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Jewish American Princess
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The Jewish American Princess is a pejorative Jewish American woman stereotype that is portrayed as materialistic, selfish, and from a pampered or wealthy background. The term, "Jewish American Princess" is often abbreviated to the acronym "JAP." The Jewish American princess stereotype was a construct of and popularized by post-World War II Jewish male writers. Notable works that popularized this stereotype are Herman Wouk's 1955 novel, Marjorie Morningstar and Philip Roth's 1959 novel Goodbye, Columbus. The acronym, "JAP" and the associated stereotype gained attention in the 1970s with the publication of several non-fiction articles. Barbara Meyer's Cosmopolitan article "Sex and the Jewish Girl" and the 1971 cover article in New York Magazine by Julie Baumgold, "The Persistence of the Jewish Princess" are two such notable articles. The Jewish American Princess stereotype's rise to prominence in the 1970s resulted from pressures on the Jewish middle class to maintain a visibly affluent lifestyle as post-war affluence declined. It is said to have been derived from the (now defunct) Jewish sorority Iotal Alpha Phi. Of course, use of the acronym has often been subject to harsh misunderstanding due to it coincidentally spelling "Jap", which in the USA is a derogatory term for "Japanese". The stereotype is portrayed as over-indulged by her parents with attention and money. This results in the princess having both unrealistic expectations and guilt and skill in the manipulation of guilt in others, which results in a deficient love life. The stereotype is also portrayed as sexually-repressive, overly-concerned with appearance, and indifferent to sex, the latter her most notable trait. Valley Girl is a Sister Trope (albeit with a Los Angeles rather than New York flavor). Some of these girls can fall under Spoiled Brat or Idle Rich. noreallife |
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| Jewish American Princess / int_16e5e618 | type |
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GLOW (2017): Melanie "Melrose" Rosen is a hard-partying Jewish girl who comes from a wealthy background and is heavily implied to have had a very pampered upbringing. Unlike most depictions of the trope, she is very promiscuous and proud of it (one episode had her say she doesn't "give a fuck" about marriage) but is knowledgable about her faith, even starting a make-shift impromptu Passover Seder with her friends. | |
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Impeachment: Monica Lewinsky was depicted as such by the media in Real Life (though they taunted her over her perceived promiscuity) and Beanie Feldstein depicts her as a flawed, but relatable and vulnerable version of this trope. Monica is depicted as a young college graduate who is sweet, a bit spoiled, intelligent, impulsive, a notable beauty but insecure, and vulnerable to the manipulations of her older friend (Linda Tripp) and her lover (President Bill Clinton) therefore lacking the power possessed by the trope. | |
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Rita from Slums of Beverly Hills has elements of this, this trope is avoided with her younger cousin Vivian (the main character) who is poor and her Father changes addresses so the kids go to the well-funded schools in Beverly Hills. | |
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Rachel Menken (later Katz) from Mad Men is an aversion of this trope. Despite being a wealthy, successful Jewish woman, she is neither selfish nor materialistic, and though she comes from money, she earned most of her wealth by growing and modernizing the family business (a midrange department store), not inheriting or marrying into money. | |
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The literary critic Harold Bloom has argued that Jessica in The Merchant of Venice is the Ur-Example, although she's not American (obviously) and not especially sexually repressed. | |
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Downplayed in-universe with Gretchen from Mean Girls. She's from an extremely wealthy family, and mentions Hanukkah gifts. The original script wrote her as a plainer girl compared to the White Anglo-Saxon Protestant-y blonde Regina, who was only in the Plastics because of her wealth. It's implied she's had to downplay her Judaism to conform to the Plastics' rules, as she's Regina's Beta Bitch. | |
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Mipsy from As Told by Ginger according to a throwaway line involving her having a Bat Mitzvah. The protagonist is one-quarter Jewish and very much averts this trope though - as she's the working class daughter of a single parent who doesn't discover her Jewish heritage until she's thirteen. | |
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It's implied that Mrs. Wolowitz from The Big Bang Theory may have been this in her youth. She's Jewish and overbearing, and she mentions she had many admirers who were bringing her candy and tried to win her favours. She very much averts the trope in her middle age. | |
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In The Accords, Raina came from a rich Ambiguously Jewish family, but gave up most of her wealth after finding out that she was the product of an extramarital affair and that her father paid her biological mother to give her up and leave the country. Despite supposedly giving up her privileges, she still relies on her parents to fund her activism. | |
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Baby, the main protagonist in Dirty Dancing, develops away from the negative aspects of the trope. | |
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Private Benjamin involves one of these getting suckered into joining the Army, with the expected Fish out of Water results. | |
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In American Dad!, Sharri Rothberg is this. She's portrayed as so insufferable and demanding, Roger quickly regrets asking her to marry him so he could scam wedding presents, eventually managing to fob her off to the equally desperate Mountain Man, Buckle. | |
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Susan Silverman of the Spenser series jokingly refers to herself as one of these, though she averts the more negative parts of the trope. | |
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The Nanny: Francine "Fran" Fine, the titular nanny played by Fran Drescher, is a more sympathetic and working-class version of the stereotype: she is obsessed with marriage, beauty, and shopping yet is a sweet and street-smart Mama Bear who really loves having sex. | |
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In Trainspotting, Spud has a fetish for Jewish princesses, apparently acquired through listening to Frank Zappa as he mentions Moon Unit Zappa and alludes to Zappa's other songs "Catholic Girls" and "Valley Girl" in the same chapter. | |
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One of the central trio in Birds of a Feather is Dorien, a middle-aged Jewish divorcee who acts as if she is still in her twenties, has a sense of entitlement a mile high, sees the other two women as a combination of personal servants and people who are there to make her life easier; she refuses to scale down her expectations and believes the world is there to meet her demands. Dorien is a middle-aged British JAP who has never grown up. | |
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Lisa of Saved by the Bell was written to be this - and she's the most materialistic of the girls, with frequent references to her spending "Daddy's money". When Lark Voorhees was cast, they removed any references to Lisa being Jewish. | |
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Played with in a seasonal storyline on Soap that merged the stereotype with the Mafia Princess type by having Danny forced into a relationship, and then a marriage, by Elaine, the daughter of a Jewish mobster he had once worked for. Eventually, she becomes much nicer and is naturally killed off in classic soap opera style. Somewhat at odds with the usual stereotype, though, Elaine is less frigid than she is terrifyingly overeager where sex is concerned. | |
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The Lisa Kudrow vehicle Marci X has the titular character being described as such. However, Marci is about as Jewish as she is a hip-hop princess, which is next to none — which is all the more bizarre considering that not only is she played by a Jewish actress, but the film's writer and director were also Jewish. | |
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Animorphs: Subverted in the case of Rachel, a blonde shopping-addict fashionista whose parents are lawyers... who's also the most gung-ho of the team, always eager to get in a fight. The fact that she and her cousin Jake are Jewish is only given a passing mention towards the end of the series. | |
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Hannah more in the film adaptation of The Devil's Arithmetic. She's a seventeen-year-old with her own car and Big Fancy House, and her spoiled attitude is coded with the opening scene having her wanting a tattoo (Jews are traditionally forbidden from getting them). This is to set up her Break the Haughty as she gets sent back in time to relive the actual Holocaust, which encourages her to embrace her faith more. In the book, she was only twelve and more naïve than spoiled. | |
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Tammy Larson from Bob's Burgers is revealed to be one in the episode "Mazel-Tina" in which she refuses to invite her classmate Tina to her bat mitzvah, and begins acting like a stereotypically bratty My Super Sweet Sixteen star. | |
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Ruth and Esther from Futurama are fembot versions of this trope. They made their debut in a segment themed around Robunakah. They like blintzes, and Ruth went to Vasser. | |
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Rip Her to Shreds: Both Regina and Gretchen count. Regina is Reform and Gretchen is Orthodox. Both are genuinely religious but they're also snobby, rich Alpha Bitches. | |
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Diamond Tiara from Friendship is Witchcraft is still a materialistic, snotty bitch as per show standard, but she's Ambiguously Jewish to boot in the pony universe (pony religion is somewhat ambiguous). Presumably, she's this in the FIW equivalent of Equestria Girls, since human!Silver Spoon explicitly states she's Jewish. | |
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Cher Horowitz in Clueless, who is also Ambiguously Jewish, starts out like this, but it's subverted as the film progresses and she takes genuine interest in other people. | |
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In the indie romantic comedy Dummy starring Adrien Brody, the main character's sister Heidi is working as a wedding planner. The only client we see her work for is one of these, and Heidi refers to her as such using the abbreviation. | |
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Portia Gibbons from The Mighty B! is a spoiled, entitled Rich Bitch who's eventually revealed to be Jewish (although she also has something resembling a Valley Girl "accent" since she lives in California). Her cousin, Chelsea, is even more entitled and bratty, as seen when she berates Portia at the former's bat mitzvah. | |
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Maureen Birnbaum, Barbarian Swordsperson: Maureen started as one before she discovered the Way of the Barbarian Warrior. And she still makes sure she has daddy's credit card with her at all times. Her former roommate and best friend Bitsy Spiegleman remains one, going on to marry a rich doctor and moving to a nice neighborhood to raise a child named Malachi Bret Spiegleman-Fein. | |
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In Runaways (Rainbow Rowell), this is the ironic fate of Klara since the team broke up. Previously the Runaway from the poorest background, she's been adopted by a rich Ambiguously Jewish gay couple in the Hills, with a large bedroom and her own flower garden. | |
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The Marvelous Mrs. Maisel: Midge, the main character, is a rich, fashionable, and pampered Jewish woman whose social circle is comprised of rich New Yorkers. She is friendly and kind, however, and willing to work to support herself. She'll also reference the stereotype in her standup: | |
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The Mel Brooks parody Spaceballs features Daphne Zuniga as Princess Vespa, a "Druish princess", who displays the attributes of the stereotype. It's even lampshaded. | |
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In Ghost World, Enid and Becky's annoying, stuck-up classmates Melorra and Naomi are disparagingly referred to by Enid as "the junior JAPs of America." | |
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Lois Griffin on Family Guy used to be this when she was younger, though subverted as she grew up believing she was a WASP and didn't discover she was half Jewish until adulthood. | |
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Rebecca Bunch from Crazy Ex-Girlfriend was raised in an upper-middle-class Jewish family. She has way too many mental problems to be a true JAP, but her Sitcom Arch-Nemesis, Audra Levine, looks like she is one. When they engage in a rap battle, it's even called a "JAP Battle Rap" — at which point, the concept itself is parodied and called offensive. | |
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Minnie Driver portrays a Canadian Jewish princess in Barney's Version, a film adaptation of the novel by Mordecai Richler, and stated that she based her character on a Montreal real estate agent who was a friend of the producer and American Jewish princesses that Driver knows. | |
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Friends: Rachel Green was originally scripted as a stereotypical Jewish American Princess and Lovable Alpha Bitch. Though never stated to be Jewish on the show, she refers to her grandmother as bubbe and Word of God (in one "making of Friends" special) referenced this trope word for word. She came from a very pampered background. Her father was a rich heart surgeon and her mother a stay-at-home, unsatisfied wife. Her two sisters were as spoiled as her but had less self-awareness than Rachel. This stereotype declined as the series progressed. By contrast, Monica the actual Jewish female on the show, did come from a financially stable upbringing but doesn't appear to be that spoiled. | |
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