the Army of the Potomac was the question: "Who ever saw a dead cavalryman?" To be fair there were plenty of dead cavalrymen, but unfortunately their most important work took place in skirmishes and recon missions far from the main army where no infantry could see their "deadness".
If the Cavalry Officer is one of the good guys, you can expect him to be leading The Cavalry as they come riding in to save the day! In this case, he is often a Supporting Leader. Cavalry Officers have a notoriously poor grasp of time, because they will always manage to arrive at the last possible moment.
If the Cavalry Officer is a bad guy, he will inevitably slaughter some innocents and spark a Roaring Rampage of Revenge. This will often lead to the hero seeking Disproportionate Retribution because It's Personal. If the villainous Cavalry Officer targets a group of Native Americans, it is guaranteed to lead to Genocide Backfire.
In some ways the Cavalry Officer survived the death of cavalry as an important force on the battlefield, and that his heritage continued in the age of industrialized warfare. For instance, once World War I became dominated by trench warfare, quite a number of cavalry officers joined the nascent air service to become fighter pilots, the most famous one being former uhlan officer Manfred Freiherr von Richthofen, the Red Baron. This probably helped contribute to air combat acquiring its "chivalric" image. Later on, many British cavalry regiments were re-equipped with tanks instead of horses, but cavalry traditions and modes of thinking persisted. British military historian Corelli Barnett theorised that these led to a tendency to neglect co-operation between armour, mechanised infantry, and artillery. Other cavalry units were equipped with armoured cars or helicopters.
See: Mounted Combat.
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The films of the "Cavalry Trilogy" - Fort Apache, She Wore a Yellow Ribbon, and Rio Grande - are all about cavalry outposts in the West and show quite a bit of the conventions and rituals of the cavalry. Various types of Cavalry Officer appear, including some who serve as non-coms or other ranks - veterans of the The American Civil War who had either served in the Confederate Army or with Northern commissions that only lasted for the duration of the war.
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In The Good, the Bad and the Ugly, Blondie and Tuco encounter a Confederate cavalry officer, who turns out to be a Union cavalry officer after brushing the gray dust off his uniform.
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Captain Parmenter from F Troop is a comedic example, being lauded for heroism after accidentally instigating a successful cavalry charge at the Battle of Appomattox while still a private.
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Symphony Of War: Though technically Barnabas is an enlisted man, he basically fills the role of cavalry officer since he starts out with his own squad of cavaliers and has the "Knight Captain" trait, which gives a capacity bonus for leading cavalrymen.
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The Eagle stars Rudolph Valentino as a handsome 18th century Russian cavalry officer—too handsome, as he attracts the unwanted attentions of Catherine the Great.
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Alicia Arcturus from The Night Unfurls is the leader of the Iris Knights, the finest light cavalry forces of Feoh. Her first appearance in the remastered version depicts her as a celebrated figure riding atop a barded warhorse, just to drive it home. She looks upon herself as a Knight In Shining Armour, and disdains people who don't care about her social station (e.g., Kyril).
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The Lone Ranger: He and his regiment are called in to take care of the Comanche thinking they broke the treaty and raided settlements. He later joins forces with the villains after learning he spilled innocent blood.
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The Duellists.
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Deadwood includes an episode with an arrogant Cavalry Officer on his way to avenge Custer. Almost everyone in town requests a favor of him, and he is not amused.
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Utu (1983): Lt. Elliot (heroic) and Col. Elliot (villainous).
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We Were Soldiers presents us with two modern flavors of this: The helicopter pilots, led by Major Bruce "Snake Shit" Crandall go so far as to wear Custom Uniforms complete with the classic western Stetson hats. Meanwhile, the "Air Cav" ground troops are lead by Lt. Colonel Hal Moore, a paratrooper who believes that an officer's place in battle is at the front of his men, "where the metal meets the meat." Both of course, were Real Life military officers.
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Dances with Wolves features Cavalry Officers, both good and bad.
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Major von Rauffenstein in The Grand Illusion, a cavalry officer turned fighter pilot.
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In The Wedding March Nicki is a dashing cavalry officer on horseback who is The Casanova when he is out of uniform. Mitzi the common girl is taken with him when she sees him on parade.
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Lord Uxbridge and Lord Ponsonby in Sergey Bondarchuk's Waterloo.
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Éomer in The Lord of the Rings is an example of a Cavalry Officer in a non-western setting.
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Colonel Sherman Potter in M*A*S*H is on his fourth war in Korea; prior to training as a doctor he had been a cavalryman, and he takes every opportunity to ride as recreation from his job of commanding a military hospital.
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The title character in Patton. Not only was he once a horse Cavalry Officer, he played the trope to a hilt.
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George Armstrong Custer's life and death became the subject of several films, including e. g. They Died with Their Boots On and Little Big Man.
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Les Tuniques Bleues is about two cavalrymen both in the Wild West and during the Civil War. The only one who's really typical is Captain Stark, who knows how to do one thing only ("CHAAAAAAAARRRGGGEEEEE!!!"), much to the dismay of his underlings (he once led a charge with a grand total of three men including himself). He also refuses to speak to people on foot, was found straddling a cannon on one occasion where his horse was missing, an has only once been seen fleeing battle, and that was because there was a wildfire sweeping across the battlefield.
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The Searchers: The regular cavalry somewhat lampooned, in particular with the young lieutenant who is the colonel's son and adjutant, and who in the charge only manages to cause an embarrassing wound to the head of the Texas Rangers with his sabre.
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Harry Flashman buys a commission as a cavalry officer shortly after being expelled from Rugby and spends most of his career more or less in that service. He displays most of the lifestyle traits, as do many of his comrades.
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Tom Cruise's character in The Last Samurai is a prime example of a Cavalry Officer.
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Cavalry officers show up from time to time in the Sharpe series; they usually show contempt for the title character, an infantry officer who worked his way up from being a common soldier.
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John Carter of the Barsoom Cycle of books and... John Carter is an ex cavalry-man of the state of Virginia in the American Civil War. In the film, he is forced into being one again for the state of Arizona (despite three escape attempts in the space of five minutes). He is an Officer and a Gentleman despite very much not looking the part. (The only time we see him clean-shaven in the whole movie is the brief period before his wife and child are killed and his house burned.)
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The Burrowers includes perhaps the most brutally sadistic and completely oblivious Cavalry Officer since Custer himself.
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One of the templates in GURPS Warriors is the Cavalryman. One of the sample characters is a US Cavalry officer in the Civil War period (who resents that he's guarding the frontier from natives when the real fighting is against the South), but the others are a member of Alexander the Great's Companion cavalry, the leader of an al-Wazif border patrol in GURPS Banestorm, and a British cavalry officer, late of The Raj.
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Captain "Give-Em-Hell" Stokes of Django Wexler's The Shadow Campaigns series. Despite his well known enthusiasm, he's generally considered competent, coming to the aid of the heroes while hollering at the top of his lungs at several points in the books.
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Several characters in War and Peace, notably Nikolay Rostov, Denisov, and Dolokhov.
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Captain Love in The Mask of Zorro is a twisted example, partially based on the director's vision of a young Custer.
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In the Belisarius Series, the arrogance of cavalrymen and especially officers is present not just in the Roman army, but even more so in the Persian and Malwa armies. Becomes a Discussed Trope as Belisarius realizes, and tries to convince others, that the rapidly advancing technology will increase the importance of infantry and artillery.
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The following is a list of statements referring to the current page from other pages.

 Cavalry Officer
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Military and Warfare Tropes
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 The Charge Of The Light Brigade
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Cavalry Officer
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 JTEdson
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Cavalry Officer
 Ralph Bagnold
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Cavalry Officer
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