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Long Song, Short Scene
- 470 statements
- 90 feature instances
- 315 referencing feature instances
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| Long Song, Short Scene | comment |
An original song whose length greatly exceeds its screentime. Ideally, the length of an original song should correspond with the amount of screentime it gets. For instance, say the heroine starts singing about the Power of Love only to get interrupted by the villain. The full song still exists on the soundtrack or on the cutting room floor, but in the work itself, you only get part of it, resulting in this trope. Reasons for this vary. Maybe the song was composed for a much longer scene, but the scene was shortened in the final product. Maybe the part of the work it was composed for was cut entirely and the song had to be used somewhere else in order to prevent it from being scrapped. Maybe they wanted to have it for a music collection, but couldn't fit most of it in the work itself. Whatever the case, this song got the shaft. Often times the full-length version can be found on the soundtrack or elsewhere, but never in the work itself. In video games this may be the result of a short cut-scene with a long song playing only during it so that the only way the full song can be heard is by hacking the game for the sound files, listening to the Sound Test (if there is one), or getting the soundtrack if the game had one released. During gameplay a song may play only in a certain area or for a short period of time and be obscure to all but the most dedicated players as a sort of music-equivalent to the Unique Enemy (e.g. a song that only plays in one room in the game or a long song that only plays in a short hallway, requiring the player to idle if they honestly want to hear all of it). Often included as a easter egg in the game. These are often songs that are uniquely representative of that area/scene and may be a sign that there is something notable about that place. See also Cut Song, which doesn't even play in the first place. A subtrope of All There in the Manual because the additional materials exist, even if you don't end up experiencing them in the work itself. |
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| Long Song, Short Scene | isPartOf |
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| Long Song, Short Scene / int_126115e3 | type |
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| Long Song, Short Scene / int_126115e3 | comment |
In The Good Shepherd, there is an arrangement of "Oh Shenandoah". We only hear part of it, and in the background behind the dialogue. It is MIA on the soundtrack, and hours of aggressive searching on the internet have turned up fruitless. | |
| Long Song, Short Scene / int_126115e3 | featureApplicability |
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| The Good Shepherd | hasFeature |
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| Long Song, Short Scene / int_1331990c | type |
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| Long Song, Short Scene / int_1331990c | comment |
From Puella Magi Madoka Magica, we have Numquam vincar, which is dark and epic and combines dramatic violins with an electric guitar bridge and drums all throughout. It could easily pass as the music for a Final Boss, but it's only played in one episode, for a grand total of maybe thirty seconds, against a minor Witch who Homura kills with no effort. | |
| Long Song, Short Scene / int_1331990c | featureApplicability |
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| Long Song, Short Scene / int_141a7410 | type |
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| Long Song, Short Scene / int_141a7410 | comment |
Some of the songs featured in the actual episodes of Over the Garden Wall are significantly shortened from the full versions made: "Langtree's Lament" is easily the most extreme example. In the episode, we hear three short snippets of it that add up to less than fifteen seconds, but the whole song is over two and a half minutes. "A Courting Song" has most of the second half only played inaudibly in the background as the scene shifts outside. "Over the Garden Wall" has a fourth of the song talked over in-episode, making it largely inaudible. "Come Wayward Souls" appears in full in the show, but the second half, where Greg sings, is rendered mostly inaudible by the dialogue over it. The same goes for the Dark Reprise of "Potatoes and Molasses" which leads into it. "Old Black Train" only plays for a few seconds in the show when Greg and Wirt roll out of the way of said train into the river. |
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| Long Song, Short Scene / int_147518c5 | type |
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| Long Song, Short Scene / int_147518c5 | comment |
In Takeshi's Castle a final battle theme plays for the Final Showdown. But due to the commentary it can be hard to hear and as it's generally a curb stomp battle it's often cut short. Might never have even been played fully. Could be averted however, as the Theme Song is also used for the Final Showdown, combined with the fact that it's more or less played in a loop, and it depends on how many contestants are left. | |
| Long Song, Short Scene / int_147518c5 | featureApplicability |
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| Long Song, Short Scene / int_17293dfa | type |
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| Long Song, Short Scene / int_17293dfa | comment |
The Scrum Debate music in Danganronpa V3: Killing Harmony is about five minutes long. Considering each Scrum Debate takes at most about two minutes to finish, even though the first thirty seconds or so play during a cutscene, you'd be very unlikely to hear the whole thing during normal gameplay. | |
| Long Song, Short Scene / int_17293dfa | featureApplicability |
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| Danganronpa V3: Killing Harmony (Visual Novel) | hasFeature |
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| Long Song, Short Scene / int_1a4b3ea2 | type |
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| Long Song, Short Scene / int_1a4b3ea2 | comment |
Digimon: In the English dub of Digimon Frontier we have the song "Darkness In My Heart" as sung by Crispin Freeman. It's a really cool song, but it's utterly impossible to get outside of a muddled clip from the show. And in the last episode of the Japanese version of Digimon Adventure 02, there's a three-minute edit of the nearly seven-minute "Bokura no Digital World". |
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| Long Song, Short Scene / int_1ea9e462 | type |
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| Long Song, Short Scene / int_1ea9e462 | comment |
Legends of Oz: Dorothy's Return: "Jester," the Jester's song, has a full minute of content on the soundtrack version that is cut from the film version. The film version skips some segments of the song in which the Jester sings about his motivations. | |
| Long Song, Short Scene / int_1ea9e462 | featureApplicability |
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| Long Song, Short Scene / int_222a8847 | type |
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| Long Song, Short Scene / int_222a8847 | comment |
"Show Me Your Spine" from RoboCop (1987). To quote The Other Wiki, "In the Nightclub scene of the movie, the song by P.T.P was played. P.T.P was a short lived side project consisting of members of the band Ministry. However, this song was not available in any official form and could only be heard in the film. It was eventually released in 2004 on a compilation album called Side Trax by Ministry." | |
| Long Song, Short Scene / int_222a8847 | featureApplicability |
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| Long Song, Short Scene / int_222a8847 | featureConfidence |
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| RoboCop (1987) | hasFeature |
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| Long Song, Short Scene / int_223121b6 | type |
Long Song, Short Scene | |
| Long Song, Short Scene / int_223121b6 | comment |
And similarly, a techno song from The Replacements (no, not that football movie) called "Heart," played during the final huddle and line of scrimmage for about 15-20 seconds tops. Shown on the credits, absent from the soundtrack. | |
| Long Song, Short Scene / int_223121b6 | featureApplicability |
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| The Replacements (2000) | hasFeature |
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| Long Song, Short Scene / int_2248f057 | type |
Long Song, Short Scene | |
| Long Song, Short Scene / int_2248f057 | comment |
In musical theatre, it's common for underscoring, scene change music and sometimes dance music to run longer in the score than it will in actual performances where the orchestra is supposed to fade out or immediately segue on cue. One example is in Allegro, where the utility version of "You Are Never Away" used as a scene change (before the actual song) is printed in the vocal score with a footnote which points out that the second ending is never played. | |
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| Long Song, Short Scene / int_230ec9cf | type |
Long Song, Short Scene | |
| Long Song, Short Scene / int_230ec9cf | comment |
Most of Fat Segal's contributions to the Skins soundtrack suffer this. "Whitecap Widow" is an astonishing five minutes of music, but you wouldn't know it from the half dozen distinct chunks it gets sliced into during Emily's S4 episode. (And that's only if you can find the full song before it gets yanked off his Myspace page...) | |
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| Long Song, Short Scene / int_23d67c89 | type |
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| Long Song, Short Scene / int_23d67c89 | comment |
The Hobbit has "Far Over the Misty Mountains Cold". You liked the bit we heard in the trailers and the film? You went looking for the full piece on the soundtrack? Ha! Joke's on you. It doesn't exist. The lyrics do, as it was adapted from the novel. But they never recorded it, leading to many many fan covers of the whole piece. | |
| Long Song, Short Scene / int_23d67c89 | featureApplicability |
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| Long Song, Short Scene / int_261159e9 | type |
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| Long Song, Short Scene / int_261159e9 | comment |
"Streets of Gold" from Oliver & Company gets cut short after its first chorus in the movie — fittingly, when the gang suddenly get distracted by Jenny's limo. In addition to being on the soundtrack, the full version made it into the Disney Sing-Along Songs video Topsy Turvy, accompanied by a montage of scenes from the rest of the movie. | |
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| Long Song, Short Scene / int_27e0fc66 | type |
Long Song, Short Scene | |
| Long Song, Short Scene / int_27e0fc66 | comment |
"3 Inch Horses, Two-Faced Monsters" was left off Modest Mouse's The Moon And Antarctica, appearing only as an unlisted 10 second segue between "A Different City" and "The Cold Part". The full song is a little over four minutes long, and soon after appeared on the outtake/B-Side compilation EP Everywhere and His Nasty Parlour Tricks. | |
| Long Song, Short Scene / int_27e0fc66 | featureApplicability |
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| Long Song, Short Scene / int_2ef7cb74 | type |
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| Long Song, Short Scene / int_2ef7cb74 | comment |
Lyrical Nanoha: "Young Knight of the Lance", Erio's theme in Magical Girl Lyrical Nanoha StrikerS. A piece that lasts around two minutes... and only used during his Transformation Sequence that lasted around twenty seconds. Tiana Lanster's "Comet Shooter" similarly got cut back; even though it gets reprised later in the series, they still don't use the longer version of it. |
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| Long Song, Short Scene / int_2f4aa4b6 | type |
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| Long Song, Short Scene / int_2f4aa4b6 | comment |
The version of Magmoor Caverns in Metroid Prime Pinball can only be heard when waiting for a signal from another DS to start the multiplayer table. | |
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| Metroid Prime Pinball (Video Game) | hasFeature |
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| Long Song, Short Scene / int_34a70b48 | type |
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| Long Song, Short Scene / int_34a70b48 | comment |
Elliot Goldenthal's score for Batman Forever was cut down from over two hours of music to just forty-five minutes, in order to accommodate more licensed singles on the soundtrack. Until recently, even all of the album releases have failed to include the entire track listing, instead splicing multiple pieces together and leaving others out entirely. | |
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| Long Song, Short Scene / int_3662453e | type |
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| Long Song, Short Scene / int_3662453e | comment |
In Resident Evil (2002), during Spencer's flashback scene, the track that plays is an instrumental of "Cyanide 2600" by Spineshank. Neither this song, nor any song from the band, is on the official soundtrack, and while the version with vocals is on their album The Height of Callousness, this version has yet to be found in full. | |
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| Long Song, Short Scene / int_3d2687f6 | type |
Long Song, Short Scene | |
| Long Song, Short Scene / int_3d2687f6 | comment |
With the exception of the ones that play over the end credits, every song in Hoodwinked! qualifies to some extent, though not always by design. All four musical numbers — "Great Big World", "Be Prepared", "The Schnitzel Song", and "Top of the Woods" — got pared down in the editing room (a rarity for animation!) for dragging out the pacing. Likewise, "The Real G" and "Tree Critter" were written as full-length songs despite having very short screen time. "Red Is Blue" also had a second verse that doesn't appear in the movie. Finally, a number of songs ("Little Boat", "Runaway", "Eva Deanna", and "Glow") were written as, essentially, fake licensed songs, right down to having lyrics that have little or nothing to do with the movie. They have less than a verse worth of screentime each. All of them appear in their entirety on the soundtrack - if you can still find a copy - and the full versions of the musical numbers can be found on home video releases. | |
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| Long Song, Short Scene / int_41fb6e76 | type |
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| Long Song, Short Scene / int_41fb6e76 | comment |
Double King is about 10 minutes long. The total play time of the soundtrack is 30 minutes. The songs are only partially played in the video. | |
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| Long Song, Short Scene / int_43a9c333 | type |
Long Song, Short Scene | |
| Long Song, Short Scene / int_43a9c333 | comment |
Most of Cowboy Bebop's score can qualify for this, but a particularly blatant example is "Adieu," a smoky torch song based off of the recurring music box melody "Memory." On the soundtrack CD, it's a full-fledged, six-minute song. In the show, all we get is the very last stanza at the beginning of "The Real Folk Blues, Part I" and the opening verse at the beginning of "Speak Like A Child." One episode also treats us to the very beginning of an opera rendition that wasn't even put on any of the CDs! | |
| Long Song, Short Scene / int_43a9c333 | featureApplicability |
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| Long Song, Short Scene / int_44fe781e | type |
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| Long Song, Short Scene / int_44fe781e | comment |
Neon Genesis Evangelion: "I Shinji". the series only uses the song once and only about twenty seconds of it. "Rei III", a more powerful version of Rei's leitmotif, was never even used. Every track in Rebuild of Evangelion seems to be considerably longer on the soundtracks than they are in the movies themselves, though mostly this just accounts for the track looping a lot more in the soundtrack-version. There is one clear example of this trope in the movies though; The song "Gods Gift" in 3.33, which in the movie skips the verse and jumps straight into the chorus. |
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| Long Song, Short Scene / int_47f0eac3 | type |
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| Long Song, Short Scene / int_47f0eac3 | comment |
Metalocalypse does this quite frequently, as songs that briefly appear in an eleven-minute episode will have 3-5 minute long album versions. Although, a few have been excluded from the albums in favor of original songs: the instrumental "Crush my Battle Opponent's Balls", "I'm Downloading Your Soul", and "My Inner Child Tied and Beaten in My Trunk", though the latter has an extended demo version uploaded on the show's official YouTube channel. | |
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| Long Song, Short Scene / int_4b790c7a | type |
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| Long Song, Short Scene / int_4b790c7a | comment |
A less extreme form of the trope appeared in Iron Man 2. The film had a soundtrack album by AC/DC, with 15 songs remixed for possible film inclusion. In the film proper, however, only less than two minutes of "Shoot to Thrill" following the opening credits (which still earned the song a Video Full of Film Clips, and a return in The Avengers in a similar scene), while "Highway to Hell" accompanied the last scene and end credits. | |
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| Long Song, Short Scene / int_5035e204 | comment |
The Cat and the Fiddle does incorporate the lyrics to most of four verses of "She Didn't Say Yes" piecemeal, but not one of them is sung through from the first line to the last. The one scene that runs through a verse to its conclusion has Shirley picking it up in the middle. | |
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| Long Song, Short Scene / int_50bcf7a6 | comment |
Homestuck generated almost three dozen albums of music, and without counting all the remixes, less than half of the songs have been played in the comic's Flash sequences. A few others have only played shortened versions. The song At the Price of Oblivion is cut short right at the end of its introduction. This is lampshaded at one point, when something cuts a Flash animation short and the text even points you to the Bandcamp page to see how much of the music (and therefore the Flash) you missed. |
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| Long Song, Short Scene / int_513f5832 | comment |
The punk song "I Hate You" from Star Trek IV: The Voyage Home. Written specifically for the bus scene in the film (its writer, Kirk Thatcher, also portrayed the punk on the bus blasting the song on his boombox until Spock neck-pinched him), the complete song didn't get a full release until an expanded soundtrack came out in 2011, 25 years later. | |
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Long Song, Short Scene | |
| Long Song, Short Scene / int_5261d625 | comment |
One of the OSTs for Samurai Champloo contains a track called "World Without Words". The song got less then 20 seconds of playtime in the entire series, used only for a brief fight between Mugen and Okuru. | |
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| Long Song, Short Scene / int_56e815b6 | comment |
The John Williams composed theme to NBC Nightly News, "The Mission", the first 10 or so seconds of which nearly anyone who watches NBC is familiar with, the rest of which is essentially left on the cutting room floor. | |
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| Long Song, Short Scene / int_5b3356f8 | comment |
In Turning Red, only the opening of "1 True Love" is heard in the actual movie before the credits. The full song along with the other two 4*Town songs are heard in their entirety in the credits. | |
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Long Song, Short Scene | |
| Long Song, Short Scene / int_5b5183fb | comment |
"VISION" from the NEEDLESS soundtrack might as well count, because it is only heard for less than thirty seconds in the entire series. | |
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Long Song, Short Scene / int_5b5183fb | |
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Long Song, Short Scene | |
| Long Song, Short Scene / int_5b77d01c | comment |
Only the chorus of Trolls World Tour's cover of Scorpions' "Rock You Like A Hurricane" is heard in the actual movie. The full song is only available in the movie's official soundtrack album. | |
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Long Song, Short Scene | |
| Long Song, Short Scene / int_67e64f4b | comment |
Each of the five Gundam Pilots has his own theme song. However, only Heero'snote "The Wings of a Boy Who Killed Adolescence" and Wu Fei'snote "When the Dragon Submerges, Everything Ends" appear more than twice. Trowa'snote "In the Returned Scent of Blood and Gunpowder" plays once, Quatre'snote "Looking for Peace Hiding in the Corpse" twice, and Duo'snote "Black Wind Inviting to Death" never shows up at all...unless you play SD Gundam G Generation. (A snippet toward the end of Duo's theme does form the basis of another theme for himnote "Hellraiser Returns" that does get used, while the melodies of the other themes also get reused in different ways.) | |
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The more upbeat songs in Swan Song are generally left unplayed later on in the game due to the dark atmosphere. There is a BGM player, but it's only available after going through the lengthy game. | |
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Yarudora series vol.3: Sampaguita has track n°40 "Ending 6", played at the very last scene of Good Ending 2. A track lasting 1 minute and 45 seconds before looping, only the first 30 seconds of it are played during that scene, before the protagonist's last line and the credits cut it short. | |
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Disturbed: They recorded "This Moment" as a straight-forward fight song with the intention of putting it in a film. They chose Transformers, who played it for a few seconds, then later during the end credits, and not during the fight scene the band was probably hoping for. Another example would be "Before It's Too Late (Sam and Mikaela's Theme)" by Goo Goo Dolls, which they wrote specifically for the film (it only got a brief instrumental segment in the actual film). These two songs showed up in the soundtrack as the only two pieces of original material, which was otherwise made up of popular licensed songs (in particular, "What I've Done" by Linkin Park, which got far more focus of these). |
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The opening theme for White Rabbit Project clocks in at 40 seconds on the show. However, the full song is actually three minutes long, and can be listened in full on Youtube. | |
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Long Song, Short Scene | |
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Another example would be "Before It's Too Late (Sam and Mikaela's Theme)" by Goo Goo Dolls, which they wrote specifically for the film (it only got a brief instrumental segment in the actual film). These two songs showed up in the soundtrack as the only two pieces of original material, which was otherwise made up of popular licensed songs (in particular, "What I've Done" by Linkin Park, which got far more focus of these). | |
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"The Meek Shall Inherit" from Little Shop of Horrors runs over two minutes longer on the soundtrack than in the movie. "Some Fun Now" and Mean Green Mother From Outer Space" also have some lyrics on the album that didn't make it into the movie. Plus, for years, the album marked the only way people could hear "Don't Feed the Plants" (albeit shortened), due to the addition of a Focus Group Ending. | |
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Rugrats in Paris has three: the version of T-Boz's "My Getaway" played in the plane (which is less R&B-ish and more pop-ish than the one in the soundtrack), the babies' travel song, and the Princess' song. | |
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On the soundtrack album to The Transformers: The Movie, the "Death of Optimus Prime" cue has a 10-second "sad guitar" sequence near the end that is not heard in the film, fostering the rumor that the scene was originally longer and had Optimus crumble into dust after death. | |
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Super Robot Wars: Original Generation: The Inspectors got an awesome new opening on episode 24... out of 26. At this point might as well stick with the first one. Oddly the second ending came on the series' midway point like usual. | |
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Dumb and Dumber featured a song titled "2 Ft.O' Buttcrack" (sung by Bruce Greenwood, but misattributed to Circle the Wagon), which only played briefly in the diner scene for a few seconds, and would never be heard in its entirety until it was rediscovered in 2015. | |
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Mobile Suit Gundam Wing: Each of the five Gundam Pilots has his own theme song. However, only Heero'snote "The Wings of a Boy Who Killed Adolescence" and Wu Fei'snote "When the Dragon Submerges, Everything Ends" appear more than twice. Trowa'snote "In the Returned Scent of Blood and Gunpowder" plays once, Quatre'snote "Looking for Peace Hiding in the Corpse" twice, and Duo'snote "Black Wind Inviting to Death" never shows up at all...unless you play SD Gundam G Generation. (A snippet toward the end of Duo's theme does form the basis of another theme for himnote "Hellraiser Returns" that does get used, while the melodies of the other themes also get reused in different ways.) Similarly, a battle theme for Zechs ("Zechs Comes"), only has tiny excerpts from it get played here and there. |
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The Sound of Music had its reprise of "Sixteen Going on Seventeen" shortened for the movie, then restored to its full length on the soundtrack. However, while the title song also experienced trimming during the transition to the big screen, its deleted portion (the melody of which found use in Movie Bonus Song "I Have Confidence") did not appear on the soundtrack. | |
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The full version of the "Throne Room" music from the final scene of A New Hope runs twice as long (before segueing to the Credits Medley), including a quiet repetition of the minor-key Force theme. It can be heard in the symphonic suite. | |
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In The Man Who Knew Too Much, Jo (Doris Day) doesn't get to sing "We'll Love Again" in its entirety, and what little viewers do hear from it gets mostly drowned out by the confrontation between Jo's husband and their son's kidnappers. On the other hand, "Que Sera Sera" sounds longer in the movie than on the soundtrack. | |
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Follow-up Muppets Most Wanted has extra verses for "We're Doing a Sequel" and "The Interrogation Song", as well as the full versions of three cover songs, "Working in the Coal Mine", "Moves like Jagger" and "Macarena", that were all performed during in-universe stage shows. | |
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The famous Burger-kun of Darker than Black's second season had a rockin' guitar theme that was oddly reminiscent of The King of Fighters. It never played again. | |
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The title menu theme from Summertime Saga is almost 2 minutes long, but unless you dither on the menu a lot you'll probably never hear more than the opening loop. | |
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South Pacific had "I'm Gonna Wash That Man Right Outta My Hair" greatly trimmed for the 1958 movie, but the soundtrack has a longer version of it (which still runs shorter than the number from the original play). The soundtrack also has a recording of the "Some Enchanted Evening" reprise (combined with the final performance of "Dites-Moi", and labeled, "Finale") that exceeds the length of the general release's scene, but matches the duration seen in the longer roadshow version. | |
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Pokémon Smash has an ending theme, "Endless Fighters", which is something its successor Pokémon Sunday lacked for a while. However, the reason Sunday stopped having an Ending theme was because the credits made very short and the announcer would talk over them, and that's exactly what happens to Endless Fighters. | |
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A similar deal happened to Dancougar, which got their second, beautiful opening and ending themes on episode 34 out of 38. Not as bad as other examples, but kinda wasteful to give new songs to a series about to end. | |
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Similarly, Yu-Gi-Oh! GX has a TON of BGMs that never made it to the two Sound Duels it had. Camula's theme needs to be released. | |
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Right before the final episode of Moral Orel was shown the creator (Dino) plays a song about a man hating himself during Christmas. A title card by the creator even says "This song isn't in the episode. It should be." or something like that. | |
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Several songs from Code Geass, mainly its sequel, qualify. Many tracks are only used once, and if they are heard in their entirety, they are never heard again. The first season had numerous tracks that showed up regularly, with only a couple of unused ones on the OST. However, R2 is filled with tracks that are either heard once (or twice at most), such as "Le Repos Du Guerrier", "Check Mate", "Siegfried" and "Love is Justice", and some that didn't even get used at all such as "Prodigy" and "Dark Activity". | |
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Every track in Rebuild of Evangelion seems to be considerably longer on the soundtracks than they are in the movies themselves, though mostly this just accounts for the track looping a lot more in the soundtrack-version. There is one clear example of this trope in the movies though; The song "Gods Gift" in 3.33, which in the movie skips the verse and jumps straight into the chorus. | |
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The ending for the second season of Queen's Blade is sung by the Terrible Trio and has 3 variations, one for each girl. While Melona and Menace got to sing their variations several times, Airi's only appears ONCE, and on the second to last episode at that (The finale doesn't have the ED). Clearly a ploy to sell more CDs, since Airi's the Ensemble Dark Horse, but still. | |
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Ember McClain's song was never played fully in her debut episode of Danny Phantom. The full version of "Remember" is a lot more innuendo-laden than the chorus and goes into depth about her backstory. | |
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SpongeBob SquarePants: A joke in "Plankton!" has Plankton setting down a record player for music to go with his Evil Laugh, only for it to be a children's alphabet song. You can only hear three seconds of it in the episode, but the full song is 1:51. (It only goes up to the letter F.) Squidward's interpretive dance in "Culture Shock" is scored by "In House Jazz" by Laszlo Bencker. The song's full length is 3:32, yet in the episode, it only plays for roughly 30 seconds. In "Shanghaied", we see a tough fish walking and listening to music. The scene only lasts a few seconds, but the full song is 2:41. In the "Freeform Jazz" scene from "Grandma's Kisses", the original scene plays a five-second clip of the much longer full song. "Solitude in E Minor" in "Naughty Nautical Neighbors" is an actual stock song by Richard Myhill called "Wishful Thinking"; the entire track goes on for a minute, compared to the literal two notes heard in the scene where it plays. "Prankster SpongeBob", a track only used in "Pranks a Lot", is actually a full minute longer than what plays in the episode. "SpongeBob Walk and Talk" is a 1:28 original composition. It plays for fifteen seconds in only one episode ("New Digs"). "Happy Sails", a song that plays in the episodes "Gullible Pants" and "Pull Up a Barrel", only has 38 seconds used between the episodes. The full length of the song is 3:33; almost three minutes longer than what's played in the show! |
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My Little Pony: Equestria Girls – Rainbow Rocks (a Music Story as a whole) has two. Indeed, the official Hasbro music videos featuring the full songs use lots of unrelated footage from the shorts and movies as padding: Rainbow Dash's "Awesome as I Wanna Be" is interrupted mid-song by Sunset Shimmer tackling her, because she is starting to show off her magic to the Dazzlings. As for Trixie and the Illusions' song, "Tricks Up My Sleeve", we gets the tail end of it the first time they sing it, and then at the concert just the beginning and end, while the gist of it is muted and in the background as the scene focuses on the Rainbooms. |
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"Navras" from The Matrix Revolutions is a chilling but energetic piece with haunting Sanskrit lyrics. It's not played at all during the movie, it's played during the credits and the song is 9 minutes long. | |
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Doctor Who: In the episodes "The Doctor's Daughter" and "Turn Left", an unspeakably epic, heroic theme plays near the end of each episode. It's on the series four soundtrack as "A Dazzling End", but the end of the song has been completely changed. The original version of "Song For Ten" from "The Christmas Invasion" was never released. "Evolution of the Daleks" was only put on the soundtrack in a slowed-down way, instead of the fast, hectic version used in the show. "Rise of the Cybermen" and "The Age of Steel" had several tracks never released on the soundtrack including many variations of the Cybermen theme that are even more awesome than the one released on the soundtrack. "Mummy on the Orient Express": Foxes' cover of "Don't Stop Me Now" was as much a victim of Advertised Extra as Foxes herself, only being heard in the background for less than a minute. However, the full song was released online as a full music video using footage from various episodes. |
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And in the last episode of the Japanese version of Digimon Adventure 02, there's a three-minute edit of the nearly seven-minute "Bokura no Digital World". | |
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"Sway" and "The Night Has a Thousand Eyes" from Dark City, or at least the versions from the Director's Cut, with Jennifer Connelly singing. The theatrical cut has Anita Kelsey singing these songs—these were the versions that appeared in full on the soundtrack album. | |
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In Monster, during the first half of the anime, there's a theme that sounds like an insane marching theme that plays on occasion when a character is realizing what a danger Johan actually is. Oddly, it never appeared in either OST. | |
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Long Song, Short Scene | |
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"Mummy on the Orient Express": Foxes' cover of "Don't Stop Me Now" was as much a victim of Advertised Extra as Foxes herself, only being heard in the background for less than a minute. However, the full song was released online as a full music video using footage from various episodes. | |
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The one-off Pokémon Mystery Dungeon: Explorers anime special Explorers of Sky: Beyond Time & Darkness have renditions of the track "Through the Sea of Time". The first, which plays when Grovyle, Chimchar and Piplup cross the boundary of the ocean and head into the Hidden Land, is a fully orchestrated version of the track but with triumphant horns and drums added in. The second version, which plays when Grovyle suplexes Dusknoir, then suplexes him again through the portal to the future, is a fully orchestrated version of the track but it is played much slower pace, giving it a mournful instead of triumphant feel. Both pieces are played during sections where there is a lot of speaking and background noise, in addition, they only last a few seconds (22 seconds in the case of the first instance and roughly 10-15 seconds in the second instance). | |
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Long Song, Short Scene | |
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Ghostbusters (1984) originally had a different theme song, performed by Hughes/Thrall, before being replaced with the now-famous Ray Parker Jr. song. The original song was only ever featured in a 1983 teaser trailer. There's also the music that plays for about 30 seconds over the scene where the containment grid is shut down and the ghosts escape - it's from the second half of "Magic" by Mick Smiley, a full length song with two completely different halves - the full piece appeared on the soundtrack and had a video made for it. | |
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Long Song, Short Scene | |
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Battlestar Galactica had Black Market from the episode with the same name. It was barely heard in the background as Lee walked into the Prometheus. These days, it is considered the only thing good about the episode and, by some, one of the best songs of the Season 2 soundtrack. | |
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The second ending song to Hanamaru Kindergarten fits along with the ending's theme—the show recast as a space drama. In the ending itself, it's a little under half a minute long and truncated. The full version is nearly seven minutes long, operatic, and has several epic guitar solos. | |
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In Little Busters!, the song 'Let's Return' is played only twice in the entire VN, and only for a very short scene each time. The song is 2 and a half minutes long, while at normal playing speed, most scenes will go for less than half that. What really makes it qualify, though, is the fact that the song fades out and then back in on a drastically different sound at 1:40, going from slow and trancy to staccato and with a beat, as though it's a completely different song. Most players will never hear that unless they fire up the music player. | |
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In AKIRA, as per the usual Geinoh Yamashirogumi treatment, most of the songs in the soundtrack run for about ten minutes with different movements, feels, and sometimes genres strewn about. However, most of the songs play for only a few seconds. For example, the song "Shohmyoh" is possibly one of the best songs on the soundtrack, but it only plays during a shot which lasts a couple seconds. What's also funny is that in the same scene, there was a background image that was extremely detailed to the point where you could see the individual windows on each of the buildings, yet it's only used for about six seconds, and the full image is never shown. Katsuhiro Otomo seems to love this. | |
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There are two versions of the song Only A Memory Away, from the English dub of Sailor Moon. The original was a sombre, somewhat sad song that played during a pivotal moment. The version released on the soundtrack was more upbeat with different lyrics. | |
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In South Park commentary it is revealed that full songs were written for the Cartman's band "Faith+1". However due to lack of time they only played a small amount of each song. Word of God says they may be release the full songs on a CD, so far they haven't. | |
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Yu-Gi-Oh! 5Ds has this in the early episodes: For the first 15 or so episodes, whenever Yusei started to get serious in duels, a very different version of "Yusei Battle" begins playing. Neither version of the Sound Duel CDs have this version of the track on them. Although there's a chance that the third one will have it. Another song, apparently called "Hopeless Battle", was played a few times during emotional moments early on. The ripped song was removed from Youtube and not released on any of the soundtracks. |
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Since 1997, the opening themes for Jeopardy! are full two-to-three-minute orchestrations featuring a wide array of arrangements on a variety of instruments, from electric guitars to saxophones to brass. However, the opening introduction is only 45 seconds long, and with the closing credits shaved for time constraints over the years, most viewers will never hear the theme in full unless they go hunting for it online. | |
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Highlander: When the Kurgan is recklessly driving through New York, the scene is underscored by a version of "Don't Lose Your Head" that segues into a Cover Version of "Theme from New York, New York". The latter portion isn't available anywhere else, not even on A Kind of Magic (which features the songs that Queen recorded for the movie), and the film doesn't even play the full song. According to the movie's commentary track, Freddie Mercury absolutely hated the song, and the director had to force him to sing that bit, so it's quite likely that there never was a full version recorded to begin with. | |
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In the English dub of Digimon Frontier we have the song "Darkness In My Heart" as sung by Crispin Freeman. It's a really cool song, but it's utterly impossible to get outside of a muddled clip from the show. | |
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There was a melody that played about 10 minutes into the final episode of Wolf's Rain. It may have been based on a backwards midnight sonata. | |
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Angel Beats! has the "Theme of SSS", which is played more than once but never in its entirety (which is under two minutes to begin with). Additionally, multiple other songs included on the OST were never played once. | |
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The song playing in the background of the first half of the bar scene in The Fly (1986), Bryan Ferry's "Help Me", was originally commissioned by the producers to play under the film's end credits. While director David Cronenberg liked it — it's a Sanity Slippage Song using the point of view of the Doomed Protagonist — he knew that stylistically it clashed with Howard Shore's orchestral underscore too much to serve as an effective playout, and the producers came to agree with him, so it was cut down and demoted to a brief clip of Source Music on a bar's jukebox (albeit preserving the Mythology Gag in the song's title); it does not appear on the soundtrack album at all. Nonetheless, it was released as a single in the United States and received a Video Full of Film Clips. Its only CD release to date was as part of Ferry's 1988 Greatest Hits Album The Ultimate Collection. | |
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The American Dragon Ball Z soundtrack had Episodic Trunks a surprisingly slow, calm song that was never heard in the show proper. | |
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They recorded "This Moment" as a straight-forward fight song with the intention of putting it in a film. They chose Transformers, who played it for a few seconds, then later during the end credits, and not during the fight scene the band was probably hoping for. | |
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Sonic the Hedgehog: The Movie had an intense, islandy, techno track known as "South Island". And it was only used for about five seconds, through a crackling stereo no less. It was used in trailers for the OVA too, so, luckily, people managed to rip the entire track. | |
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"Kabhi Kabhi Aditi" from Jaane Tu... Ya Jaane Na became extremely popular among Bollywood fans. However, some of these same fans were dismayed that its picturization just shows Aditi sulking and Jai following her around. | |
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Wander over Yonder: "The Commander's Last Command" from "The Axe" has an entire second verse on the version uploaded on Andy Bean's Soundcloud, but the version shown in the episode only plays the first verse. | |
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The Muppets (2011) has extended versions of "Rainbow Connection" (both the Muppets' and the Moopets' versions), "Smells Like Teen Spirit", "Forget You", "Mah Na Mah Na", "Me Party", and "Let's Talk About Me" included on its soundtrack. The longer "Let's Talk About Me", in particular, goes into more detail about Tex Richman's Start of Darkness. The whole song was filmed and included on the Blu-Ray as a bonus feature. | |
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Katawa Shoujo's scene transitions are accompanied by a catchy little tune that lasts for four bars. Only by pausing during the transition, or visiting the sound test menu, will you discover that those four bars are actually just the beginning of a full-length song. | |
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Nausicaä of the Valley of the Wind only used this catchy theme in its original Japanese trailer. | |
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