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Pupating Peril

 Pupating Peril
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 Pupating Peril
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Pupating Peril
 Pupating Peril
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A particular style of metamorphosis commonly found in butterflies, moths, wasps, bees and certain other flying insects, pupation is often the most dramatic change that can be undergone: unlike molting insects, who simply shed their skin and transform into a much larger variation on their original form, a pupating insect either spins a cocoon for themselves out of silk or converts their outer layer of skin into a chrysalis - in either case allowing them to undergo a much more intensive transformation. Consequently, the imago that finally emerges from the pupa will likely be unrecognizable compared to the original insect.
As such, it's perhaps not so surprising that fiction takes this relatively simple process and plays it for suspense, mystery and even horror: a pupa or pupae of an unknown species are discovered, and immediately questions will be raised as what will emerge when the creature's metamorphosis is complete — and given the focus on the pupa, chances are it will be complete at some point in the story. A form of Chekhov's Gun, once a cocoon is given sufficient focus, it's inevitable that it will hatch at some point. Regardless of whether or not the original larval form was encountered beforehand, the atmosphere will quickly turn anxious, and the tension gradually ratchets up as more shots are devoted to those ever-present pupae sitting in the background, just waiting to crack open...
The imago form of the creature will often be hostile in some way, either immediately attacking everyone in range or hiding in the shadows and slowly picking off characters one by one, depending on how intelligent the monster is. In extreme cases, it may even be intelligent enough to be a new villain in its own right.
On occasion, the fears of the audience will turn out to be completely unfounded, and what actually emerges will be harmless or even benevolent, but these cases are rare and typically deliberate subversions.
Compare and contrast Egg MacGuffin, which can be played for similar tensions but occurs at the beginning of the creature's life cycle. Contrast Metamorphosis Monster, in which the shock factor lies in how different the imago appears in contrast to the larval form, and All Webbed Up, which is when the victim ends up getting cocooned by the monster in preparation for a later meal (a completely different kind of horror).
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Aladdin: The Series: In "Mission: Imp Possible", Mothias is first met while in its cocoon made of magical golden silk. The extremely greedy imp Nefir as well as Iago both instantly get the idea to steal the silk. The emerging giant moth has a well-known hunger for imps and instantly starts hunting Nefir. Only by tricking Mothias into a spider web made of its own golden silk can the massive creature be subdued.
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Abraxas (Hrodvitnon): Monster X, not unlike Mothra in the movies, attracts this kind of awe and anxiety from whatever humans are present during each of its three Metamorphoses respectively. Each time it changes, whether due to a lack of understanding or Ghidorah's malevolent influence, the human characters are unsure whether what comes out will still be a hero-aligned San and Vivienne Graham or it'll be a monster like Ghidorah was.
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Metroid Fusion has the Zero enemies in Sector 2, slow-moving caterpillars that start pupating once you beat the boss. When you return during the blackout, they have become the flying Kihunters.
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In Borderlands 2, Varkids will sometimes turn into cocoons on being injured. Cocoons are fairly meaty, and if they aren't killed they emerge in a tougher form, making for a mad dash to destroy it before things get worse. If you're not careful, you might end up outright fighting a raid boss level form.
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Camp Lazlo: In "Creepy Crawly Campy", Raj befriends a cute little elephant-like bug that ends up creating a cocoon on his head overnight. The next morning, it emerges as a giant, horrifying monster bug that scares the other campers, though Raj doesn't seem to mind.
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My Little Pony: Friendship Is Magic (IDW): In "Ponies in Book Land", after the bookworm starts devouring its way through the stories in Twilight's library, a large number of colorful cocoons starts appearing around Ponyville. These cocoons, dubbed "schmarfelpods", end up covering a large part of the town and inspire a great deal of nervousness in the characters as they wonder what's going to come out of them. Once a schmarfelpod hatches into Daring Do, it's revealed that they contain fictional characters from the stories the bookworm ate, leading to increased apprehension about which characters exactly are going to come out of the hundreds and hundreds of cocoons scattered around town. Once the rest break open, the released characters promptly wreak havoc in the town, including a league of villains who try to forcibly take it over.
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Godzilla and Mothra: The Battle for Earth: The larval Mothra spins a cocoon on top on top of the Japanese National Assembly Building. The scene where she hatches in her butterfly form — while her fairy priestesses sing a hymn to her — is the high point of the movie, played for wonder and awe rather than terror. In contrast, Mothra's spikier, more threatening Spear Counterpart Battra skips the cocoon altogether, and transforms from caterpillar to imago in a flash of red lightning.
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The SCP Foundation website has SCP-200, a gigantic chrysalis attached to a queen-sized bed, apparently transformed from what was once an ordinary 13-year-old boy. No one knows how he formed the chrysalis, or what he might be metamorphosing into.
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Deep Rock Galactic: Glyphid Dreadnoughts, basically the game's bosses, are usually found inside of cocoons that need to be actively popped. According to Mission Control, this is necessary because having them ambulatory and ready to crash other mining operations (as they sometimes do to you) is bad news, and because their cocooning means they're trying to turn into something even worse than the chitinous, fiery juggernauts themselves.
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The Big Bang Theory: Discussed for laughs in "The Cooper-Nowitzki Theorem" when Leonard explains his theory on how Sheldon reproduces to Penny.
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The Breach: A recurring cutscene features the ship's medic begging the protagonist for help inside his head, transporting the protagonist into an endless void containing only a cocoon. The medic's pleas fade with time as the thing in the cocoon grows, and by the final scene she emerges as a fully mutated convert of the Eldritch Abomination that's taken over the ship.
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Guardians of the Galaxy: In vol 2, the Church of Universal Truth get very upset when Adam Warlock comes back to life, since by their scripture he's their founder and messiah, and if that is him, great! ... it just raises the question of who's in the giant cocoon they've got which looks exactly like the ones Adam occasionally hibernates it. At the end of the series, it turns out it's Thanos. An incredibly and insanely angry Thanos.
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Warcraft:
Most levels featuring Giant Spiders will also feature Egg Sacs that contain baby spiders. Sometimes they erupt when your units come close, other times they emerge when the sac is destroyed.
The Phoenix is a non-insect version: It's a powerful firebird that burns so hot it actually damages itself. Whenever it dies (from enemy attack or its own non-regeneration), it turns into a defenseless egg that, if left alone, turns back into a Phoenix at full health.
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In Resident Evil 6, the J'avo type enemies have a chance (modified by difficulty and level) of randomly bursting into flames and then freezing into waxen-looking cocoons, from which they can emerge as any of a variety of different more powerful monsters. Additionally, the boss monster Haos, a creature designed to literally infect the entire planet with the latest Zombie Apocalypse plague, initially appears inside of an enormous cocoon that a closer look reveals is made up of tens of thousands of people melted together into a single mass of wax-like resin to provide the requisite biomass.
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Gremlins: Mogwai that are allowed to eat after midnight encase themselves in creepy, Giger-esque cocoons as they begin metamorphosing into gremlins. This is played for much ominousness when Billy discovers that five of the six Mogwai are now cocoons clustered around his bed; it eventually results in an especially nightmarish moment in which the newly metamorphosed gremlins begin clawing their way out of their cocoons while a terrified Gizmo tries to hide.
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Big Finish Doctor Who: Zig-zagged in "Enemy of the Daleks". The Doctor encounters an insectoid species known as the Kiseibya, engineered specifically to kill Daleks. Starting out as parasitoid larvae, they eventually pupate and emerge as human-sized flying insects; however, though the emergence of the first Kiseibya is played for horror, complete with the scientist responsible for its creation forcing the Doctor to kneel before it as it hatches, the threat turns out to be non-existent: adult Kiseibya live exclusively on metal — and only become a threat to organic life when it's time for them to breed. However, it's played very straight when the Daleks find the now-empty cocoons... just in time for the entire swarm to ambush them.
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The eponymous Metroids on SR388 have various stages of maturation that they literally grow out of, and your introduction to the first of each stage in Metroid II: Return of Samus involves it changing out of its previous stage. Metroid: Samus Returns does the same for the Alpha, but later stages have already emerged from their older shells by the time you arrive.
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The World of Darkness:
Vampire: The Masquerade: Members of the Tzimisce clan can use the discipline of Vicissitude to weave cocoons for themselves out of flesh. Effectively immune to damage from sunlight and (to a lesser extent) fire, these cocoons can be used as a safe place for a Tzimisce to rest during the day. Given that Vicissitude also allows them to alter their bodies in many weird and disturbing ways, it's entirely possible for them to transform themselves even further while in this state and — if their cocoon is found — immediately go on the attack once the cocoon opens.
Werewolf: The Apocalypse: Individuals with a particular devotion to order can be accepted as servants of the Weaver herself, resulting in them being guided into the Umbra and cocooned deep within her domain. Inside, the subject is remade by being permanently merged with a Weaver spirit, their beings intertwined so thoroughly that no distinction exists between the two. What ultimately emerges from this cocoon is a Drone, a powerful embodiment of stasis that Werewolves often find more disturbing than even the Wyrm's Formori; for good measure, artworks depicting them play this for horror, featuring Drones emerging from their cocoons with eerily symmetrical faces and Black Eyes of Evil.
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Pokémon Gold and Silver: The Larvitar line is a unique non-insect example. As Larvitar, it starts out as a small baby reptile before evolving into the cocoon-like Pupitar. When it fully evolves into the Godzilla-esque Tyranitar, it drops the Ground sub typing for a Dark Type, as they're fearsome Pokémon that can destroy mountains.
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Etrian Odyssey IV: Legends of the Titan: The True Final Boss of the game is the Insatiable Pupa, a horned teal insect shaped like a beetle which was created as a failsafe against the Yggdrasil should it go out of control. Unfortunately for the Imperials who were working on it, the Pupa proved to be too dangerous after it absorbed too much power from the Yggdrasil, to the point of being corrupt, so it was sealed. One of the last surviving members of the research team devised a chemical compound capable of weakening the Pupa, and after a series of failed combinations between the constituting substances it finally found a suitable formula to created, but the compound could not be obtained in time before the researcher's passing. When the player's party arrives the last floor of the Pupa's whereabouts, they can gather clues on the compound's formula so they can insert the chemicals (found within dispensers located in specific locations) in the correct order to a canister which they can also find in this floor. If they succeed, then the canister can insert the chemical into the room of the Pupa and greatly weaken it prior to the boss battle, giving the party an advantage. But even in this scenario, the Pupa will hatch onto its ultimate form, the Warped Savior, so it's still far from a cakewalk.
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Vampire: The Masquerade: Members of the Tzimisce clan can use the discipline of Vicissitude to weave cocoons for themselves out of flesh. Effectively immune to damage from sunlight and (to a lesser extent) fire, these cocoons can be used as a safe place for a Tzimisce to rest during the day. Given that Vicissitude also allows them to alter their bodies in many weird and disturbing ways, it's entirely possible for them to transform themselves even further while in this state and — if their cocoon is found — immediately go on the attack once the cocoon opens.
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In Godzilla: King of the Monsters (2019), Mothra is introduced as a humongous egg from which her equally huge larval form hatches. A bit of non-lethal guard tossing later, she disappears from the plot for a while aside from a brief scene to show that she has spun herself a cocoon underneath/behind a waterfall. When she finally emerges as a bioluminescent moth the size of a 747, the spectacle is so awe-inspiring that everyone who witnesses it either stares or weeps at the sight. Unlike the MUTO example above, Mothra's metamorphosis is one of the rare benevolent examples as the Queen of the Monsters, just like her King, is firmly on the side of good.
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Teen Titans (2003): Subverted in "Transformation". Starfire starts to exhibit all sorts of ugly deformations as a result of Tamaranean puberty that she tries to hide with bulky clothes. Eventually, she's unable to hide them anymore and flies off in fear that her teammates will think she's ugly. She ends up getting captured by a spider alien that feeds on Tamaraneans that go through this process, just as Starfire ends up immobilized in a cocoon. The other Titans show up to save her, with Robin reassuring Starfire that no matter how monstrous she might end up looking after the metamorphosis, she'll still be their friend. It ends up being moot, because Starfire looks just the same after emerging — the only difference being that she now has extra powers.
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Werewolf: The Apocalypse: Individuals with a particular devotion to order can be accepted as servants of the Weaver herself, resulting in them being guided into the Umbra and cocooned deep within her domain. Inside, the subject is remade by being permanently merged with a Weaver spirit, their beings intertwined so thoroughly that no distinction exists between the two. What ultimately emerges from this cocoon is a Drone, a powerful embodiment of stasis that Werewolves often find more disturbing than even the Wyrm's Formori; for good measure, artworks depicting them play this for horror, featuring Drones emerging from their cocoons with eerily symmetrical faces and Black Eyes of Evil.
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MonsterVerse:
In Godzilla (2014), the male MUTO hatches from a huge, glowing, crescent-shaped chrysalis after feeding on the radiation of a nuclear reactor from within for fifteen years. While the larval form is never seen, the imago is a winged insectoid which immediately begins a trail of destruction across the Pacific.
In Godzilla: King of the Monsters (2019), Mothra is introduced as a humongous egg from which her equally huge larval form hatches. A bit of non-lethal guard tossing later, she disappears from the plot for a while aside from a brief scene to show that she has spun herself a cocoon underneath/behind a waterfall. When she finally emerges as a bioluminescent moth the size of a 747, the spectacle is so awe-inspiring that everyone who witnesses it either stares or weeps at the sight. Unlike the MUTO example above, Mothra's metamorphosis is one of the rare benevolent examples as the Queen of the Monsters, just like her King, is firmly on the side of good.
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Fantastic Four (1961): During the Stan Lee/Jack Kirby run, Alicia Masters is abducted by the Enclave, who wish her to help them with their creation, known only as Him. Turns out Him is so powerful no-one can approach without being blinded, and he keeps lashing out with his powers whenever anyone tries, so they get Alicia to try for them. After a whole issue of build-up about how dangerous Him is, it turns out he's a cocoon. Him hasn't even been properly "born" yet.
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Mothra marks the eponymous monster's debut film. After cutting a swath through Tokyo and toppling Tokyo Tower, the larval Mothra builds a cocoon while using the ruined landmark as a framework. In one of the film's iconic sequences, the JSDF attempts to roast Mothra alive while she's still in her cocoon, using the Atomic Heat Ray Gun to turn the cocoon into a giant fireball. However, they only succeed in toasting the outer shell, as Mothra emerges in her gargantuan imago form and takes off to continue her pursuit of the Shobijin, setting up the final act of the film.
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Species has the alien Sil, who Escaped from the Lab as a preteen girl and boards a passenger train. In one of its compartments, she undergoes a Body Horror puberty that involves creating a cocoon. From this stage, she emerges as a young woman in her twenties. The other occupant of the compartment doesn't survive this process, and a conductor checking compartments sees way too much weirdness and simply turns a blind eye to it all.
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In The Dragon Prince, Aaravos is able to interact with the outside world from his magical prison through a caterpillar familiar. The last episode of season 3 shows that the caterpillar has built a huge cocoon, which Aaravos will presumably emerge from should the series continue.
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Dragon's Crown: The battle against the Doom Beetle in the underground labyrinth has occasional grubs show up, and whichever ones that don't immediately attack the player will spin themselves into cocoons. The narrator outright tells the player(s) to destroy them before they can hatch into more Doom Beetles (albeit with significantly less health).
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The Fly II: Unlike his father, Seth Brundle, who underwent a gradual (and grotesque) mutation from human to man-insect monstrosity, Martin Brundle undergoes an insect-like complete metamorphosis. Late into the film, he cocoons himself and, unlike the pathetic final form of his father, emerges as a perfect man-fly fusion that has Super-Strength, can leap great distances, shrugs off bullets, and spits acid. However, despite his now monstrous appearance, he retains his intelligence and morality, focusing his Roaring Rampage of Revenge against people who really had it coming.
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Godzilla:
Mothra marks the eponymous monster's debut film. After cutting a swath through Tokyo and toppling Tokyo Tower, the larval Mothra builds a cocoon while using the ruined landmark as a framework. In one of the film's iconic sequences, the JSDF attempts to roast Mothra alive while she's still in her cocoon, using the Atomic Heat Ray Gun to turn the cocoon into a giant fireball. However, they only succeed in toasting the outer shell, as Mothra emerges in her gargantuan imago form and takes off to continue her pursuit of the Shobijin, setting up the final act of the film.
Godzilla and Mothra: The Battle for Earth: The larval Mothra spins a cocoon on top on top of the Japanese National Assembly Building. The scene where she hatches in her butterfly form — while her fairy priestesses sing a hymn to her — is the high point of the movie, played for wonder and awe rather than terror. In contrast, Mothra's spikier, more threatening Spear Counterpart Battra skips the cocoon altogether, and transforms from caterpillar to imago in a flash of red lightning.
See below for MonsterVerse examples.
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StarCraft:
The first missions of the Zerg campaign in the original game have the Overmind charge you with protecting a mysterious, fleshy chrysalis, which grows quite large as whatever inside develops. When it finally hatches, what comes out is Sarah Kerrigan, a main character in the preceding Terran campaign last seen being overrun by the Zerg, now mutated into a frighteningly powerful human-Zerg hybrid custom-made by the Overmind to be its champion, and who plays a central role through the rest of the series. The rest of the Zerg species is like this to a lesser extent, as many of their advanced units metamorphose from basic units that turn themselves into chrysalii.
In the sequel(s), Kerrigan can regenerate from death inside a cocoon after a minute or so.
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The Secret World: The Ak'ab are essentially giant insects based largely on moths, complete with cocoons. Situated out in the dark forests of Solomon Island, you most commonly encounter the cocoons of warrior Ak'ab, which are around six feet tall and found around trees deep within their territory; on the upside, they will not hatch until actually attacked — assuming you've managed to survive the waves of incoming attackers long enough to do that. The cocoon of the Queen is hidden in an underground hive and absolutely massive, giving you a good idea of the boss battle that lies ahead of you...
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Metroid: Zero Mission: In the lower areas of Norfair, Samus encounters giant grubs that can only be defeated by attacking their weak underbellies. She later finds a stationary one that is strung up in some vines that she must sever, which drops the grub through the ground and lets her continue to Ridley's lair. The grub can be seen starting to pupate. Samus must double back to the grub's location, only to see the grub has left its pupa. The nearby tunnel leads to a chamber where Samus must fight the imago.
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52: The Shazam! villain Mister Mind (a caterpillar-like creature from Venus) is exposed to artificial time particles known as suspendium, allowing him to finally escape his larval form. He uses Booster Gold's Robot Buddy Skeets as a makeshift cocoon, eventually emerging as a monstrous winged creature capable of devouring time itself.
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SpongeBob SquarePants: Played with in "Wormy", where the titular caterpillar confuses SpongeBob and Patrick by undergoing metamorphosis. After the duo leaves, we see live-action footage of Wormy's cocoon set to ominous music, eventually emerging into a live-action butterfly. Normally this wouldn't be too scary, but the episode portrays Wormy as a monster from SpongeBob and Patrick's point of view, with some horrifying buzzing close-ups of the live-action butterfly's face.
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In Metroid Prime 2: Echoes, the Chykka boss starts of as a larval monster that swims around the arena before pupating into a wasp-like flyer. Similarly, the Emperor Ing starts off as a stationary creature resembling an Inglet, seals itself into a spherical cocoon that Samus must bust open, and then emerges as a giant version of the Warrior Ing.
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Warhammer and Warhammer 40,000 feature the giant flying insects known as Rot Flies. These daemons started out as the puppy-like Beasts of Nurgle, but eventually grew frustrated with the fact that their new "friends" refused to play with them and eventually gave in to hatred after being banished from the physical world. Retreating to the depths of Nurgle's garden, they eventually develop a cocoon out of sheer resentfulness — in which they gradually metamorphose into the forms of giant insects so that they can take their revenge on the mortal realm.
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Doctor Who: "The Ark in Space" introduces the Wirrn, essentially parasitic wasps in space: having already demonstrated a breeding process replete with Body Horror, it's revealed that the Wirrn larvae resulting from this conversion process will eventually pupate into even more dangerous adults. Worse still, this also marks the point when they cease to require oxygen, leaving the Doctor and the others in serious danger when the Wirrn switch off life support.
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In The Legend of Dragoon, while exploring the Divine Tree on their way to The Very Definitely Final Dungeon, the team ends up getting on the bad side of a giant caterpillar. Halfway through the ensuing boss battle, the caterpillar becomes a chrysalis; in this form, it can't harm your party but it's effectively immune to all forms of damage, meaning that this is a good opportunity to heal up and brace for the worst. Eventually, the chrysalis cracks open to reveal an imago, a significantly tougher opponent.
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Yu-Gi-Oh!: In Yugi's first duel at Duelist Kingdom against Insector Haga/Weevil Underwood, Weevil was able to set Larva Moth into the field: upon flip summoning it, he then equipped Cocoon of Evolution so that he could special summon Great Moth within 4 turns. Upon emerging, it was Weevil's strongest card (second to Perfectly Ultimate Great Moth) since it has an effect of scattering poisonous pollens that lower attack and defense (which is exclusive to the manga/anime since it doesn't have that effect in the TCG).
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Perdido Street Station: Early in the story, Isaac obtains a mysterious grub along with all the other test subjects he requested; once he works out that it only eats Dreamshit, the grub begins growing at an impressive rate and eventually spins a large cocoon for itself. While Isaac continues his more optimistic experiments, the narrative segments focussed on the pupa quickly take a turn for the unsettling as it gets closer and closer to hatching. What emerges from the cocoon is a Slake Moth, an Animalistic Abomination with a hunger for living minds; Isaac isn't in his lab when it hatches, but one of his friends is — and quickly ends up becoming its first victim. From here on, the Slake Moths are the main villains of the story.
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In Godzilla (2014), the male MUTO hatches from a huge, glowing, crescent-shaped chrysalis after feeding on the radiation of a nuclear reactor from within for fifteen years. While the larval form is never seen, the imago is a winged insectoid which immediately begins a trail of destruction across the Pacific.
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In the sequel(s), Kerrigan can regenerate from death inside a cocoon after a minute or so.
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Amphibia: In "The Domino Effect", Anne adopts a wild caterpillar that reminds her of her cat back home. It is later revealed that the creature is a "coastal killapillar" which soon after pupates into a monstrous moth-like creature and tries to eat the Plantars.
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Dragon Ball Z: Played for Laughs in the Otherworld Tournament arc. After Goku escapes his opponent Caterpie's Tickle Torture, Caterpie, outraged that Goku hurt him, decides to transform into his "ultimate form". He weaves a cocoon around himself, ready to change... then the announcer states that the process will take several hundred years. Since no-one, even immortal gods, has the time to wait, Goku is declared the winner by default.
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Metroid: Multiple examples appear through the series:
The eponymous Metroids on SR388 have various stages of maturation that they literally grow out of, and your introduction to the first of each stage in Metroid II: Return of Samus involves it changing out of its previous stage. Metroid: Samus Returns does the same for the Alpha, but later stages have already emerged from their older shells by the time you arrive.
Metroid: Zero Mission: In the lower areas of Norfair, Samus encounters giant grubs that can only be defeated by attacking their weak underbellies. She later finds a stationary one that is strung up in some vines that she must sever, which drops the grub through the ground and lets her continue to Ridley's lair. The grub can be seen starting to pupate. Samus must double back to the grub's location, only to see the grub has left its pupa. The nearby tunnel leads to a chamber where Samus must fight the imago.
Metroid Fusion has the Zero enemies in Sector 2, slow-moving caterpillars that start pupating once you beat the boss. When you return during the blackout, they have become the flying Kihunters.
In Metroid Prime 2: Echoes, the Chykka boss starts of as a larval monster that swims around the arena before pupating into a wasp-like flyer. Similarly, the Emperor Ing starts off as a stationary creature resembling an Inglet, seals itself into a spherical cocoon that Samus must bust open, and then emerges as a giant version of the Warrior Ing.
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Babylon 5 has a downplayed example at the end of season 1, as the Minbari ambassador Delenn decides to enter a chrysalis for unknown purposes. A fair bit of suspense comes from the expectation of what, exactly, will emerge, even if nobody expects a horrible space monster.
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Men in Black: The Series: "The Quick Clone Syndrome" reveals that Alpha has been recovering from the injuries he suffered back in his first episode by wrapping himself up in a cocoon deep in the sewers. Having transformed into an even less human shape in the intervening time, he goes on the offensive as soon as J and K begin forcing his cocoon open.
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Dexter's Laboratory: In "Monstory", Dee Dee and Dexter are transformed into monsters over the course of their latest squabble. Unfortunately for Dexter, his initial form is rather unimpressive... up until he manages to find somewhere isolated enough to make a cocoon, resulting in a surprisingly creepy scene in which he gradually metamorphoses into something much more intimidating and capable of matching Dee Dee's height. However, neither Dee Dee nor Dexter are done transforming: they get so big that they end up levelling a city over the course of their fight.
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The following is a list of statements referring to the current page from other pages.

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Alien Tropes
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Horror Tropes
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