...it's like TV Tropes, but LINKED DATA!
Opera
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Opera has been around since the end of the 16th century and is still going strong. Major opera composers include Mozart, George Frederic Handel, Giuseppe Verdi, Gioachino Rossini, Richard Wagner, Giacomo Puccini and Richard Strauss, though there are, of course, many more. The public perception of the difference between opera and The Musical is that musical theatre has breaks for spoken dialogue, whereas opera is "sung through", alternating between "recitative" (which is when the plot happens and is typically sung in a less-formal style) and "arias" (big numbers where someone has a therapy session onstage). While not a bad approximation, it's not always true. Because opera tended to be the theatrical equivalent of a Doorstopper, someone asked why it couldn't just be abridged by turning the recitative into dialogue; this form was typically called "operetta" (to oversimplify the matter), and the only thing you have to add to that to get a modern musical is a greater inclusion of dance. This means there are in fact operas that have spoken dialogue, like The Magic Flute and Carmen. Likewise, there are musicals that have "regressed" back to including recitative; among these Sung Through Musicals are Les Misérables and Joseph and the Amazing Technicolor Dreamcoat, and others are nearly so like The Phantom of the Opera and RENT (which to a certain extent reserves spoken dialogue for its Wham Lines!). The actual line between musicals and opera is blurry and kind of technical, but the short of it is that opera doesn't use electronic sound equipment and musicals typically need better actors than singers. Stephen Sondheim was heard to claim, "I really think that when something plays in Broadway it's a musical, and when it plays in an opera house it's opera. That's it." note Although cynical musicologists might say that he arrived at that definition to justify his own musicals being performed in opera houses. Common Knowledge also insists that opera is always a tragedy. This is also not true; the opera genre is as varied as any other. Many operas are comedies — The Barber of Seville and The Marriage of Figaro are basically RomComs, just to give two examples — and even the serious ones tend to have at least some humorous parts. In fact, during the Baroque and Classical periods, operas were generally expected to have happy endings; the concept of tragic operas only became popular during the Romantic period. And while some operas have incredibly well-crafted lyrics and story lines that are true works of art, others are... not quite as brilliant. That said, the opera genre is known for featuring many a work with extremely drawn-out texts focusing on a single (often trivial) theme. As a result, opera texts (libretti) are often mocked, and in many cases it's mainly the quality of the music that makes an opera work, along with the same thing you need for any theatrical production: committed performers bringing the art form to life on stage. Movies have car chases, rock songs have guitar solos, and operas have death-arias (the soprano [female lead] frequently dies). In fact, both Anna Russell and B.J. Ward (in her one-woman show, Stand-Up Opera) have made entire comedy routines of poking fun at opera tropes. Nowadays we tend to think of operas as high-falutin' fare for the nobs and snobs. Back in the 18th, 19th, and early 20th centuries, though, opera was popular music, to the point that the opening night audience was chock-full of transcriptionists. And it didn't take long for them to produce a saleable product: Rossini once said that by the time he left the opera house for home at the end of opening night, hawkers would be lined up on the street selling copies of the music and lyrics of his arias to those who couldn't afford a ticket. (Yes, this means that media piracy and its critics are Older Than Radio.) Several modern films and other works have been created as operas (that is, entirely consisting of sung dialogue). The most famous "serious" opera film is probably The Umbrellas of Cherbourg, starring Catherine Deneuve. A very modern example is Repo! The Genetic Opera, which transplants the style into industrial sci-fi horror. The term Rock Opera is thrown around at times for a Sub-Genre of the themed Concept Album, but most "rock operas" are not produced for the stage (with an exception or two). The nearest thing to a modern successor to opera is Broadway-style Musical Theater. Indeed, musicals can trace their origins to opera through the operatic subgenre of operetta or light opera, which, as its name implies, is light in terms of subject matter (i.e. it's funny) and music, and often feature a good deal more plain dialogue than ordinary operas. The works of Gilbert and Sullivan are generally considered transitional, as while they considered their works to be comic operas, they would probably be called musicals if produced today; many would argue that musicals are basically the genre of theatre launched by G&S. Used in movies and TV shows to add a touch of class. Or just something artsy. Or for the cast to get bored and fall asleep, which is something that can't be done (too loud). Not to be confused with the Cantata, though at least one cantata, Johann Sebastian Bach's Coffee Cantata, can be considered a miniature comic opera according to The Other Wiki. The Oratorio is an intermediate form between the cantata and an opera, being a sung musical work that is long, generally divided into acts, and has recognizable characters interacting to tell a story, but not involving any acting of any significance; they were historically written for circumstances in which opera was infeasible or inappropriate (for being too vulgar), typically religious venues, or when the composer couldn't convince a patron to let him write an opera (which is much more expensive; this cost factor drove George Frederic Handel's prodigious output of oratorios late in his career, as he had previously focused on opera, but the English public's tastes had shifted away from that form). Contrast Cantata. See also Classical Music, of which most opera is a subgenre. For Dario Argento's film titled Opera, see Opera (1987). |
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Werther (Theatre) | |
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DBTropes | |
| Opera / int_107f2100 | type |
Opera | |
| Opera / int_107f2100 | comment |
La Bohème | |
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| Opera / int_10adea72 | type |
Opera | |
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Champion | |
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| Opera / int_11a91e07 | type |
Opera | |
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The Queen of Spades | |
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| Opera / int_1338fbdc | type |
Opera | |
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Così Fan Tutte | |
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1.0 | |
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Opera / int_1338fbdc | |
| Opera / int_144ea6e4 | type |
Opera | |
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Otello | |
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1.0 | |
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| Opera / int_180a47e1 | type |
Opera | |
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Madame Butterfly | |
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Opera / int_180a47e1 | |
| Opera / int_18e48aa6 | type |
Opera | |
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Farinelli: A film based on the life of Carlo Broschi, whose stage name was Farinelli, a famous 18th century castrato and regarded as one of the best opera singers of all time. | |
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| Opera / int_194833f8 | type |
Opera | |
| Opera / int_194833f8 | comment |
The Tale of Tsar Saltan | |
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| Opera / int_1ac6ad40 | type |
Opera | |
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Hitman: Blood Money: An early mission is set at the Paris Opera's Palais Garnier during dress rehearsals for Tosca, which was probably chosen for how seamlessly that level's signature assassination methodnote Switching a prop gun out for a real one fits into the opera's plot | |
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| Opera / int_1d49039c | type |
Opera | |
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Billy Budd | |
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Opera | |
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A Midsummer Night's Dream | |
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Opera / int_1dd1cb89 | |
| Opera / int_21574081 | type |
Opera | |
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The Maid of Pskov | |
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Opera | |
| Opera / int_21d34549 | comment |
The Flying Dutchman | |
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Opera | |
| Opera / int_2538e465 | comment |
Fidelio | |
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Opera | |
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Street Scene | |
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Opera | |
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The Simpsons: one episode ("Homer of Seville") has Homer become an overnight opera star, and includes snippets from several shows. | |
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Opera / int_261c8d3f | |
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Opera | |
| Opera / int_2903c34b | comment |
In Heart of a Dog Preobrazhensky goes to watch Aida in the Bolshoy Theatre. Bortko's film soundtrack has the march from the second act. | |
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Opera | |
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L'Incoronazione di Poppea | |
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Opera | |
| Opera / int_2aa80cfa | comment |
Samson et Dalila | |
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Opera / int_2aa80cfa | |
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Opera | |
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Attila | |
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Opera | |
| Opera / int_2bbcacd9 | comment |
Looney Tunes: Featured particularly in "Rabbit of Seville," "Long-Haired Hare," and, most famously, "What's Opera, Doc?" All together now: "Kill da wabbit! Kill da wabbit! Kill da wabbit!..." | |
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Opera | |
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Prince Igor | |
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Carmen | |
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Opera | |
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Mad Men: The Marriage of Figaro | |
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Opera | |
| Opera / int_341c02e9 | comment |
Batman Begins: Thomas and Martha Wayne — as well as young Bruce — see Mefistofele. Little Bruce gets shit scared and they go out...Death by Origin Story ensues. | |
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Opera | |
| Opera / int_34fead3 | comment |
Amahl and the Night Visitors | |
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The May Night | |
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Opera | |
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Die Fledermaus | |
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Opera | |
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Benjamin Britten | |
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Opera | |
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The Merry Widow | |
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Opera / int_381ef01 | |
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Opera | |
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Modest Mussorgsky Boris Godunov Khovanshchina |
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Opera / int_38ca90a4 | |
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Opera | |
| Opera / int_391b22c9 | comment |
Several Emma: A Victorian Romance characters are opera fans. Rossini's Barber of Seville plays a minor role in the story. | |
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1.0 | |
| Emma: A Victorian Romance (Manga) | hasFeature |
Opera / int_391b22c9 | |
| Opera / int_3932a05b | type |
Opera | |
| Opera / int_3932a05b | comment |
The Magic Flute | |
| Opera / int_3932a05b | featureApplicability |
1.0 | |
| Opera / int_3932a05b | featureConfidence |
1.0 | |
| The Magic Flute (Theatre) | hasFeature |
Opera / int_3932a05b | |
| Opera / int_395f90c6 | type |
Opera | |
| Opera / int_395f90c6 | comment |
Jenufa | |
| Opera / int_395f90c6 | featureApplicability |
1.0 | |
| Opera / int_395f90c6 | featureConfidence |
1.0 | |
| Jenufa (Theatre) | hasFeature |
Opera / int_395f90c6 | |
| Opera / int_3b5e9b55 | type |
Opera | |
| Opera / int_3b5e9b55 | comment |
I Lombardi alla prima crociata | |
| Opera / int_3b5e9b55 | featureApplicability |
1.0 | |
| Opera / int_3b5e9b55 | featureConfidence |
1.0 | |
| I Lombardi Alla Prima Crociata (Theatre) | hasFeature |
Opera / int_3b5e9b55 | |
| Opera / int_3b94d60a | type |
Opera | |
| Opera / int_3b94d60a | comment |
L'Orfeo | |
| Opera / int_3b94d60a | featureApplicability |
1.0 | |
| Opera / int_3b94d60a | featureConfidence |
1.0 | |
| L'Orfeo (Theatre) | hasFeature |
Opera / int_3b94d60a | |
| Opera / int_3cc46e7f | type |
Opera | |
| Opera / int_3cc46e7f | comment |
The Noblewoman Vera Sheloga | |
| Opera / int_3cc46e7f | featureApplicability |
1.0 | |
| Opera / int_3cc46e7f | featureConfidence |
1.0 | |
| The Noblewoman Vera Sheloga (Theatre) | hasFeature |
Opera / int_3cc46e7f | |
| Opera / int_400d65d0 | type |
Opera | |
| Opera / int_400d65d0 | comment |
The Pearl Fishers | |
| Opera / int_400d65d0 | featureApplicability |
1.0 | |
| Opera / int_400d65d0 | featureConfidence |
1.0 | |
| The Pearl Fishers (Theatre) | hasFeature |
Opera / int_400d65d0 | |
| Opera / int_42b6f418 | type |
Opera | |
| Opera / int_42b6f418 | comment |
Otello | |
| Opera / int_42b6f418 | featureApplicability |
1.0 | |
| Opera / int_42b6f418 | featureConfidence |
1.0 | |
| Otello (Theatre) | hasFeature |
Opera / int_42b6f418 | |
| Opera / int_435c20ab | type |
Opera | |
| Opera / int_435c20ab | comment |
Dido and Aeneas | |
| Opera / int_435c20ab | featureApplicability |
1.0 | |
| Opera / int_435c20ab | featureConfidence |
1.0 | |
| Dido and Aeneas (Theatre) | hasFeature |
Opera / int_435c20ab | |
| Opera / int_4412c350 | type |
Opera | |
| Opera / int_4412c350 | comment |
Manon | |
| Opera / int_4412c350 | featureApplicability |
1.0 | |
| Opera / int_4412c350 | featureConfidence |
1.0 | |
| Manon (Theatre) | hasFeature |
Opera / int_4412c350 | |
| Opera / int_442746bc | type |
Opera | |
| Opera / int_442746bc | comment |
Norma | |
| Opera / int_442746bc | featureApplicability |
1.0 | |
| Opera / int_442746bc | featureConfidence |
1.0 | |
| Norma (Theatre) | hasFeature |
Opera / int_442746bc | |
| Opera / int_44672a51 | type |
Opera | |
| Opera / int_44672a51 | comment |
Sadko | |
| Opera / int_44672a51 | featureApplicability |
1.0 | |
| Opera / int_44672a51 | featureConfidence |
1.0 | |
| Sadko (Theatre) | hasFeature |
Opera / int_44672a51 | |
| Opera / int_447bd64d | type |
Opera | |
| Opera / int_447bd64d | comment |
Tosca | |
| Opera / int_447bd64d | featureApplicability |
1.0 | |
| Opera / int_447bd64d | featureConfidence |
1.0 | |
| Tosca (Theatre) | hasFeature |
Opera / int_447bd64d | |
| Opera / int_468bebb0 | type |
Opera | |
| Opera / int_468bebb0 | comment |
Discworld: Heavily but affectionately parodied in Maskerade — see page quote | |
| Opera / int_468bebb0 | featureApplicability |
1.0 | |
| Opera / int_468bebb0 | featureConfidence |
1.0 | |
| Discworld | hasFeature |
Opera / int_468bebb0 | |
| Opera / int_4881d1f2 | type |
Opera | |
| Opera / int_4881d1f2 | comment |
Salome | |
| Opera / int_4881d1f2 | featureApplicability |
1.0 | |
| Opera / int_4881d1f2 | featureConfidence |
1.0 | |
| Salome (Theatre) | hasFeature |
Opera / int_4881d1f2 | |
| Opera / int_48ba7eac | type |
Opera | |
| Opera / int_48ba7eac | comment |
Semele | |
| Opera / int_48ba7eac | featureApplicability |
1.0 | |
| Opera / int_48ba7eac | featureConfidence |
1.0 | |
| Semele (Theatre) | hasFeature |
Opera / int_48ba7eac | |
| Opera / int_49320b74 | type |
Opera | |
| Opera / int_49320b74 | comment |
La Cenerentola | |
| Opera / int_49320b74 | featureApplicability |
1.0 | |
| Opera / int_49320b74 | featureConfidence |
1.0 | |
| La Cenerentola (Theatre) | hasFeature |
Opera / int_49320b74 | |
| Opera / int_4d0cbe9 | type |
Opera | |
| Opera / int_4d0cbe9 | comment |
L'italiana in Algeri | |
| Opera / int_4d0cbe9 | featureApplicability |
1.0 | |
| Opera / int_4d0cbe9 | featureConfidence |
1.0 | |
| LItalianaInAlgeri | hasFeature |
Opera / int_4d0cbe9 | |
| Opera / int_4f025bb6 | type |
Opera | |
| Opera / int_4f025bb6 | comment |
A Wedding (1978) (the Screen-to-Stage Adaptation, anyway) | |
| Opera / int_4f025bb6 | featureApplicability |
1.0 | |
| Opera / int_4f025bb6 | featureConfidence |
1.0 | |
| A Wedding (1978) | hasFeature |
Opera / int_4f025bb6 | |
| Opera / int_50b9a0e2 | type |
Opera | |
| Opera / int_50b9a0e2 | comment |
In the novel and the silent film, Gounod's Faust features in several key scenes. | |
| Opera / int_50b9a0e2 | featureApplicability |
1.0 | |
| Opera / int_50b9a0e2 | featureConfidence |
1.0 | |
| The Phantom of the Opera | hasFeature |
Opera / int_50b9a0e2 | |
| Opera / int_52d17c25 | type |
Opera | |
| Opera / int_52d17c25 | comment |
Gianni Schicchi | |
| Opera / int_52d17c25 | featureApplicability |
1.0 | |
| Opera / int_52d17c25 | featureConfidence |
1.0 | |
| Gianni Schicchi (Theatre) | hasFeature |
Opera / int_52d17c25 | |
| Opera / int_55c8c494 | type |
Opera | |
| Opera / int_55c8c494 | comment |
The Maid of Orléans | |
| Opera / int_55c8c494 | featureApplicability |
1.0 | |
| Opera / int_55c8c494 | featureConfidence |
1.0 | |
| The Maid Of Orleans Tchaikovsky (Theatre) | hasFeature |
Opera / int_55c8c494 | |
| Opera / int_5d0d1463 | type |
Opera | |
| Opera / int_5d0d1463 | comment |
The Marriage of Figaro | |
| Opera / int_5d0d1463 | featureApplicability |
1.0 | |
| Opera / int_5d0d1463 | featureConfidence |
1.0 | |
| The Marriage of Figaro (Theatre) | hasFeature |
Opera / int_5d0d1463 | |
| Opera / int_5d880aee | type |
Opera | |
| Opera / int_5d880aee | comment |
Rigoletto | |
| Opera / int_5d880aee | featureApplicability |
1.0 | |
| Opera / int_5d880aee | featureConfidence |
1.0 | |
| Rigoletto (Theatre) | hasFeature |
Opera / int_5d880aee | |
| Opera / int_5db05cee | type |
Opera | |
| Opera / int_5db05cee | comment |
The Talented Mr. Ripley film version has Ripley watching a production of Tchaikovsky's Eugene Onegin. | |
| Opera / int_5db05cee | featureApplicability |
1.0 | |
| Opera / int_5db05cee | featureConfidence |
1.0 | |
| The Talented Mr. Ripley | hasFeature |
Opera / int_5db05cee | |
| Opera / int_5dbd6bc5 | type |
Opera | |
| Opera / int_5dbd6bc5 | comment |
The Threepenny Opera | |
| Opera / int_5dbd6bc5 | featureApplicability |
1.0 | |
| Opera / int_5dbd6bc5 | featureConfidence |
1.0 | |
| The Threepenny Opera (Theatre) | hasFeature |
Opera / int_5dbd6bc5 | |
| Opera / int_5e3edb18 | type |
Opera | |
| Opera / int_5e3edb18 | comment |
Simon Boccanegra | |
| Opera / int_5e3edb18 | featureApplicability |
1.0 | |
| Opera / int_5e3edb18 | featureConfidence |
1.0 | |
| Simon Boccanegra (Theatre) | hasFeature |
Opera / int_5e3edb18 | |
| Opera / int_5edf8575 | type |
Opera | |
| Opera / int_5edf8575 | comment |
Lucia di Lammermoor | |
| Opera / int_5edf8575 | featureApplicability |
1.0 | |
| Opera / int_5edf8575 | featureConfidence |
1.0 | |
| Lucia di Lammermoor (Theatre) | hasFeature |
Opera / int_5edf8575 | |
| Opera / int_5f32463f | type |
Opera | |
| Opera / int_5f32463f | comment |
Cavalleria Rusticana | |
| Opera / int_5f32463f | featureApplicability |
1.0 | |
| Opera / int_5f32463f | featureConfidence |
1.0 | |
| Cavalleria Rusticana (Theatre) | hasFeature |
Opera / int_5f32463f | |
| Opera / int_66f297a0 | type |
Opera | |
| Opera / int_66f297a0 | comment |
I Vespri Siciliani | |
| Opera / int_66f297a0 | featureApplicability |
1.0 | |
| Opera / int_66f297a0 | featureConfidence |
1.0 | |
| I Vespri Siciliani (Theatre) | hasFeature |
Opera / int_66f297a0 | |
| Opera / int_697c6470 | type |
Opera | |
| Opera / int_697c6470 | comment |
The Consul | |
| Opera / int_697c6470 | featureApplicability |
1.0 | |
| Opera / int_697c6470 | featureConfidence |
1.0 | |
| The Consul (Theatre) | hasFeature |
Opera / int_697c6470 | |
| Opera / int_6a5c370e | type |
Opera | |
| Opera / int_6a5c370e | comment |
Luisa Miller | |
| Opera / int_6a5c370e | featureApplicability |
1.0 | |
| Opera / int_6a5c370e | featureConfidence |
1.0 | |
| Luisa Miller (Theatre) | hasFeature |
Opera / int_6a5c370e | |
| Opera / int_6deda021 | type |
Opera | |
| Opera / int_6deda021 | comment |
Tannhäuser | |
| Opera / int_6deda021 | featureApplicability |
1.0 | |
| Opera / int_6deda021 | featureConfidence |
1.0 | |
| Tannhäuser (Theatre) | hasFeature |
Opera / int_6deda021 | |
| Opera / int_6e2c885f | type |
Opera | |
| Opera / int_6e2c885f | comment |
Nixon in China | |
| Opera / int_6e2c885f | featureApplicability |
1.0 | |
| Opera / int_6e2c885f | featureConfidence |
1.0 | |
| Nixon in China (Theatre) | hasFeature |
Opera / int_6e2c885f | |
| Opera / int_704aab9e | type |
Opera | |
| Opera / int_704aab9e | comment |
Porgy and Bess | |
| Opera / int_704aab9e | featureApplicability |
1.0 | |
| Opera / int_704aab9e | featureConfidence |
1.0 | |
| Porgy and Bess (Theatre) | hasFeature |
Opera / int_704aab9e | |
| Opera / int_70c7b114 | type |
Opera | |
| Opera / int_70c7b114 | comment |
Gilligan's Island: Cast creates in "The Producer" episode an operatic rendition of William Shakespeare's Hamlet, set to the Habanera and Toréador melodies from Carmen and the Barcarolle from The Tales of Hoffmann). | |
| Opera / int_70c7b114 | featureApplicability |
1.0 | |
| Opera / int_70c7b114 | featureConfidence |
1.0 | |
| Gilligan's Island | hasFeature |
Opera / int_70c7b114 | |
| Opera / int_74e547c9 | type |
Opera | |
| Opera / int_74e547c9 | comment |
Duke Bluebeard's Castle | |
| Opera / int_74e547c9 | featureApplicability |
1.0 | |
| Opera / int_74e547c9 | featureConfidence |
1.0 | |
| Duke Bluebeard's Castle (Theatre) | hasFeature |
Opera / int_74e547c9 | |
| Opera / int_77275215 | type |
Opera | |
| Opera / int_77275215 | comment |
Lohengrin | |
| Opera / int_77275215 | featureApplicability |
1.0 | |
| Opera / int_77275215 | featureConfidence |
1.0 | |
| Lohengrin (Theatre) | hasFeature |
Opera / int_77275215 | |
| Opera / int_7884ec15 | type |
Opera | |
| Opera / int_7884ec15 | comment |
Seinfeld: episode "The Opera" centers around the gang going to a performance of Pagliacci. | |
| Opera / int_7884ec15 | featureApplicability |
1.0 | |
| Opera / int_7884ec15 | featureConfidence |
1.0 | |
| Seinfeld | hasFeature |
Opera / int_7884ec15 | |
| Opera / int_79ef532f | type |
Opera | |
| Opera / int_79ef532f | comment |
La forza del destino | |
| Opera / int_79ef532f | featureApplicability |
1.0 | |
| Opera / int_79ef532f | featureConfidence |
1.0 | |
| La Forza Del Destino (Theatre) | hasFeature |
Opera / int_79ef532f | |
| Opera / int_79f5cce3 | type |
Opera | |
| Opera / int_79f5cce3 | comment |
The Snow Maiden | |
| Opera / int_79f5cce3 | featureApplicability |
1.0 | |
| Opera / int_79f5cce3 | featureConfidence |
1.0 | |
| The Snow Maiden (Theatre) | hasFeature |
Opera / int_79f5cce3 | |
| Opera / int_7ca74836 | type |
Opera | |
| Opera / int_7ca74836 | comment |
The Love For Three Oranges | |
| Opera / int_7ca74836 | featureApplicability |
1.0 | |
| Opera / int_7ca74836 | featureConfidence |
1.0 | |
| The Love For Three Oranges (Theatre) | hasFeature |
Opera / int_7ca74836 | |
| Opera / int_7e9cfa7 | type |
Opera | |
| Opera / int_7e9cfa7 | comment |
Ruslan and Ludmila | |
| Opera / int_7e9cfa7 | featureApplicability |
1.0 | |
| Opera / int_7e9cfa7 | featureConfidence |
1.0 | |
| Ruslan and Ludmila (Theatre) | hasFeature |
Opera / int_7e9cfa7 | |
| Opera / int_7f375c88 | type |
Opera | |
| Opera / int_7f375c88 | comment |
Andrea Chénier | |
| Opera / int_7f375c88 | featureApplicability |
1.0 | |
| Opera / int_7f375c88 | featureConfidence |
1.0 | |
| Andrea Chénier (Theatre) | hasFeature |
Opera / int_7f375c88 | |
| Opera / int_7f399057 | type |
Opera | |
| Opera / int_7f399057 | comment |
The Tales of Hoffmann | |
| Opera / int_7f399057 | featureApplicability |
1.0 | |
| Opera / int_7f399057 | featureConfidence |
1.0 | |
| The Tales of Hoffmann (Theatre) | hasFeature |
Opera / int_7f399057 | |
| Opera / int_7f6eb95d | type |
Opera | |
| Opera / int_7f6eb95d | comment |
Romeo et Juliette | |
| Opera / int_7f6eb95d | featureApplicability |
1.0 | |
| Opera / int_7f6eb95d | featureConfidence |
1.0 | |
| Romeo and Juliet (Theatre) | hasFeature |
Opera / int_7f6eb95d | |
| Opera / int_833dc9cf | type |
Opera | |
| Opera / int_833dc9cf | comment |
AntonÃn Dvořák | |
| Opera / int_833dc9cf | featureApplicability |
1.0 | |
| Opera / int_833dc9cf | featureConfidence |
1.0 | |
| Antonín Dvořák (Music) | hasFeature |
Opera / int_833dc9cf | |
| Opera / int_83cd9bc9 | type |
Opera | |
| Opera / int_83cd9bc9 | comment |
Kashchey the Deathless | |
| Opera / int_83cd9bc9 | featureApplicability |
1.0 | |
| Opera / int_83cd9bc9 | featureConfidence |
1.0 | |
| Kashchey The Deathless (Theatre) | hasFeature |
Opera / int_83cd9bc9 | |
| Opera / int_85dfff38 | type |
Opera | |
| Opera / int_85dfff38 | comment |
Ludwig van Beethoven | |
| Opera / int_85dfff38 | featureApplicability |
1.0 | |
| Opera / int_85dfff38 | featureConfidence |
1.0 | |
| Ludwig van Beethoven (Music) | hasFeature |
Opera / int_85dfff38 | |
| Opera / int_86814e56 | type |
Opera | |
| Opera / int_86814e56 | comment |
Final Fantasy VI: Contains some original/fictional opera elements | |
| Opera / int_86814e56 | featureApplicability |
1.0 | |
| Opera / int_86814e56 | featureConfidence |
1.0 | |
| Final Fantasy VI (Video Game) | hasFeature |
Opera / int_86814e56 | |
| Opera / int_882f1fdb | type |
Opera | |
| Opera / int_882f1fdb | comment |
Lampshaded by none other than Bugs Bunny upon summarizing operas: | |
| Opera / int_882f1fdb | featureApplicability |
1.0 | |
| Opera / int_882f1fdb | featureConfidence |
1.0 | |
| Bugs Bunny | hasFeature |
Opera / int_882f1fdb | |
| Opera / int_89ce309d | type |
Opera | |
| Opera / int_89ce309d | comment |
Macbeth | |
| Opera / int_89ce309d | featureApplicability |
1.0 | |
| Opera / int_89ce309d | featureConfidence |
1.0 | |
| Macbeth (Theatre) | hasFeature |
Opera / int_89ce309d | |
| Opera / int_8b13d319 | type |
Opera | |
| Opera / int_8b13d319 | comment |
Mazeppa | |
| Opera / int_8b13d319 | featureApplicability |
1.0 | |
| Opera / int_8b13d319 | featureConfidence |
1.0 | |
| Mazeppa (Theatre) | hasFeature |
Opera / int_8b13d319 | |
| Opera / int_8fdc165 | type |
Opera | |
| Opera / int_8fdc165 | comment |
The Perfect American | |
| Opera / int_8fdc165 | featureApplicability |
1.0 | |
| Opera / int_8fdc165 | featureConfidence |
1.0 | |
| The Perfect American (Theatre) | hasFeature |
Opera / int_8fdc165 | |
| Opera / int_9002e9b8 | type |
Opera | |
| Opera / int_9002e9b8 | comment |
Death in Venice | |
| Opera / int_9002e9b8 | featureApplicability |
1.0 | |
| Opera / int_9002e9b8 | featureConfidence |
1.0 | |
| Death in Venice | hasFeature |
Opera / int_9002e9b8 | |
| Opera / int_905cf99c | type |
Opera | |
| Opera / int_905cf99c | comment |
The Fifth Element: "Il dolce suono" from Donizetti's Lucia di Lammermoor | |
| Opera / int_905cf99c | featureApplicability |
1.0 | |
| Opera / int_905cf99c | featureConfidence |
1.0 | |
| The Fifth Element | hasFeature |
Opera / int_905cf99c | |
| Opera / int_93340109 | type |
Opera | |
| Opera / int_93340109 | comment |
The Rise and Fall of the City of Mahagonny | |
| Opera / int_93340109 | featureApplicability |
1.0 | |
| Opera / int_93340109 | featureConfidence |
1.0 | |
| The Rise and Fall of the City of Mahagonny (Theatre) | hasFeature |
Opera / int_93340109 | |
| Opera / int_942aaccf | type |
Opera | |
| Opera / int_942aaccf | comment |
L'elisir d'amore | |
| Opera / int_942aaccf | featureApplicability |
1.0 | |
| Opera / int_942aaccf | featureConfidence |
1.0 | |
| L'elisir d'amore (Theatre) | hasFeature |
Opera / int_942aaccf | |
| Opera / int_94587fc7 | type |
Opera | |
| Opera / int_94587fc7 | comment |
Adriana Lecouvreur | |
| Opera / int_94587fc7 | featureApplicability |
1.0 | |
| Opera / int_94587fc7 | featureConfidence |
1.0 | |
| Adriana Lecouvreur (Theatre) | hasFeature |
Opera / int_94587fc7 | |
| Opera / int_95c06f36 | type |
Opera | |
| Opera / int_95c06f36 | comment |
The Abduction from the Seraglio | |
| Opera / int_95c06f36 | featureApplicability |
1.0 | |
| Opera / int_95c06f36 | featureConfidence |
1.0 | |
| The Abduction from the Seraglio (Theatre) | hasFeature |
Opera / int_95c06f36 | |
| Opera / int_9608674a | type |
Opera | |
| Opera / int_9608674a | comment |
Scott Joplin: Treemonisha (an earlier opera A Guest of Honor is now lost) | |
| Opera / int_9608674a | featureApplicability |
1.0 | |
| Opera / int_9608674a | featureConfidence |
1.0 | |
| Scott Joplin (Music) | hasFeature |
Opera / int_9608674a | |
| Opera / int_99ebe2d9 | type |
Opera | |
| Opera / int_99ebe2d9 | comment |
Einstein on the Beach | |
| Opera / int_99ebe2d9 | featureApplicability |
1.0 | |
| Opera / int_99ebe2d9 | featureConfidence |
1.0 | |
| Einstein on the Beach (Theatre) | hasFeature |
Opera / int_99ebe2d9 | |
| Opera / int_9ebaa7d8 | type |
Opera | |
| Opera / int_9ebaa7d8 | comment |
Giulio Cesare in Egitto | |
| Opera / int_9ebaa7d8 | featureApplicability |
1.0 | |
| Opera / int_9ebaa7d8 | featureConfidence |
1.0 | |
| Giulio Cesare in Egitto (Theatre) | hasFeature |
Opera / int_9ebaa7d8 | |
| Opera / int_9f997b2b | type |
Opera | |
| Opera / int_9f997b2b | comment |
Quantum of Solace: Tosca, probably chosen because of the parallel between its Scarpia Ultimatum and the General's evil behavior | |
| Opera / int_9f997b2b | featureApplicability |
1.0 | |
| Opera / int_9f997b2b | featureConfidence |
1.0 | |
| Quantum of Solace | hasFeature |
Opera / int_9f997b2b | |
| Opera / int_a11e8bc3 | type |
Opera | |
| Opera / int_a11e8bc3 | comment |
Un ballo in maschera | |
| Opera / int_a11e8bc3 | featureApplicability |
1.0 | |
| Opera / int_a11e8bc3 | featureConfidence |
1.0 | |
| Un Ballo In Maschera (Theatre) | hasFeature |
Opera / int_a11e8bc3 | |
| Opera / int_a33fdeb | type |
Opera | |
| Opera / int_a33fdeb | comment |
Hansel and Gretel (1893) | |
| Opera / int_a33fdeb | featureApplicability |
1.0 | |
| Opera / int_a33fdeb | featureConfidence |
1.0 | |
| Hansel and Gretel (1893) (Theatre) | hasFeature |
Opera / int_a33fdeb | |
| Opera / int_a38296c0 | type |
Opera | |
| Opera / int_a38296c0 | comment |
Peter Grimes | |
| Opera / int_a38296c0 | featureApplicability |
1.0 | |
| Opera / int_a38296c0 | featureConfidence |
1.0 | |
| Peter Grimes (Theatre) | hasFeature |
Opera / int_a38296c0 | |
| Opera / int_a4017a21 | type |
Opera | |
| Opera / int_a4017a21 | comment |
Tristan und Isolde (Wagner) | |
| Opera / int_a4017a21 | featureApplicability |
1.0 | |
| Opera / int_a4017a21 | featureConfidence |
1.0 | |
| Tristan und Isolde (Wagner) (Theatre) | hasFeature |
Opera / int_a4017a21 | |
| Opera / int_a502f630 | type |
Opera | |
| Opera / int_a502f630 | comment |
Béla Bartók Duke Bluebeard's Castle |
|
| Opera / int_a502f630 | featureApplicability |
1.0 | |
| Opera / int_a502f630 | featureConfidence |
1.0 | |
| Béla Bartók (Music) | hasFeature |
Opera / int_a502f630 | |
| Opera / int_a59597f2 | type |
Opera | |
| Opera / int_a59597f2 | comment |
Cendrillon | |
| Opera / int_a59597f2 | featureApplicability |
1.0 | |
| Opera / int_a59597f2 | featureConfidence |
1.0 | |
| Cinderella | hasFeature |
Opera / int_a59597f2 | |
| Opera / int_a5b6a0d8 | type |
Opera | |
| Opera / int_a5b6a0d8 | comment |
Make Mine Music has a segment with an opera-singing whale named Willie who's so adept at singing that an opera director believes that he had swallowed a talented singer. He can even sing with three voices at once. | |
| Opera / int_a5b6a0d8 | featureApplicability |
1.0 | |
| Opera / int_a5b6a0d8 | featureConfidence |
1.0 | |
| Make Mine Music | hasFeature |
Opera / int_a5b6a0d8 | |
| Opera / int_a72b33c6 | type |
Opera | |
| Opera / int_a72b33c6 | comment |
Show Boat | |
| Opera / int_a72b33c6 | featureApplicability |
1.0 | |
| Opera / int_a72b33c6 | featureConfidence |
1.0 | |
| Showboat (Theatre) | hasFeature |
Opera / int_a72b33c6 | |
| Opera / int_adaa6348 | type |
Opera | |
| Opera / int_adaa6348 | comment |
Faust | |
| Opera / int_adaa6348 | featureApplicability |
1.0 | |
| Opera / int_adaa6348 | featureConfidence |
1.0 | |
| Faust (Gounod) (Theatre) | hasFeature |
Opera / int_adaa6348 | |
| Opera / int_adbbbf7e | type |
Opera | |
| Opera / int_adbbbf7e | comment |
Il trovatore | |
| Opera / int_adbbbf7e | featureApplicability |
1.0 | |
| Opera / int_adbbbf7e | featureConfidence |
1.0 | |
| Il trovatore (Theatre) | hasFeature |
Opera / int_adbbbf7e | |
| Opera / int_adc74d27 | type |
Opera | |
| Opera / int_adc74d27 | comment |
Eurydice | |
| Opera / int_adc74d27 | featureApplicability |
1.0 | |
| Opera / int_adc74d27 | featureConfidence |
1.0 | |
| Eurydice (Theatre) | hasFeature |
Opera / int_adc74d27 | |
| Opera / int_af8a6a6f | type |
Opera | |
| Opera / int_af8a6a6f | comment |
Klaus Nomi (1981) | |
| Opera / int_af8a6a6f | featureApplicability |
1.0 | |
| Opera / int_af8a6a6f | featureConfidence |
1.0 | |
| Klaus Nomi (Album) (Music) | hasFeature |
Opera / int_af8a6a6f | |
| Opera / int_b0d14990 | type |
Opera | |
| Opera / int_b0d14990 | comment |
Barcelona (1988) (a collaboration with opera singer Montserrat Caballé) | |
| Opera / int_b0d14990 | featureApplicability |
1.0 | |
| Opera / int_b0d14990 | featureConfidence |
1.0 | |
| Barcelona (Music) | hasFeature |
Opera / int_b0d14990 | |
| Opera / int_b1cbc51 | type |
Opera | |
| Opera / int_b1cbc51 | comment |
The Untouchables (1987): A very moved Al Capone struggles to keep a straight face during Pagliacci. | |
| Opera / int_b1cbc51 | featureApplicability |
1.0 | |
| Opera / int_b1cbc51 | featureConfidence |
1.0 | |
| The Untouchables (1987) | hasFeature |
Opera / int_b1cbc51 | |
| Opera / int_b54f6228 | type |
Opera | |
| Opera / int_b54f6228 | comment |
Rusalka | |
| Opera / int_b54f6228 | featureApplicability |
1.0 | |
| Opera / int_b54f6228 | featureConfidence |
1.0 | |
| Rusalka (Theatre) | hasFeature |
Opera / int_b54f6228 | |
| Opera / int_b5a087d7 | type |
Opera | |
| Opera / int_b5a087d7 | comment |
Robot Chicken had a sketch consisting of Star Trek II: The Wrath of Khan being performed as an Italian opera. Featuring such great lines as "Oh no! My ear! I'm not supposed to get eels in it!"note It's a Space Opera. | |
| Opera / int_b5a087d7 | featureApplicability |
1.0 | |
| Opera / int_b5a087d7 | featureConfidence |
1.0 | |
| Robot Chicken | hasFeature |
Opera / int_b5a087d7 | |
| Opera / int_b5c36a42 | type |
Opera | |
| Opera / int_b5c36a42 | comment |
The Ring of the Nibelung | |
| Opera / int_b5c36a42 | featureApplicability |
1.0 | |
| Opera / int_b5c36a42 | featureConfidence |
1.0 | |
| The Ring of the Nibelung (Theatre) | hasFeature |
Opera / int_b5c36a42 | |
| Opera / int_b6be0d54 | type |
Opera | |
| Opera / int_b6be0d54 | comment |
Eugene Onegin | |
| Opera / int_b6be0d54 | featureApplicability |
1.0 | |
| Opera / int_b6be0d54 | featureConfidence |
1.0 | |
| Eugene Onegin (Theatre) | hasFeature |
Opera / int_b6be0d54 | |
| Opera / int_b75bfa8 | type |
Opera | |
| Opera / int_b75bfa8 | comment |
La Fille du Régiment | |
| Opera / int_b75bfa8 | featureApplicability |
1.0 | |
| Opera / int_b75bfa8 | featureConfidence |
1.0 | |
| La Fille du Régiment (Theatre) | hasFeature |
Opera / int_b75bfa8 | |
| Opera / int_b98eef68 | type |
Opera | |
| Opera / int_b98eef68 | comment |
Khovanshchina | |
| Opera / int_b98eef68 | featureApplicability |
1.0 | |
| Opera / int_b98eef68 | featureConfidence |
1.0 | |
| Khovanshchina (Theatre) | hasFeature |
Opera / int_b98eef68 | |
| Opera / int_bad7bfd2 | type |
Opera | |
| Opera / int_bad7bfd2 | comment |
Heavenly Creatures: Toward the end, just before the tragic finale, Juliet stands on her balcony and sings "Sono andati" (Are they gone?) from La Boheme. It's actually Kate Winslet singing. On the fatal walk, the Humming Chorus from Madama Butterfly is heard. It creates an unbearable dramatic tension, especially if you know the story. | |
| Opera / int_bad7bfd2 | featureApplicability |
1.0 | |
| Opera / int_bad7bfd2 | featureConfidence |
1.0 | |
| Heavenly Creatures | hasFeature |
Opera / int_bad7bfd2 | |
| Opera / int_bc109059 | type |
Opera | |
| Opera / int_bc109059 | comment |
Freddie Mercury Barcelona (1988) (a collaboration with opera singer Montserrat Caballé) |
|
| Opera / int_bc109059 | featureApplicability |
1.0 | |
| Opera / int_bc109059 | featureConfidence |
1.0 | |
| Freddie Mercury (Music) | hasFeature |
Opera / int_bc109059 | |
| Opera / int_bce93baf | type |
Opera | |
| Opera / int_bce93baf | comment |
Der Vampyr | |
| Opera / int_bce93baf | featureApplicability |
1.0 | |
| Opera / int_bce93baf | featureConfidence |
1.0 | |
| Der Vampyr (Theatre) | hasFeature |
Opera / int_bce93baf | |
| Opera / int_beaeede0 | type |
Opera | |
| Opera / int_beaeede0 | comment |
Nabucco | |
| Opera / int_beaeede0 | featureApplicability |
1.0 | |
| Opera / int_beaeede0 | featureConfidence |
1.0 | |
| Nabucco (Theatre) | hasFeature |
Opera / int_beaeede0 | |
| Opera / int_c0be7a79 | type |
Opera | |
| Opera / int_c0be7a79 | comment |
Schweigt stille, plaudert nicht (a cantata that executes as a mini-opera) | |
| Opera / int_c0be7a79 | featureApplicability |
1.0 | |
| Opera / int_c0be7a79 | featureConfidence |
1.0 | |
| Schweigt stille, plaudert nicht (Music) | hasFeature |
Opera / int_c0be7a79 | |
| Opera / int_c295940c | type |
Opera | |
| Opera / int_c295940c | comment |
Stiffelio | |
| Opera / int_c295940c | featureApplicability |
1.0 | |
| Opera / int_c295940c | featureConfidence |
1.0 | |
| Stiffelio (Theatre) | hasFeature |
Opera / int_c295940c | |
| Opera / int_c2ab3494 | type |
Opera | |
| Opera / int_c2ab3494 | comment |
Turandot | |
| Opera / int_c2ab3494 | featureApplicability |
1.0 | |
| Opera / int_c2ab3494 | featureConfidence |
1.0 | |
| Turandot (Theatre) | hasFeature |
Opera / int_c2ab3494 | |
| Opera / int_c94f1cf2 | type |
Opera | |
| Opera / int_c94f1cf2 | comment |
Pretty Woman: La Traviata (an opera about a prostitute who falls in love with a rich man). | |
| Opera / int_c94f1cf2 | featureApplicability |
1.0 | |
| Opera / int_c94f1cf2 | featureConfidence |
1.0 | |
| Pretty Woman | hasFeature |
Opera / int_c94f1cf2 | |
| Opera / int_c9c9aaaf | type |
Opera | |
| Opera / int_c9c9aaaf | comment |
In Philadelphia, Andrew Beckett listens to the aria "La mamma morta" from Andrea Chénier by Umberto Giordano. | |
| Opera / int_c9c9aaaf | featureApplicability |
1.0 | |
| Opera / int_c9c9aaaf | featureConfidence |
1.0 | |
| Philadelphia | hasFeature |
Opera / int_c9c9aaaf | |
| Opera / int_cd3012da | type |
Opera | |
| Opera / int_cd3012da | comment |
Aida (Verdi) | |
| Opera / int_cd3012da | featureApplicability |
1.0 | |
| Opera / int_cd3012da | featureConfidence |
1.0 | |
| Aida (Verdi) (Theatre) | hasFeature |
Opera / int_cd3012da | |
| Opera / int_ce22304 | type |
Opera | |
| Opera / int_ce22304 | comment |
The Musical: Several operas have been adapted into musicals. Examples include: La Bohème into RENT Madame Butterfly into Miss Saigon La Traviata into Moulin Rouge! Aïda into Aida Carmen into Carmen Jones La fille du régiment into La Vivandière Norma into The Pretty Druidess L'elisir d'amore into Dulcamara |
|
| Opera / int_ce22304 | featureApplicability |
1.0 | |
| Opera / int_ce22304 | featureConfidence |
1.0 | |
| The Musical | hasFeature |
Opera / int_ce22304 | |
| Opera / int_ce979d37 | type |
Opera | |
| Opera / int_ce979d37 | comment |
Iolanta | |
| Opera / int_ce979d37 | featureApplicability |
1.0 | |
| Opera / int_ce979d37 | featureConfidence |
1.0 | |
| Iolanta (Theatre) | hasFeature |
Opera / int_ce979d37 | |
| Opera / int_cebe8b96 | type |
Opera | |
| Opera / int_cebe8b96 | comment |
La Traviata | |
| Opera / int_cebe8b96 | featureApplicability |
1.0 | |
| Opera / int_cebe8b96 | featureConfidence |
1.0 | |
| La Traviata (Theatre) | hasFeature |
Opera / int_cebe8b96 | |
| Opera / int_cffa1bda | type |
Opera | |
| Opera / int_cffa1bda | comment |
Richard Wagner | |
| Opera / int_cffa1bda | featureApplicability |
1.0 | |
| Opera / int_cffa1bda | featureConfidence |
1.0 | |
| Richard Wagner (Music) | hasFeature |
Opera / int_cffa1bda | |
| Opera / int_d0704d51 | type |
Opera | |
| Opera / int_d0704d51 | comment |
Orfeo ed Euridice | |
| Opera / int_d0704d51 | featureApplicability |
1.0 | |
| Opera / int_d0704d51 | featureConfidence |
1.0 | |
| Orfeo ed Euridice (Theatre) | hasFeature |
Opera / int_d0704d51 | |
| Opera / int_d461f757 | type |
Opera | |
| Opera / int_d461f757 | comment |
Battlestar Galactica: The Opera House | |
| Opera / int_d461f757 | featureApplicability |
1.0 | |
| Opera / int_d461f757 | featureConfidence |
1.0 | |
| Battlestar Galactica (2003) | hasFeature |
Opera / int_d461f757 | |
| Opera / int_d5338541 | type |
Opera | |
| Opera / int_d5338541 | comment |
Professor Layton and the Eternal Diva features, well, a diva. She performs an aria on the soundtrack. | |
| Opera / int_d5338541 | featureApplicability |
1.0 | |
| Opera / int_d5338541 | featureConfidence |
1.0 | |
| Professor Layton and the Eternal Diva | hasFeature |
Opera / int_d5338541 | |
| Opera / int_d60cbd5a | type |
Opera | |
| Opera / int_d60cbd5a | comment |
Amadeus: Several works by Mozart, of course. | |
| Opera / int_d60cbd5a | featureApplicability |
1.0 | |
| Opera / int_d60cbd5a | featureConfidence |
1.0 | |
| Amadeus | hasFeature |
Opera / int_d60cbd5a | |
| Opera / int_d674dc2d | type |
Opera | |
| Opera / int_d674dc2d | comment |
Simple Man (1982) | |
| Opera / int_d674dc2d | featureApplicability |
1.0 | |
| Opera / int_d674dc2d | featureConfidence |
1.0 | |
| Simple Man (Music) | hasFeature |
Opera / int_d674dc2d | |
| Opera / int_d6c79429 | type |
Opera | |
| Opera / int_d6c79429 | comment |
The Heckle and Jeckle cartoon "Off To The Opera" features two selections from "The Barber Of Seville." | |
| Opera / int_d6c79429 | featureApplicability |
1.0 | |
| Opera / int_d6c79429 | featureConfidence |
1.0 | |
| Heckle and Jeckle | hasFeature |
Opera / int_d6c79429 | |
| Opera / int_d7243b62 | type |
Opera | |
| Opera / int_d7243b62 | comment |
Der Rosenkavalier | |
| Opera / int_d7243b62 | featureApplicability |
1.0 | |
| Opera / int_d7243b62 | featureConfidence |
1.0 | |
| Der Rosenkavalier (Theatre) | hasFeature |
Opera / int_d7243b62 | |
| Opera / int_da1208fe | type |
Opera | |
| Opera / int_da1208fe | comment |
La Traviata into Moulin Rouge! | |
| Opera / int_da1208fe | featureApplicability |
1.0 | |
| Opera / int_da1208fe | featureConfidence |
1.0 | |
| Moulin Rouge! | hasFeature |
Opera / int_da1208fe | |
| Opera / int_da3eef3a | type |
Opera | |
| Opera / int_da3eef3a | comment |
The video game adaptation of Parasite Eve opens at an opera. | |
| Opera / int_da3eef3a | featureApplicability |
1.0 | |
| Opera / int_da3eef3a | featureConfidence |
1.0 | |
| Parasite Eve (Video Game) | hasFeature |
Opera / int_da3eef3a | |
| Opera / int_dbed457f | type |
Opera | |
| Opera / int_dbed457f | comment |
The Tsars Bride | |
| Opera / int_dbed457f | featureApplicability |
1.0 | |
| Opera / int_dbed457f | featureConfidence |
1.0 | |
| The Tsars Bride (Theatre) | hasFeature |
Opera / int_dbed457f | |
| Opera / int_dce379bf | type |
Opera | |
| Opera / int_dce379bf | comment |
Philip Glass Einstein on the Beach The Perfect American |
|
| Opera / int_dce379bf | featureApplicability |
1.0 | |
| Opera / int_dce379bf | featureConfidence |
1.0 | |
| Philip Glass (Music) | hasFeature |
Opera / int_dce379bf | |
| Opera / int_ded0e62f | type |
Opera | |
| Opera / int_ded0e62f | comment |
Many key events in The Count of Monte Cristo takes place in opera houses. | |
| Opera / int_ded0e62f | featureApplicability |
1.0 | |
| Opera / int_ded0e62f | featureConfidence |
1.0 | |
| The Count of Monte Cristo | hasFeature |
Opera / int_ded0e62f | |
| Opera / int_def1c7dd | type |
Opera | |
| Opera / int_def1c7dd | comment |
Ainadamar | |
| Opera / int_def1c7dd | featureApplicability |
1.0 | |
| Opera / int_def1c7dd | featureConfidence |
1.0 | |
| Ainadamar (Theatre) | hasFeature |
Opera / int_def1c7dd | |
| Opera / int_df1c48dc | type |
Opera | |
| Opera / int_df1c48dc | comment |
The Beggar's Opera | |
| Opera / int_df1c48dc | featureApplicability |
1.0 | |
| Opera / int_df1c48dc | featureConfidence |
1.0 | |
| The Beggar's Opera (Theatre) | hasFeature |
Opera / int_df1c48dc | |
| Opera / int_e293455a | type |
Opera | |
| Opera / int_e293455a | comment |
Buffy the Vampire Slayer: In "Nightmares," Willow is supposed to sing the duet from Madame Butterfly with a world-famous tenor. | |
| Opera / int_e293455a | featureApplicability |
1.0 | |
| Opera / int_e293455a | featureConfidence |
1.0 | |
| Buffy the Vampire Slayer | hasFeature |
Opera / int_e293455a | |
| Opera / int_e362754 | type |
Opera | |
| Opera / int_e362754 | comment |
Suor Angelica | |
| Opera / int_e362754 | featureApplicability |
1.0 | |
| Opera / int_e362754 | featureConfidence |
1.0 | |
| Suor Angelica (Theatre) | hasFeature |
Opera / int_e362754 | |
| Opera / int_e57f8f36 | type |
Opera | |
| Opera / int_e57f8f36 | comment |
Der Freischütz | |
| Opera / int_e57f8f36 | featureApplicability |
1.0 | |
| Opera / int_e57f8f36 | featureConfidence |
1.0 | |
| Der Freischütz (Theatre) | hasFeature |
Opera / int_e57f8f36 | |
| Opera / int_e6f9ba47 | type |
Opera | |
| Opera / int_e6f9ba47 | comment |
Orpheus in the Underworld | |
| Opera / int_e6f9ba47 | featureApplicability |
1.0 | |
| Opera / int_e6f9ba47 | featureConfidence |
1.0 | |
| Orpheus in the Underworld (Theatre) | hasFeature |
Opera / int_e6f9ba47 | |
| Opera / int_ebb4cc84 | type |
Opera | |
| Opera / int_ebb4cc84 | comment |
I puritani | |
| Opera / int_ebb4cc84 | featureApplicability |
1.0 | |
| Opera / int_ebb4cc84 | featureConfidence |
1.0 | |
| I Puritani (Theatre) | hasFeature |
Opera / int_ebb4cc84 | |
| Opera / int_ee150d89 | type |
Opera | |
| Opera / int_ee150d89 | comment |
The Ghosts of Versailles | |
| Opera / int_ee150d89 | featureApplicability |
1.0 | |
| Opera / int_ee150d89 | featureConfidence |
1.0 | |
| The Ghosts of Versailles (Theatre) | hasFeature |
Opera / int_ee150d89 | |
| Opera / int_f0aae232 | type |
Opera | |
| Opera / int_f0aae232 | comment |
Pagliacci | |
| Opera / int_f0aae232 | featureApplicability |
1.0 | |
| Opera / int_f0aae232 | featureConfidence |
1.0 | |
| Pagliacci (Theatre) | hasFeature |
Opera / int_f0aae232 | |
| Opera / int_f11efe36 | type |
Opera | |
| Opera / int_f11efe36 | comment |
Agrippina | |
| Opera / int_f11efe36 | featureApplicability |
1.0 | |
| Opera / int_f11efe36 | featureConfidence |
1.0 | |
| Agrippina (Theatre) | hasFeature |
Opera / int_f11efe36 | |
| Opera / int_f3ef0f86 | type |
Opera | |
| Opera / int_f3ef0f86 | comment |
Artemis Fowl and the Lost Colony: The book pretty much starts out with Artemis attending an opera, specifically Norma, and commenting on how Butler does not know how to appreciate an opera. | |
| Opera / int_f3ef0f86 | featureApplicability |
1.0 | |
| Opera / int_f3ef0f86 | featureConfidence |
1.0 | |
| Artemis Fowl | hasFeature |
Opera / int_f3ef0f86 | |
| Opera / int_f609482b | type |
Opera | |
| Opera / int_f609482b | comment |
Don Giovanni | |
| Opera / int_f609482b | featureApplicability |
1.0 | |
| Opera / int_f609482b | featureConfidence |
1.0 | |
| Don Giovanni (Theatre) | hasFeature |
Opera / int_f609482b | |
| Opera / int_f655ed11 | type |
Opera | |
| Opera / int_f655ed11 | comment |
Frasier: Both Frasier and Niles are opera buffs | |
| Opera / int_f655ed11 | featureApplicability |
1.0 | |
| Opera / int_f655ed11 | featureConfidence |
1.0 | |
| Frasier | hasFeature |
Opera / int_f655ed11 | |
| Opera / int_f6c25e1b | type |
Opera | |
| Opera / int_f6c25e1b | comment |
The Turn of the Screw | |
| Opera / int_f6c25e1b | featureApplicability |
1.0 | |
| Opera / int_f6c25e1b | featureConfidence |
1.0 | |
| The Turn of the Screw | hasFeature |
Opera / int_f6c25e1b | |
| Opera / int_f8705c18 | type |
Opera | |
| Opera / int_f8705c18 | comment |
Hellsing: Rip Van Winkle identifies herself with Kaspar from Der Freischütz. She even sings a few bits from the opera, but nothing that Kaspar sings. | |
| Opera / int_f8705c18 | featureApplicability |
1.0 | |
| Opera / int_f8705c18 | featureConfidence |
1.0 | |
| Hellsing (Manga) | hasFeature |
Opera / int_f8705c18 | |
| Opera / int_f8eaad5b | type |
Opera | |
| Opera / int_f8eaad5b | comment |
Citizen Kane: Fictional opera written for Kane's second wife; based on Massenet's Thaïs | |
| Opera / int_f8eaad5b | featureApplicability |
1.0 | |
| Opera / int_f8eaad5b | featureConfidence |
1.0 | |
| Citizen Kane | hasFeature |
Opera / int_f8eaad5b | |
| Opera / int_fb173de | type |
Opera | |
| Opera / int_fb173de | comment |
The Phantom of the Opera parodies Mozart's The Marriage of Figaro (Il Muto) and Don Giovanni (Don Juan Triumphant) In the novel and the silent film, Gounod's Faust features in several key scenes. |
|
| Opera / int_fb173de | featureApplicability |
1.0 | |
| Opera / int_fb173de | featureConfidence |
1.0 | |
| The Phantom of the Opera (Theatre) | hasFeature |
Opera / int_fb173de | |
| Opera / int_fc0e7530 | type |
Opera | |
| Opera / int_fc0e7530 | comment |
Dexter's Laboratory: The famous "LABRetto" featuring Dexter's origin: how he was born, came to build his lab, and his torment at the hands of Dee Dee. | |
| Opera / int_fc0e7530 | featureApplicability |
1.0 | |
| Opera / int_fc0e7530 | featureConfidence |
1.0 | |
| Dexter's Laboratory | hasFeature |
Opera / int_fc0e7530 | |
| Opera / int_fd06fd96 | type |
Opera | |
| Opera / int_fd06fd96 | comment |
Boris Godunov | |
| Opera / int_fd06fd96 | featureApplicability |
1.0 | |
| Opera / int_fd06fd96 | featureConfidence |
1.0 | |
| Boris Godunov (Theatre) | hasFeature |
Opera / int_fd06fd96 | |
| Opera / int_feb32add | type |
Opera | |
| Opera / int_feb32add | comment |
Don Carlo | |
| Opera / int_feb32add | featureApplicability |
1.0 | |
| Opera / int_feb32add | featureConfidence |
1.0 | |
| Don Carlo (Theatre) | hasFeature |
Opera / int_feb32add | |
| Opera / int_ff8bc445 | type |
Opera | |
| Opera / int_ff8bc445 | comment |
Il barbiere di Siviglia | |
| Opera / int_ff8bc445 | featureApplicability |
1.0 | |
| Opera / int_ff8bc445 | featureConfidence |
1.0 | |
| The Barber of Seville (Theatre) | hasFeature |
Opera / int_ff8bc445 |
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Copyright of data TVTropes.org contributors under Creative Commons Attribution-Share Alike 3.0 Unported License.