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In the Future, Humans Will Be One Race
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A science-fiction trope, most common in Literature wherein it's discussed that different races have essentially vanished, and everyone is pretty much within a limited range of color, usually a medium tan so to speak. Contrast with Humans Are White, which is basically the opposite idea, as well as the related Future Society, Present Values. Essentially, as racism fades and travel becomes easier and easier, more and more multiracial children are born until the entire world's population shares one big gene pool. It's also common for people to have a Melting-Pot Nomenclature as well. Tends to imply something of a Utopia—given how much blood has been shed over race, a world where there has been much interracial coupling is likely to have solved at least that problem. Additionally, humans in this scenario tend to have formed The Federation or there is a lot of globalization (but framed in a positive way), as this type of future naturally implies a lot of interaction between different peoples. One particular version that's popular in anime won't have all races merge, but rather a prominent number of half-European, half-Asian people. This may relate to Japan Takes Over the World. This particular version is also popular with cyberpunk, especially the part-Japanese version. Needless to say, this entire trope is the worst fear of ethnic supremacists/nationalists. In another way, though, it's also their dream come true: only one race. When this doesn't happen in the future, often writers will address it via explaining that cultures or nations have settled their own planets, thus allowing them to maintain common day ethnicity in the far-flung future. Bonus points if Everyone Is Bi and/or an Ambiguous Gender as well. In actuality, this trope is unlikely to come to pass in the way we think of race; while closely-knit populations will often share traits for both genetic and cultural reasons, the color of one's skin is affected by multiple genes (and environment), allowing for a range of shades and complexions. See the Pashtun or Brazilians for the actual result, which is wildly varied looks often within the same family. The possibility of the trope is unlikely, and without selection an impossible assumption, since there are already far too many people for the population to reliably interbreed quickly and evenly enough to homogenize the existing races before new races begin to pop up without a concerted effort on the part of the entire human species. Another unfortunate problem with the Utopian ideal this implies is that race does not always mean 'skin colour' or 'face shape' - for instance, in South Africa, people who would be considered 'just black' in Western cultures, can be/have been split into the 'Black' and 'Brown' races, even though there is no physical way of differentiating between these two populations. The historical definition of "race" in some cases also meant more like what now is termed "ethnicity". For instance, the English "race" etc. that would look not very different from its neighbors. Language and culture however can be equally divisive. Lastly, this trope does not take into account the aesthetic and cultural preferences that may be enabled with genetic engineering and/or body modification. People in the future may have an entire range of technologies that would enable them to look like any race they want, and likely a few ones entirely unheard of today, essentially defeating this trope. A subtrope of All Genes Are Codominant. Often overlaps with Ambiguously Brown. |
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Alluded to in Planet of the Apes. The apes stuff and display Dodge because they'd never seen a human with dark skin like him. The future humans who we see all look Ambiguously Brown. | |
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Real Life Comics referenced this trope, as main character Tony claims that this is his race. | |
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Blood Bank features a post-apocalyptic society where vampires reign supreme. Humans as a whole are swarthy, with dark skin and eyes, and a gray-eyed human is considered enough of a rarity to be sold as a slave to bourgeois vampires. | |
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In The Polity series, the protagonist, super-spy Ian Cormac, is described as having the golden-brown skin tone which dominates in the Polity. The Polity isn't quite a Utopia though, more like The Federation as a benevolent dictatorship. Even then the other characters in the series come in a rather wide variety of colors - and the Polity's gene-sculpting technology is so advanced that this frequently indicates nothing at all about their ancestry. | |
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It's not quite this trope, but Jessica Alba was chosen to represent a "perfect human" in Dark Angel because James Cameron commented that he was tired of the representation of an ideal human as one with "Aryan" features and that there would likely be evolutionary benefits in someone who was a mixture of ancestries. | |
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Also subverted by the author in The Lathe of Heaven where an attempt to create this results in a drastic assimilation event after which everyone has grayish skin. | |
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Played with in the Honor Harrington series; while racial mixing is exceedingly common in the setting's 41st Century and generally speaking someone's name or where they're from doesn't necessarily give any indication as to what they might look like, there are exceptions. Manticore's Royal Family, the Wintons are (except for people who join it by marriage), what we'd call black or African. It's implied that the genetic engineering the Wintons carry made their features a dominant trait. Similarly, many planets were specifically settled by people from specific ethnic groups or from locations on Earth, and generally remained isolated for some time, thus in the series present retain recognizable racial groupings. The majority of the population of the capital world of the Andermani Empire, Potsdam, were ethnically Chinese, but they have German names and speak German. The Havenite planet of Prague had been originally settled by white supremacists, with a resulting white population. The Mfecane System was settled by black supremacists, although ironically environmental conditions selected for albinism, so the majority of the population has light skin, light hair, and light eyes with sub-Saharan African features. | |
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Clarke is something of a fan of this trope, it seems, since in 3001: The Final Odyssey virtually everyone is described as having very mixed features, being some shade of brown, with names often not matching their appearance. | |
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In The Turner Diaries, it's implied via footnotes in 2099 everyone on the planet is the same race, that race being white. And yes, it's exactly what it sounds like. | |
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In The Savage Dragon, Kid Avenger comes from a future where everyone is Ambiguously Brown. | |
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Doctor Who Expanded Universe: Implied in The Year of Intelligent Tigers, which takes place on a future Earth colony called Hitchemus, where almost everybody appears to be mixed race. The main One-Shot Character has a European first name, an Iranian surname, implicitly dark skin, and grey eyes. However, there are two characters described as "Black", and pale-skinned people are "exotic" but aren't considered particularly strange. Alluded to in an early description of 30th century companion Chris Cwej, from the Doctor Who New Adventures novels, which says that he is, by 20th century standards "the superman" ... and that this was the result of the exact opposite of how certain 20th century politicians thought it could be achieved. On the other hand, he certainly looks white, and his police partner is not only black but comes from a family very proud of their pure African heritage. But it appears that society is on its way to this, more or less. |
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Serina has a nonhuman usage of this trope. The daydreamers are a sapient species of carnivorous marine bird that were originally divided into different cultural groups that could be distinguished by their color patterns and beak shape. The shallows where home to two different groups, the fishers and the pastoralists, that both possess the same grey, yellow, black and white colors but can be told apart by their fishers having a slender narrow beak due to their diet of small, fast prey and the pastoralists having a large, big-toothed beak for killing their larger livestock. Eventually, both groups are invaded by the warmongers, a xenophobic daydreamer culture with black and white colors and even larger teeth for hunting large prey, forcing the shallow daydreamers to ask the tool-using gravediggers for help. With their assistance they win the war and the three cultures becoming more cooperative, over time the interactions between them grow while their differences shrink until none remain. Five million year later, the only daydreamer culture is the novan daydreamer whose colors are a blend of all three while their beaks are narrower than the pastoralists and warmongers but have larger teeth than the fishers. | |
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The world of Attack on Titan seems to be leaning this way, but with much bleaker implications than usual. Instead of mixing through many generations, several races are implied or outright stated to have gone extinct. Mikasa in particular is probably the last Asian person on Earth, which nearly made her very valuable to the Human Traffickers that planned on selling her into sex slavery in her childhood. It turns out to be an entirely false and artificial situation — the cast have been living in a self-isolated colony for the last century, with the rulers carrying out Ethnic Cleansing to solidify their power. The rest of the world, as it turns out, has many ethnic and racial groups. This leads to a bit of a First Contact Faux Pas the first time Sasha sees a Black person and asks about his skin color. | |
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In Ira Levin's This Perfect Day, the "Family" is genetically engineered for perfection—which in this world is an almost stereotypically Asian appearance. | |
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In They Cloned Tyrone, we see that the Government Conspiracy's operations are often manned by Ambiguously Brown people (or in one case described as "white boys with Afros"). Fontaine finds out that those people are tests for the conspiracy's attempts to make Black people white over many generations, hence creating a future where everyone is one Master Race. | |
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∀ Gundam, set even further into the future has a good deal of tanned and generally mixed-race people inhabiting North America alongside whites and blacks. This being the result of generations of interbreeding following the Moonlight Butterfly apocalypse. | |
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Blind Uncle Rob in The Learning Tree wasn't born blind, but was blinded in an explosion. After his nephew Newt asks him if he remembers colors, Uncle Rob says yes, and talks about the colors he can see dancing in his head. Then he grows philosophical and wonders if people will get along better in the future, when their colors mix together. | |
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In One-Punch Man, the setting is revealed to take place in a post-nuclear apocalyptic world where humanity had to band together to create a unified world government and language after the excessive usage of nuclear weapons in an unspecified World War. Thus, while all of the human characters have shown to be range in different skin colors, what would normally be of a different nationality and ethnicity in real-life, according to Word of God, are treated as the same race In-Universe. | |
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Part of the background in the Council Wars series, by John Ringo. The sheer homogenity of humanity by the 40th century led to Change (a medical procedure, similar in use to modern-day plastic surgery. But involving the changing of your genetic code, with nanites) which allows people to turn themselves into mermaids. Or unicorns. Or anything else they can imagine. This eventually leads to the Council Wars proper. | |
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Mass Effect: The second novel novel has a human character looking at the quarians and thinking about how not only quarians but also the various other species tend to look homogeneous. She knows that part of that has to be just that she's unused to those other species and can't pick up on the differences, but even so there aren't serious variations in body size or coloration or anything. Then she realizes that, well, these other species have each become one race, and it's happening to humans too; humans who are purely of any one race are extremely rare. This is also mentioned in the first novel about Anderson, who has half-a-dozen ethnical groups as his ancestors, including Caucasian, Indian, African, and East Asian. This ties into Mass Effect 2, where Mordin states that the reason humans have been specifically targeted by the Collectors for their experiments is that humans are far more genetically diverse than any other sapient species in the galaxy. | |
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Mass Effect subtly hints at this with its human character designs. While characters like Jacob Taylor and Kelly Chambers are pronounced black and white respectively, a large number of major characters, minor NPCs, and people in the background have no distinctive ethnic appearance and predominantly show ranges of light brown skin colors. | |
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Deliberately used in Across the Universe (Beth Revis). Thanks to a combination of genetic engineering and a small gene pool, everyone on the ship Godspeed is Ambiguously Brown and has very similar facial features. In the first book, Eldest explains to elder that everyone was made one race to remove a potential source of discord. This means that when Amy (who is white and has red hair and green eyes) goes to live amongst the population, no one has any idea what to make of her. | |
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Known Space: By the time of the later stories, Earth's humanity has blended into a racially and culturally homogenous whole. The leading factors of this are the establishment of a single planetary government and the invention of cheap, effective teleports. By the time of Ringworld, going from New York to Shanghai or from Moscow to Rio de Janeiro is simply a matter of a walk down the street and a bit of spare change, functionally breaking down all barriers of travel between all areas of the Earth. There is also the factor that improvements in cosmetics make it cheap and easy to change your skin color (and features) to more or less whatever you like, so you can appear to be a member of any race you want — or like a member of no known actual race. Louis Wu in Ringworld is sporting a chrome-yellow dye job at the start of the book and is described as looking like a comic-book version of Fu Manchu, but without makeup, he looks like a typical Flatlander: "His features were neither Caucasian nor Mongoloid nor Negroid, though there were traces of all three: a uniform blend which must have required centuries." | |
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In the BattleTech games, the major nations are highly multiracial and multicultural—the lines are so blurred that it's impossible to cleanly delineate some groups. In an early Dark Age novel, a tanned green-eyed redhead travels under the alias "Rabbi Martinez" without arousing the slightest suspicion. Another novel has a minor character named "Juan-Pedro O'Rourke," and despite the Hispanic first name and the Irish surname, he is ethnically black and culturally a norteño note Northern Mexico/southern California border culture, described as "both and neither". Another character's inner monologue observes how this ethnic and cultural intermingling would give more culturally-narrow folks a fit. Minobu Tetsuhara has a traditionally styled Japanese name and is culturally Japanese down to the marrow. This is not unusual for a warrior in the Draconis Combine, except that Tetsuhara and his family are all African expats. |
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Explicitly the case in The Stars My Destination. The ability to "jaunte" (teleport across the world through Psychic Powers alone) is ubiquitous, to the point that not being able to do so is considered a disability. With the ability to travel and date across the world with as little effort as walking across a room, race soon became a thing of the past. | |
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In The Forever War, the hero leaves Earth to fight in an interstellar war using a starship drive that causes time dilation. When he returns to Earth it's thousands of years after he left, and everyone on Earth is a nice even tan, with dark hair and eyes. Oh, and they're all gay. Later taken to its logical extreme, with the entire human race becoming all clones that look completely identical, who also are part of a hive mind. | |
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Invoked to a degree in Nancy Farmer's The Ear, the Eye and the Arm; modern races still exist, but there is a new minority of mixed ancestry known as (naturally) the Browns. One of the titular detectives is this ethnicity. | |
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In Star Trek: The Original Series, Khan Noonien Singh has an Indian name and a Mexican accent/appearance, which (from a Watsonian perspective) is the result of an attempt to create genetically superior humans. (From the Doylist perspective, Ricardo Montalbán Plays Great Ethnics, and in The '60s, getting an actual Indian actor to play an Indian character in an American TV series would have been a challenge.) | |
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Played with in The Zodiac Series. Humanity as a whole is still very diverse, but on a House-by-House basis, it varies. Cancrians, for example, have skin tones spanning every color, while Sagittarians are always some shade of dark-skinned, and all Aquarians are pale. | |
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In Orion's Arm it is stated that modern-day races only exist on certain baseline reservations, and most are genetic recreations. Of course, humanity isn't even one species anymore. | |
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In The Giver, all humans in the Community are bred to more or less the same physical features. Differences such as Fiona's red hair and Jonas's blue eyes are regarded as a fault. | |
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Implied to be the case in The Dispossessed by a Terran ambassador. | |
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A variant occurs in the Antares novels. Apparently, most settled planets are homogenous - either they all came from one region on Earth, or they blended after a while. The only planet that is not homogenous is Earth itself. That said, different planets will have different dominant racial types. Altans and Sandarians are white, because their ancestors were mostly European, but other worlds have different ancestries. There is almost certainly one planet that is all black. | |
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According to some versions of the Warhammer 40,000 Back Story, this actually did happen to humanity for a while during the Dark Age of Technology, but during the Age of Strife various populations became isolated from each other for long enough that natural selection caused them to develop into different ethnic groups again. People who expressed more genes from their black African ancestors survived better on the hot planet of Nocturne, home of the Salamanders chapter, while on ice worlds like Valhalla or Fenris, selective pressures favored people who more closely resembled ancestors who came from colder parts of Earth, like Russia or Scandinavia. Meanwhile, high gravity planets and other environments that didn't exist on old Earth gave rise to new peoples like the Squats. | |
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In the Great Ship series, only one character on the Great Ship is described as having distinct racial characteristics - Quee Lee - who is also the only character who was born on Earth before the emergency genes and ceramic brains became available; the rest of humanity spent the next hundred thousand years homogenizing. | |
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John Carter of Mars: In the series, John Carter says at least twice that he expects this to happen. Considering when the books were written, Edgar Rice Burroughs must have freaked people out with that one. The "Red Martians" are a genetic admixture of the progenitor races. There are still White Martians in some places, along with Black Martians and Yellow Martians, but they're mostly confined to certain specific areographic regions. There are also Green Martians, but they're probably a different species. Probably. "Species" seems to have been a concept Burroughs wasn't familiar with, given that the human Carter mates with and has children by the oviparous, albeit with distinctive mammalian characteristics, Dejah Thoris, who is a Red Martian. |
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The Tranhuman Army from MARZENA, also sometimes known by some as the TAR, and by others as Transhuman Nazis, is home to a secret occult group who believes that following the teachings of the Transhuman Seeder will lead to the eventual creation of a true Master Race. Homo Sapiens is dead, Homo Animus will reign supreme! | |
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Stellaris: There are two portrait sets available for players who want to create a human empire. While one of them has people of multiple, highly visible racial categories ranging from light-skinned to dark-skinned and everywhere in between, the other one has a much narrower range of skin colors so as to give off this feeling. Furthermore, the outfits are also different. The former portrait set gives them a mix of recognizable military uniforms and civilian Space Clothes, indicating a sci-fi version of early 21st century humanity with its wide racial categories, while the latter goes for a Crystal Spires and Togas look, indicating a human race that has diverged further from our own in the present day as technology advanced and people grew more ethnically blended. Both of the pre-made human empires, the United Nations of Earth and the Commonwealth of Man, use the latter portrait set, indicating that, in the game's universe, this trope has become a reality. | |
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In Bulworth, when Senator Bulworth is on TV in Brutal Honesty mode, he suggests that the US should engage in "a voluntary, free-spirited, open-ended program of procreative racial deconstruction". Seeing the blank look on the interviewer's face, he re-phrases it more bluntly: "Everybody just gotta keep fuckin' everybody 'til they're all the same color". | |
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Mobile Suit Gundam had this in droves, especially the Universal Century timeline. The Zabi family was a mixed bag with all of the family members seemingly a different skin tone. Although the Zeons are frequently compared to Nazis, they are as multiethnic as the Earth Federation. The strangeness of Yoshiyuki Tomino character names adds to the ambiguity of character ethnicities. | |
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In The Spiral Wars, we are informed that most humans are just somewhat brown, but many characters are still specifically one race. The main Character, Erik Debogande, is African, and one Major character, Major Trace Thakur, is specifically of Nepali ancestry. | |
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Possibly intended with dark-skinned ambassador Genly Ai in The Left Hand of Darkness. Possibly, in that while Le Guin later placed the novel within a universe where humanoid aliens colonized a number of planets including Earth, it fits the general idea of "future with The Federation and many dark-skinned people". | |
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The Time Machine (2002): The Eloi, the surface-dwelling offshoot of modern humans in the future, all seem to be Ambiguously Brown (played by mixed race actors in many cases, appropriately enough). | |
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Horizon Zero Dawn: Downplayed. Far future humanity is just as phenotypically diverse as modern-day humanity, but all the tribal and social groups portrayed have members of a wide variety of phenotypes. While all characters are more than willing to snipe at each other for a plethora of reasons relating to culture, religion, and customs, race simply doesn't play into it, and it seems that race as a social construct didn't survive the end of the world. The revelation that all currently living humans are clones or the descendants of clones really hammers this trope home. | |
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Hinted at in The Matrix films. While the humans in the Matrix itself are shown to be more or less split along the traditional ethnic lines, the humans in Zion are frequently of mixed race. It makes sense, as people in the Matrix would have a much larger pool of same-race partners than the few freed humans in Zion would. | |
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Dragonriders of Pern. It's never flat-out said in the series, but supplemental material notes that the humans living on Pern are more or less homogenous. Pernese are all somewhat tan in color, and the men have very little facial hair. Apparently, some extremes exist in eye and hair color. F'Lar is mentioned to have amber-colored eyes, while Lessa's are grey (which is something of a family trait in Ruatha Hold), and Kylara has blonde hair, to name three examples. This wasn't the case before they landed on Pern, though it seems that just about every major racial grouping was part of the Pern Expedition, and though there wasn't any kind of racism, people still tended to marry within their own nationality (Sallah Telgar and Tarvi Andiyar being a notable exception). Presumably that practice ended under the threat of Thread. | |
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Alluded to in an early description of 30th century companion Chris Cwej, from the Doctor Who New Adventures novels, which says that he is, by 20th century standards "the superman" ... and that this was the result of the exact opposite of how certain 20th century politicians thought it could be achieved. On the other hand, he certainly looks white, and his police partner is not only black but comes from a family very proud of their pure African heritage. But it appears that society is on its way to this, more or less. | |
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In Captain America Corps., the reader is introduced to Commander A, AKA Kiyoshi Morales, the Captain America of the future. He's of mixed African American, Japanese, Hispanic and Native American descent, and owes some ancestry to Luke Cage. | |
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