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Men Act, Women Are
- 343 statements
- 63 feature instances
- 68 referencing feature instances
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In media, male characters are defined more by their actions than their personalities or appearances. Female characters, on the other hand, are defined by their personalities and appearances but not their actions. This trope is rooted in the female/male = passive/active dichotomy. Essentially, it's the idea men are expected to be out doing things, but women are expected to just sit there looking pretty, emotionally reacting to events, and avoid action. It's also a social construct in real life that's the cause of many other Double Standards that affect both genders. Part of this trope refers to how characters function to advance the plot. While male characters will be directly involved in the action, or manipulating the action behind the scenes in a comprehensive way, female characters, when they do take action, often take it in the form of inspiring, motivating or nagging a male character to do something. See Lady Macbeth, Henpecked Husband. And, yes, it also applies to that meaning of "action" as well. In the past, and indeed today, many traditions considered women good if they didn't have sex (got no 'action'), and/or considered them to be superior to women who did. note Unless it was strictly for reproduction or to satisfy her spouse. This trope is a possible consequence of Men Are Generic, Women Are Special. Since men are generic, any individual male character has to do something special to stand out. But because women are special, a female character just has to be, well, female. A Super-Trope to: Men Are Strong, Women Are Pretty My Girl Is Not a Slut Never a Self-Made Woman No Guy Wants to Be Chased Science Hero's Babe Assistant Stay in the Kitchen Women Are Delicate Contrast Action Girl, Damsel out of Distress, Feminist Fantasy, Non-Action Guy, Politically-Active Princess, and Silk Hiding Steel. |
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| Men Act, Women Are / int_1463a028 | type |
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| Men Act, Women Are / int_1463a028 | comment |
In Law & Order: Special Victims Unit, Det. Elliot Stabler is a devoted father of four and his partner, Det. Olivia Benson, is the product of rape. On the job, he has rage for the perp and she has empathy for the victims. However, working around as much ugliness as they do, maintaining the ability to care about people is one of the hardest things. Stabler's lost it. In more ways than one. | |
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| Men Act, Women Are / int_1b386512 | type |
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Akane from Ranma ½ tends to fall into this one pretty hard. She's a very capable martial artist (especially considering that the Tendo school is implied to focus on weaponry, not hand-to-hand combat) but right around the time Ryoga is introduced, she starts getting sidelined or kidnapped or otherwise removed from serious fights. Notable ones include the figure-skating pair combat match, where Ryoga switches her out for girl-Ranma by accident and they continue the fight without Akane, even though Ranma is severely injured and Akane is the only one of them who knows how to skate, and the battle where Akane is turned into a literal figurine-sized, motionless, speechless doll and saves Ranma's life by existing really hard. | |
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| Men Act, Women Are / int_1bf83ffb | comment |
Zigzagged in Frankenstein, which we should note was written by a proto-feminist. For the most part, the women are completely passive while the men are active as complete idiots, but it's Victor's cousin who takes charge and acts as a character witness (to no avail, unfortunately) when her friend is charged and falsely convicted of the murder of their youngest brother. | |
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Disney Animated Canon: Zigzagged in Sleeping Beauty. Prince Phillip faces a fire-breathing dragon to save Princess Aurora while she lies asleep, looking beautiful. Although he is technically the hero, the fairies do most of the work. Most early Disney princess movies the man acting as pretty much their only characterization. Prince Florian in Snow White and the Seven Dwarfs just shows to wake Snow White up, Prince Charming organized ball and research of Cinderella, and Prince Eric in The Little Mermaid shows his affection by killing Ursula. |
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| Men Act, Women Are / int_282ccab0 | comment |
For a film that's ostensibly about female empowerment, the female characters in In a World…... are remarkably passive in the two main romantic subplots: Carol sleeps with Gustav when he hits on her despite not liking him much and seeming actively put off by the fact that he sees nothing more in her than that she's "pretty," apparently for no better reason than that it's less trouble than actively rejecting him. Then she waits patiently while Demetri Martin's character goes through the awkward, halting motions of courtship rather than take any initiative herself despite the fact that there's an informed mutual attraction. When Moe's attractive neighbor asks to use his shower, he actively attempts to sound out the sexual possibilities, clumsy as his attempts may have been. By contrast, his wife Dani merely smiles and blushes when an attractive Irishman flirts with her and eventually seduces her into cheating on Moe. When this causes a Second-Act Breakup, it is Moe, not Dani, that performs the grand romantic gesture that reconciles them. |
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| Men Act, Women Are / int_29efc2f3 | comment |
Zigzagged in Sleeping Beauty. Prince Phillip faces a fire-breathing dragon to save Princess Aurora while she lies asleep, looking beautiful. Although he is technically the hero, the fairies do most of the work. | |
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Inverted in The Phantom Menace. Queen Padmé's planet is under attack so she pleads her people's case to Chancellor Valorum and the Galactic Senate, goes home, and leads the charge to take back her planet while Anakin merely follows and then accidentally saves the Gungans. | |
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At the end of the film, Hancock is off saving the world while his ex-wife and the only other super-human of their kind, Mary, is content living with a mortal husband and bringing up a mortal kid. Also, Hancock was always saving her whenever they were de-powered in the past. | |
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The opening cinematic of Tales of Vesperia has the male lead (Yuri) fight. The female lead Estelle... dances in a field. The gameplay averts this, though, as both take major actions throughout the story. | |
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The Animaniacs theme song. Although the series subverts this as Dot is just as involved in the same zany adventures as her brothers. The 2020 reboot changes this line to the more active "Dot has wit and Yakko yaks." |
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In The SpongeBob SquarePants Movie, when King Neptune's crown gets stolen by Plankton and stationed in Shell City, SpongeBob and Patrick volunteer to retrieve it after Mindy coaches them on how to survive. When SpongeBob and Patrick are ready to give up when they're separated from Shell City by a monster trench, Mindy arrives and inputs courage into their hearts by tricking them they've become grown men through her "mermaid magic". SpongeBob and Patrick then proceed with their journey without Mindy. | |
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The Last Place on Earth: Elizabeth Scott is a 1910 version of the Manic Pixie Dream Girl who wishes that she could accompany her husband, Captain Robert Scott, on his expedition to be the first humans to reach the South Pole. She resents the fact that she can't go because she's a woman, and she references this trope when she says "Men do. Women don't." | |
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| Men Act, Women Are / int_50bcf7a6 | type |
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| Men Act, Women Are / int_50bcf7a6 | comment |
Played with in Homestuck. Many Active classes in Sburb, including the most Active, are reserved for males. Active classes change other things with their Aspect - a part of reality - to benefit themselves, whereas many Passive classes - also including the most Passive - are reserved for females, most notably the Muse, who can warp time, space, and reality without doing anything whereas its Active counterpart, the Lord, has to do everything manually, but can do anything. It's averted for some classes, such as Knights, Mages and Seers, and implied other classes. It's actually inverted in the case of the Thief and Rogue classes, who are normally female, with male players being the notable examples. | |
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The Valkyrur of Valkyria Chronicles fall into this, at least for the first game. The militia is full of male and female soldiers who are uniquely distinguished on their own merits, but the Valkyria are a race of (apparently) all-female superhumans who are just born more powerful than everyone else, and that's why their powers are evil. | |
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Tolkien's Legendarium: In The Lord of the Rings, Galadriel doesn't do much of anything beyond giving gifts and advice to heroes. However, Galadriel was a legit Action Girl in The Silmarillion, leading her people across the local equivalent of the North Pole, on foot, when some Jerkass burned the ships that were supposed to come back for them. Averted with Éowyn, even dispatching the Witch-King of Angmar, leader of the Nazgûl. Even then, her status as female is part of the Prophecy Twist that gets around the prophecy that states "It is not by the hand of MAN that the Witch-King will be slain", a thing she points out. She also decides to Stay in the Kitchen upon meeting and marrying a Gondorian noble. In fairness, he also settles down and becomes a Non-Action Guy; he was never a warrior by choice, only taking up the sword in a defensive war against an imminent threat. Aragorn's Love Interest Arwen and Sam's Love Interest Rosie Cotton are barely even characters, sitting at home and waiting patiently for the menfolk to come back from the war and marry them. The effects of this trope are most obvious simply from how few mentionable female characters LOTR has, despite having tons of characters in total. Of the 38 entries on its character page, only four are female, and one of them is a giant spider. The Hobbit's page has no women at all. No female characters ever join the lead adventuring party, even temporarily. Averted with Lúthien. Her father sends her suitor on an impossible Engagement Challenge and locks her in a treehouse, supposedly for her own protection. Lúthien promptly escapes and rescues Beren, her suitor, from a dungeon. She then helps him with the quest (and arguably contributes more than he does), despite not being an Action Girl in the traditional sense. She caps it off by putting Morgoth (Tolkien's equivalent of Satan) to sleep by singing. One does not need to be a warrior to be a badass. |
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Played with in Exalted, perhaps unintentionally. You see, there is this big Sun God guy, and all his chosens have superpowers tied to their Skill, i.e. what they can do. On the other hand, there is this Moon Deity, who is a woman, a man, and everything in-between. S/he has chosen too, and their superpowers are tied to their Attributes, i.e. who they are. For each chosen of the Sun, there is a chosen of the Moon destined to be his/her mate, and this mate has a hard time defying his/her will, which doesn't help the implication. | |
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Sensation Comics Featuring Wonder Woman: The annoyance of having interviewers attempt to reinforce this trope in real life by asking women about their beauty regimes and their male coworkers about their work (usually seen with actors) is discussed in "Venus Rising": | |
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In an episode of American Dad!, Francine revealed that she only sticks with Stan because he's a good provider, while Stan reveals he's only with Francine because she's hot. Though, in other episodes, it's revealed they do genuinely enjoy each other's company. | |
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Played straight in King's Quest III: To Heir Is Human where Prince Alexander goes on adventures and his sister Rosella is merely a Damsel in Distress, to be saved from a three-headed dragon. Inverted in King's Quest IV: The Perils of Rosella where Rosella goes on adventures and Alexander stays home and does nothing except mourn their dying father. | |
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Averted in A Brother's Price, as men have Gender Rarity Value and if women didn't do things, not much would get done. | |
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In The Hamildrops, avoiding this trope is Lin-Manuel Miranda's reasoning for changing "First Burn" (and also "Congratulations" from the Mixtape) to "Burn" and "The Reynolds Pamphlet" in the show proper; while the original versions were angrier and more passionate, they made Eliza and Angelica too passive rather than reacting to Hamilton's faults. | |
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Most early Disney princess movies the man acting as pretty much their only characterization. Prince Florian in Snow White and the Seven Dwarfs just shows to wake Snow White up, Prince Charming organized ball and research of Cinderella, and Prince Eric in The Little Mermaid shows his affection by killing Ursula. | |
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Though the cast of Weak Hero is overflowing with young men who are constantly throwing themselves into battle, the sparse amount of women in comparison mostly stick to the sidelines and bemoan the inability for anyone to step in and stop them. The idea that a woman could step up and try to end a fight is never even presented as a possibility. | |
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Most of the plot of Knowledge is Power seems to be driven by the male characters, with even Hermione being relegated to a supporting role even though she's named in the header. | |
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The 2020 reboot changes this line to the more active "Dot has wit and Yakko yaks." | |
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Halo: An interesting example are the Halo: Combat Evolved action figures. The Master Chief figure has twenty-six points of articulation. The Cortana action figure released in the same wave? Zero. She's got that cocked-hip thing going on, though (see the page pic). Helped and yet played straight with a new figure for Halo 4. Cortana's given articulation, but it's limited (9 points) in comparison. And results in an unaligned mess of parts in anything but her neutral standing pose anyway. |
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In In Desert And Wilderness Staś shoots lions, Kali says funny things and Nel is there mostly to be adored and looked after (don't even ask about Mea). But - Nel's cuteness secures allies (even among the animal kingdom!), so - zig-zagged? | |
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An interesting example are the Halo: Combat Evolved action figures. The Master Chief figure has twenty-six points of articulation. The Cortana action figure released in the same wave? Zero. She's got that cocked-hip thing going on, though (see the page pic). | |
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The Flash (2014): After two seasons of suffering this, Iris West finally(!) tries to defy this trope, telling her brother, Wally (who after only one season gets to become Kid Flash), "I want my life to mean something. More than as a daughter or as a sister or as a girlfriend. But as a reporter.” She then Took a Level in Badass and killed the season's Big Bad Savitar, directly saving Barry's life. Iris officially averted the trope in Season Four. In the six months Barry was lost in the Speed Force, Iris had assumed the role of Mission Control and de facto leader of the team, and even after Barry returned largely retained the role. Given a nod in the Musical Episode "Duet." Barry and Kara need to get into an apartment, and Barry insists he be the one to break down the door. Then he realizes what that sounds like and says he didn't want it to be a "gender thing," he just really wants to kick the door down. Barry and Kara end up doing it together. |
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In The Lord of the Rings, Galadriel doesn't do much of anything beyond giving gifts and advice to heroes. However, Galadriel was a legit Action Girl in The Silmarillion, leading her people across the local equivalent of the North Pole, on foot, when some Jerkass burned the ships that were supposed to come back for them. | |
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The Onion News Network faux talk show, Today NOW!, features a segment, “Strong Women in Television Awards,” that actually subverts this trope—although very satirically—by showing the different types of active roles women play on TV ... as long as those women are very attractive to men. | |
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In the Back to the Future films, female characters who aren't the 1955 version of Lorraine are only there to serve as Satellite Love Interests and victims to male characters. Not one of them has an active role in advancing the plot. In fact, they had to basically write around one (Marty's girlfriend Jennifer) because she was brought to the future at the end of the first film, but when they actually started making the Back to the Future Part II, they realized they did not know what to do with her. Rather than Retcon her away, they solved this problem by making her stay sedated for much of the film. | |
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Averted in Kim Possible. The female protagonist, Kim Possible, is always ready for battle, skilled in combat, and intelligent, while the same can be said for her adversary, Shego. Both Ron Stoppable and Dr. Drakken are portrayed as incompetent and mainly serve as comic relief for the show. | |
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BattleTech: In-universe, this is the general attitude of the Draconis Combine, best exemplified by the two eldest children of Theodore Kurita, the ruler of Combine from the 3050s through the Jihad. Hohiro Kurita, his son, is expected to be a model samurai who fights on the front line. His sister, Omi Kurita, is "the keeper of the family honor", which means that she's expected to be a Yamato Nadeshiko who doesn't fight. She actually could fight, but it just wasn't talked about: she once killed an assassin by decapitating him with a sword but because this didn't fit with the image she was supposed to have, it was reported that Victor Steiner-Davion was the one who did so. | |
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In Groundhog Day, male lead Phil re-experiences the same day in a trope-titling loop for possibly thousands of years according to some theories, learning new skills and experiencing personal growth before finally breaking the loop by proving himself worthy of female Love Interest Rita. Rita, having experienced the day only once, is the same vaguely pleasant person at the end of the film as she is in the beginning. | |
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In Pokémon Black and White we get Bianca, the first rival in any of the Pokémon games to actually give up on being a Pokémon trainer. She starts the game just as excited as the main character and the male rival, Cheren. She even says it's her life's dream to be a great Pokémon trainer and has a small story arc devoted to convincing her father she can handle it. Her strong will holds out until about halfway into the game where she decides she'll never be able to compete with her friends and gives up. She never battles again until post-game, and even then only if the player specifically challenges her. Subverted as she does seem to have gotten a bit more spirited by the time Pokémon Black 2 and White 2 comes around, judging by the fact that she's okay with fighting in the Pokémon World Tournament. | |
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Street Fighter V also exemplifies this with titles. Zeku is known for being the "Original Strider" while Guy is not in the name he is known as a savior of Metro City. What is one of Ibuki's potential titles? "Young and Beautiful". | |
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An Ideal Husband states that, essentially, men are meant to go out into the world and do great things, while the most a woman can ask for is to help and support a great man. | |
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In Fire Emblem Heroes, there was some controversy in Book II because many of the female characters do nothing but let things happen to them (especially Fjorm, who gives exposition about Nifl, and cries and has angst after every setback — and we're not getting into how two of her female family were disposables that were killed off by Surtr just to further the plot) while male characters (like Alfonse) take action, fighting off Surtr's minions and crafting plans to get the Nifl villagers to safety. This was discussed on Reddit here (warning: unmarked spoilers). Though this is averted at the end of Book II as Fjorm successfully defeats Surtr by her own hands. Heroes also introduced Duo Heroes, where two characters fight as one. But only one of them is doing the actual fighting and the other enters play only if a Duo Skill is used. This caused a bit of controversy in the beginning as all of them were male-female duos, with the male fighting and the female being an assist character at best or just a simple cheerleader at worst. However, later Duo Heroes zigzag this (e.g. the 2020 Bridal banner having female Bridal Micaiah fighting and the male Groom Sothe assisting). |
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In Bonnie Tyler's song "Holding Out for a Hero", the singer keeps making demands for a man with Action Hero qualities without doing anything herself. In the video, even though the whole thing revolves clearly around Tyler and everyone else is just an accessory, and women are actually in the majority among the performers, Tyler does nothing (besides singing, of course) but hang around Holding Out for a Hero and being a Damsel in Distress, and the other female performers only dance and sing in the background, while the faceless male performers play the part of the villains and the hero who fight it out over Tyler. | |
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The Simpsons Arcade Game has a dream level that has the player fight each of the playable character's alter egos or representation of their personalities. Homer is represented via power plant workers, Bart is by devil figures but Marge simply is represented by the clouds that make the floor to walk on turning into Marge heads that attack with their hair. Even Marge's own daughter Lisa has a more defined image of personality via saxophones. | |
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A Song of Ice and Fire: The Faith of the Seven, a quasi-Catholic Church based around worshiping seven aspects of one godhood. Aside from the Mother and the Father, the male aspects are the Warrior and the Smith, whereas the female aspects are the Maiden and the Crone. In the south of Westeros, men are defined by craftsmanship and valor whereas females are defined by simply being marriageable, and their religion is constructed to support that. Justified in that George RR Martin isn't particularly enamored with the feudal socioeconomic system in his books. Averted fiercely with many female characters: some are straight-up Action Girls (Arya, Asha, Brienne, Ygritte, some of the Sand Snakes), and many of those who aren't are playing the Game on the battlefield of diplomacy. Special mention goes to Daenerys who started out as this trope played straight until she took control of her sex life (and the other aspects of her life in general). |
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Subverted in Serenity. River starts fighting Reavers to buy time for Mal. A few minutes later, the doors open, the bodies of dead Reavers cover the floor, and we get a badass shot of River with a knife in her hand. | |
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In The Force Awakens, despite being a General in the Resistance and her long history of diplomacy and strategic thinking, Princess Leia makes no useful contributions to the planning or prepping session to bring down Starkiller Base and spends most of her screen time being Han's jaded ex-wife, while Han himself is still going into battle. | |
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Noah: The women don't really have a purpose in this film other than being wives and mothers, nor do they do much of anything. Best example of this in the film is when Noah is trying to kill Ila's daughters. Both she and Noah's wife both stand there and watch, instead of even trying to fight him. Ila doesn't even try to run away. If he had decided to go through with it, they would have just let him do it. | |
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Subverted and sort of zig-zagged in Dungeons & Dragons: Honor Among Thieves: The two women in the party do plenty in the many fight scenes and they are much more physically badass than the two male protagonists. And the Big Bad is a powerful female wizard. But her henchman and the two male protagonists still get most of the screentime and almost all of the character development. The male protagnists get character arcs where they resolve personal issues and improve themselves (to be accepted by the women in their lives) and they make all the plans and dramatic decisions; the two female "protagonists" are along for the ride, but they're emotionally static and primarily fulfill the narrative function of a sounding board, reacting to the men's decisions and actions in supportive and/or snarky ways. | |
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Transformers: Animated: Zigzagged with Sari Sumdac. Being that she can't do much to help her Autobot friends fight the evil Decepticons, she is mostly just a key witness or only a strategic ally. Sari is quite aware (and ashamed) of this, asking "Hello? What am I, invisible?", when she feels insulted for being called useless when really she possesses a key that contains the AllSpark energy, which has great impact on machines and robots. Due to being only a human girl, Sari is also forbidden by Optimus Prime to engage in any combat, as whenever she tries running off to join them in battle, Optimus uses his hand to "wall" her away. Even so, she's even regarded as less important than the male humans, Captain Fanzone and her father Issac Sumdac. In one episode of Season 3, she upgrades into a gynoid-form and destroys a rocky alien monster within seconds. But aside from that and her role in the Christmas special, that was all the writers ever bothered to do with her. It turns out that the network ordered the show's creators to push her away from the screen. Poor Sari, she didn't even do anything in the series finale Endgame. And the writers did have big plans for her in Season 4. | |
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In The Twilight Saga, Bella stands around while two supermen fawn over her and their families promise to lay down their lives to protect her. Everybody either loves her or wants to kill her to spite the Cullens, but about the only thing about her that stands out is that she's immune to mind reading. This, of course, is a trait she can't control and didn't even know about until Edward told her. On the rare occasion when she is called to action, it's usually just to find a man so he can take care of the problem. | |
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Rune Factory has a particularly egregious example in the opening for part 2: despite technically being the same character, the male character is shown fighting monsters (or running away from them) or planting crops while the female character is only shown twirling through flower petals or being surrounded by friendly monsters. | |
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A common criticism of Scott Pilgrim vs. The World is Ramona's blandness, especially when she's compared to other female characters in the story. Incredibly, she can rollerblade through dreams, but plot-wise this is only significant as the way Scott first sees her. For the rest of the movie, her most impressive powers are her fighting skills (which aren't unique by any means) and her frequent hair-dyeing. The audience is simply supposed to accept that she is worthy of all the trouble Scott goes through to date her. Although, this is a case of Adaptation Distillation and All There in the Manual. The comic makes it clear that while Scott is pursuing Ramona and having all his adventures, Ramona is also dealing with some pretty serious issues of her own (particularly recovering from Gideon's emotional manipulation), something that's glossed over in the movie. | |
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Helped and yet played straight with a new figure for Halo 4. Cortana's given articulation, but it's limited (9 points) in comparison. And results in an unaligned mess of parts in anything but her neutral standing pose anyway. | |
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Survivor: It generally has this during the course of a season, with women often shown just lying around in bikinis looking pretty (but often bonding in the process) while the men of the tribe are often shown chopping wood or helping out around camp. There are of course exceptions to this too. Subverted with Russell's "Dumb Girl Alliance"—Russell used the women purely to pad out his numbers, assuming they would see him as a protector and let him do all the strategizing. Of course, Natalie eventually took advantage of that and outwitted him. It's worth noting that he used this exact same strategy to get to the final Tribal Council. Twice. And that most of the women in his alliance (and his tribe in general) were Too Dumb to Live. |
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Street Fighter has the Legends subseries which so far has focused on its female characters. In these comics, the personalities and thoughts of the heroine in question are always shown alongside her personal life; some like Ibuki's show her dressing up in outfits that are not in game and even have her with her hair down for viewing pleasure. | |
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Teenage Mutant Ninja Turtles (2014): Megan Fox's character, April O'Neil, is established as the main character but does little besides getting rescued from danger by the Turtles, or just watching them fight, or screaming (and at one point, faint) in fear. She doesn't do anything important to the plot, she even gets Vern to take down Eric Sacks in the climax. The only female character in the film who actually uses weapons and participates in battles is Karai. | |
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In This World and the Next treats Hermione similarly, drifting into Unfortunate Implications because the plot is driven by her being raped by (literal) Ron the Death Eater, despite Ron being unable to hex two muggles properly and Hermione being a powerful witch. | |
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A common criticism of The Railway Series was that most of the female characters were coaches, while all of the male characters were engines (meaning that the females were incapable of doing anything unless they were being towed along by a male). | |
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River Tam from Firefly is the prime example of a Living Macguffin, while her older, slightly less genius brother is charged with protecting, care taking, and enduring most of Mal's flack. River is said to be a super genius with infinite potential, but because of some rather unsavory experiments performed against her will, she's more sought after as a weapon than an outlaw. | |
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Zigzagged in Fire Emblem: Awakening, where all of the characters get an individual ending, which changes if two characters marry in-game. In many cases, the men's endings are the same, while the women are said to support them in some fashion instead of going off to pursue their own interests. There are a few exceptions, however — a paired Avatar's ending is always the same, no matter the gender, stating that the one thing historians know is that they loved their spouse above all else; Maribelle will always become a magistrate in all of her endings (her pursuing this is mentioned in several of her supports); Sully and Stahl, the game's resident red-and-green cavalier duo, will get a unique ending in which both pursue defending their realm together; Virion is a "traitor and coward" while his wife acts to restore his reputation. Another amusing exception comes if one pairs a woman with Kellam, who spends most of the game being ignored — it's the woman's solo ending, with "her husband's name has been lost to history" tagged at the end. | |
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Street Fighter does this prominently with its ninjas, Guy is known for being a hero of Metro City saving said place from multiple evil organizations, Zeku is known for being the founder of the Strider clan. Its sole female ninja Ibuki is known for her fun-loving personality and how she has to balance her lifestyles. Street Fighter V also exemplifies this with titles. Zeku is known for being the "Original Strider" while Guy is not in the name he is known as a savior of Metro City. What is one of Ibuki's potential titles? "Young and Beautiful". |
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Revenge of the Sith is all about how Anakin turns into Darth Vader while Padmé is merely his pregnant wife who dies of a broken heart. She originally had a political role in helping set up what would eventually be the Rebel Alliance, but it all ended up on the cutting room floor. | |
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This trope hits BlazBlue pretty damn hard among its three protagonists. You have Ragna, who is primarily motivated by revenge; Jin, who is motivated by his own sense of justice; and Noel, while she does have a motivation to protect her friends, it is secondary to her role as a Living Macguffin to motivate the men to act. | |
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The plot of Fantastic Four (2015) is driven by Victor, Reed, Johnny, and Ben going on a drunken transdimensional trip to Planet Zero, where they mess around with a strange substance that gives them their powers. Sue doesn't go along on the trip — she's just there when they get back and gets splattered by the substance. | |
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Men Act, Women Are / int_f5dc7e9 | |
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Men Act, Women Are | |
| Men Act, Women Are / int_fd74a791 | comment |
The Doctor Who New Adventures novel Christmas on a Rational Planet features gynoids. What makes them "female" is not simply that they have a female form; according to the novel, an android is "male" because it was built to fulfill a purpose, while gynoids simply are. | |
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