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Proper Lady
- 381 statements
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What is a Proper Lady? Also known as a "real lady", a "true lady", simply a "lady" or an "angel in the house", she's the perfect lady in the Victorian British mindset. The Proper Lady archetype was widely used in Victorian and earlier literature. Jane Austen was one of the first authors that introduced such qualities to heroines that did not fit into the strictest view of what is acceptable for a Proper Lady, beginning the slow death of this trope. The last time it was seen alive in the West in a 100% unironic form was around the 1950s into the 1960s. Modern ones are likely to be accused of being too pure or have some quirk or flaw that sets them apart from their predecessors. A Proper Lady is a gentle yet strong being, incorruptible and pure as the driven snow, as unlike The Vamp as she comes, and Madonna-like in her virtues. She sacrifices herself for the good of her family, religion, and country. She is intelligent enough to smoothly run a household, and wisely spends her husband's money for the good of her family, never guilty of negligence or selfish frivolity. She possesses the wit, taste, and esprit necessary to be a star of Society, and never crosses the border of good taste and civility. She is devoted and loyal, never treacherous or scheming. Her manners are never less than impeccable, and her good will and charity are a beacon to those lucky enough to live around her. She is perfectly groomed, likely beautiful or at least comely (while the female antagonist will be more beautiful and appealing). However, more important than her personal looks is her gentle smile. Because small size is endearing (and allows for protective embraces from her lucky husband or fiancé), she will probably be on the shorter side. Chances are that she has dark hair and fair skin or blonde hair with blue eyes (but in a way that doesn't make her too attractive). Parasol of Prettiness is a typical prop. A Proper Lady might not always be able to defend herself, but should in most cases possess the strength of mind to not panic, and the willpower to never give in to any vile demands. If faced with a lethal threat from a vile character, we may see Silk Hiding Steel. She is always upper class in the original concept of the trope. Female protagonists from lower class backgrounds, such as peasant girls, tend to follow her ladylike ideals and model their behaviour after her. Princesses might need to go through a humbling procedure before they can be Princess Classic. Proper Lady is nearly always married, often a mother. She might also be a redundant woman or a spinster, in which case she will not be bitter about never getting married, and will instead direct her motherly instincts for the good of her sister's or brother's family. Lower class women and maidens can have many qualities of a Proper Lady, and should, per this trope and the ideals behind it, aim to be as like her as possible. There is no upper age limit to being a Proper Lady. If a lady dies at an advanced age, her death will be dignified, probably caused by old age, and if she dies young (of nothing too unsightly), it will be a heartbreaking — but not unredeemed — tragedy. The void of her absence will affect not only her closest circle but anyone who had the good fortune to be in her presence. Related character tropes: English Rose: An archetypal English woman with similar properties; popular standard for a Proper Lady's looks. Every Proper Lady Should Curtsy: A greeting showing her femininity. Graceful Ladies Like Purple: Shades of violet and lilac are particularly suitable for someone who combines pink femininity, blue wisdom and innocence, and purple regality. Grande Dame: A rare subtype is a mature Proper Lady; even then, she would have been a figure of (good-natured) fun even in Victorian times. The High Queen: A character of this archetype who stands at the pinnacle of society. The Ingenue: A Proper Lady in the making, though she is at risk of being led astray by the wrong kind of man. Lady of Adventure: A Proper Lady (or more likely Spirited Young Lady) combined with Glory Seeker. Lady of War: A Proper Lady or Spirited Young Lady combined with Action Girl. Madonna-Whore Complex: Virginal before marriage, sexless in marriage, chaste after marriage. If she doesn't live up to this standard, she can never be admitted to the ranks of a Proper Lady. Motherhood Is Superior: Is a doting (but firm) mother, or aspires to be one, and it's considered the role Providence and/or her innate nature has best prepared her. Pink Means Feminine: Rose-colored clothing often suits her, though pastel pinks work best on very young women. Prim and Proper Bun: A hairstyle to indicate a woman who keeps herself under control. Princess Classic: Princess counterpart. Schoolmarm: In the Wild West, most female characters are members of The Oldest Profession. The prim, proper, well-educated schoolmarm is the one exception. Silk Hiding Steel: A Proper Lady who is willing and able to take an active role without stepping out of the bounds of 'propriety.' Southern Belle: Southern USA counterpart. (see bonne belle.) Spirited Young Lady: A little more spunky; a little less prim. True Blue Femininity: Shades of blue mean wisdom, innocence, gentleness, and purity. They also have an association with the Virgin Mary. Virgin in a White Dress: A color showing her purity. Yamato Nadeshiko: The Japanese (or at least East Asian) version. Other related tropes: All Women Are Prudes: All true ladies are free from carnal desire. Angelic Beauty: Is often described in these terms. Beauty Equals Goodness: Will always be extraordinarily beautiful (naturally, of course), or at least conventionally-attractive, for the time and place in which she resides. Heroic Self-Deprecation: Always puts others' needs before her own, never expects anything in return, or thinks of herself as special for doing it. Hysterical Woman: A lady usually has enough dignity to avert this, although she is usually emotional. Lie Back and Think of England: Originally the only proper way to deal with the wifely duties while not compromising the purity of a lady. The Lost Lenore: If her husband outlives her, she will most likely be this to him. Not Like Other Girls: Will often be elevated above other girls/women precisely because she meets the standards of a Proper Lady, and they're somehow lacking (not pretty enough, not chaste enough, too flighty or free-spirited, not polite or refined enough, aspires to be something other than a wife and mother, etc.) The Teetotaler: Drinking is unladylike, therefore she doesn't. Too Good for This Sinful Earth: If and when she dies, this is probably invoked. Victorian Novel Disease: This is the way she will die, if she does not simply die of old age or as a result of childbirth. Widow's Weeds: If she gets married and manages to outlive her husband, she will wear this, often until she herself joins him. (In many cases, she would not even dream of remarrying, or having a romantic or sexual relationship with anyone else.) Women Are Delicate: Super Trope to Proper Lady. |
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Hortense in Small Island thinks this is how all British women of any class act, but takes it to such an extent that British people think she's weird. | |
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Emma: Emmas's older sister Isabella (Mrs. John Knightley) is a sweet, beautiful and elegant woman, an affectionate mother, wife, sister and daughter, and a perfect hostess. She quite fulfills the role of "angel of the house" as she never disagrees with her husband. Her brother-in-law Mr. Knightley admits that compared to Emma, Isabella's not that interesting and knows that Emma is far more intelligent. Jane Fairfax is of the same age as Emma and comes from the same neighbourhood and a suitable family. Everybody expects that they should be friends, but Jane is almost too proper if you ask Emma. She's beautiful, intelligent, accomplished and gentle, and seems to be admired by everybody. Emma thinks she should be friendlier and livelier, and Mr. Knightley owns that Jane doesn't have an open temper. |
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Queen Alcestis, the only one brave and loving enough to offer her own life in exchange for her husband Admetus'. Luckily for her, Admetus happened to have an old friend named Heracles, who offered to bring her back from the Underworld... and did so by wrestling The Grim Reaper. | |
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The Aristocats: Duchess is a regal, wealthy cat of refinement and good manners, but takes her adventures well and stays level-headed. Her daughter, Marie, tries hard to be one, but with her proud attitude, it doesn't always work. Their sophisticated widowed owner, Madame Bonfamille, is very proper as well. |
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The Witch and the Beast. Pretty much nearly any female character is this, even Guideau dresses up quite nicely. Given the period the world is meant to be set in, it is no surprise. | |
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Moana Dixon in The Miraculous Adventure Of Tessa And Lunala and The Lilo Adventures fits the trope. She is known for her courage and kindness, but she does have a flamboyant side to her. Another main character, Brianna, also fits the trope pretty well. Like Moana, she has a kind personality and proper manners. She does get angry on some occasions, and she freaks out several times, first shown when Ash, Serena, Blake and Jasmine learn her father's identity. |
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Dates: Erica is a very elegant, reserved and genteel woman, aside from when she's drunk, which loosens her up a bit. It's indicated that she struggles with this, since her family won't accept her being lesbian, while expecting her to sacrifice true love for them by getting with a man. She finally stops being this and does what she wants, pursuing a romance with another woman. | |
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Disney Animated Canon: Snow White and the Seven Dwarfs: Snow White, the first and fairest of them all, stands out as her feminine traits like domesticity and sweetness are emphasized, and thus she is the quintessential example in Disney canon. Cinderella: The title character is gentle, submissive, and even when her stepmother forces her to become a servant in her own house, remains stoic and gracious. Sleeping Beauty: Aurora is elegant, quiet, dutiful and obedient, including following her fairy godmother's command that she can't marry the man she loves and must return to her life as a princess. The Aristocats: Duchess is a regal, wealthy cat of refinement and good manners, but takes her adventures well and stays level-headed. Her daughter, Marie, tries hard to be one, but with her proud attitude, it doesn't always work. Their sophisticated widowed owner, Madame Bonfamille, is very proper as well. Queen Elinor from Brave is refined, feminine and stops brawls through quiet dignity and a few careful words rather than with confrontation. A big part of the plot is fueled by her attempts to turn her daughter, Merida, into this. After learning to control her powers, Elsa from Frozen is collected and poised enough to eventually be The High Queen. In A Sister More Like Me, she enjoys keeping things clean and neat, and intellectual pursuits such as geometry. |
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Hysteria: Thoroughly deconstructed. Emily Dalrymple channels this Victorian ideal of a properly feminine woman. She is a rather capable mistress of her widowed father's household and agrees to marry her father's young assistant so that his successful medical clinic could stay in the family even though she loves him more like a friend or a brother. Later she admits that she behaved like her father had expected her to behave, and she wants to be more true to herself and behave more freely. | |
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The Pixie Tune in Winx Club. She holds the image of a 'perfect lady' in the way she talks and acts proper just like a lady should. Ironically, she is the bonded pixie of Musa, the Tomboy member of the Winx. | |
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Sleeping Beauty: Aurora is elegant, quiet, dutiful and obedient, including following her fairy godmother's command that she can't marry the man she loves and must return to her life as a princess. | |
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Esther Summerson from Bleak House is a Victorian English specimen. She's kind, modest, sensible, and domestically competent; however, she's also a deconstruction of the trope, as her extreme humility seems to be in part the result of an emotionally abusive upbringing by most modern standards. She could also be interpreted as just pretending to be one as a cover for her own management skills: she takes control over situations or exerts authority over people while presenting herself as modest, unassuming, etc. | |
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Fullmetal Alchemist: Ed and Al Elric's Missing Mom Trisha. In all the flashbacks she is sweet and loving to her kids and willing to wait forever for her husband. |
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One Hundred Years of Solitude: The matriarch of the family, Úrsula Iguaran, is a subversion. She is very devoted to her family, but also extremely stubborn and more than capable of standing up to her husband/children/descendants, even if she has to hit them (as she did to Arcadio) or mouth them off roughly (to both José Arcadio Buendia or Colonel Aureliano). | |
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The Night Unfurls has a couple, even though the story doesn't say anything about their marital status. Celestine is praised by commoner and noble alike for her warmth and humility towards her people. Even The Cynic Kyril sees her as "pure", though he does note that her beauty and grace put her on a pedestal, attracting many who admire her for the wrong reasons. Her distain for gaudiness and extravagance compliments her vision for prosperity and peace for all people. Both versions of the story have at least one moment that showcases her resolution and strength of mind to resist panicking (e.g., leaving her palace to experience the chaos in her city in the original version, and her confrontation with The Rat in the remastered version). Prim is a shy, demure Princess Classic so unironic that she would get along with her Disney counterparts. Apart from being the only female character that's described by the narration as "delicate", the increased characterisation in the remastered version accentuates her sharp mind, thoughtfulness, and belief in the good in the sinister, Dark Is Not Evil stranger that is the Hunter. |
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Emma: A Victorian Romance: Emma starts as a poor peasant girl, becomes a flower girl, a maid, and ends up becoming a gentleman's sweetheart. While her background technically prevents her from becoming a true lady in the society's eyes, her angel-like disposition, good education, eventual marriage (although with Nouveau Riche) and careful grooming should make her one in all but name. William's mother Aurelia is a weird case. She has the status and loveable nature of a Proper Lady but also lacks the social and entertaining skills she would have needed to appeal to the London society. Despite everything, she is content to attend social life with her husband to make him appear the best he could even while she silently hates the whole thing. A wearying life filled with social obligations, combined with the strain of having children, made Aurelia physically ill. She is saved from the standard tragic death but has to leave London and basically abandon her family in order to save their face. |
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Victoria from Corpse Bride is a rare clean-cut modern example without parody or deconstruction. With the Perfectly Arranged Marriage, you just know how devoted a wife she will be for lucky, lucky Victor. She seems nothing but a sweet young girl, determined to help him when he's troubled. Emily the Corpse Bride is her more enthusiastic counterpart. | |
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Supernatural: In the episode "What Is And What Should Never Be", Mary from 'wishverse' is portrayed as incredibly gentle and devoted, appearing as a Madonna-like character. | |
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Odysseus' wife Penelope from the ancient epic The Odyssey was presented as the Ur-Example. Domestic and beautiful, she has stayed faithful to Odysseus, waiting for him for twenty years. | |
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Of Fire and Stars: Mare thinks of Dennaleia as this, and it fits her. Dennaleia is a demure, genteel Nice Girl who's 16, a Princess Classic strongly motivated to help others who is always well groomed in beautiful dresses, with dark hair and fair skin. | |
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Claudine: Cécilia is young woman who's intelligence and beauty arouses Claude's affections. | |
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Lissa Dragomir from Vampire Academy is gentle, strong-willed, a Socialite, is loyal to the people she cares about, has proper manners, is kind-hearted and beautiful, and is naturally upper-class. | |
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Sofia Löwenström in Överenskommelser is beautiful and demure and flawless, thus basically perfect according to the standards of the 1880s. | |
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In Death: Played with. Dr. Mira seems to give this off like pheromones. However, it was revealed early on that she had been raped by her stepfather, and she turns out to have flaws. Clarissa Price is a social worker in the story Purity In Death, who is lady-like and beautiful, which seems odd, considering that she works in a job that usually puts lines on someone's face. However, it turns out that she has failed to dot her I's and cross her T's, as well as being a party to murder, but she certainly suffered a Villainous Breakdown when Eve showed pictures of a teenaged girl who was essentially murdered by the terrorists Price was working for. Avril from Origin In Death starts off like this. However, she ends up murdering her own husband and helps in murdering people connected to him. Why? Because she is a clone created by her husband and his father, and while she would have lived with that, she found out that her husband had broken his promise to not clone their children (he was treating them as things to be replaced rather than human beings), and so she decided to go Mama Bear on him and his little science project. | |
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Vivi, Sandra, Nadia, Liliya, and Valentine from A Cruel God Reigns, and oddly enough all of them also fall under the Broken Bird trope, to varying degrees. Each girl is portrayed as sweet, loving, pure, gentle, and fragile. | |
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In Turning Red, Ming carries herself in a traditional, sophisticated, and orderly fashion. She does the same in all areas of her life, including maintaining the temple and raising her child. | |
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Mimosa Vermillion from Black Clover is quite ladylike, being a polite and sweet young woman who's also a good cook. Unlike most other royals, who belittle those they see as beneath them, she's kind to almost everyone regardless of their background. | |
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Dragon Quest V: Flora/Nera is a model maiden: demure, compassionate, good with children and animals... and she is scion of an ancient aristocratic family. Unusually, for once, her type is significantly less popular among the Japanese fanbase than her romantic rival, largely due to the Guilt-Based Gaming of the original version. | |
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The Mystic Knights of Tir Na Nóg: Largely inverted with Princess Deirdre of Kells. Even as a child, she loathed traditionally feminine skills (such as playing the harp). While she can certainly be polite and has no conflict with wearing full-length gowns on formal occasions, she is much more concerned with her kingdom and its people than presenting a “proper” facade. Not only can she fight as well as any man, she has zero qualms about stating her opinion and calling out others on their bullshit. | |
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Comes up in A Brother's Price, a Romance Novel with inverted gender roles. As a noble and a cousin to the royal princesses, Cullen Moorland is expected to be one of these, and he plays the part well, but he finds the expectations for being a proper young man to be boring and stifling, and he desperately envies Jerin. | |
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No Rest for the Wicked: Perrault disbelieves November because such a refined young lady could hardly come through the forest untouched. | |
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The Stormlight Archive: Women of the Vorin religion are expected to be controlled, quiet, and scholarly. The vast majority of Vorin scholars are women, with the only men being ardents (who are legally genderless). The traditional Vorin dress is the havah, which is form-fitting like a qipao but without any skin showing. One of the oddities of Vorinism is that women are supposed to keep their left hands hidden at all times in a sleeve. This "safehand" is not supposed to be used for anything, so the more higher-class women become very good at only using their right hands. Peasant women just wear a glove. | |
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Snow White and the Seven Dwarfs: Snow White, the first and fairest of them all, stands out as her feminine traits like domesticity and sweetness are emphasized, and thus she is the quintessential example in Disney canon. | |
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Crimson Peak deconstructs this with Lucille Sharpe, who at first glance fits the trope perfectly: she's poised, elegant, intelligent, well-spoken, beautiful, and skilled at running a household. She has appropriately feminine interests- piano and butterfly-collecting -and as a 36-year-old spinster, seems to have devoted herself to ensuring the success of her brother's business. She acts as an emotional rock for him, sacrifices her comfort for him, and pays solicitous attention to his new bride. ...but then it turns out that she and said brother have been in an incestuous relationship since childhood and they're running a Bluebeard plot that's already claimed three innocent women. | |
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Subverted with Akatsuki in KanColle. Her insistence on being treated like a proper lady has the opposite effect of making her looking childish instead. | |
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Cinderella: The title character is gentle, submissive, and even when her stepmother forces her to become a servant in her own house, remains stoic and gracious. | |
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Fire Emblem: The Blazing Blade has the trope discussed in a few support conversations, notably between Eliwood and Lyn, and between Louise and Rebecca. Lyn confides to Eliwood that the chancellor in Caelin Castle doesn't think she acts enough like a noble lady, and hoped that she could meet somebody who could teach her. Meanwhile, Rebecca wants to be more graceful and elegant for the person she likes, so she asks Louise how to be a proper lady. In both cases, they're told to just be the way they are instead of trying to change. | |
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Phineas and Ferb: The episode "My Fair Goalie" has Candace Flynn demands to her English cousin Eliza train her in the basics of being a proper lady, to which the Englishwoman reluctantly approves. She reverts back to being her usual self at the end. | |
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Our Miss Brooks: Mrs. Conklin fulfills this role. She's the kindly, intelligent and dignified wife of Mr. Conklin. | |
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Adele Ratignolle from Kate Chopin's novel The Awakening. Her submissiveness and devotion to her family and husband make her a foil to the protagonist Edna. Adele is extremely sweet, feminine, and fragile. However, Adele Ratignolle's open-minded Creole ways help Edna to unleash her inner self and the artist in her. | |
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After learning to control her powers, Elsa from Frozen is collected and poised enough to eventually be The High Queen. In A Sister More Like Me, she enjoys keeping things clean and neat, and intellectual pursuits such as geometry. | |
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Star Trek: Amanda Grayson (aka Spock's mother) pretty much always wears nice dresses and carries herself in a refined and dignified manner, which is constant for all her portrayals. Fitting, given that she's the wife of Ambassador Sarek and would thus be expected to fill this role. | |
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Hopscotch: Gekrepten, Oliveira's wife/girlfriend/whatever back in Argentina. She immediately accepts him after running away to Paris and never complains the fact that he stays all day at her place, never working. Heck, she even takes care of him after the trap incident. Subverted in that, no matter what she does, Horacio will never respect, care or love her because she isn't as intelligent/interesting as La Maga or Talita. | |
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Fanny Price subverts this trope in Mansfield Park. She's a girl from a poor family but adopted and brought up by wealthy genteel family. She is extremely gentle, passive and the doormat of almost everybody around her until they try to force her into marrying the man she doesn't love. Her firmness on this point makes her not quite a true lady, as her uncle spells out: | |
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Pride and Prejudice's Jane Bennet, the eldest daughter of a land-owning gentleman. She stubbornly believes the best of everyone, everyone loves her for her sweetness, and she's the only one with enough patience to put up with her perpetually querulous mother. But, like Fanny, in addition to being beautiful and kind, she's also intelligent, rational, and sensible. | |
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Windaria has Alan's House Wife Marie, a grand example of an honest and wholesome young lady. She also helps him sell their vegetables at market. | |
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A few girls in Revolutionary Girl Utena. The series plays around with this trope a lot. Utena's not one but once tries to act like one after Touga defeats her and she temporarily loses Anthy... yet not only it's very forced, but she's only using a part of the whole concept (being passive and ladylike, but not applying the Silk Hiding Steel). | |
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Queen Elinor from Brave is refined, feminine and stops brawls through quiet dignity and a few careful words rather than with confrontation. A big part of the plot is fueled by her attempts to turn her daughter, Merida, into this. | |
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A League of Their Own: Much to their surprise, the recruits of the All-American Girls Professional Baseball League are mandated to take classes at charm and beauty school ("Every girl in this league is going to be a lady"). More of a brief joke than a real plot element, since it never explicitly shows up afterwards - thus largely inverting the trope - but the absurdity of the scene is palpable. | |
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Little Women: Margaret aka Meg, Beth's eldest sister who plays Team Mom and Proper Lady to her three little sisters (shy Beth, Spirited Young Lady Jo, and Spoiled Brat Amy) and her friends (the Spoiled Sweet, but borderline Brainless Beauties Annie and Belle). Elizabeth "Beth" March evolves into Proper Lady in the second part of the book, before dying. May have taken after her mother, Margaret aka Marmee. She's very selfless and self-sacrificing, almost angelic. The girls' mother is a Proper Lady after having been more Hot-Blooded in her youth. Her wisdom and strong will are emphasized more than humility and kindness. |
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Rascal Does Not Dream of Bunny Girl Senpai: Consider female protagonist Mai Sakurajima. Elegant and ladylike, smart, self-sacrificing, incorruptible, loyal, gentle yet strong, even chaste and had never had a boyfriend before Sakuta. Yes, while she and Sakuta do have their playful mutual teasing, Mai is an inside-out beauty, pure-hearted, and immensely kind and selfless, fitting to a T. For the same reasons, also paragon of kindness Shoko Makinohara qualifies. She's the one who taught kindness to Sakuta from the beginning, after all, and also his first Love Interest. Seems the guy Has a Type, after all. |
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A Song of Ice and Fire: The female characters of A Song of Ice and Fire are portrayed as Humans Are Flawed, especially the POV characters. Sansa is a deconstruction. She's a lord's daughter and very often channels Princess Classic. She is very good at all things proper for a Westerosi noble girl at her age and is a sweet girl. This is part of the reason for conflict with her tomboyish sister Arya. However, she is also painfully naive, Thinks Like a Romance Novel and Wrong Genre Savvy. Under adversity she learns hard and slow. | |
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Hetalia: Axis Powers has Liechtenstein, a Yamato Nadeshiko who comes from West/Central Europe rather than East Asia. She's humble, kind, quiet, deferring yet not completely submissive to her brother Switzerland, very mature for a young nation, and quite competent at housework. | |
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Pygmalion and the later version My Fair Lady are about attempting to groom a poor girl into a lady. It works rather well — except that the girl also gains enough dignity and self-respect that she walks out. In the play Pygmalion, she never comes back. | |
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Game of Thrones: Catelyn Stark is an example of this. She is an impeccable host, she's graceful, intelligent and wise, despite the fact that she can make wrong choices and say the wrong thing as much as the next person. Sansa Stark initially aspires to be polite and courteous, partaking in activities like embroidery and happily going along with her Arranged Marriage, especially compared to her tomboy sister Arya. However, she lacks the poise and wisdom usually associated with this trope. She moves closer to this trope again in later seasons, but with an underlying steeliness and ruthless edge. Both subverted and played straight with the women of House Tyrell. Margaery largely presents as the ideal woman valued by her society, but is able to leverage that perception to effect masterful political manipulations. Her grandmother Oleanna also superficially presents as properly feminine, but is extremely politically astute and has zero qualms taking the piss out on anyone, including her own family and social superiors. |
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Agnes Wickfield from David Copperfield is beautiful, loving, caring and good enough to qualify for Incorruptible Pure Pureness. She's perfect and gets called an angel many, many times. She keeps her father Mr. Wickfield's house, she's immensely patient with everybody and wise beyond her years. She is self-sacrificing and supports her father who is fixated on her. She's the woman who keeps her husband's house peaceful and calm while he goes out into the world to have adventures. Her support is what enables David to get the happy family life he has always wanted (after she was forced to listen about his other loves and crushes — without a hint of resentment). The problem with Agnes's character is that she doesn't appear to want or do anything for herself. Everything she does is for others' happiness. | |
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As the title may indicate, Lady Jewelpet takes place in an institute that teaches girls how to be this trope. Results vary. | |
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Fairy Tail: It presents the mild-mannered Mirajane, who is not only the most feminine member of Fairy Tail but adorable and capable of cooking. She runs the guild from behind the scenes and her rank as a mage is Class S. Edo-Cana is even more feminine and soft than Mirajane. |
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House of the Dragon: Deconstructed with Alicent Hightower. A graceful, wise, and kind highborn lady, she initially fits this trope to a tee. However, she ends up being betrothed to a much older man that she does not love, becoming a Baby Factory whose sole purpose is to produce heirs for the realm, all while seeing her best friend-turned-stepdaughter indulge in scandalous but exciting affairs. Alicent does not follow in her footsteps, remaining a faithful wife and mother, but the experience turns her into a bitter and cynical Wicked Stepmother who willingly participates in the coup her family instigates to install her son to the throne. | |
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Tom Jones' "She's a Lady" seems to describe this sort of woman. She's got style, she's got grace, always something nice to say and so on. | |
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My Little Pony: Friendship Is Magic: Rarity believes herself to be this, and certainly acts the part in high society. It's the things she does around her friends and threats to them that prevent her from really living up to this ideal. | |
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Amy Dorrit from Little Dorrit is a reconstruction, since her father is a former gentleman in debtor's prison who insists on his children's "gentility" while mooching and sponging off all and sundry. Despite her father's twisting of the ideal, Amy upholds true nobility of soul and ends the novel a figure of quiet purity and strength. | |
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In The Fledgling Year, Action Girl/One of the Boys Aravis invokes this trope when she slips into her persona as a Tarkheena. This provokes very entertaining reactions from everyone who didn’t expect her to be capable of such suave formality and politesse. | |
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Upstairs Downstairs: Lady Marjorie is adored by her husband and servants, and a Proper Lady through and through. Her saintliness is tarnished only by a short affair she was quick to regret. Also gets a tragic death. Of course, after she dies, everything starts to slowly fall to pieces. Hazel Bellamy is a steel core lady, very refined and composed, although not of genteel pedigree. A rare example of a Proper Lady who has ever actually done working class work. |
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In Nomine: While the Archangel Blandine takes on many different forms, all are regal, beautiful and dignified women of some variety, and even in less human forms she keeps up her nurturing and reserved demeanour. | |
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Proper Lady / int_d2cd3b5e | |
| Proper Lady / int_db2eaaa1 | type |
Proper Lady | |
| Proper Lady / int_db2eaaa1 | comment |
The Book of Life: Maria's father wants her to become this, hence sending her to study abroad at a Spanish convent, so she would stop causing trouble in San Angel. Luckily for San Angel, it didn't work, and she comes back a full-fledged badass. La Muerte is poised, elegant, kind, and thoughtful. |
|
| Proper Lady / int_db2eaaa1 | featureApplicability |
1.0 | |
| Proper Lady / int_db2eaaa1 | featureConfidence |
1.0 | |
| The Book of Life | hasFeature |
Proper Lady / int_db2eaaa1 | |
| Proper Lady / int_e3fa00e0 | type |
Proper Lady | |
| Proper Lady / int_e3fa00e0 | comment |
Around the World in Eighty Days: Belinda Maze is not only a Victorian lady, but she's also devoted to her beloved Phileas Fogg and certainly nicer than her rotten uncle Lord Maze. | |
| Proper Lady / int_e3fa00e0 | featureApplicability |
1.0 | |
| Proper Lady / int_e3fa00e0 | featureConfidence |
1.0 | |
| Around the World in Eighty Days | hasFeature |
Proper Lady / int_e3fa00e0 | |
| Proper Lady / int_f73cf19a | type |
Proper Lady | |
| Proper Lady / int_f73cf19a | comment |
Miss Meadows: Miss Meadows comes across as one. She's kind, self-assured, caring for others, intelligent and always quite genteel. Subverted in that she's troubled (to the point of limited delusions) from a very traumatic past, she sleeps with Mike after a very short time in their relationship, and, of course, the whole "deadly vigilante" thing. | |
| Proper Lady / int_f73cf19a | featureApplicability |
-0.3 | |
| Proper Lady / int_f73cf19a | featureConfidence |
1.0 | |
| Miss Meadows | hasFeature |
Proper Lady / int_f73cf19a | |
| Proper Lady / int_fbc58609 | type |
Proper Lady | |
| Proper Lady / int_fbc58609 | comment |
Sally from The Nightmare Before Christmas fits this trope pretty well. She has the modest, feminine personality and attire, and is domestic and sensible. She's a leaf-filled patchwork doll with stitches all over her body and puts deadly nightshade in her creator's food and drink to get out of the house, which gives her shades of being more determined and shows she has a great desire to be free. | |
| Proper Lady / int_fbc58609 | featureApplicability |
1.0 | |
| Proper Lady / int_fbc58609 | featureConfidence |
1.0 | |
| The Nightmare Before Christmas | hasFeature |
Proper Lady / int_fbc58609 | |
| Proper Lady / int_fda9c8b | type |
Proper Lady | |
| Proper Lady / int_fda9c8b | comment |
Downton Abbey: The Right Honourable Cora Crawley, Countess of Grantham, the wife of Lord Grantham. She's graceful, intelligent and compassionate and she could be an English Rose...if she wasn't born American. She was born into a wealthy American family. Robert married her for her dowry to save his estate, Nobility Marries Money-style, but he fell in love with her later on. Matthew's Romantic False Lead in season 2, Lavinia, with her kind, ladylike attitude. She makes a few Fee Fi Faux Pas, but just because she belongs to high bourgeoisie rather than nobility. |
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| Proper Lady / int_fda9c8b | featureApplicability |
1.0 | |
| Proper Lady / int_fda9c8b | featureConfidence |
1.0 | |
| Downton Abbey | hasFeature |
Proper Lady / int_fda9c8b |
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