...it's like TV Tropes, but LINKED DATA!
Rearrange the Song
- 1569 statements
- 285 feature instances
- 543 referencing feature instances
| Rearrange the Song | type |
FeatureClass | |
| Rearrange the Song | label |
Rearrange the Song | |
| Rearrange the Song | page |
RearrangeTheSong | |
| Rearrange the Song | comment |
A trope growing more common every day. Need to breathe new life into old musical material, or just a way of keeping viewers tuning in? Rearrange The Song associated with the property. If "the bones" of the song (melody, lyrics and chord progression) are strong, re-arranging it is a way to make old material fresh, or to take advantage of current musical trends and fads. There's different types of rearrangements. One way is to change the instruments, so an acoustic theme song (acoustic guitar, upright bass and piano) could be rearranged for electric guitar, electric bass and synthesizer, or for a jazz big band. Another way is to change the feel and style, such as if a Country Music theme song was re-arranged in a Rock Music feel. The new arrangement may get "sweetening": adding a chorus of backup singers and lush orchestral strings. The staff of TV shows which have been running for many seasons have, on occasion, rearranged the theme song newly each season. A show that has a Spin-Off or a Time Skip sequel will occasionally arrange the new show's Theme Tune to hearken back to the original show. The beneficial effect of this, of course, is that they now have multiple versions of a song to appeal to multiple demographics. An example of this occurring is in The '70s, when many TV shows' theme songs had a funky disco feel. With musicians, they can sometimes do cover versions of their own material as a method of pushing the envelope with their own work. Musicians also do it with other people's work as parody or homage. See Variations on a Theme Song for when the main theme of a work is changed for a single episode. It's also common in cases where a classic property has been made into The Movie. See also Remix Album, Diegetic Soundtrack Usage, Theme Tune Extended, Truncated Theme Tune, Re-release the Song. |
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EnhancedRemake | |
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Wabbit | |
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TheCorre | |
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DBTropes | |
| Rearrange the Song / int_11e3f224 | type |
Rearrange the Song | |
| Rearrange the Song / int_11e3f224 | comment |
The Everybody Hates Chris theme seems to change every 10 episodes. and every time it does, the original tune becomes less and less recognizable. | |
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| Everybody Hates Chris | hasFeature |
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| Rearrange the Song / int_11e6bf74 | type |
Rearrange the Song | |
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Sonic the Hedgehog CD did this (at least in the Japanese soundtrack) with the four "time period" themes, having a different take on the same tune for the present, past, bad future, and good future versions of each level. The same applies to the American soundtrack, except the Past music which is the same as the original Japanese release. | |
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| Sonic the Hedgehog CD (Video Game) | hasFeature |
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| Rearrange the Song / int_13d2c035 | type |
Rearrange the Song | |
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The Adventures of Superboy | |
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| The Adventures of Superboy | hasFeature |
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| Rearrange the Song / int_13d2e7c3 | type |
Rearrange the Song | |
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The Adventures of Superman | |
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| The Adventures of Superman | hasFeature |
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| Rearrange the Song / int_14ce9e0 | type |
Rearrange the Song | |
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American Country Countdown: The 1978 opening and closing theme, "My Kind of Country," had an electric guitar added to the original track in the summer of 1982. The 1986 opening theme was redone in 1989; the 1984 hour-open theme, retained when the 1986 music cue package was implemented, was redone in 1989. |
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| Rearrange the Song / int_164e185 | type |
Rearrange the Song | |
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Noddy In Toyland uses a remixed version of the theme to Chorion's earlier Noddy production, Make Way For Noddy. | |
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| Noddy's Toyland Adventures | hasFeature |
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| Rearrange the Song / int_178b2241 | type |
Rearrange the Song | |
| Rearrange the Song / int_178b2241 | comment |
Two of the three b-sides of Versailles's single "ROSE" are redone versions of older songs: a re-recording of "The Red Carpet Day" and the Japanese version of "Love will be born again", which turns it into a Power Ballad. | |
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| Rearrange the Song / int_18352179 | type |
Rearrange the Song | |
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After leaving Legacy, Cody Rhodes got the theme song "Smoke and Mirrors". A slower, darker, more morose, mostly instrumental version was used during his "ugly" phase. Upon becoming Stardust, he gained the theme tune "Written in the Stars"; a more whimsical, stringed interpretation following the same chord structure. | |
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| Rearrange the Song / int_187d570a | type |
Rearrange the Song | |
| Rearrange the Song / int_187d570a | comment |
Devil May Cry 4 has "Lock and Load (Blackened Angel Mix)", which not only remixes "Lock and Load" from the first Devil May Cry, but also adds in lyrics from Dante's first boss theme "Blackened Angel". | |
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| Rearrange the Song / int_187d570b | type |
Rearrange the Song | |
| Rearrange the Song / int_187d570b | comment |
Devil May Cry 5 has even more remixes from DMC1, as outside from the returning "Lock and Load (Blackened Angel Mix)" being available as DLC, there's also "Anarchy in the U.W" (DMC5 Remix)" (a remix of, well, "Anarchy in the U.W."), "Grilled Tandoori Smoke" (a remix of "Flock Off!"), "Silent Siren" (a remix of "Psycho Siren"), and "Psycho Machine" (a remix of "Mental Machine"). | |
| Rearrange the Song / int_187d570b | featureApplicability |
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| Rearrange the Song / int_1a4b3ea2 | type |
Rearrange the Song | |
| Rearrange the Song / int_1a4b3ea2 | comment |
In the Digimon dub, compare the theme for the seasons based on Digimon Adventure and Digimon Adventure 02 and the theme for the Digimon Tamers season. Essentially the same, but the former is kind of techno and the latter uses more rock guitar instead. In the Japanese version, Digimon Adventure tri. uses the opening theme from the original series, except it has been rearranged to the point where it barely sounds like the same song. YMMV on whether it's for better or worse, though. | |
| Rearrange the Song / int_1a4b3ea2 | featureApplicability |
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| Digimon (Franchise) | hasFeature |
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| Rearrange the Song / int_1ae24caa | type |
Rearrange the Song | |
| Rearrange the Song / int_1ae24caa | comment |
The Battletoads arcade game has a screen counting up all the enemies defeated in a level, aptly titled the "Korpse Kount". The music for this screen is a subtle remix of the NES game's first level theme. | |
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| Battletoads (Video Game) | hasFeature |
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| Rearrange the Song / int_1b51bb94 | type |
Rearrange the Song | |
| Rearrange the Song / int_1b51bb94 | comment |
Rap versions of the theme to The Addams Family are played over the closing credits of both movies. | |
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| The Addams Family | hasFeature |
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| Rearrange the Song / int_1ce379a6 | type |
Rearrange the Song | |
| Rearrange the Song / int_1ce379a6 | comment |
Joe Diffie completely re-recorded "John Deere Green" for the single release, giving it a "cleaner" instrumentation and slightly different vocal track while cutting down on some of the repeated lines. "Third Rock from the Sun" was also changed drastically for the radio edit: it omitted the digitized Lyrical Cold Open while also toning down the vocal reverb and removing a couple instrument tracks. | |
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| Joe Diffie (Music) | hasFeature |
Rearrange the Song / int_1ce379a6 | |
| Rearrange the Song / int_1ed2c571 | type |
Rearrange the Song | |
| Rearrange the Song / int_1ed2c571 | comment |
The Cosby Show rearranged its theme music every season, except in season seven, where the season six version was still used. It was a pretty standard mid-80's sitcom theme in its first season. But in later seasons it was rearranged as a peppy dance tune (season two), salsa song (season three), a cappella performed by Bobby McFerrin (season four), a ballet (season five), a Motown-styled dance tune (seasons six and seven) and in the final season, a hip hop song crossed with a homage to the old song "Shotgun." | |
| Rearrange the Song / int_1ed2c571 | featureApplicability |
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| The Cosby Show | hasFeature |
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| Rearrange the Song / int_20e8e9bd | type |
Rearrange the Song | |
| Rearrange the Song / int_20e8e9bd | comment |
Several pieces of music have been reused and rearranged many times, most notably the drowning music and the results music. Drowning music has been used since the first game but it's always rearranged. The results music has been generally the same since Sonic 3 & Knuckles but again, it's been rearranged. | |
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| Sonic 3 & Knuckles (Video Game) | hasFeature |
Rearrange the Song / int_20e8e9bd | |
| Rearrange the Song / int_2118f461 | type |
Rearrange the Song | |
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Like Barney and Friends above, several songs on Inai Inai Baa! have been reused throughout the show's various changes, with the only difference being that a different child co-host sings the lyrics each time. In songs from the Rina-chan and Kana-chan eras that were remade from 2003 onward, U-Tan sings the lines that the puppets the character replaced (Kuu and Dada) sang. Perhaps the most interesting example of this was when "Genki Genki!" was used when Yuki-chan was the host. Originally, the song was a fast-paced one, but the version in question had a slower melody. | |
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CSI: NY rearranged their version of "Baba O'Riley" in Season 4. | |
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The theme for Star Trek: Enterprise "Where My Heart Will Take Me" went from soft rock to country in season 3. Doubles as Real Song Theme Tune since its also a cover of Rod Stewart's "Faith of the Heart". | |
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Underworld's biggest song, "Born Slippy .NUXX" is actually an In Name Only remix of their song "Born Slippy". ".NUXX" became so popular that it overshadowed the original after its use in the film Trainspotting. Underworld revisited ".NUXX" in 2003 for a greatest hits album, downplaying the relentless percussion-only accompaniment with a piano part. | |
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Psych will sometimes rearrange the theme song to fit the theme of the episode. The episode about a Spanish 'telenovella' features a mariachi version with Spanish lyrics, the episode about an Indian dancer had an Indian-style remix with lyrics in Hindi, and Boyz II Men revised the theme for the episodes featuring Gus' college a cappella group. Also the first Christmas episode rearranged the theme to include bells, but the scenes in the credits were framed with snow and holly. |
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Weeds: Malvina Reynolds' "Little Boxes" is used as the theme song for the first season; for the next two seasons, each episode starts with a cover of "Little Boxes" by someone else (e.g., Elvis Costello, Regina Spektor, The Decembrists), with Reynolds' version used for the season finales. From the fourth season on, though, they dropped the theme song entirely, as it no longer fit when Nancy and family left suburbia. | |
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Disney Animated Canon: Disney movies simultaneously release the version one hears in the soundtrack, plus a version recorded by a popular recording artist arranged specifically for radio play with the intention of getting a hit single. Disney occasionally produces albums of rearranged songs, including "Simply Mad About The Mouse" (which had its own TV special), "Stay Awake" (which features Tom Waits' version of marching song), an album featuring R&B and pop singers singing their favorite Disney songs, and "We Love Disney". |
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The Simpsons: The theme has been rearranged countless times in the series, to the point where it's almost a Running Gag. It's mostly during the closing credits, within the body of an episode, or on special episodes. There have only been three versions of the main opening theme: the original Danny Elfman arrangement, another Elfman arrangement for season 2, and the Alf Clausen arrangement from season 3 onward. Lisa's sax solo does change from week to week, however, and the couch gag often features different music. Green Day perform their own version for The Simpsons Movie. Their cover has a vocal, which appears on the teleprompter as "DAH DAH DAH DAH DAH DAH DAH..." |
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"Red, Red Wine," a somber forget-about-her, wallow-in-misery song written by Neil Diamond. This was the standard arrangement for Diamond's original recording and a 1972 hit version by country singer Roy Drusky (who was compared to Perry Como during his 1960s and early 1970s heyday). Then came a new reggae version by English band UB40, and their upbeat-sounding 1980s remake virtually changed the song overnight, especially after a re-release of the song in 1988 (with toast bridge) soared to No. 1 on the Billboard Hot 100. So much so that both Diamond and Drusky – among many others – had to add reggae-style beats whenever they performed "Red, Red Wine," even for fans that remembered their original versions. Frank Sinatra remade six of the eight songs on his 1950 Columbia album Sing and Dance with Frank Sinatra for his 1961 Capitol album Sinatra's Swingin Session! with new stereo arrangements. He also remade songs he recorded with Tommy Dorsey with new arrangements by Dorsey arranger Sy Oliver for his 1961 Reprise album I Remember Tommy. |
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Fringe's two 1980s flashback episodes had a synth version of the theme music, to go with the retro title sequence. | |
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The 1987 film version of Dragnet (starring Dan Aykroyd) does this to its theme, courtesy of The Art of Noise. | |
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Um Jammer Lammy and its soundtrack album Make It Sweet!: As discussed here in greater detail, most of the songs on the album were reworked from UmJammer Lammy's original versions. Some changes were superficial (e.g. Katy Kat singing on most of the songs instead of the game's teachers, minor adjustments to some of the lyrics), and some were radical (e.g. a completely new music track for "BIRTH SONG", which uses the lyrics and melody of "Treasure"). The biggest example of this is "TASTE OF TERIYAKI", which had the vocals greatly slowed down and the uptempo music replaced with something more atmospheric in the verses, while the chorus is left intact and the fadeout contains vocals from PaRappa's version of the song. The unlockable PaRappa mode in the game contains reworked versions of all the songs from the main game, with new lyrics and more hip-hop-inspired iterations of the music. |
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The Looney Tunes series has done this so many times with "The Merry-Go-Round Broke Down" and "Merrily We Roll Along" that finding and listing all of the different versions would probably take forever. | |
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On their second album, Tyranny and Mutation, Blue Öyster Cult recorded a new version of "I'm on the Lamb but I Ain't No Sheep" (from Blue Öyster Cult). The new version was titled "The Red and the Black". It had mostly the same lyrics, but was different musically, and was a minute longer. | |
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Teenage Mutant Ninja Turtles (2003) had a few changes. The first not only replaced the ninja code lyrics with a character introduction but as Shredder was defeated, we're shown the Turtles on the perch Shredder's usually on with Michaelangelo dancing and holding Shredder's helmet, proclaiming "We shredded Shredder!" It changed again when Karai took over, returning the original "Watch out for Shredder!", but with Karai saying it. | |
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For a scene in Justice League Unlimited where Batman, Green Lantern and Wonder Woman (along with more era-appropriate heroes like Jonah Hex) are riding through the Wild West on horses on their way to the lair of the episode's Big Bad, a Western-ised version of the theme music from the original Justice League plays. | |
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The opening theme of Star Trek: Picard was rearranged for the second season and retains the same basic melody but has added new elements that clearly convey that something dark and intense is going on. | |
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Teen Titans Go! and the DC Nation shorts that inspired it each have a theme based on the original. Go! specifically boasts a remix by Mix Master Mike, best known for his work with the Beastie Boys. How appropriate given that one of the Titans is named Beast Boy... | |
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Days of Our Lives: went from the string orchestra original to a more electronic version in 1993. | |
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Atop the Fourth Wall introduced its theme song on the Secret Defenders #10 episode (June 16, 2009). Starting with the Maximum Clonage episode (October 26), it took on its current arrangement, with fuller orchestration, a stronger vocal track, and overall better production. The theme song would get overhauled years later with Spider-Man: Sins Past in 2020 and become the new theme in 2021 in order to remove lyrics that attacked comic creators (a former habit of Linkara's that he now considers an Old Shame). | |
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Roseanne's theme song is known for its saxophone version, but some seasons have it played on the electric guitar. Vocals are added in the final season, which annoyed some fans. However, it redeems itself in the series' very last shot, where a woman sings the tune acappella as Rosie goes from her writing room to the living room and watches TV before everything fades to black. | |
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Games since Sonic the Hedgehog (2006) have used an orchestral rearrangement of the game's theme song (or, in that first case, Sonic's Image Song) for the final boss fight; Unleashed uses an orchestral version of "Endless Possibility" and Colors has an orchestral version of "Reach for the Stars". Generations lacks this, as its soundtrack is comprised almost entirely of remixes of songs from older games, and as such it doesn't have a proper theme song. | |
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A lot of people don't know this, but the opening to Darkwing Duck is a rearranged version! Before the show premiered in syndication in the fall of 1991, the Disney Channel aired it on weekend mornings over the preceding spring and summer. The opening for those airings, as seen here featured a heavy guitar riff, no sax in the background, and some completely different singers. Unlike the case for Chip 'N Dale Rescue Rangers, the original arrangement, has never been used again in any reruns, home media or any other material, suggesting the original masters of it may have been lost. | |
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The Secret Life of Us uses an edited version of "Death Defy" by Motor Ace. The season four credits slightly changed the arrangement, with the opening lines changed from the first half of the first verse to the second half: Season 1-3: "Starting to get my head in your space,/Starting to lose track of the weekdays,/Starting to cook my brain in five ways/Trying to be cool." Season 4: "Starting to lose my inhibitions,/Starting to make some bad decisions,/I'm listening to all your crap opinions,/Trying to be cool." |
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All My Children: the 1990-1994 theme returned in 2002 with a new sound (further rearranged in 2004). | |
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The Young and the Restless: switched from the original piano/strings arrangement to a jazzier arrangement with saxophone and percussion in 1999 (switching back in 2003). | |
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The arpegio from the menus in Touhou Eiyashou ~ Imperishable Night has been included in many later songs. | |
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For one week, All-Star Blitz used a very bizarre remix of their theme with some quasi-Scatting dubbed in ("All-Star Blitz! Hobba hum, hobba heeba humba…") before changing back to the original. Amusingly, the remix is the only version of the theme that circulates. | |
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Similarly The New Adventures of Winnie the Pooh used a rerecorded version of the main theme from Season Two onwards. Interestingly with this change, the end credits, originally using a short orchestral remix of the opening, were lengthened to just use a full, mostly instrumental version of the rerecorded opening, subverting the trope. Some airings or VHS releases also reveal other variations, such as end credits with the Season One opening instrumental, and a version of the opening sung by Jim Cummings (who also voices Pooh). | |
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Triple H's theme song, "The Game" by Motörhead has gone through several remixes, starting off as the instrumental "Higher Brain Pattern", gaining lyrics from Chris Warren as "My Time", then finally achieving its current form after Motörhead covered it. Drowning Pool also did a cover that's rarely used. A version with the music of "My Time" and the lyrics of "The Game" appeared on WWE Anthology, disc 3. | |
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Several tunes from the original Blaster Master were updated for Blasting Again and Overdrive. | |
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HeartCatch Pretty Cure! had their opening and ending remixed for The Movie, which hadn't been done in other versions prior or afterward. | |
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The film Kamen Rider × Super Sentai × Space Sheriff: Super Hero Taisen Z has "Jouchaku ~We Are Brothers~", a remixed version of the the first movie's theme "Jounetsu ~We Are Brothers~" Heisei Rider vs. Showa Rider: Kamen Rider Taisen feat. Super Sentai plays its ending credits to a modern remix of "Dragon Road", which was the main theme of the one-episode season, Kamen Rider ZX, which this movie partially celebrates the 30th anniversary of. |
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Perhaps taking a cue from Den-O, Engine Sentai Go-onger's ending theme comes in several cover versions as well. Each of the Humongous Mecha trios has their own mix ("Engine First Rap -Type Normal-", "Second Rap -Turbo Custom-", "Third Rap -Aero-Dynamic Custom-", "Final Rap -Type Evolution"), then there's one that's a musical Green Aesop ("Engine Eco Rap -Recycle Custom-"), one for The Movie ("Engine Formation Rap -GekijouBANG! Custom-"), a cover sung exclusively by the show's female cast ("G3 Princess Rap ~Pretty Love Limited~"), a cover sung exclusively by the show's male cast ("G5 Prince Rap ~Bombaye Limited"), and then a final version covering all 12 of the Humongous Mecha for the finale ("Engine Winning Run -Type Formula-"). The five songs for the mecha (First, Second, Third, & Final Lap, and Winning Run) were later strung into a continuous 17-minute song for a soundtrack release. An then for the Samurai Sentai Shinkenger VS Go-onger Intercontinuity Crossover Movie, "Samurai First Rap ~GinmakuBANG!!~". |
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Animaniacs went through this a couple of times. The first was the "While Bill Clinton plays the sax" verse. It was changed twice as a backup lyric in case Clinton didn't win the '96 Election. The second was Pinky & the Brain's verse, since their segments for the most part became its own series, the verse was replaced with a verse about the Warners' supporting castnote Ralph, Dr. Scratchansniff, and Hello Nurse. When the show was rebooted, the song was changed heavily - the lyric "Dot is cute" is changed to "Dot has wit", the "While Bill Clinton plays the sax" is changed to "Our careers have made comebacks", and while Pinky and the Brain return to their old verse, everything after that is changed. |
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Neil Sedaka's first version of "Breaking Up Is Hard To Do", released in 1962, is fast and upbeat. The re-released 1975 version is a Softer and Slower Cover. | |
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The themes to Mighty Morphin Power Rangers: The Movie and Power Rangers Zeo were remixed versions of the original Mighty Morphin' Power Rangers theme. The season after Zeo, Power Rangers Turbo, worked in the six-note "Go, go, Power Rangers!" riff, but was otherwise unique. Years later, Saban's reclaiming of the franchise led them to resurrect the theme and use an updated version for Power Rangers Samurai and Megaforce (with minor differences between the two), which was then remixed again for Power Rangers Dino Charge with lines added to the chorus and entirely new verses. Recently, Ron Wasserman, the man who helped create many of the MMPR songs, went back and made new mixes of them and released them under the title "Power Rangers Redux". |
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No theme has been rearranged more than the classic crooner's tune "Fly Me To The Moon" (itself a heavily rearranged version of an old waltz), which was the ending for Neon Genesis Evangelion. There's about 15 to 20 versions used for the show's ending, and that's for a 26-episode TV series. The Neon Genesis Evangelion rendition of "Fly Me To The Moon" is of itself a rearrangement. It was originally written by Bart Howard in 1954. | |
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Sesame Street kept its original theme for 23 seasons, then rearranged it to: A calypso version in Season 24. An arrangement in the spirit of the original in Season 30. A funk version in Season 33. A hip-hop-inspired version in Season 38. A jazz version in Season 40 with the addition of acoustic and brass instruments, remixed in Season 42 with more percussion, and... Most recently, a shorter folk-inspired version used since Season 46, when the series moved in first-run airings from PBS to HBO (PBS now airs episodes with a 9-month delay, with some exceptions, such as episodes dealing with serious issues). |
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In the Discworld novel Soul Music, Buddy follows up playing his beautiful, haunting harp masterwork "Sioni Bod Da" by grabbing his guitar and playing a Music With Rocks version of the same piece. The Animated Adaptation's "The Messenger" captures this beautifully. | |
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Bret Hart: His 1988-1997 theme "Hart Beat," which was rescored and evolved into "Hart Attack," but beneath the surface remained the same theme until his final match (the infamous Montreal Screwjob). | |
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University Challenge had an upbeat jazz arrangement of its theme tune for most of its history. Sometime around 2000, it was replaced with a string quartet version which survives to this day. | |
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Melvins' Electroretard was half cover songs, half new versions of their own songs - the rearrangements usually included more electronic experimentation and calmer, more intelligible vocals. The song with the most pronounced difference may be "Revolve" - the original was a fairly accessible straightforward hard rock song, whereas the Electroretard version removes the driving rhythm, replaces the distorted guitar tone with a strange phasing effect, adds some atonal high-pitched synthesizers, and omits the chorus entirely. | |
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World of Warcraft had "Legends of Azeroth" as its original login music. Each new expansion has seen a remix of the song, with additional instrumentals and vocals added to match the tone and setting. | |
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The first two seasons of Small Wonder had a bouncy tune that didn't match it at all. The third season debuted a quasi-techno arrangement that was marginally better. (The lyrics were still terrible.) | |
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Rocket Knight Adventures reuses quite a few of its tunes in this fashion. | |
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The theme song of Doc McStuffins was given a new, much jazzier arrangement with altered lyrics and a new vocalist when the Toy Hospital was introduced. | |
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Iron Man 3: A jazz-rock version of the original Iron Man theme from the movies plays over the closing credits. This arrangement is called "Can You Dig It?" | |
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Each season of the The Muppet Show was different. Starting with Season 2, they dropped the part where Kermit the Frog sings To Introduce the guest star... part. And also, Gonzo no longer hits the gong; he now blows his trumpet. When Season 3 came, they added the audience chanting Why don't you get things started? During season 4, it was shorted with male and female singing It's time to play the music, It's time to light the lights, It's time to get things started. Season 5 (the final season) had the full theme song. With Statler and Waldorf ranting Why do we always come here, I guess we'll never know, It's kinda like a torture, To have to watch the show! |
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The theme music of The Octonauts and the Great Swamp Search was re-arranged with the same basic tune but with eastern-sounding instruments. | |
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The theme music for The Big Bang Theory appears to have been re-recorded at least twice over the eight seasons. This is fairly subtle and not immediately apparent to the ear; the biggest single reason was apparently to correct an error in the sung lyric that made the Universe fourteen million years old, as opposed to the more correct fourteen billion. | |
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Prior to all of them was Futari wa Pretty Cure Max Heart, who modified Futari wa Pretty Cure's theme "DANZEN! Futari Wa Pretty Cure" to a more action-packed theme, "DANZEN! Futari Wa Pretty Cure (ver. Max Heart)" | |
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The Cat and the Fiddle has an in-universe example, where Shirley helps Victor rearrange his waltz song "One Moment Alone" into Common Time. | |
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Star Trek (2009) has a newer version of Star Trek: The Original Series' opening theme, complete with a closing narration by Spock-Prime. | |
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The Mission: Impossible movies featured at least one remixed version of the old theme, which was actually quite snappy. And then there's the background music/muzik version in that infamous Scientology video (at least one person was surprised that it was actually being played and not a repeated clip). |
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Marc Almond has rerecorded Soft Cell's breakthrough hit "Tainted Love" on more than one occasion. The final track on the two-disc edition of his 2017 retrospective "Hits and Pieces" is a big band version of the song which he recorded with Jools Holland's Rhythm and Blues Orchestra, who also provided backing when Almond gave his first public performance since his brush with death in a motorcycle accident. | |
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Dolph Ziggler's first solo theme song was "I am Perfection" by Cage 9. This was later covered by Downstait, then reworked into "Here to Show the World", also by Downstait. | |
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"All We Are" by OneRepublic comes in two versions. One has the lyrics "Time can tear you apart but it won't break anything that you are (you are)" while the slower version says "Lord I know I failed you time and again, but you and me are alright". | |
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In the first season of The Raccoons, the ending theme "Run With Us" was sung by Steve Lunt, but in all subsequent seasons, it was performed by Lisa Lougheed (Lisa Raccoon) with additional lyrics (at least 1 Season 2 episode had a partly-instrumental version of the theme with some characters discussing about something, with the chorus lyrics intact). | |
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The original theme to Family Feud. The original theme (used on the original 1976-85 series hosted by Richard Dawson) was a re-arrangement of a music bed from The Price Is Right with a banjo added. Then, when Feud was revived in 1988 with Ray Combs, the theme was remixed in stereo with the banjo taken back out and a synthesized drum added. After Combs left and Dawson returned in 1994, they switched again to a slower, jazzy version for the one season that Dawson hosted. When Feud returned again in 1999, it used a bland, generic "party" theme for Louie Anderson and Richard Karn's tenures; it spent the next several years alternating between the "party" theme and the Combs theme until eventually settling on the latter halfway through John O'Hurley's run. | |
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DuckTales (2017), naturally, uses a remix of the iconic theme song from the original series. | |
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"Space" uses a bombastic orchestral arrangement of the theme in the style of John Williams. | |
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The X-Files: I Want to Believe features a remix of the theme song in the credits. The usual creepy theme song uses a cello for its iconic harmony, giving the song an eerie and very sad feel to it. Fans, naturally, loved it. | |
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The second season of Higurashi: When They Cry does this in an interesting way. It plays the tune of the first season; backwards, with enough variation to be an actual tune. | |
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The Price Is Right: For 35 years, the CBS daytime (along with the first two syndicated versions) used the same arrangement of the theme music - in fact, the same version that was used on the first episode in September 1972 was used on Bob Barker's final show in June 2007 (although slightly sped up to give it a stereo-ish sound). Finally, in October 2007, with the coming of Drew Carey's first shows, the main theme and most of the major cues were re-scored. A 90s jazz arrangement was given to the main theme for the 1994 syndicated The New Price is Right, which was later picked up by some of the international versions (such as Bruce Forsyth's British version). |
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The James Bond movies have rearranged the iconic theme music many times over. It sounds particularly good on electric guitar. | |
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GaoGaiGar has an entire soundtrack, Yuusha-Oh Tanjou! 10 RenHatsu!!, devoted to the various versions of its theme song, Yuusha-Oh Tanjou!. Included in this are the original, Mythology (from FINAL), Grand Glorious Gathering (from FINAL -Grand Glorious Gathering-), ultimate extra (sung by the artists who sung the theme to Betterman), Ultimate Mythology and Perfect Yell (original and Ultimate Mythology with sound clips from the series) It powerfully rearranges its own ending theme for the very end of FINAL by having it sung by the character voices themselves. | |
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Maho Girls Pretty Cure! had a re-arranged opening for the second half that was a rock version with different lyrics. | |
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Last Exile's ending theme, "Over the Sky", was given a much longer and more emotional version, "Over the Sky Angel Feather ver." for the final episode. | |
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Virtually all of the music in Inspector Gadget is the theme song rescored to match the musical style of the part of the world that episode takes place in. | |
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Prior to that, Futari wa Pretty Cure Splash★Star, Yes! Pretty Cure 5, and Yes! Pretty Cure 5GoGo all used various versions of "Ganbalance de Dance" as their second ending theme. Amusingly, Fresh, which had dancing as a major focus of the series, was the series that broke this trend. | |
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Super Mario Bros.: The VS. version totally redid the ending theme. In addition, a Hi-Score theme was added. | |
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Gene Autry recorded new stereo versions of two of his most famous songs — "Rudolph the Red-Nosed Reindeer" and "Here Comes Santa Claus" in 1957. Of "Rudolph ...", both the new version and the original 1949 mono record are still played today; "Here Comes Santa Claus," almost all music directors stuck with the 1947 original. | |
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When "No Rain" became Blind Melon's biggest hit and they started getting bored of playing it at every show, they added a new intro, playing it as slow psychedelic blues for about a minute before segueing into the more familiar Folk Rock of the album version. A full studio recording in that style (without the Song Style Shift) appeared on the outtake / Posthumous Collaboration album Nico, under the title "No Rain (Ripped Away Version)". | |
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McCartney wrote "Come and Get It" for Badfinger—it was written for the movie The Magic Christian and was released as a single on the Beatles' Apple label. McCartney recorded it as a guide for Badfinger with a slower tempo and slightly higher pitch than what Badfinger would eventually do. This appeared on volume three of The Beatles Anthology. | |
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Hedwig's Theme from the Harry Potter films has been tweaked, rearranged, and reworked in an effort to keep it fresh and slightly unpredictable. The theme is made slightly more discordant in each progressing film to match the increasingly dark subject matter. Other themes have had this done, too. | |
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"Stone Cold" Steve Austin's iconic in-house music was remixed with lyrics by Disturbed when he made his highly publicized return in September 2000, all up until July 2001, when he made an ill-fated heel turn and used a one-time-only slowed-down version. Afterwards he used a theme that vaguely sounded like H-Blockx's "Oh, Hell Yeah" until the end of the Invasion. | |
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Rainbow Six: Lockdown switched to a rock version of the series theme. In fact, every installment reworked the main theme in some way. | |
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The Marvel Cinematic Universe's The Incredible Hulk movie features a few brief moments where you can hear "The Lonely Man," best known as the delicate piano theme from the '70s TV show. | |
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Fallout 3's main theme was reworked for Fallout 4. A few of the BGM pieces are also rearranges of songs from FO 3 and Fallout: New Vegas. There’s also a minor example in one of the '50s music tracks used. In FO 3, the popular song "Butcher Pete" only used its first part, which ended with the singer asking the listener to turn the record over to hear the second part. FO 4 uses both parts of the song. |
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Quantum Leap had its theme rearranged for its fifth season. The fans hated it. So it switched back to the original arrangement for the very final episode. | |
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The second half of Welcome to the NHK uses a more downbeat version of the opening, to match the show's mood shift. | |
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Polnareff's theme from JoJo's Bizarre Adventure: Heritage for the Future was reorchestrated for the later PlayStation 2 adaptation of JoJo's Bizarre Adventure: Golden Wind. | |
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Smallville being an intentional exception...given that the costume isn't involved yet. | |
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Thomas Rhett re-recorded the vocal track for the single release of "Make Me Wanna". | |
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Most of the music from Resident Evil was rearranged for the Nintendo GameCube remake; and consequently became much creepier. Compare the mansion second-floor theme from the original and the remake. | |
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The opening credits and main title theme of Star Trek: Deep Space Nine was modified between seasons 3 and 4. | |
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When the show was rebooted, the song was changed heavily - the lyric "Dot is cute" is changed to "Dot has wit", the "While Bill Clinton plays the sax" is changed to "Our careers have made comebacks", and while Pinky and the Brain return to their old verse, everything after that is changed. | |
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Outlander has adjusted its theme music several times to reflect the different settings of each season. | |
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So far, the ending theme of Sasami-san@Ganbaranai has had a new version for each episode. | |
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The games do this frequently, both in their rearrangements of the Ground and Underground themes from the first game for subsequent games, and (especially in Super Mario World and Yoshi's Story) also within a game. Super Smash Bros. is just as guilty of doing this with the games' main themes (especially in Brawl). | |
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The Hollywood Squares: The original version had a disco version of the theme in its later years, while the 1980s revival rearranged its 80's sax theme in the final season. | |
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Halo: Pretty much every game has rearranged the characteristic theme in at least one way or another. Additionally, the games of the original trilogy share several themes, with each arranging them in different ways. For its Anniversary Enhanced Remake, Halo: Combat Evolved had its soundtrack re-recorded and remastered by Pyramind Studios, as well as having its orchestral pieces conducted by the Skywalker Symphony Orchestra. Something similar was done for Halo 2: Anniversary. |
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The A-Team used a synthesized arrangement of its theme for the final season. | |
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The fifth and sixth All Stars movies remixes the new theme, "Precure ~Eien no Tomodatchi~", from the fourth movie. Movie six also rearranges "Precure Memory", the end theme to HappinessCharge Pretty Cure! by having all nine Pink-type Cure seiyuu sing it. | |
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Steven Universe began using a different version of its theme song (with new animation) early in Season 2, starting with a short revealing the full lyrics of the song. (International broadcast still use the original opening.) | |
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Seinfeld attempted this in the Season Three opener "The Note." The classic slap bass theme was given background singersnote Julia Louis-Dreyfus once joked that they were singing "easy to beat" due to the show's incredibly poor ratings at the time. Unfortunately, this experiment was deemed a failure. So, in the following episode, the instrumental versions of the show's theme and transitional tunes returned. | |
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Sparkster: The Sega Genesis and Super NES versions mostly have unique soundtracks, but share a basic theme for their first levels. The Genesis version uses a rock arrangement, while the SNES version has more orchestral flourishes. | |
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Also used within the show of Dreamgirls to represent two songs being Covered Up: Jimmy and the Dreamettes' exuberant version of "Cadillac Car" is replaced by a practically easy-listening version by Dave and the Sweethearts, while Effie's soulful "One Night Only" vies with Deena and the Dreams' disco version. | |
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Between 1994 and 1997, the theme to The Red Green Show was altered to have more instrumentation, including a saxophone. This coincided with a change in the opening segment. The original theme came back. | |
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The Flintstones: The Primetime Specials (1980-81) use the same song as the original show but with completely different lyrics to accommodate the new elements, including the Frankenstone family. For The Flintstone Comedy Show (the show that aired around the same time), the original song is used for the opening, though slightly extended to include the Frankenstones' Leitmotif, with some lines of lyrics replaced with an instrumental part and "gay" replaced with "great". |
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GA: Geijutsuka Art Design Class has five different versions of "Coloring palettes", its ending theme. Tomokane's and Noda's are upbeat, whereas Kisaragi and Professor's versions are a little more relaxed. | |
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Sound Horizon almost always plays rearranged versions of their songs on Territorial Expansion tours. How much they rearrange any given song varies. Sometimes it's simply rearranging the vocalists, other times they change they change the instrumentation or make medleys, and then there was the one time they did a duet version "Koibito wo Uchiotoshita Hi" — On an accordion. | |
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The famous theme song of Candid Camera had a different arrangement with each new version of the program. One notable arrangement was the arrangement done by Little Richard. | |
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Bottle Fairy has five variations of its ending theme, each sung by a different fairy about a different season, the final one being sung by the four of them together about the fuzzy feelings felt throughout the year. | |
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Star Trek: The opening credits and main title theme of Star Trek: Deep Space Nine was modified between seasons 3 and 4. Star Trek: The Original Series also used a slightly altered arrangement of its theme for seasons 2 and 3. The theme for Star Trek: Enterprise "Where My Heart Will Take Me" went from soft rock to country in season 3. Doubles as Real Song Theme Tune since its also a cover of Rod Stewart's "Faith of the Heart". The opening theme of Star Trek: Picard was rearranged for the second season and retains the same basic melody but has added new elements that clearly convey that something dark and intense is going on. |
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Time Crisis 3 uses a very different theme tune than the other installments, although you can still hear vestiges of the original, and on top of that, it features an epic rearrangement of Wild Dog's theme. In turn TC 3's theme was rearranged for the fourth game. | |
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The Portuguese dub of My Little Pony: Equestria Girls features a rearranged version of the main show's theme tune for the opening credits. | |
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The Office (UK) most weeks featured a cover version of "Handbags and Gladrags" by "Big George", except for one episode (the training day episode) where it was performed by Ricky Gervais (as David Brent) on solo acoustic guitar. | |
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Super Mario Bros.: The games do this frequently, both in their rearrangements of the Ground and Underground themes from the first game for subsequent games, and (especially in Super Mario World and Yoshi's Story) also within a game. Super Smash Bros. is just as guilty of doing this with the games' main themes (especially in Brawl). Super Mario Bros.: The VS. version totally redid the ending theme. In addition, a Hi-Score theme was added. |
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As heard in the intro, the theme song of Pretty Little Liars: Original Sin is a remixed version of Secret, the theme of the original series. | |
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Florida Georgia Line remixed "Cruise" for pop radio with a heavy dose of Auto-Tune and a guest verse from Nelly. | |
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After two films featuring the original song, The Bourne Ultimatum ends with a new version of Moby's "Extreme Ways," produced specifically for the movie. Another new version of the song was produced for the next film, The Bourne Legacy. | |
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Much of the character's theme tunes in Sonic Adventure were remixed or rearranged for the game's sequel, Sonic Adventure 2. A few of those songs were also rearranged for other entries in the series, too. | |
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Lonestar did this twice: The pop mix of "Amazed" adds a Truck Driver's Gear Change that is not present in the original. "Tell Her" was completely re-recorded for country radio. The radio version features a full string section and a more forceful vocal, compared to the more subdued, nearly acoustic version on the album. Although their Greatest Hits Album contains the radio edits of a few other songs, it kept the album version of "Tell Her", thus making the radio edit a Missing Episode. |
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After almost 20 years of gradual remixing and added levels of epic, the The Undertaker's theme is ultimately a version of Chopin's Funeral March. | |
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Many soaps using theme songs played on organ in the early 1970s switched to orchestrated versions of these themes, most notably As the World Turns and The Edge of Night. | |
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Double Dragon Neon's soundtrack includes rearrangements of, in addition to the series' iconic title theme, the Mission Bumper, City Slum, Industrial Area, Cave 2, and Palace themes from Double Dragon 1; and the Mission 1, Stage Clear, and Intermission themes from Double Dragon II. | |
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The 10th anniversary series of Death in Paradise introduced a new version of the theme tune, which notably fixed the infamous Soundtrack Dissonance which had affected every episode until that point: the Cold Open invariably ended with the discovery of a gruesome murder, which then crashed into the jaunty, upbeat theme tune. Whilst not by any means downbeat, the remix did slow it down a bit to make the transition less jarring. | |
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M*A*S*H had a rearranged version of its opening theme for Seasons Three, Five, Six, Seven, Nine, Ten, and the Grand Finale; and a rearranged version of its closing theme for Seasons Three, Six, Seven, Nine, Ten, and Eleven. Unusually for this trope, the rearrangements are subtle enough to be easily missed by casual viewers. | |
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Square One TV also did it in its later seasons. | |
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American Dragon: Jake Long got a new version of the Theme Tune to go with the Art Shift in Season 2. The original version was sort of light and mystical-sounding. The Season 2 rearrangement was full of crunchy guitar and was definitely made to sound more like rock. | |
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Star Trek: Lower Decks changed up its theme song for season 2 to be more symphonic after the positive reaction to such music in the episode "Crisis Point". | |
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Kim Possible rearranged the theme into a parody of James Bond themes for Kim Possible Movie: So the Drama. | |
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The theme of Batman: The Animated Series got a few special remixes in Batman Beyond, at various times performed by a full orchestra, howling electric guitars; these tended to happen at significant moments, like the times Bruce actually got involved. | |
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When Alvin and the Chipmunks switched from Ruby-Spears to Murakami-Wolf-Swenson in its sixth season (later to DiC Entertainment that same year), a re-mixed version of the theme song was used for the main titles (a completely new instrumental theme was used for the end titles). | |
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For The Flintstone Comedy Show (the show that aired around the same time), the original song is used for the opening, though slightly extended to include the Frankenstones' Leitmotif, with some lines of lyrics replaced with an instrumental part and "gay" replaced with "great". | |
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Classic Albums: The record producers, studio engineers, and the artist himself often take the original studio tracks from the album and let the audience listen to demo versions, outtakes, acoustic performances, the vocal parts only, guitar and bass part only, lead vocals only... | |
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Mystery Science Theater 3000 had its theme song lyrics changed several times throughout its run to reflect on changes within the show (such as the switch from Joel to Mike). Here's a handy-dandy flowchart◊ laying out the various permutations of the theme. There are currently 7 variations of the song - the KTMA version, the season 1-5 version (with season 2's visuals changing to replace Larry with Frank), the season 5.5-6 version (to bring in Mike), the season 7 version (replacing Frank with Pearl), the season 8-9 version (the "Endless Chase" version), the season 10 version (Castle Forrester) and the season 11/Netflix version. Also a slower-tempo instrumental version of the theme plays during the closing credits. The Netflix revival not only remixed the theme again but also remixed various classic songs from the first 10 years. |
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The original Ben 10's pop-rock theme song gets a hard rock remix in Ben 10: Race Against Time, its live-action TV movie. The opening theme to its first Sequel Series, Ben 10: Alien Force, is a mostly new tune, but threaded through it is an instrumental arrangement of the first two sung lines from the original series' theme song. |
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A slightly different version of the Daria theme song "You're Standing On My Neck" played in the first four episodes (And a few season one episodes after that) of the series, though it was still performed by Splendora, who performed the standard version of the theme, and was almost the same as the standard version instrumental-wise. It's possible that this "first version" was a demo. | |
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Dragon Ball Z: Battle of Gods and Dragon Ball Z: Resurrection 'F' both had remixes of the original theme song "Cha-la Head Cha-la". Battle of Gods was sung by FLOW while Resurrection F was sung by Momoriro Clover Z. | |
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"Outside" by Staind was originally released in a live acoustic version (actually performed by Aaron Lewis solo with backing vocals by Fred Durst) on The Family Values Tour 1999, a companion album to the rock and hip hop tour of the same name. In a reversal of the Unplugged Version trope, when the acoustic version proved to be a hit, they then released an electric full band version on their next album, Break The Cycle. | |
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Some of the singles released exclusively for the OST as "Shoudou" and "Friction" obtained reversions with more guitars in some of their albums. For example, this is the original version of Burnout Dominator/Paradise's "Friction" and this is the -LAP 2- version from 2007's Action album. | |
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Star Trek: The Original Series also used a slightly altered arrangement of its theme for seasons 2 and 3. | |
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Command and Conquer: Red Alert 's constant changing of the classic "Hell March" theme. | |
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Girls on Top: The theme tune in Series 1 was done by the four leads (French, Saunders, Wax and Ullman). This was kept for the first episode of Series 2 ("Mr Fluffy Knows Too Much"), but from "Big Snogs" and onward the theme tune was done by Glenn Tilbrook of Squeeze. | |
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Johann Sebastian Bach: Bach occasionally turned his concertos in a variety of different instruments into harpsichord concertos. Quite a few of these harpsichord concertos are the only existing versions of now-lost concertos for other instruments. Bach also rearranged several violin concertos by Vivaldi into harpsichord concertos. Perhaps the most insane example is Bach's arrangement of Vivaldi's Concerto No. 10 in B minor for four violins, cello, and strings (RV 580) into the Concerto for four harpsichords and strings (BWV 1065). Bach is also famous (or infamous, depending on who you ask) for using themes from earlier works in later pieces, a technique called "parody". One very obvious example involves the third movement of the Brandenburg Concerto No. 1. Much of it was reworked into the first movement of the secular cantata Auf, schmetternde Töne der muntern Trompeten (Arise, blaring tones of high-spirited trumpets). In fact, the cantata is almost literally the Brandenburg Concerto No. 1 with lyrics! |
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By this point, it's nigh-impossible to count how many versions of the Lupin III theme there are. | |
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Elvis Costello rearranged "Watching the Detectives" to an Orchestral Big Band number out of the 1950s. | |
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Devil May Cry: Devil May Cry 4 has "Lock and Load (Blackened Angel Mix)", which not only remixes "Lock and Load" from the first Devil May Cry, but also adds in lyrics from Dante's first boss theme "Blackened Angel". Devil May Cry 5 has even more remixes from DMC1, as outside from the returning "Lock and Load (Blackened Angel Mix)" being available as DLC, there's also "Anarchy in the U.W" (DMC5 Remix)" (a remix of, well, "Anarchy in the U.W."), "Grilled Tandoori Smoke" (a remix of "Flock Off!"), "Silent Siren" (a remix of "Psycho Siren"), and "Psycho Machine" (a remix of "Mental Machine"). |
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Law & Order has a unique Instrumental Theme Tune, Opening Narration, and Title Sequence that is replicated in each of its six American spinoffs, slightly modified to fit the tone of each new show. How much the theme song is rearranged depends on largely on when the show came out. Law & Order: Special Victims Unit, being the first, has a theme and title sequence most like the original, while the latest addition, Law & Order: Organized Crime has the most variation by using an orchestral arrangement and using a highly stylized version of the Title Sequence that forgoes many of the usual hallmarks, including being entirely in color. The only spinoff to abandon the theme completely is Law & Order: UK, for reasons unknown, as it still uses the Opening Narration and Signature Sound Effect of "chung-chung" in scene changes. | |
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N*E*R*D re-recorded their 2001 debut album In Search of..., which had an Alternative Hip Hop sound as a Rap Rock album the following year. | |
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The One Piece anime has two openings covering the first opening theme, "We Are". The seventh opening keeps the same instrumentation but is sung by the Straw Hat pirates, while the tenth opening is a pop cover by South Korean band TVXQ. | |
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Butthole Surfers' 1991 Pioughd had them remaking their 1983 Noise Rock rant "Something" In the Style of The Jesus and Mary Chain as a joke. Guitarist Paul Leary's solo album Born Stupid included rearrangements of songs he'd written with Butthole Surfers: "Gary Floyd Revisited" turns the garage punk "Gary Floyd" into a gentle psych-folk ballad, and "The Shah Revisited" turns the Hardcore Punk of "The Shah Sleeps In Lee Harvey's Grave" into very lyrically dissonant country/gospel music. |
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The songs in Jersey Boys are subtly rearranged from the original versions by Frankie Valli and the Four Seasons. Most of the songs are slightly faster, with a different instrument mix and a verse cut out so they can all fit in a two-hour musical. | |
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Pokémon: While each new game in the main series of Pokémon adds many new tracks to the Pokémon music library, there are some tracks that have remained constant throughout the series, being rearranged time and time again. They are the Pokémon main title/opening theme, the Pokémon Gym Interior theme, the Pokémon Center theme, and the Pokémon Evolution theme. Omega Ruby and Alpha Sapphire also rearranged some tracks. Compare the Fortree's theme in the original games to the theme in the remakes. The music for Super Secret Bases is another rearrangement of Fortree's music. |
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Di Gi Charat Nyo! used a remix of Equal Romace, an end theme of Ranma ½, as its ending theme. | |
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Big City Greens had its Instrumental Theme Tune redone in Season 3B to reflect the Greens moving back to the country. The original had a light pop sound with country twang, while the rearrangement makes it purely country with more fiddles and horn sounds, and all vocalizations (the whistling and count off) were replaced with appropriate sound effects like a Jew's harp. | |
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Spider-Man: Homecoming: a symphonic version of the '66 theme plays over the Marvel Studios logo. | |
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One of the B-sides of D's single "Snow White" ("Snow White 'Another Gift'") is a harder arrangement of the titular song, turning it from a Power Ballad to straight-up metal. They've also recorded a parody version of their Signature Song "Night-ship 'D'", called "Nyanto-shippo 'De'!?" | |
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Fate/Grand Order has this all over the place in the Final Singularity. Every piece used is a remix of a theme used previously in the game, with the final boss's forms all using remixes of the various main themes. | |
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The Guild started out with an entirely synthesized instrumental theme song - fitting the premise of the show, it sounded like something out of an MMORPG Loading Screen. By season five it got some fuller orchestration, including an electric guitar playing the lead melody instead of the synthesizers. The simpler version of the theme was reprised at the end of the very last episode to further emphasize a use of Book Ends dialogue. | |
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The Final Fantasy franchise has been known to recycle some of its themes. Notably, several different versions of the Chocobo theme have appeared in several games. | |
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Fear Factory collaborated with Gary Numan to remake his hit single "Cars" In the Style of Industrial Metal. | |
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Amorphis released Magic and Mayhem, re-recorded versions of their earlier songs with their then-new singer Tomi Joutsen. | |
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Reading Rainbow rearranged its theme song during the show's 17th season in 1999 and again in 2001. | |
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VeggieTales went through this twice: The first alteration of the theme song first appeared on "Pistachio: The Little Boy That Woodn't". The theme had all the characters sing the entire theme song rather than Bob doing the first verse and a chorus doing the rest. It also removed the dialogue between Bob and Larry at the beginning for a tuba solo by Larry and also had one of the verses being cut. The second alteration of the theme song appeared on videos starting with "Noah's Ark" and had Bob sing the first verse, but kept the same vocals for the last few verses from the first alteration. |
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Mezase Pokemon Master was remixed again for the 20th-anniversary movie, while the dub used another remix of the first opening. | |
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Solatorobo: Red the Hunter has "Pulse of Lares" for its Lares and Lemures stages, which is a rescore of the Tail Concerto song "Inside The Iron Giant". Given how Lares, Lemures, and The Iron Giant are all Titano-Machinas, it makes sense why this would occur. | |
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Teen Titans: The original series has two versions of the theme song: The English version for "serious" episodes, and the Japanese version for "silly" episodes. They got this mixed up with the episode "Nevermore", the one about Raven's daddy issues, which was supposed to be a serious episode but used the silly theme by mistake. Teen Titans Go! and the DC Nation shorts that inspired it each have a theme based on the original. Go! specifically boasts a remix by Mix Master Mike, best known for his work with the Beastie Boys. How appropriate given that one of the Titans is named Beast Boy... |
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Additionally, the English versions of the first four theme songs were remixed at the beginning of the first four movies, while the fifth movie simply had an extended version of the anime's fifth theme song. The rest of the movies averted this trend, while the first Diamond and Pearl movie, Pokémon: The Rise of Darkrai, inverted the trend by having a completely new song, "We Will Be Heroes". This song was later remixed into the theme for the "DP: Battle Dimension" season of Pokémon the Series: Diamond and Pearl. | |
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Heisei Rider vs. Showa Rider: Kamen Rider Taisen feat. Super Sentai plays its ending credits to a modern remix of "Dragon Road", which was the main theme of the one-episode season, Kamen Rider ZX, which this movie partially celebrates the 30th anniversary of. | |
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The first Metroid Prime used a rearrangement of the series' traditional title screen music that added a new part to the melody. The second one took that part and made it the main melody, with the traditional melody still appearing, but only later in the song. | |
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SaGa Frontier 2 did this for all it's battle themes | |
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Wheel of Fortune changed its theme song several times, and rearranged what it had. The show's second (not counting pilots) theme, Griffin's own "Changing Keys" (introduced in August 1983), was re-orchestrated in 1984 (this version is the most familiar, as it appeared on an official game show themes compilation), 1989, 1992 (bizarrely, many episodes in this era still used the 1989 version anyway), 1994, and 1997, with the last two remixes making radical changes to the melody (although the 1994 version also had an alternate mix that stuck closer to the original). In addition to these, after the melody was changed in 1994, a few episodes used variations of the pre-1994 melody: a marching band version for episodes taped on the USS Dwight D. Eisenhower in 1995, another marching band version for College Weeks in 1995 and 1996, and a lap steel guitar version for weeks taped in Hawaii in 1996. A separate opening theme was introduced in 1998 for road shows. This was still used until around 2007. "Happy Wheels", first introduced in September 2000, was remixed in 2002 and again in 2007. The 2002-2007 mix even sampled the 1997 version of "Changing Keys". |
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The 1978 film Superman: The Movie's theme music is an inversion. The actual tune is rarely the same twice, but it is all arranged similarly, to a bright, swelling, heroic theme with a lot of brass. Three different composers, but the listener will hear the song and think "Superman". (A few creators have found that, if you were to set lyrics to the various Superman themes to the tune of the main melody, there would be a spot where "Superman" fits perfectly.) The Adventures of Superman The Adventures of Superboy Lois & Clark Smallville being an intentional exception...given that the costume isn't involved yet. |
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When ABC revived Match Game in 1990, it used the 1973-82 theme rearranged with a calypso beat. | |
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Akikan!! may be a 12-Episode Anime, but it remixes the ending theme in every episode. | |
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Charli XCX had an unusually roundabout case with a song recorded as "Blame It On Your Love". The original demo (not publicly released, but was known through leaks circa 2017) was a perfectly straightforward pop song you could hear on the radio, but its proper release came in the form of "Track 10" on her Pop 2 mixtape, preserving the vocals but rearranged into a far more avant-garde and glitched-out ballad. With her 2019 album Charli, however, "Blame It On Your Love" was given another go and released as a finished version of the original demo, effectively making it an unarrangement. | |
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Barney & Friends' theme song has been done multiple times with different child singers, with the most recent one being a shortened hip-hop version. | |
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Compare the original version of Panopticon's "...Speaking..." to the so-called "collapsed version". He turned a Black Metal track into a calm track using banjos as the only instrument. | |
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Sonic the Hedgehog: Games since Sonic the Hedgehog (2006) have used an orchestral rearrangement of the game's theme song (or, in that first case, Sonic's Image Song) for the final boss fight; Unleashed uses an orchestral version of "Endless Possibility" and Colors has an orchestral version of "Reach for the Stars". Generations lacks this, as its soundtrack is comprised almost entirely of remixes of songs from older games, and as such it doesn't have a proper theme song. Several pieces of music have been reused and rearranged many times, most notably the drowning music and the results music. Drowning music has been used since the first game but it's always rearranged. The results music has been generally the same since Sonic 3 & Knuckles but again, it's been rearranged. Starting with Sonic the Hedgehog 3, the multiple Acts for each stage will often be rearrangements of the first Act's music. Sonic the Hedgehog CD did this (at least in the Japanese soundtrack) with the four "time period" themes, having a different take on the same tune for the present, past, bad future, and good future versions of each level. The same applies to the American soundtrack, except the Past music which is the same as the original Japanese release. Much of the character's theme tunes in Sonic Adventure were remixed or rearranged for the game's sequel, Sonic Adventure 2. A few of those songs were also rearranged for other entries in the series, too. |
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A jazz version of the 1966 theme to Spider-Man plays over the closing credits to the Spider-Man movie. The movies also feature an extra singing the theme at some point. Spider-Man: Homecoming: a symphonic version of the '66 theme plays over the Marvel Studios logo. |
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The Saint (1997): A breakbeat rearrangement of Edwin Astley's famous theme song from the original show by Orbital. | |
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Seal did a solo re-recording of Adamski's 1990 hit "Killer", in which he co-wrote and was the featured artist for his 1991 debut Self-Titled Album. Unlike the original, which is an acid house song, the re-recording leans towards a dance-rock sound along with extra lyrics that wasn't included in the original version. | |
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K.C. Undercover's opening theme "Keep It Undercover" was mainly pop rock, but for its final season, it was remixed and given an R&B sound. | |
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The Dawn of the Dead (2004) remake features a lounge version of Disturbed's "Down With The Sickness" (by Richard Cheese, an expert in this). | |
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He recorded no less than four notable, distinctive versions of "Cattle Call". The first was recorded in 1944 and released as a (non-charting) single in the spring of 1945, done in the typical 1940s Western style of the genre. His first re-recording, from 1955, was done in an orchestra pop style, becoming a No. 1 hit late that summer. The first stereo version was recorded in 1961 and although not issued as a single, this acoustic guitar-prominent rendition became the version by far most familiar to country radio audiences of the mid-1960s onward, again as radio programmers were phasing out their older, non-stereo library for new stereo re-recordings by the same artists. Finally a third re-recording featured Arnold as guest vocalist on a new pop-country version by teen superstar LeAnn Rimes; Rimes' version was recorded in 1999 and became a minor hit late that fall. (Additionally, Arnold recorded the song twice more, the first in 1949 and yet another re-recording in 1973 (so that his then-new label, MGM Records, could cash in.) Not bad for what was essentially a cover version of a Tex Owens cowboy tune recorded more than a decade before the Tennessee Plowboy's first version. | |
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Ditto for the Suite Pretty Cure ♪ opening, just ignore the "badly sung" part and replace "Setsuna" with "Siren/Ellen". | |
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Recess: School's Out used a more epic, beefed-up version of the regular Recess theme. | |
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Syphon Filter: The Omega Strain used an undoubtedly epic orchestral arrangement of the series theme. That version was in turn rearranged for Dark Mirror. Logan's Shadow had a different main theme, but still featured a slow neoclassical-style arrangement of the original theme. | |
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Robert Smith and Quartet Voluté recorded a string quartet version of The Cure's "Pictures Of You" for the soundtrack to the documentary Dead Good. | |
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When Peterpan rename themselves to Noah, they rearrange almost all Peterpan songs both to give them updated arrangement and to make sure they can be called Noah songs. | |
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Jimmie Rodgers: In the mid-1950s, several of his original recordings were given new backing arrangements to update the sound, from late 1920s/early 1930s to a mid-1950s honky-tonk arrangement. Based on the success of Webb Pierce's "In the Jailhouse Now", RCA Records in 1955 released a "new" version of Rodgers' "In the Jailhouse Now" (an update of the original 1928 recording, with Hank Snow and his backing band, the Rainbow Ranch Boys, recording a new instrumental track), and it reached No. 7 on the Billboard country charts. | |
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The first theme on The Joker's Wild was Jean-Jacques Perrey and Gershon Kingsley's "The Savers". Among the many different theme songs used after that was a re-arrangement of "The Savers" done by Hal Hidey. | |
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DuckTales: DuckTales (2017), naturally, uses a remix of the iconic theme song from the original series. Some airings and foreign dubs of the original series also utilised a synth remix of the original arrangement as well. This rendition also made its way into some audiobooks. |
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Growing Pains always had the same theme song, but there were different versions of it. BJ Thomas was the main vocalist from 1985-1991, using a solo version for the first year before being joined by Jennifer Warnes and later, Dusty Springfield; the music itself was reworked a couple of times. During the sixth season and in the Grand Finale, an acapella version was used. | |
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For Waterparks, Entertainment 2019 and Double Dare 2019 are single track mashups of the original Double Dare and Entertainment albums. Recorded over the course of four days, with two days dedicated to each, these were made out of necessity; while Equal Vision now owns the album versions of Double Dare and Entertainment, Waterparks owns the 2019 versions. The tracks reorder the song order, cherrypick lyrics from certain songs with varying emphasis (with songs like "11:11" and "Stupid For You" barely having any at all), clearer vocals, vocal delivery that either differs from or is surprisingly near 1:1 with the original, and a production approach that brings the content more in line with the band's third album, FANDOM. | |
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Blackadder always used the same melody, but performed it on different instruments with slight variations each season to reflect the change in time period. The Black Adder, the first season, has the theme song performed mostly with trumpets and timpani in the style of a traditional Hollywood credit theme, with parody Bragging Theme Tune lyrics. Blackadder II used a combination of recorder, string quartet, and electric guitar. There were no lyrics at the start, but a different set of lyrics for each individual episode, commenting on the plot, was used over the closing credits. Blackadder the Third's theme was performed on oboe, cello, and harpsichord, with no lyrics. The theme for Blackadder Goes Forth was performed by a military band, with no lyrics, combined with "The British Grenadiers". The final scene featured a slow piano version of the theme played over a field of poppies. The Christmas special Blackadder's Christmas Carol featured the song as sung by carolers, with new lyrics. Blackadder: The Cavalier Years, a Comic Relief special, and Blackadder: Back & Forth, the Reunion Show, used an orchestral version. The end credits of Back & Forth had recapping lyrics. |
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Doctor Who has rearranged its theme many times over its long history, since Delia Derbyshire's original arrangement, always using Ron Grainer's original 1963 compostition as the basis: The first rearrangement of the original Radiophonic Workshop version of the theme came in for "The Faceless Ones" in 1967, early in Patrick Troughton's tenure as the Doctor. It was designed to keep better in time with the new version of the opening credits introduced in the previous story, and arranger Delia Derbyshire added "electronic spangles" and an echo effect. for the Patrick Troughton incarnation, and then in the '70s, she added the electronic "scream" preceding the closing titles and introduced the sound effect at the end to the televised theme for the first time (it was in the full version of the original 1963 theme). There was also an attempt to completely rearrange the theme tune in the early '70s, by Paddy Kingsland of the Radiophonic Workshop, assisted by Brian Hodgson and Delia Derbyshire (both from there as well), on the Workshop's new EMS Synthi-100 modular synthesizer (nicknamed the "Delaware"), stated by Hodgson to be done "just to see if we could do it". They did it...but it turned out quite awful. It was never used in the programme (except in copies of some Season 10 episodes accidentally sent to Australia, which still had the Delaware version instead of the Delia Derbyshire version that was dubbed back into all other copies). The next successful rearrangement came in 1980 at the start of John Nathan-Turner's tenure as producer with "The Leisure Hive" This radically different "80s synth" theme was arranged by Peter Howell and the BBC Radiophonic Workshop. Another rearrangement came in for "The Mysterious Planet" in 1986, no longer from the BBC Radiophonic Workshop but by freelance composer Dominic Glynn. This version kept the "80s synth" feel of its predecessor but had a softer, more mysterious tone. This would prove to be the shortest-lived arrangement of the Classic series, lasting only one season. Keff McCullough provided yet another new arrangement starting from "Time and the Rani", which remained in use for the entire Sylvester McCoy era. Series 1-3 of the new series use orchestral arrangements of the theme played over the top of the Delia Derbyshire version. Series 4 rearranges some of the orchestral elements and adds guitars and drums, giving it a rock and roll theme. Series 5-6 and the first part of Series 7 is more electronic uses a bassline reminiscent of the '80s versions (and is rather funky) accompanied by a new grand and haunting orchestral melody, a constant synthesized, drum machine-like rhythm, and even a chorus. Series 7 Part 2 slightly modifies the timbre of the bassline and the electronic lead, has a different drum pattern, with real drums this time, and removes some of the orchestral elements from the previous theme to give it a slightly more minimalistic feel. In Series 3 of the new series, "Martha's Theme" sounds almost like a reworking of "The Doctor Forever," the 10th Doctor's leitmotif from that series (or vice-versa, given their introduction around the same time). |
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While not quite as numerous as other examples, Strike Witches used this as well. The girls, in different duets, took turns covering the ending theme, with the final episode having all of them singing at once. | |
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The theme song to the 2006 revival of Biker Mice from Mars is a remix of the theme song of the original 1993 series. | |
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Guiding Light: from 1983 to 1990, there were no less than five different variations on the same theme | |
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The final season of Blake's 7 used a faster and jollier muzak-like version of the theme for its end credits only, without changing the opening credit version. This created a rather odd effect after some of the grimmer episodes of the show, especially the last one. Incoming producer Vere Lorrimer wanted lyrics over the end credits. They were going to be sung by Steven Pacey (Tarrant). Thankfully we were spared that. |
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All three Diablo games have used their own version of the "Tristram" theme. | |
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Extreme Ghostbusters turns the franchise's famous theme song into a sinister Alternative Rock number, in keeping with the series' Darker and Edgier mood. | |
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The Bill has rearranged its theme music five times in its 26 years on the air. The original 1984–1987 version of the theme was arranged in the irregular time signature of 7/4, giving it almost a reggae-style beat. While this was kept in most subsequent arrangements, one in particular—the one used from 1998–2001—was arranged in the regular time signature of 4/4, making it considerably less interesting as a result, and earning the ire of Bill Bailey in the process. In 2009 however, the theme was changed completely, to a darker and edgier theme to fit with the show's retool, albeit with a small homage to the original theme. At the end of the final episode, a new rearranged version of the original theme played, although similar in tone to the 2009 theme. | |
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The Wire used a remixed version of its theme song each season. In later seasons, the singers they used represented a theme of that season. Ex: Season 4 was about the plight of young black boys in Baltimore, and the theme was sung by a Boy's Choir. The song is called "Way Down In The Hole," originally by Tom Waits. Season Two uses his original version of the song, while the other four seasons use cover versions of it. |
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The first three Pretty Cure All Stars movies had the same theme remixed with each movie, mostly to accommodate the new season (Heartcatch for the second and Suite for the third) The fifth and sixth All Stars movies remixes the new theme, "Precure ~Eien no Tomodatchi~", from the fourth movie. Movie six also rearranges "Precure Memory", the end theme to HappinessCharge Pretty Cure! by having all nine Pink-type Cure seiyuu sing it. |
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The dub of Yu-Gi-Oh! is an interesting case. The first season theme was really just the first minute of the full theme song. The second season theme was a different piece of music from later in the same song. It bounced back after that. | |
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Kurt Angle's theme in the WWF/WWE took a slight turn around 2006 with his Heel–Face Turn. By this time, it was practically obliged for people to chant "You suck!" during a two-note solo melody in his song. The newer version edited this portion out, so as to keep people from chanting it regardless of his Face turn. Ironically, the chants were originally just his name, with the crowd singing "Angle!" along with the music, inspired by an Edge and Christian bit where they played his theme on a kazoo. It wasn't until later that it turned into "You suck!" (also thanks to Edge) You'd think the crowd would just go back to chanting his name. After the Invasion, Kurt briefly used a metal remix of his theme. |
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The Human League's 1978 debut single, "Being Boiled", was updated for their second album, Travelogue, in 1980. | |
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Vince McMahon's theme "No Chance" briefly was changed in 1999 to a much darker, sinister-sounding version during the Corporate Ministry storyline, to get the idea over that the Ministry's wrestlers were a much more dire threat. | |
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Katamari Damacy and We Love Katamari have the same tune rearranged several times. | |
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Jake Owen did the same with "Eight Second Ride": he recorded it on his first album, re-recorded it for the second album, and made the re-recording the second single from said album. | |
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iCarly (2021) re-uses "Leave it All to Me" as its theme song. The version used in the first episode had a different instrumental for the bridge (the one from the studio recording in fact), while the subsequent episodes just use a shortened version. | |
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The various Nasuverse shows and games from the Fate/stay night franchise often use unique variations of the most memorable and important songs, such as "This Illusion" and "EMIYA". | |
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Knots Landing featured a different arrangement of its theme song for each of its 14 seasons, including several complete overhauls of the melody's structure and instrumentation. For example, the first season theme was disco-flavored and brassy; nearly a decade later, the theme was much slower and layered with strings. | |
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Kamen Rider Den-O remixed its battle theme, "Double-Action", into several versions fueled by the unexpected popularity of the Taros', each with a different musical style. The hero's five include the original Double-Action AKA "Sword Form" (Eurobeat), "Rod Form" (ska), "Ax Form" (enka), "Gun Form" (hip-hop/rap), and "Wing Form" (Arab pop); in addition, the first movie's Big Bad gets "Gaoh Form", a solo death metal version, a bonus pop version was made, named "Coffee Form" and sung by the hero's sister and one of his allies, both coffee aficionados, and for the second movie "Climax Form" sung by the Taros and Deneb. Related are "Real-Action", a straight rock song sung solo by the hero, and "Action-ZERO", an original hard rock theme for The Lancer and his Battle Butler. The show's opening theme, "Climax Jump", has gone through a similar treatment, with a quartet version sung by the Taros as well as individual versions made for the third movie, and two new versions, "The Final" for the third movie, and "Ch? Climax Jump" from the fourth movie, which is also an ensemble song. On one of the soundtracks is a song titled "DEN-O VOCAL TRACKS LINER (C-J D-A nonstop re-connection)" which is a remix of all of the songs released up to that point into a single 8-minute track. Following the example of Den-O, its successor Kamen Rider Kiva had three mixes of The Rival's theme "Individual-System" (the standard version sung by the star, and two remixes, "Fight for Justice" and "Don't Lose Yourself", sung by the rival to reflect his changing attitude over the series). About a year after the show ended, a reunion album was released, which included more remixes, such as the main character and his father swapping their respective theme tunes. And its successor Kamen Rider Decade included a series of albums that rearranged all of the theme songs of the nine previous series by the official rock band RIDER CHIPS and "Climax Jump"'s composer Shuhei Naruse. This resulted in two more versions of "Climax Jump". And then along comes the fifth Den-O movie, split into three separate movies, each with its own song. The first gets a ballad version of "Action-ZERO", the second a mix of Double-Action for the hero's Grandkid From The Future and his partner (rock 'n roll), and the third gets "Climax-Action ~The Den-O History~", which is said to be a combination of every version of "Climax Jump" and "Double-Action" to date. |
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Following the example of Den-O, its successor Kamen Rider Kiva had three mixes of The Rival's theme "Individual-System" (the standard version sung by the star, and two remixes, "Fight for Justice" and "Don't Lose Yourself", sung by the rival to reflect his changing attitude over the series). About a year after the show ended, a reunion album was released, which included more remixes, such as the main character and his father swapping their respective theme tunes. And its successor Kamen Rider Decade included a series of albums that rearranged all of the theme songs of the nine previous series by the official rock band RIDER CHIPS and "Climax Jump"'s composer Shuhei Naruse. This resulted in two more versions of "Climax Jump". And then along comes the fifth Den-O movie, split into three separate movies, each with its own song. The first gets a ballad version of "Action-ZERO", the second a mix of Double-Action for the hero's Grandkid From The Future and his partner (rock 'n roll), and the third gets "Climax-Action ~The Den-O History~", which is said to be a combination of every version of "Climax Jump" and "Double-Action" to date. |
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The iconic theme to Ghostbusters (1984) frequently gets rearranged: Ghostbusters II had it rearranged to a rap by Run–D.M.C.. As noted under Western Animation, the Extreme Ghostbusters cartoon had a Darker and Edgier Alt-Rock take. The 2016 reboot featured another rearrangement by Fall Out Boy. |
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The 2016 reboot featured another rearrangement by Fall Out Boy. | |
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In 2005, Keith Anderson had the title track of his debut album Three Chord Country and American Rock & Roll remixed to feature Steven Tyler on guest vocals. | |
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Fresh Pretty Cure! reworked its opening theme song (which was considered to be badly sung by some fans) at the same time that the opening itself was edited to reflect Setsuna's new alignment. | |
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Christian's theme "Just Close Your Eyes" by Story Of The Year, was originally performed by Waterproof Blonde. | |
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Scooby-Doo, Where Are You! had its theme redone in season two to a more bubblegum pop arrangement. | |
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For the 30th anniversary of Oxygène, Jarre re-recorded the whole album. Then he took three co-musicians and a whole lot of mostly vintage gear to a sound stage in Belgium and redid it yet again, this time in front of cameras and with three new pieces woven in, the "Variations". | |
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The 2011 stage adaptation of Aladdin uses the full original lyrics of "Arabian Nights", and also restores the previously unused reprises of that song. | |
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The first season of Beverly Hills, 90210 used a late-80's styled pop/dance rendition of the show's core theme. For season 2, the show switched to its more familiar rock/metal rendition of the theme, which was further refined at the beginning of Season 4. | |
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Pokémon the Series: XY uses a third redo of the first theme, this time a straight cover rather than something along the lines of "Born to Be a Winner". Interestingly this doesn't match up with the Japanese version, which uses an original song instead of an arrangement of "Mezase". | |
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Pokémon: The Series: The "Johto League Champions" season of Pokémon: The Original Series did a redo of the first theme for their opening. It didn't have quite the same lyrics at first (and a different refrain), but it's clear that it was to match the Japanese version (which remixed Mezase Pokémon Master...but Rica Matsumoto didn't sing this version). Pokémon the Series: XY uses a third redo of the first theme, this time a straight cover rather than something along the lines of "Born to Be a Winner". Interestingly this doesn't match up with the Japanese version, which uses an original song instead of an arrangement of "Mezase". Additionally, the English versions of the first four theme songs were remixed at the beginning of the first four movies, while the fifth movie simply had an extended version of the anime's fifth theme song. The rest of the movies averted this trend, while the first Diamond and Pearl movie, Pokémon: The Rise of Darkrai, inverted the trend by having a completely new song, "We Will Be Heroes". This song was later remixed into the theme for the "DP: Battle Dimension" season of Pokémon the Series: Diamond and Pearl. Several songs from the games receive remixes in the anime. Mezase Pokemon Master was remixed again for the 20th-anniversary movie, while the dub used another remix of the first opening. |
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Mary Lambert's "She Keeps Me Warm" is basically to Macklemore's "Same Love" what Alicia Keys' "Empire State of Mind II" is to Jay-Z's "Empire State Of Mind": A singer expanding their guest appearance on a rap song into a song of their own. After "Same Love" became a hit, Macklemore fans started coming to her shows, so she decided to make her own version of the song so that she could play something they'd recognize. | |
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The original Japanese version of Sailor Moon got a new version of its theme song ("Moonlight Densetsu") for its third season. The new version had the actresses for the Inner Senshi in the Sera Myu musicals doing the singing instead of DALI. | |
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And when Christian's best buddy Edge adopted Alter Bridge's "Metalingus", it was literally rearranged. The rapid-fire heavier drum/guitar riff that ends the song on the album forms the beginning of Edge's entrance music before jumping back to the iconic "On this day...!" refrain, which first occurs about 55 seconds into the actual song. | |
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There have been five versions (plus a few "sub-versions") of the South Park theme. The first appeared only in the original (unaired) version of "Cartman Gets An Anal Probe." The second version has two sub-versions. The first sub-version aired in the first two seasons, and the second (which had the same backing track but was re-sung) aired in Season 3 and during the first half of Season 4. The third version aired during the second half of Season 4 and all of Season 5. The fourth version aired from Season 6 to the middle of Season 10 and also has two sub-versions (the first, heard only in S6, has Timmy reciting Kenny's lines - while the second brings back Kenny). While the current version has aired since the second half of Season 10. | |
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Ashnikko reworked "Daisy" as "Daisy 2.0" with an added feature by Hatsune Miku. Aside from Miku getting her own verse and doing backing vocals, the tempo is made faster and more danceable, and the last verse is also entirely rewritten. | |
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Veronica Mars used The Dandy Warhol's "We Used to Be Friends" for its theme. The third season, which moved from high school to college, switched to a dramatically different remix of the song - it was much slower and more electronic than indie rock. Allegedly, it was meant to have more of a noir feel to it. | |
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Xenoblade Chronicles 3: Future Redeemed: The final boss theme of the first game, "Zanza the Divine", is rearranged for the final boss theme of Future Redeemed, now known as "Alpha, the Divine Beginning & End". | |
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In The Book of Life, a lot of pop hits are turned Mariachi-style or given a Mexican lilt to fit the environment of the movie. | |
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A rather infamous example of this is Mork & Mindy, which rearranged its instrumental theme song during all four of its seasons. What's interesting is that each rearrangement was made for the sake of pandering to a specific demographic. The first season, most likely to suggest family appeal, used a light/gentle rendition of the show's core theme (though the first three episodes used a modified version of this theme, while several episodes in the middle used another modified version). Season 2, in an effort to appeal to a younger demographic, switched to a more upbeat disco rendition of the show's theme, with no less than four different arrangements. Season 3, in an effort to regain lost members of the first season's audience, used a single theme tune that was more similar to the first season's theme(s), albeit a little harsher. While, for Season 4, the writers used an upbeat/comedic rendition of the theme. | |
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Similarly, the 1980s Jeopardy! theme has gone through five orchestrations in its time. Spinoff Rock & Roll Jeopardy! used a rock and roll version, which the parent show has since appropriated for teen and college tournaments. | |
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3-2-1 Contact remixed its opening theme in 1983(the best known version), and again in 1987. The original version. The ending theme was also rearranged in 1983 (short version and extended version), and remained the same for the rest of the series. | |
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An then for the Samurai Sentai Shinkenger VS Go-onger Intercontinuity Crossover Movie, "Samurai First Rap ~GinmakuBANG!!~". | |
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A lot of The Hamilton Mixtape is this to Hamilton, including "Wait For It", "Satisfied", "You'll Be Back", and "Helpless". "Say Yes To This" uses the same instrumental music as "Say No To This", but tells it from (presumably) Maria Reynold's perspective (as opposed to the original, which was from Hamilton's). | |
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Most of Raiden IV's soundtrack consists of remixes of songs from Raiden II, as well as rearranging the Raiden I boss theme. | |
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Lois & Clark | |
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Kim Wilde re-recorded "You Keep Me Hangin' On" with Nena, and "Kids in America" with Charlotte Hatherley, both on her 2006 album Never Say Never. | |
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Many examples in the Angry Birds series: Many of the "Seasons" levels have rearrangements of the main theme appropriate to the season. "Rio" uses a samba arrangement of the main theme. "Space" uses a bombastic orchestral arrangement of the theme in the style of John Williams. |
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HIM are an example of an artist who would rearrange a song and give the result a new title. Their early song "Stigmata Diaboli" eventually morphed into the B-side "Sigillum Diaboli", and there's also "One Last Time" which gave way to "The 9th Circle (OLT)"note "OLT" referring to the original title of the song. | |
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Each episode of The Prisoner (1967) used a slightly different mix of its opening theme tune. | |
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Buffy the Vampire Slayer: got rearranged theme music from season 3 on, but they kept the original arrangement for the closing credits. | |
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Pretty Cure: Fresh Pretty Cure! reworked its opening theme song (which was considered to be badly sung by some fans) at the same time that the opening itself was edited to reflect Setsuna's new alignment. Ditto for the Suite Pretty Cure ♪ opening, just ignore the "badly sung" part and replace "Setsuna" with "Siren/Ellen". Prior to that, Futari wa Pretty Cure Splash★Star, Yes! Pretty Cure 5, and Yes! Pretty Cure 5GoGo all used various versions of "Ganbalance de Dance" as their second ending theme. Amusingly, Fresh, which had dancing as a major focus of the series, was the series that broke this trend. Prior to all of them was Futari wa Pretty Cure Max Heart, who modified Futari wa Pretty Cure's theme "DANZEN! Futari Wa Pretty Cure" to a more action-packed theme, "DANZEN! Futari Wa Pretty Cure (ver. Max Heart)" HeartCatch Pretty Cure! had their opening and ending remixed for The Movie, which hadn't been done in other versions prior or afterward. The first three Pretty Cure All Stars movies had the same theme remixed with each movie, mostly to accommodate the new season (Heartcatch for the second and Suite for the third) The fifth and sixth All Stars movies remixes the new theme, "Precure ~Eien no Tomodatchi~", from the fourth movie. Movie six also rearranges "Precure Memory", the end theme to HappinessCharge Pretty Cure! by having all nine Pink-type Cure seiyuu sing it. Maho Girls Pretty Cure! had a re-arranged opening for the second half that was a rock version with different lyrics. |
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Afro Celt Sound System has released several remixed versions (or just edited-for radio versions) of their songs (some remixed by other musicians, some remixed by themselves), generally as b-sides on singles. Their most dramatically changed song was possibly "Release": the original was a moody Celtic song over African percussion; Rollo & Sister Bliss remixed it into a clubby trance song, while Bi-Polar remixed it into a jazzy ska song. The remix album Pod collects ACSS's favorite of these remixes and adds a number of completely new mixes (with new instrumental parts recorded specifically for that album). And the albums Release and Seed both conclude with an instrumental remix of a vocal track. | |
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The band re-recorded "Temptation" and "Confusion" (two non-album singles that were the band's first major hits) for the 1987 compilation Substance, leaving the original versions of the songs unavailable on CD for years until Singles was released in 2005. | |
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The Negima! Magister Negi Magi series are notorious for this, as with a class of 31, one song can be remixed several times. The opening themes of both anime, plus the ending theme of the second, have gone through this. | |
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Mike Oldfield has released at least four different versions of Tubular Bells, each slightly different from the one before. | |
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The Rock's theme continually evolved from when he entered the WWF as Rocky Maivia; first becoming more bluesy as he joined The Nation, then becoming more percussion-heavy and adding an electric guitar track after his Heel–Face Turn, and becoming more elaborate as he became a bigger and bigger star. Basically, based off his signature line "If you smeeeellllllll .... what the Rock ... is ... cookin'!" It has been reworked many times and had a one-time-only rap version by Method Man. The development and evolution of the theme is discussed by Jim Johnson in an official Youtube Video |
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The third season of Amphibia replaces the main strings in the show's theme song with a drum machine, with the more electronic sound being meant to emphasize the setting change from the fantasy world of Amphibia to modern-day Los Angeles. | |
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In 2007 he remade "Spring Love" with Pitbull. | |
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The 2008 CGI version of Speed Racer uses the same lyrics as the theme song for the original anime's English translation, but uses an entirely different tune. | |
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On The Mentalist, the brief snippet of theme music that's played leading out of the opening teaser of each episode was given a subtle, slightly more jazzy rearrangement for the episodes that came after Patrick Jane killed Red John. | |
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Lara Croft: Tomb Raider – The Cradle of Life features Alan Silvestri's arrangement of Nathan McCree's classic theme from the first Tomb Raider I game. | |
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Omega Ruby and Alpha Sapphire also rearranged some tracks. Compare the Fortree's theme in the original games to the theme in the remakes. The music for Super Secret Bases is another rearrangement of Fortree's music. | |
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Gunsmoke ran for 20 seasons, and its main theme song was rearranged for the closing credits multiple times throughout the show's run. The arrangements used in the black-and-white episodes (1955-1966) are very bare bones with string lead and percussion meant to sound like horseshoes. The color episodes that are most commonly seen in reruns feature more upbeat versions of the theme over the opening and closing credits with guitar, brass, flute, and tambourine. The themes used at the very top of the show for the first 14 seasons were completely different, only alluding to the melody of the basic theme as the title card appeared. | |
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"Moon Over the Castle" from Gran Turismo has been the main theme of the series since its inception (well, in Japan at least) and each incarnation in the main series has featured a new arrangement of it for the opening movie. Subverted with the spinoff and preview games. Most don't feature the song at all, or in the case of Gran Turismo 5: Prologue, actually have a new arrangement of the song playing over the ending credits. |
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Hunter Hayes' "Everybody's Got Somebody but Me" was originally a solo song. But for the deluxe version of the corresponding album, he re-recorded it as a duet with Jason Mraz. This version was also released as a single. | |
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The final episode of Drawn Together featured many of the show's songs being performed in radically different styles from their previous versions. (For instance, the Disney-esque ballad "Black Chick's Tongue" was performed in a hard rock style, while the Ling-Ling battle theme was transformed into a sultry jazz number.) The show was also prone to rearranging its theme song to suit the needs of certain episodes; for instance, a Tejano-style version of the theme was used for an episode that took place in Mexico. | |
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The Electric Company (1971) was a rather unusual case: The opening themes during the show's 1971-1977 run were used for two years each – the first from 1971-1973, the second from 1973-1975, and the third from 1975-1977. The closing themes changed five times, all (except the theme used very early in the run) using the main theme. They were as thus: October 1971-January 1972: Extension of the main "corporate credits" theme, a nondescript theme. January 1972-April 1973: A bright, marching theme, with a crashing sound effect at the very end. (The corporate credits theme continued to be used until the end of the 1972-1973 season.) October 1973-April 1974: An electric guitar-heavy theme. The corporate credits hybrid the first half of the Friday credits during the first part and a slightly different second half, all slower paced. October 1974-April 1975: A bright, uptempoed jazz-inspired arrangement. October 1975-April 1976: Another jazz-style arrangement, somewhat louder than the 1974-75 version. October 1976-April 1977: A Moog synthesizer-heavy arrangement that led the acoustic instruments. |
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The first opening song for Sgt. Frog was remixed with the lyrics altered and new singers and was used as the sixth opening. The tenth opening uses a version of the first theme sung by the members of the platoon, though it had been in existence prior. The second and third movies also used remixed versions of the opening theme. | |
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Babylon 5 had a new arrangement of the theme tune for each season, save for season 3 and 5, becoming increasingly intense and militaristic to match the changing tone of the series. The third season's theme was harmonically similar but completely different melodically. It took cues from two pieces late in season 2, each associated with a battle scene where the good guys got slaughtered. This season, of course, was the point in the storyline where things were the most desperate for our heroes, calling for a more turbulent mood. By the fourth season, the original melody returned as a Triumphant Reprise. The fourth season ending theme, however, only lasted a few episodes. The third season ending was accidentally left in early on, and the showrunner JMS liked it. Amusingly, the season three ending itself didn't kick in for a few episodes—remembering to request it had simply fallen through the cracks. In the fifth and final season, the theme song was replaced entirely with a new, rather bombastic march, possibly in reference to the fact that the station had transitioned from being a trading and diplomatic outpost to being capital of the new Interstellar Alliance. |
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The "Johto League Champions" season of Pokémon: The Original Series did a redo of the first theme for their opening. It didn't have quite the same lyrics at first (and a different refrain), but it's clear that it was to match the Japanese version (which remixed Mezase Pokémon Master...but Rica Matsumoto didn't sing this version). | |
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For the second season onward, Chip 'n Dale: Rescue Rangers featured a brand new opening with several new clips that also replaced its synth tune theme song with a brand new pop version (based on the full-length edition of the theme recorded by the Jets). Interestingly enough, some later episodes would still use the original opening but with the new remixed song. And just to make things more confusing, some VHS tapes from the early 90's also featured the show's second opening but with the original mix of the song. The original mix was also featured on some read-along cassette tapes, and it can still be seen in most of the first season episodes on the first volume of the show's DVD release. | |
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Terminator Salvation: Danny Elfman's "Salvation" track is a new arrangement of the original Terminator theme by Brad Fiedel. | |
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Transformers always keep the same theme tune and re-arrange it, generally depending on which musical style is popular with children - compare the hair metal-style theme from The Transformers: The Movie to the rap-inspired theme from Transformers: Cybertron. | |
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For the second season of Wishbone the original theme tune was jazzed up with some electric guitar thrown in. | |
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And its successor Kamen Rider Decade included a series of albums that rearranged all of the theme songs of the nine previous series by the official rock band RIDER CHIPS and "Climax Jump"'s composer Shuhei Naruse. This resulted in two more versions of "Climax Jump". | |
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The theme found in the earlier episodes of Robotbox and Cactus develops in steps between episodes, gaining a different synth sound and then a vibraslap. | |
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1.0 | |
| Robotbox And Cactus (Web Animation) | hasFeature |
Rearrange the Song / int_fd603f95 | |
| Rearrange the Song / int_fe955835 | type |
Rearrange the Song | |
| Rearrange the Song / int_fe955835 | comment |
There are currently three different versions of "New Moon ni Koi Shite", Sailor Moon Crystal's Season 3 opening theme. | |
| Rearrange the Song / int_fe955835 | featureApplicability |
1.0 | |
| Rearrange the Song / int_fe955835 | featureConfidence |
1.0 | |
| Sailor Moon Crystal | hasFeature |
Rearrange the Song / int_fe955835 |
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