...it's like TV Tropes, but LINKED DATA!
Conversation Cut
- 192 statements
- 35 feature instances
- 90 referencing feature instances
| Conversation Cut | type |
FeatureClass | |
| Conversation Cut | label |
Conversation Cut | |
| Conversation Cut | page |
ConversationCut | |
| Conversation Cut | comment |
-Here! The characters will be in a conversation when suddenly the scene changes to another location entirely... but the conversation continues as if no time has passed at all, despite how far away the new location was from the original one. Sometimes this will be avoided by a "I still don't get...", to make it seem like the characters have been talking all along, but usually they just scene transition and keep talking. And sometimes a character would question the said speaker for their sudden resume of the conversation, as time actually did pass. Subtrope of Time Skip. Related to Traveling at the Speed of Plot. The supertrope of Gilligan Cut and "I Know What We Can Do" Cut. |
|
| Conversation Cut | fetched |
2024-02-15T18:15:37Z | |
| Conversation Cut | parsed |
2024-02-15T18:15:37Z | |
| Conversation Cut | processingComment |
Dropped link to AMinorKidroduction: Not an Item - FEATURE | |
| Conversation Cut | processingComment |
Dropped link to CharlieAndLola: Not an Item - UNKNOWN | |
| Conversation Cut | processingComment |
Dropped link to GarbagePailKids: Not an Item - UNKNOWN | |
| Conversation Cut | processingComment |
Dropped link to Opfergang: Not an Item - UNKNOWN | |
| Conversation Cut | processingComment |
Dropped link to SubvertedTrope: Not an Item - CAT | |
| Conversation Cut | processingComment |
Dropped link to lampshadehanging: Not an Item - FEATURE | |
| Conversation Cut | processingComment |
Dropped link to parodiedtrope: Not an Item - FEATURE | |
| Conversation Cut | processingUnknown |
GarbagePailKids | |
| Conversation Cut | processingUnknown |
Opfergang | |
| Conversation Cut | processingUnknown |
CharlieAndLola | |
| Conversation Cut | isPartOf |
DBTropes | |
| Conversation Cut / int_2212773a | type |
Conversation Cut | |
| Conversation Cut / int_2212773a | comment |
Angel. In "The Girl in Question", Angel and Spike are arguing as they enter an elevator at Wolfram & Hart. Cut to them still arguing on the airplane to Italy. | |
| Conversation Cut / int_2212773a | featureApplicability |
1.0 | |
| Conversation Cut / int_2212773a | featureConfidence |
1.0 | |
| Angel | hasFeature |
Conversation Cut / int_2212773a | |
| Conversation Cut / int_2275c659 | type |
Conversation Cut | |
| Conversation Cut / int_2275c659 | comment |
Used as a plot point in an episode of House. A conversation moves from an office to a staircase with no transition, which House promptly lampshades as violating laws of both physics and reality. This is actually a crucial clue in diagnosing the patient: House himself is in a coma after being shot, and he needs to wake himself up from the dream he is trapped in. | |
| Conversation Cut / int_2275c659 | featureApplicability |
1.0 | |
| Conversation Cut / int_2275c659 | featureConfidence |
1.0 | |
| House | hasFeature |
Conversation Cut / int_2275c659 | |
| Conversation Cut / int_261c8d3f | type |
Conversation Cut | |
| Conversation Cut / int_261c8d3f | comment |
The Simpsons: Lampshaded when someone trying to win Marge's heart says "Why ride when we can [scene switch to plane] glide!". She responds "I'm just glad you're talking. You didn't say anything for 40 minutes". The Simpsons has started to breathe this trope lately. It's now impossible for them to do this straight, but they just love it too much. |
|
| Conversation Cut / int_261c8d3f | featureApplicability |
1.0 | |
| Conversation Cut / int_261c8d3f | featureConfidence |
1.0 | |
| The Simpsons | hasFeature |
Conversation Cut / int_261c8d3f | |
| Conversation Cut / int_27bf5b15 | type |
Conversation Cut | |
| Conversation Cut / int_27bf5b15 | comment |
Played with in Baby's Day Out: Instead of using a Jump Cut, Eddie simply says the first half of a sentence then runs away, leaving his partners wondering what he's talking about. | |
| Conversation Cut / int_27bf5b15 | featureApplicability |
1.0 | |
| Conversation Cut / int_27bf5b15 | featureConfidence |
1.0 | |
| Baby's Day Out | hasFeature |
Conversation Cut / int_27bf5b15 | |
| Conversation Cut / int_2c2097b9 | type |
Conversation Cut | |
| Conversation Cut / int_2c2097b9 | comment |
The creator of Courier's Mind: Rise of New Vegas handles Fast Travel by having the Courier start talking and cut to wherever the conversation ends, which is always on a weird note as they arrive at their destination. | |
| Conversation Cut / int_2c2097b9 | featureApplicability |
1.0 | |
| Conversation Cut / int_2c2097b9 | featureConfidence |
1.0 | |
| Courier's Mind: Rise of New Vegas (Web Video) | hasFeature |
Conversation Cut / int_2c2097b9 | |
| Conversation Cut / int_3913e40 | type |
Conversation Cut | |
| Conversation Cut / int_3913e40 | comment |
A particularly egregious example in Revenge of the Nerds III. Booger tells Lewis' nephew, Harold that there's only one way to truly unwind. It then cuts to him in a conga line, looking directly into the camera, where he says, "And that's to party with an Omega Mu! MOOO!" | |
| Conversation Cut / int_3913e40 | featureApplicability |
1.0 | |
| Conversation Cut / int_3913e40 | featureConfidence |
1.0 | |
| Revenge of the Nerds | hasFeature |
Conversation Cut / int_3913e40 | |
| Conversation Cut / int_400469e | type |
Conversation Cut | |
| Conversation Cut / int_400469e | comment |
Calvin and Hobbes does this sometimes, often in strips while the duo are talking and walking through the woods, where a single relatively short conversation is written, but the settings and activities appear to be a montage taking place over several hours. The "April 30, 1989" Sunday strip "cuts" from a stroll through the woods, to the two of them settled on a log across a stream throwing a pile of stones, and back to the two of them walking through the woods again, in the space of just a sentence or two. |
|
| Conversation Cut / int_400469e | featureApplicability |
1.0 | |
| Conversation Cut / int_400469e | featureConfidence |
1.0 | |
| Calvin and Hobbes (Comic Strip) | hasFeature |
Conversation Cut / int_400469e | |
| Conversation Cut / int_5307b01d | type |
Conversation Cut | |
| Conversation Cut / int_5307b01d | comment |
Penny Arcade does this on occasion: "Linguaphiles Unite" has this effect, although Gabe and Tycho are actually going through three different versions of reality from frame to frame, rather than just locations, as they casually discuss how the strip should be drawn. "Render" doubles as an Answer Cut as a conversation about how their "process" works takes them from what appears to be an office to a misty forest without any break in the dialogue. |
|
| Conversation Cut / int_5307b01d | featureApplicability |
1.0 | |
| Conversation Cut / int_5307b01d | featureConfidence |
1.0 | |
| Penny Arcade (Webcomic) | hasFeature |
Conversation Cut / int_5307b01d | |
| Conversation Cut / int_546876cb | type |
Conversation Cut | |
| Conversation Cut / int_546876cb | comment |
Sonic Boom: Lampshaded when Sonic, Tails, and Knuckles need to pass of as music industry professionals. And again in the same episode. Sonic Boom seems to love this trope. In the episode, Sticks and Amy's Excellent Staycation, they drive it in even further. |
|
| Conversation Cut / int_546876cb | featureApplicability |
1.0 | |
| Conversation Cut / int_546876cb | featureConfidence |
1.0 | |
| Sonic Boom | hasFeature |
Conversation Cut / int_546876cb | |
| Conversation Cut / int_585e73cc | type |
Conversation Cut | |
| Conversation Cut / int_585e73cc | comment |
In S.O.B., the conversation about Felix falling through the ceiling and landing on gossip columnist Polly Reed cycles through the whole cast this way, with each character getting a line or two over several conversations. | |
| Conversation Cut / int_585e73cc | featureApplicability |
1.0 | |
| Conversation Cut / int_585e73cc | featureConfidence |
1.0 | |
| S.O.B. | hasFeature |
Conversation Cut / int_585e73cc | |
| Conversation Cut / int_5cd1aa89 | type |
Conversation Cut | |
| Conversation Cut / int_5cd1aa89 | comment |
In Nineteen Eighty-Four, Julia and Winston call this "talking in installments". They will sometimes abruptly cut off their conversations mid-sentence if they think someone could hear them, and continue talking as if nothing had happened the next time they crossed paths. | |
| Conversation Cut / int_5cd1aa89 | featureApplicability |
1.0 | |
| Conversation Cut / int_5cd1aa89 | featureConfidence |
1.0 | |
| Nineteen Eighty-Four | hasFeature |
Conversation Cut / int_5cd1aa89 | |
| Conversation Cut / int_5d72144c | type |
Conversation Cut | |
| Conversation Cut / int_5d72144c | comment |
Dark Waters: One long scene shows Robert explaining his research and its health implications first to his wife, then to his boss Tom, then to opposing lawyer Phil Donnelly, then to his client Tennant, with it all feeling like the same non-stop speech. | |
| Conversation Cut / int_5d72144c | featureApplicability |
1.0 | |
| Conversation Cut / int_5d72144c | featureConfidence |
1.0 | |
| Dark Waters | hasFeature |
Conversation Cut / int_5d72144c | |
| Conversation Cut / int_5eb346d4 | type |
Conversation Cut | |
| Conversation Cut / int_5eb346d4 | comment |
In Strawberry Marshmallow, Hiroki Matsui, cosmetics salesman, is punched in the eye, breaking his glasses and causing them to hang under his nose by one ear, thanks to Nobue becoming convinced that he's a pedophile. A few panels later, he's in front of the company president, resigning. For whatever reason, he has not removed his glasses. | |
| Conversation Cut / int_5eb346d4 | featureApplicability |
1.0 | |
| Conversation Cut / int_5eb346d4 | featureConfidence |
1.0 | |
| Strawberry Marshmallow (Manga) | hasFeature |
Conversation Cut / int_5eb346d4 | |
| Conversation Cut / int_601e1033 | type |
Conversation Cut | |
| Conversation Cut / int_601e1033 | comment |
Newt clasps his hands in prayer in The Learning Tree as the family says grace. Cut to Newt clasping his hands in prayer at the church, as the preacher seamlessly continues the prayer. | |
| Conversation Cut / int_601e1033 | featureApplicability |
1.0 | |
| Conversation Cut / int_601e1033 | featureConfidence |
1.0 | |
| The Learning Tree | hasFeature |
Conversation Cut / int_601e1033 | |
| Conversation Cut / int_64ff8c3 | type |
Conversation Cut | |
| Conversation Cut / int_64ff8c3 | comment |
CinemaSins points this out in their Skyfall video. Bond is receiving information about the situation while montaging through a workout, leading them to wonder if he's literally spending only a few seconds on each exercise or the other man is providing the information a few seconds at a time. | |
| Conversation Cut / int_64ff8c3 | featureApplicability |
1.0 | |
| Conversation Cut / int_64ff8c3 | featureConfidence |
1.0 | |
| CinemaSins (Web Video) | hasFeature |
Conversation Cut / int_64ff8c3 | |
| Conversation Cut / int_7460586f | type |
Conversation Cut | |
| Conversation Cut / int_7460586f | comment |
Archer has a variation on this as a standard writing style, where a scene cut has a response to a previous bit of dialog, but in a completely different context, by completely different characters. | |
| Conversation Cut / int_7460586f | featureApplicability |
1.0 | |
| Conversation Cut / int_7460586f | featureConfidence |
1.0 | |
| Archer | hasFeature |
Conversation Cut / int_7460586f | |
| Conversation Cut / int_795a0fb0 | type |
Conversation Cut | |
| Conversation Cut / int_795a0fb0 | comment |
In the second chapter of My Immortal, Ebony and Willow have a conversation with the line "as we went out of the Slytherin common room and into the Great Hall" thrown in at one point. The Slytherin common room and the Great Hall are hardly next to each other, but Ebony and Willow apparently traversed the whole distance between two lines in their conversation. | |
| Conversation Cut / int_795a0fb0 | featureApplicability |
1.0 | |
| Conversation Cut / int_795a0fb0 | featureConfidence |
1.0 | |
| My Immortal / Fan Fic | hasFeature |
Conversation Cut / int_795a0fb0 | |
| Conversation Cut / int_81692f99 | type |
Conversation Cut | |
| Conversation Cut / int_81692f99 | comment |
Sometimes happens in Star Trek when two or more characters carry on a conversation while beaming someplace. Also happens in the Star Trek: Voyager episode "Message in a Bottle" when two holograms transfer their programs to another location mid-conversation. | |
| Conversation Cut / int_81692f99 | featureApplicability |
1.0 | |
| Conversation Cut / int_81692f99 | featureConfidence |
1.0 | |
| Star Trek (Franchise) | hasFeature |
Conversation Cut / int_81692f99 | |
| Conversation Cut / int_90a3a7f4 | type |
Conversation Cut | |
| Conversation Cut / int_90a3a7f4 | comment |
Kim Possible: In one episode, Drakken and Shego go from a flooding underwater lair to a supermarket and their conversation continues as if they'd never moved. | |
| Conversation Cut / int_90a3a7f4 | featureApplicability |
1.0 | |
| Conversation Cut / int_90a3a7f4 | featureConfidence |
1.0 | |
| Kim Possible | hasFeature |
Conversation Cut / int_90a3a7f4 | |
| Conversation Cut / int_9b3d0b23 | type |
Conversation Cut | |
| Conversation Cut / int_9b3d0b23 | comment |
In Poppy O'Possum, Kit Darling claims over the phone that she's in the bath, when she's actually nowhere near it. But when she finishes the sentence in the next panel, she's already jumping into the bathtub. Subverted when the reply is: "I'm…going to ignore the fact that it took you three minutes to say a five word sentence." | |
| Conversation Cut / int_9b3d0b23 | featureApplicability |
-0.3 | |
| Conversation Cut / int_9b3d0b23 | featureConfidence |
1.0 | |
| Poppy O'Possum (Webcomic) | hasFeature |
Conversation Cut / int_9b3d0b23 | |
| Conversation Cut / int_9c1d0ac8 | type |
Conversation Cut | |
| Conversation Cut / int_9c1d0ac8 | comment |
Concerned lampshades this, when Frohman pauses to get dressed midway through a sentence. | |
| Conversation Cut / int_9c1d0ac8 | featureApplicability |
1.0 | |
| Conversation Cut / int_9c1d0ac8 | featureConfidence |
1.0 | |
| Concerned (Webcomic) | hasFeature |
Conversation Cut / int_9c1d0ac8 | |
| Conversation Cut / int_b8adbacc | type |
Conversation Cut | |
| Conversation Cut / int_b8adbacc | comment |
Richard III. Richard's "Now is the winter of our discontent" monologue starts off as a public speech praising the victorious King, before a Mood Whiplash dialogue cut to Richard sneering at the King in the privacy of a urinal, this time addressing the audience. | |
| Conversation Cut / int_b8adbacc | featureApplicability |
1.0 | |
| Conversation Cut / int_b8adbacc | featureConfidence |
1.0 | |
| Richard III | hasFeature |
Conversation Cut / int_b8adbacc | |
| Conversation Cut / int_baa0410d | type |
Conversation Cut | |
| Conversation Cut / int_baa0410d | comment |
Speed: In the beginning, Jack and Harry start a conversation in a skyscraper, then the scene cuts to the roof of the building, where they finish it after running up several flights of stairs. | |
| Conversation Cut / int_baa0410d | featureApplicability |
1.0 | |
| Conversation Cut / int_baa0410d | featureConfidence |
1.0 | |
| Speed | hasFeature |
Conversation Cut / int_baa0410d | |
| Conversation Cut / int_c4282b71 | type |
Conversation Cut | |
| Conversation Cut / int_c4282b71 | comment |
My Little Pony: Friendship Is Magic: Used in the second episode, with Twilight Sparkle reading the last known location of the Elements of Harmony, and the scene dissolves from the library into the location as she (and the other ponies) say "...the Everfree Forest!" Pinkie Pie does another one at the end of the episode: | |
| Conversation Cut / int_c4282b71 | featureApplicability |
1.0 | |
| Conversation Cut / int_c4282b71 | featureConfidence |
1.0 | |
| My Little Pony: Friendship Is Magic | hasFeature |
Conversation Cut / int_c4282b71 | |
| Conversation Cut / int_c6e0963b | type |
Conversation Cut | |
| Conversation Cut / int_c6e0963b | comment |
The Hotel New Hampshire ends with one of these. | |
| Conversation Cut / int_c6e0963b | featureApplicability |
1.0 | |
| Conversation Cut / int_c6e0963b | featureConfidence |
1.0 | |
| The Hotel New Hampshire | hasFeature |
Conversation Cut / int_c6e0963b | |
| Conversation Cut / int_cd62ccff | type |
Conversation Cut | |
| Conversation Cut / int_cd62ccff | comment |
Robert Frost: A Lover's Quarrel with the World: Multiple times director Shirley Clarke cuts back and forth between different scenes in such a way that Robert Frost's train of thought is uninterrupted. One scene has Frost meditating on American greatness, saying "The Russians know how good we are," cutting to a completely different conversation before a different audience in which Frost says "Everything the Russians say they say in our direction." | |
| Conversation Cut / int_cd62ccff | featureApplicability |
1.0 | |
| Conversation Cut / int_cd62ccff | featureConfidence |
1.0 | |
| Robert Frost: A Lover's Quarrel with the World | hasFeature |
Conversation Cut / int_cd62ccff | |
| Conversation Cut / int_d452935b | type |
Conversation Cut | |
| Conversation Cut / int_d452935b | comment |
Scott Pilgrim vs. The World jumps around erratically in this manner several times. | |
| Conversation Cut / int_d452935b | featureApplicability |
1.0 | |
| Conversation Cut / int_d452935b | featureConfidence |
1.0 | |
| Scott Pilgrim vs. The World | hasFeature |
Conversation Cut / int_d452935b | |
| Conversation Cut / int_d80d2982 | type |
Conversation Cut | |
| Conversation Cut / int_d80d2982 | comment |
An early episode of Unbreakable Kimmy Schmidt has Kimmy's apathetic teacher explain that he doesn't care if she fails because it gets him "one step closer... to this!" (where "this" is a room where useless teachers sit and do nothing while still getting paid). Subverted in that while it seemed like this trope to the audience, Kimmy reveals that he literally paused his sentence, walked her over to the room, and finished it. It took 20 minutes, and she forgot what the beginning of the sentence was. | |
| Conversation Cut / int_d80d2982 | featureApplicability |
-0.3 | |
| Conversation Cut / int_d80d2982 | featureConfidence |
1.0 | |
| Unbreakable Kimmy Schmidt | hasFeature |
Conversation Cut / int_d80d2982 | |
| Conversation Cut / int_df72e458 | type |
Conversation Cut | |
| Conversation Cut / int_df72e458 | comment |
The President's Analyst has a scene where two spies, an American and a Russian, old friends, swap notes and make a bet on finding the fugitive doctor — it takes place over some time as they're both in some five different changes of clothing. | |
| Conversation Cut / int_df72e458 | featureApplicability |
1.0 | |
| Conversation Cut / int_df72e458 | featureConfidence |
1.0 | |
| The President's Analyst | hasFeature |
Conversation Cut / int_df72e458 | |
| Conversation Cut / int_e25322af | type |
Conversation Cut | |
| Conversation Cut / int_e25322af | comment |
Homestar Runner uses this in the Strong Bad Email "concert"; Strong Sad and Strong Bad carry on a conversation about sloshy through several such cuts. | |
| Conversation Cut / int_e25322af | featureApplicability |
1.0 | |
| Conversation Cut / int_e25322af | featureConfidence |
1.0 | |
| Homestar Runner (Web Animation) | hasFeature |
Conversation Cut / int_e25322af | |
| Conversation Cut / int_e293455a | type |
Conversation Cut | |
| Conversation Cut / int_e293455a | comment |
Buffy the Vampire Slayer. In "Once More, With Feeling", Willow and Tara move from serenading in a park to their bedroom during the song "Under Your Spell", as due to magical influence everyone in Sunnydale is acting like they're in a Musical Episode. In "Bad Eggs", Joyce finds Buffy in her bedroom fully dressed, having just got back from patrolling. |
|
| Conversation Cut / int_e293455a | featureApplicability |
1.0 | |
| Conversation Cut / int_e293455a | featureConfidence |
1.0 | |
| Buffy the Vampire Slayer | hasFeature |
Conversation Cut / int_e293455a | |
| Conversation Cut / int_e76f2e85 | type |
Conversation Cut | |
| Conversation Cut / int_e76f2e85 | comment |
The Murderbot Diaries: Murderbot has an In-Universe version in Artificial Condition when it shuts itself down for recharging to avoid speaking to ART, only for the artificially intelligent spacecraft to continue the conversation the moment that Murderbot revives, as it can't get bored or distracted like a human can. | |
| Conversation Cut / int_e76f2e85 | featureApplicability |
1.0 | |
| Conversation Cut / int_e76f2e85 | featureConfidence |
1.0 | |
| The Murderbot Diaries | hasFeature |
Conversation Cut / int_e76f2e85 | |
| Conversation Cut / int_f3b2a7d3 | type |
Conversation Cut | |
| Conversation Cut / int_f3b2a7d3 | comment |
The Arrangement: Gwen is trying to get Eddie out of the booby hatch. The doctor at the asylum says "I suggest that you see—", cut to next scene, and a servant says "Judge Morris," introducing Gwen to the judge who signed Eddie's commitment papers. | |
| Conversation Cut / int_f3b2a7d3 | featureApplicability |
1.0 | |
| Conversation Cut / int_f3b2a7d3 | featureConfidence |
1.0 | |
| The Arrangement | hasFeature |
Conversation Cut / int_f3b2a7d3 | |
| Conversation Cut / int_f99c3ee | type |
Conversation Cut | |
| Conversation Cut / int_f99c3ee | comment |
Don't Hug Me I'm Scared: Played with in episode 6, when Red Guy starts changing the teacher mid-lesson. | |
| Conversation Cut / int_f99c3ee | featureApplicability |
1.0 | |
| Conversation Cut / int_f99c3ee | featureConfidence |
1.0 | |
| Don't Hug Me I'm Scared (Web Video) | hasFeature |
Conversation Cut / int_f99c3ee | |
| Conversation Cut / int_fbb719c5 | type |
Conversation Cut | |
| Conversation Cut / int_fbb719c5 | comment |
Constantine (2005): Constantine and Angela Dodson are standing in a room in a psychiatric institution talking about Angela's sister Isabel. Constantine asks Angela how long she had Isobel committed to the institution. The scene suddenly changes to Isobel's room in the institution and Angela says "Two weeks". In other words, Constantine asked her the question, they walked up to Isabel's room, then Angela answered the question. | |
| Conversation Cut / int_fbb719c5 | featureApplicability |
1.0 | |
| Conversation Cut / int_fbb719c5 | featureConfidence |
1.0 | |
| Constantine (2005) | hasFeature |
Conversation Cut / int_fbb719c5 |
The following is a list of statements referring to the current page from other pages.
Copyright of DBTropes.org wrapper 2009-2013 DFKI Knowledge Management. Imprint. - Thanks to Bakken&Baeck for hosting. Contact.
Copyright of data TVTropes.org contributors under Creative Commons Attribution-Share Alike 3.0 Unported License.
Copyright of data TVTropes.org contributors under Creative Commons Attribution-Share Alike 3.0 Unported License.