...it's like TV Tropes, but LINKED DATA!
Fool for Love
- 170 statements
- 31 feature instances
- 21 referencing feature instances
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| Fool for Love | comment |
Normally, you'd expect a character known for being tough and cynical about people to also be wary of romantic love. They of all people know that Love Is a Weakness. It's dangerous sentimentality that clouds your judgement and makes you vulnerable to being manipulated or having your heart broken. But for every Confirmed Bachelor or Celibate Hero who scoffs at love, there's another otherwise hard-boiled character who can't help falling in love against their better judgement. This type is vulnerable to The Dulcinea Effect and Because You Were Nice to Me, dropping their responsibilities and self-interest so they can stick their neck out for some person they just fell in love with. In all other respects, they're a level-headed professional, or a Wild Card who doesn't trust anyone but themselves, which makes people who know them wonder why they only lose their head when there's romance involved. Maybe they're a Chivalrous Pervert who can't say "no" to a pretty guy or lady who asks for help. Maybe on the inside, they just want to be loved, or they're a Knight in Sour Armor who wants to find just one person in their rotten world who they can believe in. Maybe being a champion for someone is what gives their life a sense of meaning. Regardless of their reasons, if you ask them why they always fall for it even though they've been burned before, they'll straight up tell you, "I'm a sucker for romance," or, "I'm just a fool for love." In a way, they have the same attitude towards romance that the Knight in Sour Armor has toward heroism. It's more common to see the male version, because of the stereotype that Men Are Tough, but a Broken Bird female can be a Fool for Love as well. If the Fool for Love is a guy, he'll often have a secret artsy or feminine side. He may seem like a gun (or sword or fist) slinging showboat, but when no one is looking he is reading and writing poetry. Or painting landscapes. Or just looking forlornly at the horizon, but real artfully. Conversely, a female fool for love may act "unladylike" most of the time, but turn out to be a Tomboy with a Girly Streak. This has been a very common trope in popular music and was particularly in vogue in The '50s. The idea is that for better or for worse, you have to be a fool to fall in love, but songs can portray it either idealistically or cynically. This trope overlaps with Love Makes You Dumb, but it's fundamentally more of an idealism trope than an intelligence trope. The fool for love often knows from experience what they're getting into, and willfully ignores red flags instead of being too blinded by naivete or hubris to see them in the first place. In fact, the character's feelings don't even have to necessarily lead to real stupidity as long as they believe in their own head that their feelings are foolish. Compare Love Martyr, which is a character who stays loyal to a romantic partner who mistreats them. Such a character may be a Serial Spouse or a Serial Romeo. Careful not to confuse the trope with the 1985 film Fool for Love. |
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| Fool for Love | fetched |
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| Fool for Love | parsed |
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Dropped link to AlasPoorVillain: Not an Item - FEATURE | |
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Dropped link to FrankSinatra: Not an Item - IGNORE | |
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| Fool for Love | isPartOf |
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| Fool for Love / int_12d1f9ad | type |
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| Fool for Love / int_12d1f9ad | comment |
Ike and Tina Turner Revival's "A Fool in Love". A song about a woman questioning why she stays with a man who is rude and abusive to her. Becomes Harsher in Hindsight for obvious reasons, and ironically became one of the couple's biggest hits: | |
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| Fool for Love / int_14cf013a | type |
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| Fool for Love / int_14cf013a | comment |
Spike, from Buffy and later Angel. He may be the biggest Badass on the show (at least in the show's first few seasons) but he is always doing it for a very special lady, whether she be a psychotic vampire, a troubled slayer, a cute physicist or an elder goddess. He snarks and acts all tough but at the end of the day, all he wants is to watch out for his one true love. | |
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| Fool for Love / int_1869a077 | comment |
Samurai Jack: Jack is often wary of entering romantic relationships because he doesn't want anything holding him back, and because of the trouble that follows (considering one incident which involved Aku deceiving him). When Ashi entered the picture, he eventually couldn't help falling in love with her the more he had her around. Nonetheless, he still understood the risk that this would carry, and didn't want to put her in danger. | |
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In Hercules, Megara ended up enslaved to Hades because she sacrificed herself for a boyfriend who didn't remain true to her. As a result, she lost her faith in men, but when she finds herself falling in love with Hercules—whom she's supposed to be manipulating on orders from Hades—she sings a song called "Won't say I'm in love" in which her head is telling her to get a grip, but the Muses are telling her to listen to her heart. | |
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"Can't Help Falling in Love" by Elvis Presley, a rather more optimistic version: | |
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Neal Caffrey, so much so. This is the man that eluded the FBI for years. The only crime that they had enough evidence to convict him for was bond forgery when he also committed art theft, counterfeit, and assorted other crimes. This is also the man that only got caught because he prioritized finding Kate over logic, and the man that escaped from prison for her. | |
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| Fool for Love / int_29ee6594 | comment |
Lord Huron's song "Fool for Love" is about a man challenging a rival to the death for the hand of a girl he loves. He ends up losing badly and getting likely fatally wounded, and though he admits he was an idiot to challenge a bigger, stronger man, he argues that there was no other choice due to this trope. | |
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Harima Kenji from School Rumble fits the badass-in-love description to a T in his feelings toward Tsukamoto Tenma. | |
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| Fool for Love / int_4737c653 | comment |
Sherlock Holmes in Elementary is implied to be this. Joan deduces in the pilot that a big part of his motives from his Dark and Troubled Past has to do with his own lost Lenore. Revealed to be true and then painfully subverted when it is revealed his Lenore was never really lost and was playing him the whole time. |
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Wolverine sure seems like an uncaring loner until you look at the gaggle of one true loves he has loved and lost throughout the years. | |
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Fool for Love | |
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Damon from The Vampire Diaries is definitely one of these, in the same vein as another snarky vampire. He spends 146 years searching for Katherine and falls for her doppelganger, Elena to whom he is just as loyal to, if in his own crazy way. | |
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Berserk: A villainous yet quite tragic example in the Count. He was once a Knight Templar who fought pagans, but he maintained a family life with his wife and daughter. He loved his wife dearly, but when he found out about her unfaithfulness, his world comes crashing down and he ended up sacrificing her to the God Hand to become an emotionless demon in his moment of despair. Guts himself also qualifies for this trope. He's the most macho, most badass character in the story, but damn if he doesn't love Casca, traveling across treacherous terrain and battling unspeakable enemies all for her wellbeing. Even before things took a turn for the worse in their relationship, Casca was one of those few individuals whom Guts showed his softer, emotional, and even vulnerable side to. His situation is very much the dark and tragic example of this trope, because Casca goes insane and amnesiac after her traumatic experience during the Eclipse and ceases to remember Guts. Guts is not very happy for a long while. |
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Gets referenced in Gundam Wing: Endless Waltz: when Heero immediately goes to rescue the kidnapped Relena, Duo quietly remarks "Anything and everything for the one you love..." (in the English dub) or "Heh, somebody's got a crush" (in the original Japanese). | |
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The Kept Man of the Princess Knight: Matthew's female friend Vanessa, the Adventure Guild's appraiser, is an otherwise-intelligent woman who has had a string of worthless boyfriends that mooch off her income and frequently cheat on her, without her ever seeming to learn anything from each relationship. Watkin was a violent drunk who finally punched the wrong guy and was disappeared by a mobster, Tiny had a gambling habit that ended with him getting his arms cut off, Olaf cheated on her until he died of an STD, Oscar was a drug dealer who was trying to extort sex from Arwin when Matthew first met her and was then killed off by a rival gang, and her current squeeze Sterling is a Giftedly Bad Starving Artist who found Oscar's stash and has been selling it. | |
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| Fool for Love / int_8d817ccb | comment |
Sawyer from Lost definitely qualifies as one of these. He may be a rugged con man who insults anyone who will stand still long enough but his only two hobbies are reading and gazing forlornly at Kate. At least until Season 6, when he takes up listening to punk music and mourning Juliet. |
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Bates Motel: Sheriff Alex Romero is a dangerous, never-smiling policeman of very questionable morals who will not hesitate to kill if he deems it necessary, and at first glance doesn't seem to have a romantic or even somewhat soft bone in his body. He is also helplessly in love with Norma Bates, for whom he becomes a gentler, kinder person; he shows her incredible tenderness and would do anything for her. She is the only person in the entire series who ever makes him smile. | |
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The typically caustic Chazz/Jun from Yu-Gi-Oh! GX always goes crazy in the presence of Alexis/Asuka and always tries to impress her, but always fails. | |
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Jamie Lannister in A Song of Ice and Fire. He may be the deadliest and most sarcastic knight in the Seven Kingdoms, but everything he's done he did for his special someone. | |
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Sanji from One Piece is a self-confessed Slave to Love. Any moderately attractive woman can manipulate his chivalry, and any woman period is subject to his protection. Even if they're enemies. | |
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Riley Biers from Eclipse, who did everything in the name of his lover, Victoria. He was only a pawn to her. | |
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Hetalia: Axis Powers fanfic Gankona, Unnachgiebig, Unità : Germany and Japan, who were both hardened and distrusting, couldn't help but fall in love with Italy. Not that they cared. | |
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Joe Jackson's "Fools in Love" is at the far end of the cynicism scale... up until it becomes clear the singer counts himself among the fools: | |
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Kerr Avon from Blake's 7, a cold and distant Anti-Hero who repeatedly insists that Love Is a Weakness and that he only cares about his own self-preservation. However said self-preservation goes flying out the window when it comes to love, to the extent of being willing to let himself be tortured for days simply to get vengeance for The Lost Lenore. He lampshades it after said Lost Lenore turns out to have been alive all along, and The Mole: "of all the things I have known myself to be, I never recognised the fool." It's worth noting he behaves very similarly toward his Vitriolic Best Bud Blake, repeatedly going to absurd lengths to save his life while insisting he has no affection for him whatsoever, adding a lot of Ho Yay to the series. | |
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The eponymous Galavant tried to defy this trope, saying that he came from a long line of passionate people, including his parents (who loved each other - sometimes violently) and wanted to avoid living the life that they did. However, he met Madelena, and fell hard for her. | |
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Gretchen from Jasper in Deadland has a rather negative opinion of life itself, and often implies that she prefers being dead and doesn't care about her Loss of Identity or losing the memories of her life. Despite this, she's immediately intrigued by Jasper's love for his lost "friend" Agnes, and ends up guiding Jasper through Deadland because she's falling in love with him. | |
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The Bolt Chronicles: The pre-canon stories in this series normally present Mittens as being wary of settling into an established relationship given how often she has been burned by male cats in the past. In "The Clouds," however, she falls for Tom — and much against her better judgement. Not surprisingly, things do not end well for her. | |
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In Finder Series, Asami Ryuichi is usually a cautious and very intelligent man. But when his lover Akihito gets kidnapped by an old enemy, he makes several highly rash and questionable choices to get him back — from embarking in a rescue mission with two still unhealed gunshot wounds to cutting deals with other criminal organizations to force his old enemy into a corner. | |
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Grandmaster of Demonic Cultivation: Mo Dao Zu Shi: Despite being an icy and cynical teenager that was resistant to the idea of getting close to anyone, Lan Wangji eventually became hopelessly in love with Wei Wuxian, to the point of fighting against his clan to protect him. | |
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Rod Stewart's "Maggie May", released in 1971, is a semi-autobiographical song about a teenage boy who's in a relationship with an older woman. Even though he wonders Am I Just a Toy to You?, and figures breaking up with her would be the smart thing to do, he's still crazy about her and couldn't leave even if he tried. | |
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Chandler from Friends is typically a Stepford Snarker and commitment-phobic because of his difficult childhood. However, in his few early relationships, he's extremely devoted and romantic buying Janice a draw and spending days hunting down a childhood book for Kathy. When he gets together with Monica he comes up with romantic speeches that any guy would be proud of, let alone a cynic who claims all relationships are doomed. Ironically out of the three guys (both of which are viewed as better with women than him) he's the first to get married and actually make a relationship work. | |
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In Inception, professional extractor Cobb keeps a projection of his deceased wife Mal locked up in a level of his subconscious because he was never able to let go of her, even though the last thing she did before she committed suicide was to frame him for killing her. Indeed, the reason he can't move on is that he blames himself for planting the idea in her head which made her convinced that the real world they had returned to was actually the dream (and vice-versa), and that the only way to return to reality was for them to kill themselves. When Cobb's projection of Mal gets out of control and starts trying to kill the members of the inception team during the operation on Fisher, his teammates reproach him for having hidden her existence from them when she posed such a danger to the mission, and for hesitating to Shoot the Dog when all their lives are at stake. | |
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