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Moody Trailer Cover Song
- 563 statements
- 108 feature instances
- 86 referencing feature instances
| Moody Trailer Cover Song | type |
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| Moody Trailer Cover Song | comment |
A major trend in 2010s movie advertising (and occasionally trailers for other media) is using a famous upbeat pop song to set the mood, only recontextualized with dark, atmospheric music, most often sung by a breathy female vocalist singing at the lower end of her range and loaded to the gills with percussion in the suspenseful or action-heavy parts of the trailer. Typically, these songs use bright cheerful pop songs with deceptively unhappy lyrics, which the new versions attempt to underline. This can also be used for advertising derivative works; a famous song from the source material can be repurposed into something slower and moodier to indicate that it's going to be Darker and Edgier. Compare Ironic Nursery Tune. Usually a Repurposed Pop Song or a Softer and Slower Cover. |
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| Moody Trailer Cover Song | fetched |
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| Moody Trailer Cover Song | parsed |
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| Moody Trailer Cover Song / int_15ac5735 | comment |
The first trailer for Black Panther: Wakanda Forever is set to a downtempo cover of Bob Marley's "No Woman, No Cry" sung by Nigerian artist Tems. Towards the end of the trailer the pace picks up as it blends into Kendrick Lamar's "Alright". | |
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The Super Mario Bros. Movie: The second half of the first trailer features a slow, dramatic piano cover of the franchise’s iconic theme tune. | |
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Most articles credit The Social Network's use of a women's choir singing Radiohead's "Creep" as the Trope Codifier. Unlike most later examples, however, the original is not very upbeat. | |
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The trailer for Zero Dark Thirty uses a choir version of "Nothing Else Matters" by Metallica. | |
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The trailer for Us starts with a straight, diegetic playing of Luniz's "I Got 5 On It", but then transitions to a sinister-sounding instrumental version with the melody played higher to resemble "Psycho" Strings. This theme also appears in the film. | |
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Welcome to Chippendales includes a tense remix of “Separate Ways� by Journey in its trailer. | |
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Last Night in Soho's trailer has Anya Taylor-Joy sing a moody, atmospheric version of Petula Clark's cheery "Downtown", signifying that the film utilizes The '60s to eerie effect. | |
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The trailer for The Defenders (2017) included a slow version of Nirvana's "Come As You Are". | |
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An example that also appeared in the movie; the trailer for Avengers: Age of Ultron featured a woman, and later Ultron himself singing a slow, creepy cover of the ebullient "I've Got No Strings" from Pinocchio, as both are Artificial Humans, but Ultron turned against his masters. | |
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Swarm: A very haunting rendition of The Pixies’ “Where is My Mind� plays over the main trailer. | |
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A trailer for Season 11 of Apex Legends uses a creepy rendition of Bob Marley's "Three Little Birds". | |
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Past Lives's trailer uses a subdued cover of Rihanna's "Stay" to set the pensive and romantic mood. | |
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Dracula Untold's trailer uses Lorde's cover of Tears for Fears's "Everybody Wants to Rule the World." | |
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Alien: Covenant featured Aurora's atmospheric cover of Nat King Cole's "Nature Boy" in its teaser trailer. | |
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Evil Dead Rise has an ominous rework of Doris Day's "Que Sera Sera". | |
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The trailer for Fantasy Island (2020) starts with a straight use of Ariana Grande's "7 Rings" as the characters arrive in a tropical paradise. Once the second half of the trailer shifts to horror, however, the song turns increasingly sinister, in particular repeating the line "I want it, I got it" as the Be Careful What You Wish For elements of the story come into play. | |
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The trailer for The Whispers has "You Are My Sunshine" playing like a nursery rhyme. | |
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Star Trek: Discovery used a cover of "I'd Love To Change The World" by Ten Years After. | |
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Hannibal: Season two's trailer used MONA's warped version of Ben E King's "Stand By Me" to emphasize the main characters' complicated relationship. | |
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The trailer for Resident Evil 7: Biohazard is set to a creepy rendition of "Go Tell Aunt Rhody". | |
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The trailer for the video game Dead Space featured a woman singing "Twinkle Twinkle, Little Star" in a way that sounded like she was on the verge of tears. | |
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The second trailer uses "Ball of Confusion" by The Temptations, which later transitions into an epic orchestral melody. | |
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Although the second film doesn't use this trope often, the final trailer for Spider-Man: Across the Spider-Verse uses a tense and epic remix of the first film's "What's Up Danger". | |
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The gameplay trailer of Call of Duty: Modern Warfare III is set to an ominous version of Blue Öyster Cult's "(Don't Fear) the Reaper". | |
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Wrath of the Titans used a cover of the Eurythmics' "Sweet Dreams (Are Made of This)", specifically Marilyn Manson's already-famous, much angrier-sounding version. | |
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The first trailer for Shang-Chi and the Legend of the Ten Rings is set to Jackson Wang's "This Is My Time", using oriental instruments. | |
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At least one of the trailers for American Horror Story: Coven used a slow-paced version of "House of the Rising Sun". | |
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As with as Dracula Untold, Lorde's "Everybody Wants to Rule the World" was also used by Assassin's Creed: Unity, which came out the same year. | |
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The Great Gatsby (2013) had Filter's cover of '60s pop classic "Happy Together" by The Turtles. | |
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The LEGO Movie 2: The Second Part uses "Intergalactic" by Beastie Boys in its first trailer, and "Sweet Sensation" by Flo Rida in its second. | |
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Tetris (2023): An ominous, synth version of the game’s theme - the Russian folk song “Korobeiniki� - plays over the trailer, mixed with “The Final Countdown�. | |
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The trailers of Percy Jackson and the Olympians are scored to a slow, dramatic remix of Vance Joy's "Riptide". | |
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Army of the Dead: The second trailer uses Kenny Rogers' "The Gambler", which plays normally over the first half of the trailer before the zombie mayhem picks up in the second half, at which point it's remixed into something out of an action movie soundtrack. The film itself features a variation in its opening credits, which, per Zack Snyder tradition, are set to a popular classic rock song, in this case an upbeat and at times even comical cover of "Viva Las Vegas" by Richard Cheese and Allison Crowe that's initially meant for Soundtrack Dissonance. As the song goes on, however, it turns into the Moody Trailer Cover Song version of itself as the images on screen go from humorous and kick-ass to just plain bleak, culminating in a downright depressing final verse from Crowe as we see a mother and her young daughter both die, the girl clinging to her mother to be Together in Death with her instead of surviving without her. |
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The second trailer for Guardians of the Galaxy Vol. 2 is set to Fleetwood Mac's "The Chain", which is later used during the film's climax. | |
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The trailers for Guardians of the Galaxy Vol. 3 remixes different songs from the soundtrack. The SDCC-exclusive trailer uses The Flaming Lips' "Do You Realize??", the first official one uses Spacehog's "In The Meantime", the second official trailer uses Rainbow's "Since You Been Gone" and one of the TV spots uses Heart's "Crazy On You". | |
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Rambo: Last Blood: The trailer uses a somber cover of Lil Nas X's "Old Town Road". | |
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The trailer for The Craft: Legacy features a slower, more somber cover of "Girls Just Wanna Have Fun". | |
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The first trailer for Black Panther (2018) uses Run the Jewels' "Legend Has It". | |
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Maleficent had Lana Del Rey sing a moodier, more somber cover of Sleeping Beauty's romantic love song "Once Upon a Dream" for the trailer, emphasizing that it's a Perspective Flip of that film. | |
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Slumberland uses a slow, instrumental cover of Coldplay’s “Clocks� for its main trailer. | |
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Lightyear: The trailer shows of its science fiction trappings with an epic remix of "Star Man" by David Bowie. | |
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Ghost in the Shell (2017)'s trailer is set to Ki:Theory's cover of the Depeche Mode song "Enjoy the Silence". | |
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The SDCC and official trailers for The Marvels (2023) use Beastie Boys' "Intergalactic". | |
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The trailer for season four features a slower and chilling remix of "Separate Ways" by Journey to symbolize the Breaking the Fellowship status of the cast. This treatment also features in the show itself, at the end of that season's penultimate episode. | |
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Wrath of Man uses a darker cover of Johnny Cash's "Folsom Prison Blues" for both the trailer and the film itself. | |
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Marvel Cinematic Universe: An example that also appeared in the movie; the trailer for Avengers: Age of Ultron featured a woman, and later Ultron himself singing a slow, creepy cover of the ebullient "I've Got No Strings" from Pinocchio, as both are Artificial Humans, but Ultron turned against his masters. The second trailer for Guardians of the Galaxy Vol. 2 is set to Fleetwood Mac's "The Chain", which is later used during the film's climax. The first and second trailer for Thor: Ragnarok use Led Zeppelin's "Immigrant Song" and Magic Sword's "In The Face of Evil", respectively. The former is used in the climax. The first trailer for Black Panther (2018) uses Run the Jewels' "Legend Has It". The second trailer for Ant-Man and the Wasp is set to Rob Base's rap anthem "It Takes Two". The first trailer for Spider-Man: Far From Home is set to The Ramones' "I Wanna Be Sedated", with the music stopping as soon as Ned gets sedated in the trailer. It later transitions into a remix of the 60s Spider-Man animated theme. The first trailer for Shang-Chi and the Legend of the Ten Rings is set to Jackson Wang's "This Is My Time", using oriental instruments. While the first trailer for Thor: Love and Thunder uses Guns N' Roses' "Sweet Child O' Mine", the second one is set to an epic remix of it. The first trailer for Black Panther: Wakanda Forever is set to a downtempo cover of Bob Marley's "No Woman, No Cry" sung by Nigerian artist Tems. Towards the end of the trailer the pace picks up as it blends into Kendrick Lamar's "Alright". Ant-Man and the Wasp: Quantumania uses the "straightforward usage into epic remix" variant with Elton John's "Goodbye Yellow Brick Road". The trailers for Guardians of the Galaxy Vol. 3 remixes different songs from the soundtrack. The SDCC-exclusive trailer uses The Flaming Lips' "Do You Realize??", the first official one uses Spacehog's "In The Meantime", the second official trailer uses Rainbow's "Since You Been Gone" and one of the TV spots uses Heart's "Crazy On You". The SDCC and official trailers for The Marvels (2023) use Beastie Boys' "Intergalactic". |
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The first and second trailer for Thor: Ragnarok use Led Zeppelin's "Immigrant Song" and Magic Sword's "In The Face of Evil", respectively. The former is used in the climax. | |
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The trailer for Crimson Peak featured PJ Harvey's cover of Nick Cave's "Red Right Hand." | |
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The 2014 adaptation of Endless Love uses Robert Palmer's '80s hit "Addicted to Love," emphasizing the insanity of love. | |
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The second trailer for Ant-Man and the Wasp is set to Rob Base's rap anthem "It Takes Two". | |
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Teenage Mutant Ninja Turtles: Mutant Mayhem: The teaser opens with a somber orchestral cover of the 80s theme song. | |
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The first trailer for Spider-Man: Far From Home is set to The Ramones' "I Wanna Be Sedated", with the music stopping as soon as Ned gets sedated in the trailer. It later transitions into a remix of the 60s Spider-Man animated theme. | |
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Godzilla: King of the Monsters had a trailer set to a moody cover of "Somewhere Over the Rainbow". | |
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Done several times in the Spider-Man: Spider-Verse film trilogy. The first film, Spider-Man: Into the Spider-Verse, uses "Home" by Vince Staples in the first trailer, "Can't Stop Us" by Chaz French in the second, and "The Boogie" by Outasight in the third. Although the second film doesn't use this trope often, the final trailer for Spider-Man: Across the Spider-Verse uses a tense and epic remix of the first film's "What's Up Danger". |
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Terminator: Dark Fate had a cover of Björk's "Hunter". | |
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San Andreas, a movie about an earthquake wiping out San Francisco, used Sia's slow ironic cover of "California Dreamin'". | |
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A slower version of "Paint It Black" is used in the trailer for The Last Witch Hunter. | |
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The first film, Spider-Man: Into the Spider-Verse, uses "Home" by Vince Staples in the first trailer, "Can't Stop Us" by Chaz French in the second, and "The Boogie" by Outasight in the third. | |
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The official trailer for Midnight Mass makes use of Keane's "Somewhere Only We Know" punctuated with "Psycho" Strings and menacing sounds to emphasize the horror aspects of the series. | |
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The first trailer for Candyman (2021) uses a slowed down version of Destiny's Child's "Say My Name". In this case, it's a remix instead of a cover. | |
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DC Extended Universe: Suicide Squad features Becky Hanson's slow, haunting cover of The Bee Gees' "I Started a Joke" in its trailer, because the film features The Joker and Harley Quinn, and the lyrics mock the titular Suicide Squad's lack of agency as Boxed Crooks. The original version is more of a soul ballad. Justice League used a grungy cover of David Bowie's "Heroes" by Gangs of Youth, since the film is about superheroes coming together. |
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The teaser trailer for Power Rangers (2017) featured Halsey's graver, more ambient cover of Johnny Cash's upbeat "I Walk the Line." | |
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The season three trailer uses an ominous remix of The Who's "Baba O'Reilly" to showcase both the Party becoming teenagers and the Mind Flayer coming back for revenge. | |
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The trailers for The Circle (2017) feature a somber rendition of Hall & Oates' "Private Eyes". | |
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The first look at Marvel's Midnight Suns uses a new version of Enter Sandman by Alessia Cara. | |
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The second season trailers for Yellowjackets use an eerie cover of "Just A Girl", featuring dark, epic orchestrations and haunting vocals courtesy of Florence + the Machine. | |
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The trailer for The Gallows uses a creepy rendition of "Smells Like Teen Spirit", which would later be used in the opening credits of Black Widow. | |
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Pride and Prejudice and Zombies featured an atmospheric cover of "Born to Be Wild." Presumably this is referring to Elizabeth Bennet being a badass. | |
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Ant-Man and the Wasp: Quantumania uses the "straightforward usage into epic remix" variant with Elton John's "Goodbye Yellow Brick Road". | |
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Blair Witch featured a cover of The Police's already-creepy Obsession Song "Every Breath You Take." | |
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Tomb Raider (2018) goes with a cover of Destiny's Child's "Survivor." Lara is indeed a survivor. | |
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Game of Thrones: The teaser trailer of season seven used a slow version of "Sit Down" by James where the coda of the song is used to show the state of the three rulers of the Seven Kingdoms (Jon Snow, Daenerys Targaryen, and Cersei Lannister) who are walking towards their thrones. | |
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Nope: "Fingertips, Pts. I & II" by Stevie Wonder plays over the trailer; it begins with Emerald grooving to a record of the wild 1962 live version on the stereo, up until the power goes out and the turntable stops, and segues to a very grim, tense mix of just hand claps, bongos, and Little Stevie's voice crying out. The second trailer uses "Ball of Confusion" by The Temptations, which later transitions into an epic orchestral melody. The BET Awards trailer puts its own spin on the melody from E-40’s “Choices�, and aptly includes the “nope/yep� backing vocals. |
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The Russian doping documentary "Icarus" uses a moody cover of Cake's "The Distance," an alt-rock song about an obsessed race car driver. | |
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Stranger Things: The season three trailer uses an ominous remix of The Who's "Baba O'Reilly" to showcase both the Party becoming teenagers and the Mind Flayer coming back for revenge. The trailer for season four features a slower and chilling remix of "Separate Ways" by Journey to symbolize the Breaking the Fellowship status of the cast. This treatment also features in the show itself, at the end of that season's penultimate episode. Season four does this in the show itself during the final battle against Vecna, set to an amped-up action movie remix of "Running Up That Hill" by Kate Bush that's combined with the show's theme song. |
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Indiana Jones and the Dial of Destiny starts with a straight usage of "Sympathy for the Devil" by The Rolling Stones (Band), which transitions to a more bombastic remix, which itself transitions to the iconic Indiana Jones theme with elements of "Sympathy" mixed in. | |
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M3GAN: The first trailer features Taylor Swift’s “It’s Nice to Have a Friend�, which takes on a more sinister remix as the title character’s malevolence is exposed. | |
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Logan used Johnny Cash's version of the Nine Inch Nails song "Hurt" (one of the few examples where the cover version was already well known) in many of its trailers. | |
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Wendell & Wild: A slow, ominous version of “How You Like Me Now� plays over the teaser trailer, complete with piano accompaniment. | |
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Justice League used a grungy cover of David Bowie's "Heroes" by Gangs of Youth, since the film is about superheroes coming together. | |
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Suicide Squad features Becky Hanson's slow, haunting cover of The Bee Gees' "I Started a Joke" in its trailer, because the film features The Joker and Harley Quinn, and the lyrics mock the titular Suicide Squad's lack of agency as Boxed Crooks. The original version is more of a soul ballad. | |
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The first trailer for Shotgun Wedding (2023) uses a slow, dramatic mix of Edwin McCain’s “I’ll Be� over its action-filled second half. | |
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A trailer for the second Crysis game has a rendition of Frank Sinatra's "New York, New York" playing over the ruins of, you guessed it Big Applesauce. To completely be this trope, it's done by a female singer in a low voice. | |
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Commercials for Evolve feature Mischa feat. Esthero's cover of "Ready Or Not" by The Delfonics. The cover only includes the chorus, which emphasises the dark and frightening feel of the game. Another trailer uses Lissie's cover of Danzig's "Mother", which spends about two thirds of the song being more slow and mournful before escalating into the rapid-fire final riff. | |
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The Midnight Club has "Possum Kingdom" by Toadies for its trailer, starting off upbeat and normal before shifting into a slower, ominous remix as the drama and supernatural elements come into play. | |
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A trailer for Geostorm features a slow, creepy cover of Louis Armstrong's "What a Wonderful World" sung by a mournful female voice. There's meant to be a juxtaposition between the sweetly optimistic lyrics and the gratuitous scenes of Monumental Damage and at the hands of the Hostile Weather. | |
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A 2010 Kingsford Charcoal commercial, appropriately titled "Slo Mo", featured a slow acoustic cover of The Human League's "(Keep Feeling) Fascination" performed by Rob Crow of Pinback. | |
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She-Ra and the Princesses of Power does this in the Season 5 trailer with its own theme song, "Warriors." The song is covered by AJ Michalka of Aly & A.J., who is also the voice of Catra on the show. While the original is more upbeat and empowering in tone, the cover is slower and grimmer, reflecting the escalating conflict heading into the final season. | |
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A Walk Among the Tombstones used a cover of Soundgarden's "Black Hole Sun". | |
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The Evil Within 2 uses a dark and bittersweet cover of Duran Duran's "Ordinary World" prominently in the trailer. It also features in the finished game as the ending credits theme. | |
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In-universe example: The Killing of a Sacred Deer featured the main character's daughter singing an a capella cover of Ellie Goulding's "Burn," taken from a scene in the movie. | |
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While the first trailer for Thor: Love and Thunder uses Guns N' Roses' "Sweet Child O' Mine", the second one is set to an epic remix of it. | |
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The trailer for the third season of You (2018) sets Joe and Love's murderous shenanigans to a slow, crooning atmospheric cover of Britney Spears's "Hit Me Baby One More Time" by J2. | |
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Defied and inverted in the trailers for We Have a Ghost that remix The Doors' "Break On Through" to sound more whimsical. | |
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Maleficent: Mistress of Evil's initial teaser features a somber but much more energetic cover of Donocan's "Season of the Witch" by Audiomachine featuring MOLLY that climaxes when Maleficent displays her powers. | |
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Wednesday has an orchestral string cover of “Paint it Black� by The Rolling Stones for its main trailer. | |
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The trailer for The Creator (2023) features a redux of the Aerosmith song "Dream On". | |
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A Wrinkle in Time (2018) used a different cover of "Sweet Dreams (Are Made of This)" in order to set the fantastic tone of the film. | |
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A Cure for Wellness used an ironic cover of punk legends The Ramones' iconic "I Wanna Be Sedated" by Mirel Wagner. The use of drugs and sedatives figures heavily in the movie. | |
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The commercials for the Dwayne Johnson movie Skyscraper uses a slow cover of Tom Petty's "I Won't Back Down." | |
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An early example is the Gears of War "Mad World" trailer, which uses Gary Jules's cover of the Tears for Fears song. Although this cover was originally recorded for the soundtrack for Donnie Darko. | |
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X-Men: Apocalypse used Clairity's slow cover of Coldplay's "Don't Panic" in the trailer. The original was already fairly somber, but trailer milks the slower, more intense rendition of the lyric "We live in a beautiful world" repeatedly to highlight the irony that Apocalypse is destroying it. | |
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Enola Holmes 2: Both the first and second trailer use a female-performed cover of “Are You Gonna Be My Girl� from The Who. It’s in the second trailer, however, that the music becomes tense and orchestral as the stakes of the mystery are revealed. | |
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The first trailer for Child's Play (2019) makes use of Harry Nilsson's "Best Friend". | |
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The trailer for The Matrix Resurrections, much like Us and Army of the Dead, starts with a straightforward usage of Jefferson Airplane's "White Rabbit", which later descends into a more epic-sounding remix as it goes on. | |
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Interview with the Vampire (2022): The Season 1 SDCC trailer song is a slower, haunting cover of XTC's "Dear God" performed by Lawless and Sydney Wayser. The Season 1 official trailer contains an eerie rendition of Nat King Cole's "Nature Boy". |
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Dumbo (2019) has a cover of the original film's Signature Song "Baby Mine" play during the trailer. This particular cover doesn't appear in the remake itself, but Arcade Fire did cover the song for the closing credits. | |
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The Man in the High Castle uses a creepy, slow rendition of Edelweiss in its opening sequence. | |
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