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Genre Shift
- 726 statements
- 140 feature instances
- 1343 referencing feature instances
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Controversial or extremely different ideas are very hard to get past sponsors and audiences suspicious of anything new and unfamiliar. An easy if sneaky way around this is merely to present the beginning of the story as something familiar. However, once the main plot kicks in, your audience is hopefully loyal enough not to notice the quick shift in tone and pacing. If you did it well, in hindsight they might notice little hints you dropped about what was to come. As a side effect, the story will probably also undergo Mood Whiplash. Genre Shifts are sometimes used in Sequel stories. Genre Shifts sometimes occur at the ends of a series when the writers finally get around to soapboxing their opinions. Many fluffy, over-the-top comedies will suddenly find their last episode making an attempt at drama. On the other hand, some cutesy or romance-based stories can experience Genre Shift simply because they start running so long the writer figured if they have to derail the original plot, they might as well do it with something creative. It is possible for this to work, as long as the creators know what they're doing, and it can pay off quite well at times. Usually, however, this requires planning it from the start, allowing the Writers to set it up ahead of time so it doesn't feel like it comes out of nowhere. Because of their sudden onset, Genre Shifts motivated by Executive Meddling are likely doomed. Even worse is if a genre shift is used as the solution to a plot point, which just feels tacky. If this happens only once in a series before reverting back to the main genre, it's an Out-of-Genre Experience. If it happens before the work is released to the public, it's a case of Mid-Development Genre Shift. If it suddenly ends up being a horror story, possibly even a Cosmic Horror Story, without much foreshadowing, that’s Disguised Horror Story and Cosmic Horror Reveal. If it happens during one specific installment (such as an episode of a series), then it's a Halfway Plot Switch. In the middle of a song, it can be Song Style Shift. Not to be confused with Art Shift, Genre Roulette or Genre Turning Point. Compare with Tone Shift, where the tone is what changes, and Cerebus Syndrome, where the story/series becomes more dramatic over time. |
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The first two acts of La Bohème are a light, happy portrayal of bohemian life, with blissful romance and comedy to spare, where poverty is only a mild inconvenience and even jealousy and infidelity are Played for Laughs. The latter two acts are heartbreaking drama (though still with some comic relief), as jealousy, infidelity and poverty become serious issues, as the two romantic couples both break up, and as Mimà rapidly succumbs to her Incurable Cough of Death. | |
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Episode 9 of Over the Garden Wall focuses more on character interactions, teenage drama, and features fewer supernatural elements, while the rest of the show is more like a fairy tale or an old cartoon. This extends to the music, which has a modern Alternative Rock sound rather than the older styles heard everywhere else. | |
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All Japan Pro Wrestling's infamous "Puroresu Love" period was a major genre shift away from the highly regulated, formal approach Giant Baba had as booker to a much sillier angle driven approach mandated by Keiji Mutoh on account the old approach would no longer work for them when NOAH was also using it with most of what used to be All Japan's roster. NOAH's decline and Muto's departure saw an attempted return to form. | |
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Bone starts out as a silly gag comic about three cartoon characters ending up in a strange land, but slowly reveals itself to be a sprawling, The Lord of the Rings-inspired Low Fantasy story. Jeff Smith did this deliberately, figuring it would be better to ease readers into the Myth Arc over time instead of throwing them right in. | |
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Reyn starts off as a typical medieval fantasy with a few sci-fi elements mixed in. By chapter five, it shifts into a full-on sci-fi when the fifth issue reveals that the whole story takes place on a giant spaceship thousands of years in the future. | |
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Zero goes from spy fiction to a metafictional meditation on violence and war. | |
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Sluggy Freelance, while quite often is still the Science Fiction/Fantasy/Slice of Life comedy it started out as, has made increasing use of darker, more dramatic storylines as it's continued. | |
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This is mentioned in-universe in Love Is A Funny Thing. Jem and the Holograms have to change their sound as the 1980s changes to the 1990s. Their signature level of pop is just too dated for '90s crowds. In contrast, The Stingers changed little because their sound is still popular and their niche rarely goes out of fashion. Later in the story, however, Jem and the Holograms shift back to their original style while The Stingers become more grunge. | |
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In Jake And The Neverland Pirates' original form, the show could more-or-less be described as Dora the Explorer WITH PIRATES (who don't do anything). Things such as Fake Interactivity and comic adventures with vague morals to teach were all common fare. The later installments, particularly Captain Jake and the Neverland Pirates, have seen a major shift towards action, with high-stakes specials, serious villains and Jake (Captain Jake) engaging in swordplay using a magic sword. | |
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Their run on Doom Patrol took the book from standard Silver Age superheroing to...very much not that. | |
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Achewood shifts back and forth between domestic, observational strips that find humor in the mundane, and surreal fantasy arcs involving Mexican Magical Realism, three-hundred-man outdoor brawls, and Heaven burning down. | |
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The early episodes of lonelygirl15 were in the style of a realistic video blog. Over time, it turned into a sort of soap opera/drama/thriller hybrid with evil cults, conspiracies, guns and laser beams. For an example of just how different the show has become, compare classic episode "Proving Science Wrong!"[1] to one of the early season 2 episodes, "Home Invasion".[2] | |
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Reasoning starts off as a typical slasher story about a woman being terrorized by a Serial Killer, up until it's revealed that killer is actually a multi-eyed, man-eating, rat-like sapient monster. As the story progresses, more monsters similar to the rat start showing up, until the story completely takes a turn and it's revealed that the monsters are from another realm and are trying to exterminate humanity for the sake of not starving. | |
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Unwanted Houseguest: Episode 19 of "TRUE Scary Stories" is the only episode to date to feature UFO-stories, in addition to featuring two shorter stories, instead of just one longer one. | |
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Scoob and Shag: This happens twice, in quick succession, in the early sections of Part 1. Firstly, the comic begins as a collection of disconnected strips focusing on absurdist humor, without any overarching continuity. One of these strips, about Scooby and Shaggy running from the cops and fleeing into a wood, rapidly turns into a much darker horror segment reminiscent of the work of Junji Ito. This is marked by a shift from the simple lineart of the first strips to heavily shaded, visually oppressive art. This horror theme remains prevalent for another segment of strips, until the whole thing is revealed to be taking place in a holodeck within a crashed starship. Afterwards, while horror elements return sporadically, the comic turns into a parody of Shōnen manga and remains like that afterwards. |
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Episode one of the Cool Kids Table game Bloody Mooney is very zany, and episode two starts similarly with JT doing a sweet dance move to distract the government agents. Then Keri finds a blood-covered blanket hanging from the lights in her room, and blood all over Mooney's face. And one of her twin brothers missing. The other twin does show up. However, Keri's mother is not so lucky. From then on it's almost straight 80s horror. | |
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The first two seasons of the Juno Steel storyline of The Penumbra Podcast are a Fantastic Noir, focusing on a detective solving crimes in the largest city on Mars. But then Juno and Rita leave Mars for good in the Season 2 finale, and as of season 3 it's shifted to become a Space Opera centered around a six-person Ensemble Cast. | |
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Wreck-It Ralph starts off a soul-searching Disney flick, moves into a parody of the "First-Person Shooter" game, and then goes to "conspiracy movie" when the stars land in Sugar Rush. | |
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Wolf 359 begins as a sci-fi comedy, and then suddenly adds drama and mystery at the end of the first season. | |
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The Writing on the Wall starts out as a story about Adventurer Archaeologist Daring Do exploring an Ancient Tomb with a group of fellow archaeologists. The story proceeds as normal, using many of the usual tropes, including the protagonist's rival showing up, capturing them and the site, and trying to seize it for themselves. The ending reveals that everyone was Wrong Genre Savvy about the place; it is not an Ancient Tomb at all, and the eponymous writing on the wall was not a curse meant to scare away tomb robbers, but a warning as to the dangers of disturbing what the place was built to contain, and it is actually a Horror story. | |
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Scooby-Doo! Mystery Incorporated starts as a Monster of the Week comedy with guys in costumes with silly back stories and motives. As time goes by, the mysteries get darker, the villains get more dangerous, and the monsters are real. | |
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Janet Steele in Contest Jitters was a budding amateur bodybuilder. In Satin Steele, she has become a professional bodybuilder who confronts aliens and a conspiracy. | |
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Witness Hamlet turning the standard bloodthirsty revenge plot into a more philosophical meditation on the human condition. Indeed, a lost play by the same title (c. 1589-1594), which if written by Shakespeare would have been one of his earliest works, was apparently a far more straightforward revenge tragedy (and according to one source, not a particularly good one either). | |
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RWBY started off as science fiction Superhero School with Fairytale Motifs, with hints of a greater plot going on in the background beyond school drama and the upcoming Tournament Arc. Then magic is revealed to exist, the Tournament Arc slams to a halt when the Academy of Adventure is destroyed, and the whole thing is revealed to be just another move in a Secret War between two immortals over four Relics that will bring back the missing gods for a final day of judgment to see whether humanity will regain their magic or be utterly destroyed. The Fairytale Motifs go from aesthetics and influences to a reconstruction of fairy tales themselves, the emphasis on hope against fear and the protagonists' innate powers shows definite Magical Girl influence, and the apocalyptic vibes previously in the background gain far more significance. Unlike Red vs. Blue by the same company, this was clearly intended from the beginning and there's a lot of Foreshadowing before the shift officially happens. | |
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Championship Wrestling From Florida went from a regional territory in the 1950s featuring matches made up mostly of mat wrestling, to a premier member of the National Wrestling Alliance in the 1970s-80s that featured a very rough mix of grappling and brawling alongside such angles as a Satanic cult, to the FCW super indie in the late 1980s that relied more on showcasing hyped up wrestlers and angles from elsewhere with very few regulars (which briefly took back the CWF name in 2003), to a developmental brand in the late 2000s whose purpose was to send wrestlers elsewhere that was much more consistent in tone than its super indie days but much cleaner and more watered down from its NWA heyday. | |
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The Avengers (Jonathan Hickman) starts out seeming like a standard superhero story, albeit one with an unusually large cosmic scale. Than as things progress and the Incursions and other threats get worse, it becomes clear you're actually reading a Cosmic Horror Story that just happens to include superheroes. The contrast between the early and later parts of the story is highlighted when Captain America gives a passionate, epic speech about how he saves worlds and will find a way to save everyone. Previous, similar speeches had been treated as rightfully awe-inspiring and hopeful. This speech? Kang bluntly tells Cap that nobody cares and that his Heroic Willpower won't stop the Incursions. | |
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The Twins (2022) begins as a fairly straightforward sibling drama that quickly turns into a horror film in its second half. | |
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Twelve Hundred Ghosts is over 400 adaptations of A Christmas Carol and shifts from the regular work to steamy romances, comedies, parodies, and back again. | |
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The first few years of Garfield focused on the daily life of the titular cynical cat and his long-suffering everyman owner Jon. Then in the mid 1980s the strip adopted a light surrealist style, with Garfield becoming a playful Cloud Cuckoo Lander and Jon becoming a lovable loser, and started to focus on their interactions with the other equally-bizarre inhabitants of the strip. This iteration lasted until the late 1990s, when the strip became flanderized into a strange hybrid of the first and second iterations, with Garfield regaining his older cynical personality but with Jon keeping his loser characterization. | |
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Undocumented Features started off as a joke, a corny self-insert fic in which college students launch part of their dormitory into space to fight anime villains. It quickly went Grimdark with the "Exile" plot, stabilized into an odd mash-up of science-fiction adventure, has intermittently gone Song Fic, and has dipped into romantic fantasy with the "Symphony of the Sword" plot. | |
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Likewise, fellow Marvel girl comic Patsy Walker went the romance-adventure route during the same time period. Amusingly, her books were cancelled around the time Millie's books shifted back. Oddly enough, the character herself went through a genre shift when she became a superheroine and member of both The Defenders and The Avengers. She no longer had a series at this point, but the contrast was jarring. | |
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Most of the first act of Wicked is a Be Yourself kind of story, with the Daria-esque outcast protagonist hating, then befriending the preppy girl, falling in love with the class clown, dreaming of a political career, and discovering that she's a powerful witch. Then she actually goes to pursue said political career, and absolutely nothing is how she expected. | |
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Homestuck started out as a simple Spiritual Successor to Problem Sleuth, but in time became a riff on epic stories and creation mythos, which made the series much more popular. Later, When the trolls were introduced, the entire comic shifted to have Romantic Comedy elements and took a turn for the darker. | |
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Seasons starts out as a melodramatic Slice of Life romance, until it gets derailed by the lead's love interest dating someone else. Then, it radically shifts into Urban Fantasy as the main character develops a shadowy counterpart, and supernatural powers. | |
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My Delirium Alcazar follows the everyday life of a broke content creator starting over in a new town, with light sci-fi elements... during the day. The protagonist dreams of a dark fantasy dungeon, full of body horror and video game mechanics, which she is forced into every night in a repeating loop. Once killed there, she re-awakens to her normal, mundane life. The switch is even accompanied by a change in art style, from sprites to a sketchy, inconsistent hand drawn look and back. | |
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The initial Strangers in Paradise miniseries was a Slapstick Love Triangle comedy. When creator Terry Moore launched the ongoing series, he added a crime drama plot, and subsequent arcs alternated between this and the Will They or Won't They? love triangle story, which also took on a more serious tone. Then, about two-thirds of the way through, Moore wrapped up the criminal conspiracy plot and for the remainder of the series focused on the romance story which soon expanded into a Love Dodecahedron. | |
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We're Back! A Dinosaur's Story starts out as a cheery musical film about cute talking dinosaurs, but about halfway through the film, it turns into an animated horror film about an evil scientist and his Circus of Fear. | |
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Ditto Unicorn Jelly, which goes from a quirky almost-but-not-quite Fantasy series (the main character is a witch with apparently no magic) to science fiction spanning hundreds of thousands of years and multiple universes. A Powers Of 10 map on the site really hits it home, going from the main character's home out into the multiverse. | |
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It Hurts!! starts out as a crude high school comedy with certain hints at terrible life circumstances. Come strip 100, and the apocalypse happens, sci-fi elements and deities are introduced, and it looks at the concept of obtaining happiness. | |
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Sinfest started off as a comedy strip, albeit one not unwilling to touch upon dramatic and/or political subject matter when the situation called for it. In 2011, the comic started becoming much more overtly political, and by 2019 had abandoned its previous genre altogether in favor of espousing right-wing politics. | |
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Under Nunzio DeFilippis and Christina Weir, New X-Men: Academy X was essentially a teen drama WITH SUPERPOWERS! When Craig Kyle and Chris Yost took over, it rather abruptly (and with lots of Stuff Blowing Up) became a more standard superhero comic. | |
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NonPack is a Mature Animal Story about Gangbangers fighting turf wars in a World of Funny Animals version of Puerto Rico. It starts as a relatively realistic Crime Drama, but takes a turn into Sci-Fi Horror when we learn that one of the major villains is using a Psycho Serum that causes him to Hulk out. Eventually, Supernatural Fiction is added to the mix when the protagonist defeats the villain by temporarily turning into a literal monster, due to the implied intervention of the setting's Crystal Dragon Jesus. | |
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In the mid 1990s, Eastern Championship Wrestling was the flagship of the National Wrestling Alliance, featuring some silly gimmicks but mostly no nonsense technical wrestling matches. Then a certain Shane Douglas promo was cut and garbage wrestlers began to multiply within the roster. Although this wasn't entirely by design. The company was still centered around technical wrestlers, and many wrestlers from Japan and luchadors from Mexico who were well versed in styles other than garbage were also brought in, it's just those wrestlers got poached by WCW, so hardcore violence ended up being ECW's legacy. | |
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Frontier Martial-Arts Wrestling started out as an anything goes martial arts vs pro wrestling company but increasingly the "anything goes" started to push out the "martial arts", eventually becoming blood sport featuring all kinds of improvised weapons, fights happening in all sorts of locations and all sorts of pro wrestling styles not usually found together on a single card. Then Kodo Fuyuki became booker to a more angle/story driven product with more homogenized wrestling but wilder and more shocking publicity stunts. The revival is closer to the blood sport, many styles anything goes approach but still has some nods to the "sports entertainment" era. | |
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The Spectre went from being a dark supernatural hero to being a guardian angel for "Percival Popp, Super Cop!" | |
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The Pokémon Squad was initially targeted at a younger audience. As RM got older, the series also began to aim at a more adult audience. In turn, the humor became noticably raunchier (which was outright admitted in the second Q&A session), while becoming less off-the-walls. The difference between the earlier and later episodes was brought up in "Cigarette Ash", where RM asks Larry why they have to do an anti-smoking PSA, given that Season 1 was the only season aimed at children. |
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In their run on X-Men, they deliberately shifted the book away from the superhero genre, making it more of a general Sci-Fi adventure series. The plot changed accordingly, becoming about the X-Men dealing with mutant-related crimes and conflicts rather than fighting mutant-themed supervillains. | |
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Exalted Started off as a Deconstruction of fantasy with a Pulp Fantasy feel, then faded Darker and Edgier and ultimately Grimdark. The latter parts of Second Edition went into a gonzo high-powered direction around Infernals, and a third edition has been stated with the intent of returning to the Pulp roots of the game. | |
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Two of Pokemon Tabletop United's sourcebooks, The Game of Throhs and Do Porygon Dream of Mareep, provide guidelines for playing fantasy and science-fiction themed games, respectively. | |
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Even though W.I.T.C.H. was already a fantasy magical girl comic series for young girls, it was originally intended to be a darker in tone. However, after the 2nd issue, Disney removed the original creators (granted, artist team Alessandro Barbucci and Barbara Canepa were already planning on leaving anyway due to the struggles involved in getting Disney to give the comic a chance) and the tone was lightened, and the target demographic dropped from teenagers to preteens: | |
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Always Visible: The original source was a story about a devil child. The work itself transforms this first into a drama about the suffering of a girl, then into a detective story about the investigation of her murder, and in the end it all ends with a fantastic story about virtual reality. | |
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xkcd: Parodied in strip #734 "Outbreak", where the first five minutes of a movie are action/horror, while the remaining 90 minutes are a romantic comedy. | |
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College Roomies from Hell!!! is looking like it might be doing this. The strip started out as the standard light college campus humor, but little hints and bits have added up so that it looks like it might have always been intended to end up with an apocalyptic ending. If the author has stated for sure one way or another, I haven't heard. | |
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In-series this happened to Stormer's music when she banded with Kimber in an episode of Jem. Stormer usually plays background vocals in Misfits songs that are incredibly arrogant, self-confident, and aggressive 80s pop. Stormer's and Kimber's music are ballads and her bandmates are disgusted she is singing such "sensitive" music. | |
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"The Review Must Go On" to both The Nostalgia Critic and Demo Reel. Both had their moments of horror, but the former was a character-driven review show and the latter was a dramedy. The only genre that can describe "The Review Must Go On" is Psychological Horror. | |
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The original Blue Beetle title had the character in a Film Noir setting and a Coat, Hat, Mask costume. He was later changed to a more traditional superhero, started wearing tights, and now had superpowers granted to him by a magical scarab. | |
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The Powerpuff Girls (1998) shifted from an action-comedy spoof of superhero shows to a downright bizarre Gag Series late in its run. It was unsurprisingly not well received, and it wasn't long before the show was cancelled. | |
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Pathfinder: The primary campaign setting, Golarion, has different nations that could be considered a Fantasy Counterpart Culture Kitchen Sink, with regions that resemble colonial America, revolutionary France, the Wild West, Transylvania, the Conan mythos, Darkest Africa, etc, allowing for vastly different story genres. Perhaps the most out of place one (in a typical fantasy RPG anyway) is Numeria, which similar to the "Barrier Peaks" D&D example above involves a crashed alien spaceship, futuristic technology, and all sorts of robots and Green Rocks. They also created rulebooks for the other planets in Golarion's solar system—one is populated by alien-worshipping robots who don't understand their own technology, another is the undead ruins of a planet that destroyed itself when it used a superweapon on a neighboring world. The gas giants have merging gas-creatures as the primary form of life, while their (many) moons serve as more conventional adventuring worlds. A planet tidally locked to the sun has one side that is murderously hot and another that is equally cold, permitting life only in the border between them—this planet is an actively space-faring culture. Another world is a jungle-planet of psychics, while near the outer edges of the system is a planet that is actually just a rocky crust over a gigantic spaceship meant to collect genetic samples. And on the very outmost part is a world that may be a living creature—and an Eldritch Abomination to boot, and it serves as a central point of the cultists of the Lovecraftian entities of the Dark Tapestry (this is meant in the most literal manner possible. The presence of the Outer Gods and Great Old Ones is canon). Many of the Adventure Path's represent different genres. Iron Gods is Science Fantasy (set in the aforementioned Numeria), Mummy's Mask is an Indiana Jones style archeological adventure, Skull & Shackles is piracy on the high seas, Reign of Winter starts as a take on Russian fairy tales then turns into a world hopping adventure reminiscent of Doctor Who with a chapter set in World War I. Carrion Crown however is the king of this trope; it takes on Horror Movie tropes, but each chapter is based around a different subgenre; haunted house, Frankenstein story, lycanthropes, Lovecraftian horror, vampire story, and apocalyptic horror. |
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Dungeons & Dragons: Adventure S3 Expedition to the Barrier Peaks starts off as a standard "clean out the monster-filled dungeon" scenario. After the PCs enter, they discover that the dungeon is actually part of a derelict spacecraft and they're fighting alien monsters armed with high-tech weapons. The 1st Edition Dungeon Master's Guide had advice for sending a party of PCs (whose players were playing a fantasy RPG) to The Wild West, an After the End setting or adventuring on a derelict starship. Each possibility used one of TSR's other games as the basis for the new setting (Boot Hill, Gamma World and Metamorphosis Alpha, respectively. |
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Bob and George was originally intended to be a superhero comedy webcomic about the titular brothers. It changed into a sprite comic after the author realized he couldn't draw. | |
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Season 1 of The Venture Brothers is just slapstick comedy in a parody setting; Season 2 downplays the raw slapstick and up-plays the parody/satire/Deconstruction elements of the show, culminating in a funny but fairly serious season finale. Seasons 3 and 4 still feature a lot of humor, and it's definitely still a comedy show, but there's been a significant shift from it being a parody of sci-fi/action/everything to now being a genuine example of those genres. | |
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Deliberately Invoked in How To Drill Your Way Through Your Problems, a Worm Self-Insert]] fanfiction. The setting is that of Worm, which is a grimdark superhero story, where the "Silly Rabbit, Idealism Is for Kids!" trope is one of the cornerstones of the setting... which makes it all the more jarring that Will Carran, the SI, has been given Spiral Power. From Tengen Toppa Gurren Lagann. The setting that took "Silly Rabbit, Cynicism Is for Losers!" very seriously and added fire and giant robots. | |
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Avatar: The Last Airbender was an Asian-influenced High Fantasy that featured its heroes Wandering the Earth to stop an Evil Overlord with few Steampunk elements and couple asethetics in the final season. The Sequel Series The Legend of Korra, by contrast, is an Asian-influenced Urban Fantasy series with the protagonists fighting an Anti-Magical Faction in a City of Adventure, with the following books dealing with stopping the Evil Water Tribe leader from opening the Spirts Portals which the first Avatar, Wan, closed ten thousands years ago and stop Vaatu, preventing a group of anarchists (Whose faction was created by rogue memebers of the White Lotus) from destroying all nations and the Avatar, and the consequences of the fall of the Earth Kingdom and the latter creation of the Earth Empire under Kuvira's regime. Technology from the show has also advanced from Steampunk across most of the original series to a more Roaring Twenties aesthetics in the sequel Books and with these developing into Dieselpunk during Books 3 and 4. |
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Arcane: The show masterfully adopts and sheds genres starting as a Goonies style kid adventure story only to brutally swerve into political crime drama and sticks the landing with Magitek Gaslamp Fantasy action. All kept together and in service of telling the story of how one cute little girl named Powder becomes the infamous Bomb Throwing Anarchist Jinx. | |
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For the first four seasons of Archer, the characters are inept spies working together in an office. In Season 5, they become inept cocaine smugglers hiding out from the law in a mansion. Season 6 sees them return to their roots as inept CIA subcontractors. After they are permanently blacklisted from espionage, Season 7 has them moving to Los Angeles, where they become inept private detectives. The only thing these seasons all have in common is that the characters, after all this time, are still inept. | |
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The Cars franchise started out as a racing film with the first movie; in Cars 2 it became an action-spy film; in Cars 3, it became a racing film again, and a much more dramatic one at that. | |
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The Spanish-language Haruhi Suzumiya fic called, unoriginally El ... de Haruhi Suzumiya starts out as your ordinary OC-with-new-powers-joins-the-SOS-Brigade fare, albeit with the twist that the OC's powers are rarely used. Then, the characters all graduate and join the military IN SPACE! At that point, the genre shifts to war story and then to Space Opera, with the characters fighting insectoid aliens who destroy one of Earth's cities. Also, the OC from earlier reappears with a bionic arm, and their faster-than-light spacecraft is so luxurious it has a miniature shopping mall inside. The author expects his reviewers to understand what's going on, but he still has not provided a convincing explanation for the sudden shift in tone. | |
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Amelia Rules! shifted from wacky comedy about a girl moving to a new town and making quirky friends to an emotional Slice of Life Coming of Age Story about halfway through its run. | |
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Hotspring Souls!, a Soulsborne (Demon's Souls, Dark Souls, Dark Souls II, and Bloodborne) crossover comedy fic, starts out as a standard Hot Springs Episode, then turns into a giant robot anime halfway through. | |
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The Crystal Gems from Steven Universe are viewed by Beach City locals as Ambiguously Human Magical Girl Warriors, and for the first twenty episodes or so, this is what the audience (and Steven) is lead to believe as well. Then "Mirror Gem" / "Ocean Gem" reveals that there are other Gems in the universe, with the remainder of the first season making it clear that the Gems' "magic" is actually the product of a hyper-advanced alien civilization. This all culminates in a season finale whose Science Fantasy tone sticks through the rest of the series. | |
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Blondie (1930) started out with the title character as a single woman with a string of suitors, with the fabulously wealthy Dagwood Bumstead as just one. When they got married, Dagwood was disinherited, shifting the strip from flapper comedy to everyday struggles. | |
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The Mass Effect fanfic The Biggest Fan starts as a parody of Self-Insert fics with a passionate but kind fan of the game wakes up in the body of Conrad Verner. Then in the second chapter, the fic jumps into a full deconstruction with Conrad mourning the fact that he will never see his wife and this continues in the third chapter, with him becoming the Cassandra Truth about the Reapers and starts to lose the memories of his life on the real word. | |
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Slightly Damned starts out as a comedic Bangsian Fantasy about the periphery of Hell, but rather abruptly turns into a Walking the Earth fantasy adventure a few years in. | |
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Romeo and Juliet goes from sweet and funny romantic comedy to an Anyone Can Die Tragedy with lightning speed. | |
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The My Little Pony: Equestria Girls movies are mostly High School AU with some Magical Girl elements. The third movie, My Little Pony: Equestria Girls – Friendship Games, adds in a few action and science-fiction elements, including talks of alternate worlds, advanced technological devices that could steal magic and the villain of the story causing a Reality Bleed between both worlds. | |
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Perfect Diamond World starts off as a typical historical drama Frozen fic where someone finds out about Elsa and Anna's incestous Secret Relationship. Then, partway through the first story, it takes a shift to fantasy when the ship gets attacked by the Peter Pan pirates. From then the story shifts genres from grounded to fantastical, with Elsa and Anna running off to an alternate universe and later finding out they're half-god, ending in them killing their evil god grandfather. | |
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The Onion's reality TV satire Sex House starts out as, well, a satire of reality TV, and a hilarious one, at that. While the series takes on a darker tone pretty early on, the later episodes seem to be heading to full-on horror and Genre Deconstruction territory. | |
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Many of the Adventure Path's represent different genres. Iron Gods is Science Fantasy (set in the aforementioned Numeria), Mummy's Mask is an Indiana Jones style archeological adventure, Skull & Shackles is piracy on the high seas, Reign of Winter starts as a take on Russian fairy tales then turns into a world hopping adventure reminiscent of Doctor Who with a chapter set in World War I. Carrion Crown however is the king of this trope; it takes on Horror Movie tropes, but each chapter is based around a different subgenre; haunted house, Frankenstein story, lycanthropes, Lovecraftian horror, vampire story, and apocalyptic horror. | |
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Star vs. the Forces of Evil was initially an Affectionate Deconstructive Parody of the Magical Girl genre, but in Season 3 sees a major shift into what can almost be called High Fantasy. The setting changes from Earth to Mewni, which all on its own alters the premise of the show. The majority of the Earth cast is left behind, replaced by the magical characters that had been side-characters before. The Myth Arc introduced in Season 2 takes full control, and the focus shifts from Star learning to adjust to Earth culture and use her magic, to Star learning to handle the responsibilities of Royalty, and uncovering the Dark Secrets of her family. | |
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Superman: The Superboy 1949 book starts off as a mix of standard super-hero story and sitcom antics, set in a quaint Midwestern town, where Superboy mainly deals with crooks, corrupt businessmen, jerkasses, meddlesome love interests and the occasional supervillain. As the 50s and 60s chug along, though, more sci-fi elements become mixed in, and by the time the Legion of Super-Heroes become co-stars, the book has fully transitioned into a sci-fi Planetary Romance starring super-heroes in the far-flung future. | |
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The Lion King A particularly famous example of this trope: The first third or so of The Lion King (1994) focuses mainly on Simba's lighthearted escapades around his father's domain, with a tone and style typical of any Disney-made comedy. Then Scar kills Mufasa and makes Simba think it was his own fault. The rest of the film becomes a practical drama that deals with Simba's guilt and his need to fulfill his destiny by kicking Scar off the throne of Pride Rock. Though lighthearted elements are still present. The first three films are set in a mostly realistic setting, with no magical elements except for talking animals and Mufuasa appearing as a ghost. The Lion Guard adds a dash of fantasy to the setting. Simba's son has some kind of magic superpower known as the "Roar of the Elders.' He roars like a adult lion despite being a cub while the ghosts of the kings of the past roar with him in the sky, causing wind so strong it can blow the target away. He can talk to Mufuasa's ghost whenever he wills. The paw prints marking the Lion Guard appeared supernaturally. Rafiki is also shown magically cleaning up a cave, and making a pool of water appear in it out of nowhere with his staff. |
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A particularly famous example of this trope: The first third or so of The Lion King (1994) focuses mainly on Simba's lighthearted escapades around his father's domain, with a tone and style typical of any Disney-made comedy. Then Scar kills Mufasa and makes Simba think it was his own fault. The rest of the film becomes a practical drama that deals with Simba's guilt and his need to fulfill his destiny by kicking Scar off the throne of Pride Rock. Though lighthearted elements are still present. | |
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Star Trek: Lower Decks is the first series in the franchise that is primarily a comedy, and only the second series to be animated. | |
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Red vs. Blue veers all over the genre map as it progresses. Beginning as a mildly surreal, Halo-themed take on M*A*S*H, it quickly becomes more and more Pythonesque until it's nearly crossed into slapstick, Looney Tunes territory. Then, beginning with side stories like Out of Mind, it suddenly veers into serious science fiction, which spills over into the main series before settling into a very odd fusion of all the above genres. Which genre or combination of genres works best is definitely a matter of personal taste. As of its later seasons, it is firmly entrenched in Serious Business, albeit with some gags. | |
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ReBoot started out as an episodic comedy with heavy Executive Meddling from ABC's standards and practices. This changed in the middle of Season 2 when ABC dropped the show and the writers were given free rein on the show. The episodic nature was dropped in favor of longer story arcs and a much darker tone. The comedy is still there, just mixed in with the darker story. | |
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Wapsi Square started out as a lightweight and slightly surreal urban Sitcom, but gradually began adding elements of Science Fiction and/or Fantasy with the introduction of characters who might be gods, immortals or aliens, the concept of humans possessing (or being possessed by) inner demons, and a 12,000 year old mystery. In spite of all this, the sitcom elements are still present, and often just as strong as ever. | |
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Savage starts off as an Alternate History action series, with technology slightly more advanced than the present day. Around 2009 or 2010, it shifts to full-on Science Fiction, with teleporting tigers and the predecessors of the ABC Warriors appearing. | |
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G.I. Joe (2016) moves from the dark, realistic military science fiction of the previous IDW series to a Denser and Wackier sci-fi adventure inspired by the Sunbow cartoon. | |
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Mulan starts off as a typical Disney Princess Animated Musical... but after we see soldiers sing a cheerful song about the girls worth fighting for, they find out that the Huns have already destroyed the village they're supposed to save and the movie stops being a musical altogether (the characters no longer break into song afterwards, and the last three songs, a Triumphant Reprise of "I'll Make a Man out of You", and the end credits music don't even count). | |
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The Winter's Tale plays this the straightest: for the first half it's a tragedy similar to Othello with a king falsely accusing his wife of infidelity, ending with the queen and their young son dying and their newborn daughter being abandoned to die in the wilderness. Fast-forward sixteen years and it's a pastoral comedy, complete with an archetypal Clown and the people-in-disguise hijinks reminiscent of As You Like It and Twelfth Night. For added fun, there's some Greek mythology mixed in throughout, with a Chorus of narrators, a trip to an oracle, and a statue of the queen coming to life. | |
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With the introduction of more mystical elements to Westeros, the A Song of Ice and Fire fic Robb Returns changes Ice and Fire's Dark Fantasy into a more traditional High Fantasy. | |
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Rugrats is a comedic fantasy series about the world through babies eyes. It's sequel, All Grown Up! has none of the fantasy and instead opts to be a Slice of Life series about middle schoolers, comparable to As Told by Ginger. Needless to say it's a little odd seeing Tommy and co discussing puberty and having their first crushes. | |
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The first two seasons of Moral Orel mostly consisted of Orel wanting to do the right thing, but ultimately interpreting the lessons wrong and taking them to their literal end. However, the last two episodes of season two and the entirety of the third season took a sharp turn into dark territory, going from a satire of authority and conservatism to the semi-deconstruction of the effects of such a setting. | |
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Decker: The first two seasons are political action thrillers (granted, most likely a parody of them). The third season "Decker vs Dracula" though introduces monster horror, featuring many of the monsters from Universal Horror, to the series. This is rather short lived as Decker vs Dracula only lasted 3 episodes and the fourth season "Decker: Unclassified" went back to being an action thriller series until the last episode where the Big Bad is revealed to be Dracula. It seems some of the episodes in Decker: Unsealed with also involve monster horror | |
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The Code Geass fanfic Code Geass: Infinity starts out as a regular Fix Fic AU, where Shirley doesn't die and she helps Lelouch in the Black Knights; but then, when the fic starts to deal with the origins of Geass, the genre shifts to a Final Fantasy-esque plot, where in the end Lelouch must battle an One-Winged Angel Eldritch Abomination to save the world. The fic itself is not bad but if it were as complex as Code Geass: Lelouch of Britannia, it could easily be the Shinji And Warhammer 40 K of the fandom. | |
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When atmospheric (and occasionally supernatural) western title Jonah Hex ended its eight-year run in 1985, DC published a followup series called Hex, about the gunfighter getting sucked into a time rift and stranded in the post-apocalyptic 2050s. | |
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Freaking Romance: The supernatural elements, while always present in the story, really get kicked into high gear after Zylith falls from the roof and doesn't appear on the ground. | |
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In the Magic: The Gathering expansion Zendikar, the first two sets of the block are about adventure and surivial on a Death World. The last set turns it into a Cosmic Horror Story. | |
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The Nostalgia Chick talks about how Dragonheart went from A Boy and His X to Buddy Comedy halfway through. Similarly, The Nostalgia Chick herself went through a major genre shift. Going from the linear nature of the Critic to doing analytical reviews with her friends doing sketches related to the movie. She also no longer reviews movies aimed toward women exclusively, reviewing different films like Cool Runnings every once in a while. | |
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New Japan Pro-Wrestling dramatically switched from a promotion based around kicks, submission holds and junior heavyweight athletics lightened by comic relief and strange gimmicks to a "shoot" promotion that pitted pro wrestlers against judoka, mixed martial artists and such in a period known as "Inokism". This proved to be failure, with NJPW switching back and the "Inokism" approach finding more success in IGF. | |
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Questionable Content started out about a post-college Indie rocker, his friends, and his weird little Robot Buddy. Then Faye got her tragic backstory, Pintsize got increasingly destructive and psychotic, Raven got kinda skanky, etc, until you can barely recognize the characters from the early strips. The comic was always set 20 Minutes into the Future, with sentient robots like Pintsize and Winslow running around, but recently the comic has shifted heavily towards storylines involving robots and AI. It may have started with Marten, Marigold, and Hannelore visiting her dad in deep space and coming into contact with Station, but since Faye got hired at the local bot-fighting ring the comic has almost become all robots, all the time. Lampshaded here. |
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Pro Wrestling ZERO1 was initially a Shinya Hashimoto Vanity Project about his rise back to the top to defeat the shooters that had knocked him low (teaming up with the most infamous of them at one point) with some strong style matches and NWA stuff on the under card. There were always weird things down there, such as FMW wrestlers Atsushi Onita, Masato Tanaka, Mr Gannosuke, pornstar Chocoball Mukai and an entry in the "Differ Cup" crossover that saw Stalker Ichikawa beaten up for groping Amazing Kong. But it wasn't until Hashimoto died that things went off rails with, Distaff Counterpart shows, Holiday Festivals, other sport showcases, "friendship" shows for foreign promotions, Munenori Sawa brought in his Lingerie Muto parody of Keiji Muto. | |
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Kid Radd started out as a general parody of video games. Then Cerebus Syndrome sets in. | |
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My Immortal starts off as a fairly generic, albeit a little over-the-top, Harry Potter badfic with the usual focus on relationships, clothing and teen popular culture. Then it gradually turns into a surrealistic mish-mash of fanfic clichés and confused plot points involving such things as Time Travel — sort of like a badfic version of Lost. | |
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"Okay, so we're playing as an adorable bunny with amnesia. And we have to rescue our little cat friend from his cell. Okay, seems to be a standard puzzle game, so far so good...hey, is there someone behind that door?" | |
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Cerebus the Aardvark, which went from adventure-parody to straight-adventure, to... well, no one's quite sure what it ended up as. | |
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El Goonish Shive's change from comedy to dramedy was apparently planned from the very beginning. Over time, the setting itself has shifted from a typical webcomic World of Weirdness to Science-Fiction to Urban Fantasy. |
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Warhammer was one of the more famous examples of Dark Fantasy, taking place in a Standard Medieval European Fantasy with most of the factions falling somewhere on a spectrum of Black-and-Grey Morality. It's successor, Warhammer: Age of Sigmar is much closer to Heroic High Fantasy, with a multi-dimensional war across eight "realms" of a highly magical nature. While several of the "good guy" factions of Order can charitably be described as anti-heroic note the Daughters of Kaine worship a god of murder, the Fyreslayers and Kharadon Overlords are Only in It for the Money, the Sylvaneth have Blue-and-Orange Morality, and Idoneth Deepkin need to steal souls in order to survive they're pretty much always portrayed as heroes compared to the near-universally evil factions of Chaos, Death, and Destruction. Suffice it to say, this led to a lot of Broken Base, and we'll leave it at that. | |
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My Little Pony: Friendship Is Magic started as a Slice of Life ensemble comedy that would only dip into Magical Girl adventure for season premieres and finales. The third season, the first to completely lack Lauren Faust's involvement, marked a shift towards each season having an overarching plot. By the end of the fifth season, while slice-of-life still remained the bulk of the stories, the series had begun Arc Welding plots from previous seasons' and crafting a broader Myth Arc. | |
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Ring of Honor increasingly moved away from the super indie it was at its inception towards the model of a more grounded wrestling promotion with a larger regular roster, more schedule and intermediate events in between larger shows while also relaxing some of the strict conduct enforcement that distinguished it from the other super indies somewhat(which makes sense, seeing as it no longer qualified). | |
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Chester Gould's strange twist of Dick Tracy from crime drama (albeit with futuristic technology) to science fiction is one of the most infamous genre shifts of all time. | |
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The infamous Tom and Jerry: The Movie actually goes from a zany slapstick cartoon to a generic '90s Disney Renaissance cash-in film within the first few minutes! | |
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Daredevil in his early days dealt with street-level crime but had none of the gritty crime-noir feel that Frank Miller brought to the table during his run. | |
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Aquaman: Sword of Atlantis is a twofold example. The first half of the series was High Fantasy, which was unusual for the Aquaman franchise, while the back half of the work shifted genres to science fiction and more traditional hero fare. | |
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Girls Kingdom starts off as a standard Schoolgirl Series, before switching to an Urban Fantasy schoolgirl series halfway through the third book, when one prominent character is revealed to be a Friendly Neighborhood Vampire. The urban fantasy aspects only become prominent in the fourth book, however, when a Vampire Hunter makes her move. | |
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While the comedy element of Pleasant Goat and Big Big Wolf remains consistent, the series gradually becomes more centered on sci-fi and fantasy action plots compared to the earlier, much simpler slapstick seasons. Besides that, the series also shifts to a sports story twice, once in the second season Pleasant Goat Sports Game and again in the later basketball-based season Dunk for Victories (and by extension, its accompanying movie Dunk for Future). | |
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Codename: Kids Next Door shifted from action-comedy to action-dramedy. | |
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The Sandman (1989) starts out as a horror comic firmly entrenched in The DCU and gradually becomes a character-driven fantasy epic with only occasional continuity nods to other DC characters. | |
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South Park: The show initially started out as a simple surrealist comedy, but the creators later shifted it to social commentary and satire of current events. This also coincided with a general Art Evolution that introduced more realistic character designs and animation. | |
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The Walkyverse has done this over the course of its various entries. Roomies! was a Slice of Life story about dorm life, which slowly became more of a dramedy after the introduction and later death of Ruth. An initially one-off alien abduction plot also returns and takes over the final arc, leading into the next comic. It's Walky! is half sci-fi adventure story and half sitcom, following the various alien abductees as they fight the machinations of the Head Alien while dealing with their own personal problems. After that the story splits in two: Shortpacked! is a Denser and Wackier sequel about the quirky and geeky staff of a toy store, and engages in frequent pop culture parodies, along with the odd serious storyline. Finally Joyce and Walky more directly follows It's Walky, beginning as a domestic sitcom, but eventually reintegrating the science fiction elements and tying up loose ends from the alien plot. This is averted with Dumbing of Age, a spin-off-slash-reboot of the Walkyverse that excises the sci-fi elements, combines the casts of all the previous comics, and is a straight up dramedy throughout. | |
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Penny and Aggie began as a relatively light-hearted, family-friendly Betty and Veronica comic with brief story arcs and a long stretch of unconnected gag-a-day strips. Word of God says this was because the creators tried to pitch it as a syndicated newspaper comic. When the syndicates failed to show interest, the creators took advantage of the Webcomic medium's greater flexibility by increasing the drama-to-comedy ratio and by introducing more experimental storytelling techniques ("Second Looks," "20 2020 Pennies"), mature themes ("Behind Closed Doors," "Awakening," "The Last Summer of Youth"), and arcs running several months ("Dinner for Six," "The Popsicle War," and "Missing Person," the first chapter of which was a Police Procedural, and the final chapter a Psychological Thriller). | |
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Racer and the Geek is currently undergoing a transition from romcom to drama. Just compare this to this. | |
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Astro City has a meta-example — Kurt Busiek has noted that Max O'Millions, an Honor Guard member in The '50s and The '60s, started life as an "Astro Comics" non-superhero character similar to Richie Rich. He was retooled into a superhero when they came back into vogue, in homage to a similar retooling for characters like Martian Manhunter. | |
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The final Care Bears: Adventures in Care-a-Lot made-for-TV special, Down to Earth, suddenly shifted to full-on slice of life. The other episodes are slice of life with a tinge of good-versus-evil. | |
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MegaTokyo began as a simple, four panel webcomic about two friends trapped in Japan, the focus being more on the two men playing off each other verbally and talking about video games. As time went on, the comic drifted away from this, and began to focus more on the relationships Piro and Largo were creating in Japan, and picking apart aspects of popular Japanese culture. | |
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Hey Arnold! have episodes that sometimes be slice of life, drama that tackle serious issues, sitcom-like comedy, horror mysteries or romance. | |
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Footrot Flats: The Dog's Tale movie starts out as slapstick, then turns into an adventure film. | |
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First season of Amphibia is a Slice of Life Coming of Age Sitcom with Fantasy aesthetics and occasional serious episode, about a girl named Anne Trapped in Another World and her Found Family of Frog Men, the Plantars. Season two is a comedic fantasy about Anne and the Plantars going on a quest to find a way to send her back home, with a slight hint of Science Fiction. After a Wham Episode, season three is about Anne back on Earth, having to keep Plantars hidden from the world, balance normal life with fighting off attempts at invasion on Earth by technologically advanced forces of the Big Bad and learning to control her strange new powers, all while keeping the last two tasks secret from her parents, thus eschewing fantasy conventions for Super Hero ones. At least that's Anne episodes. The ones focusing on Sasha are consistently a Dark Fantasy with a humorous blend. | |
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Speaking of WWE's female talents, when the WWE Divas Division was rebranded as the WWE Women's Division in the spring of 2016 thanks in large part to the Four Horsewomen (Sasha Banks, Becky Lynch, Bayley and Charlotte Flair), the WWE phased out much of the eye candy stuff in favor of more edgy women with unique characters. In addition, there are multiple women's storylines, matches being much longer and competing in matches that were previously open to only male wrestlers such as the Royal Rumble match, the Elimination Chamber match, the Money in the Bank ladder match and the Hell in a Cell match, among others. | |
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Dice Funk is ostensibly a comedy with a fantasy setting, but Episode 9 makes a hard right into horror. | |
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A Crown of Stars: This story is a sequel to “A Throne of Bayonets�, a military fiction thriller set in a post-apocalyptic setting. A Crown of Stars adds a bunch of sci-fi and fantasy tropes, featuring physical gods, intergalactic empires, dimensional and time travelling, space-ships, power armours… the shift is so abrupt and unexpected than it adds coolness to the story. | |
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Shimmer and Shine started out as a gentle slice-of-life show with morals. In Season 2, the animation changed from 2D to 3D, the show was relocated to Zahramay Falls, and the show began introducing more lore, characters, and overly toyetic themes, all while abandoning the morals that the first season had. | |
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Under their pen, Batman shifted from a noir-style detective series with superhero styling to a Doc Savage-style, globe-trotting pulp adventure series. The plot changed from Batman fighting local crime in Gotham to Batman travelling the world to create a globalized crime-fighting force while trying to solve an Ancient Conspiracy. | |
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As noted in many retrospectives, The Batman is less one show than it is two and a half shows. The first two seasons are a high-octane action cartoon with (mostly) simplistic plots, and deliberately goes for an off-kilter version of Bat mythos by introducing a new cast of characters and creating very non-traditional versions of the rogues gallery. Seasons 3 and 4 abruptly drop all of the new characters in favor of the traditional Bat cast, and tones down most of the action in favor of more dramatic storylines reminiscent of Batman: The Animated Series. Season 5 is more or less a Justice League show that occasionally features Batman characters. | |
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The first three films are set in a mostly realistic setting, with no magical elements except for talking animals and Mufuasa appearing as a ghost. The Lion Guard adds a dash of fantasy to the setting. Simba's son has some kind of magic superpower known as the "Roar of the Elders.' He roars like a adult lion despite being a cub while the ghosts of the kings of the past roar with him in the sky, causing wind so strong it can blow the target away. He can talk to Mufuasa's ghost whenever he wills. The paw prints marking the Lion Guard appeared supernaturally. Rafiki is also shown magically cleaning up a cave, and making a pool of water appear in it out of nowhere with his staff. | |
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The three stories in the Angel of the Bat trilogy differ from their two companion pieces on the Sliding Scale of Realistic vs. Fantastic. The original story has a few supernatural elements that are genuine, but most of the rest are down to personal interpretation. The first sequel, Times of Heresy, is almost completely grounded, if still indulgent in superhero action. The third story, Da Pacem Domine, goes full fantasy, featuring magic and demons. | |
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This trope was probably the single biggest problem with Novas Aventuras de Megaman, an infamous Brazilian comic that Capcom actually authorized. The writers have actually admitted to changing the genre nearly every issue, because they wanted to see which sort of storylines the readers liked best. As such, one comic could be a flashback to a horrifying backstory about Roll's mind being taken from a young girl whom an evil scientist murdered for his mad robotics experiment, while another could be an anything goes, Large Ham comedy with No Fourth Wall. By the time it settled into the action-adventure style of plot, most readers had probably dropped it in frustration. | |
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Millie the Model was a humor feature that became a romance-adventure in the mid-1960s, then shifted back to humor. | |
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YU+ME: dream starts out as a romantic story between two girls at a Catholic school, dealing with the various issues that comes with, with some family drama — an average young adult romance story. Then after a hefty Wham Episode it turns into a slightly-psychological adventure-based story on an epic scale. | |
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Justified in Roulette Wheel Of Fate by the Protagonist changing. Luo Binghe's laser-focus interest in courting his shizun meant Scumbag System was a tragic romance full of misunderstandings; Liu Qingge's more martial nature pushes the romance in the backseat (even if it stays quite prominent) for a Dark Fantasy in which the main goal is to annihilate the demon emperor. | |
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