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Designated Monkey

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The Designated Monkey is a Butt-Monkey which inspires an unintentional amount of sympathy from the audience. They constantly find themselves in horrible situations; the author appears to intend this to be karmic punishment, but the audience (or a significant subgroup of it) thinks that it's out of proportion and will treat them as The Woobie. This can create Values Dissonance in the work, or it could mean that the fandom is misaimed. The audience may even begin to wonder whether the author is deliberately misrepresenting this character to prevent us from sympathizing with them.
A variant of this can happen to an intentional Butt-Monkey or Cosmic Plaything if the rules of the universe are rewritten to punish them.
Common traits of such characters:
They are often either attractive or Ugly Cute. Beauty Equals Goodness, right? Even if they're supposed to be ugly, this is often thwarted by Generic Cuteness or Hollywood Homely casting.
They're guilty of, and punished for, sins which, while they may be serious, would be quickly forgiven in-canon if the hero had committed them or the author thinks they're serious and the audience doesn't. (This covers both some varieties of Draco in Leather Pants and authors punishing characters for things the characters literally cannot help.)
They're often unrepentant, not because they think what they did was OK, but because they feel they've been punished enough. They want the heroes to apologize before they concede anything more.
They may feel they deserve the treatment even if they resent it — but canon makes it clear (possibly by accident) that they feel they'd deserve anything that happens.
If they are repentant, they'll seek to rectify the situation and regain their "rightful place" in society. They will fail. May often come from being a Villain Ball Magnet.
They may become The Un-Favourite not only of a parental figure but also of over half of the main cast. Either Values Dissonance or Misaimed Fandom will be involved when this happens to a Designated Monkey. Expect comments like You Should Have Died Instead aimed at this character.
They may have a Freudian Excuse that the author didn't realize counted.
They might be a Jerkass Woobie in disguise.
Rarely, they may not have done anything at all. They just get randomly punished for no apparent reason while the story behaves as if they've brought it on themselves.
Legitimate characters being turned into Designated Monkeys may be a sign that the fans are Running the Asylum.
Compare Unpopular Popular Character, Creator's Pest, Informed Wrongness, Unintentionally Sympathetic, Karmic Overkill, and Straw Loser. Contrast Creator's Pet. Has nothing to do with a Designated Skill Monkey in tabletop RPGs or with literal monkeys.
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In Scream Queens (2015), Chanel #5 starts out as a typical Butt-Monkey whose mistreatment is made more humorous by both her snotty behavior and the fact that most of her mistreatment comes from Alpha Bitch Chanel, but by the end of Season One and the entirety of Season Two, the sheer amount of misery her character is put under note  to recap: continuing to be Chanel’s punching bag, having all three of her love interests violently murdered, abusive parents who willingly and flippantly help frame her for murder, being framed as the Red Devil and sent to an insane asylum, being stabbed and briefly crippled- and receiving not sympathy for her pain but instead scorn for “attention seeking,â€�-, and having every character on the show treat her like garbage , combined with her becoming a much nicer person, led to most fans expressing anger at her continuing and escalating suffering, to the point that some fans turned on Chanels One and Three who are arguably two of the most popular characters in the show.
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Edie in Desperate Housewives. While she was a bit of a jerkass and could frequently act in manipulative or unlikeable ways (such as faking suicide to get Carlos to stay with her at the end of Season 3), she is frequently on the receiving end of a lot of love from fans and seemingly disproportionate hatred in-canon. While all of the housewives sleep around - Renee and Tom had an affair, and she entered consensual relationships with Karl and Carlos when their relationships with Susan and Gaby had broken down (and Susan had been divorced for years), she is slut-shamed repeatedly and blamed exclusively. As she was a "slutty" character, she was presented as pathetic for wanting a more stable domestic life, and ultimately 'punished' over and over again: Mike chooses Susan over her (both times), she's left by everyone, thrown out of the Lane for sleeping with the husbands, and she then receives a cosmic punishment in the form of being in a sham marriage with Dave Williams...who is explicitly only marrying her so he can get revenge on Mike and Susan, the couple she's been at odds with for most of the series. And then she dies by getting electrocuted as she tries to flee from Dave and warn them.
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The title character of Crash Bandicoot is frequently the Iron Butt Monkey of the franchise and something of an airhead, but in general he's only one of many slapstick buffoons in his cartoonish universe. Crash Bandicoot 4: It's About Time marks the only story where it's usually Crash, and only Crash that tends to be targeted for Amusing Injuries however, with almost every other character in the main cast playing things relatively serious, if not outshining Crash in competence or supplanting him as the hero of the story. Subverted in gameplay, however, where The Many Deaths of You is in play for every character.
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X-Men: Cyclops is a similar case, as in recent years characters have become prone to calling him out on being a terrorist or war criminal thanks to his actions during events like Schism and Avengers vs. X-Men. While some fans sided with Captain America and Wolverine in their condemnation of him, an equal number of fans (that has since grown) have protested that their treatment is unfair and hypocritical, especially given he spent half of the latter being corrupted by the Phoenix Force and wasn't harming anyone until they pushed him, and that the whole mess started because of Wolverine telling Cap not to trust Cyclops. A few years prior, when Wolverine and Cyclops argued, fanboys would cheer Wolverine on; now, they comment that Cyclops should just shoot his head off and be done with it. It doesn't help that Cyclops usually just tries to defend himself when they attack him, and when a bigger and more important threat emerges, he'll be the one to suggest leaving the petty squabbling aside while they insist on giving snide remarks. This eventually culminated in Cyclops' ignominious death in Death of X.
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BoJack Horseman asserts itself as being a deconstruction of cartoon tropes, but this often only applies to the title character. BoJack suffers greatly from his upbringing and the show never allows him to live down any of his mistakes. Meanwhile, most of the other characters are free to do tons of comedic acts of violence and selfishness without any angst or consequences. It got especially pronounced in later seasons, as the writers seemed to realise that viewers weren't taking the intended lesson about how Freudian Excuse Is No Excuse, and responded by adding frequent Character Filibuster about how BoJack's behaviour was unforgivable and how he deserved to be universally hated for it.
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It seems to be widely accepted in the universe of House that Chase is the least intelligent member of the Season 1-3 team. He certainly cops the most flak about it, from pretty much everyone. Yet, despite the fact that he has on average about two lines of dialogue per differential, he has solved more cases individually than either Cameron or Foreman. The one time he does firmly try to tell House that he's in the wrong, poor Chase ends up getting punched in the face.
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Enter the Gungeon has the Cultist, the character that the second player in co-op mode has to use; he's depicted as a Manchild and constantly mocked by everyone for not being the protagonist. Needless to say, the joke wears off rather quickly.
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Cadance in My Brave Pony: Starfleet Magic, full stop. The author hates her for being Happily Married so he makes her kill her own brother who's been turned partly mechanical and evil, suffer horrific nightmares and, in a later season, has her miscarry when a pillar falls on top of her; in fact, it was planned for a possessed Shining Armor to kick her. Speaking of Shining, he never gets treated nearly this horribly despite being her husband. There are also several happy couples, all of which involve the writer's own OCs, that don't get nearly as much of a bad time. To make things worse, due to Shining Armor being brainwashed, it resulted in all his sperm dying, so he is now sterile. But the real icing on the cake has to be what happens to Cadence. You remember that pillar that fell on her? Well, it damaged her reproductive organs so badly, now she is also sterile. The chapter this is revealed in makes you feel sorry for the pain and suffering the author inflicts upon them.
Twilight Sparkle is another character that Mykan hates, this time for trying to preach the very idea of friendship that he loathes so much. Shortly after Equestria is introduced in the rewrite, she loses her wings and only gets them back offscreen, the MLP cast as a whole Took a Level in Dumbass, she's called out for not following the Grand Ruler's orders no matter what, and of course she is infamously murdered, which Starfleet and Celestia blame her for and the latter takes up her mantle as the Element of Magic. It even applies to her EQG self, who is shoehorned into the story pre-Friendship Games just so Lightning Dawn can be rude to her for absolutely no reason.
Both characters end up reprising this role in Friendship is Failure. Twilight repeatedly fails "friendship problems" for various reasons, while in Episode #4, Cadance ends up being the cause of the episode's Downer Ending, as a result of someone's unrequited crush on her. This reaches a head in Episode #10, in which Count Logan rips off Cadance's daughter Flurry Heart's head in front of her, kills her husband Shining Armor shortly afterward, and rips off her sister-in-law Twilight's horn, preventing Twilight from using magic.
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Deke Shaw in Agents of S.H.I.E.L.D. Throughout the final three seasons, the character is The Friend Nobody Likes, and with the exception of Simmons and Mack, almost everyone treats him with indifference or even contempt. Fans think this is strange considering that even though the character started his journey in the series by betraying the heroes, he still had a lot of Character Development. Moments like the characters lamenting that Deke is the grandson of Fitz and Simmons or when in the series finale, Daisy promises to rescue Jemma and forgets that Deke was also kidnapped, becomes almost sadistic (and is even worse because Deke is in love with Daisy ). The series ends with Deke sacrificing himself, staying on the original timeline, becoming chief of SHIELD of that timeline, and being fondly remembered by the other characters ... but the fact that the series did not show a more detailed farewell between them and Deke did not even have appeared in the final 10 minutes dedicated to the individual farewell of each character, make fans think it was too little, and too late.
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There are many iCarly fans who don't find Sam bullying Freddie to be funny, particularly when she gets extremely physically violent with him and Carly does little to dissuade it. His worst crime is usually just talking about some technology that nobody else really cares about, which usually sets him up as the butt of the joke. Despite all he does to help out the webshow, he doesn't get a lot of respect, eliciting a lot more sympathy from viewers than intended (especially with the added issue of his obsessively-protective mother).
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Daffy, and the large majority of Looney Tunes antagonists for that matter, may often seem to invoke this due to their often pitiful malice which proves little challenge for protagonists such as Bugs Bunny and Speedy Gonzales, thus the horrible pain they endure seems somewhat disproportionate to what little provocation they make, no matter how cruel their intentions were (it's obvious who was meant to be the most sympathetic character between Wile E. Coyote and the Road Runner).
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Cassandra Cain, Stephanie Brown's best friend and predecessor, tends to get it just as bad as her. After first losing her best friend as noted above, when her book ended, she was out-of-nowhere given a poorly explained Face–Heel Turn that also came with completely inverting her personality and portrayal (going from quiet, dyslexic, and struggling to learn basic English into a Dragon Lady who gives villain speeches and has learnt Navajo code, and someone more convinced in Thou Shalt Not Kill than Batman to a cold-blooded murderer), which was then given a poorly-handled excuse that somehow tried to demonise her further after despite clearly being the victim. After this, she was forced to hop around from appearance to appearance with little consistency and even used as a prop to get beat up by then-Creator's Pet Kara Zor-El, and then stripped of her Batgirl identity so DC could compensate the Stephanie Brown fanbase (something that caused the formerly Friendly Fandom the two shared to turn into a one-sided Fandom Rivalry). After that, she too was given the Ret-Gone treatment during the New 52 reboot and took even longer to be brought back, with her Character Development being reset and her backstory transformed in such a way it reflected how she was characterised during her Face–Heel Turn. She was then denied any of her past identities or costumes, and relegated to an Advertised Extra position in the above-mentioned Detective Comics, during which she had to see one of her best friends be seemingly killed and the other betray the team.
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Marcus Brutus in Colleen McCullough's Masters of Rome series of historical novels. He isn't a Butt-Monkey or The Chew Toy because he is a historical figure, but the writer goes out of her way to show her disdain for him. Brutus is portrayed in a deeply unsympathetic way as a coward, completely under the heel of his mother, a boring pseudointellectual, and both miserly and greedy when it comes to money. He is allowed a few moments of likability but is otherwise entirely contemptible, largely because of his role in killing Julius Caesar (who is essentially a Canon Sue in McCullough's novels).
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Gaelio Bauduin from Mobile Suit Gundam: Iron-Blooded Orphans. He may have Glory Hound tendencies but he knows that Gjallarhorn is corrupt and wants to reform it from within. Likewise, he never committed a Moral Event Horizon and only does his duty as a soldier. Unfortunately, McGillis wants him dead because he wants to reform the organization on his own terms and that Gaelio's family is one of the Seven Stars, the founders of Gjallarhorn. It's even sadder that McGillis never value his friendship with Gaelio and Carta and that he's going to marry Gaelio's little sister who is clueless of her fiancee's true colors. The writers clearly intended to make Gaelio an Expy of Garma Zabi; however, the circumstances of his life made him a more tragic version of Garma.
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The Flash: Wally West just doesn't gets any love from Dan DiDio, at all. This seems to have started after an Audience-Alienating Era where Wally was replaced as The Flash by his great-nephew Bart Allen (formerly Impulse/Kid Flash II), which due to bleeding sales and poor critical and fan reception led to them reinstating Wally. However Didio then approved plans to have Barry Allen return, and cancelled the Wally West Flash comic before the first issue had even been released (an event that drove Mark Waid, arguably the most influential Flash writer, to leave DC in disgust). Following this, Wally and his family were then Ret-Gone out of existence by the events of Flashpoint, with all his rogues and achievements as The Flash being given to his uncle Barry Allen, and a 'new' Wally West was eventually introduced as a completely In Name Only character with a highly unlikable personality. Eventually DC Rebirth led to him coming back but as a Cosmic Plaything. Most of the world has forgotten him, former allies treat him like a stranger at best, as Barry's less-accomplished sidekick at worst. His wife Linda Park is seemingly immune to the Speed Force magic memory-reviving touch he temporarily got during The Return of Wally West arc, and after initially seemingly being open to rebuilding their lost relationship slowly, off-camera she decides she doesn't want anything to do with him. Two "crossover" arcs (the Flash War Bat Family Crossover and the Heroes in Crisis Crisis Crossover arc, the latter of which also transforms him into a Designated Villain) essentially revolved around the fact that, while his children still exist somewhere in the multiverse, anything he does to fix this will only bring him (and countless other people) more misery so he should just man up and forget about them. And he spends a period of time with a heart condition (despite having a super-powered healing factor) that would kill him if he tried to exert himself too much (such as running too fast to, say, help any of his teammates), seemingly as a cosmic punishment for trying to fix his life. Oh, yeah, and any importance he seems to have gotten recently appears to have gone the way of the Aborted Arc. Holy crap. Thankfully as of DC Infinite Frontier he finally got his family back and returned to his old status as the primary Flash.
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For Better or for Worse's April has become the Author's Unfavorite, and John gets attempts at character assassinations in the comic's "Reruns" in an attempt to make Elly look better. Many fans don't quite agree with the author's assessment.
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J.D. from Scrubs became this in season six. The writers put him through an incredible amount of torment (losing his girlfriend, losing his unborn baby, becoming homeless, getting a DUI on a technicality, and getting a disease that causes him to pass out frequently, which is to say nothing of the innumerable times he's been tormented and abused by people around him) and made it very clear that they had no sympathy for his plight (the storyline ends with him learning to not complain so much to his jerkass friends). This reached a breaking point when the season ended with the girlfriend who left him revealing she lied about the miscarriage to escape their relationship and the show playing it entirely on her side, admonishing J.D. for being rightfully spiteful. Needless to say, this was when a lot of fans abandoned the series.
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In The Dresden Files novels, especially the early ones, Harry sometimes screws up, but he also tends to end up taking heat for other people's screw-ups and blaming himself irrationally for things that were, by any reasonable standard, not his fault. On at least one occasion, he heavily blames himself for another hero's massive moment of stupidity, which she didn't apologize for, for about another five books. (To say nothing of the fact that in so doing, she was engaging in several major felonies herself. Did we mention that it was a cop who engaged in the stupidity?) Not that his girlfriend was any better about this: when someone tells you that vampires aren't really very nice, you should listen, Susan. No matter how cool an article it would make. He's been getting more realistic about what is and is not his fault, though.
Not, of course, that it stops him from being kicked around more and more over the course of the series. All the time. Poor Harry. Being Good Sucks.
Lampshaded to a ridiculous extent in the RPG, to the point where it's the explanation for a mechanic. You get fate points whenever roleplaying gets your character in trouble, which you need to use to help you along.
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Mickey Mouse proves not even Mickey Mouse can survive this, and sometimes he suffers more than Donald. He even gets his chain yanked often:
In "Al Rojo Vivo", Mickey and Minnie are pestered by Pete and Mickey turns red of rage, therefore prompting a bull to chase him down. He later gets Produce Pelted by the people at La Tomatina until he's completely covered in tomatoes. Finally, when he succeeds in getting Minnie back, a kiss from Minnie makes his pants fall, and the bulls charge at him again.
In "Tapped Out", he's beaten pillar-to-post by Pete, and Donald yells at him for accidentally touching his nachos (something that happened after he laughed at watching Mickey's No-Holds-Barred Beatdown). The ending also implies that Mickey's going to go through this again... just because he hated Pete for being a Jerkass.
In "Panda-monium", Mickey tries to take a photo of a little panda. The panda, however, starts screwing with him. It then tricks him into running into a pole and generally causes him pain, and at the end, Mickey ends up with two shiners and is mistaken for a baby panda. Adding insult to injury, the panda he was trying to get a picture off takes a photo of Mickey at the end.
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 Mickey Mouse (2013)
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Ezekiel from Total Drama World Tour. Apparently, being really determined to win qualifies him to devolve into Gollum.
Harold in Island and Action. While a lot of his injuries are Played for Laughs, a vast amount of it is directly the result of being bullied by Duncan, which made Harold standing up for himself and getting him back all the more satisfying.
Tyler in World Tour. Sure, his injuries are funny, but he tries so hard many fans couldn't help rooting for him and wanted his string of bad luck to spell a victory.
Scott in All-Stars to a degree. While his punishment appears to be a continuation of the (often itself seen as overly cruel) Laser-Guided Karma from his tenure as the Arc Villain of Revenge of the Island, many fans feel it's overblown and he has genuinely become a better person at this stage, yet he gets physically abused far worse than he did as a villain. It doesn't help that said harsh karma has apparently left him with symptoms of PTSD, making his Trauma Button reaction to sharks less funny and more sympathetic.
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Similarly to Donald, Daffy Duck of Looney Tunes; for the most part, Daffy does deserve what he gets, because of his jealousy and his undiscriminating screwyness. It is still very much Played for Laughs, though, and in some cases, it definitely seems like he's being unjustly punished (as in Duck Dodgers in the 24th and a Half Century or My Little Duckeroo, where he was actually on the losing end against a villain).
A lot of Daffy's sympathy may have arisen from his rather different persona beforehand.
Daffy, and the large majority of Looney Tunes antagonists for that matter, may often seem to invoke this due to their often pitiful malice which proves little challenge for protagonists such as Bugs Bunny and Speedy Gonzales, thus the horrible pain they endure seems somewhat disproportionate to what little provocation they make, no matter how cruel their intentions were (it's obvious who was meant to be the most sympathetic character between Wile E. Coyote and the Road Runner).
Elmer Fudd was an example self-confessed by director Friz Freleng, who was convinced that Bugs looked too much of a 'bully' when pitted against him and thus made him into a more pro-active hero against the meaner-spirited outlaw, Yosemite Sam.
Sylvester may be another key example, given that his intentions were usually never outside the natural instincts of a normal cat. The repeated physical and verbal assaults he received for trying to eat 'a sweet, innocent, little bird' and the equally brutal punishment he received for failing to do the same to a mouse (though granted, Sylvester was often placed in Butt-Monkey roles, be it provoked or not) certainly didn't help.
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Homestuck: Gamzee Makara gets all the karmic retribution for the villains dumped on him, despite it being outright stated that he was mind-controlled or at least heavily influenced during the times he went Ax-Crazy on their behalf. It probably doesn't help that, despite being an alien, he's an assemblage of offensive anti-black stereotypes (heavy AAVE dialect, neglectful/absent father figure, acting trashy and poor when he's the richest land-dweller of the group, being used by Jane to cuckold Jake in the Epilogues, being outright drawn with darker skin in the Pesterquest games), which sours a lot of fans on the writers' choices to degrade him so much.
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Designated Monkey
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Mario & Luigi: A lot of fans believe that Luigi's Butt-Monkey status in the series is taken unreasonably far, as most dialogue surrounding him from NPCs consist of either not knowing who he is, or placing Mario on a pedestal compared to him. It also doesn't help that Stuffwell and Starlow's primary Running Gag is the two constantly ragging on Luigi, and his status as a Cosmic Plaything reaches its lowest in Partners in Time when the Star Gate gaslights Luigi into thinking he's self-centered and not a team player, despite it being a Secret Test of Character for Mario.
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Donald Duck. While he can absolutely be a Jerkass who sometimes deserves his bad luck, there are a lot of instances where he isn't the instigator of the situation. Of course, this is all Played for Laughs.
This is why the Italians created his vindicator/superhero secret identity: Paperinik.
Mickey Mouse proves not even Mickey Mouse can survive this, and sometimes he suffers more than Donald. He even gets his chain yanked often:
In "Al Rojo Vivo", Mickey and Minnie are pestered by Pete and Mickey turns red of rage, therefore prompting a bull to chase him down. He later gets Produce Pelted by the people at La Tomatina until he's completely covered in tomatoes. Finally, when he succeeds in getting Minnie back, a kiss from Minnie makes his pants fall, and the bulls charge at him again.
In "Tapped Out", he's beaten pillar-to-post by Pete, and Donald yells at him for accidentally touching his nachos (something that happened after he laughed at watching Mickey's No-Holds-Barred Beatdown). The ending also implies that Mickey's going to go through this again... just because he hated Pete for being a Jerkass.
In "Panda-monium", Mickey tries to take a photo of a little panda. The panda, however, starts screwing with him. It then tricks him into running into a pole and generally causes him pain, and at the end, Mickey ends up with two shiners and is mistaken for a baby panda. Adding insult to injury, the panda he was trying to get a picture off takes a photo of Mickey at the end.
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He made Green Lantern Hal Jordan punch Batman as a Callback to lampoon his beating up Guy Gardner; Guy was present and lampshaded it himself.
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Persona 5:
Ryuji can come off as this. While the comments he receives from his team mates are probably meant to be only friendly ribbing, some see them as being outright insulting to him. Thus the plot of Ryuji not realizing that the comments he makes genuinely upset Morgana to the point that Morgana tries to leave the Phantom Thieves completely and being forced to apologize can be seen as a weird Double Standard considering that Morgana never once gets called out for his treatment of Ryuji. And finally, there is also at the end of Shido's Palace where he gets beaten up by the girls of the team while the boys do nothing to stop them even though he had just saved everyone just moments ago, and they all proceed to leave him out cold on the streets whilst completely forgetting about his near-Heroic Sacrifice (and it's all Played for Laughs).
By way of Gameplay and Story Segregation, Mishima can come across as such. Initially, him being a Butt-Monkey is played off as retribution for him leaking the protagonist's background files, even if it was through being blackmailed by Kamoshida into doing so. However, after the Phan-Site gets launched, Mishima is subsequently treated as The Friend Nobody Likes who's little more than a Heroic Wannabe riding the Phantom Thieves' coattails. While this makes sense in the context of his Confidant, which involves him undergoing Character Development to put his selfish desires behind and become a backer of the Phantom Thieves who doesn't need to make a name for himself, the problem is that his Confidant can be completed relatively early on into the story, which makes later outings of him as a Butt-Monkey come across as undeserved when he's already learned to become a better person.
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Kousei from Your Lie in April can be seen as one. Most of the comedic moments of the manga and anime come from him suffering several Amusing Injuries (usually at hands of Kaori and Tsubaki). However, given that he is a Nice Guy and he has a very sad and traumatic backstory that involves getting beaten by his mother, most of these moments seem only to add more pain to his life and it's dubious whether they can be considered funny actions.
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Luann: Tiffany the "popular" girl is constantly denigrated in-universe by basically everybody, all the time, even her alleged friends, and out-of-universe by author Greg Evans. While she's certainly shallow, immature, and a ditz, she doesn't really seem any worse than Designated Hero Luann, aside from being openly self-absorbed instead of being all passive-aggressive about it...
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Designated Monkey
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MAD inverted this in a strip where the Trix rabbit is lying in a hospital bed, deathly sick from eating Trix, while a group of kids tell him "See, we told you."
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The Nostalgia Critic. He is a git and does deserve what he gets most of the time, but he's an epic Jerkass Woobie and fans have said that it would be nice if he actually won for a change. Which he did, right before he disappeared from his home reality for good. When the series returned this was addressed by having him consciously reject all of his character development, dumping his woobie tendencies, and becoming a much nastier character. Giving him a regular cast to be mean to and contrast with went a long way.
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The titular character of Everybody Loves Raymond became this trope more and more as the show went on. His wife, Debra, sometimes got this treatment at the hands of Marie, but at least in those cases, the show made it clear that the audience was supposed to side with Debra over Marie. When Ray became the Designated Monkey at Debra's hands, it was often for very shoddy reasons, yet it seemed like the show wanted the audience to root for Debra (at the very least, the studio audience seemed to be rooting for her, even when she made Ray a Butt-Monkey).
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 Everybody Loves Raymond
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Designated Monkey
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Caillou and Dora the Explorer in the "Grounded" videos made in GoAnimate, particularly those made by certain users. In most other "Grounded" videos, they often have their punishments coming, but other times, both their lives are just being made an utter hell by their family, friends, and even people who don't even know them the instant they step out of line, yet they're supposed to deserve it since they're baby show characters. Several parts of the (both ironic and non-ironic) fandom beg to differ.
Macusoper Busters. To get a good idea of how his groundings come off as more unfortunate than well-deserved, just watch this video.
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Designated Monkey
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Ron Weasley becomes one of these in the Harry Potter movies. He does play Butt-Monkey sometimes in the books, but it gets turned up in the movies where he's more pathetic and the butt of most jokes. Since Harry is the Hero Protagonist and Hermione is Creator's Favorite to screenwriter Steve Kloves, that leaves Ron getting the short end of the stick. Many fans have theorized that Kloves didn't care for Ron and changed his character just to make Hermione look cooler.
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Designated Monkey
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Yukinari from Girls Bravo is this to a nearly ridiculous degree, especially when Kirie is involved.
 Designated Monkey / int_67b5433f
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Something*Positive:
There's plenty of them, but Kharisma, in particular, represents this. A horribly shallow, self-absorbed character who has received so damn much punishment (her face being set on fire, being sent to prison for a crime she [technically] didn't commit), it is getting harder and harder to feel schadenfreude at her. The author appears to have caught on, as after she got sent to prison she's been portrayed much more sympathetically.
Before his Character Development led to him becoming a better person, Mike was treated like crap by the main cast. The fact that he was the walking incarnation of Fan Dumb often paled in comparison to the Comedic Sociopathy of the main cast, but they were inevitably forgiven and he was shunned.
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Designated Monkey
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Sokka in Avatar: The Last Airbender is always this. He is a klutz and usually pretty unable to determine even the most obvious details. It seems like he can't go a single episode without hurting himself. But in his favor, during the course of the show, he did repeatedly take some levels in badass.
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Princess Irulan in Dune Messiah is treated quite coldly by her husband, Paul Atreides, as he blames her for their sham marriage - even though he was the one who demanded their union in the first place as terms of her father's surrender. Also, he has a loving and supportive relationship with his concubine Chani, while Irulan has precisely no one to help and comfort her. His behavior is really unnecessarily harsh.
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Designated Monkey
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Pikario from KiraKira★Pretty Cure à la Mode can be seen as this, especially when it comes to his dream of becoming a Precure alongside his sister Kirarin, considering that his attempts turn him to the Dark Side, and when he seems to get out of it, he falls into a coma while Kirarin does get to become Cure Parfait, and when he comes back at the end of episode 39 to save the Cures thanks to Cure Lumiere's power he gained, he only loses it in the very next episode when his newly received rod was broken by Glaive, who tells him that he's not a real Precure, that scene, as well as his wish to become a Precure, was completely ignored afterward as he has been Demoted to Extra since then. Suffice to say, a lot of fans felt that all of that was extremely cruel and unwarranted, as well as uncharacteristic for a whimsical and optimistic series like Pretty Cure, and the fact that the next season HuGtto! Pretty Cure and later Hirogaru Sky! Pretty Cure featured a male Cure only makes Pikario's arc retroactively a lot more jarring.
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Designated Monkey
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Yoshi is this specifically in Super Mario World, where the player is capable of dropping him into Bottomless Pits as a makeshift Double Jump. The ROMhacking community latched onto this, and thus plenty of SMW ROMhacks love to point out how incredibly cruel this act is, while forcing you to do it anyway.
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Dave Sim did this a lot as Cerebus the Aardvark went on. It tied in with his Creator Breakdown. Due to his growing issues with women, he hated pretty much all his female characters and generally wrote them out to replace them with Straw Feminist shrews. This, however, is nothing compared to the titular character. A good part of one trade paperback is devoted to Dave directly addressing said character and explaining to him what an asshole he is and how totally unfit he is for human company. Pretty much the entire comic from that point on (about 100 issues or so, depending on where you think this begins) details Cerebus' slow and gradual self-destruction.
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Designated Monkey
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Samantha McCall and Lucky Spencer got this sort of treatment in General Hospital when the show decided to push Jason and Elizabeth as a supercouple. Even though Elizabeth and Jason conceived a child while both were with Lucky and Sam, Lucky and Sam were vilified to make Jason and Elizabeth as a couple look better. Sam got the worst treatment; not only was her con-artist Backstory retconned to make her out to be a total slut (she'd originally became a con artist to support her stepbrother) but she was also made responsible for Jake's kidnapping. In addition, she hired armed thugs to terrorize Elizabeth and her young children as a wake-up call of Jason's lifestyle, and she and Jason shared several ugly moments which made it seem like they would not only never get back together, but they were never even going to be friends again. Even more bizarre is when Sam decided to hook up with Lucky while Lucky was still married to Elizabeth. Even though Elizabeth had already had Jake, knew Jake was Jason's son, and pined for Jason while married to Lucky, she was made out to be the victim during their divorce. As for Lucky, he was mostly portrayed as a narrow-minded simpleton who was incompetent at his police officer job. Any scene where he tried to visit his kids was treated like an intrusion on Elizabeth and Jason's relationship, complete with ominous music for ambiance.
To the show's credit though, they did properly redeem Sam with time. During dangerous situations, she and Jason were often forced into each other's company and that helped to repair the rift between the two of them. Then, when Jake was kidnapped by Russian mobsters Sam rushed headlong into battle to save the child herself. Most poignantly, when Sam herself is kidnapped and is delirious from exposure to the cold, she starts hallucinating about Jake's kidnapping and how things could've gone differently. When Jason finally rescues her, she tearfully apologizes and again begs for his forgiveness. Lucky, however, continued to remain much of a Butt-Monkey.
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Batman: Batman falls into this occasionally in comics written by Geoff Johns. Johns claims to like Batman, but considering how many times he's humiliated/beaten up/put in the Designated Villain role in his comics, a lot of fans feel differently.
He made Green Lantern Hal Jordan punch Batman as a Callback to lampoon his beating up Guy Gardner; Guy was present and lampshaded it himself.
This is balanced by the fact that (1) Johns had Batman and Green Lantern reconcile in Green Lantern vol 4 #9, (2) Johns' post-Flashpoint Justice League run and Forever Evil (2013) contain a lot of heroism on Batman's part.
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Boxbot from Gunnerkrigg Court is a Played for Laughs example, a small robot that doesn't do anything except be called terrible by other characters but he is terrible. Boxbot, is that you? Are you trying to exact pity from these good tropers? You're an embarrassment. I'm so disappointed in you.
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Toby Flenderson, the put-upon HR administrator from The Office (US), is constantly abused by Michael Scott simply for existing, and has an overall miserable life, which can get hard to stomach after a while. Not helping is that unlike his Parks and Recreation expy Jerry Gergich (whose treatment in the later seasons drew similar complaints from fans), he has no bright spots in his life or Throw the Dog a Bone moments.
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Henry of KaBlam! fits this trope to a T. He's often getting hurt for no apparent reason, though only two people in the show seem to care about him (his over-doting mom and his best friend/secret admirer June on some occasions).
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Kaeloo: Stumpy always gets made fun of or bullied by his own best friends, he's constantly suffering from some form of bad luck or abuse, and fails at everything. Even when he is being punished for something he did, the punishments are way too cruel.
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Designated Monkey
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Don Ramón in El Chavo del ocho. He's always getting caught in the crossfire of the kids' antics, getting slapped by Doña Florinda whenever something happens to Quico (even when it's not his fault, sometimes even trying to help Quico), and targetted by the advances of La Bruja del 71. In fact, the few times that he does something legitimately bad, the consequences usually go further than he actually deserves.
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Cliffjumper has recently fallen into this in the Transformers franchise. Hasbro kills him in the pilot of Transformers: Prime and then resurrects him as a zombie just to kill him off again. Bumblebee has him die in his first scene while IDW kills him off screen in The Transformers: Unicron miniseries. While Hasbro does regularly kill Autobots due to being a conglomerate of toy factories that build more toys to replace a discontinued one, Cliffjumper himself just dies before he even does anything.
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 Transformers: Prime
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Designated Monkey
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Lampshaded to a ridiculous extent in the RPG, to the point where it's the explanation for a mechanic. You get fate points whenever roleplaying gets your character in trouble, which you need to use to help you along.
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 The Dresden Files (Tabletop Game)
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Superman: Frank Miller's treatment of Superman is up there with Johns's efforts on Batman. How many times does Big Blue have to come out looking like a moron, anyway? He treats them both as idiots in All-Star Batman And Robin, though. ASBAR, is, however, quite possibly a Stealth Parody (or so everyone hopes).
When Supes isn't written as an outright moron, he's a pathetic pawn of the government. Not to mention Miller's complete dismissal of Green Lantern as being a pathetic hero. One issue of ASBAR had Dick Grayson, age 12, steal Hal's ring and give him a No-Holds-Barred Beatdown that ends in crushing his windpipe. Many fans assume that this was Miller's Take That! for the aforementioned Geoff Johns example. Weird considering how DKR was hyping up Hal Jordan as a major badass and the two works are "supposedly" part of the same timeline.
Miller seems to give Plastic Man a fair amount of respect from Batman himself in The Dark Knight Strikes Again, though. "He could kill us all... For him, it'd be easy..." This is surprising since other writers have used Plas as a Butt-Monkey for comedic purposes.
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Lincoln Loud from the The Loud House falls into this category at times, as he typically gets pushed around or just straight-up bullied by his 10 sisters, with these acts always being Played for Laughs and the sisters often tend to get away with it. While sometimes he does bring his misery upon himself, other times the universe seems to want to punish him for no other reason than the Rule of Funny.
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Vegan Artbook: Shawn. Even though he's made out to be a self-centered Jerkass, who hates vegans. Non-vegans and moderate vegan readers tend to find his treatment to be disproportionate, especially since in many strips he's usually getting punished just for having the opposite opinion of everyone else and being a straw carnist.
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Tommy Pickles from All Grown Up! becomes this in his preteen years, whenever his friends make him the scapegoat of their fury, whenever they're in a tight situation. This is done in episodes like "Truth or Consequences", "Dude, Where's My Horse?", "All Broke Up", and "Brothers Grimm".
In "All Broke Up", Tommy especially gets the bitter end of this where not only are his friends mad at him for lying to them but when both Rachel (his girlfriend who had just moved away) and Anita (a girl who Tommy met a few days ago) shows at the same time, both of them reject Tommy, publicly humiliating him in front of everyone and breaking his heart.
It probably runs in the Pickles family, because Angelica would also occasionally get punished even when she did nothing to deserve it. In "Chuckie's in Love" she writes an article exposing the school cook's disgusting food and has him instead make normal food, but when the cook screws up by attempting to cook the normal food blindfolded and gives all the kids food poisoning, everyone acts like it was Angelica's fault.
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The Urpneys of The Dreamstone are perpetual Villain Ball Magnets for the heroes, being treated as scum and falling victim to relentless violent punishments for trying to give the Noops scary dreams, disregarding the fact they are dragged kicking and screaming into each scheme with threat of torture or death by Zordrak if they don't.
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Player from Among Us Logic, who continuously fails to win a game of Among Us which gradually takes a toll on him, and the narrative generally acts as if he deserves this, in spite of the fact he's a Nice Guy whose only real crime is being a bit dim and the Only Sane Man.
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Moxxie from Helluva Boss- he's the nicest out of the main cast but also happens to be the one who's abused for slapstick most often. It doesn't help that whenever he gets a big moment it's immediately undone for the sake of a joke- spare the lives of the kids in Murder Family because he hopes they can grow up and change? The cops annihilate the house. Finally gets a chance to stand up to his abusive father? He has to be saved by his wife yet again. Even people who like this already divisive series tend to get tired of how cruelly Moxxie is treated as the show goes on.
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Takagi from Case Closed. Though he does lose some of the uncertainty that makes him such a monkey as time goes on. For instance, in "The Man Who Called for an Ambulance" he ends up delivering a lecture to a more senior detective about jumping to conclusions that Conan silently applauds. However, it looks like he will always be a monkey where his relationship with Satou is concerned.
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Rigby in Regular Show who is kicked around by almost everyone, because he is small and tends to act like an immature twit, and has died like 4 times (he got better each time though).
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Pokémon:
Flareon is this of the Eeveelutions. Despite being superficially equal to its elemental counterparts, having the same base stat total as the rest, it's frequently considered the worst of them competitively thanks to its awkward stat distributionnote It has a high Attack and Special Defense, but its poor speed prevents it from sweeping, while its low HP and Defense stats prevent it from tanking. It's even worse in the first three generations when all Fire-type moves were based on Special Attack. and barren movepool preventing it from playing a given role like the others. Until Gen VI, it wasn't even able to learn Flare Blitz, a move that would have played off its impressive Attack and literally had its name on it; when it did, it proved Awesome, but Impractical, as it would have killed off Flareon anyway. Those closely involved with the metagame either regard it with mockery or pity, despite not being considered a canonical Butt-Monkey. None of this is including what happened in Twitch Plays Pokémon Red, where Flareon was cast as a scapegoat for everything that had gone wrong at that point in the game.
For the longest time, Raichu got the shaft in the franchise due to the Wolverine Publicity of its pre-evolution Pikachu, who got increasingly marketing and exclusive perks to make it a competitive Pokémon to the point many instances seemed to actively discourage you to evolve it into a Raichu. The anime also frequently cast Raichu as an antagonist or a Butt-Monkey to the protagonist Pikachu. Recent generations have been a bit kinder to Raichu, with it getting an Alolan form used by The Rival in Pokémon Sun and Moon, a small buff to its speed stats and accessibility to Pikachu's fuller moveset.
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Imani's character (or lack thereof) in Coming to America is Played for Laughs, with her Extreme Doormat tendencies presented as comically abhorrent. But the fact that every detail of her upbringing has been for the express purpose of serving and pleasing Akeem implies that the potential for her own personality to develop has been totally repressed, which can make her come across as quite a tragic figure - especially when she is unwanted after all. The effects are shown in Coming 2 America; she never developed at all in the 30 years between the two films. She's still hopping around and barking like a dog, wearing the same dress and all. She's so broken that her brother, General Izzi, is out for the royal family's blood, be it in marriage or war.
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Miller seems to give Plastic Man a fair amount of respect from Batman himself in The Dark Knight Strikes Again, though. "He could kill us all... For him, it'd be easy..." This is surprising since other writers have used Plas as a Butt-Monkey for comedic purposes.
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Lelouch from Code Geass; the show's writers said that they loved him, but his personality (highly intelligent but arrogant) led to him making lots of bad decisions, which came back to haunt him later on. The writers considered these repercussions to be "learning experiences" in their attempts to make him a better person. Of course, just how much of a Woobie he is depends on the individual viewer's opinion, but most will agree that it certainly looks like the universe has it out for him at times. It gets especially bad on the occasions where it seems to be deliberately punishing him for trying to redeem himself. Of which there are many, most notably the infamous Diabolus ex Machina in Episode 22.
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Finding Judas states, "The original Judas Iscariot is often considered to have had unselfish intentions; perhaps he wanted to goad Jesus into all-out war with the Romans to liberate the Jews. And the apocryphal Gnostic Gospel of Judas actually claims that Jesus ordered him to do it." Yet traditionally, Judas is one of the most hated figures in Christendom. The Bible doesn't say what finally happened to any specific apostle (or ex-apostle) except Judas, and James the brother of John (Acts 12:2).
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The Most Popular Girls in School: Shay in Season 5. Whereas Shay was a bitch before, she wasn't anymore mean that anyone else in the cast. By Season 5, the world is out to get her, everyone berates her at the slightest opportunity, including her sister Cameron — sure, she was never particularly nice to her, but she wasn't as mean either — she is not allowed to participate on the season's main event and when she tries to help, she is either ignored or badmouthed. She gets her revenge by the end of the season, when she puts laxatives on everyone's drinks and forces them to go on a diarrhea rampage while she laughs.
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The Civil War at Marvel was this to the anti-registration side, at least for the main focus issues. The writers wrote that side as having faults that a lot of readers didn't see. Some failed to see what was so bad about being anti-registration.
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Spider-Man: Mary Jane Watson, as part of being a Creator's Pest, especially during the late 2000s/early 2010s. Since writers and editors feel she ages Peter and limits story-telling possibilities, instead of trying to find creative uses for her character, they decided magical divorce to get rid of her, then complete character assassination to try and turn readers against her. When it didn't work, they settled with making her a Shipper on Deck for Peter and Carlie Cooper, then when THAT just made fans hate Carlie, they tried this. Making her the butt of jokes to establish she's not as smart as Peter and Carlie, making her appear like she can't move on from Peter, making her need rescuing even though she's always been able to defend herself except in some adaptations of the mythos, generally tormenting her character out of some childish spite. Fans were not amused. Fortunately, The Amazing Spider-Man (2018) led to mending this.
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In Super Smash Bros: The Animated Series...poor, poor Pit. The other characters are constantly insulting, degrading, and outright attacking him for no reason whatsoever, aside from him being (supposedly) stupid. Instead of laughing at his suffering, as is likely intended, the reader just feels sorry for him.
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SpongeBob SquarePants has a couple of characters who started off as genuinely unsympathetic and mean, so their Butt-Monkey status was seen as deserved, but episodes in later seasons forgot to make them unsympathetic.
Plankton started out as a Laughably Evil Genius, but later on his adversary Mr. Krabs became almost as callous, if not worse, even reverting to torturing Plankton unprovoked in a similar fashion. "One Coarse Meal" is the most infamous episode, as Mr. Krabs drives Plankton to suicide, which was seen as going too far.
Squidward, after The Movie. At first he was a Jerkass who often brought bad luck on himself, but in later episodes, "jerkass" was replaced by "not wanting to be bothered by SpongeBob and Patrick", making his suffering seem less funny.
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In Warhammer 40,000 the Dark Angels Space Marine Chapter are atoning for an ancient sin committed by half their brethren 10,000 years ago. In order to pursue the surviving perpetrators of this crime, they often abandon their main mission and leave other Imperial forces to be destroyed. This is considered highly suspicious behaviour and treated as a serious problem in the background material. However, almost every other Space Marine Chapter treats normal humans with total contempt too and displays signs of deviance and autonomy that are tolerated only because The Imperium aren't in a position to do anything about it. It's not clear what makes the Dark Angels' relatively minor disobedience so awful.
Could be Deliberate Values Dissonance in action. The "ancient sin committed by half their brethren" was to betray the Emperor and almost destroy the Legion (not yet separated into Chapters) in their own civil war while the Imperium as a whole was being torn apart by the Horus Heresy. Considering the other Legions that did so were declared heretics with orders to kill on sight, the Dark Angels justifiably fear that if the knowledge of so many of the Legion being traitors was to become widely known, they would suffer the same fate, and so their efforts to eliminate the remnants of those traitors results in erratic, unexplained behavior that makes them appear suspicious; other Space Marines Chapters follow their own agendas, but at least they're relatively open about what they're doing.
It is also important to note that Dark Angels and their successors are killing Inquisitors investigating their chapter without a second thought and at least on one occasion, they destroyed Black Templar vessel that came into contact with Fallen. Their Unforgiven backstory also indicates that Dark Angels Chapter Master effectively holds a legion's worth of military power in his hands. note Which is ten-to-twenty times more than the largest Loyalist chapters and roughly a hundred times more than a codex-compliant chapter. Dark Angels chapter itself is also at above-codex strength. And they have access to incredibly powerful plasma technology they are unwilling to share with anyone in the Imperium. Fandom rightfully calls them Closet Heretics.note As opposed to Alpha Legion Close loyalist tendencies.
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Both characters end up reprising this role in Friendship is Failure. Twilight repeatedly fails "friendship problems" for various reasons, while in Episode #4, Cadance ends up being the cause of the episode's Downer Ending, as a result of someone's unrequited crush on her. This reaches a head in Episode #10, in which Count Logan rips off Cadance's daughter Flurry Heart's head in front of her, kills her husband Shining Armor shortly afterward, and rips off her sister-in-law Twilight's horn, preventing Twilight from using magic.
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Drowtales:
Yafien is a nerd in a world where everyone else is a Proud Warrior Race Guy, does what any sane, unarmed person would do when three knife-wielding, demon-possessed people go after the girl you met three seconds ago: run away. He is also one of the few characters in his dystopian world who has never killed, raped, robbed, etc., and is viewed in-story as a treacherous coward due to Deliberate Values Dissonance.
Syphile had a terrible childhood where she was put down, abused, and beaten pretty much constantly, and is guilty of abusing Ariel and killing her kitten in a fit of rage. She was forcing Ariel to memorize a dictionary, and basically had no idea how to teach, and took out the problems on the child, who unsurprisingly grew to hate her. She does a Breaking Speech, pointing this out, and Ariel simply refuses to listen. Also, she gets to give one to her own mother. And promptly die, but it may have influenced said mother...
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After Hulk Hogan came to WCW, Ric Flair was often buried and humiliated. WCW seemed to go out of their way to make sure he looked horrible every time they held a show in his hometown of Charlotte.
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Eugene, the clone of Matthew Santoro, is a Butt-Monkey, being constantly abused by Matthew, all because he chooses to dress like a nerd and have nerdy interests.
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Some fans of My Little Pony: Friendship Is Magic feel Spike the Dragon falls into this. He mostly exists to be the Butt-Monkey abused for comic relief, but some feel the abuse often goes too far and makes him Unintentionally Sympathetic. Specific examples include…
He suddenly becomes incompetent at basically everything after owing Applejack a life debt in "Spike at Your Service",
Loses all the gems he legitimately worked for in "Just For Sidekicks". This is brushed off as karma for "his dragon hoarding instincts kicking in again", which some felt was not only unintentional Fantastic Racism, but due to how it seemed to imply it was wrong for a kid to work for an allowance, had a very bad Aesop.
In that episode, and its companion piece "Games Ponies Play", he's not invited back to the empire he helped save. Ultimately subverted in the latter case, however; it's revealed one season later in "Equestria Games" that Spike is in fact revered by the Crystal Empire, including by the royals themselves, and the reason he wasn't invited to begin with was so they could prepare a hero's welcome for him.
He has a crush on Rarity, who is frequently Innocently Insensitive toward him despite knowing about his feelings, and this is all Played for Laughs. Granted, Spike is not only a different species but also a child, both physically and mentally.
Season 4 made something of a story arc about his role as the Butt-Monkey giving him self-esteem issues, yet he always goes back to being mistreated.
This comes to a head in Season 5's "Princess Spike", an episode whose moral is supposed to be "Don't get Drunk with Power." However, all decisions that backfired on Spike were ones he made with fully-good intentions* (stopping the loud maintenance work outside Twilight's window and adjudicating two ponies' schedule conflict, both of which he did because he was explicitly ordered to keep Twilight from being disturbed); his legitimately selfish choices had no negative consequences whatsoever. Showrunner "Big" Jim Miller would eventually acknowledge that Spike's Designated Monkey status had worn out its welcome. As a result, later seasons, while still letting Spike take his lumps here and there, have dialed it back considerably in favor of giving him a more positive portrayal.
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Elmer Fudd was an example self-confessed by director Friz Freleng, who was convinced that Bugs looked too much of a 'bully' when pitted against him and thus made him into a more pro-active hero against the meaner-spirited outlaw, Yosemite Sam.
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A Court of Thorns and Roses: Lucien, especially in the third book. He's constantly being shat on by everyone and dismissed as a pathetic Yes-Man to Tamlin. This is despite going through a major Trauma Conga Line which includes: growing up in an abusive home, witnessing his fiancée's murder, nearly getting killed by his brothers, having his eye ripped out, being cursed for fifty years, being tortured and nearly killed Under the Mountain, being sexually assaulted by Ianthe and Feyre taking advantage of his trauma to manipulate Tamlin into thinking they're having an affair (which he later learns was all part of her plan to destroy the Spring Court). Feyre calls Lucien out on not doing more to help her but Lucien a) did actually try to persuade Tamlin to give Feyre more freedom (but can only do so much given Tamlin's in a position of authority over him) and b) is in a difficult position firstly because he genuinely loves and trusts Tamlin as the only family he has and later because Tamlin starts to view him with distrust (which Feyre helped stoke). And when Lucien does turn on Tamlin, gives up his home and risks his life to help Feyre escape, she not only lets the Inner Circle bully and threaten him, she's also lets him stand around in filthy clothes while she hooks up with Rhysand and only later feels mildly bad about it. When Lucien tells Feyre he's found comfort and support with someone other than the Inner Circle, she even mocks him over it and for feeling unwelcome at the Night Court. Gee, I wonder why he would ever feel that way?
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Kawachi from Yakitate!! Japan. A supporting character who quickly goes through a Heel–Face Turn and had plenty of promise to become one of Kazuma's biggest rivals, he was instead slowly morphed into a complete joke who can't even get respect from his own family.
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Pokémon: The Series:
Pikachu would fall into this category on random occasions, especially in the post-Johto series. Every time he and Ash arrive in a new region, the electric mouse would temporarily lose his strength (except the XY and Sun and Moon arcs), or be forced through a few brief Face–Heel Turns, the most notable one in the Orange Islands episode "Pikachu Revolts." Team Rocket, while always after valuable Pokémon of any kind, also have an over-fascination with capturing Pikachu in particular meaning there are multiple instances he is a singular Badass in Distress.
His trainer Ash has moments of this as well, particularly in the original Kanto series where he was recurrently antagonized, most others blaming his abuse on his shortcomings as a trainer (having only just started). He is often treated nicer in later seasons, though still sometimes plays Cosmic Plaything (even in the universally slapstick Sun and Moon series, a fair few episodes have Ash targeted for Amusing Injuries or the dilemma of the week while the other characters suffer relatively little).
They're usually the bad guys, though in some episodes Team Rocket get humiliated or beaten up just for appearing at the wrong place at the wrong time. Even in some episodes where they are the bad guys it can be because an Asshole Victim trainer or Pokémon who decided to con or bully them first for the lulz.
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Sailor Moon:
Usagi Tsukino. While she is lazy, whiny, and careless, she is abused relentlessly by the other characters (especially Rei and Chibi-Usa), regardless of how many times she actually saves the day or helps them out. Although they do love her and share a lot of heartfelt moments with her, their pranks and criticisms still come across as unacceptably mean-spirited.
Artemis the Cat. He constantly gets treated poorly by Luna despite his loyalty and support towards her. Also, he was once accused of infidelity, and nobody (except Minako) backed him up, ignoring Luna's numerous instances of infidelity as well.
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Because Kirby Buckets' title character is intended as an Audience Surrogate, everything on the show is presented as if he were literally God of the universe. As such, Kirby's Arch-Enemy older sister Dawn is constantly humiliated and tortured by everyone on the show regardless of whether or not she did anything to deserve it. Because Dawn is Jerkass, viewers are supposed to laugh at her misfortune and see it as Laser-Guided Karma. While this work with the target audience who can take out frustrations with their own annoying sister on Dawn (a la Meg Griffin), many other people don't find it funny.
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In later episodes of South Park, Stan and Kyle are interchangeable for this role.
Regarding Stan, for example, in "Douche vs. Turd", he refuses to vote for a new mascot and ends up being hated by everyone and cast out of town on a horse with his jacket ripped to pieces and a bucket on his head.
In Kyle's case, he's usually one to Cartman compared to Butters' Butt-Monkey status. To name an example, in "Crippled Summer", Cartman decides to read his speech about how much he hates Jewish people, making Kyle object, but the doctor forces him to let Cartman finish.
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This is balanced by the fact that (1) Johns had Batman and Green Lantern reconcile in Green Lantern vol 4 #9, (2) Johns' post-Flashpoint Justice League run and Forever Evil (2013) contain a lot of heroism on Batman's part.
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Bradley from Stickin' Around occassionally fell in this trope, whether it be from the frequent humiliation or getting punished for going along with Stacy's antics (while Stacy goes unpunished). No more is this seen than in the finale, "Adios, Sayonara, Goodbye Bradley", where Bradley and his friends believe that he is moving away, but when it turns out that Bradley is only moving to another part of the same neighborhood, Lance and Russell give him a housewarming wedgie and the rest of his friends erect a statue of his housewarming wedgie in his honor.
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From her introduction, Faith in Buffy the Vampire Slayer qualifies. A seemingly cool character who steals Buffy's friends, tries to take over her role as Slayer, and sneaks her food. It turns out Faith's life sucks, which she covers up through sex and partying, in contrast to Buffy's better upbringing. She correctly feels she never fits in, then tries to kill Angel, thinking he was evil. This causes such a rift that Faith is very much on the outside. She then sleeps with Xander, the character who first described himself as a Butt-Monkey, and when Xander tries to help Faith after she accidentally kills someone, it becomes horrifying. During this time, Faith becomes evil; not just evil, but frightening. The writers have her commit one evil act after another to portray her as a vicious, sadistic character, foregoing their original plan to have Faith so distraught over what she'd done that she's Driven to Suicide. That particular storyline didn't get played out until a season later (and across the sister-show Angel) after she wakes up from a coma and discovers she has lost her (evil) father figure, the only person who ever treated her like she was worth something in and of herself.
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Family Guy:
Meg Griffin seems to be a somewhat intentional example - often abused, ignored, or mocked by everyone in the show's universe for little known reason, especially as the Comedic Sociopathy humor in the series increased, with even straight men like Lois and Brian acting equally callous to Meg, as well as Jerkass characters like Peter (though granted, this may not be as emphasised in later seasons, where Flanderization has led nearly every character to become sociopathic and self-centered with Meg's abuse actually seeming petty to that invoked and suffered by most of the cast). The fanbase seems divided as to whether Meg's treatment is hilarious or outright cruel. Something interesting though, is that the writers actually seem to care what the Vocal Minority thinks. At the peak of some of the fan base's frustration over Meg's Comedic Sociopathy treatment, they Threw The Dog A Bone with "Dial Meg for Murder", a definite Moment of Awesome and Pandering to the Base done right.
Brian's treatment from the other characters is on similar grounds, especially since, even with his own flaws considered, they are far more callous characters than he is (and get away with it much more in addition). In season 9 episodes, Brian Took a Level in Jerkass (other characters (besides Quagmire) lampshade how irritating and annoying Brian can be), so at this point, what the writers want to do with Brian is pretty much a mystery.
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Mirage gets this treatment across IDW's Transformers books. Any time he plays a role in a story he suffers. He was accused of being the traitor during Transformers: All Hail Megatron and repeatedly beaten by Ironhide while the others stood by, but was innocent. He was injured Transformers: Robots in Disguise in Decepticon riots in the post-War era. When he joins the Lost Light in Transformers: More than Meets the Eye, he starts a successful bar only for Swerve to sabotage it and force it to close. Then his hallucinations flare up and he's forced to return to Cybertron just in time to get drafted into the Combiner Wars. When he finally returns to the Lost Light, he gets betrayed and captured by Getaway, and ultimately sliced to pieces by Star Saber during a failed escape attempt. The only explanation for his treatment is that his first story features a version of Mirage betraying the Autobots to Decepticons, but it was never clarified if that happened in an alternate timeline or was just one of his vivid hallucinations.
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The following is a list of statements referring to the current page from other pages.

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