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Pygmalion Plot
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A character has made someone — literally, such as by sculpting a statue, or figuratively, through giving lessons in speech, behavior, or etiquette — and has fallen in love with the creation. Originally the Greek myth of the sculptor Pygmalion, and his statue brought to life by the gods. Ovid never gave the statue-girl a name, but the name Galatea was given in (Pseudo-)Apollodorus's Bibliotheca. It's Older Than Feudalism, dating to Ovid at least, but most modern versions will probably claim to be more directly descended from My Fair Lady, where the "creation" is figurative — manners, polish, and a new wardrobe. Keep an ear out for references such as "by Jove, I think she's got it!" or "The rain in Spain stays mainly on the plain." However, with the advent of modern Science Fiction, possibilities for Mad Scientists to patch up their own sentient Robot Girls are prominent, and this trope seems to have come full circle. This is related to Wife Husbandry, but differs because it's not (as) intrinsically creepy. Kiss Me, I'm Virtual is also related, as the creation will rarely have a mind of their own; if they do, expect What Measure Is a Non-Human? to ensue. Common twists include Pygmalion having his own lower-class past, Galatea not knowing of the bet with Colonel Pickering and reacting badly, and a Beautiful All Along addition. In some cases it may also stray into Whole-Plot Reference as well, if it's consciously echoing the wider plot of My Fair Lady and Pygmalion. See also In with the In Crowd, Pygmalion Snap Back, and Teach Him Anger. If the situation is inverted (i.e. the new creation intentionally resembles a long-lost love), then the result is a Replacement Goldfish. Compare also Muse Abuse. Stories featuring The Svengali will usually have a warped version of this plot. The Pygmalion may be the spear counterpart to the manic pixie dream girl in that they both are usually there to help the main character somehow transform their lives. Someone so desperate to be loved that they'd do this might be Love Hungry or Loving a Shadow. |
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| Pygmalion Plot / int_11574083 | type |
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The Fall of the Sea People provides a completely literal example. The Mentor challenged Aclaà to create someone who was best at something, so he created Éirime. Then, when he fell victim to this trope, he hardly spoke to her again. | |
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A.I. Love You - Pygmalion is a programmer, Galatea is his Ridiculously Human AI. | |
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The New 52 changed this into a cover story to her being having an affair with Zeus. Rebirth changed it back, but then James Robinson ignored this making current continuity a bit iffy on the subject. | |
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In The Smurfs, Papa Smurf fell in love with Smurfette after recreating her through a magical makeover (she was originally created by the evil wizard Gargamel as The Vamp), but since "Romeo and Smurfette" this has never really been followed up on, in either the comics or the Animated Adaptation. This is notably absent in Sony Pictures' film series, where Papa Smurf simply treats her like a daughter. | |
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Vertigo puts a dark twist on this. Scottie Ferguson forcibly molds a working middle class shopgirl into the image of an upper class dead woman with whom he is obsessed. Tragedy ensues, of course. "It can't matter to you" indeed. | |
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Cupid, "The Linguist": Pygmalion is a linguistics professor; Galatea is a talented chef with a Jersey accent. | |
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That '70s Show: In "Red And Stacey", Donna and Jackie give Big Rhonda a makeover before her date with Fez. He's initially impressed till she tells him that she was taught that eating hot dogs isn't "ladylike", leading him to say he preferred the old Rhonda. | |
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The Simpsons: As the title suggests, "My Fair Laddy" parodies My Fair Lady, in which Lisa Simpson plays the Pygmalion role and the Galatea is Groundskeeper Willie. It probably doesn't really need to be said that no romance occurs. Also parodied in "The Regina Monologues": |
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You can help an artist pull this off in Dark Cloud 2 by getting him special paints. | |
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In Ah! My Goddess, the robot Banpei becomes infatuated with a greeting automaton, though he becomes unsatisfied with her lack of response. He asks his creator, Skuld, to give her sentience. This backfires on him, as the automaton, now named Sigel, is actually disgusted at his constant leering, though it gets better. Before and after. |
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A rare case in which the genders are reversed occurs in Pintosmalto. Betta molded Pintasmalto from marzipan and gemstones, then prayed him to life by addressing the Goddess of Love just as Pygmalion has done centuries earlier. They marry and live happily ever after. | |
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This was the basis for Nikki and Victor Newman's love story on The Young and the Restless, with her being a reformed stripper and him being a wealthy tycoon. | |
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The original legend is referenced but not really followed by the origin of Wonder Woman, who was sculpted from clay and had life breathed into her by her mother. The New 52 changed this into a cover story to her being having an affair with Zeus. Rebirth changed it back, but then James Robinson ignored this making current continuity a bit iffy on the subject. |
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The story format features in the King of the Hill episode appropriately titled "Pigmalion". Luanne is hired by pig processing plant owner Trip Larson to be his girlfriend and he starts modeling her into a new model of a maid from his company's logo, (which was created by his father and who he is obsessed with) even dying her hair in her sleep so that she resembles the woman. He's also uncharacteristically aggressive for a character from this series, as well as being clinically insane. At the end of the episode he gets an electrical shock to the brain and then comments that the voices in his head have stopped. He threatens Peggy and even trying to kill Hank (without Hank ever realizing it) to get her to back off. In a twist on the trope, he doesn't want to marry Luanne—he wants her to marry a different man who he modeled after a guy in lederhosen also from the company logo (so that's two Pygmalion Plots in one) so that the three of them can be a family together with Trip himself as the third character from the logo: the pet pig. | |
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In the alternate Regency set Mairelon the Magician, the titular character picks up a street thief to be his assistant, giving her both lessons in stage magic and grammar. By the second book, The Magacian's Ward, he has formally taken her on as an apprentice of real magic, while teaching her (with his family's help) how to be a proper lady in Society. Of course, he falls in love with her in the process. | |
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Ever17 contains one scene in which Takeshi tries to teach Robot Girl(ish) Sora how to behave like a real woman of her (apparent) age; it doesn't stick, and he concludes in the end that he likes her better as she is. The game also explicitly compares Takeshi and Sora's relationship to the Pygmalion story at one point. | |
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In Inuyasha, an artist gets a hold of a tainted shard of the Shikon Jewel; with it immersed in his ink, his paintings come to life. However, he is obsessed with a beautiful princess. If he can't have her, then maybe a picture will do... it doesn't end well. | |
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The Twilight Zone (2002): In "Dream Lover", a bored artist decides to create the literal girl of his dreams to help him unwind after drawing her on a sheet of paper. She gradually becomes more rebellious and starts to ignore him until she reveals that he didn't create her, she created him. She erases him when he becomes jealous of her romance with a real man. | |
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Mannequin. A struggling artist works odd jobs, one of which is in a mannequin factory. He spends a lot of time over one mannequin (female, of course). Later she comes to life. There's a variation in why the mannequin comes to life. | |
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In Superman: The Animated Series episode "Obsession", the Toyman creates a perfect toy mate for himself named Darci (complete with creepy implications that she's basically a sex slave). However, she rebels against him and runs away, working as a runway model. It doesn't end well. | |
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In Texhnolyze, Mad Scientist Doc gives cybertronic limbs to Ichise, the show's main Anti-Hero, to replace the ones he lost in a fight. She later admits to loving him because of how well he took to the technology. | |
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In the Batman Beyond episode "Terry's Friend Dates a Robot", Howard has a synthoid girl custom made, with the assertion that, personality-wise, she would be completely devoted to him (This one comes back to haunt him). | |
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The OVA My Dear Marie does it in reverse. Pygmalion (Hiroshi) creates Galatea (Marie) as a robot girlfriend, but ends up treating her as a sibling. | |
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The Star Trek: Deep Space Nine episode "Chrysalis" crosses this trope with "Flowers for Algernon" Syndrome. In this episode, Bashir cures a young woman who's been in a cataleptic state as a result of childhood genetic engineering gone wrong, and then falls in love with her. When she starts shutting down again, it looks like a Pygmalion Snap Back, but when Bashir finds out she actually just feels overwhelmed by his romantic attentions, he backs off and helps her to get an internship at a research station. | |
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The Galateids from Promethean: The Created are descended from the original Galatea. However, their version of the story isn't nearly as clean as the myth. According to them, Galatea was made not from a statue, but from the corpses of the most beautiful women in Pygmalion's kingdom. At first the relationship went all right, but the Disquiet Galatea gave off made Pygmalion ever more possessive and spiteful, until finally she had enough. Pygmalion's body was found one morning with massive bruises on his throat; what happened to Galatea after that, no one knows, but the existence of the Galateids indicates she made at least one more of her kind. | |
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Batman villain Professor Pyg is styled after this trope. He mutilates his victims both physically and mentally into living dolls based on his warped sense of belief of what a perfect human being should look like. | |
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Played with in The Wallflower. It has the same basic premise as My Fair Lady (some territories even use that as a localized title) in that four young handsome men must socialize the niece of their landlord. The subversion comes when said niece, Sunako, not only proves to be more than they (initially) can handle as a horror maniac with nigh superhuman strength but also proves to be a kind-hearted young woman who helps them with their problems. | |
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My Fair Lady and Pygmalion of course. Including the X-rated The opening of Misty Beethoven and the porno musical remake. Ironically, Shaw intended Pygmalion to be the opposite of this trope. In the original ending, Eliza walks out on Higgins and becomes an independent woman, subverting the audience's expectations of a fairy tale romance. However, the actors refused to play it that way, which angered Shaw, and he ended up writing an epilogue that married her off to Freddy just so that she didn't end up forever under the thumb of the middle-aged man who "made" her. It didn't stick. | |
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Will & Grace had a storyline in which Jack and Will make-over a Straight Gay named Barry into a Camp Gay (which they consider a "proper gay"). Both of them fall for Barry and end up fighting over him afterwards. The arc is called, of course, "Fagmalion." Jack also fell for Will in the distant past, when mentoring him out of the closet. |
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Let Me Call You Sweetheart has a super creepy example with plastic surgeon Dr Smith and Suzanne, given she's his biological daughter. The term "Pygmalion fantasy" is even used to refer to his relationship with her. He gave her plastic surgery to make her strikingly beautiful, and also coached her on how to behave and speak, bought her an apartment and hired a personal shopper for her. Smith was completely obsessed with Suzanne, to the point she found him overbearing. Even after her death, he continues to be obsessed with her, making other patients physically resemble her and becoming fixated on one woman, Barbara Tompkins, who particularly reminds him of Suzanne. | |
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In The Story of Valentine and His Brother, Richard tries this with the beautiful vagabond Myra, but she finds life as a Proper Lady unbearable and ends up running away with their twin sons. | |
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Victor Frankenstein features a figurative and non-romantic variation. After Victor rescues Igor from the circus, he essentially "transforms" the latter into a younger version of himself. Victor fixes the hunchback's deformity so that Igor is no longer a cripple, he gives Igor fashionable clothing which is very similar (if a little less ostentatious) to his own, and encourages Igor's scientific talent by having him work as his lab assistant. Victor gradually grows to care for Igor, and ends up needing Igor more than Igor needs him. | |
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Star Trek: The Original Series: In the episode "Elaan of Troyius", Captain Kirk must teach the Dohlman of Elaas civilized manners before her wedding to the ruler of the planet Troyius. He ends up falling in love with her because he touches her tears — and the tears of Elaasian women are a potent love potion. "Requiem for Methuselah" is a rare example where both the literal (Flint made Rayna, the last of a line of android models) and figurative (he used Kirk to try to spark her further emotional development) variations of the trope are used for the same character. |
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In the lore of The Elder Scrolls, the High Elves' divine scribe Xarxes created his wife Oghma from his favourite moments in history. One text has her question whether she's marrying because she wants to or because she must, but doesn't record her conclusion. | |
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Pulseman has Doc Yoshiyama create, then fall in love with, an artificial intelligence. He uploads himself into a computer so he could make love to the AI, in doing so creating Pulseman and going Ax-Crazy. | |
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The Bride: Disgusted by his dim-witted and ugly original creation, Dr. Frankenstein sets out to animate an improved version. Though lovely on the outside, Eva begins her new life as little more than an animal. With the help of his trusty housekeeper, however, Frankenstein soon grooms the beautiful zombie into a reasonable facsimile of an upper-class debutante. | |
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So Weird did an episode about a painter who disappeared into the beautiful pastoral scene he'd created after falling for it. Though this is probably a near-miss, the Opening Monologue relates the story of Pygmalion. | |
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A species-wide version in Preacher: It turns out God created man so he'd have creatures that would love him unconditionally no matter what kind of misery he inflicts on them. | |
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As a result of her precognitive abilities, the Sweetie Bell of the Oversaturated World has developed a serious crush on the man Button Mash could grow into, and is using those powers to guide his development into that man. | |
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Reconstructed in Fate/Grand Order during its Akihabara Explosion event starring a Berserker version of Galatea herself as its Arc Hero. The storyline studies how modern audiences view the myth, as it involves hundreds of people attempting to surmount a skyscraper where their beloved figures can supposedly be brought to life at its top floor just like what happened to Galatea. While some are doing so for lurid purposes like Medea and Edward Teach, most just want to have a more traditional friendship with a treasured statuette or action figure that had brought them immense happiness and comfort over the years. At its climax, the event points out that Pygmalion's love for the statue itself was utterly pure and would've stayed such even if Galatea had never been given the power of movement and speech by the gods. The event also portrays the man rather sympathetically, as a wise and capable king if a bit distant and eccentric. The Arc Villain is Galatea herself, who obtained a Holy Grail and decided to carve it into a statue of Pygmalion intending to bring it to life with her love just like their legend. When she crafted a copy of herself out of it as a test run only to fail, she proceeded to cut off the heads and switch them (which was only possible thanks to her nature as a statue given life), using her new Holy Grail body to give her the power to give life to figures while releasing the other and amnesiac Galatea away, who becomes Chaldea's ally. Her ultimate goal is to harvest the feelings of the people alongside her own to supercharge the process of creating her new Pygmalion, but is ultimately talked down by reminding her what in her desire and despair she got it backwards: Pygmalion didn't carve Galatea because it was his end goal to bring her to life and fall in love with her, he fell in love with her as he was sculpting her and without any knowledge that she would someday come to life. | |
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Bicentennial Man: Rupert's Fembot is named Galatea. However, it's never indicated that he has any relationship with her other than "owner", merely redesigning a him into a her and modifying her Personality Chip. Andrew himself is an inversion, as he's a Robot Maid who develops sentience by accident and as he slowly becomes more human-like (encouraged by his original owner and his daughter) he starts to desire human love and eventually marries the great-granddaughter of his former owner. |
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A tragic inversion sets off the plot of Chobits. The Persocoms' inventor created two special Persocoms so they could be the children he and his wife could never have. He also gave them the ability to fall in love with someone. Sadly, one of them fell in love with him. | |
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Shaman Blues has a golem animator who tries to invoke this - she creates golem after golem, hoping that one of them will prove to be her perfect love. | |
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Ruby Sparks plays it literally as thinking about Pygmalion is what inspired writer Zoe Kazan's story. | |
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Shakespeare's The Taming of the Shrew is another variation on the theme. | |
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The Duckman episode "My Feral Lady" had the titular character teach his feral mail-order bride how to be civilized. | |
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Teen Titans: Trouble in Tokyo's supposed Big Bad Brushogun has origins in this: he fell in love with a painting of a woman he created and used black magic in an attempt to bring her to life. | |
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Tiny Toon Adventures also did this to Dizzy. | |
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Princess Jellyfish: Fashion-savvy crossdresser Kuranosuke easily makes the insecure jellyfish-obsessive Tsukimi beautiful, but it is her shy, nerdy side he ends up falling for. | |
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The Art of Monsters is designed as a "reverse" Pygmalion story, where a monstrous creature who has been civilized (sort of) by a mountain hermit tries to return the favour. It doesn't end well.. | |
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Parodied in Hercules: The Animated Series, when a dateless Herc, inspired by Pygmalion himself, makes a sculpture for Aphrodite to bring to life, which she names Galatea. Unfortunately, like with April he neglects to do much with her personality — she's clingy to say the (very) least — and chaos ensues. Eventually Hercules lets Aphrodite make Galatea her own person, and she immediately dumps him. Comically, Pygmalion had the exact same problem, he's just such a Dirty Old Man that he doesn't care. | |
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Doctor Who: The idea behind Nubile Savage Leela becoming the Doctor's companion, though, needless to say, there was no romance involved. And Leela didn't change much either, given that a Action Girl in a leather bikini proved to be quite popular with the audience. | |
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In The Darkness, both the Darkness and Angelus users had the power to create living beings to serve them, and some of these were created with for romantic or sexual purposes - the Angelus introduced at the start of the series had a female concubine whom she loved very dearly. This was frequently used by many Darkness users since having sex with mortal women would lead to their deaths, as their powers would then pass on to their offspring at cost of their own lives. Female Darklings are safe enough, but apparently they are very hard to create: Jackie tries to make one and botches many attempts, and he ends up needing outside help to successfully create the perfect woman. Though it turns out that the Darkness entity deliberately designed them so their users could breed with them and create an Eldritch Abomination free of any humanity. Oops. | |
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The play (later adapted into a movie) Educating Rita: Pygmalion is a literary professor; Galatea is a hairdresser...and she eventually surpasses him. | |
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In the Empath: The Luckiest Smurf story "Grouchy And The Love Doll", Grouchy creates for himself a love doll to be his companion, which somehow comes to life and loves him back — only to be revealed that it is a Cubus spirit inhabiting the doll to suck the life out of Grouchy through sex. | |
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The Human League's "Don't You Want Me" gives a dark spin on this trope. The song is a duet between an obsessive mentor and his young protégé, who he met when she was working in a cocktail bar. Over the course of the mentorship, he fell in love with her, but views her as a possession rather than a person and grows angry when she decides to live independently of him, threatening to harm her should she leave. | |
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Deconstructing Harry has author Harry and aspiring writer Fay's romantic relationship; he considered her "a fan, then an admirer, then a pupil...", but in the end he truly fell in love with her as a person. The feeling wasn't mutual. | |
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Battle Angel Alita had shades of this very early on, though it was not a straight example in that Dr Ido saw Alita more as a daughter than a would-be bride. The protagonist's name in the original Japanese, Gally, is actually a refference to this. | |
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Metal Men has gone over this at least twice, both between the sole female of the initial group and the scientist who built them all, and between Tin and his own creation, Nameless. Referenced in a Cerebus Syndrome retool where the Metal Men themselves underwent a human makeover with the help of a scientist their new mentor hired. The scientist's name? Dr. Peter Pygmalion. |
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In the film Rhinestone, Sylvester Stallone plays the part of an irate cab driver that Jake (played by Dolly Parton) must transform into a country-western singer capable of wooing the crowd at an unfriendly bar. In the process, the two fall in love. Jake's transformation of Nick (Stallone) into a country-western performer is successful (sort of). | |
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Cherryl Taggart of Atlas Shrugged is Wrong Genre Savvy and thinks that her story is a Pygmalion Plot; after all, she does start out wishing to improve on her background growing up in a slum by marrying a great railroad executive and joining his superior clique. Problem is, she picked the wrong group to join: Every friend of her husband Jim Taggart is a huge phony, and Jim himself has a belief system that comes close to Bad Is Good and Good Is Bad—thus, Jim wants Cherryl to remain uncultured and resents all her efforts to improve herself. | |
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Anastasia: Two con-men, Dimitri and Vlad, style an orphan to pass for the Empress's long-lost granddaughter, and the younger, Dimitri, is smitten when he sees his creation succeed. Unbeknownst to all of them, she really is Anastasia. Though, of course, he loved her all along. | |
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Averted in the Buffy the Vampire Slayer episode "I Was Made to Love You", as Warren's attempt to create a robotic girlfriend proved to be "too easy", and he ended up feeling nothing for her. | |
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In Meet John Doe, cynical reporter Ann Mitchell fakes a letter from a "John Doe" who says he's going to commit suicide to protest the state of the world. After it becomes a media sensation, the newspaper hires a hobo named John Willoughby to play the part. Ann writes him a Rousing Speech. She later admits that she's fallen in love with the John Doe she created. | |
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My Fair Lady: (which, incidentally, was based on the George Bernard Shaw play Pygmalion): Professor Henry Higgins teaches the poor, lower-class Eliza Doolittle to act and — especially — talk like an upper-class lady, on a bet with his friend Colonel Pickering. He succeeds, but Eliza, tired of being treated as an experiment, rebels against him and leaves. Higgins eventually realizes that he has "grown accustomed to her face," just in time for her to return. In the original play, Eliza ends up stranded between two worlds, fitting into neither. | |
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Kannagi: Crazy Shrine Maidens: Jin sculpts Kannagi out of a sacred tree, the goddess possesses the statue and thus the romantic comedy begins. | |
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This plot is pretty much the point of The Idolmaster, though the romance doesn't always happen... | |
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Igor has the eponymous character falling in love with the female Frankenstein's Monster he creates. | |
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In the Star Trek: Voyager episode "Someone to Watch Over Me", the Doctor gives Seven of Nine lessons in dating and ends up falling for her. Interestingly, the Doctor is a hologram (and therefore an artificial being himself). Comes complete with The Bet, in this case with Tom Paris, who congratulates the Doctor's success right in front of Seven. | |
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In The Smurfs (1981) episode "Clockwork Smurfette", Handy creates a Distaff Counterpart to Clockwork Smurf so she could be his creation's mate, but unfortunately she ends up feeling more attracted to her creator than to Clockwork. Eventually, though, after she helps Clockwork Smurf rescue the Smurfs from Gargamel, her affections turn towards Clockwork. | |
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In Pixel Perfect, Roscoe programs the artificial intelligence Loretta (though she's a hologram, not a robot). He develops feelings for her, but only because he used the personality and looks of his best friend Sam as one of the templates for Loretta, and the latter realizes that Sam is the girl for Roscoe. | |
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She's All That: Pygmalion is the school's top jock; Galatea is the ur-nerd. | |
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In Just One of the Guys, Terry decides that she can turn Rick into a popular student. She falls in love with him. | |
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Captain Carrot and His Amazing Zoo Crew! plays with this. Captain Carrot's secret identity is comic book artist Rodney Rabbit, who draws the comic book The Just a Lotta Animals (an animal version of the JLA), and he draws Wonder Wabbit as his ideal woman. But, this being the Pre-Crisis DCU, the Justa Lotta Animals exists on a parallel Earth. When Rodney meets Wonder Wabbit, he didn't actually create her, but from his own point of view, he did. They're immediately attracted to each other, but have to return to their own worlds, breaking Rodney's heart and leaving him still obliged to draw pictures of her for a living. Further complicated because he already had Unresolved Sexual Tension with his teammate Alley Kat Abra, who is understandably jealous. | |
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What mainly fuels Miranda Lawson's obsession for Commander Shepard in Miranda's Obsession is the fact that she was in charge of bringing him back to life, and thus she views him as her property. | |
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A similar episode of Star Trek: The Next Generation entitled "The Perfect Mate" has Captain Picard forced to learn from her (a slight twist compared to the original series story) how to perform the various ceremonial customs for her arranged marriage meant to end centuries of war between two planets. This woman is literally the "perfect mate" in that she is a powerful empath who, once she reaches full sexual maturity, will become the perfect mate for her companion. Her intellect, interests, personality, etc. are all shown to be highly variable at least until she permanently imprints on a mate. She ends up imprinted on Picard himself due to all the time they spend together since she likes how she is when she is around him, and he realizes that he is quite taken with her as well. In the end, her sense of duty won't allow her to stay with him and she goes off to marry the obnoxious jerk (who personally admitted he preferred the thought of discussing trade deals for the finalized treaty to meeting his betrothed) and end the war. Before departing, she assures Picard (in flowery prose to rival his own silver tongue) that while she will pretend to become whoever her new husband desires (so he will be satisfied with his prize), she will always be the woman she became with Picard and will always love him. | |
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