...it's like TV Tropes, but LINKED DATA!
Everything Is an iPod in the Future
- 474 statements
- 90 feature instances
- 89 referencing feature instances
| Everything Is an iPod in the Future | type |
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| Everything Is an iPod in the Future | label |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future | page |
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| Everything Is an iPod in the Future | comment |
As The Aesthetics of Technology change, our vision of the future does, too. Raygun Gothic gave way to Crystal Spires and Togas, in turn supplanted by Cassette Futurism, Used Future, and Cyberpunk (and then all kinds of Punk Punk). At the time of this writing, the most common style for the future is a mix of all of the foregoing, plus... well, the iPod (or the iPhone, or iPad, or any iOS). Right now, being cutting-edge is all about plain black and white (maybe pastel colours if you're lucky), translucent plastic, smoothed edges, screens that slide and flip out, touch screens, unobtrusive buttons, minimalist advertising and displays, lights that come out of nowhere and catchy little chimes when the devices start up. And of course, it's all small and convenient. For current evidence, look no further than the success of the iPod and the iPhone ranges, and the iMac style they were based on, their imitators and other things that have adopted the style, such as pretty much the entire range of the latest game consoles. Everything Is Online, and physical data storage either consists of an equivalent of a USB thumbdrive or doesn't exist at all, considering that computers are so small and compact you can carry them anywhere and transfer data wirelessly. Interfaces are designed to be soothing, easy to use and colourful, and if intelligent they'll probably be annoyingly helpful. Of course, like every other "futuristic" visual style used in previous decades, this trope will probably be considered Zeerust after a while. This is on the shiny end of Sliding Scale of Shiny Versus Gritty. Compare Crystal Spires and Togas. Contrast Raygun Gothic, which is its opposite in a number of ways, and Cassette Futurism, which could be thought of as "Everything Is A Walkman In The Future". See also Transparent Tech, Holographic Terminal, Ascetic Aesthetic. For when everything (in the future or otherwise) is actually made by Apple, see Everyone Owns a Mac, as well as iPhony for direct parodies of Apple products. Examples |
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| Everything Is an iPod in the Future / int_109b4a22 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_109b4a22 | comment |
Predators: The design of the super-Predators is meant to evoke this, with the filmmakers actually comparing the original Predator design to a Walkman and the new one to an iPod. Of course, since the super-Predators are villainous even by Predator standards, it comes off as this trope mixed with Obviously Evil. | |
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| Everything Is an iPod in the Future / int_1556da65 | comment |
The design and uniforms of PCL Labs in Pokémon Detective Pikachu give off this vibe, with special mention going to Dr. Ann Laurent's hazmat suit and the white stasis pods used to contain the Pokémon for genetic experiments, including Mewtwo. | |
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| Everything Is an iPod in the Future / int_1ed58a9e | comment |
Hoffmann's offices in The Fear Index is described like this, where everything is sleek, clean and minimalistic. | |
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| Everything Is an iPod in the Future / int_223c2a48 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_223c2a48 | comment |
This is true of the Sheikah Slate in The Legend of Zelda: Breath of the Wild. Though it superficially looks like something from the Jomon period, the moment you turn the slate on it shows a modern touch screen interface exactly like a Data Pad. It's no wonder that the fans have taken to calling it 'Link's Ipad'. | |
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Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_2acb12c5 | comment |
Terran ships and stations in the X-Universe are an example of this in sharp contrast to both other races and Argon (human Lost Colony) ships which are instead gray, blocky and have more exposed machinery. | |
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| Everything Is an iPod in the Future / int_2b82b95f | comment |
Despite iCarly being something of a rip-off of the 'iPod Generation', the actual tech they used is completely opposite. The "Pear" Pods are literally shaped like pears, they're very colorful, and their laptops avert the typical white Macbook color scheme. The Pear "Pad" is a massively exaggerated version of the iPad that's about as big as most common LCD computer monitors. | |
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Maliwan banks heavily on this in Borderlands 2. Their gear is all smooth lines with very few sharp angles, their gun magazines look more like battery packs, their sights are holographic projections and their sniper scopes display what look almost like a full HUD on the rear lens, and all their guns are elemental, a technological cut above most of the competition. Funnily enough, they're the one company in the game that goes the biggest lengths to avert Sighted Guns Are Low-Tech. | |
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The 32nd century Starfleet lives and breathes this trope in Star Trek: Discovery. The interior of Federation Headquarters has enough cool blue-white lighting and sleek minimalist decor to make Steve Jobs blush. | |
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Everything Is an iPod in the Future | |
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Sonic Riders: Zero Gravity: Monopole, the city of the future where the story starts and ends, is filled with facilities and vehicles that are clean, streamlined, shiny, and almost barren of color. While the Megalo Station track located here has a bit of color, the Aquatic Capital racetrack shares the iPod aesthetic, as does the Crimson Tower as seen in cutscenes. The SCR-GP robots that serve as generic enemies during races are all transforming monowheels with an iPod shell. Their King Mook, the SCR-HD, shares this aesthetic, as does its One-Winged Angel form Master Core: ABIS. |
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RWBY: Scrolls are sleep collapsible devices that functions as a phone, messenger (email, text and video), camera, portable computer, video game controller and holographic projector. They can connect to any wi-fi or IT device simply by touching it, such as interfacing with the surface of an academy headmaster's desk, slotting into terminal ports, or sharing ID by holding the device up to a scanner. No matter what technological task is required, a scroll is almost always up to the task of doing it. They can even monitor Aura levels for Huntsmen, both individuals and entire teams. Everyone from children to adults uses scrolls, making them extremely accessible and ubiquitous. Atlas, the technological innovator of the world, takes this one step further by making all of its technology sleek and interactive; this even includes its battle droids, which are overhauled in Volume 2 to specifically include the ability to add a "human" touch by giving them sleeker, smarter and friendlier aesthetics. Atlas' poor sister city, Mantle, however, subverts this by being a decaying, dystopian cyberpunk setting to emphasis how the Kingdom of Atlas splits its wealth. | |
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The control room for the Arena in The Hunger Games adaptation has an Apple-like aesthetic. All the Gamemakers' desks look basically like giant iPads. | |
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In the 2005 Doctor Who Magazine comic strip "The Flood" (the final Eighth Doctor strip), the monsters are far-future Cybermen, who have been redesigned to look this◊. White? Check. Rounded, streamlined surfaces? Check. Glowy blue bits? Check. | |
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Doctor Robotnik's drones from Sonic the Hedgehog (2020) are round, white, and have black monitors with red glowing lights for eyes. Since they remind Sonic of eggs, he uses them as an excuse to call him "Eggman". In the sequel, they keep the same visual look, though they're shaped more like traditional Badniks from the games. | |
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Simcity's expansion Cities of Tomorrow uses this design philosophy for its cleaner, more utopian structures. The dystopian ones are more gritty in design. | |
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The Bubble Ship from Oblivion (2013) in particular is a prime example, all sleek curves and shiny white surfaces. The drones are really really pissed-off iPods. | |
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The buildings and other structures in the eponymous park of Jurassic World have this aesthetic in contrast to the jungle-y safari theme used for the one in Jurassic Park. | |
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Total Recall (2012) has lots and lots of touch screen technology to spare, while also mixing this with the darker, grittier style of traditional Cyberpunk. | |
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XCOM: Enemy Unknown: The aliens' tech is mostly made of sleek curvy shapes with Tron Lines, especially the plasma weaponry they tote. When XCOM repurposes their highest-end technology, they also adopt this look, as especially visible on the plasma Sniper Rifle and the heavier armors* although for the latter, it's possible to customize the deco of all but the Archangel armor so it's bulkier and less sleek. There's one aspect where this affects gameplay, and that is when boarding the scout ships, the roundest and sleekest of all UFOs – the angled walls make breaching from the open sides risky due to the lack of visibility, so it's not a bad idea to circle around and go in through the front; it also works in XCOM's favor once inside, as any aliens outside tend to go in through the closest entrance, and lateral entrances make for great funnels for Overwatch traps. | |
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In the Time Scout series, the tech is mostly normal. The incredibly expensive technology used by the time scouts is basically a battered tin/plastic case. Their satchels are just regular, battered leather satchels. In other words, averted. | |
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Star Trek (2009) has a Nokia system built into a vintage Cool Car. The new Enterprise itself is a mix of stylistic throwbacks but the general design seems a lot smoother than remembered. It helps that the plain white and minimalism of the old series adapts fairly well. Nokia was enlisted to help design the communicators as well. It's probably worth noting that the Apple.com splash screen, when the second-gen aluminium iMac was released, had a frame from that movie on the iMac's screen. In many ways the closest resemblance to anything from the original Star Trek franchise was the look of the ship in Star Trek: The Motion Picture, whose pastels and self-illumination now look ahead of their time. The uniform buckles◊ even look like iPhones or iPod Touches. Ironically, the pop-art bright colors in The Original Series make more sense as it was supposedly designed to prevent cabin fever among the crew. At the end of Star Trek IV, we very briefly see the NCC-1701-A Enterprise's bridge, which is just the STTMP bridge set painted completely white with black touchscreens◊, anticipating the iPod style in 1986. However, the design of the bridge would be significantly changed in Star Trek V. The first bridge set for the USS Excelsior used only in Star Trek III: The Search for Spock is positively this style. Later variants of Excelsior-class bridges, including the Excelsior herself, were replaced with less minimalistic bridge sets later on. |
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At the end of Star Trek IV, we very briefly see the NCC-1701-A Enterprise's bridge, which is just the STTMP bridge set painted completely white with black touchscreens◊, anticipating the iPod style in 1986. However, the design of the bridge would be significantly changed in Star Trek V. | |
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The interiors of Moonbase Alpha on Space: 1999, and the Alphans' Rudi Gernreich-designed uniforms (particularly during the first season, when they were more unisex). | |
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The spaceship of Ego's human avatar in Guardians of the Galaxy Vol. 2 is round and white. | |
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With the Rising Tide expansion for Civilization: Beyond Earth, the overall aesthetic of the Purity/Supremacy hybrid affinity is this - the ideology celebrates humanity's status as the "tool user", using science and technology to overcome any obstacle. Here◊ is a released image showing the progression of the basic infantry unit. | |
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In Warframe, Cephalon technology embodies this aesthetic. Weapons and tools have streamlined shapes with minimal decoration beyond some LED trim and suspended holograms. Apparently even AIs can have a taste in fashion. | |
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The shiny areas of Minority Report qualify — the clothes shop◊ looks like a Apple Store (the first of whom was opened one year prior to the movie's release). The technology is also full of transparent equipment (though there, plastered with holograms) and smooth, rounded designs such as the a futuristic Lexus and the spider droids. | |
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The first bridge set for the USS Excelsior used only in Star Trek III: The Search for Spock is positively this style. Later variants of Excelsior-class bridges, including the Excelsior herself, were replaced with less minimalistic bridge sets later on. | |
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The futuristic silver armor Iron Man began sporting after AXIS was stated by many to have a distinct Apple influence, particularly with the color scheme and minimalist design. Marvel Editor-In-Chief Axel Alonso even referred to it as Tony's "Genius Bar costume" (a reference to the tech support stations inside most Apple stores). | |
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Overwatch takes place 20 Minutes into the Future and has all sorts of incredible technology of varying aesthetics, so perhaps it's not "everything", but it is present in a few notable places. The Vishkar Corporation is one of the most powerful (and corrupt) tech corporations in the world, and it heavily involves itself Hard Light construction that manifests its technology as white, sleek, and comforting. Symmetra — its representative playable hero — has an artificial arm, Photon Projector weapon, and other devices like sentry turrets and teleporters that all incorporate the aesthetic. Echo was designed to be a constantly-evolving robot and is considered by the game's creators as the most advanced piece of technology in the entire setting. Not surprisingly, she's also heavily evocative of the look despite being created by Overwatch, not Vishkar, and sort of looks like if EVE from WallE had grown up and was also made to lightly resemble a fighter jet, being white, pristine, curvy, and pleasantly-voiced. |
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| Everything Is an iPod in the Future / int_6bc0f10a | comment |
The Starship Heart of Gold and Marvin the Paranoid Android in The Hitchhiker's Guide to the Galaxy (2005). The film's artbook actually almost outlines this trope word for word. It also refers to how the designers wanted the titular guide to look like the previous generation's iPod to the Heart of Gold's current gen model. | |
| Everything Is an iPod in the Future / int_6bc0f10a | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_6bc0f10a | featureConfidence |
1.0 | |
| The Hitchhiker's Guide to the Galaxy (2005) | hasFeature |
Everything Is an iPod in the Future / int_6bc0f10a | |
| Everything Is an iPod in the Future / int_6c1d09b4 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_6c1d09b4 | comment |
The Institute has this going on very straight in Fallout 4. A stark contrast to everything else in the franchise, as their energy weapons and armor are sleek and clean-looking (and also less powerful than the bulkier, dirty Pre-War equipment they're derived from), while the Institute itself is very futuristic looking with clean white walls, decorative fountains, sleek doorways, and transparent walkways. | |
| Everything Is an iPod in the Future / int_6c1d09b4 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_6c1d09b4 | featureConfidence |
1.0 | |
| Fallout 4 (Video Game) | hasFeature |
Everything Is an iPod in the Future / int_6c1d09b4 | |
| Everything Is an iPod in the Future / int_6e68a314 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_6e68a314 | comment |
The Gamecube game P.N.03 takes place mostly in a colony that employs the Mac design philosophy. | |
| Everything Is an iPod in the Future / int_6e68a314 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_6e68a314 | featureConfidence |
1.0 | |
| P.N.03 / Videogame | hasFeature |
Everything Is an iPod in the Future / int_6e68a314 | |
| Everything Is an iPod in the Future / int_6e859048 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_6e859048 | comment |
Played with in Big Hero 6. While the rest of San Fransokyo looks like early 21st century America, Baymax has an all-white body, minimalist design, and rounded surfaces. | |
| Everything Is an iPod in the Future / int_6e859048 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_6e859048 | featureConfidence |
1.0 | |
| Big Hero 6 | hasFeature |
Everything Is an iPod in the Future / int_6e859048 | |
| Everything Is an iPod in the Future / int_76b8cb10 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_76b8cb10 | comment |
Fallout: The in-universe explanation for averting this trope is a worldwide petroleum shortage that has made the manufacture of commercial plastics very expensive, hence why, among other examples, the go-to construction material for rifle stocks is wood or metal over plastics, home appliances are made of metal, and everything generally looks like the pre-plastic world. The Institute has this going on very straight in Fallout 4. A stark contrast to everything else in the franchise, as their energy weapons and armor are sleek and clean-looking (and also less powerful than the bulkier, dirty Pre-War equipment they're derived from), while the Institute itself is very futuristic looking with clean white walls, decorative fountains, sleek doorways, and transparent walkways. |
|
| Everything Is an iPod in the Future / int_76b8cb10 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_76b8cb10 | featureConfidence |
1.0 | |
| Fallout (Franchise) | hasFeature |
Everything Is an iPod in the Future / int_76b8cb10 | |
| Everything Is an iPod in the Future / int_7988cb68 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_7988cb68 | comment |
The shinier locales in Mass Effect, like Illium or the Citadel, tend towards smooth white walls and blue Holographic Terminals. Both of the Normandy ships also have a sleek, minimalist aesthetic in their interior. | |
| Everything Is an iPod in the Future / int_7988cb68 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_7988cb68 | featureConfidence |
1.0 | |
| Mass Effect (Franchise) | hasFeature |
Everything Is an iPod in the Future / int_7988cb68 | |
| Everything Is an iPod in the Future / int_7de8951a | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_7de8951a | comment |
Traveller fits this to a T with illustrations of computers looking almost exactly like twenty-first-century ones. Justifiable in that, after you have miniaturized past a certain level, user-friendliness, fashion and aesthetics become priority. Maybe you can someday put several terabytes into a datadisk the size of a dime, but a human still needs to interface with it comfortably, so it is hard to picture computers designed to communicate directly with a human being smaller than a palmtop without being inconvenient. Wristwatch-sized computers — "datacloths", which seem to be flexible paper-thin screens — and multitudes of other arrangements are available, however pictures and descriptions, one of the most popular arrangements seems to be a Kindle-like Data Pad. | |
| Everything Is an iPod in the Future / int_7de8951a | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_7de8951a | featureConfidence |
1.0 | |
| Traveller (Tabletop Game) | hasFeature |
Everything Is an iPod in the Future / int_7de8951a | |
| Everything Is an iPod in the Future / int_81692f99 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_81692f99 | comment |
The entire Star Trek franchise's predilection for this aesthetic can probably be traced to the fact that Gene Roddenberry had obtained a plastic-spraying machine for coating miscellaneous TV props with a sleek-looking and rounded layer of plastic. The fact that much of the real world's modern technological aesthetic can be traced back to Star Trek, and in turn to the fact that Roddenberry had this simple gizmo for making TV props cheaply, is rather amusing. | |
| Everything Is an iPod in the Future / int_81692f99 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_81692f99 | featureConfidence |
1.0 | |
| Star Trek (Franchise) | hasFeature |
Everything Is an iPod in the Future / int_81692f99 | |
| Everything Is an iPod in the Future / int_85b79d17 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_85b79d17 | comment |
Present in Black Mirror. The future technology seen is generally sleek, white/gray, and lacks features like visible buttons. | |
| Everything Is an iPod in the Future / int_85b79d17 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_85b79d17 | featureConfidence |
1.0 | |
| Black Mirror | hasFeature |
Everything Is an iPod in the Future / int_85b79d17 | |
| Everything Is an iPod in the Future / int_85ccdf78 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_85ccdf78 | comment |
In Galaxy on Fire II, Deep Science ships definitely have this aesthetic. One looks like an iPod version of the Real Life Predator drone. | |
| Everything Is an iPod in the Future / int_85ccdf78 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_85ccdf78 | featureConfidence |
1.0 | |
| Galaxy on Fire (Video Game) | hasFeature |
Everything Is an iPod in the Future / int_85ccdf78 | |
| Everything Is an iPod in the Future / int_86b52b7b | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_86b52b7b | comment |
The film I, Robot pulled this off in a 20 Minutes into the Future setting. The latest line of robots are mostly plain, slightly transparent white, with visible blue and red lights, and very advanced (suspiciously so...). Even some of the other technology has a similar aesthetic; a security monitoring system consists of a thin strip of blue light. | |
| Everything Is an iPod in the Future / int_86b52b7b | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_86b52b7b | featureConfidence |
1.0 | |
| I, Robot | hasFeature |
Everything Is an iPod in the Future / int_86b52b7b | |
| Everything Is an iPod in the Future / int_8832bf9a | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_8832bf9a | comment |
In Commander Kitty, the inside of Zenith Central evokes this aesthetic, down to the egg chair-turned-escape pod CK and Nin Wah ride in on. Taken more literally earlier, when the iKnow device is advertised through a parody of Apple commercials. | |
| Everything Is an iPod in the Future / int_8832bf9a | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_8832bf9a | featureConfidence |
1.0 | |
| Commander Kitty / Web Comic | hasFeature |
Everything Is an iPod in the Future / int_8832bf9a | |
| Everything Is an iPod in the Future / int_8b7b9cd5 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_8b7b9cd5 | comment |
Leia's ship that gets captured at the beginning of A New Hope. | |
| Everything Is an iPod in the Future / int_8b7b9cd5 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_8b7b9cd5 | featureConfidence |
1.0 | |
| A New Hope | hasFeature |
Everything Is an iPod in the Future / int_8b7b9cd5 | |
| Everything Is an iPod in the Future / int_9045fea5 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_9045fea5 | comment |
In Shuffle Quest, when the heroes visit the high-tech world of Men in Black, Terok Nor's spellbook transforms into a literal iPad - which Terok uses to consume the wildest conspiracy nonsense the Internet has to offer. | |
| Everything Is an iPod in the Future / int_9045fea5 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_9045fea5 | featureConfidence |
1.0 | |
| Shuffle Quest (Podcast) | hasFeature |
Everything Is an iPod in the Future / int_9045fea5 | |
| Everything Is an iPod in the Future / int_90c73dda | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_90c73dda | comment |
The Chee in Animorphs are like this under their holograms: sleek ivory and steel androids that vaguely resemble two legged dogs. The Pemalite ship that powers them has a similar look. | |
| Everything Is an iPod in the Future / int_90c73dda | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_90c73dda | featureConfidence |
1.0 | |
| Animorphs | hasFeature |
Everything Is an iPod in the Future / int_90c73dda | |
| Everything Is an iPod in the Future / int_91684031 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_91684031 | comment |
The Pokédex interface and physical design has increasingly gone this way from Generation V onward. Pokémon Black and White and Pokémon Black 2 and White 2 used a design that resembles an iPod combined with a slider phone. Pokémon X and Y had one resembled a contemporary smartphone from that time. Pokémon Sun and Moon and Pokémon Ultra Sun and Ultra Moon introduced the Rotom Dex, which is essentially a flying iPad with Rotom acting as a companion akin to Siri. The redesigned Kanto Pokédex in Pokémon Let's Go, Pikachu! and Eevee! also resembles a tablet, and Pokémon Sword and Shield outright merges Rotom with the smartphones of people taking the gym challenge, including those of the heroes. | |
| Everything Is an iPod in the Future / int_91684031 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_91684031 | featureConfidence |
1.0 | |
| Pokémon Black and White (Video Game) | hasFeature |
Everything Is an iPod in the Future / int_91684031 | |
| Everything Is an iPod in the Future / int_91f0110a | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_91f0110a | comment |
Ace Combat 3: Electrosphere, the one installment of Ace Combat set in The Future proper of Strangereal instead of 20 Minutes into the Future, has this aesthetic to its plane designs, even the real life ones are future-ized versions with similar sleek curves, lack of canopies and predominantly white paintjobs. Being a game from 1999, they are more in-line with the Y2K futurism and "blobitecture" aesthetic. | |
| Everything Is an iPod in the Future / int_91f0110a | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_91f0110a | featureConfidence |
1.0 | |
| Ace Combat 3: Electrosphere (Video Game) | hasFeature |
Everything Is an iPod in the Future / int_91f0110a | |
| Everything Is an iPod in the Future / int_9994a14f | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_9994a14f | comment |
WALL•E: EVE is basically a floating sentient iProbe that appears to be made mostly of curves, folds up neatly, and is packed with numerous features. Makes sense, since her character design was done by Jonathan Ive, who designed... wait for it... the iPod. WALL•E himself, though his design is boxy and not sleek, makes a distinctive Mac start-up chime when he powers up, indicating that he probably runs on some form of macOS. Everything aboard the Axiom and perhaps the exterior of the ship itself is indicative of this trope. And as a rather cool bonus feature, AUTO (the autopilot) itself is voiced by MacInTalk (Apple's old text-to-speech software). |
|
| Everything Is an iPod in the Future / int_9994a14f | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_9994a14f | featureConfidence |
1.0 | |
| WALL•E | hasFeature |
Everything Is an iPod in the Future / int_9994a14f | |
| Everything Is an iPod in the Future / int_99e32a93 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_99e32a93 | comment |
The Thing in the Nomes Trilogy. Subverted since it can explode. | |
| Everything Is an iPod in the Future / int_99e32a93 | featureApplicability |
-0.3 | |
| Everything Is an iPod in the Future / int_99e32a93 | featureConfidence |
1.0 | |
| Nomes Trilogy | hasFeature |
Everything Is an iPod in the Future / int_99e32a93 | |
| Everything Is an iPod in the Future / int_9a7088bc | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_9a7088bc | comment |
Ironically, the pop-art bright colors in The Original Series make more sense as it was supposedly designed to prevent cabin fever among the crew. | |
| Everything Is an iPod in the Future / int_9a7088bc | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_9a7088bc | featureConfidence |
1.0 | |
| Star Trek: The Original Series | hasFeature |
Everything Is an iPod in the Future / int_9a7088bc | |
| Everything Is an iPod in the Future / int_9d41fc3b | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_9d41fc3b | comment |
Despicable Me uses this to contrast Gru's classic Mad Scientist style villainy with the upstart, next-gen villain, Vector. Gru's base looks like something out of a James Bond film, Vector's looks like if Steve Jobs had designed an iFortress. | |
| Everything Is an iPod in the Future / int_9d41fc3b | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_9d41fc3b | featureConfidence |
1.0 | |
| Despicable Me | hasFeature |
Everything Is an iPod in the Future / int_9d41fc3b | |
| Everything Is an iPod in the Future / int_9f89a5f0 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_9f89a5f0 | comment |
Pokémon examples: The Pokédex interface and physical design has increasingly gone this way from Generation V onward. Pokémon Black and White and Pokémon Black 2 and White 2 used a design that resembles an iPod combined with a slider phone. Pokémon X and Y had one resembled a contemporary smartphone from that time. Pokémon Sun and Moon and Pokémon Ultra Sun and Ultra Moon introduced the Rotom Dex, which is essentially a flying iPad with Rotom acting as a companion akin to Siri. The redesigned Kanto Pokédex in Pokémon Let's Go, Pikachu! and Eevee! also resembles a tablet, and Pokémon Sword and Shield outright merges Rotom with the smartphones of people taking the gym challenge, including those of the heroes. Generation VII also features the Aether Foundation, with the white color scheme of their uniforms and Aether Paradise resembling the motif of a nature preserve combined with an Apple Store. Possible gen IX spoilers: The Future forms of most Pokémon in Pokémon Violet that got one can be considered this, them being robotized versions of said Pokémon. A funny thing about this is that those forms, apart from being robotic and "sleek", are also smaller than their original counterparts, likely paralleling how slimmer modern devices are compared to previous iterations |
|
| Everything Is an iPod in the Future / int_9f89a5f0 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_9f89a5f0 | featureConfidence |
1.0 | |
| Pokémon (Franchise) | hasFeature |
Everything Is an iPod in the Future / int_9f89a5f0 | |
| Everything Is an iPod in the Future / int_9fca1f57 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_9fca1f57 | comment |
Portal Reloaded: Aperture Science still has the same aesthetic. | |
| Everything Is an iPod in the Future / int_9fca1f57 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_9fca1f57 | featureConfidence |
1.0 | |
| Portal Reloaded (Video Game) | hasFeature |
Everything Is an iPod in the Future / int_9fca1f57 | |
| Everything Is an iPod in the Future / int_a4c36b62 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_a4c36b62 | comment |
PlanetSide 2's Terran Republic employs the iPod aesthetic for most of their equipment; in contrast to the New Conglomerate's philosophy of "we don't believe in 'the curve'" and the Vanu Sovereignty's crab aesthetic, TR equipment is made of simple swooping and straight lines, and regular circles. While NC equipment is unpainted metal and VS are hexagonal ceramics, TR uses large amounts of plastics and carbon-fiber. | |
| Everything Is an iPod in the Future / int_a4c36b62 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_a4c36b62 | featureConfidence |
1.0 | |
| PlanetSide (Video Game) | hasFeature |
Everything Is an iPod in the Future / int_a4c36b62 | |
| Everything Is an iPod in the Future / int_a84f287e | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_a84f287e | comment |
In Cube 2: Hypercube, instead of something out of hell with dark shadows, visible circuit boards, spinning door latches and rumbling elevators, the environment of the new tesseract cube is almost user-friendly with all white surfaces and touch-to-open panels. | |
| Everything Is an iPod in the Future / int_a84f287e | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_a84f287e | featureConfidence |
1.0 | |
| Cube 2: Hypercube | hasFeature |
Everything Is an iPod in the Future / int_a84f287e | |
| Everything Is an iPod in the Future / int_aaeed53d | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_aaeed53d | comment |
Putt-Putt Travels Through Time predicted the future would take place on Floating Continents, with teleportation being possible, having food makers for all living creatures, libraries where you could print your own stories, museums where calculators are ancient mathematics artifacts, and there is no such thing as money. | |
| Everything Is an iPod in the Future / int_aaeed53d | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_aaeed53d | featureConfidence |
1.0 | |
| Putt-Putt (Video Game) | hasFeature |
Everything Is an iPod in the Future / int_aaeed53d | |
| Everything Is an iPod in the Future / int_ac06dd8c | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_ac06dd8c | comment |
The redesigned lab of New Island in Mewtwo Strikes Back—Evolution gives off this aesthetic, containing an array of holographic touch panels that still remain when Mewtwo rebuilds the lab. | |
| Everything Is an iPod in the Future / int_ac06dd8c | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_ac06dd8c | featureConfidence |
1.0 | |
| Mewtwo Strikes Back—Evolution | hasFeature |
Everything Is an iPod in the Future / int_ac06dd8c | |
| Everything Is an iPod in the Future / int_aca7b22d | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_aca7b22d | comment |
The Amazing World of Gumball: In "The Upgrade", Gumball and Darwin take Bobert the robot to be fixed at the Bobert Store, where everything is bright white, even the employees. They end up buying a new Bobert — and while the original was already white and rather sleek, the new model is shiny black and even sleeker. | |
| Everything Is an iPod in the Future / int_aca7b22d | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_aca7b22d | featureConfidence |
1.0 | |
| The Amazing World of Gumball | hasFeature |
Everything Is an iPod in the Future / int_aca7b22d | |
| Everything Is an iPod in the Future / int_ad6a095e | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_ad6a095e | comment |
In Princess: The Hopeful, the most common aesthetic for modern Ambassadors to the Machine is the "iPrincess" look, with sleek, hard white clothing and Technicolor Eyes, hair and skin. The aesthetic competes with Steampunk Wrench Wenches, and some older Princesses stick to a Zeerust look that was popular when they first got into the Embassy. | |
| Everything Is an iPod in the Future / int_ad6a095e | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_ad6a095e | featureConfidence |
1.0 | |
| Princess: The Hopeful (Tabletop Game) | hasFeature |
Everything Is an iPod in the Future / int_ad6a095e | |
| Everything Is an iPod in the Future / int_aeac03f9 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_aeac03f9 | comment |
Metroid Dread features the robotic EMMI, with a sleek design and singular red photoreceptor, serving as major antagonists of the game. The first one seen in the trailer is even white, though others in the game come in different colors. | |
| Everything Is an iPod in the Future / int_aeac03f9 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_aeac03f9 | featureConfidence |
1.0 | |
| Metroid Dread (Video Game) | hasFeature |
Everything Is an iPod in the Future / int_aeac03f9 | |
| Everything Is an iPod in the Future / int_afeeacf6 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_afeeacf6 | comment |
Costume designer Michael Kaplan has said that the newer, sleeker Stormtrooper armors from The Force Awakens were inspired by Apple's iPhone. | |
| Everything Is an iPod in the Future / int_afeeacf6 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_afeeacf6 | featureConfidence |
1.0 | |
| The Force Awakens | hasFeature |
Everything Is an iPod in the Future / int_afeeacf6 | |
| Everything Is an iPod in the Future / int_b05dd79a | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_b05dd79a | comment |
Domain Tnemrot: Tempest has a computer that looks and acts like an iPad. This is explained in the notes as almost all tech in the future being based around the touch screen. | |
| Everything Is an iPod in the Future / int_b05dd79a | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_b05dd79a | featureConfidence |
1.0 | |
| Domain Tnemrot (Webcomic) | hasFeature |
Everything Is an iPod in the Future / int_b05dd79a | |
| Everything Is an iPod in the Future / int_b128983d | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_b128983d | comment |
Floating Point features living A.I. Programs who are essentially walking smartphones, with their own self-installed Apps, making this trope somewhat literal. | |
| Everything Is an iPod in the Future / int_b128983d | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_b128983d | featureConfidence |
1.0 | |
| Floating Point | hasFeature |
Everything Is an iPod in the Future / int_b128983d | |
| Everything Is an iPod in the Future / int_b3710357 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_b3710357 | comment |
TRON, a film that takes place inside of a computer, uses this aesthetic, partly because of the limited CG technology of the time, but mostly because everything is supposed to look sleek and virtual. The video game sequel, Tron 2.0, modernizes it slightly. The film sequel, TRON: Legacy, is actually an interesting subversion — when you consider that the OS that everyone uses was made by a hacker, it makes sense that all the computer use a Command Line Interface, making for something of a Linux future. | |
| Everything Is an iPod in the Future / int_b3710357 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_b3710357 | featureConfidence |
1.0 | |
| TRON | hasFeature |
Everything Is an iPod in the Future / int_b3710357 | |
| Everything Is an iPod in the Future / int_b3788a5d | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_b3788a5d | comment |
The Work Pods and the interior of the Discovery in 2001: A Space Odyssey, made in 1968. This inspired the design of the iPod, hence the name. ("I'm sorry Dave, I can't play that...") In fact, Samsung has cited 2001's tablet-like devices as Prior Art to Apple's iPad in a patent struggle. | |
| Everything Is an iPod in the Future / int_b3788a5d | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_b3788a5d | featureConfidence |
1.0 | |
| 2001: A Space Odyssey | hasFeature |
Everything Is an iPod in the Future / int_b3788a5d | |
| Everything Is an iPod in the Future / int_b61c4182 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_b61c4182 | comment |
La oreja de Van Gogh: The computers in the video for "Europa VII", with a bit of Raygun Gothic mixed in for variety. | |
| Everything Is an iPod in the Future / int_b61c4182 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_b61c4182 | featureConfidence |
1.0 | |
| La oreja de Van Gogh (Music) | hasFeature |
Everything Is an iPod in the Future / int_b61c4182 | |
| Everything Is an iPod in the Future / int_b952005 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_b952005 | comment |
Endless Space: The key aesthetic of the Badass Adorable Sophons, see for yourself. | |
| Everything Is an iPod in the Future / int_b952005 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_b952005 | featureConfidence |
1.0 | |
| Endless Space (Video Game) | hasFeature |
Everything Is an iPod in the Future / int_b952005 | |
| Everything Is an iPod in the Future / int_bc848d30 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_bc848d30 | comment |
Parodied in the SpongeBob SquarePants episode "SB-129", in which everything in the future is chrome. They even have guys who drive around in vans spray-painting everything that's not already chrome. | |
| Everything Is an iPod in the Future / int_bc848d30 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_bc848d30 | featureConfidence |
1.0 | |
| SpongeBob SquarePants | hasFeature |
Everything Is an iPod in the Future / int_bc848d30 | |
| Everything Is an iPod in the Future / int_bcadd7cb | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_bcadd7cb | comment |
The Tau Empire in Warhammer 40,000 combine this with Crystal Spires and Togas (at least on the surface). | |
| Everything Is an iPod in the Future / int_bcadd7cb | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_bcadd7cb | featureConfidence |
1.0 | |
| Warhammer 40,000 (Tabletop Game) | hasFeature |
Everything Is an iPod in the Future / int_bcadd7cb | |
| Everything Is an iPod in the Future / int_bed3f0a | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_bed3f0a | comment |
Ilivais X follows this design, with cities being futuristic bubbles held above the land, and the Humongous Mecha typically being very sleek and advanced. The Avespias are the only units to even have any kind face, as the Ilivais prototypes have curved wedges with a sensor web, and the Espadas are piloted from within a shoulder-mounted sphere. | |
| Everything Is an iPod in the Future / int_bed3f0a | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_bed3f0a | featureConfidence |
1.0 | |
| Ilivais X | hasFeature |
Everything Is an iPod in the Future / int_bed3f0a | |
| Everything Is an iPod in the Future / int_c174badc | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_c174badc | comment |
In A Mad Tea-Party, 200 years in the future, there are iPad-like things for breaking into cars and checking medical files on the internet. | |
| Everything Is an iPod in the Future / int_c174badc | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_c174badc | featureConfidence |
1.0 | |
| AMadTeaParty | hasFeature |
Everything Is an iPod in the Future / int_c174badc | |
| Everything Is an iPod in the Future / int_c399cd39 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_c399cd39 | comment |
Eclipse Phase has this, because any object not physically implanted or worn has to be usable by everything from ordinary humans to uplifted squid. As a result, everything is palm-sized, made of smooth cream-coloured plastic, lacks corners or sharp edges, and more than likely doesn't even have buttons since you can operate most things mentally. | |
| Everything Is an iPod in the Future / int_c399cd39 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_c399cd39 | featureConfidence |
1.0 | |
| Eclipse Phase (Tabletop Game) | hasFeature |
Everything Is an iPod in the Future / int_c399cd39 | |
| Everything Is an iPod in the Future / int_c43df4d8 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_c43df4d8 | comment |
Doctor Who: The inside of the TARDIS can be thought of as a version of this, in its original 1960s incarnation. The original set designer, Peter Brachacki, gave it a sterile white feel covered in a regular geometric pattern of circles with hints of neoclassical architecture to make it look "timeless", rather than deliberately futuristic. Due to the low budget, the control console in the middle of the room was covered with conventional buttons, dials, levers, and switches (Brachacki's original concept called for controls molded specifically to the pilot's hands), but the sterile white roundel-covered walls became iconic and continue to inform the design of the current TARDIS sets nearly 50 years on. Amusingly, attempts by subsequent less visionary designers to make the TARDIS look futuristic (especially with the console design in the 1980s,◊ which looked like a giant BBC Micro) dated at alarming speed. In the 21st century revived series, the origin of the Cybermen in a parallel universe involved shiny rounded wireless silver earpieces called EarPods by Cybus Industries, inspired by contemporary technological trends. Apple would make actual wireless earbuds a decade later. |
|
| Everything Is an iPod in the Future / int_c43df4d8 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_c43df4d8 | featureConfidence |
1.0 | |
| Doctor Who | hasFeature |
Everything Is an iPod in the Future / int_c43df4d8 | |
| Everything Is an iPod in the Future / int_c487221e | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_c487221e | comment |
The headquarters of Men in Black consists of featureless, rounded shapes, from the egg-shaped furniture (which Jay can't quite get the hang of) to the oval viewscreens. This is particularly amusing because the "Men In Black" organization is using technology built during the previous incarnation of this design style, the "space age" aesthetic of the early 1960s. It also shows up in A Clockwork Orange and the original Star Trek. | |
| Everything Is an iPod in the Future / int_c487221e | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_c487221e | featureConfidence |
1.0 | |
| Men in Black | hasFeature |
Everything Is an iPod in the Future / int_c487221e | |
| Everything Is an iPod in the Future / int_cb45dbdc | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_cb45dbdc | comment |
Possible gen IX spoilers: The Future forms of most Pokémon in Pokémon Violet that got one can be considered this, them being robotized versions of said Pokémon. A funny thing about this is that those forms, apart from being robotic and "sleek", are also smaller than their original counterparts, likely paralleling how slimmer modern devices are compared to previous iterations | |
| Everything Is an iPod in the Future / int_cb45dbdc | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_cb45dbdc | featureConfidence |
1.0 | |
| Pokémon Scarlet and Violet (Video Game) | hasFeature |
Everything Is an iPod in the Future / int_cb45dbdc | |
| Everything Is an iPod in the Future / int_cc4aa07c | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_cc4aa07c | comment |
The near-future world of Lost Echo features this trope both in- and out-universe, since the game is made for iPod and iPad. | |
| Everything Is an iPod in the Future / int_cc4aa07c | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_cc4aa07c | featureConfidence |
1.0 | |
| Lost Echo (Video Game) | hasFeature |
Everything Is an iPod in the Future / int_cc4aa07c | |
| Everything Is an iPod in the Future / int_d109f322 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_d109f322 | comment |
Andromeda computers are rather like this. | |
| Everything Is an iPod in the Future / int_d109f322 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_d109f322 | featureConfidence |
1.0 | |
| Andromeda | hasFeature |
Everything Is an iPod in the Future / int_d109f322 | |
| Everything Is an iPod in the Future / int_d8c2cfe4 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_d8c2cfe4 | comment |
The Yellowjacket armor in Ant-Man is described as looking like "Apple made an Ant-Man suit." This is in contrast to the suit worn by the protagonist, which was developed in the 60's and therefore looks rougher and more leathery. | |
| Everything Is an iPod in the Future / int_d8c2cfe4 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_d8c2cfe4 | featureConfidence |
1.0 | |
| Ant-Man | hasFeature |
Everything Is an iPod in the Future / int_d8c2cfe4 | |
| Everything Is an iPod in the Future / int_dc25de3f | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_dc25de3f | comment |
Portal: Aperture Science product design borrows heavily from Apple, especially with the turrets. In fact, one of the turrets from Portal was used to represent a Macintosh computer in a "Steam for Mac" ad, with a Team Fortress 2 Sentry representing the PC. Continued in the sequel, Portal 2, albeit with a few more exposed mechanical parts. Sarma Cube is even more Ipad-styled than Portal. Portal Reloaded: Aperture Science still has the same aesthetic. |
|
| Everything Is an iPod in the Future / int_dc25de3f | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_dc25de3f | featureConfidence |
1.0 | |
| Portal / Videogame | hasFeature |
Everything Is an iPod in the Future / int_dc25de3f | |
| Everything Is an iPod in the Future / int_dd3c121a | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_dd3c121a | comment |
Sarma Cube is even more Ipad-styled than Portal. | |
| Everything Is an iPod in the Future / int_dd3c121a | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_dd3c121a | featureConfidence |
1.0 | |
| Sarma Cube (Video Game) | hasFeature |
Everything Is an iPod in the Future / int_dd3c121a | |
| Everything Is an iPod in the Future / int_df76da7e | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_df76da7e | comment |
The city in Mirror's Edge is like living in an iPod. | |
| Everything Is an iPod in the Future / int_df76da7e | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_df76da7e | featureConfidence |
1.0 | |
| Mirror's Edge (Video Game) | hasFeature |
Everything Is an iPod in the Future / int_df76da7e | |
| Everything Is an iPod in the Future / int_e0558032 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_e0558032 | comment |
A literal example in MechQuest. The player character's PDA is an Eye-Pad. | |
| Everything Is an iPod in the Future / int_e0558032 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_e0558032 | featureConfidence |
1.0 | |
| MechQuest (Video Game) | hasFeature |
Everything Is an iPod in the Future / int_e0558032 | |
| Everything Is an iPod in the Future / int_e270b7e1 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_e270b7e1 | comment |
One of the aesthetics in Genius: The Transgression is called "Pod People." The corebook mentions an editorial cartoon in a Genius-run magazine supposedly depicting the standard Pod People Death Ray: its description sounds like an iPod with its controls replaced by a single button labeled "KILL." | |
| Everything Is an iPod in the Future / int_e270b7e1 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_e270b7e1 | featureConfidence |
1.0 | |
| Genius: The Transgression (Tabletop Game) | hasFeature |
Everything Is an iPod in the Future / int_e270b7e1 | |
| Everything Is an iPod in the Future / int_eb6719f6 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_eb6719f6 | comment |
The entire city of Esthar in Final Fantasy VIII looks like an iMac: everything has a sleek, rounded design and is built in translucent jewel colors, primarily sky blue, bright pink, and green. | |
| Everything Is an iPod in the Future / int_eb6719f6 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_eb6719f6 | featureConfidence |
1.0 | |
| Final Fantasy VIII (Video Game) | hasFeature |
Everything Is an iPod in the Future / int_eb6719f6 | |
| Everything Is an iPod in the Future / int_ecef0113 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_ecef0113 | comment |
The Parasites from Gratuitous Space Battles. Their ships consist entirely of white metal hulls with brightly colored, transparent accents, and sleek weapons. | |
| Everything Is an iPod in the Future / int_ecef0113 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_ecef0113 | featureConfidence |
1.0 | |
| Gratuitous Space Battles (Video Game) | hasFeature |
Everything Is an iPod in the Future / int_ecef0113 | |
| Everything Is an iPod in the Future / int_ef7b3325 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_ef7b3325 | comment |
The Fantastic Four's black and white costumes from a few years back were clearly aiming at a Genius Bar aesthetic. | |
| Everything Is an iPod in the Future / int_ef7b3325 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_ef7b3325 | featureConfidence |
1.0 | |
| Fantastic Four / Comicbook | hasFeature |
Everything Is an iPod in the Future / int_ef7b3325 | |
| Everything Is an iPod in the Future / int_f7c59eee | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_f7c59eee | comment |
While its two predecessors both depict the future (always specifically in San Dimas, California), the one in Bill & Ted Face the Music specifically has this aesthetic while the others do not, especially in architecture and the wholly redone design of time machines (replacing the phone booth model). | |
| Everything Is an iPod in the Future / int_f7c59eee | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_f7c59eee | featureConfidence |
1.0 | |
| Bill & Ted Face the Music | hasFeature |
Everything Is an iPod in the Future / int_f7c59eee | |
| Everything Is an iPod in the Future / int_fa661c5b | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_fa661c5b | comment |
The Sphere from Independence Day: Resurgence is a floating, white robotic orb. | |
| Everything Is an iPod in the Future / int_fa661c5b | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_fa661c5b | featureConfidence |
1.0 | |
| Independence Day: Resurgence | hasFeature |
Everything Is an iPod in the Future / int_fa661c5b | |
| Everything Is an iPod in the Future / int_fb0b20f2 | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_fb0b20f2 | comment |
Aeon technology in Supreme Commander is like this, in contrast to the utilitarian UEF look or the Cyberpunk Cybrans. | |
| Everything Is an iPod in the Future / int_fb0b20f2 | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_fb0b20f2 | featureConfidence |
1.0 | |
| Supreme Commander (Video Game) | hasFeature |
Everything Is an iPod in the Future / int_fb0b20f2 | |
| Everything Is an iPod in the Future / int_ff9ab17f | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_ff9ab17f | comment |
Star Trek: The Next Generation used iPad-like devices (called "PADDs") back in 1987. The goal was to save on the prop budget by using replaceable painted glass "touch screens" that could be updated to suit the plot, rather than designing a new machine with buttons and dials every time one was needed. However, the pads appear to be specialized in the content and functions they offer, often requiring crew members to swap between multiple pads to achieve different functions or access different files. The 32nd century Starfleet lives and breathes this trope in Star Trek: Discovery. The interior of Federation Headquarters has enough cool blue-white lighting and sleek minimalist decor to make Steve Jobs blush. The entire Star Trek franchise's predilection for this aesthetic can probably be traced to the fact that Gene Roddenberry had obtained a plastic-spraying machine for coating miscellaneous TV props with a sleek-looking and rounded layer of plastic. The fact that much of the real world's modern technological aesthetic can be traced back to Star Trek, and in turn to the fact that Roddenberry had this simple gizmo for making TV props cheaply, is rather amusing. |
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| Everything Is an iPod in the Future / int_ff9ab17f | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_ff9ab17f | featureConfidence |
1.0 | |
| Star Trek: The Next Generation | hasFeature |
Everything Is an iPod in the Future / int_ff9ab17f | |
| Everything Is an iPod in the Future / int_ffd1ab7f | type |
Everything Is an iPod in the Future | |
| Everything Is an iPod in the Future / int_ffd1ab7f | comment |
Starsnatcher: Whether it's an MRI scanner, a radar screen, or even a factory; everything in the Seizer civilization is portable, user-friendly, and more often than not explicitly described as shiny and sleek. A lot of their gadgets are even shaped like iPods. | |
| Everything Is an iPod in the Future / int_ffd1ab7f | featureApplicability |
1.0 | |
| Everything Is an iPod in the Future / int_ffd1ab7f | featureConfidence |
1.0 | |
| Starsnatcher | hasFeature |
Everything Is an iPod in the Future / int_ffd1ab7f |
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