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Lost in Imitation

788 statements
144 feature instances
104 referencing feature instances

Lost in Imitation	type	FeatureClass
Lost in Imitation	label	Lost in Imitation
Lost in Imitation	page	LostInImitation
Lost in Imitation	comment	New adaptations of an original work — generally a work which has inspired countless imitators — tend to resemble the imitations more than the original. Sometimes the changes are subversive, or done because the original themes are no longer accepted by the audience, but often it's just because the writers think that it's what the audience is used to seeing at this point. It is especially prone when there is a Pragmatic Adaptation in play, with a belief that a truly 100% faithful adaptation is not possible in another medium. Done properly, though, you have Character Development like no one's business. Usually started by a Trope Codifier. May involve Dueling Works, where The Film of the Book of an imitator inspires a studio to film the original. Also often a result of Adaptation Displacement. Lost In Imitation can propagate itself in time, in which case what was not lost in the imitation will suffer from severe Pop-Cultural Osmosis. Compare Truer to the Text, in that what is actually Lost In Imitation is actually being more faithful to the source material. But there are pitfalls there, removing the expected elements while still keeping much of the same framework may lead to being accused of changing it for the sake of being different. A common cause of the Unbuilt Trope. Compare Ret-Canon, Once Original, Now Common, Audience-Coloring Adaptation, and Flanderization. Since the first imitators change things from the original work, this is strongly related to Sadly Mythtaken and Beam Me Up, Scotty!. Examples
Lost in Imitation	fetched	2024-02-28T03:15:38Z
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Lost in Imitation	isPartOf	DBTropes
Lost in Imitation / int_122134c9	type	Lost in Imitation
Lost in Imitation / int_122134c9	comment	In Pinocchio (1992), Pinocchio, Geppetto and the Cricket behave like their counterparts of the Disney film and the Blue Fairy looks similar to the latter version. Inverted with Mangiafuoco, who is actually nicer than his literary counterpart.
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Lost in Imitation / int_129ef538	type	Lost in Imitation
Lost in Imitation / int_129ef538	comment	That symbol on Superman's chest. The El family crest? A Kryptonian symbol meaning hope? Anyway it's from Krypton, right? For the first 65 years of Superman's existence in comics it was exactly what it looks like, a stylized letter S in a pentagonal shield and it stands for Superman. The Donner films first gave it a Kryptonian origin and most adaptations stuck with that. It wasn't until 2003's Superman: Birthright mini-series where the comics followed suit and gave it a Kryptonian origin.
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Lost in Imitation / int_14205e40	type	Lost in Imitation
Lost in Imitation / int_14205e40	comment	Penny Dreadful also attempts to stick fairly close to the source material, with 'Caliban' (the name given to the Monster to distinguish him from his maker) looking appropriately like a corpse that has been resurrected and who is even rather eloquent, as he is in Shelley's original text.
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Lost in Imitation / int_154ec5c9	type	Lost in Imitation
Lost in Imitation / int_154ec5c9	comment	In the original radio series incarnation of The Green Hornet, the Hornet's valet, Kato, had no remarkable skills. He was not characterized as either a skilled fighter in general or a martial arts master in particular. However, after the producers of the 1966 television adaptation cast Chinese martial arts master Bruce Lee as Kato, they used every chance they could to show off Lee's martial arts mastery in the series. The television characterization of Kato has been so influential that it is now probably mandatory that Kato be a skilled martial artist in any subsequent adaptation of the property. In the 1990s NOW Comics Green Hornet series, all the Katos were skilled in martial arts, and rumors of various movie adaptations since the 1966 series have always mentioned some prominent martial arts star as having the inside track to being cast as Kato. Some references to the Hornet and presumably Kato knowing judo and jiu jitsu did occur in the radio show and/or comic book tales, usually adapted from the former.
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Lost in Imitation / int_15c19ef2	type	Lost in Imitation
Lost in Imitation / int_15c19ef2	comment	Except for the Hungarian comic, there has never been a faithful adaptation, sequel or parody of Pierre Boulle's novel Planet of the Apes. All references are to the 1968 film. In the novel, the story is a message in a bottle found in space. There are three French astronauts (Merou, Antelle and Levain) and their test chimpanzee, Hector, that travel to a distant Earth-like planet named Soror in the year 2500. Upon arrival, Hector is killed by Nova and the men are captured by primitive humans (butt-naked and behaving like chimpanzees) who tear off their clothes. Hours later they are hunted by intelligent apes with 20th-century technology. Levain is killed, Antelle is placed in a cage in a zoo (where he somehow loses his intelligence), and Merou is sent to Zira's research facility where he proves himself to be intelligent and is taught the apes' language. Merou then becomes a celebrity, makes Nova his partner and has a child with her. But archaeologic evidence and brain surgery in humans reveal that humans created civilization in Soror and were overthrown by apes they used as slave labor, leading to mankind's degeneration. Zaius decides that Merou is a threat, since his son is intelligent and even Nova has become smarter in his presence, so the three leave in the same spaceship for Earth, and Merou finds it has also been taken over by apes in his absence. They then leave again in search for other planet to live. That message in a bottle? It is being read by two ape scientists that find the idea of intelligent humans ridiculous. The Tim Burton film did allude to the original ending; it got a fairly negative response due to how nonsensical it was in context.
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Lost in Imitation / int_164584f2	type	Lost in Imitation
Lost in Imitation / int_164584f2	comment	1982's The Wizard of Oz takes some influence from the MGM film, such as depicting the Emerald City as genuinely being green and having Dorothy wear Ruby Slippers (called "Magical Slippers") instead of the book's Silver Slippers.
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Lost in Imitation / int_1ae4e4cd	type	Lost in Imitation
Lost in Imitation / int_1ae4e4cd	comment	Dracula is often called the "Prince of Darkness", but this title does not derive from the original novel, but rather, from the 1966 film Dracula: Prince of Darkness. That film in turn took the appellation from John Milton's Paradise Lost, where it refers to Satan.
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Lost in Imitation / int_1b02159a	type	Lost in Imitation
Lost in Imitation / int_1b02159a	comment	Comic-style Chitauri have yet to appear outside the comics, ever. The Ultimate Avengers films, and everything that followed including the live-action Avengers movie, treat them as your basic Alien Invasion — no sign of being shapeshifters who never show their true forms. It makes sense, though: the comic Chitauri are the Ultimate Marvel version of the Skrulls, only actually threatening, at a time when the Skrulls were mostly remembered for the early appearance that ended with them getting tricked out of invading when they were convinced monster movies were real, and winding up turned into cows. Some people ate their meat and got super powers later on. With Secret Invasion (2008) the comic Skrulls Took a Level in Badass, making "like the Skrulls, except competent" something that's no longer needed. When you need shapeshifting aliens, you use the real deal; when you just need bad aliens, the Chitauri are a name comic fans recognize.
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Lost in Imitation / int_1bdeba5a	type	Lost in Imitation
Lost in Imitation / int_1bdeba5a	comment	In X-Men, almost all adaptations to feature Sabretooth have made him The Dragon to Magneto, despite the comic version of him never having worked for or with Mags. The rare exceptions are Wolverine and the X-Men (2009), in which Sabretooth was simply a Weapon X operative, and X-Men Origins: Wolverine, in which Magneto does not appear and Sabretooth is Wolverine's brother. X-Men: The Animated Series did have him take a job from Magneto to infiltrate the Institute, but he otherwise doesn't work for him. (When he finds out about the scheme, Wolverine points out that Sabretooth usually doesn't do someone else's dirty work.)
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Lost in Imitation / int_1be2f653	type	Lost in Imitation
Lost in Imitation / int_1be2f653	comment	The Tim Burton film is clearly based more on the Disney version than the original story. Though Crane has a cowardly personality, he is ultimately the hero of the story. The villagers, on the other hand, are mostly turned into corrupt villains, and the prankster Brom Bones is a bully. The scene where Ichabod rides across the covered bridge is a direct reference to the Disney adaptation, complete with the frogs seeming to croak "Ichabod". The shot where he ends up on his horse backwards is also borrowed from that version.
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Lost in Imitation / int_1e533770	type	Lost in Imitation
Lost in Imitation / int_1e533770	comment	Another example of how much the Disney film has influenced later Beauty and the Beast adaptations is the 2014 French film Beauty and the Beast's inclusion of a Dance of Romance scene clearly inspired by the Disney film's ballroom scene despite it being a remake of the 1946 French film that had no dancing scenes. Megan Kearney's webcomic adaptation also alludes to the iconic dance scene when Beauty and the Beast walk through the castle ballroom at one point... only for the Beast to confess that he can't dance because his animalistic legs aren't built for it.
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Lost in Imitation / int_1ec8567e	type	Lost in Imitation
Lost in Imitation / int_1ec8567e	comment	The iconic bridge scene from The Night Gwen Stacy Died gets adapted a lot — Spider-Man: The Animated Series, Ultimate Spider-Man, the movie — and they always replace Gwen with Mary Jane and let her live. The child-friendly cartoon series actually came the closest to adapting the tragedy by having Mary Jane fall into a dimensional time and space rift (alive but in an And I Must Scream state of floating through a no-man's-land outside reality and definitely believed dead by Peter, with an arc about grieving her loss). When the The Amazing Spider-Man 2 FINALLY gets the right girl, and kills her off for real, they have to replace the iconic setting with a clock tower because people have already seen the familiar set up with Mary Jane too many times. They also replace Norman with Harry. Don't expect a 100 percent faithful adaptation anytime soon.
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Lost in Imitation / int_21317f86	type	Lost in Imitation
Lost in Imitation / int_21317f86	comment	Since the release of Grindhouse, many works that also claim to deliberately homage the Exploitation Films of the 60s, 70s, and 80s instead directly take many of their cues from that one specific Genre Throwback, focusing mainly on Cool Cars, Gorn, and tough, sexy Action Girls. While these things were staple tropes in several real "grindhouse" B Movies (especially the latter), the fact is that "grindhouse" isn't so much an established genre as it is a loose designation for cheap movies to be shown in cheap theaters; along with the ever-popular action and horror, they also came in numerous other genres like comedies, westerns, dramas, sci-fi movies, chop-socky pictures, and dubiously-authentic documentaries that frequently had little in the way of cars, tits & gore. Death-defying vehicular stunts involving gorgeous, cherried-out hot rods weren't nearly as common as one might assume from homages, as few of these flicks had a high-enough budget to allow for that sort of thing. If automobiles were a big focus in a given picture to begin with, you generally would either get to see cool stunts or cool cars, but not both (couldn't risk wrecking the Shelby GT your buddy lent for the shoot, after all).
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Lost in Imitation / int_26b80743	type	Lost in Imitation
Lost in Imitation / int_26b80743	comment	Most video games and promotional images of Puella Magi Madoka Magica wield the franchise's core characters as a much more cohesive group than they were in the original anime. This is justified in The Rebellion Story, the anime's sequel movie, for plot-related reasons, but really, the ones we know as the "main five" were simply the only five who had any real role in the plot, with others appearing for only a few seconds in flashbacks, montages, and credits. Originally, animosity between the Puellae Magi was a recurrent theme and they only teamed up on occasion, and never without some reluctance.
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Lost in Imitation / int_2bbcacd9	type	Lost in Imitation
Lost in Imitation / int_2bbcacd9	comment	Looney Tunes created a stereotype of rabbits eating carrots when paying homage to a Clark Gable movie called It Happened One Night. In reality, carrots are basically junk food that rabbits shouldn't eat in anything but small amounts due to the high amount of sugar in them (compared to what rabbits eat in the wild, that is).
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Lost in Imitation / int_2d316ba2	type	Lost in Imitation
Lost in Imitation / int_2d316ba2	comment	Also, Baxter Stockman is never known to have ever met Shredder in the Mirage comics, but the 4Kids cartoon, which was usually much more true to the comics, has him working for Shredder just as he did in the Fred Wolf show.
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Lost in Imitation / int_2d36f9cb	type	Lost in Imitation
Lost in Imitation / int_2d36f9cb	comment	In Carmen, the original book and the opera's stage directions both describe the flower Carmen throws at Don JosÃ© as a cassia flower (a tree blossom, usually bright yellow). But as tradition has it, the majority of productions and adaptations portray the flower as a red rose.
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Lost in Imitation / int_31a8701b	comment	The Flash: Barry Allen is blond but every single live-action adaptation depicted him as a brunet. Barry's wife Iris West is originally a redhead but similarly has been made a brunette in live-action adaptations (and in the Arrowverse and DC Extended Universes cases, also African-American). The CW series decided to depict Barry as a young, impulsive, and somewhat idiotic character, whereas in the comics he was traditionally a 30-something highly gifted Science Hero known for being extremely methodical to the point of over-thinkingnote this was in-part due to drawing elements from Wally West's tenure as the Flash. The DCEU followed suit, with its take on Barry being even younger (at the time of casting, Ezra Miller was 22, and Barry was confirmed to be still a college student), was far more comically impulsive and goofy, and was openly described in advertising as 'an idiot'. Similarly, the 90s series, CW series, and DCEU have all depicted Barry as requiring a high amount of calories for his powers, something that the comic character never had until 2017 (where it was stated in a Green Arrow comic), but was a weakness Wally West struggled with early on. Wally got over this weakness after learning it was psychosomatic as the science behind it led to Fridge Logic, but he remained a Big Eater mostly for comic relief. After being introduced in the mid-90s, the Speed Force became a staple of the Flash comics, but was specifically connected to Wally West's tenure, with Barry not learning of its existence until being reintroduced in 2008. The CW series made the Speed Force something he learns about in his first year as the Flash, and depicted him as more-or-less its chosen champion (typically, the Speed Force favours Wally West due to his stronger connection and better understanding of its nature). The DCEU followed this, depicting the Speed Force as something Barry himself named.
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Lost in Imitation / int_32e60f2e	type	Lost in Imitation
Lost in Imitation / int_32e60f2e	comment	Tarzan: Clayton as the primary human antagonist comes from the 1999 Disney film, whereas Tublat as a villainous Killer Gorilla originates from its spin-off TV series.
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Lost in Imitation / int_3441793	type	Lost in Imitation
Lost in Imitation / int_3441793	comment	1992's The Last of the Mohicans starring Daniel Day-Lewis (the version people are most like to remember fondly) is explicitly credited as based on the 1936 screenplay. The book, not so much. To quote one critic:
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Lost in Imitation / int_34882659	comment	The original The Legend of Sleepy Hollow short story is about an annoying Connecticut schoolmaster who invades a Dutch community and gets run out of town by the prank of a clever local. The story was actually about cultural tensions in the new American society. Since the Disney version of the story, however, most adaptations focus on the ghost story exclusively, although it did manage to keep the subtle implication that the ghost was, indeed, a "Scooby-Doo" Hoax. The Tim Burton film is clearly based more on the Disney version than the original story. Though Crane has a cowardly personality, he is ultimately the hero of the story. The villagers, on the other hand, are mostly turned into corrupt villains, and the prankster Brom Bones is a bully. The scene where Ichabod rides across the covered bridge is a direct reference to the Disney adaptation, complete with the frogs seeming to croak "Ichabod". The shot where he ends up on his horse backwards is also borrowed from that version. Many modern depictions of the Headless Horseman show him carrying a jack-o-lantern, typically filled with flames. Again this image is from the Disney version. In the original story, throughout the climactic chase scene, the object the Horseman carries is thought by Ichabod to be his actual severed head. Only the next morning, after Ichabod's disappearance, is it revealed to have been a pumpkin instead: the strongest evidence that the Horseman was really Brom Bones in disguise.
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Lost in Imitation / int_3626dc6d	type	Lost in Imitation
Lost in Imitation / int_3626dc6d	comment	Although Nikita's take on its title character is more faithful to the original film version than the original TV series adaptation's was, the series ultimately draws more from La Femme Nikita the series than it does the film. Not only are key characters named after their LFN versions, the show's approach to Division and its structure are all based on the previous TV series'. This was arguably inevitable: the original film was not known for its world-building, and it was the first TV series that gave the setting narrative weight and made it viable for long-term storytelling.
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Lost in Imitation / int_370f6f37	comment	In The Curse of Capistrano, Zorro is active in southern California during the Mexican period (1821-1848), dresses like a common Mexican bandito, has his face covered entirely by the mask, and uses a gun along with the sword. The iconic Zorro we know was almost invented wholesale for the Douglas Fairbanks film, and codified by the Tyrone Power remake.
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Lost in Imitation / int_391713ea	comment	The Monkey's Paw famously features the titular Artifact of Doom that grants three wishes but only in the most horrible way. In the story it looks like a seemingly normal severed monkey hand, though it allegedly "twisted like a snake" when granting wishes. Then The Simpsons featured it in a parody, where it had three fingers raised that curled for each wish, and since then, "Monkey's paw curls" has been a stock joke to say "Be Careful What You Wish For".
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Lost in Imitation / int_3932a05b	type	Lost in Imitation
Lost in Imitation / int_3932a05b	comment	Many adaptations of The Magic Flute (e.g. books, a graphic novel, and several English-language productions of the opera, including Kenneth Branagh's film version) have followed the example of Ingmar Bergman's classic film by making Sarastro into Pamina's father. In the opera's original, uncut libretto, Pamina and her mother the Queen talk at length about her father, who was clearly a different person than Sarastro.
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Lost in Imitation / int_3953baf0	type	Lost in Imitation
Lost in Imitation / int_3953baf0	comment	Disney's adaptation of Victor Hugo's The Hunchback of Notre Dame owed far more to the silent 1923 and 1939 film versions than it did to the novel.
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Lost in Imitation / int_3bd96c18	type	Lost in Imitation
Lost in Imitation / int_3bd96c18	comment	Alita: Battle Angel takes much of it structure, characters and plot details from the 1993 OVA adaptation of Battle Angel Alita rather then the manga itself.
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Lost in Imitation / int_3c08531b	type	Lost in Imitation
Lost in Imitation / int_3c08531b	comment	Avengers Assemble uses the same cast from the film, with the inclusion of The Falcon. The character designs usually come straight from the Marvel Cinematic Universe or from the Ultimate Marvel universe, which inspired the films.
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Lost in Imitation / int_3d20c3c1	type	Lost in Imitation
Lost in Imitation / int_3d20c3c1	comment	Power Rangers Take Flight was the first major crack at adapting Chojin Sentai Jetman as a Power Rangers series. two later attempts, while hewing Truer to the Text than Take Flightâ€™s considerable liberties with the source material, both keep the counterpart to Maria a Princess - albeit a false one in keeping with the Truer to the Text nature, rather than Take Flightâ€™s Sasha, who ended up a rather generic Overlord Jr.. Compared to each other, the second of the later attempts takes cues from the first, such as The Hero being called Mark and the Home Base being called The Nest.
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Lost in Imitation / int_3e46a3f7	type	Lost in Imitation
Lost in Imitation / int_3e46a3f7	comment	In The Hunchback of Notre Dame (1956), Esmeralda, portrayed by Gina Lollobrigida, goes barefoot throughout the whole movie (obviously by preference), in contrast to the novel, in which she did wear shoes. Rumor even says that it was Lollobrigida's own idea because the actress enjoyed going barefoot in real life. Lollobrigida's portrayal became so iconic that Esmeralda was (and still is) depicted barefoot in nearly all subsequent adaptations, including the 1996 Disney version.
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Lost in Imitation / int_3e4fcdd3	type	Lost in Imitation
Lost in Imitation / int_3e4fcdd3	comment	Moby-Dick: Just about every adaptation or, more frequently, parody features the great whale as an all-white behemoth, despite the fact that he's described to retain only a white forehead and a white hump in the original novel. It doesn't help that that the book repeatedly refers to Moby Dick as the "white whale" almost exclusively. By the time they actually find it and the reader realizes that only parts of it are white, the image of a completely white whale is too powerfully engraved. Most book covers depicting the whale also make it completely white. Let it be noted that the reader should know that as early as chapter 42 (of 136 chapters), called "The Whiteness of the Whale", in which even the book itself recognizes the falseness of calling it a "white whale", justifying that, the whale being a creature that lives under the water and only lifts its body out of it slightly to breathe, the forehead and the hump are the only parts of it you see most of the time. The idea of Moby Dick being completely white may stem from the fact that the real life Mocha Dick, the inspiration behind Melville's novel, was albino.
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Lost in Imitation / int_4064e1e8	type	Lost in Imitation
Lost in Imitation / int_4064e1e8	comment	There's also a long-running animated series based directly on the first three or four Oz books, and not based on the film. Tin Man, a Sci-Fi Channel mini-series, also draws heavily from the book canon.
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Lost in Imitation / int_413aa2f7	type	Lost in Imitation
Lost in Imitation / int_413aa2f7	comment	Don Quixote: Don Alonso Quijano, the real identity of Don Quixote, is introduced in the first paragraph as being almost 50 years old. Later, he's said to have graying hair and a black moustache. Yet any adaptation depicts him as a bumbling old man in or around his 70s, most often with completely white hair and beard. Don Quixote is also always depicted in an old but typical, complete, Medieval Knight's suit of plate with a close helmet (until he ditches it for the iconic "Mambrino's Helmet"), and thick jousting lance. After all, that's what he wants to be, right? In the novel, he actually cobbles his armor from different suits of his great-grandfathers' (plural), mixing heavy and light cavalry armor, which makes him look ridiculous. His shield is a heart-shaped adarga, and his first helmet is "a simple morion" with no visor, like those used by Spanish light cavalry◊ in the late 1400s and early 1500s. Quijano is so disappointed that his helmet has no visor that he spends several weeks MacGyvering one from thick paper and iron bars. For the people who didn't read the novel, it may come as a surprise to see that the iconic windmill scene lasts barely a page. Don Quixote is also a Jerkass in the book, whereas nowadays everyone remembers him as only a Wide-Eyed Idealist. He's a Cloud Cuckoolander, whose particular Cloud Cuckoo Land is "Chivalric Romance novels". Most of his Jerkass moments come as a result of him being outraged that the "peasants" he meets are failing to give him what he regards as the proper and appropriate respect due the Knight Errant he believes himself to be. The pervasive idea that the novel cheers Don Quixote's rejection of reality and depicts him as a misunderstood hero is also nothing but centuries-old Alternate Character Interpretation. In reality, the first book has little but contempt for Don Quixote or his condition. The second book is more sympathetic to Don Quixote, but it also ends with him recovering his senses, sending Sancho away for buying into the fantasy world he has now rejected, and dying after learning what a fool he has been. In the United States at least, the pop-culture image of the novel is heavily influenced by the '60s musical Man of La Mancha and its movie adaptation, which is actually an original story about Cervantes directing a theatre adaptation of his novel while awaiting trial by The Spanish Inquisition (something that never happened in reality). This includes the heroic interpretation of Don Quixote, the Beam Me Up, Scotty! line "Too much sanity may be madness and maddest of all...", and Aldonza being a beautiful prostitute instead of the rough, unsophisticated country girl she is in the book. Writer Dale Wasserman, who never intended for the play to accurately depict either Cervantes's life or Don Quixote, was reportedly greatly frustrated by this trope.
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Lost in Imitation / int_423ca36c	type	Lost in Imitation
Lost in Imitation / int_423ca36c	comment	Subverted in Young Frankenstein, where the monster has been given an abnormal brain that causes him to be the stereotypical groaning monster. After Frankenstein gives him a brain fluid transfusion, he becomes verbose and civilized. The vengeful part is left out due to Frankenstein's Heelâ€“Face Turn and subsequent displays of kindness towards his creation.
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Young Frankenstein	hasFeature	Lost in Imitation / int_423ca36c
Lost in Imitation / int_49a87cb3	type	Lost in Imitation
Lost in Imitation / int_49a87cb3	comment	Cloud Strife from Final Fantasy VII was the epitome of I Just Want to Be Badass, who did his best to act cool and play up his reputation as a badass super soldier, acting like a loose cannon and only really getting serious wherever the villain is concerned. Even a certain death didn't effect him enough to stop him from going snowboarding immediately afterwards. When he appeared in the first Kingdom Hearts however, he ended up having the design and personality of Vincent Valentine (it's rumored, at least, that the part was originally written for Vincent, only for the team to decide he didn't fit the tone of the game), essentially becoming Cloud In Name Only. Now, Cloud is known for a reputation of being an "emo" hero with a perpetually somber expression and spending a lot of time brooding, with these traits also carrying over to his appearances in Final Fantasy VII: Advent Children and Dissidia Final Fantasy (though the latter does at least give him some of his actual mannerisms in battle). Outside of the source material, only his appearance in Dirge of Cerberus accurately depicts his original cocky, showy hero personality, enhancing it further with Cool Shades.
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Lost in Imitation / int_4a94a5fc	type	Lost in Imitation
Lost in Imitation / int_4a94a5fc	comment	Averted quite nicely in Maskerade, where the full face mask (and the stupidity of "recognizing someone because they are wearing a mask") is a plot point.
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Lost in Imitation / int_4a95c600	type	Lost in Imitation
Lost in Imitation / int_4a95c600	comment	Most adaptations since the 1939 one, including The Wiz and The Muppets' Wizard of Oz, make Dorothy discontented with her life in Kansas at first and at odds with Aunt Em in some way or other, only for her journey through Oz to make her appreciate her family's love and teach her An Aesop that there's no place like home. In the book, while the Kansas farm is grim and gray (as are Aunt Em and Uncle Henry), Dorothy is a Cheerful Child, content with her home and family from the start.
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Lost in Imitation / int_4ab60cf9	type	Lost in Imitation
Lost in Imitation / int_4ab60cf9	comment	Most modern adaptations of "Snow White" tend to portray Snow White with short hair, in many cases also wavy. It is rare to find a version of the princess that doesn't draw inspiration from Disney's version in the portrayal of the titular character, like giving her long, straight hair or with a dress that isn't similar to the German-inspired gown that makes the character so iconic. Walt Disney himself was inspired by Snow White (1916), which had a short-haired Snow White.
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Lost in Imitation / int_4ad458da	type	Lost in Imitation
Lost in Imitation / int_4ad458da	comment	No adaptations have ever shown any variation of the costume design he wore for the first 20 years he was Nightwing. The first variation was a circus style with a high collar similar to Deadman's, which makes sense as Dick is also a former circus aerialist. It was mainly navy blue with lighter blue highlight and a yellow wing design at the shoulder blades. A second variation had more standard collar and closed chest and hit had small glider wing attached to the armpits.
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Deadman (Comic Book)	hasFeature	Lost in Imitation / int_4ad458da
Lost in Imitation / int_4b790c79	type	Lost in Imitation
Lost in Imitation / int_4b790c79	comment	Tony's Arc Reactor from the first Iron Man movie is now standard issue for pretty much any adaptation, even though in the comics, his chest piece in the armor was originally just a magnet to keep the shrapnel from his heart.
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Lost in Imitation / int_4b790c7a	type	Lost in Imitation
Lost in Imitation / int_4b790c7a	comment	Iron Man 2 was the first adaptation to portray Black Widow with an American accent rather than Russian. All subsequent depictions of the character (save The Avengers: Earth's Mightiest Heroes, which was in development at the same time as Iron Man 2) have followed suit. This actually makes sense, since as a spy she would have trained to speak English with an accent appropriate to whatever country she was sent to infiltrate.
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Iron Man 2	hasFeature	Lost in Imitation / int_4b790c7a
Lost in Imitation / int_4c467f43	type	Lost in Imitation
Lost in Imitation / int_4c467f43	comment	The version of Oliver Twist which most people think they know is notably different to the novel. Since the 1960 musical, the public perception of Fagin is as a Lovable Rogue rather than the original who betrays his cohorts to the hangman to avoid sharing the spoils and manipulates Sikes into killing Nancy. The first two sound films, in 1933 and 1948, introduced the practice of removing characters and simplifying the plot: In the original, Oliver is not the grandson of Brownlow but (concentrate now) the son of an old friend of Brownlow's, the paternal half-brother of Big Bad Monks (who is often left out) and the maternal nephew of Rose (ditto...and when she is included she's often Brownlow's daughter to tie in with the traditional but non-original back story). Most surprisingly of all, Oliver spends the last two thirds of the novel completely safe with his family while they try and get his inheritance for him. Adaptations usually can't resist keeping him in peril to the end.
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Lost in Imitation / int_5082a6a	type	Lost in Imitation
Lost in Imitation / int_5082a6a	comment	The Three Musketeers: In the 1978 Soviet TV series d'Artagnan And Three Musketeers, the Queen has a penchant for snapping her fingers, which hints at her Spanish heritage (finger-snapping is used in Flamenco dancing to accompany the music). This Character Tic became so iconic among the series' fans that it made it even into the 2013 Russian film The Three Musketeers. Most movie adaptations make Cardinal Richelieu the iconic villain and antagonist of the heroes, despite his ambivalent position in the first book and total absence in all following books. Athos and d'Artagnan even ponder if they were wrong in opposing Richelieu a few times. Rochefort's promotion to The Dragon, where in the books, Milady filled the role. It is hard to find a film version in which Rochefort doesn't get killed by d'Artagnan in a climactic fight, rather then by accident during a riot. In the novels, d'Artagnan and Rochefort became friends after dueling each other. He also has no eyepatch in the books either; that started with Christopher Lee in the 1970s version.
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Lost in Imitation / int_50b9a0e2	type	Lost in Imitation
Lost in Imitation / int_50b9a0e2	comment	For quite a while, this was the case for The Phantom of the Opera. The 1943 film version made numerous radical departures from the original novel, most notable of which was changing the Phantom's backstory, from a deformed man who had lived underneath the Paris Opera all his life to an ordinary man who was disfigured by acid so the film's villains could steal his musical compositions. This basic plot point was repeated in all subsequent Phantom films for the next forty years, from straight adaptations such as Hammer Film's 1962 version to pastiches and parodies like Phantom of the Paradise. All that changed rather suddenly in the late 1980s, when the broadway musical version, adapted directly and mostly faithfully from the novel, became one of the biggest entertainment smash-hits in world history, resulting in most people's knowledge of the story skewing much closer to the original, with later most adaptations following suit.
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Lost in Imitation / int_5189271b	type	Lost in Imitation
Lost in Imitation / int_5189271b	comment	The B-film Frankenstein Meets the Wolf Man is the source of the image of the monster as stumbling around with his arms outstretched, as the monster becomes blind in the film.
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Lost in Imitation / int_529ee66	type	Lost in Imitation
Lost in Imitation / int_529ee66	comment	Neither Sonic's love for chili dogs nor his nemesis Eggman/Dr. Robotnik's famous line, "I HATE THAT HEDGEHOG!", come from the games. It was Adventures of Sonic the Hedgehog that came up with both of them. In fact, when Sonic's co-creator, Yuji Naka, was asked in an interview what Sonic's favorite food is, chili dogs didn't even come to his mind. This didn't stop other Sonic adaptations from using them and the Robotnik line: later American Sonic cartoons featured them (due to them being produced by the same company as AOSTH and their writers being told to use previous cartoons as a basis for the characters), and so did the American Sonic novels and comics (due to them being adaptations of the aforementioned cartoons, rather than the games). The chili dogs eventually made their way to the games, but that was in 2008, way after the aforementioned adaptations were produced, so they're still an example of the trope.
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Lost in Imitation / int_52b6c04d	type	Lost in Imitation
Lost in Imitation / int_52b6c04d	comment	Adaptations of The Prisoner of Zenda such as Dave and Moon over Parador always present the identical characters as strangers who just happen to look alike. However, in the original novel, the two are distant cousins who look alike due to features introduced by adultery of a previous generation of their families, which crop up every couple of generations.
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Lost in Imitation / int_52e8fba	type	Lost in Imitation
Lost in Imitation / int_52e8fba	comment	In general, Wicked uses both The Wizard of Oz and Land of Oz as its inspiration. Elphaba uses her MGM design, Glinda is a Composite Character like in the film, the Emerald City is actually green-tinted, etc. while at the same time, the books go into book-exclusive lore and include usually Adapted Out characters like Princess Ozma.
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Lost in Imitation / int_543bfacd	type	Lost in Imitation
Lost in Imitation / int_543bfacd	comment	Dracula got hit with this hard, as referenced in the quote above. It is claimed to be the origin of all modern vampire stereotypes and the definitive line between the vampires of folklore and the vampires of literature, film, and fiction, but most of his archetypal image — slicked black hair with a widow's peak, black high-collared stage cape, tuxedo, off-tempo Eastern European accent — is 100% Bela Lugosi, as seen in the 1927 Broadway play and 1931 film, compounded by endless imitations. In the book, Dracula was a gaunt old man with dead-white hair and skin, a hawky face, and a flowing moustache, who grew young when he drank blood and spoke English more flawlessly than the native English speakers (to the point where it mildly creeps them out). Also, the origin of sunlight killing vampires outright was introduced by the silent German film Nosferatu. In Dracula, the only difference it makes is that they lose access to their powers until they get out of it. Jesus Franco's Dracula movie is one of few in which Dracula maintains his original mustache and de-aging. Dracula's signature cape has its origins in stage adaptations of the story, added simply so the Count could twirl it dramatically to cover up his mystical exit by theatrical trapdoor, and to signify that he was biting someone without actually doing it onstage. Needless to say, it stuck. It was an Episcopal clerical funeral cloak. The "cape" portion of the cloak was flipped up in a collar so the actor's head couldn't be seen as he disappeared. The stage play was the inspiration for a lot of the modern interpretation of Dracula — buying the rights to the stage play was cheaper for Universal, and so that's what they did. (In fact, both of Universal's Dracula films — the Lugosi and Langella films — both featured actors from stage versions of the play in the title role.) Arthur Holmwood and Quincey Morris? Dropped from the stage play, and so not featured in the movies. Ironically, legal research for Universal later established that the novel was never copyrighted in the States! Francis Ford Coppola's film adaptation was possibly the most loyal to the original story, most notably Dracula's frequent appearances during daylight. The thick Eastern European accent introduced by Lugosi remains, though the character's Transylvanian origin makes this a bit justified. The film's major departures from the book and most other adaptations comes from making Dracula's character and backstory much more sympathetic. Ironically, the movie was criticized by some for breaking the "no vampires in sunlight" rule and then Handwaving it away. Supposedly, Coppola wasn't planning on giving Dracula an Eastern European accent, but Gary Oldman said he would only play the part if they allowed him to do the accent. Although Coppola is partly to blame for another part of the original novel being lost — his was one of the first films to focus on the idea that Mina Harker was a reincarnation of Dracula's lost love, an idea that has been repeated again and again through modern adaptations of Dracula, despite there having been no mention of any connection between Dracula and Mina in the original novel (short of him trying to turn her into his next bride). That idea stems from the 1973 TV version, except the woman in question is Lucy, not Mina. The BBC's 1977 TV adaptation is the most accurate, except in dropping Arthur Holmwood and in the depiction of the count, himself. In the novel, Mina Harker was A) in love with Jonathan for the entire book, B) was FORCED to drink Dracula's blood and C) repeatedly came up with the successful ideas to counter Dracula after the men's initial plans failed (in fact, keeping her out of it caused her to be bitten as she didn't realize she should prepare). None of this generally ends up in any adaptation. MAYBE she likes Jonathan in the beginning, but that's about it. Dracula is often called the "Prince of Darkness", but this title does not derive from the original novel, but rather, from the 1966 film Dracula: Prince of Darkness. That film in turn took the appellation from John Milton's Paradise Lost, where it refers to Satan.
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Lost in Imitation / int_558b4c84	type	Lost in Imitation
Lost in Imitation / int_558b4c84	comment	In the Guardians of the Galaxy comic books, Rocket Raccoon does not speak with any sort of discernible accent, but was given a cockney British accent in Ultimate Marvel vs. Capcom 3. (Rocky Raccoon, however, did have a British accent in a preview appearance before his official debut in the pages of The Incredible Hulk; his name and characterization were changed to a slightly less blatant Beatles reference.) This proved popular enough that he was given the same one in The Avengers: Earth's Mightiest Heroes, and a New York / Joe Pesci-ish accent in Ultimate Spider-Man (2012). When it was revealed that Bradley Cooper would not be using a cockney accent in Guardians of the Galaxy (2014), some people complained, even though that's how Rocket sounds in the source material.
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Lost in Imitation / int_56a86158	type	Lost in Imitation
Lost in Imitation / int_56a86158	comment	The Phantom of the Opera: Most depictions nowadays include a half-mask, either leaving the Phantom's mouth free (as done in Lon Chaney's silent film) or the diagonally cut mask because that's what was used in Andrew Lloyd Webber's famous stage version, though his entire face was deformed in the original novel, not just half, and the rest of his body was abnormal. The stage version only used a half-mask because the first actor to play the Phantom found it too difficult to sing while wearing a full mask. (A full mask is depicted on the poster.) His mask was also black, instead of white as in many adaptations. Averted quite nicely in Maskerade, where the full face mask (and the stupidity of "recognizing someone because they are wearing a mask") is a plot point.
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Lost in Imitation / int_56ca6c63	type	Lost in Imitation
Lost in Imitation / int_56ca6c63	comment	In the comic strip, Charlie Brown and Linus are in different classes, while Peppermint Patty, Marcie, and Franklin all go to a different school. The animated adaptations (including The Peanuts Movie) usually depict all of the main cast as being in the same class (though there are specials where Peppermint Patty, Marcie, and Franklin are all shown to go to a different school).
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Lost in Imitation / int_58b23be8	comment	In the original Suicide Mouse creepypasta, Mickey himself never committed suicide, with that spot being filled by one of the few people that watched the eponymous cartoon short until the end, causing them to go insane and steal a gun from a guard to shoot themselves. Then it came gorixgorix's animated recreation, in which Mickey eventually collapses and drops a syringe on the floor, presumably dying from its contents. After this, subsequent Suicide Mouse adaptations (most infamously Friday Night Funkin' mods) always include a syringe in some way or another, even though there was no mention of such object in the original story. There was also no disclosed reason on why Mickey was depressed (and slowly goes insane) in the story to begin with. After the infamous newspaper strip arc "Mr. Slicker and the Egg Robbers" was dug out (since Mickey did attempt suicide in that arc, though he doesn't succeed), many people are now convinced that a breakup with Minnie was the reason for his depression.
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Lost in Imitation / int_5c1a9b96	comment	In the books and original cartoon specials of Madeline, Madeline's parents were alive and well, just like those of her schoolmates. But the 1998 live-action film portrayed her as a Heartwarming Orphan whose only mother figure was Miss Clavel. Afterwards, the cartoon series promptly Retconned her into an orphan too and made the animated feature Madeline: Lost In Paris revolve around her lack of family.
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Lost in Imitation / int_5fb36d0e	comment	When Robin was introduced in Batman: The Animated Series, he was redesigned so that his elf boots and scaly shorts were replaced with pants and a pair of more practical black combat boots, bringing him closer to the then-current Tim Drake look, despite the character being Dick Grayson. (The design originally arose from a concept for Batman Returns, which was meant to be Dick Grayson.) Virtually every cartoon to feature Robin since then (The Batman, Teen Titans, Batman: Under the Red Hood, Young Justice) has used a similarly "modern" design rather than using his classic look. Also, the new black-and-red costume Tim Drake got when he finally appeared in the cartoon (since his comic look was stolen by Grayson) eventually made it back to the comics. Likewise when he graduates to Nightwing. Nearly every DC Comics adaptation following Batman: The Animated Series featuring Dick's adult identity (a Bad Future in Teen Titans, a not-so-bad future in The Batman, the second season of Young Justice and Son of Batman) uses a variant of the costume from New Batman Adventures: a blue bird Chest Insignia with serrated wings on an otherwise unmarked black outfit. Make the bird red (and of course add the infamous nipples) and you have his Robin outfit from Batman & Robin. Nightwing has never worn this outfit in the comics, the closest being a black outfit with a blue stripe that went down the arms and formed a sort of arrow on the chest. His New 52 outfit was kind of like this, but with a red, more stylised bird. Teen Titans and Young Justice also follow NBA in not including the bat-symbol mask. (Exceptions: Batman: The Brave and the Bold uses the original seventies costume; Batman: Under the Red Hood uses the blue-stripe version.) No adaptations have ever shown any variation of the costume design he wore for the first 20 years he was Nightwing. The first variation was a circus style with a high collar similar to Deadman's, which makes sense as Dick is also a former circus aerialist. It was mainly navy blue with lighter blue highlight and a yellow wing design at the shoulder blades. A second variation had more standard collar and closed chest and hit had small glider wing attached to the armpits.
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Lost in Imitation / int_5fe76d21	comment	The Symbiote originally had minimal influence over Peter's mind at best — the reason he gave it up was because it had a habit of taking his (sleeping) body out at night to websling and because he discovered it was alive and planning on merging with him on a genetic level — which freaked him out. In fact, the original comics symbiote had no emotions of its own, but developed them as a result of spending so long bonded to Spider-Man, even sacrificing itself (well, almost) to save its former host after being rejected. Though Eddie Brock, who hated Spider-Man, was able to use it to go against him as Venom, the symbiote still tried to jump ship and return to Spider-Man when Spidey made the offer. In the '90s animated series, the symbiote was portrayed as having its own, extremely aggressive personality, which was starting to overwrite Peter's as the bond grew stronger, and all adaptations since have taken this up.
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Lost in Imitation / int_63935537	comment	Robin Hood is one of those that seems to pick up elements with each iteration. For example, it's become common to include a Moor amongst Robin's men and to portray Marion as an accomplished fighter, herself. Also, Robin's role as a returning Crusader is "borrowed" from the title character of Ivanhoe. The first such "borrower" was Douglas Fairbanks Sr. for his movie version in 1922. He spent the first several reels trudging along in chain mail on Crusade before receiving an Urgent Message from back home in Merrie Old.... The Moorish companion and the feisty Marian, alongside several other elements, can be traced down to the excellent Eighties series, Robin of Sherwood. The Kevin Costner version ripped several of these elements off (to the point where there was talk of a lawsuit) and brought them into the worldwide mainstream.
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Lost in Imitation / int_656ec08e	comment	Many derivative Oz works and adaptations revolve around Dorothy "returning to Oz" for the first time in years. This is because the MGM film never received an official sequel. In the original books, Dorothy returns to Oz in the third book Ozma of Oz and later permanently moves there with her Aunt Em and Uncle Henry in the sixth (out of forty official novels and fourteen creator-written novels) book The Emerald City of Oz.
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Lost in Imitation / int_662d3efd	comment	In the comics, the Juggernaut is Professor X's step-brother and isn't even a mutant, getting his powers from a magic gem, and he originally worked alone or with one partner. Since he's one of the X-Men's most iconic villains, he tends to be one of Magneto's henchmen in adaptations, usually not mentioning the nature of his powers and his relationship to Prof. X or actually making him a mutant and/or not related to Xavier at all. It's even partially made it back to the comics: while he's still Xavier's non-mutant stepbrother, writers more familiar with the adaptations than the comics often have him mention being a former member of the Brotherhood. He finally did appear as a member of a short-lived incarnation of the Brotherhood, albeit one largely unconnected to previous versions aside from using the same name; this hasn't stopped artists from drawing him fighting alongside Magneto (which he has never done) in flashbacks.
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Lost in Imitation / int_66abe7c6	comment	In Fate the long standing tradition of Gender Fliping is in effect but Frankenstein is a Composite Character of the Bride and quite attractive, except to Victor Frankenstein who tried to kill her and cancelled his original plans of making a pair, despite the deviation and how she's a Hollywood Cyborg the book's events appeared to have played out. Also Mary Shelley's letters had indicated that the Monster was going to be named Adam, in Fate/Grand Order Victor's second attempt of Frankenstein was appropriately named Eve.
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Lost in Imitation / int_673bc211	comment	With regards to the 2013 stage musical, it struck out in its own, largely book-faithful, direction but threw in a few Internal Homages to and (due to Executive Meddling) one song ("Pure Imagination") from the '71 version. When that wasn't enough for fans of the movie, Pandering to the Base ensued as it was Retooled for its 2017 Broadway premiere, with most of the changes — Mr. Bucket suffering Death by Adaptation, the grandparents aside from Joe being Demoted to Extra, and the substitution of several original songs with their movie counterparts — serving as examples of this trope.
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Lost in Imitation / int_680b3afa	comment	Although the syndicated TV show Beastmaster has a credit on each episode claiming it's Inspired byâ€¦ the Andre Norton novel, it's really an adaptation of the B movie — which diverged so wildly from the source text that Norton had her name taken off it. As such, it has absolutely nothing in common with the Andre Norton novel, and the only things different from the movie are that Dar doesn't wear a crown or use a sword (for the early part of the series); it takes place in the jungle instead of the desert; and Dar's loincloth doesn't have fringe on it. Oh, and Ruh's a tiger instead of a puma (probably because the black paint killed the one from the movie).
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Lost in Imitation / int_6a26d612	comment	Mary Shelley's Frankenstein is also much more faithful to the original source material— except where it isn't.
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Lost in Imitation / int_6f734712	comment	Ever since Smallville cast Phil Morris to play the Martian Manhunter's "John Jones" identity, just about every subsequent adaptation (such as Young Justice and Supergirl (2015)) has made the Manhunter's human form a black man.
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Lost in Imitation / int_70f75f23	comment	In the UK, most cultural understanding of fairy tales and folk tales via the Disney version is supplemented by another medium in which they have also been popularly canonised — Pantomime. These are by no means more 'faithful' to any kind of original than the movies (and are themselves subject to including Disney-originated elements — at least in small-scale productions, theatres can get away with ripping off plenty of copyrighted material without anyone suing). Ask most British people whose Aladdin's mother is or who Cinderella's Unlucky Childhood Friend is and they'll know the answers immediately (Widow Twanky and Buttons respectively), despite these points having no place in the original tales.
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Lost in Imitation / int_75622e41	comment	In X-Men adaptations, the need to keep the sprawling cast of the comics relatively simple tends to lead to villains who are unassociated in the comics working for whoever the main villain of the adaptation is. This has a tendency to become their default status in other adaptations: In X-Men, almost all adaptations to feature Sabretooth have made him The Dragon to Magneto, despite the comic version of him never having worked for or with Mags. The rare exceptions are Wolverine and the X-Men (2009), in which Sabretooth was simply a Weapon X operative, and X-Men Origins: Wolverine, in which Magneto does not appear and Sabretooth is Wolverine's brother. X-Men: The Animated Series did have him take a job from Magneto to infiltrate the Institute, but he otherwise doesn't work for him. (When he finds out about the scheme, Wolverine points out that Sabretooth usually doesn't do someone else's dirty work.) In comics, Mystique is the leader of the new Brotherhood and has rarely worked for anyone else. Most adaptations have her working for Magneto or Apocalypse. In X-Men: The Animated Series, she worked for Apocalypse. In X-Men: Evolution, she worked for Magneto until he ditched her, then operated on her own, then joined Apocalypse. In the movieverse, she worked for Magneto until he ditched her in X3 (came after Evo ended). She once again works for Magneto in Wolverine and the X-Men (2009). Magneto's reliance on Mystique and/or Sabretooth as The Dragon can also be explained by most adaptations featuring a significantly powered-down version of the Master of Magnetism. In the comics, he's a top-tier threat: strong enough to fight an entire team of X-Men to a standstill (if not stomp them outright) and has a combo plate of powers that let him perform feats well beyond what magnetic fields are theoretically capable of. The only adaptation that portrays Magneto as being just as powerful as his comic book counterpart is Wolverine and the X-Men (2009). In the comics, the Juggernaut is Professor X's step-brother and isn't even a mutant, getting his powers from a magic gem, and he originally worked alone or with one partner. Since he's one of the X-Men's most iconic villains, he tends to be one of Magneto's henchmen in adaptations, usually not mentioning the nature of his powers and his relationship to Prof. X or actually making him a mutant and/or not related to Xavier at all. It's even partially made it back to the comics: while he's still Xavier's non-mutant stepbrother, writers more familiar with the adaptations than the comics often have him mention being a former member of the Brotherhood. He finally did appear as a member of a short-lived incarnation of the Brotherhood, albeit one largely unconnected to previous versions aside from using the same name; this hasn't stopped artists from drawing him fighting alongside Magneto (which he has never done) in flashbacks.
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Lost in Imitation / int_76528000	comment	The Prince and the Pauper named a trope about a royal and a peasant switching places. But a lot of the themes of the story are lost in many adaptations, including the Disney version with Mickey Mouse. While a lot of adaptations do touch on the theme of "the higher and lower classes each have their own set of problems" and "Be Careful What You Wish For", the original novel has both prince Edward and pauper Tom instantly realize this was a huge mistake and try to own up to it, but no one believes them. Also, the two are in constant fear for their own lives - Tom from knowing that being found as impersonating the king would be a surefire death sentence, and Edward from being hopelessly unprepared to deal with the darker side of his country. Rather than a series of wacky misadventures, Edward and Tom inadvertently break the social conventions of the other class, and are both thought of as having lost their minds, with all of the trouble such a thing would entail. The Character Development of Edward realizing he needs to help the poor is only sparingly touched upon in adaptations, whereas the main theme of "laws benefiting the wealthy would be significantly unfair to those who lack the wealth to influence the government" is touched upon even less often.
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Lost in Imitation / int_77f14f6d	type	Lost in Imitation
Lost in Imitation / int_77f14f6d	comment	The 1980 movie version of The Blue Lagoon was more of a remake of the 1949 movie version than a direct adaptation of the original book, but with more sex and nudity.
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Lost in Imitation / int_77ff1111	comment	While Cinderella has enough of this (See Fairy Tales for examples), the Disney version in particular is frequently depicted with the titular character never standing up for herself, only wanting to marry a prince, and gets what she wants in the end. None of this is true - to the point The Nostalgia Critic expressed surprise at how many times Cinderella stood up for herself, and The Take also pointed out Cinderella's goal never was marriage after all. The live action version even includes some of this in which Cinderella gives up once Tremaine locks her in a tower.
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Lost in Imitation / int_7cc65757	comment	In many adaptations, Glinda is treated as the head of Oz after the Wicked Witches are killed. This is because she's the sole "Good Witch" and authority figure in the MGM film. In the books, not only is there another witch but the second book introduces the true ruler of Oz, Princess Ozma. Ozma is often either Adapted Out or is otherwise Demoted to Extra in adaptations.
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Lost in Imitation / int_814c1de3	type	Lost in Imitation
Lost in Imitation / int_814c1de3	comment	In the book, Scrooge goes to Fred's house for Christmas Day, then meets Bob Cratchit at work the next day; we never actually see him meet the rest of Bob's family. Many adaptations, including A Christmas Carol (1938), Scrooge (1970), Mr. Magoo's Christmas Carol, Mickey's Christmas Carol, and The Muppet Christmas Carol, have him go over to the Cratchits' on Christmas Day.
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Lost in Imitation / int_81b433f7	comment	The musical Jekyll & Hyde is based on movie versions of Stevenson's novel more than the text itself. Later Broadway revivals hew closer to the show's original vision, which was darker and edgier than the 1997 version and closer to the book, having Jekyll revel in the freedom Hyde gave him and paraphrasing directly from the book as he contemplated his dual natures.
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Lost in Imitation / int_82a3b84e	comment	The idea of having an Eevee as a starter itself came from the anime, and was later adapted into Yellow (as your rival's starter, meant to be yours) and the Orre duology. This eventually reached the mainline series games in PokÃ©mon Let's Go, Pikachu! and Let's Go, Eevee!.
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Lost in Imitation / int_82a6f3fe	comment	Averted in how it's a sequel to Peter Pan set in the modern day. While it gives a few nods to Disney's adaptation of the stage play, it actually winds up being more faithful to J. M. Barrie's book (even sometimes quoting the book in the script), in that much of the characterization and dialogue that was left out of the Disney version has found its way into the live-action sequel (although some of the signature quotes are paraphrased).
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Lost in Imitation / int_83e63e1e	comment	Any given adaptation of The Nutcracker will draw more from Tchaikovsky's famous ballet than the story itself. The music, plot, and characterization will usually come from the ballet, and the Mouse King and his story will follow the plot of the first act. Another good sign of this is the name of the protagonist; while she's named Marie in the story, most adaptations will call her Clara as the ballet does.
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Lost in Imitation / int_840a0712	comment	Cupcakes (Sergeant Sprinkles) is a particularly infamous My Little Pony: Friendship Is Magic fanfic that has inspired hundreds of fanworks. The problem is, most seem to be based less on the actual fic and more off of other fanworks. In the original fanfic, the creepiness comes from Pinkie being her normal, fluffy maned self. Ask Pinkamina Diane Pie helped cement the image of Cupcakes' Pinkie being a monotone, straight haired mane named "Pinkamena". The fanfic actually came out before the episode "Party of One", where the aspect of the character was introduced.note And while on the subject, Pinkamena as a psychopathic, alternate personality is purely a fan invention popularized by that blog. In canon, it's just Pinkie's appearance when she's having a bad day or is low on energy. It also spurred a lot of works to have Scootaloo as Pinkie's assistant, despite the fanfic having Apple Bloom in that role instead.
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Lost in Imitation / int_853937a3	comment	The musical and film My Fair Lady are actually much closer (particularly in the Revised Ending) to the 1938 film version of Pygmalion than to the stage play Pygmalion. For instance, the Zoltan Karpathy character was created for the 1938 film (and based on that film's producer). Indeed, the musical is officially based on both the play and film: as the credit in the program reads, it was "adapted from Bernard Shaw's play and Gabriel Pascal's motion picture Pygmalion." The best-selling original cast album only names the Shaw play on its cover, however. Many later spoofs of the Pygmalion Plot are based on the lesson scenes in My Fair Lady, which gave Eliza's lessons far more significance than in previous versions of Pygmalion (Shaw considered the lesson scene he wrote dramatically redundant).
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Lost in Imitation / int_86904ab8	comment	Iron Man: Tony's Arc Reactor from the first Iron Man movie is now standard issue for pretty much any adaptation, even though in the comics, his chest piece in the armor was originally just a magnet to keep the shrapnel from his heart. Likewise, the cartoons all use Pepper Potts and James Rhodes as his two confidantes, which originated in the movie. Though they have both had close associations with Stark in the comics, the two generally had very little interaction (in fact Pepper had more or less been Put on a Bus by the time Rhodey first showed up, and by the time she came back as a regular, Rhodey was on his own as War Machine). The people who captured Tony in his origin story were originally unconnected to any major Iron Man villains. Adaptations usually tie them with a famous villain (or sometimes, replace them): in the '90s animated series, Tony was held captive by the Mandarin. In The Invincible Iron Man animated movie, he was captured by a group trying to prevent Mandarin's return. In Marvel Adventures, he is captured by AIM. In the movies, the group is called Ten Rings, hinting at Mandarin, and they were hired to kill Stark by Obadiah Stane. Though linking Tony's origin to the Mandarin dates back to a 1991 Retcon of his comic book origin shown in issues 267-268 of his series. Iron Man 2 was the first adaptation to portray Black Widow with an American accent rather than Russian. All subsequent depictions of the character (save The Avengers: Earth's Mightiest Heroes, which was in development at the same time as Iron Man 2) have followed suit. This actually makes sense, since as a spy she would have trained to speak English with an accent appropriate to whatever country she was sent to infiltrate.
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Lost in Imitation / int_87e00d8e	comment	The popularity of Teen Titans (2003) has led to numerous adaptations of the comic of the same name such as Justice League vs. Teen Titans to use that version's team roster (Robin, Starfire, Raven, Cyborg, and Beast Boy) despite it not being the original lineup. It's the lineup of the Wolfman/Perez New Teen Titans, but with the non-Robin sidekick characters removed (the animated series reportedly had to deal with some rights issues).
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Lost in Imitation / int_893bf98d	comment	Charlie and the Chocolate Factory's first major adaptation, 1971's Willy Wonka & the Chocolate Factory, has cast a shadow over later versions. The 2005 film, in its effort to be Truer to the Text, wound up drawing criticism from viewers unfamiliar with the book. But three '71-specific details stick like glue to parodies, adaptations, etc.: Practically every parody portrays the Oompa-Loompas as orange-skinned, green-haired, Germanic clothing-wearing Little People, but in the original 1964 novel, they were actually African pygmies (males wore skins, females wore leaves, and the children were naked)! The '71 film changed their appearance to one that was "exotic" yet significantly different. Roald Dahl subsequently made an Orwellian Retcon to the book that made the Oompa-Loompas Caucasian Lilliputians and residents of the Fictional Country Loompaland, though their clothing preferences remained the same. Later adaptations tend to dress their Oompa-Loompas in uniforms/costumes of varying, often wacky designs rather than hold to the book's description and most hold to the change in their stature from Lilliputians to Little People, a pragmatic choice in terms of staging them for live theatre. The 2005 film hewed a little closer to the novel in this regard, but was subject to Your Size May Vary. The 1971 film, unlike the novel, assigned specific nationalities to the four bratty kids: Augustus is German, Veruca is British, and Violet and Mike are American. The 2005 film, a 2005 stage musical (Roald Dahl's Willy Wonka), and the 2013 stage musical keep to these, though the specific cities they're stated to be from vary from version to version. Finally, the conceit of a clean-shaven Willy Wonka comes from the '71 film. In the novel, Mr. Wonka has a pointed black goatee. While illustrators avoid this trope — some even give him more facial hair, usually a neat little mustache — almost all film and stage Wonkas are clean-shaven, to say nothing of the parody Wonkas. The principal exception is Douglas Hodge, the actor who originated the role in the 2013 stage musical (he wore a prosthetic chin tuft and mustache). With regards to the 2013 stage musical, it struck out in its own, largely book-faithful, direction but threw in a few Internal Homages to and (due to Executive Meddling) one song ("Pure Imagination") from the '71 version. When that wasn't enough for fans of the movie, Pandering to the Base ensued as it was Retooled for its 2017 Broadway premiere, with most of the changes — Mr. Bucket suffering Death by Adaptation, the grandparents aside from Joe being Demoted to Extra, and the substitution of several original songs with their movie counterparts — serving as examples of this trope.
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Lost in Imitation / int_89bf8ce	comment	In an episode of 30 Rock when Liz was going to a ball with Jack, Jenna insisted that Liz couldn't be Cinderella because "Cinderella is blonde. You could be Snow White and party with the little people." These hair colors reflect the Disney versions, although Snow White did have black hair in the fairy tale.
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Lost in Imitation / int_89fd748e	comment	Alice's Adventures in Wonderland: Part of the reason why the books are so commonly associated with mental illness and drug usage is because most adaptations Age Lift Alice. She's only seven in the original books, which explains her whimsical viewpoint and fantasies. However, her behavior and dreams become more unusual when she's aged into a pre-adolescent or teenager. Just about every adaptation combines elements of the original book and Through the Looking Glass, mashing the two imaginary worlds (and possibly some characters) together in the process.
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Lost in Imitation / int_8c1076c1	comment	The 1954 Broadway musical version of Peter Pan was apparently the first adaptation to call Neverland "Never-Never Land."
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Lost in Imitation / int_8c23bed9	comment	Any adaptation of Pride and Prejudice in which Elizabeth declares that she's only willing to marry for "the deepest love" is taking its cue from the 1995 BBC miniseries. She makes no such statement in the book, but the 2005 film and The Lizzie Bennet Diaries both borrow that line from the 1995 script.
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Lost in Imitation / int_8d649db1	comment	The classic 1939 film of Wuthering Heights has influenced most subsequent adaptations in some way or other: First of all, it set the precedent for only adapting the first half of the novel and focusing on Heathcliff and Cathy's love story, leaving out the second half that deals with their children. The majority of subsequent screen and stage retellings have done the same. Almost every adaptation has followed this one's example of portraying Heathcliff, Cathy, Edgar and Isabella as young adults when Cathy first stays at the Lintons' house. In the book they're all still children at that point. Any version that has Cathy wander the moors through wind and rain searching for the runaway Heathcliff is drawing on this film. While she does spend the night out in the rain in the book, she stays seated on a wall by the road watching for him to come back. The 2004 ballet adaptation and 2009 miniseries both give her rainy moor-wandering even more importance, by moving it from Heathcliff's initial running away to his elopement with Isabella years later, and having Cathy's resulting pneumonia be the cause of her death, replacing the novel's Brain Fever. Almost every version since this one has ended by showing Heathcliff and Cathy's spirits Together in Death. Ironically, this was a Focus Group Ending for the 1939 version and director William Wyler hated it. In the book there are rumors that the two ghosts have been seen wandering together, but the reader never "sees" them.
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Lost in Imitation / int_8f24ece9	comment	Mowgli was marketed as Truer to the Text than the better-known Disney version, but retains elements like Bagheera giving Mowgli to the wolves to raise, (in the book, Mowgli wanders into the wolves' den himself) and wanting him to go to the village to escape Shere Khan (in the books, these are separate issues).
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Lost in Imitation / int_913544ea	comment	In the book's Christmas Past sequence, Scrooge's former fiancÃ©e Belle first appears when she breaks off their engagement. But Scrooge (1951) introduces her earlier at Fezziwig's party, showing Young Scrooge proposing to her there. Since then, almost every adaptation has included Belle at Fezziwig's party, with Young Scrooge either proposing there, meeting her there for the first time, or just conversing and/or dancing with her.
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Lost in Imitation / int_91354527	comment	In the Christmas Yet to Come sequence in Scrooge (1970), Scrooge falls into his own grave and finds himself in hell. No such thing happens the book, where the implication is that Scrooge's afterlife punishment will be to wander on earth and witness the suffering of other people whom he failed to help in life. Several subsequent versions, such as Mickey's Christmas Carol and A Christmas Carol (2009) also have Scrooge fall into the grave, often with smoke and hellish light spewing forth from below.
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Lost in Imitation / int_914ba844	comment	Most versions of The Wizard of Oz are based more on the 1939 film (The Wizard of Oz) than on the original novel (The Wonderful Wizard of Oz.) The silver slippers in the book were changed to ruby for the movie in an effort to show off the new-fangled color film they were working with and by having Glinda be the witch who directs Dorothy to the Emerald City (in the book it's an unnamed Good Witch of the North, who appears only in that scene, while Glinda is the Good Witch of the South who doesn't appear until the end; the film's Glinda is a Composite Character). Wicked splits the difference, claiming the slippers were crafted from silver treated with ruby dust. The stage version manages to incorporate both by having the shoes be silver, but shining a red light on them when they're enchanted. In general, Wicked uses both The Wizard of Oz and Land of Oz as its inspiration. Elphaba uses her MGM design, Glinda is a Composite Character like in the film, the Emerald City is actually green-tinted, etc. while at the same time, the books go into book-exclusive lore and include usually Adapted Out characters like Princess Ozma. Averted in The Muppets' Wizard of Oz: Dorothy is correctly given silver slippers, and Glinda is not the witch who first sends Dorothy off to the Emerald City. There's also a long-running animated series based directly on the first three or four Oz books, and not based on the film. Tin Man, a Sci-Fi Channel mini-series, also draws heavily from the book canon. This might also be a case of pragmatism, as the original book is in the public domain, while the 1939 film version and all new concepts introduced therein, including the ruby slippers, are still under copyright. Plus, the Ruby Slippers were chosen because it looked more visually appealing since the film used colour. Oh, and the iconic line, "You wouldn't have believed me"? That originated from the film. Originally, the witch who sent Dorothy on her quest was different from the one who told her about the slippers' powers, and knew nothing about the subject. Just try finding any Oz adaptation that mentions the Tin Woodsman's backstory. Even better, try explaining Ozma spending her first years as a boy to a modern audience. This does appear in adaptations, such as one of the anime adaptations, but is sometimes glossed over. One of the few modern exceptions to this is Marvel's Oz comics, which are extremely faithful adaptations of the books. This means that only the first miniseries, "The Wonderful Wizard of Oz", has anything to do with that movie you might have seen, and even then resembles it only slightly. Of course, again, the movie is still under copyright, so it's not as though they could have used much from it in the first place. Many derivative Oz works and adaptations revolve around Dorothy "returning to Oz" for the first time in years. This is because the MGM film never received an official sequel. In the original books, Dorothy returns to Oz in the third book Ozma of Oz and later permanently moves there with her Aunt Em and Uncle Henry in the sixth (out of forty official novels and fourteen creator-written novels) book The Emerald City of Oz. In the canon of Oz, the Wicked Witches of the East and West are simply allies. The MGM film changed them into sisters, something that almost every adaptation keeps. Most adaptations since the 1939 one, including The Wiz and The Muppets' Wizard of Oz, make Dorothy discontented with her life in Kansas at first and at odds with Aunt Em in some way or other, only for her journey through Oz to make her appreciate her family's love and teach her An Aesop that there's no place like home. In the book, while the Kansas farm is grim and gray (as are Aunt Em and Uncle Henry), Dorothy is a Cheerful Child, content with her home and family from the start. In many adaptations, Glinda is treated as the head of Oz after the Wicked Witches are killed. This is because she's the sole "Good Witch" and authority figure in the MGM film. In the books, not only is there another witch but the second book introduces the true ruler of Oz, Princess Ozma. Ozma is often either Adapted Out or is otherwise Demoted to Extra in adaptations. Dorothy is seldom depicted without her iconic brown Girlish Pigtails. Though Dorothy was depicted this way in the original book's illustrations by W.W. Denslow, the third book switched to a blonde '20s Bob Haircut (likely to contrast with Ozma's brunette).
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Lost in Imitation / int_92390298	comment	There is no seemingly-human Panther Woman in The Island of Doctor Moreau. The closest thing in the book is the Half-Finished Puma-Woman who escapes before being completely turned into a beast man and is hunted down and shot by Dr. Moreau. The character of Lota the Panther Woman was invented for The Island Of Lost Souls and has been retained under one name or another in every subsequent adaptation, for obvious reasons.
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Lost in Imitation / int_935f154	comment	Several post-Disney retellings of Sleeping Beauty have followed Disney's lead in having the princess raised not by her parents in their castle, but as a peasant by the good fairies to try to protect her from the evil fairy's curse. Two (very different) examples include the Muppet Babies (1984) episode "Slipping Beauty" and Robin McKinley's novel Spindle's End.
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Lost in Imitation / int_96de7d93	comment	In the 1978 Soviet TV series d'Artagnan And Three Musketeers, the Queen has a penchant for snapping her fingers, which hints at her Spanish heritage (finger-snapping is used in Flamenco dancing to accompany the music). This Character Tic became so iconic among the series' fans that it made it even into the 2013 Russian film The Three Musketeers.
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Lost in Imitation / int_9ac9d448	comment	Also, none of the adaptations since — Ultimate (comic and cartoon), Spectacular, or film — have kept its origin from Secret Wars (1984), where it essentially came from an alien vending machine. Spectacular and 3 had it come from space, as in the '90s animated series; the Ultimate comic had it as a product of his father's research into a cure for cancer; and the Ultimate cartoon had Doctor Octopus create it.
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Lost in Imitation / int_9af804ae	comment	Captain Nemo will invariably be portrayed as European in adaptations (usually French, as a result of confusing the character with the author) but he was an Indian prince in the books. Amusingly, Verne's first version of the character was a Polish nationalist who fought the Russians, but had to change it because of Executive Meddlingnote France's sympathy for Poland went back to their alliance in the Napoleonic Wars, but the need to counterpoint the new Germany after the French debacle in the Franco-Prussian War forced her to court Poland's oppressor Russia; Nemo being an Indian who fought the British was free game, however, because Britain was in a phase of "splendid isolation" at the time and was still seen as France's traditional rival. In the 1954 Disney film, the one that has inspired most the later iterations, Nemo's nationality is a mystery, but his claim of being an escapee from Rura Penthenote Not that one, but a fictional Russian penal colony mentioned in War and Peace makes him compatible with Verne's original 'Polish rebel' idea. The League of Extraordinary Gentlemen restored the Indian nationality and received much undeserved flak for it (not that the rest of the film doesn't deserve any, on the contrary). On the other hand, they depicted him as a Sikh but had a scene of him praying to Kali, a Hindu goddess, so by all means, get mad. The 1916 film version, of all adaptations, got this right! The 1973 Italo-Hispano-French series "L'ÃŽle mystÃ©rieuse" took some liberties with the source material, but Nemo correctly appeared as an Indian prince (played by Omar Sharif). Fate/Grand Order, for all the Age Lifts, Race Lifts, and Gender Flipping it does, manages to keep Nemo as Indian. Portrayed as a little boy that can clone himself, mind, but still. Another element common in adaptations that isn't in the original is the Nautilus being described as nuclear powered. In the original book, it's only described as powered entirely by electricity, which was enough of a Shiny New Technology in 1869 to be exciting and high-tech. Given what we know about submarines today, nuclear power would probably be needed to accomplish the feats the Nautilus was capable of, so it could be called a sort of Pragmatic Adaptation— but it's definitely not in the original text. Since the existence of atoms was not considered certain when the book was written, and those authorities who did accept them believed that they were immutable spheres with no sub-components, it should be obvious that nuclear power is not in the book.
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Lost in Imitation / int_9bcc183b	comment	The Hunchback of Notre Dame: In The Hunchback of Notre Dame (1956), Esmeralda, portrayed by Gina Lollobrigida, goes barefoot throughout the whole movie (obviously by preference), in contrast to the novel, in which she did wear shoes. Rumor even says that it was Lollobrigida's own idea because the actress enjoyed going barefoot in real life. Lollobrigida's portrayal became so iconic that Esmeralda was (and still is) depicted barefoot in nearly all subsequent adaptations, including the 1996 Disney version. Disney's adaptation of Victor Hugo's The Hunchback of Notre Dame owed far more to the silent 1923 and 1939 film versions than it did to the novel. Almost every adaptation gives Esmeralda a Race Lift and makes her Roma by birth. This dates back at least to the 1939 film. In the books, Esmeralda was Switched at Birth with Quasimodo. Her personality is also usually changed so that she isn't as innocent and naive.
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Lost in Imitation / int_9c2dce7b	comment	Adaptations of Little Women (namely the 1933, 1949, 1994 and 2019 film versions and the 2005 Broadway musical) tend to make the same standard changes, following the 1933 version's example: They generally focus more exclusively on Jo and her personal journey than the book does, with the other three sisters relegated to more supporting roles. Aunt March becomes the relative who takes Amy to Europe, whereas in the book it's Uncle and Aunt Carrol and their daughter Flo whom Amy travels with. Laurie's proposal to Jo takes place before Jo goes to New York and becomes the impetus for her leaving home; in the book, she leaves to evade his growing romantic interest in her, but he doesn't propose until she comes back. Professor Bhaer directly gives Jo constructive criticism about her writing; in the book he only criticizes the genre of sensation stories as a whole, without letting Jo know his suspicion that she writes them, and she privately takes his words to heart and decides to stop writing in that genre on her own. Jo is summoned back from New York by the news that Beth is seriously ill again, whereas in the book, Beth's decline doesn't become evident until after Jo comes home. All these versions have Jo write her own Little Women-like novel about her family and have it published in the end. The 1933, 1949 and 1994 films and the musical all have her send the manuscript to Professor Bhaer for his opinion and have him get it published for her, although the 2019 version breaks that trend by highlighting her process of getting it published herself. In the book, she revives her writing career with a series of short stories and poems for a magazine, but doesn't publish her own Little Women novel until the final sequel, Jo's Boys. All except the 2019 version end with Jo and Professor Bhaer's engagement, rather than with the book's Distant Finale that shows the whole extended (and expanded) family celebrating Mrs. March's birthday at Jo and Bhaer's Plumfield School.
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Lost in Imitation / int_9c754612	comment	Spider-Man: Most stories involving The Symbiote storyline take more from its later adaptations: The Symbiote originally had minimal influence over Peter's mind at best — the reason he gave it up was because it had a habit of taking his (sleeping) body out at night to websling and because he discovered it was alive and planning on merging with him on a genetic level — which freaked him out. In fact, the original comics symbiote had no emotions of its own, but developed them as a result of spending so long bonded to Spider-Man, even sacrificing itself (well, almost) to save its former host after being rejected. Though Eddie Brock, who hated Spider-Man, was able to use it to go against him as Venom, the symbiote still tried to jump ship and return to Spider-Man when Spidey made the offer. In the '90s animated series, the symbiote was portrayed as having its own, extremely aggressive personality, which was starting to overwrite Peter's as the bond grew stronger, and all adaptations since have taken this up. The series also had Spidey start off using the black suit by finding himself staring at his reflection in a skyscraper window as he hangs upside down, having no idea how he got there. That scene can now be found in every version of the black suit saga except the original comics. Also, none of the adaptations since — Ultimate (comic and cartoon), Spectacular, or film — have kept its origin from Secret Wars (1984), where it essentially came from an alien vending machine. Spectacular and 3 had it come from space, as in the '90s animated series; the Ultimate comic had it as a product of his father's research into a cure for cancer; and the Ultimate cartoon had Doctor Octopus create it. The symbiote also initially made Spider-Man weaker since it was feeding off his adrenaline (even going as far as Puppeteer Parasite while Peter slept). The '90s show was the first to show the symbiote actually augmenting Spidey's powers along with his aggression, with the other adaptations following suit. The Marvel Adventures comics go-middle-of-the-road by having it augment his strength but gradually reduce his stamina. The Green Goblin's split personalities Talking to Themself. In the original version, Norman was simply unaware he was the Goblin, which led to a Split-Personality Merge. In the '90s animated series, there is a scene where Norman and the Goblin talk to each other in a mirror. This was carried over into the movie. Also lifted from there into the movie are the scenes of Osborn almost revealing Peter's secret at dinner, then flying into Aunt May's room on his glider, only to go and kidnap Mary Jane, and finally, pulling I Surrender, Suckers/Wounded Gazelle Gambit on Peter to try to hit him with his remotely controlled glider, only to get himself killed. Doctor Octopus has been regularly made as a mentor figure to Peter before turning to evil ever since Spider-Man: The Animated Series, most popularly in Spider-Man 2 and Spider-Man (PS4). The iconic bridge scene from The Night Gwen Stacy Died gets adapted a lot — Spider-Man: The Animated Series, Ultimate Spider-Man, the movie — and they always replace Gwen with Mary Jane and let her live. The child-friendly cartoon series actually came the closest to adapting the tragedy by having Mary Jane fall into a dimensional time and space rift (alive but in an And I Must Scream state of floating through a no-man's-land outside reality and definitely believed dead by Peter, with an arc about grieving her loss). When the The Amazing Spider-Man 2 FINALLY gets the right girl, and kills her off for real, they have to replace the iconic setting with a clock tower because people have already seen the familiar set up with Mary Jane too many times. They also replace Norman with Harry. Don't expect a 100 percent faithful adaptation anytime soon. Betty Brant is Peter's original Love Interest, but the 60s cartoon is the only adaptation to depict them as an Official Couple (and even that gave her Mary Jane's appearance). The Spider-Man Trilogy and The Spectacular Spider-Man did give them Ship Tease, but both times are one-sided on the other's part. J. Jonah Jameson is originally just a Grumpy Old Man in the comics. Thanks to J. K. Simmons' iconic portrayal in the Spider-Man Trilogy, however, subsequent adaptations have depicted him in-line with Simmons' scenery-chewing Hot-Blooded take.
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Lost in Imitation / int_9f1284a8	comment	The 2007 film of I Am Legend is an adaptation of 1971's The Ωmega Man much more so than of the Richard Matheson novel from which it draws its name. Right down to ghouls instead of human-looking vampires (capable of speech, wearing clothes, rebuilding society, etc). All film adaptations since The Last Man on Earth have also kept the idea of Robert Neville being well educated and fairly urbane rather than the rough factory worker of the original story who learned all of his science through excursions to the library and was concerned more over a lack of sexual fulfillment than over the idea of the world ending.
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Lost in Imitation / int_9f89a5f0	comment	PokÃ©mon: Some adaptations feature a Pikachu who stays outside its PokÃ© Ball. It was just another of the various mons in the original game, but ascended to Mascot Mook status from the anime, which itself had Pikachu walking outside the ball. The anime influence also extends to Pikachu's portrayal in manga. A large number, such as Red's Pikachu in PokÃ©mon Adventures and Shu's Pikachu in Pokémon Getto Da Ze!, start off as jerks before warming up to their trainer. It's also worth mentioning Pokemon Yellow, which was heavily altered from Red/Blue to resemble the Anime, including using Pikachu as the starter. Much fan-art to this day still includes Pikachu as the odd one out among the starters, despite excluding other unusual examples like Eevee. The idea of having an Eevee as a starter itself came from the anime, and was later adapted into Yellow (as your rival's starter, meant to be yours) and the Orre duology. This eventually reached the mainline series games in PokÃ©mon Let's Go, Pikachu! and Let's Go, Eevee!.
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Lost in Imitation / int_a34863aa	comment	Teenage Mutant Ninja Turtles: Most people would not know that the original turtles all wore red bandannas and had tails; those two details were altered when the first action figures were made, and have since become standardized. It wasn't until Turtles Forever that the original characters' designs were seen outside the comic books. The Shredder wasn't the major villain in the original Mirage run. He died in the first issue, and only came back once in canon as a worm colony clone. It was only through the Fred Wolf series that he took on the arch-nemesis position, and any other appearances and allusions to Shredder in the Mirage comics (such as the Shredder Shark monster) came out much, much later. After the first live action movie, almost every later incarnation of the Shredder portrays him as a major threat that significantly darkens the tone of the adaptation, and often way above the Turtles' league in a fight. Also, Baxter Stockman is never known to have ever met Shredder in the Mirage comics, but the 4Kids cartoon, which was usually much more true to the comics, has him working for Shredder just as he did in the Fred Wolf show. The turtles didn't originally say stuff like "Cowabunga!" They were much more formal. Just read Leonardo's opening narration, and you'll get an idea. Splinter started out as an ordinary non-mutated rat in the Mirage series, while his original owner Hamato Yoshi was killed by Oroku Saki. The 1987 cartoon made Splinter a mutated Yoshi, instead. The 1990 and 2014 film series, as well as the 2003 cartoon, went back to the rat origin (though the 2014 film series omits Yoshi altogether), while the 2012 cartoon once again has Yoshi becoming Splinter. And to top it all off, the original comics were not at all kid-friendly. They were nothing short of bloody and ultraviolent.
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Lost in Imitation / int_a4ff8e01	comment	Fate/Grand Order, for all the Age Lifts, Race Lifts, and Gender Flipping it does, manages to keep Nemo as Indian. Portrayed as a little boy that can clone himself, mind, but still.
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Lost in Imitation / int_a81325d3	comment	Final Fantasy: Cloud Strife from Final Fantasy VII was the epitome of I Just Want to Be Badass, who did his best to act cool and play up his reputation as a badass super soldier, acting like a loose cannon and only really getting serious wherever the villain is concerned. Even a certain death didn't effect him enough to stop him from going snowboarding immediately afterwards. When he appeared in the first Kingdom Hearts however, he ended up having the design and personality of Vincent Valentine (it's rumored, at least, that the part was originally written for Vincent, only for the team to decide he didn't fit the tone of the game), essentially becoming Cloud In Name Only. Now, Cloud is known for a reputation of being an "emo" hero with a perpetually somber expression and spending a lot of time brooding, with these traits also carrying over to his appearances in Final Fantasy VII: Advent Children and Dissidia Final Fantasy (though the latter does at least give him some of his actual mannerisms in battle). Outside of the source material, only his appearance in Dirge of Cerberus accurately depicts his original cocky, showy hero personality, enhancing it further with Cool Shades. Tifa is known for having huge boobs, to the point where people thought her artwork◊ for the remake was bowdlerised. While she is rather busty, even in Advent Children, she's nowhere near as well-endowed... as this image comes largely from fan art and Fanon who tend to make that her sole defining trait.
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Lost in Imitation / int_abe2e836	comment	The 1965 and 1974 film adaptations of And Then There Were None took more major cues from the 1945 film than the original book: Anthony Marston playing the titular nursery rhyme on a piano, Vera and Lombard falling in love, and the two of them actually being innocent of the crimes they were accused of, and the Adaptational Alternate Ending of Vera only pretending to shoot Lombard and the two of them surviving after Wargrave falls for their deception and takes poison after delivering a Motive Rant to Vera were all absent from the book but were popularized by the 1945 film. That said, Vera and Lombard surviving had its origin in the theatrical adaptation, which Agatha Christie also wrote.
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Lost in Imitation / int_ac49669e	comment	In the book, Mary's father was the brother of Colin's mother, Lillias. The film versions from 1993 and 2020, as well as the musical, all make it so that Mary and Colin's mothers were twin sisters.
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Lost in Imitation / int_aea84589	comment	None of the adaptations, save You're a Good Man, Charlie Brown, give Snoopy his Thought Bubble Speech from the original strip.
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Lost in Imitation / int_aeb84363	comment	Almost every adaptation of A Christmas Carol borrows something from the numerous adaptations that came before it. The things people most commonly know about Ebenezer Scrooge are that he's a miser who cares only about money and that he hates Christmas. In the novel itself, while these flaws are present, the main character flaw that gets examined is that Scrooge has Stopped Caring about the poor (or really, anyone except himself). Adaptations tend to paint him as a Jerkass Woobie for the many tragedies that happened to him around Christmas, but the novel points out that this is really no excuse for how Scrooge is acting, especially when the Ghost of Christmas Present throws Scrooge's words back in his face about Tiny Tim. Finally, the whole story was an Author Tract (like many works of Charles Dickens) about the disparity between the rich and the poor in Victorian England, and how the rich really need to do more with their money to help the underprivileged instead of hoarding it. The class warfare aspect of the story almost never gets brought up in modern adaptations. The book never reveals how Scrooge's sister Fan died, but Scrooge (1951) explains that she died giving birth to her son Fred, which explains Scrooge's cold treatment of his nephew. Several later adaptations have stated the same. In the book's Christmas Past sequence, Scrooge's former fiancÃ©e Belle first appears when she breaks off their engagement. But Scrooge (1951) introduces her earlier at Fezziwig's party, showing Young Scrooge proposing to her there. Since then, almost every adaptation has included Belle at Fezziwig's party, with Young Scrooge either proposing there, meeting her there for the first time, or just conversing and/or dancing with her. In the Christmas Yet to Come sequence in Scrooge (1970), Scrooge falls into his own grave and finds himself in hell. No such thing happens the book, where the implication is that Scrooge's afterlife punishment will be to wander on earth and witness the suffering of other people whom he failed to help in life. Several subsequent versions, such as Mickey's Christmas Carol and A Christmas Carol (2009) also have Scrooge fall into the grave, often with smoke and hellish light spewing forth from below. The Ghost of Christmas Past is originally described as a kind of elemental creature made of candlelight with a glowing head, even down to carrying a candle extinguisher with it, and similar in size and proportion to a child (but both young and old in appearance). Many stage adaptations dropped the "candle creature" elements (which are rather hard to do on a stage budget) in favor of just having a person wearing white, and tended to put a woman in the part, and most film or animated adaptations followed suit, such that the few adaptations that do put the "candle" elements back in tend to look weird. In the book, Scrooge goes to Fred's house for Christmas Day, then meets Bob Cratchit at work the next day; we never actually see him meet the rest of Bob's family. Many adaptations, including A Christmas Carol (1938), Scrooge (1970), Mr. Magoo's Christmas Carol, Mickey's Christmas Carol, and The Muppet Christmas Carol, have him go over to the Cratchits' on Christmas Day.
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Lost in Imitation / int_b2ac2311	comment	Peanuts: A minor example: Lucy is usually depicted as less bombastic in modern derivations of the comic, including the merchandise, with 'crabby mode' Lucy items being rare because they're objectively less marketable. Most people forget Schulz intentionally made Lucy extremely argumentative from the get-go, making the gentler concessions only because she sounded more severe to the ear than on paper. Even in the animated adaptations, it's implied that Lucy is a Bitch in Sheep's Clothing. In the comic strip, Charlie Brown and Linus are in different classes, while Peppermint Patty, Marcie, and Franklin all go to a different school. The animated adaptations (including The Peanuts Movie) usually depict all of the main cast as being in the same class (though there are specials where Peppermint Patty, Marcie, and Franklin are all shown to go to a different school). None of the adaptations, save You're a Good Man, Charlie Brown, give Snoopy his Thought Bubble Speech from the original strip.
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Lost in Imitation / int_b36b839d	comment	Hook: Averted in how it's a sequel to Peter Pan set in the modern day. While it gives a few nods to Disney's adaptation of the stage play, it actually winds up being more faithful to J. M. Barrie's book (even sometimes quoting the book in the script), in that much of the characterization and dialogue that was left out of the Disney version has found its way into the live-action sequel (although some of the signature quotes are paraphrased). Played straight with Hook's hook. It's on his left arm (as in the Disney version) and not his right (as in the book). Dustin Hoffman, who is right-handed, insisted. The Tinker Bell in Hook, however, bears only a passing resemblance to the play's version. The Disney version is much closer with the silent, jealous portrayal. After all, the theatre version was played by a spotlight. The 1954 Broadway musical version of Peter Pan was apparently the first adaptation to call Neverland "Never-Never Land."
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Lost in Imitation / int_b3f325c0	comment	Mowgli and The Jungle Book (2016) were Dueling Works, but they indepdendently made similar changes. Both gave Kaa a Gender Flip, treated the elephants as divine figures to the other animalsnote in the books, the jungle was said to have been created by a godlike elephant, but Hathi and his sons are "just" incredibly wise/powerful animals, and both made the elephants and monkeys into The Speechless.
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Lost in Imitation / int_b4967d43	comment	Sonic the Hedgehog: Neither Sonic's love for chili dogs nor his nemesis Eggman/Dr. Robotnik's famous line, "I HATE THAT HEDGEHOG!", come from the games. It was Adventures of Sonic the Hedgehog that came up with both of them. In fact, when Sonic's co-creator, Yuji Naka, was asked in an interview what Sonic's favorite food is, chili dogs didn't even come to his mind. This didn't stop other Sonic adaptations from using them and the Robotnik line: later American Sonic cartoons featured them (due to them being produced by the same company as AOSTH and their writers being told to use previous cartoons as a basis for the characters), and so did the American Sonic novels and comics (due to them being adaptations of the aforementioned cartoons, rather than the games). The chili dogs eventually made their way to the games, but that was in 2008, way after the aforementioned adaptations were produced, so they're still an example of the trope. Similarly, many of the lines that some think of as Sonic's catchphrases, such as "Way past cool!", "Let's juice" or "Let's do it to it!", were never used in a Sonic game. They, too, originated in the cartoons and made their way to later American adaptations based on them. Sonic lives on a planet named Mobius... in just about everything but the actual games. In the games, he lives on a Fictional Earth. This was the intention from the very beginning of the franchise, but Sega of America decided to introduce the idea that Sonic lived on a World of Funny Animals called "Mobius". Cue all the supplementary and promotional material in the West during the 1990s — the three 1990s television shows, both the Archie Comics and Fleetway comic book series, and most Tie In Novels — cementing this idea. Sonic Adventure would finally have the games explicitly say that they take place on Earth in 1998, but the "Mobius" concept remains ingrained in the minds of Western fans for decades after. This isn't just because the Archie Comic adaptation continued to use it as the main setting until its end in 2016, but also because all future Western adaptations such as Sonic Boom and the 2020 film would continue the idea, with the planet just going unnamed now. Even Sonic X, a Japanese anime produced with input from the games' producers, has the premise that Sonic and company were living on a different planet/dimension before being transported to Earth.
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Lost in Imitation / int_b5c89107	comment	Both remakes of Carrie take more hints from the 1976 movie rather than the actual source book, in part because author Stephen King preferred the '76 film over what he wrote. Noticeably Carrie's Roaring Rampage of Revenge happens right after the prank in the movies, but in the book she goes outside before she snaps.
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Lost in Imitation / int_b6b83346	comment	The stage play was the inspiration for a lot of the modern interpretation of Dracula — buying the rights to the stage play was cheaper for Universal, and so that's what they did. (In fact, both of Universal's Dracula films — the Lugosi and Langella films — both featured actors from stage versions of the play in the title role.) Arthur Holmwood and Quincey Morris? Dropped from the stage play, and so not featured in the movies. Ironically, legal research for Universal later established that the novel was never copyrighted in the States!
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Lost in Imitation / int_b6d60e4	comment	The League of Extraordinary Gentlemen restored the Indian nationality and received much undeserved flak for it (not that the rest of the film doesn't deserve any, on the contrary). On the other hand, they depicted him as a Sikh but had a scene of him praying to Kali, a Hindu goddess, so by all means, get mad.
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Lost in Imitation / int_b6e6a7c7	comment	The book version of Mary Poppins was published in 1934 and set in the contemporary 1930s. The 1964 Disney version moved the setting back to 1910. Since then, the character of Mary Poppins has become intractably linked to The Edwardian Era in the West. Ironically, the opposite happened in the Eastern Bloc due to the Soviet adaptation moving the setting several decades forward.
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Lost in Imitation / int_bd447006	comment	Sherlock Holmes: Most portrayals of John Watson are based on Nigel Bruce's bumbling Watson from the Basil Rathbone films rather than Doyle's more competent character. Notably averted by Jude Law in the 2009 movie, Martin Freeman in Sherlock and Lucy Liu in Elementary. Each of those Watsons provides the common sense to complement Holmes' genius. And while it was television rather than movies, give Edward Hardwicke and David Burke some love, too. Holmes inspired a long line of similar imitators. It was to the point that Holmes trademark hat, pipe and browncoat became visual shorthand for "detective" and Holmes himself is shown dressed this way in cameos and other popular depictions far more than he actually wore them in the original stories. Also, many adaptations forgot the quirkier aspects of his personality and focused on his famous detective skills. Indeed, he never explicitly wore a deerstalker in the original stories at all. The iconic physical depiction of Holmes comes from Sidney Paget's illustrations in the stories' first appearances in Strand magazine. In the books, he did smoke a pipe (although the illustrations never depicted the famous calabash pipe which first became associated with Holmes due to a theatrical adaptation) but he smoked cigarettes and cigars almost as often. Moriarty and Mycroft were not major characters in the books; they appear in only one and two stories respectively and were referenced in a few others, but are major figures in many adaptations. Similarly, Irene Adler had only one appearance, her only known misdeed was to keep some memorabilia from a long-past affair that theoretically might be used as blackmail material against her ex-lover (which she never actually did), and her greatest feat was to realize that Holmes was after her and skipping town, something that earned her Holmes' respect. Adaptations tend to turn her into a criminal mastermind in her own right, a near equal to Holmes in intelligence, and, to some extent, a love interest of his (in the original work, she not only married someone else who almost never appears in adaptations, but Holmes was the best man).
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Lost in Imitation / int_bf09bf33	comment	Barry's wife Iris West is originally a redhead but similarly has been made a brunette in live-action adaptations (and in the Arrowverse and DC Extended Universes cases, also African-American).
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Lost in Imitation / int_c3a5fa9	comment	The Moorish companion and the feisty Marian, alongside several other elements, can be traced down to the excellent Eighties series, Robin of Sherwood. The Kevin Costner version ripped several of these elements off (to the point where there was talk of a lawsuit) and brought them into the worldwide mainstream.
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Lost in Imitation / int_c717e9ce	comment	In The 10th Kingdom, Virginia (who knows the child-friendly versions) has to have originals explained to her to understand what's going on. And, including the 1987 live-action movie, an animated movie by Jetlag Productions, and one animated series, this remains one of only four works that included the stepmother's other attempts on Snow White, including the poison comb.
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Lost in Imitation / int_c81bb075	comment	And say what you will about Van Helsing, but they at least made an effort to make him more like he was in the book.
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Lost in Imitation / int_c86d70b5	comment	Professor Challenger has, similar to Quatermain, returned in various projects which seem to cash in on The Lost World: Jurassic Park and King Kong — which Challenger's debut, The Lost World (1912), influenced.
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Lost in Imitation / int_cb6abef3	comment	The film adaptation of The Avengers has been so successful that it has influenced a number of other works and adaptations. Avengers Assemble uses the same cast from the film, with the inclusion of The Falcon. The character designs usually come straight from the Marvel Cinematic Universe or from the Ultimate Marvel universe, which inspired the films. Likewise, it's becoming increasingly common to feature Captain America, Black Widow, and Hawkeye as founding members of the Avengers, even though they were not founders in the comics and indeed replaced actual founders Ant-Man and The Wasp in the movie. Captain America was retroactively given founder status in the comics, as he essentially replaced the Hulk so early in the team's history. The movie team itself has become the public face of the entire Avengers franchise. The Marvel Universe LIVE uses the movie team (complete with their designs) along with The Falcon and Captain Marvel for some added diversity. Hulk is often a significant member of the team, another effect of the 2012 film. While the Hulk was a founding member of the team, he only lasted three issues, since he was hardly a team player.
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Lost in Imitation / int_cf3e7a82	comment	Superman: As this page analyzes, â€œIf you ask the average person on the street, â€˜Where does Clark Kent change into Superman?â€™, nine out of ten people will answer â€˜In a phone boothâ€™â€�. This particular part of Superman mythology was not originated in the comics, but in "The Mechanical Monsters", a Fleischer Superman Theatrical Cartoon. The page presents another 9 mentions until 1978 (another Fleischer cartoon, 1 Superman Sunday Newspaper, 1 Continental Insurance Superman Ad, some references to the radio series, and one reference to the Superman Broadway Musical, and four cover in the comics). But then mentions the joke in Superman: The Movie (1978) works because, for some reason, everyone "knows" Clark Kent uses a phone booth to make his quick-change into Superman. How could this be if the joke was made only ten times in Superman canon? Because the joke was made far more often than in canon. Richard Donner's original Superman: The Movie and its sequel, Superman II remain the main template for live-action adaptations to the extent that recent Superman movies like Bryan Singer's Superman Returns and Man of Steel still use the same familiar tropes and characteristics from these movies with Singer using the first two movies (made in The '70s) as continuity. For instance, Superman's Rogues Gallery in movies can be restricted to Luthor and Zod (and the latter's minions), and it took Batman v Superman: Dawn of Justice to introduce a new member of Superman's Rogues Gallery in Doomsday, but even that doesn't really count because in this universe he's a deformed clone of General Zod's body. There have been talks of bringing in Brainiac, Mxyzsptlk, Bizarro, Toyman, and Parasite among many other villains, along with secondary characters like Supergirl into the movie continuitynote Even Superman III was supposed to have Brainiac, Mxyzsptlk, AND Supergirl in its original treatment but the first two Donner movies remain the main reference point. Another example is the depiction of Jor-El as an allegory for God, an old man in white sending the Messianic Archetype to help the humans in the form of his only son. In the comics Jor-El was just trying to save his son's life and looked exactly like Clark, but Returns and Man of Steel still cribbed this from the Donner duology. That symbol on Superman's chest. The El family crest? A Kryptonian symbol meaning hope? Anyway it's from Krypton, right? For the first 65 years of Superman's existence in comics it was exactly what it looks like, a stylized letter S in a pentagonal shield and it stands for Superman. The Donner films first gave it a Kryptonian origin and most adaptations stuck with that. It wasn't until 2003's Superman: Birthright mini-series where the comics followed suit and gave it a Kryptonian origin. This even extends to characterization. For instance Lex Luthor in the comics and the animated series is a genius inventor/criminal mastermind and Corrupt Corporate Executive. Despite appearing in five movies, played by three actors, we have yet to see Luthor invent any of the scientific contraptions, devices and superweapons his comics counterpart was known for.
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Lost in Imitation / int_cfeb3aa	comment	The Jungle Book: An overarching example is that virtually any "adaptation of The Jungle Book" is only going to adapt the Mowgli stories; adaptations of the other seven stories are few and far between. For that matter, they rarely adapt all the Mowgli stories, just focusing on the ones in the first book with maybe a few details from The Second Jungle Book. Mowgli was marketed as Truer to the Text than the better-known Disney version, but retains elements like Bagheera giving Mowgli to the wolves to raise, (in the book, Mowgli wanders into the wolves' den himself) and wanting him to go to the village to escape Shere Khan (in the books, these are separate issues). Tabaqui is a jackal in the book. The anime, Mowgli and 1998's The Jungle Book: Mowgli's Story all change him to a hyena. This is probably to make him more visually distinct from the wolves, and because people don't like hyenas. In the book, Father Wolf is unnamed and generally Out of Focus compared to Raksha. Adaptations usually either combine him with Akela or at least give him a name. ("Rama" in the Disney version, "Alexander" in the anime version , "Vihaan" in Mowgli.) Mowgli and The Jungle Book (2016) were Dueling Works, but they indepdendently made similar changes. Both gave Kaa a Gender Flip, treated the elephants as divine figures to the other animalsnote in the books, the jungle was said to have been created by a godlike elephant, but Hathi and his sons are "just" incredibly wise/powerful animals, and both made the elephants and monkeys into The Speechless.
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Lost in Imitation / int_d0704d51	comment	Many classical paintings featuring Orpheus and Eurydice are based on the Orfeo ed Euridice opera rather than the original myth, with notable features being a gentle trek through Elysium in the forest.
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Lost in Imitation / int_d5ddd6c1	type	Lost in Imitation
Lost in Imitation / int_d5ddd6c1	comment	Some adaptations feature a Pikachu who stays outside its PokÃ© Ball. It was just another of the various mons in the original game, but ascended to Mascot Mook status from the anime, which itself had Pikachu walking outside the ball. The anime influence also extends to Pikachu's portrayal in manga. A large number, such as Red's Pikachu in PokÃ©mon Adventures and Shu's Pikachu in Pokémon Getto Da Ze!, start off as jerks before warming up to their trainer.
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PokÃ©mon: The Series	hasFeature	Lost in Imitation / int_d5ddd6c1
Lost in Imitation / int_d634ac98	type	Lost in Imitation
Lost in Imitation / int_d634ac98	comment	The novella The Strange Case of Dr. Jekyll and Mr. Hyde is a mystery story about a lawyer who turns detective to discover why his client has made a will leaving everything to a mysterious ne'er-do-well, with the twist that they're the same person only revealed at the end. Since the twist is now so famous, adaptations tend to focus on the drama between Jekyll and Hyde, often making Jekyll more heroic and giving him a love interest or two to further enhance the tragedy. Utterson, the viewpoint character in the book, often has his role reduced, combined with Dr. Lanyon, or omitted entirely.
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Lost in Imitation / int_d6b7adcf	type	Lost in Imitation
Lost in Imitation / int_d6b7adcf	comment	The original story of The Little Mermaid did not have a Happily Ever After ending or have the Sea Witch as a Wicked Witch or an Unscaled Merfolk. The prince instead falls for and marries the princess of another kingdom, and the price for the little mermaidâ€™s failure to win his heart is dying the day after his wedding and the Sea Witch was a neutral character rather than a villain. Walt Disney himself originally planned a more faithful ending to the original text for his own adaptation. However he died before production really started, and when his team revived the project, they changed the ending completely, and several adaptations that came after followed the same concept of the mermaid successfully winning the prince and becoming his bride, as well as the Sea Witch being evil and half-octopus.
Lost in Imitation / int_d6b7adcf	featureApplicability	1.0
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Lost in Imitation / int_d7e4fc52	type	Lost in Imitation
Lost in Imitation / int_d7e4fc52	comment	Averted in The Muppets' Wizard of Oz: Dorothy is correctly given silver slippers, and Glinda is not the witch who first sends Dorothy off to the Emerald City.
Lost in Imitation / int_d7e4fc52	featureApplicability	-1.0
Lost in Imitation / int_d7e4fc52	featureConfidence	1.0
The Muppets' Wizard of Oz	hasFeature	Lost in Imitation / int_d7e4fc52
Lost in Imitation / int_d8534d26	type	Lost in Imitation
Lost in Imitation / int_d8534d26	comment	Wicked splits the difference, claiming the slippers were crafted from silver treated with ruby dust. The stage version manages to incorporate both by having the shoes be silver, but shining a red light on them when they're enchanted.
Lost in Imitation / int_d8534d26	featureApplicability	1.0
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Wicked	hasFeature	Lost in Imitation / int_d8534d26
Lost in Imitation / int_de386b52	type	Lost in Imitation
Lost in Imitation / int_de386b52	comment	The Shredder wasn't the major villain in the original Mirage run. He died in the first issue, and only came back once in canon as a worm colony clone. It was only through the Fred Wolf series that he took on the arch-nemesis position, and any other appearances and allusions to Shredder in the Mirage comics (such as the Shredder Shark monster) came out much, much later. After the first live action movie, almost every later incarnation of the Shredder portrays him as a major threat that significantly darkens the tone of the adaptation, and often way above the Turtles' league in a fight.
Lost in Imitation / int_de386b52	featureApplicability	1.0
Lost in Imitation / int_de386b52	featureConfidence	1.0
Teenage Mutant Ninja Turtles (1990)	hasFeature	Lost in Imitation / int_de386b52
Lost in Imitation / int_de6659ec	type	Lost in Imitation
Lost in Imitation / int_de6659ec	comment	Once Upon a Time has a tendency to do this by adapting fairy tales to resemble the Disney Animated Canon versions, even having actors that resemble their animated counterparts. For example, in "Ariel", which adapts The Little Mermaid, not only do they use the names of the characters in the animated film (all characters were originally unnamed), but the mermaid was also cast as a redhead. "Quite a Common Fairy" and "The Price of Gold" included Tinkerbell and Cinderella's Iconic Outfits from the Disney films, respectively. The show wasn't originally meant to adapt the Disney incarnations. Eventually, however, the writers gave up and made it a full-fledged Disney crossover, introducing characters from Aladdin, Frozen, and 101 Dalmatians. This creates Early-Installment Weirdness with characters like Mulan and Aurora, who aren't quite similar enough to their Disney counterparts.
Lost in Imitation / int_de6659ec	featureApplicability	1.0
Lost in Imitation / int_de6659ec	featureConfidence	1.0
Once Upon a Time	hasFeature	Lost in Imitation / int_de6659ec
Lost in Imitation / int_e2d67fdc	type	Lost in Imitation
Lost in Imitation / int_e2d67fdc	comment	Virtually all modern adaptations of Beauty and the Beast portray the prince/Beast as an initially unpleasant person who was cursed as a direct result of his selfishness and has to learn kindness and humility to win over the Beauty. Most people don't even know that in the original Villeneuve story, the prince was a genuinely innocent victim who was cursed by an evil fairy after he refused to marry her note mainly because she raised him while his mother was off fighting wars in her late husband's stead and was kind and gentlemanly to Beauty from the start. As such, the newer versions pretty much eschew the original moral, which is that the Beauty character needs to accept the Beast as a suitable husband despite his appearance, since now she has good reasons to reject him. Another example of how much the Disney film has influenced later Beauty and the Beast adaptations is the 2014 French film Beauty and the Beast's inclusion of a Dance of Romance scene clearly inspired by the Disney film's ballroom scene despite it being a remake of the 1946 French film that had no dancing scenes. Megan Kearney's webcomic adaptation also alludes to the iconic dance scene when Beauty and the Beast walk through the castle ballroom at one point... only for the Beast to confess that he can't dance because his animalistic legs aren't built for it.
Lost in Imitation / int_e2d67fdc	featureApplicability	1.0
Lost in Imitation / int_e2d67fdc	featureConfidence	1.0
Beauty and the Beast	hasFeature	Lost in Imitation / int_e2d67fdc
Lost in Imitation / int_e4ed33fb	type	Lost in Imitation
Lost in Imitation / int_e4ed33fb	comment	The 1981 film The Legend of the Lone Ranger introduced the idea of John Reid as a lawyer or law student prior to his taking on the role of the Lone Ranger, an idea carried forward by the 2003 WB pilot and the 2013 film — which met with similar rejection to the 1981 film.
Lost in Imitation / int_e4ed33fb	featureApplicability	1.0
Lost in Imitation / int_e4ed33fb	featureConfidence	1.0
The Lone Ranger (Radio)	hasFeature	Lost in Imitation / int_e4ed33fb
Lost in Imitation / int_e8f67e69	type	Lost in Imitation
Lost in Imitation / int_e8f67e69	comment	The Secret Garden: In the book, Mary's father was the brother of Colin's mother, Lillias. The film versions from 1993 and 2020, as well as the musical, all make it so that Mary and Colin's mothers were twin sisters. Colin's mother also seems prone to Adaptation Name Change. She's Lillias in the book, Lily in the musical, and Grace in the 2020 film. The book has No Antagonist, but multiple versions try to put Mrs. Medlock into this role.
Lost in Imitation / int_e8f67e69	featureApplicability	1.0
Lost in Imitation / int_e8f67e69	featureConfidence	1.0
The Secret Garden	hasFeature	Lost in Imitation / int_e8f67e69
Lost in Imitation / int_e92aabb8	type	Lost in Imitation
Lost in Imitation / int_e92aabb8	comment	Name any given adaptation of The Addams Family, and you can bet it will be based on their iconic 1960s portrayals or their filmverse selves than the original New Yorker cartoons (The family's names and inter-familial dynamics are primarily based off the former two continuities).The 2010 play claims to have been based on the cartoons, but in reality it was a composite of their show and movie portrayals.
Lost in Imitation / int_e92aabb8	featureApplicability	1.0
Lost in Imitation / int_e92aabb8	featureConfidence	1.0
The Addams Family (Franchise)	hasFeature	Lost in Imitation / int_e92aabb8
Lost in Imitation / int_ecd87b9c	type	Lost in Imitation
Lost in Imitation / int_ecd87b9c	comment	Most people would not know that the original turtles all wore red bandannas and had tails; those two details were altered when the first action figures were made, and have since become standardized. It wasn't until Turtles Forever that the original characters' designs were seen outside the comic books.
Lost in Imitation / int_ecd87b9c	featureApplicability	1.0
Lost in Imitation / int_ecd87b9c	featureConfidence	1.0
Turtles Forever	hasFeature	Lost in Imitation / int_ecd87b9c
Lost in Imitation / int_ed1f519e	type	Lost in Imitation
Lost in Imitation / int_ed1f519e	comment	How the Grinch Stole Christmas! was mostly black-and-white with some red added for emphasis, so the Grinch wasn't a specific color. As of the 1966 animated special, he is depicted as being green. The special also invented the songs "Welcome Christmas" and "You're A Mean One, Mr. Grinch," which are worked into every subsequent adaptation.
Lost in Imitation / int_ed1f519e	featureApplicability	1.0
Lost in Imitation / int_ed1f519e	featureConfidence	1.0
How the Grinch Stole Christmas!	hasFeature	Lost in Imitation / int_ed1f519e
Lost in Imitation / int_ee7da84d	type	Lost in Imitation
Lost in Imitation / int_ee7da84d	comment	Some people are puzzled as to why the antagonist of Marble Hornets is called "the Operator", because "he's exactly the same as The Slender Man". However, the Operator is actually a little different to the original Slender Man from Something Awful; Marble Hornets spawned so many imitators that their portrayal became the standard. Then again, the Slender Man was an Interpretative Character from the start, with creator Victor Surge creating multiple posts giving him differing appearances and modus operandi in each post.
Lost in Imitation / int_ee7da84d	featureApplicability	1.0
Lost in Imitation / int_ee7da84d	featureConfidence	1.0
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Lost in Imitation / int_f1da64b5	type	Lost in Imitation
Lost in Imitation / int_f1da64b5	comment	A common complaint from Tolkien fans about The Lord of the Rings movies was that Gimli's more comical and somewhat cruder depiction borrowed more from the accumulated exaggerated stereotypes of dwarves in modern fantasy than Tolkien's 'original' dwarves, including a broad Scottish-style brogue which is nowhere in evidence from the way their dialogue is written. The influence of the movies, was carried in The Lord of the Rings: The Rings of Power, despite taking place on a different continuity.
Lost in Imitation / int_f1da64b5	featureApplicability	1.0
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The Lord of the Rings	hasFeature	Lost in Imitation / int_f1da64b5
Lost in Imitation / int_f510a5c1	type	Lost in Imitation
Lost in Imitation / int_f510a5c1	comment	Phileas Fogg travelling by hot air balloon in Around the World in Eighty Days was an invention for the 1956 film adaptation, and is now so recognised a part of the story that some reprints of the novel even have a hot air balloon on the cover. In the novel, a hot air balloon is never used, and is mentioned only briefly: Fogg is so desperate to make up time that he muses about crossing the ocean by balloon, but immediately dismisses the idea since (from his point of view) it's not actually possible.
Lost in Imitation / int_f510a5c1	featureApplicability	1.0
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Around the World in Eighty Days	hasFeature	Lost in Imitation / int_f510a5c1
Lost in Imitation / int_f84c42c0	type	Lost in Imitation
Lost in Imitation / int_f84c42c0	comment	Since the 70s, almost all of the works in the Lupin III franchise have been more heavily influenced by the Lighter and Softer TV adaptations, rather than the original Darker and Edgier manga. The 2012 Fujiko Mine anime was the first series to actually revisit the source material's violent and hyper-sexual tone. Even Lupin Zero, an adaptation otherwise based on flashback chapters from the original manga, carries the lighter tone of its animated predecessors.
Lost in Imitation / int_f84c42c0	featureApplicability	1.0
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Lupin III (Franchise)	hasFeature	Lost in Imitation / int_f84c42c0
Lost in Imitation / int_fa738078	type	Lost in Imitation
Lost in Imitation / int_fa738078	comment	Sailor Moon is best remembered for its 90's anime adaptation, the epitome of idealism, where The Power of Love and Friendship always triumphs over evil. The original manga had the Sailor Senshi fight their enemies much more straightforwardly (see Unbuilt Trope). Furthermore, Usagi wasn't always the main character; Minako had that role for its predecessor manga Codename: Sailor V.
Lost in Imitation / int_fa738078	featureApplicability	1.0
Lost in Imitation / int_fa738078	featureConfidence	1.0
Sailor Moon (Franchise)	hasFeature	Lost in Imitation / int_fa738078
Lost in Imitation / int_fcd86271	type	Lost in Imitation
Lost in Imitation / int_fcd86271	comment	The King and I resembles the 1946 movie version of Anna and the King of Siam, though only Margaret Landon's novel is credited as a source.
Lost in Imitation / int_fcd86271	featureApplicability	1.0
Lost in Imitation / int_fcd86271	featureConfidence	1.0
The King and I (Theatre)	hasFeature	Lost in Imitation / int_fcd86271
Lost in Imitation / int_fcf3efa7	type	Lost in Imitation
Lost in Imitation / int_fcf3efa7	comment	Of all things, the comedic The Super Hero Squad Show gets to provide one of these: its version of The Falcon has Feather Flechettes. Every animation since it has had them, though sadly the comic has yet to take them up. (The movies lack them too — as a military man, MCU Falcon is a Superhero Packing Heat.)
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The following is a list of statements referring to the current page from other pages.

Lost in Imitation	processingCategory2	Derivative Works
Lost in Imitation	processingCategory2	Media Adaptation Tropes
The Story of Cinderella / int_ea24a918	type	Lost in Imitation
John K. Stuff (Blog) / int_ea24a918	type	Lost in Imitation
Fables (Comic Book) / int_ea24a918	type	Lost in Imitation
Miles Morales (Comic Book) / int_ea24a918	type	Lost in Imitation
Robin (1993) (Comic Book) / int_ea24a918	type	Lost in Imitation
The Amazing Story of Superman Red and Superman Blue (Comic Book) / int_ea24a918	type	Lost in Imitation
The League of Extraordinary Gentlemen (Comic Book) / int_ea24a918	type	Lost in Imitation
Ultimate Spider-Man (2000) (Comic Book) / int_ea24a918	type	Lost in Imitation
Venom (Comic Book) / int_ea24a918	type	Lost in Imitation
Superman (Comic Book) / int_ea24a918	type	Lost in Imitation
Snow White and the Seven Dwarfs / Disney / int_ea24a918	type	Lost in Imitation
The Hunchback of Notre Dame / Disney / int_ea24a918	type	Lost in Imitation
J-WITCH Series (Fanfic) / int_ea24a918	type	Lost in Imitation
The Draco Trilogy (Fanfic) / int_ea24a918	type	Lost in Imitation
Blade Trilogy / int_ea24a918	type	Lost in Imitation
Carrie (2002) / int_ea24a918	type	Lost in Imitation
Charlie and the Chocolate Factory / int_ea24a918	type	Lost in Imitation
d'Artagnan And Three Musketeers / int_ea24a918	type	Lost in Imitation
Disney Live-Action Remakes / int_ea24a918	type	Lost in Imitation
Doom: Annihilation / int_ea24a918	type	Lost in Imitation
Hook / int_ea24a918	type	Lost in Imitation
How the Grinch Stole Christmas (2000) / int_ea24a918	type	Lost in Imitation
Mothers' Instinct / int_ea24a918	type	Lost in Imitation
Mowgli / int_ea24a918	type	Lost in Imitation
101 Dalmatians (1996) / int_ea24a918	type	Lost in Imitation
Peter Pan / int_ea24a918	type	Lost in Imitation
Peter Pan & Wendy / int_ea24a918	type	Lost in Imitation
Pinocchio (2002) / int_ea24a918	type	Lost in Imitation
Pinocchio (2009) / int_ea24a918	type	Lost in Imitation
Race to Witch Mountain / int_ea24a918	type	Lost in Imitation
Salome (1953) / int_ea24a918	type	Lost in Imitation
Spider-Man: Homecoming / int_ea24a918	type	Lost in Imitation
Spider-Man Trilogy / int_ea24a918	type	Lost in Imitation
Stranded (2002) / int_ea24a918	type	Lost in Imitation
The Adventures of Pinocchio / int_ea24a918	type	Lost in Imitation
The Jungle Book (2016) / int_ea24a918	type	Lost in Imitation
The Lord of the Rings / int_ea24a918	type	Lost in Imitation
The Prisoner of Zenda / int_ea24a918	type	Lost in Imitation
The Tales of Hoffmann (1916) / int_ea24a918	type	Lost in Imitation
The Three Musketeers (1993) / int_ea24a918	type	Lost in Imitation
The Three Musketeers (2011) / int_ea24a918	type	Lost in Imitation
The Time Machine (1978) / int_ea24a918	type	Lost in Imitation
The Time Machine (2002) / int_ea24a918	type	Lost in Imitation
Wanted / int_ea24a918	type	Lost in Imitation
Conan the Barbarian (Franchise) / int_ea24a918	type	Lost in Imitation
Les Misérables (Franchise) / int_ea24a918	type	Lost in Imitation
Peter Pan (Franchise) / int_ea24a918	type	Lost in Imitation
Silent Hill (Franchise) / int_ea24a918	type	Lost in Imitation
Spider-Man (Franchise) / int_ea24a918	type	Lost in Imitation
Teenage Mutant Ninja Turtles (Franchise) / int_ea24a918	type	Lost in Imitation
The Green Hornet (Franchise) / int_ea24a918	type	Lost in Imitation
The Three Musketeers (Franchise) / int_ea24a918	type	Lost in Imitation
A Tale of... / int_ea24a918	type	Lost in Imitation
Book of Exodus / int_ea24a918	type	Lost in Imitation
The Frog Prince / int_ea24a918	type	Lost in Imitation
The Hunchback of Notre Dame / int_ea24a918	type	Lost in Imitation
The Leatherstocking Tales / int_ea24a918	type	Lost in Imitation
The Legend of Sleepy Hollow / int_ea24a918	type	Lost in Imitation
The Little Mermaid / int_ea24a918	type	Lost in Imitation
The Prisoner of Zenda / int_ea24a918	type	Lost in Imitation
The Twilight Saga / int_ea24a918	type	Lost in Imitation
Time Wars / int_ea24a918	type	Lost in Imitation
Ink Stain Adaptation	seeAlso	Lost in Imitation
The Dark Age of Animation	seeAlso	Lost in Imitation
The Green Hornet (Radio) / int_ea24a918	type	Lost in Imitation
A Series of Unfortunate Events (2017) / int_ea24a918	type	Lost in Imitation
Conan the Adventurer / int_ea24a918	type	Lost in Imitation
Gotham Knights (2023) / int_ea24a918	type	Lost in Imitation
His Dark Materials / int_ea24a918	type	Lost in Imitation
Iron Chef / int_ea24a918	type	Lost in Imitation
Shadowhunters / int_ea24a918	type	Lost in Imitation
Charlie and the Chocolate Factory (Theatre) / int_ea24a918	type	Lost in Imitation
Jekyll & Hyde (Theatre) / int_ea24a918	type	Lost in Imitation
Orfeo ed Euridice (Theatre) / int_ea24a918	type	Lost in Imitation
Rebecca (Theatre) / int_ea24a918	type	Lost in Imitation
Bloodborne (Video Game) / int_ea24a918	type	Lost in Imitation
God of Thunder (Video Game) / int_ea24a918	type	Lost in Imitation
The Magic School Bus (Video Game) / int_ea24a918	type	Lost in Imitation
X-Men: Next Dimension (Video Game) / int_ea24a918	type	Lost in Imitation
Breakout (Video Game) / int_ea24a918	type	Lost in Imitation
A VHS Christmas Carol (Web Video) / int_ea24a918	type	Lost in Imitation
A Pup Named Scooby-Doo / int_ea24a918	type	Lost in Imitation
Bugs Bunny / int_ea24a918	type	Lost in Imitation
Cinderella / int_ea24a918	type	Lost in Imitation
DuckTales (2017) / int_ea24a918	type	Lost in Imitation
Guillermo del Toro's Pinocchio / int_ea24a918	type	Lost in Imitation
Happily Ever After: Fairy Tales for Every Child / int_ea24a918	type	Lost in Imitation
Horton Hears a Who! (2008) / int_ea24a918	type	Lost in Imitation
Marvel's Spider-Man / int_ea24a918	type	Lost in Imitation
101 Dalmatians: The Series / int_ea24a918	type	Lost in Imitation
Onward / int_ea24a918	type	Lost in Imitation
Peter Pan / int_ea24a918	type	Lost in Imitation
Pinocchio (1992) / int_ea24a918	type	Lost in Imitation
Pinocchio in Outer Space / int_ea24a918	type	Lost in Imitation
Snow White and the Seven Dwarfs / int_ea24a918	type	Lost in Imitation
Spider-Man: The Animated Series / int_ea24a918	type	Lost in Imitation
Tarzan and Jane / int_ea24a918	type	Lost in Imitation
The Grinch (2018) / int_ea24a918	type	Lost in Imitation
The Jungle Book (1967) / int_ea24a918	type	Lost in Imitation
The Ten Commandments / int_ea24a918	type	Lost in Imitation
Welcome Back Pinocchio / int_ea24a918	type	Lost in Imitation
Gankutsuou / int_ea24a918	type	Lost in Imitation

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