...it's like TV Tropes, but LINKED DATA!
Fading into the Next Song
- 679 statements
- 108 feature instances
- 282 referencing feature instances
| Fading into the Next Song | type |
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FadingIntoTheNextSong | |
| Fading into the Next Song | comment |
So, you have this song. It's pretty cool, but the Fade Out is kind of long. What do you do? Continue the fadeout into the beginning of the next song on the album, and copy-paste the intro of the second song over the fadeout. In written music, this is referred to as a "segue," pronounced like "Seg-way" (hence the Punny Name). This is a common practice in mix albums for "dancefloor" Electronic Music genres like House and Trance since the objective is to create a seamless experience; it is usually referred to as "crossfading", after the crossfader slider on a mixer. Live songs and medleys don't count. Concept Albums most definitely count. This refers only to when a song's fadeout spills into the beginning of the next one — sound effects, abrupt switches without gaps and other transitions don't count. Albums that do this all the way through are known as "gapless albums". See also Siamese Twin Song. |
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SiameseTwinSong | |
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Équinoxe (Music) | |
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DBTropes | |
| Fading into the Next Song / int_107f2100 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_107f2100 | comment |
In La Bohème, just as the orchestral playout of Musetta's waltz has faded to quasi niente, the offstage fife, drum and bugle corps begins playing (twice as fast and in a completely different key) the marching tune that repeats throughout the rest of the act. | |
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Fading into the Next Song | |
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Information Society has a few gapless albums, such as Don't Be Afraid and Orders of Magnitude. | |
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Fading into the Next Song | |
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Miss Saigon. The final notes of "Last Night of the World" segue into the opening notes of "The Morning of the Dragon". | |
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Metallica has "Fight Fire With Fire" → "Ride the Lightning". | |
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Daniel Johnston's early albums like Hi, How Are You and Yip/Jump Music were recorded on cassette and tend to do this as a result. | |
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Fading into the Next Song | |
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They started using this on The Who Sell Out, where various radio snippets would link the songs together. The rock operas Tommy and Quadrophenia would continue this trend. | |
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Fading into the Next Song | |
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The King of Limbs: "Codex" → "Give Up the Ghost". | |
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Underworld: A recurring trope on their albums, as well as their live shows, for most of The '90s. Band-member Darren Emerson being a DJ no doubt helped this. | |
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On 21st Century Breakdown, we have "Last of the American Girls" → "Murder City", with the beeps at the end of the first and the drums which pick up when the track officially changes to the second. | |
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Modest Mouse opens Good News for People Who Like Bad News with "The World at Large," which fades into "Float On". This highlights the fact that "The World at Large" is essentially a somber, slower version of "Float On". On We Were Dead Before the Ship Even Sank, "People as Places as People" → "Invisible". |
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Darren Hayes' third solo album This Delicate Thing We've Made opens with this quite cleanly, from "A Fear of Falling Under" → "Who Would Have Thought?". So cleanly, in fact, that the first song ends abruptly without the second to follow it. | |
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The Dandy Warhols' Thirteen Tales From Urban Bohemia has most of its tracks seamlessly blending into each other. | |
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Metropolis Pt. 2: Scenes from a Memory by Dream Theater, being a Rock Opera, is gapless aside from scenes 5 and 6, which is a transition between acts. The second disc of Six Degrees of Inner Turbulence, being one 42-minute song divided into eight tracks, also does this. In general Dream Theater does this a lot, even between albums. The first disc of Six Degrees begins with the static from the end of Scenes from a Memory and Train of Thought begins with a Fade In from the end of Six Degrees. ...then Octavarium begins with a fade-in from Train of Thought and ends fading into itself |
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| Fading into the Next Song / int_355e2011 | type |
Fading into the Next Song | |
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On City of Evil, "Beast and the Harlot", "Burn It Down" and "Blinded in Chains" are so closely knit together you likely won't even noticed the track has changed at first. The latter two even have a nearly identical drum beat at the beginning. | |
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Fading into the Next Song | |
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A literal inversion occurs in A Day at the Races where the coda of "Teo Torriatte", the last song on the album, "fades into" the intro of "Tie Your Mother Down", the first song on the album. | |
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| A Day at the Races (Album) (Music) | hasFeature |
Fading into the Next Song / int_364b6455 | |
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Fading into the Next Song | |
| Fading into the Next Song / int_3a82077a | comment |
A few songs on Abbey Road fit into this. The best example would be "You Never Give Me Your Money" into "Sun King". However, none of the rest of the "Abbey Road medley" songs actually qualify, as they are all hard edits of songs recorded in a single pass. | |
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Fading into the Next Song / int_3a82077a | |
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Fading into the Next Song | |
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Rush: "Caravan" → "BU2B" (Clockwork Angels) | |
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Fading into the Next Song / int_3c53ffa8 | |
| Fading into the Next Song / int_3df37b17 | type |
Fading into the Next Song | |
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Beck: "E-Pro" → "Que Onda Guero" (Guero). | |
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| Fading into the Next Song / int_3df37b17 | featureConfidence |
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Fading into the Next Song | |
| Fading into the Next Song / int_4360235b | comment |
The Roots' album Phrenology has this throughout the entire album, notably with the 20-second hardcore punk track "!!!!" → "Sacrifice" with Nelly Furtado and "Thought @ Work" → "The Seed (2.0)" with Cody Chestnutt. | |
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Fading into the Next Song | |
| Fading into the Next Song / int_43704a88 | comment |
On The Stage, "Fermi Paradox" ends with wind in the background as the guitar solo fades out, which continues into the last track "Exist". | |
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Fading into the Next Song / int_43704a88 | |
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Fading into the Next Song | |
| Fading into the Next Song / int_46518682 | comment |
Sesame Street's "Mechanical Technology" short film starts with Janko Nilovic's "MÃ neges aux Tuileries", which seamlessly segues to "Portrait d'un robot" by the same artist. On his original album, Jouets musicaux, these songs were separate. | |
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Fading into the Next Song | |
| Fading into the Next Song / int_47f12b4b | comment |
In at least the latest CD edition of Bridges to Babylon, "Out of Control" → "Saint of Me". It's especially noteworthy because in the cassette and vinyl editions those two songs were separated by a side break. | |
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Fading into the Next Song | |
| Fading into the Next Song / int_498dbb5a | comment |
All the songs on Meteora, except for "Session" and "Numb". | |
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Fading into the Next Song / int_498dbb5a | |
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Fading into the Next Song | |
| Fading into the Next Song / int_50b803b7 | comment |
Hail to the Thief: "I Will" → "A Punchup at a Wedding". | |
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Fading into the Next Song / int_50b803b7 | |
| Fading into the Next Song / int_53cd7ffc | type |
Fading into the Next Song | |
| Fading into the Next Song / int_53cd7ffc | comment |
Cut Copy is rather fond of this trope - both In Ghost Colours and Zonoscope are nearly gapless. | |
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Fading into the Next Song / int_53cd7ffc | |
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Fading into the Next Song | |
| Fading into the Next Song / int_5833468e | comment |
Brian Jones Presents the Pipes of Pan at Jajouka, by the Moroccan folk group Master Musicians of Jajouka and as compiled by Brian Jones, plays out as one long epic performance (but was shortened somewhat because in Real Life the actual length of these chants can stretch out to several hours). | |
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Fading into the Next Song / int_5833468e | |
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Fading into the Next Song | |
| Fading into the Next Song / int_5ad9f8ee | comment |
On their self-titled album, "Unbound (Wild Ride)" ends with a Heartbeat Soundtrack that continues beating into the next track "Brompton Cocktail". | |
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Fading into the Next Song / int_5ad9f8ee | |
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Fading into the Next Song | |
| Fading into the Next Song / int_605b841b | comment |
The Chemical Brothers have made use of this trope more than once. The first six tracks on Exit Planet Dust are entirely gapless. Also, on the same album, "Life Is Sweet" → "Playground for a Wedgeless Firm". Dig Your Own Hole has "Elektrobank" → "Piku" and "It Doesn't Matter" → "Don't Stop the Rock" → "Get Up on It Like This". Surrender has "Under the Influence" → "Out of Control" and "Got Glint?" → "Hey Boy Hey Girl" → "Surrender" → "Dream On". |
|
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Fading into the Next Song / int_605b841b | |
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Fading into the Next Song | |
| Fading into the Next Song / int_61b2927c | comment |
"Back in the U.S.S.R." → "Dear Prudence" on The White Album. | |
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Fading into the Next Song / int_61b2927c | |
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Fading into the Next Song | |
| Fading into the Next Song / int_631805af | comment |
The soundtrack to Metal Gear Solid 4: Guns of the Patriots does this with almost every song. | |
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Fading into the Next Song / int_631805af | |
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Fading into the Next Song | |
| Fading into the Next Song / int_63fca93a | comment |
Fleshgod Apocalypse's album Agony makes heavy use of this, such examples being "The Deceit" → "The Violation" and "The Betrayal" → "The Forsaking". | |
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Fading into the Next Song / int_63fca93a | |
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Fading into the Next Song | |
| Fading into the Next Song / int_64bfe476 | comment |
Similarly, "She's a Rainbow" → "The Lantern" on Their Satanic Majesties Request. | |
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Fading into the Next Song / int_64bfe476 | |
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Fading into the Next Song | |
| Fading into the Next Song / int_69619f2a | comment |
On How It Feels to Be Something On by Sunny Day Real Estate, "Pillars" → "Roses in Water". | |
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| Fading into the Next Song / int_69619f2a | featureConfidence |
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Fading into the Next Song / int_69619f2a | |
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Fading into the Next Song | |
| Fading into the Next Song / int_6a4e2e01 | comment |
Avenged Sevenfold's does this occasionally: "I Won't See You Tonight Part 1" ends with a sort of radio static getting gradually louder and bleeding directly into Part 2, which starts with hellish strident harmonics. On City of Evil, "Beast and the Harlot", "Burn It Down" and "Blinded in Chains" are so closely knit together you likely won't even noticed the track has changed at first. The latter two even have a nearly identical drum beat at the beginning. On their self-titled album, "Unbound (Wild Ride)" ends with a Heartbeat Soundtrack that continues beating into the next track "Brompton Cocktail". On The Stage, "Fermi Paradox" ends with wind in the background as the guitar solo fades out, which continues into the last track "Exist". |
|
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Fading into the Next Song / int_6a4e2e01 | |
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Fading into the Next Song | |
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The Sucker Punch soundtrack fades "Tomorrow Never Knows" into "Where Is My Mind?". | |
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Fading into the Next Song / int_6f96cb3d | |
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Fading into the Next Song | |
| Fading into the Next Song / int_74159a0b | comment |
Several songs in A Thousand Suns have this as their exact purpose, fitting that album's larger purpose. | |
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| Fading into the Next Song / int_74159a0b | featureConfidence |
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Fading into the Next Song / int_74159a0b | |
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Fading into the Next Song | |
| Fading into the Next Song / int_762a0c1a | comment |
The same technique is employed on Absolution, with "Intro" → "Apocalypse Please", "Sing for Absolution"→ "Stockholm Syndrome", and "Falling Away With You" → "Interlude" → "Hysteria". | |
| Fading into the Next Song / int_762a0c1a | featureApplicability |
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Fading into the Next Song / int_762a0c1a | |
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Fading into the Next Song | |
| Fading into the Next Song / int_77c4203c | comment |
Pepe Deluxé's album Queen of the Wave is a continuous mix, with every single song subtly (or not-so-subtly) fading into the next). | |
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Fading into the Next Song / int_77c4203c | |
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Fading into the Next Song | |
| Fading into the Next Song / int_7af8a3a8 | comment |
Area11 do this with "System; Start", which ends with the drums loudly kicking in. The heavy drums then continue into the next track, "Vectors". The Youtube video for "Vectors" does this by playing the old intro for "Euphemia" at the end, just before the new version starts; on the album proper, the old intro is simply moved to the start of the next track. | |
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Fading into the Next Song / int_7af8a3a8 | |
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Fading into the Next Song | |
| Fading into the Next Song / int_7bf640ee | comment |
The soundtrack to Medal of Honor: Frontline crossfades several tracks: "Border Town" → "U-4902", "Kleveburg" → "Manor House Rally", "Nijmegen Bridge" → "The Rowhouses", "Emmerich Station" → "Thuringer Wald Express" → "Sturmgeist's Armored Train", and "Approaching the Tarmac" → "Clipping Their Wings". | |
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Fading into the Next Song / int_7bf640ee | |
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Fading into the Next Song | |
| Fading into the Next Song / int_7c221074 | comment |
Billie Eilish: "bury a friend" → "ilomilo" (WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?)[[note]]It even has a Continuity Nod! Also: "NDA" → "Therefore I Am" (Happier Than Ever) |
|
| Fading into the Next Song / int_7c221074 | featureApplicability |
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Fading into the Next Song / int_7c221074 | |
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Fading into the Next Song | |
| Fading into the Next Song / int_7d6b6eab | comment |
BROCKHAMPTON: NEW ORLEANS flows perfectly into THUG LIFE so well that one may not be able to tell they are separate songs on their first listen to iridescence. |
|
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Fading into the Next Song / int_7d6b6eab | |
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Fading into the Next Song | |
| Fading into the Next Song / int_7d9d39aa | comment |
Pendulum: On Hold Your Colour, "Prelude" transitions perfectly into "Slam", as the two are essentially Siamese Twin Songs. They have a fair bit of this on Immersion, with "Genesis" → "Salt in the Wounds", "The Island Part 1 (Dawn)" → "The Island Part 2 (Dusk)" (for obvious reasons)... they love it. |
|
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Fading into the Next Song / int_7d9d39aa | |
| Fading into the Next Song / int_7e16bd87 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_7e16bd87 | comment |
Most of the songs on Sound Horizon's Moira flow into the next. This is largely because the album is, according to Revo, one extremely long song that was broken up for the sake of clarity. | |
| Fading into the Next Song / int_7e16bd87 | featureApplicability |
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Fading into the Next Song / int_7e16bd87 | |
| Fading into the Next Song / int_7f5bc680 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_7f5bc680 | comment |
Mark Morgan's Vault Archives is continuously mixed all the way. | |
| Fading into the Next Song / int_7f5bc680 | featureApplicability |
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| Fading into the Next Song / int_7f5bc680 | featureConfidence |
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| Fallout | hasFeature |
Fading into the Next Song / int_7f5bc680 | |
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Fading into the Next Song | |
| Fading into the Next Song / int_7ff19f3e | comment |
Even earlier than this, "Chump" and "Longview" on Dookie were mixed together in such a fashion. The band is quite fond of this trope. | |
| Fading into the Next Song / int_7ff19f3e | featureApplicability |
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Fading into the Next Song / int_7ff19f3e | |
| Fading into the Next Song / int_81959796 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_81959796 | comment |
None of Enigma's albums have any silence at any point. | |
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| Fading into the Next Song / int_81959796 | featureConfidence |
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| Enigma (Music) | hasFeature |
Fading into the Next Song / int_81959796 | |
| Fading into the Next Song / int_850ae291 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_850ae291 | comment |
Marianas Trench's third album Ever After was designed such that all the songs transition seamlessly into the next. | |
| Fading into the Next Song / int_850ae291 | featureApplicability |
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| Fading into the Next Song / int_850ae291 | featureConfidence |
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Fading into the Next Song / int_850ae291 | |
| Fading into the Next Song / int_85dfff38 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_85dfff38 | comment |
Ludwig van Beethoven was a fan of this trope. Probably most famously used from the 3rd movement into the finale in his Fifth Symphony, but also used in the Emperor Concerto (from the 2nd movement to the finale), as well as in his Sixth Symphony, where he faded a scherzo into the Storm section, which then faded into the finale. | |
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Fading into the Next Song / int_85dfff38 | |
| Fading into the Next Song / int_8878b8ad | type |
Fading into the Next Song | |
| Fading into the Next Song / int_8878b8ad | comment |
George Michael: "Father Figure" → "I Want Your Sex (Parts 1 & 2)" (Faith). | |
| Fading into the Next Song / int_8878b8ad | featureApplicability |
1.0 | |
| Fading into the Next Song / int_8878b8ad | featureConfidence |
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| George Michael (Music) | hasFeature |
Fading into the Next Song / int_8878b8ad | |
| Fading into the Next Song / int_89869bb2 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_89869bb2 | comment |
OK Computer: "Airbag" → "Paranoid Android". | |
| Fading into the Next Song / int_89869bb2 | featureApplicability |
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| Fading into the Next Song / int_89869bb2 | featureConfidence |
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| OK Computer (Music) | hasFeature |
Fading into the Next Song / int_89869bb2 | |
| Fading into the Next Song / int_89c084b2 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_89c084b2 | comment |
The Rolling Stones: "Ventilator Blues" → "I Just Want to See His Face" on Exile on Main St.. Similarly, "She's a Rainbow" → "The Lantern" on Their Satanic Majesties Request. In at least the latest CD edition of Bridges to Babylon, "Out of Control" → "Saint of Me". It's especially noteworthy because in the cassette and vinyl editions those two songs were separated by a side break. |
|
| Fading into the Next Song / int_89c084b2 | featureApplicability |
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Fading into the Next Song / int_89c084b2 | |
| Fading into the Next Song / int_89ca8a42 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_89ca8a42 | comment |
On The Fat of the Land, "Funky Shit" → "Serial Thrilla" → "Mindfields" → "Narayan" → "Firestarter". | |
| Fading into the Next Song / int_89ca8a42 | featureApplicability |
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| Fading into the Next Song / int_89ca8a42 | featureConfidence |
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Fading into the Next Song / int_89ca8a42 | |
| Fading into the Next Song / int_8bddb902 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_8bddb902 | comment |
On Led Zeppelin III, "Friends" → "Celebration Day". | |
| Fading into the Next Song / int_8bddb902 | featureApplicability |
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| Fading into the Next Song / int_8bddb902 | featureConfidence |
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| Led Zeppelin III (Music) | hasFeature |
Fading into the Next Song / int_8bddb902 | |
| Fading into the Next Song / int_8c55481e | type |
Fading into the Next Song | |
| Fading into the Next Song / int_8c55481e | comment |
"Spaceship" and "Jesus Walks", which follow each other sequentially on The College Dropout, share a very similar bass line, giving the transition between the two this effect. Also, the choir of "Jesus Walks" echoes into "Never Let Me Down". | |
| Fading into the Next Song / int_8c55481e | featureApplicability |
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Fading into the Next Song / int_8c55481e | |
| Fading into the Next Song / int_8d12a342 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_8d12a342 | comment |
Scorpions "Crazy World" Album has each song segue into each other. | |
| Fading into the Next Song / int_8d12a342 | featureApplicability |
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| Fading into the Next Song / int_8d12a342 | featureConfidence |
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Fading into the Next Song / int_8d12a342 | |
| Fading into the Next Song / int_8dd60283 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_8dd60283 | comment |
Not just limited to the rock opera albums either; on Who's Next, "Love Ain't for Keeping" → "My Wife". | |
| Fading into the Next Song / int_8dd60283 | featureApplicability |
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| Fading into the Next Song / int_8dd60283 | featureConfidence |
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| Who's Next (Music) | hasFeature |
Fading into the Next Song / int_8dd60283 | |
| Fading into the Next Song / int_90acbab0 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_90acbab0 | comment |
Earlier than that, on "nimrod." was "Jinx" → "Haushinka", and on Insomniac was "Brain Stew" → "Jaded" (although they're often played together as one song). | |
| Fading into the Next Song / int_90acbab0 | featureApplicability |
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| Fading into the Next Song / int_90acbab0 | featureConfidence |
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| nimrod. (Music) | hasFeature |
Fading into the Next Song / int_90acbab0 | |
| Fading into the Next Song / int_91fc09c3 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_91fc09c3 | comment |
The album Destroyer, "Detroit Rock City" ends with a car crash that transitions into "King of the Night Time World". "King of the Night Time World" begins with the very ending of the car crash, so it's odd to listen to it individually. | |
| Fading into the Next Song / int_91fc09c3 | featureApplicability |
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| Fading into the Next Song / int_91fc09c3 | featureConfidence |
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Fading into the Next Song / int_91fc09c3 | |
| Fading into the Next Song / int_93aab187 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_93aab187 | comment |
Jaga Jazzist: On A Livingroom Hush, nearly every single transition has subtle background sounds linking the two songs. | |
| Fading into the Next Song / int_93aab187 | featureApplicability |
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| Fading into the Next Song / int_93aab187 | featureConfidence |
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Fading into the Next Song / int_93aab187 | |
| Fading into the Next Song / int_97433ec9 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_97433ec9 | comment |
Red Vox: The outro of "Another Light" can be heard in the first couple of seconds of "Settle for Less". | |
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Fading into the Next Song / int_97433ec9 | |
| Fading into the Next Song / int_98c8113a | type |
Fading into the Next Song | |
| Fading into the Next Song / int_98c8113a | comment |
Savant has done this on many of his albums, most notably, on Orakel, "How I Roll" → "Penguins", the female voice sample from the end of "Reggaetron" at the beginning of "Soap". | |
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Fading into the Next Song / int_98c8113a | |
| Fading into the Next Song / int_9959e0f9 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_9959e0f9 | comment |
Slayer does this with "Alter of Sacrifice" into "Jesus Saves" (Reign in Blood), "Postmortem" into "Raining Blood" (same album) and "South of Heaven" to "Silent Scream" (South of Heaven). | |
| Fading into the Next Song / int_9959e0f9 | featureApplicability |
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Fading into the Next Song / int_9959e0f9 | |
| Fading into the Next Song / int_9ad7adc8 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_9ad7adc8 | comment |
The Who: They started using this on The Who Sell Out, where various radio snippets would link the songs together. The rock operas Tommy and Quadrophenia would continue this trend. Not just limited to the rock opera albums either; on Who's Next, "Love Ain't for Keeping" → "My Wife". |
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Fading into the Next Song / int_9ad7adc8 | |
| Fading into the Next Song / int_9ae4458f | type |
Fading into the Next Song | |
| Fading into the Next Song / int_9ae4458f | comment |
Tiamat - almost every song on Wildhoney, which makes the album one big music piece. Also, a few on their last album Amanethes. | |
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Fading into the Next Song / int_9ae4458f | |
| Fading into the Next Song / int_9b3518ef | type |
Fading into the Next Song | |
| Fading into the Next Song / int_9b3518ef | comment |
Certain recordings of Johann Sebastian Bach's organ toccatas and fugues or preludes and fugues are recorded in such a way that the reverb from the last note of the toccata or prelude is still sounding when the fugue is started. This sometimes results in Siamese Twin Songs. | |
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Fading into the Next Song / int_9b3518ef | |
| Fading into the Next Song / int_a46af2e0 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_a46af2e0 | comment |
My Beautiful Dark Twisted Fantasy: "Lost in the World" → "Who Will Survive in America", as the two are Siamese Twin Songs and share not just a beat but a theme. | |
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Fading into the Next Song / int_a46af2e0 | |
| Fading into the Next Song / int_a479bcf1 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_a479bcf1 | comment |
Black Kids: On the Digital Deluxe editon of Partie Traumatic, the titular track fades into the next song "Listen To Your Body Tonight". | |
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Fading into the Next Song / int_a479bcf1 | |
| Fading into the Next Song / int_a6ad7ce8 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_a6ad7ce8 | comment |
On Be Here Now: "All Around the World" → "It's Gettin' Better (Man!!)" → "All Around the World (Reprise)". | |
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Fading into the Next Song / int_a6ad7ce8 | |
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Fading into the Next Song | |
| Fading into the Next Song / int_aa9366f9 | comment |
Nightwish: "Kuolema Tekee Taiteilijan" → "Higher than Hope" on Once and "The Islander" → "Last of the Wilds" on Dark Passion Play. | |
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Fading into the Next Song / int_aa9366f9 | |
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Fading into the Next Song | |
| Fading into the Next Song / int_ac9bd6e4 | comment |
In the first album by The Caretaker, Selected Memories From The Haunted Ballroom, the track "In the dark" transitions into "Reckless night" via the beginning of the latter song playing over the quiet noise at the end of "In the dark". | |
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Fading into the Next Song / int_ac9bd6e4 | |
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Fading into the Next Song | |
| Fading into the Next Song / int_b616c936 | comment |
Kid A: "Kid A" → "The National Anthem" and "Idioteque" → "Morning Bell". | |
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Fading into the Next Song / int_b616c936 | |
| Fading into the Next Song / int_b6222031 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_b6222031 | comment |
U.K. has "In The Dead of Night" → "By The Light of Day" → "Presto Vivace and Reprise". These three crossfaded songs make up the entirety of the "In The Dead of Night" suite. | |
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Fading into the Next Song / int_b6222031 | |
| Fading into the Next Song / int_b7903143 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_b7903143 | comment |
Slipknot's .5: The Gray Chapter does this a lot with "The Devil In I" → "Killpop," "Goodbye" → "Nomadic," and "Be Prepared For Hell" → "The Negative One." | |
| Fading into the Next Song / int_b7903143 | featureApplicability |
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Fading into the Next Song / int_b7903143 | |
| Fading into the Next Song / int_b7b008ca | type |
Fading into the Next Song | |
| Fading into the Next Song / int_b7b008ca | comment |
Amy Grant's "A Christmas Album" has "Emmanuel", "Little Town", and "Christmas Hymn" segue together. | |
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Fading into the Next Song / int_b7b008ca | |
| Fading into the Next Song / int_ba084d45 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_ba084d45 | comment |
In Hamilton, "Aaron Burr, Sir" immediately segues into "My Shot". | |
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| Fading into the Next Song / int_ba084d45 | featureConfidence |
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Fading into the Next Song / int_ba084d45 | |
| Fading into the Next Song / int_ba9da2e1 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_ba9da2e1 | comment |
In Foo Fighters' There Is Nothing Left to Lose, "Gimme Stitches" starts before "Learn to Fly" can end completely. The Colour and the Shape: "Hey, Johnny Park!" → "My Poor Brain" → "Wind Up" Wasting Light: "A Matter of Time" → "Miss the Misery" (and the kinda muted "White Limo" → "Arlandria" transition is enhanced live) Sonic Highways: "Subterranean" → "I Am A River" |
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Fading into the Next Song / int_ba9da2e1 | |
| Fading into the Next Song / int_bc109059 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_bc109059 | comment |
The three band members with solo albums have each done this: Freddie Mercury, on Barcelona, his duet album with opera diva Montserrat Caballe, ("Guide Me Home" → "How Can I Go On"). Roger Taylor, on his album Fun In Space ("Interlude At Constantinople" → "Airheads"). Brian May, on his albums Back To The Light ("Love Token" → "Resurrection" → "Too Much Love Will Kill You") and Another World ("Space" → "Business"). Taylor's side project band The Cross did it, as well, on the album Blue Rock ("Dirty Mind" → "New Dark Ages" and "Millionaire" → "Put It All Down To Love"). It's not a stretch to say Queen likes this trope, even using it on the 2008 {{Queen + Paul Rodgers}} album ''The Cosmos Rocks" ("Surf's Up, School's Out" → "Small [Reprise]"). | |
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Fading into the Next Song / int_bc109059 | |
| Fading into the Next Song / int_bc5c6d99 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_bc5c6d99 | comment |
Justice: On Cross, "Genesis" → "Let There Be Light" → "D.A.N.C.E.", "Newjack" → "Phantom" → "Phantom Pt. II", "Valentine" → "Tthhee Ppaarrttyy" → "DVNO", and "Stress" → "Waters of Nazareth" → "One Minute to Midnight". | |
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Fading into the Next Song / int_bc5c6d99 | |
| Fading into the Next Song / int_c55b417 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_c55b417 | comment |
Crass loved this trope, plain and simple. On their first album The Feeding of the 5,000, you have "End Result" → "They've Got a Bomb" → "Punk is Dead", "Banned From the Roxy" → "G's Song", "Women" → "Securicor", and "You Pay" → "Angels". | |
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Fading into the Next Song / int_c55b417 | |
| Fading into the Next Song / int_c5de6c5 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_c5de6c5 | comment |
Earlier than that, on Debut, "There's More to Life Than This" → "Like Someone In Love". | |
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Fading into the Next Song / int_c5de6c5 | |
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Fading into the Next Song | |
| Fading into the Next Song / int_c635e8e | comment |
Dr. Dre: "Bitch Niggaz" > "The Car Bomb" > "Murder Ink" on his album 2001. | |
| Fading into the Next Song / int_c635e8e | featureApplicability |
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Fading into the Next Song / int_c635e8e | |
| Fading into the Next Song / int_c7d5244b | type |
Fading into the Next Song | |
| Fading into the Next Song / int_c7d5244b | comment |
Dead or Alive's first Greatest Hits Album, Rip It Up, is gaplessly segued in the style of a DJ mix. | |
| Fading into the Next Song / int_c7d5244b | featureApplicability |
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Fading into the Next Song / int_c7d5244b | |
| Fading into the Next Song / int_c915b608 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_c915b608 | comment |
On the Matthew Good album Hospital Music, this occurs somewhat frequently, due to his propensity for using "guerilla recording", where he records random sounds (and conversations) outside the studio and includes them as "background" between some songs. "Champions Of Nothing" fades into "A Single Explosion" this way, and "Girl Trapped Under the Front of a Firebird" leads into "I Am Not Safer Than a Bank" by way of bizarre sound samples. And on Vancouver, the opener, "Last Parade" leads into "The Boy Who Could Explode" | |
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Fading into the Next Song / int_c915b608 | |
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Fading into the Next Song | |
| Fading into the Next Song / int_cc32f7c3 | comment |
Black Sabbath: Black Sabbath: "Behind the Wall of Sleep" → "N.I.B." and "Sleeping Village" → "Warning"note both of these examples are listed as a single track and given extraneous titles ("Wasp" and "Bassically" for "Behind the Wall of Sleep"/"N.I.B."; "A Bit of Finger" for "Sleeping Village"/"Warning") on North American pressings of the album Sabbath Bloody Sabbath: "Who Are You?" → "Looking for Today" Sabotage: "Hole in the Sky" → "Don't Start (Too Late)" → "Symptom of the Universe" and "Am I Going Insane (Radio)" → "The Writ" Never Say Die!: "Johnny Blade" → "Junior's Eyes" and "Breakout" → "Swinging the Chain" |
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Fading into the Next Song / int_cc32f7c3 | |
| Fading into the Next Song / int_cc981c6 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_cc981c6 | comment |
The first side of Philip Oakey & Giorgio Moroder's self-titled collaboration album is gapless. | |
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| The Human League (Music) | hasFeature |
Fading into the Next Song / int_cc981c6 | |
| Fading into the Next Song / int_d06fad3 | type |
Fading into the Next Song | |
| Fading into the Next Song / int_d06fad3 | comment |
This is a favorite trope of Peace. | |
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Fading into the Next Song / int_d06fad3 | |
| Fading into the Next Song / int_d096f86c | type |
Fading into the Next Song | |
| Fading into the Next Song / int_d096f86c | comment |
Black Sabbath: "Behind the Wall of Sleep" → "N.I.B." and "Sleeping Village" → "Warning"note both of these examples are listed as a single track and given extraneous titles ("Wasp" and "Bassically" for "Behind the Wall of Sleep"/"N.I.B."; "A Bit of Finger" for "Sleeping Village"/"Warning") on North American pressings of the album | |
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Fading into the Next Song / int_d096f86c | |
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Fading into the Next Song | |
| Fading into the Next Song / int_d1515d27 | comment |
Aerosmith: Get Your Wings, the screaming and cheering at the end of "Train Kept A-Rollin'" slowly turn into the wind opening of "Seasons of Wither". Rocks does this a number of times as well. On Pump, "Young Lust" → "F.I.N.E.*". Steven Tyler downright said there was an attempt to cut the space between songs in the album, but this is the only with a seemless transition. |
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Fading into the Next Song / int_d1515d27 | |
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Fading into the Next Song | |
| Fading into the Next Song / int_d40d7dea | comment |
Otherwise, he often connects pieces of music or entire record sides (Oxygène, Équinoxe, Rendez-vous, Chronologie, Oxygène 7-13, Oxygène 3, Equinoxe Infinity) with noise or sound effects. | |
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Fading into the Next Song / int_d40d7dea | |
| Fading into the Next Song / int_d494343b | type |
Fading into the Next Song | |
| Fading into the Next Song / int_d494343b | comment |
Iron Maiden's "Satellite 15... The Final Frontier" → "El Dorado" (The Final Frontier). "Transylvania" → Strange World" on their self-titled album. |
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| Fading into the Next Song / int_d494343b | featureApplicability |
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Fading into the Next Song / int_d494343b | |
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Fading into the Next Song | |
| Fading into the Next Song / int_de1ff84d | comment |
Anthrax: "Intro to Reality" → "Belly of the Beast" (Persistence of Time). | |
| Fading into the Next Song / int_de1ff84d | featureApplicability |
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Fading into the Next Song / int_de1ff84d | |
| Fading into the Next Song / int_de42158d | type |
Fading into the Next Song | |
| Fading into the Next Song / int_de42158d | comment |
Also from the same band: "Just A Boy" → "Dark Light" on the original 1981 release of Music from "The Elder", and "Just A Boy" → "Odyssey" on the 1997 Remaster. | |
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Fading into the Next Song / int_de42158d | |
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Fading into the Next Song | |
| Fading into the Next Song / int_e11f29a2 | comment |
Pantera: "The Underground in America" → "(Reprise) Sandblasted Skin". | |
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Fading into the Next Song / int_e11f29a2 | |
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Fading into the Next Song | |
| Fading into the Next Song / int_e2217666 | comment |
A Moon Shaped Pool: "Decks Dark" → "Desert Island Disk" and "Tinker Tailor Soldier Sailor Rich Man Poor Man Beggar Man Thief" → "True Love Waits". | |
| Fading into the Next Song / int_e2217666 | featureApplicability |
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Fading into the Next Song / int_e2217666 | |
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Fading into the Next Song | |
| Fading into the Next Song / int_e30f7467 | comment |
On Pop Will Eat Itself's This Is the Day...This Is the Hour...This Is This!, "PWEI Is a Four Letter Word" → "Preaching to the Perverted" → "Wise Up! Sucker" → "Sixteen Different Flavours of Hell", "Poison to the Mind" → "Def. Con. One", and "Shortwave Transmission On 'Up to the Minuteman Nine'" → "Satellite Ecstatica" → "Not Now James, We're Busy". On Box Frenzy, "There Is No Love Between Us Anymore" → "She's Surreal". On Cure for Sanity, "The Incredible PWEI vs. The Moral Majority" → "Dance of the Mad Bastards", "X Y & Zee" → "City Zen Radio 1990/2000 FM", and "Medicine Man Speak with Forked Tongue" → "Nightmare at 20,000 Feet". On The Looks or the Lifestyle?, "Mother" → "Get the Girl! Kill the Baddies!" and "Token Drug Song" → "Karmadrome". On Dos Dedos Mis Amigos, "Cape Connection" → "Menofearthereaper". |
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Fading into the Next Song / int_e30f7467 | |
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Fading into the Next Song | |
| Fading into the Next Song / int_e38bca40 | comment |
Peter Schilling: "Major Tom (Coming Home)" → "Major Tom, Part 2" from Error in the System. | |
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| Fading into the Next Song / int_e38bca40 | featureConfidence |
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Fading into the Next Song / int_e38bca40 | |
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Fading into the Next Song | |
| Fading into the Next Song / int_e50e4161 | comment |
On Trans-Europe Express, the title track fades into "Metal on Metal" (which serves as an addendum to the former), and "Franz Schubert" quite fittingly fades into the album's outro track "Endless Endless". | |
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Fading into the Next Song / int_e50e4161 | |
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Fading into the Next Song | |
| Fading into the Next Song / int_e56efe77 | comment |
Afro Celt Sound System: Aside from their Siamese Twin Songs, most of the remix album Pod is dominated by the continuously-mixed five-song suite: "Further in Time" → "Full Moon, Low Tide" → "Release" → "Release It" → "Whirly 3". | |
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Fading into the Next Song / int_e56efe77 | |
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Fading into the Next Song | |
| Fading into the Next Song / int_e8c34944 | comment |
Mike Oldfield, creator of Tubular Bells and other very long instrumental pieces, carried his penchant for long compositions over to his poppier, more commercial records, particularly Platinum and Discovery. From Tubular Bells II on, instead of writing very long tracks, he splits his albums in several tracks that run together. On Tubular Bells 2003, a re-recording of the 1973 album, he split the album into 17 tracks, which compose two pieces of uninterrupted music, just like the original. | |
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Fading into the Next Song | |
| Fading into the Next Song / int_ea917562 | comment |
A lot of Soft Machine's albums do this, especially during the post-Robert Wyatt period. The songs would often be played without breaks on stage as well. | |
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Fading into the Next Song | |
| Fading into the Next Song / int_eca84d14 | comment |
During the closing credits of Over the Hedge, "Rockin' the Suburbs" fades into the Ben Folds cover of "Lost in the Supermarket" before the former would have reached its Korn-inspired ending. The soundtrack album doesn't have these songs together, so the former has its full ending there. | |
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Fading into the Next Song | |
| Fading into the Next Song / int_f3ff6fc5 | comment |
The Colour and the Shape: "Hey, Johnny Park!" → "My Poor Brain" → "Wind Up" | |
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Fading into the Next Song | |
| Fading into the Next Song / int_f4593d2 | comment |
Aida: "Every Story Is a Love Story" turns into "Fortune Favors the Brave". On the original cast recording, one can even hear Amneris singing the final note of the first song as the second one begins. | |
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Fading into the Next Song | |
| Fading into the Next Song / int_f6fb94c0 | comment |
Also, on The Resistance, "United States of Eurasia (+ Collateral Damage)" → "Guiding Light" (you can hear a missile passing through during the outro of "Collateral Damage", and when it explodes, the following song starts). | |
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Fading into the Next Song | |
| Fading into the Next Song / int_f91dfaba | comment |
King Gizzard and the Lizard Wizard uses this a lot. There are a lot of examples, but an honorable mention to Nonagon Infinity, which is designed to be an infinitely looping album with no clear beginning or end. |
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Fading into the Next Song | |
| Fading into the Next Song / int_fe724d7f | comment |
Rammstein, "Links 2 3 4" → "Sonne" and "Rein Raus" → "Adios" on Mutter. | |
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Fading into the Next Song | |
| Fading into the Next Song / int_ffbcb90e | comment |
Indiana Jones and the Temple of Doom has several tracks where the film versions go straight into the next song while the album versions avert this trope. | |
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