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Mandatory Twist Ending
- 188 statements
- 35 feature instances
- 35 referencing feature instances
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| Mandatory Twist Ending | comment |
Some series and/or creator repertoires have Twist Endings so frequently it practically becomes mandatory for it to happen Once an Episode or book. Why does this happen? Though (almost) everyone likes a Happy Ending—with the smiling and the kissing and the vanquishing and the riding off into the sunset—people also tend to get bored of too many happy endings in a row. So, authors will try to surprise audiences using a Downer Ending; it's the Darker and Edgier way to end a movie or (if you're really ballsy) an episode or season in an ongoing series. This can do a lot in terms of adding a sense of urgency to a cliffhanger and fresh air to a series, especially if the series sticks to its guns and the badness is permanent (see Killed Off for Real). Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_mobile_ad_1'); })The danger of using a Twist Ending too often is that, like most good things (er, bad things?), there can be too much of it. For whatever reasons, whether it's to be Darker and Edgier, pandering to dead baby humor, or an insistence on using a Cruel Twist Ending or Diabolus ex Machina every episode, the series always ends with a Downer Ending and a Twist Ending of some sort, most likely involving a Broken Aesop or two. Naturally, this tends to have such a high mortality rate that this can only happen in an episodic series with a high low-paid actor turnout. The only permanent and safe "character" is the preachy Narrator, ready to deliver his opening and ending Fauxlosophic Narration. As one might expect, it also has the side effect (for good or ill) of making audiences become Genre Savvy and expect there to be a Twist Ending at the end. At its worst, the audience decides they shouldn't bother even caring or watching, if everything that gets established is just going to be thrown aside anyway. This trope isn't a negative one, though. Authors can make this an element of their style. It's overuse or misuse that causes problems, as the page quote shows. Clever authors can use the existence of this expectation to use a Meta Twist, the absence of the expected twist, with one way of pulling this off being the Shock-and-Switch Ending. Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_mobile_ad_2'); })In works where this is exceedingly common, one can at best get an "The End... Or Is It?" ending that, though not altogether happy, is ambiguous enough that the viewer can delude himself into thinking so (and write copious Fan Fiction about it). May happen after the Snicket Warning Label. Contrast Wham Episode. Examples: |
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Tales from the Crypt was fond of these, albeit the dark humor and irony tended to keep the pretentiousness in check and viewers coming back for more. | |
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The most famous tale, Repercussions of Evil, featured a dark ending where after the radio tells protagonist John Stalvern he is the demons, John becomes a zombie for no particular reason. Or maybe he was one all along. We're not quite sure. | |
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| Mandatory Twist Ending / int_1463a028 | comment |
Law & Order: Special Victims Unit: The last full act will typically end with the main crime, the crime it led to, the crime that led to, and the detectives' personal issues resolved more or less happily, and then The Stinger either suddenly undoes all progress or holds a last-minute reveal that paints the ending in a more ambiguous light. | |
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8-Bit Theater, sometime after the resolution of the Fire Orb arc, embraced the Mandatory Anticlimax. It's been done so often that the jaded fans actually enjoy wondering just how Clevinger is going to destroy any hint of Cerebus Syndrome. It probably reached its height when the author made a fake ending that finished things in the most anticlimactic way possible and, to his dismay actually received praise for it. | |
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| Mandatory Twist Ending / int_3b34143f | comment |
Every Harry Potter book but Order of the Phoenix ends with a twist (meaning that the ending of Order of the Phoenix answers all the questions raised, while in all the others, an unsuspected traitor or — not an exclusive OR! — a good guy mistaken for a villain is revealed). | |
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Supernatural: Word of God has admitted that Dean and Castiel being dragged into Purgatory at the end of season 7 was initially only conceived so that the season finale could end on a cliffhanger, and that when it came time to actually write season 8, they weren't sure what to do with it. As a result that arc got very little screentime and was never tied into the main plot of season 8. Despite this, the escape from Purgatory still became one of the season's most popular stories. | |
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Planet of the Apes (2001). Since they couldn't use the original's Earth All Along, they threw in a pointless Mind Screw that made no sense whatsoever. In the DVD commentary, Tim Burton says the ending was a Sequel Hook for a sequel that was never made. After Leo leaves for Earth, Thade retrieves Leo's original capsule, follows Leo through the time warp, arrives on Earth several centuries before Leo, and proceeds to turn Earth into a second Planet of the Apes. Interestingly, the ending to the remake is actually much closer to the original book than the first movie. | |
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| Mandatory Twist Ending / int_47dfc6f | comment |
Total Drama falls into this, especially during the middle of World Tour, when the writers seemed to go out of their way to invent some kind of "twist" for every elimination—Chris decides to throw out a random intern while admitting he just wants to keep the rightful loser in, someone accidentally votes for themselves, someone accidentally votes for the wrong person to cause a tie and one contestant randomly is allergic to the type of plant the tiebreaker challenge requires touching...without using their hands. | |
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| Mandatory Twist Ending / int_53a0bd32 | comment |
A staple of The Twilight Zone (1959) and The Outer Limits (1963). It can get so bad it's an exception when there's an ambiguously good or open ending. The Outer Limits (1995) revival of the 1990's was much worse about this than either of the originals. | |
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| Mandatory Twist Ending / int_58808436 | comment |
Higurashi: When They Cry uses copious amounts of this trope. This is largely facilitated through some odd combination of Alternate Universes and/or Groundhog Day-ing the plot (it hasn't been quite explained thus far) so that dark twists can occur repeatedly throughout the series and often to the same characters. Some episodes have twist endings that change the twist endings of other episodes based entirely on whose perspective it's from. | |
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Stories Untold has four chapters. The first three end with a twist, the fourth starts with one. | |
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Many, many Quantum Leap episodes have the following template: Sam leaps into a situation involving some possibly supernatural occurrence like ghosts, aliens, or the Bermuda Triangle. Al completely buys into the possibility, while Sam refuses to believe it and does everything he can to prove Al wrong. In the end, it appears Sam was right, but just before he leaps out there's some hint that maybe Al was right after all. This was also reversed in several episodes: The UFO episode had Sam enthusiastically embracing the possibility of alien contact, while Al was dubious at best. | |
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Goosebumps author R. L. Stine did this to the point where the twist endings became played out after a while. Stine once said in an interview that he'd always write the ending first and then go back and think of twists later. The most infamous one is My Hairiest Adventure, which ends with the revelation that most of the kids were actually dogs, who were transformed into humans by some company so that their employees could have children. Welcome To Camp Nightmare, which takes place on an alien planet, mentioned in the last sentence. Vampire Breath, in which Cara and Freddy find a bottle of "Werewolf Sweat". My Best Friend is Invisible, in which every character except Brent is a multi-headed creature with more than two eyes and suction cups on their head. The Beast from the East also doubles as a Cruel Twist Ending, as the existence of the twins convinces the Beasts they'd been "playing" with that they're Level Three players, and thus ineligible to play in a Level One game - only for a Level Three Beast to tag them on the very last page. |
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The Event was probably too dependent on this. The most ridiculous example probably being the third episode's "twist" which revealed that the previous episode's twist was a fake-out. | |
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A common criticism leveled toward Mass Effect 3's controversial original ending. | |
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BioShock had twist endings in the first game, the DLC for the second game, the third game, and the third game's DLC. | |
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Every main Danganronpa installment has a massive twist regarding the circumstances of the killing game. This has come to be criticized with time, as fans have started to feel that making the twist as shocking and over the top as possible has begun taking a premium over making it a satisfying part of the narrative. | |
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Lost, though not so much a mandatory twist ending as a mandatory twist at some point during the episode (especially in the first few seasons with back-story reveals, the most significant of these probably being the one from "Walkabout"). However, the season finales are of special note — it was so well known that there will be a twist at the end of each season that the producers gave the twist scene a special name — The Bagel: Walt gets taken, The Challah: the first off-island scene indicates Penny is searching for them (and may have found the island), The Rattlesnake In The Mailbox: The flashback is actually a flashforward, with Jack and Kate off the island, The Frozen Donkey Wheel: Locke is revealed to be dead off of the island, and The Fork In The Outlet (named in a contest by fans): Jacob is stabbed by Ben. Whew. The fourth one's name is even a red herring — judging from the name, you'd expect it would refer to the scene where Ben turns a literal frozen donkey wheel to move the island. | |
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Law & Order only really got to this level at the end of Elizabeth Rohm's tenure (seasons 14 and 15), where, in an attempt to define Serena Southerlyn as something other than "Really Pretty", would often have Serena Pull the Thread that pointed to a suspect other than the one they'd spend 40 minutes trying to convict. | |
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Several of the stories in World War Z have a fairly hokey twist. | |
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Perfect Stranger: The least likely suspect to have been the killer is the killer of course. Duh. | |
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The second season of Code Geass makes twist endings and cliffhangers mandatory every episode. | |
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Life Is Strange has — similar to Stories Untold above — multiple episodes, each ending with a twist. | |
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Parodied in Mystery Team. The case is solved, Duncan is going off to college and everything seems well.... Until a man comes running out of the woods, castrated, unaware of his name and carrying a picture of himself in a lab having sex with a panda. | |
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Robot Chicken: In one segment, a Hollywood executive suggests that they should re-release all their classic movies with a twist ending added to them, and the studio rolls with it. As a result, The Wizard of Oz now ends with Dorothy waking up in a far-future Kansas inhabited by sentient corn, Titanic (1997) ends with Rose revealing that she's actually an alien queen who caused the ship to sink, and infamous Adam Sandler dud Jack and Jill gets a Surprise Creepy ending where Jack realizes Jill died as a child and he's just been pretending to be her the entire time which is why she looks exactly like him, and then kills himself by slitting his throat with a glass shard. | |
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Young Justice: It would be much easier to count the amount of times that The Light wasn't behind the events of the episode, or obtained some kind of benefit no matter what the heroes did (and we do mean "no matter what"), or the heroes managed to achieve a victory that the Light hasn't been able to undo just for the sake of providing just one more last-minute twist. Hell, after three seasons (and counting), nothing has truly stopped the bastards. | |
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CSI almost always has a twist ending in every episode, sometimes more than one depending on the amount of sub-plots. Usually it's pretty easy to see it coming and sometimes one can even predict who really is the killer, because it's almost never the first person we think it is. And if it was we were led to believe that it wasn't and then it turned out it actually was. Which is pretty impressive. | |
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The clients in Nightmare Inspector hardly ever have their chapters end without some sort of horrid twist. | |
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Someone dies in every episode of Happy Tree Friends. | |
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Panty & Stocking with Garterbelt: The season finale has an absolutely merciless one of these, which might be Gainax parodying itself. People expect their endings to be completely out of left field, so they took those expectations and went Up to Eleven. At the end, the Big Bad is defeated, all is well, the crew returns home, and then suddenly out of nowhere Stocking kills Panty, chops her corpse into 666 pieces, and announces she was a demon all along, even though this makes no sense. Garterbelt then explodes for no reason. The villain then comes back to life (also for no reason) and announces that the surviving characters will now have to gather all 666 pieces of Panty to bring her back. Then Garterbelt un-explodes (again for no reason) and announces that this will be the premise of season two. Also, season two may not actually exist. Well played, Gainax. Geekboy: Homecoming then reveals Season 2 did happen, entirely offscreen, then adds a few twists of its own at the end: Panty's memory gets reset, she's back to her old maneater ways, and she and Brief now travel with an amnesiac that Came from the Sky after Panty blew a hole through Corset. Said boy also happens to be from an alternate universe that's not even owned by Gainax. |
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Happens at the end of almost every chapter in the first few Dragonlance trilogies by Margaret Weis and Tracy Hickman. | |
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Don't Hug Me I'm Scared: The Teacher in every episode turns out to be Evil All Along and they force the main characters to undergo some variation of Sanity Slippage. Even Duck Guy has become aware of this by the fifth. | |
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Mandatory Twist Ending | |
| Mandatory Twist Ending / int_fb873b86 | comment |
The Saw films. A twist at the end of each one is more or less expected, ever since the first film. | |
| Mandatory Twist Ending / int_fb873b86 | featureApplicability |
1.0 | |
| Mandatory Twist Ending / int_fb873b86 | featureConfidence |
1.0 | |
| Saw (Franchise) | hasFeature |
Mandatory Twist Ending / int_fb873b86 | |
| Mandatory Twist Ending / int_fbf33963 | type |
Mandatory Twist Ending | |
| Mandatory Twist Ending / int_fbf33963 | comment |
Inception, dealing with layered dreams, has to end with a shot that implies at least one more layer. (Though Christopher Nolan says as far as he's concerned, that actually was reality in the last scene.) | |
| Mandatory Twist Ending / int_fbf33963 | featureApplicability |
1.0 | |
| Mandatory Twist Ending / int_fbf33963 | featureConfidence |
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| Inception | hasFeature |
Mandatory Twist Ending / int_fbf33963 | |
| Mandatory Twist Ending / int_fc29ccc7 | type |
Mandatory Twist Ending | |
| Mandatory Twist Ending / int_fc29ccc7 | comment |
The more realistic-styled show Alfred Hitchcock Presents also tends to feature a mandatory twist. Considering there's usually no sci-fi element, it's less out of the blue and can be pretty easily guessed. And then there are the twists that were forced on Hitchcock. For episodes in which the bad guy wins, Hitchcock was forced by the Network to add a little story at the end, describing how the bad guy eventually met their fate. Parodied in the 80s remake about an alien invasion, when Hitchcock appears at the end in a cell, because the aliens were angry that he broadcast their plan to conquer Earth on his TV show. | |
| Mandatory Twist Ending / int_fc29ccc7 | featureApplicability |
1.0 | |
| Mandatory Twist Ending / int_fc29ccc7 | featureConfidence |
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| Alfred Hitchcock Presents | hasFeature |
Mandatory Twist Ending / int_fc29ccc7 |
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