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Reimagining the Artifact

347 statements
62 feature instances
79 referencing feature instances

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Reimagining the Artifact	label	Reimagining the Artifact
Reimagining the Artifact	page	ReimaginingTheArtifact
Reimagining the Artifact	comment	You have an ongoing serial or a Verse of some kind. In the canon of that work is an element that has become an embarrassment or is just plain out of date, one that has been abandoned or is in severe danger of being abandoned. Canon Discontinuity is what happens when that element is written out. Reimagining the Artifact, on the other hand, is what happens when you try to make that element work with the overall tone of the serial. To qualify, the element must have either been abandoned or been treated purely as The Artifact. If the problem was with an Artifact Title, this strategy may result in a retroactively Justified Title. Related to Took a Level in Badass, Reconstruction (when something similar is done for a trope or genre, rather than a character or concept), Evolving Trope (when a trope as a whole, not just individual examples, is revised to accomodate modern sensibilities) and Rescued from the Scrappy Heap. See also Cerebus Retcon, where something similar happens mid-story. Also related to Grandfather Clause, where The Artifact or Discredited Trope is kept in a Long Runner because it's so ingrained within the work's mythos that it is impossible to dispose of, but this trope can be used in later installments or adaptations to justify keeping said Discredited Trope. May also involve a Replacement Artifact if something thought to be The Artifact was first removed, found not to be, and then replaced with a tweaked version.
Reimagining the Artifact	fetched	2024-03-12T05:30:53Z
Reimagining the Artifact	parsed	2024-03-12T05:30:53Z
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Reimagining the Artifact / int_117116ef	type	Reimagining the Artifact
Reimagining the Artifact / int_117116ef	comment	The Penguins of Madagascar happens in an Alternate Continuity where all the secondary characters from the Madagascar movies are living in the Central Park Zoo at the same time. With this is mind, the overall idea of King Julien being.....well a King doesn't really make much sense given there's only two other Lemurs and whatever the events of the movies happened or not is left ambiguous. The show sort of handwaves by turning it into another facet of his Cloudcuckoolander personality, with him believing to be the king of the whole zoo rather that just of the lemurs, is also heavily implied this version of King Julien doesn't fully understand what the title actually means besides the fact that it gives him some superiority to the other animals.
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Reimagining the Artifact / int_2822c1e7	type	Reimagining the Artifact
Reimagining the Artifact / int_2822c1e7	comment	Maria, the main Law representative of Shin Megami Tensei NINE, eventually started appearing in other games in the franchise, starting with Strange Journey Redux. Since Idea Space and the Neo Messians are absent in these games, she's used as a stand-in for the Virgin Mary instead.
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Reimagining the Artifact / int_28b2079a	type	Reimagining the Artifact
Reimagining the Artifact / int_28b2079a	comment	The Omniwrench, which had become useless since the second game, was given an overhaul in this one. The previous game, Quest for Booty, had already worked on this by giving it some gadget functionality, which was expanded here to allow you to pull Shields off enemies and have it involved in the Hydra Tank boss fights. In addition, Ratchet is now able to run and throw the wrench at the same time, which on top of a wider hitbox makes it much more useful for smashing crate stacks and small enemies.
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Reimagining the Artifact / int_2d311a08	type	Reimagining the Artifact
Reimagining the Artifact / int_2d311a08	comment	Teenage Mutant Ninja Turtles (1987), because of the Animation Age Ghetto, couldn't actually show the heroes slice and dicing with their weapons, at least, not against foes who were flesh and bone. What to do to compensate for the lack thereof? Simple. Turn opponents such as the Foot Soldiers into robots, so that slicing and dicing can be shown freely.note Hey, at least they didn't Set Swords to "Stun". In the 2012 series, where multiple things from the 1987 series are reimagined to be less silly, the robots are revealed early on to be adaptive, and can challenge the heroes. It's also justified: The heroes keep beating up the Foot so much, they can't recruit any more minions!
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Reimagining the Artifact / int_2ea6ae26	type	Reimagining the Artifact
Reimagining the Artifact / int_2ea6ae26	comment	Series prior to Star Trek: Picard couldn't decide whether Romulans had ridges on their foreheads or not; ENT- and TNG-era Romulans had ridges, TOS-era and Kelvin timeline Romulans didn't, and even in TNG, Spock was able to pass himself off as a Romulan without adding ridges. Picard reveals that this is a facial feature unique to "northerners".
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Reimagining the Artifact / int_2f3aa7ef	type	Reimagining the Artifact
Reimagining the Artifact / int_2f3aa7ef	comment	Cutie Marks in the My Little Pony franchise have existed since the first generation and have since been The Artifact; even in the original series and comics, they were just there because the toys had them and they were never discussed by the characters. If you were a show-original pony, you didn't have a mark because it wasn't necessary (from a toy-selling point of view) to give you one. It wasn't until Generation 3 that they were acknowledged by the characters and given their name, and only in Friendship Is Magic did they actually have a purpose in the story other than just sort of being there, now representing a pony's special talent and calling in life. Getting one in childhood is used as a stand-in for puberty and someone who helps you figure out the meaning of yours is sort of like a guidance counselor.
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Reimagining the Artifact / int_3a9520a3	type	Reimagining the Artifact
Reimagining the Artifact / int_3a9520a3	comment	Star Trek: The Captain's Oath has to do some work with Gary Mitchell, asking why in a professional organization like Starfleet they've got a guy like him operating on the bridge of one of their starships, after fifty years of (real life) society moving on. Kirk's own reputation also takes hits from it, since Gary's his friend, and with Kirk's own Improbable Age it looks like a bad case of nepotism. But at the same time it's shown that, unprofessional attitudes aside, Gary is also good at his job and a good person... adding extra pathos to his eventual fate.
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Reimagining the Artifact / int_3b34143f	type	Reimagining the Artifact
Reimagining the Artifact / int_3b34143f	comment	In Harry Potter, the later books often mused on the nature of death and how no magic could bring back the deceased. This became somewhat awkward when you remember all the ghosts floating around Hogwarts and interacting with the other residents. Rowling lessened this somewhat with a conversation between Nearly-Headless Nick and Harry, where Nick explains how choosing to become a ghost makes you know nothing of the secrets of death, and how it's just a feeble imitation of life, and he even contemplates how it might have been better to have gone on.
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Reimagining the Artifact / int_3c69e536	type	Reimagining the Artifact
Reimagining the Artifact / int_3c69e536	comment	Sonic the Hedgehog (2020): In the games, Eggman's name is a reference to his bizarre body shape — his fat, round torso and long, thin arms and legs making him look like an egg. However, in the film he's played by average-sized Jim Carrey, and no attempt is made at making him look fat. The name is instead coined by Sonic in reference to the machines Eggman controls, many of which have sleek white and round designs that resemble eggs. The Stinger also reimagines the subtler details of Eggman's bizarre design; his nose is red because it's sunburned all to hell, while his ridiculous mustache is implied to be the result of his jump off the deep end. In addition to looking rather like his previous mustache, only hideously uncombed.
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Reimagining the Artifact / int_42ffb88e	type	Reimagining the Artifact
Reimagining the Artifact / int_42ffb88e	comment	As a long-term collaborative fiction project that has undergone some pretty big paradigm shifts, the SCP Foundation has a small handful of these. SCP-148 was originally a metal alloy which blocked psychic energies without any side effects or downsides, and was used to make some of the holding facilities for other SCPs. Wiki site members decided this was boring and rewrote it so that it has such extreme downsides that no one uses it for anything. SCP-049 is one of the most well-liked SCPs outside of the community, but was one of the most disliked within, being seen as a heavy handed attempt at horror that lacked the intrigue or fear factor most modern pages have. It previously alluded to an illness that showed no signs of existing and at some point created fast zombies. In 2018, djkaktus, one of the biggest contributors to the site, retooled it into a mysterious character that may be delusional or knows about a real disease but no one believes him, and creates passive zombies. It got in-depth interview logs that give it character and depth, and generally created a much more interesting read while keeping the most famous elements from the original. The Tale series of Ecce Perago and Annon provided a possible explanation for why the various Author Characters who appeared so often in early SCP articles are now rarely seen: They got promoted and are the current Overseer Council nowadays. The Lolfoundation canon similarly tackles the early author avatars. It reimagines the more lighthearted stories about their antics as having been from the perspective of perception-altered reality warpers, whose "fun" is unknowingly causing near-apocalyptic levels of collateral damage.
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Reimagining the Artifact / int_43f52aa9	comment	Cyrodiil, the setting of Oblivion, was described a dense tropical jungle with Mayincatec elements in earlier games. The developers made the conscious decision to go against this established lore in order for Oblivion to have more of a Medieval European Fantasy feel, making the setting in a temperate forest land. In-universe, this change is explained in obscure texts as Talos terraforming the region as a reward for the Imperial Legions who served him so well in life as Emperor, making it a more comfortable place to live. When the developers of The Elder Scrolls Online, a prequel taking place roughly 500 years before the events of the main series, dismissed this inconsistency as a "transcription error", Fanon Discontinuity was declared among lore junkies. Others rationalized that Talos' changes to the landscape were retroactive, making it so that Cyrodiil had always been temperate.
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Reimagining the Artifact / int_49a88442	type	Reimagining the Artifact
Reimagining the Artifact / int_49a88442	comment	Final Fantasy XIV has several elements that were once used and abandoned or never made it past the conceptual stage but were given a new purpose later on: The developers toyed with the idea of having primals that would roam about and could be captured by a Free Company if players defeated it, allowing them to summon the primal into battle whenever they wanted. The idea never came to be due to the balancing nightmare it would bring plus having an entire server's worth of players all trying to fight the primals at once. The idea would be revisited in the Heaven-On-High Deep Dungeon where players can find Magicite that can summon a primal that can kill all enemies on the current floor. Due to all jobs getting a major rework in every major expansion, some skills are no longer useful or have no place in the reworked balance, thus they get cut. Some of the cut skills get reused in other content like Eureka or the Variant Dungeons where balance for the players isn't a priority. Early on in A Realm Reborn, several dungeons had branching paths that could contain different items or enemies. Because players would always pick the quickest path or one with the least resistance, the developers opted to make all dungeons linear with no branching pathways. By Endwalker, the idea of dungeons with branching paths would be revisited in the Variant Dungeons where each path has their own set of enemies/bosses and puzzles. When the Shadowbringers expansion was being developed, the developers came up with the idea of the Warrior of Light being intangible upon arriving on the First and being unable to interact with the denizens of that world. The idea was scrapped since it caused issue with the story, but it would later be revisited in Endwalker where the Warrior of Light is sent back in time to the unsundered world and cannot be seen or heard by the ancients due to their very thin aether.
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Reimagining the Artifact / int_4c2f51af	type	Reimagining the Artifact
Reimagining the Artifact / int_4c2f51af	comment	Beast Wars: Uprising: Similar to the examples from Comic Books, Uprising reimagines the Targetmasters, one of the later gimmicks of the original toyline where the main toy came with a transforming gun. In Uprising lore, the Targetmasters get an upgrade - the team-up uses the Sparks of both partners to boost the gun's power phenomenally. And then Thunderwing learned of an even darker aspect: He altered the effect so Targetmasters could drain the life out of anything and everything nearby. Suddenly, both sides realized the Targetmasters had to be taken out. So they were. Three hundred years later, the few remaining Targetmasters have to live in hiding, in case anyone learns what they are and tries to use them for their own ends. Beast modes. In the original Beast Wars, they were adopted because the cast needed them to survive without suffering energon overload, not a problem for the Uprising cast since they're still on Cybertron. But partway through the story, Megatron realizes that Maximals and Predacons still suffer the same fuel inefficiencies as their Abusive Precursors, so he devises the Beast Upgrade. With that in place, both Maximals and Predacons become able to metabolise fuel the way humans metabolise food, rather than having to live off energon. The Beast Upgrade goes from a justification to why the toys are what they are to something that helps the Resistance start winning their war. The Maximal insignia, which in all fiction beforehand was just there, with no comment on the change from the Autobots. One story mentions that it's a stylized Cybertronian wolf's head, after the hound of Maxima, the first Maximal, used as a rallying symbol after her death (neatly also explaining the name "Maximal" - they're the followers of Maxima). The symbol of the Vehicons, an oddity among Transformers insignias for not looking like a face of any kind, gets a note in the grand finale when Knock Out ruminates on its symbolism — not a face, but a stamp, representing the lifelessness the Vehicons bring.
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Reimagining the Artifact / int_4c363bcc	comment	Sentinels of the Multiverse: In-universe example: within the Sentinel Comics universe, old and out-of-favour Blaxploitation kung fu hero Black Fist was given a lengthy Time Skip, a much more weary demeanour and a garage and retooled into older, grimmer, much less funky kung fu hero Mr Fixer.
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Reimagining the Artifact / int_4f6709cf	type	Reimagining the Artifact
Reimagining the Artifact / int_4f6709cf	comment	Spider-Man (PS4) has J. Jonah Jameson not as a newspaper editor but as a talk-radio pundit and conspiracy theory podcaster Ã¡ la Alex Jones. And it makes a lot more sense than it should. So much sense, in fact, that the Marvel Cinematic Universe would borrow from this game to modernize Jonah similarly in Spider-Man: Far From Home. The Daily Bugle itself, however, is still mentioned as existing as a newspaper separate from Jonah's podcast, with Mary Jane working for them, though it's mentioned that they offer an online edition like many real-life newspapers do in order to stay afloat in the digital age.
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Reimagining the Artifact / int_50e2e357	type	Reimagining the Artifact
Reimagining the Artifact / int_50e2e357	comment	Star Trek (2009): Dr. McCoy's nickname from Star Trek: The Original Series, "Bones", comes from the term "Sawbones", which was an old nickname for doctors. Since the term has fallen from the parlance, the film has Kirk call McCoy "Bones" because, in his introduction, he explains that he's joining Starfleet because "The ex-wife took the whole damn planet in the divorce. All I've got left is my bones." Similarly, simply having an African American woman as a major character was revolutionary and progressive in the 1960s, but current criticisms would point out that Uhura was "answering the phones" while the white male leads went off on adventures. This criticism wasn't strictly fair, but that didn't stop the Kelvin Timeline films from making sure to point out that Uhura's linguistic skills were extremely valuable and elevating her to an Action Girl along with the male leads. When dealing with completely foreign cultures, often for the first time, whoever "answers the phone" better be a gifted speaker for your people. In TOS, female officers wore miniskirted uniforms as a symbol of women's liberation when the show was originally made the 1960s. To modern audiences, this can come across as sexist, so the 2009 film shows the female officers in both skirt and pant variants, with some wearing a skirt-and-pant combination.
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Reimagining the Artifact / int_530b6b18	comment	In Madam & Eve, eight-year-old Thandi was originally introduced as the baby sister to Eric's college girlfriend Lizeka. However, with Eric and Lizeka written out of the strip, Thandi has been retconned as Eve's cousin who's moved in next door.
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Reimagining the Artifact / int_60667002	type	Reimagining the Artifact
Reimagining the Artifact / int_60667002	comment	The Fabula Nova Crystallis: Final Fantasy series focuses on Crystals in modern and sci-fi settings. The Final Fantasy XIII trilogy concerns fal'Cie, god-like beings who are implied to be sapient crystals at their cores and form bio-mechanical shells as defenses, and they grant l'Cie eidoloths, crystal shards that contain their Eidolons. Final Fantasy Type-0 depicts the traditional Four Crystals but associates them with The Four Gods instead of the elemental forces, and each grants its nation a particular boon, such as Concordia's crystal granting its people the ability to commune with and control dragons. Final Fantasy XV depicts the Crystal as a treasure from the Astrals gifted to the House of Lucis to use its power to rule over the world, and only those of royal blood or those who swear oaths to them may wield its powers.
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Reimagining the Artifact / int_68237790	comment	Pathfinder has several bestiaries dedicated to re-imagining various monsters; in particular, Misfit Monsters Redeemed is purely this trope, as they chose the least popular monsters from the Gygax era and attempted to make them work. For example, the Wolf in Sheep's Clothing (a carnivorous tree stump with a rabbit-shaped lure) can now take any dead body and puppeteer it to draw victims closer. This was inspired by their revamp of Dungeons & Dragons Goblins, who are generally just treated as fodder, as they lack the "technical skills" that they have in other works.
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Reimagining the Artifact / int_6ac55ec7	comment	Dungeons & Dragons took some cues from Pathfinder in its fifth edition, re-imagining many of the same weird old monsters into something a bit more functional. A good example is the half-orc issue. Second edition ignored the half-orc due to complaints of Moral Guardians, third edition brought them back, but there has been many controversies about half-orcs being potentially children of rape. Subsequent editions and spin-off games portray them differently: 4e replaced them initially with Dragonborn as the new 'big guy'. Later, it established that half-orcs have multiple origins, among which there's a project of an army built by hobgoblins to combine the best traits of humans and orcs. In Pathfinder, many orcs mate with humans willingly... to eventually improve the orcish race and dominate the world. Also, a male half-orc can mate with a female half-orc, so they are a race all by themselves! In Thirteenth Age, Orcs arise spontaneously when nature is defiled, and half-orcs are nature's response to that. In 5e orcs, unlike goblins, create huge hordes inviting giants, ogres and human barbarians, allowing the potential for consensual relationships. The introduction to half-orcs in the rulebook also mentions the possibility of arragned marriages between human villages and orc tribes as part of peace agreements. Earlier, Arthaus's 3E Ravenloft products had re-skinned half-orcs as a PC race called "calibans". Real orcs aren't actually native to the setting, but pregnant humans may give birth to calibans if they're exposed to curses or other malign eldritch forces. In the earliest editions of D&D, the Githzerai were a highly chaotic race who lived in Limbo because it matched their desire to never be controlled. When Planescape: Torment rolled around, the Githzerai character Dak'kon became so popular the entire race was rewritten to follow his general philosophy and be a generally Lawful society with a penchant for being monks.note They were previously said to be "monastic", but that was just their social structure, not their character class — although, even then, it was observed in-universe that this wasn't very chaotic. So to explain why a Lawful race would want to live in the most Chaotic plane, it's said that they see Limbo as the ultimate spiritual test... and the place being nigh-impossible to properly invade sure didn't hurt. D&D 5e also brought back the obscure Flumphs (Lawful Good flying psychic jellyfish) and gave them a niche as probably the only trustworthy monsters in your dungeon crawl, who often have a lot of useful information on whatever supernatural nasties you're facing (Flumphs are passive telepaths who tend to pick up on the thoughts of monsters they live near).
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Reimagining the Artifact / int_7257afca	comment	Sword Art Online Abridged: While he's still a VR genius who locked ten thousand people in a video game to have at each other, Akihiko Kayaba is drastically overhauled to fit the Gag Dub and Fix Fic elements of the series. He has come to genuinely hate every single player due to their stupidity they show for their situation instead of being just apathetic, giving everyone a very real sense that he could kill them at any point for any reason. It's shown that his SAO game itself is very buggy and stale compared to what everyone was expecting, due to him focusing on the VR experience. Finally, this Kayaba didn't actually mean for anyone to get killed in the first place, but was so out of his mind staying awake to finish the game on time (Christmas Rushed being an unfortunate real-life scenario as it is) that he didn't realize a glitch was killing players until it was too late. Sanity Slippage made him just roll with it and trap everyone to save face.
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Reimagining the Artifact / int_72c7235	comment	Although The Star Wars Holiday Special was treated by Lucasfilm as an embarrassment that would never again see the light of day, elements of it still made their way into the canon. Chewbacca's family, named the unfortunate "Malla", "Itchy", and "Lumpy", had their names retconned as nicknames akin to "Chewie", with their full names being "Mallatobuck", "Attichitcuk", and "Lumpawarrump". Likewise, the Wookiee holiday of "Life Day" is mentioned from time to time in Expanded Universe works, and Boba Fett (first introduced in an animated short in the Holiday Special) went on to become a major supporting character with a huge fan following. Life Day would even be brought into official Star Wars canon with an offhand mention in the first episode of The Mandalorian.
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Reimagining the Artifact / int_7baf6602	comment	Mortal Kombat: The franchise's infamous Palette Swap ninjas, initially conceived as a way to create new characters while conserving limited memory, dominated the franchise's 2D era. When the games went 3D, the ninjas were all made visually distinct from each other and it was unnecessary to add more, since the newer consoles had much more memory to play with. Since then, only four new characters with the "masked ninja" or "cyberninja" aesthetic have been added to the series: Frost, Skarlet, Triborg, and Tremor. As for the classic ninjas, most of them now have maskless alternate costumes, or are even maskless by default unless it's central to their character (like Mileena being a Butter Face).
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Reimagining the Artifact / int_7fbd6753	type	Reimagining the Artifact
Reimagining the Artifact / int_7fbd6753	comment	The villains in Thunder Cats 2011 are named after each animal they're based on—Lizards, Jackals, etc.—instead of them all being called "Mutants", and often get new names that while still based on their animal, are a bit more imaginative (Vultureman becomes Prefect Vultaire.) Third Earth is populated by many animal races and the Mutants' equivalents are drawn from them.
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Reimagining the Artifact / int_7fd1ab56	type	Reimagining the Artifact
Reimagining the Artifact / int_7fd1ab56	comment	King Kong (1933) depicts Kong as being a largely mindless and violent monster who kidnaps the girl just because of Monster Misogyny. Subsequent films, but especially the 2005 remake, have taken into account that gorillas are actually very intelligent and mostly peaceful herbivores. This remake plays up the tragedy by showing Kong accepting sacrifices only because he's the Last of His Kind and desperate for any sort of socialization. Both the 1976 and 2005 remakes depict Dwan/Ann as being far more sympathetic of Kong's plight rather just screaming in terror for the whole ordeal. Both remakes also make the subtle implication Kong let Dwan/Ann live, while all the native sacrifices perished, not because she's white, but because she asserted herself and entertained him, while the native women probably just went passively to their deaths.
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Reimagining the Artifact / int_7fd1fd91	type	Reimagining the Artifact
Reimagining the Artifact / int_7fd1fd91	comment	King Kong (2005): King Kong (1933) depicts Kong as being a largely mindless and violent monster who kidnaps the girl just because of Monster Misogyny. Subsequent films, but especially the 2005 remake, have taken into account that gorillas are actually very intelligent and mostly peaceful herbivores. This remake plays up the tragedy by showing Kong accepting sacrifices only because he's the Last of His Kind and desperate for any sort of socialization. Both the 1976 and 2005 remakes depict Dwan/Ann as being far more sympathetic of Kong's plight rather just screaming in terror for the whole ordeal. Both remakes also make the subtle implication Kong let Dwan/Ann live, while all the native sacrifices perished, not because she's white, but because she asserted herself and entertained him, while the native women probably just went passively to their deaths. In the original film, the film crew is at one point attacking a vicious, amphibious, and apparently carnivorous Brontosaurus. In large part due to Science Marches On and movies like Jurassic Park and The Land Before Time, discrediting the idea of all dinosaurs as being Prehistoric Monsters, and sauropods being water-dwelling animals, have made the idea of a savage, swamp-dwelling Brontosaurus utterly ridiculous, so the 2005 remake split the scene into two different creatures; the swamp monster into a giant predatory fish, and the Brontosaurus part changed into a stampede of the sauropods being chased by a pack of huge raptors, thereby menacing the crew without actually being aggressive.
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Reimagining the Artifact / int_81692f99	comment	Star Trek: The old TOS-era Klingon foreheads were simply dismissed as old budget-level alien makeup effects and style evolution... until the DS9 episode "Trials and Tribble-ations" brought attention to it by juxtaposing Worf (undercover) next to some old-style Klingons. He said "It's a long story" and the Klingons "don't talk about it with outsiders", making the difference an in-universe affair. Come Star Trek: Enterprise, a season 4 episode finally gives an explanation: they are the result of a badly botched attempt to match human augments with Klingon augments of their own, but it went horribly awry and caused a terminal viral disease. The cure involved a blend of human DNA to undo the damage, which had the side effect of loss of cranial ridges for a few generations. Reconstructive surgery is mentioned, hence specific Klingons showing up in the TNG era with the forehead ridges they hadn't had in their original appearances. Series prior to Star Trek: Picard couldn't decide whether Romulans had ridges on their foreheads or not; ENT- and TNG-era Romulans had ridges, TOS-era and Kelvin timeline Romulans didn't, and even in TNG, Spock was able to pass himself off as a Romulan without adding ridges. Picard reveals that this is a facial feature unique to "northerners".
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Reimagining the Artifact / int_82439e64	comment	Ryan Howard of The Office eventually lost his role as the newcomer, and went through an arc that saw him become a Corrupt Corporate Executive and then fall from grace. Despite having no storyline to advance, he stuck around because he was played by an executive producer on the show. Later seasons remedied this by making the character into a satire of a hipster, thus giving him something unique to do again.
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Reimagining the Artifact / int_854aece7	type	Reimagining the Artifact
Reimagining the Artifact / int_854aece7	comment	The Charge Boots were very useful when introduced in Going Commando, but by Tools of Destruction they were included more out of obligation than usefulness. Come A Crack in Time and they have been reimagined into the Hoverboots, able to be toggled with a single button press, can take turns much more naturally, and let you jump off ramps and pads for platforming action. In addition to being more interesting it allows them to be used in tight spaces (Full Frontal Assault kept the trend by reducing it to a single button press).
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Reimagining the Artifact / int_85a618a9	comment	The Wisps, the colorful aliens from Sonic Colors, became a mainstay in further games in the series. This is despite the fact that they left for their homeworld by the end of Colors, and outside of one mobile game, their presence has never been justified. Forces uses them, this time imagining them as allies to the Resistance with the use of the Wispon, a weapon that channels their power for all members of the Resistance - including the playable Avatar.
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Reimagining the Artifact / int_86814e56	comment	Final Fantasy VI has the Espers turn into shards of magical crystals when they die, which the party members can equip to learn magic. Final Fantasy VII did the same trick with Materia, described as crystallized Lifestream, the spiritual energy of the planet, and so does Final Fantasy X with Spheres formed from pyreflies. Final Fantasy IX uses a concept very similar to the Lifestream with a cycle of souls that are reborn over and over, and they originally came from a Crystal in the planet's core.
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Reimagining the Artifact / int_8ac72e21	comment	Sonic Forces: Green Hill Zone and Chemical Plant Zone, both zones from the original Genesis titles, are reimagined for the game. Green Hill Zone has gained a desert because of Eggman, which includes new locations. Likewise, the place is filled with robot leftovers everywhere due to the countless fights Sonic and Eggman had over the years. Chemical Plant Zone, likewise, has a story justification for its inclusion, now becoming the space-port towards Eggman's Death Egg. The Wisps, the colorful aliens from Sonic Colors, became a mainstay in further games in the series. This is despite the fact that they left for their homeworld by the end of Colors, and outside of one mobile game, their presence has never been justified. Forces uses them, this time imagining them as allies to the Resistance with the use of the Wispon, a weapon that channels their power for all members of the Resistance - including the playable Avatar.
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Reimagining the Artifact / int_8c22af8f	comment	While Broly doesn't become a Great Ape in Dragon Ball Super: Broly, he's stated to have a unique genetic mutation that lets him tap into the power of one in his base form, which comes into play for his "Rage" form. And slightly earlier in Super, when Goku uses his Ultra Instinct form, the voice of his Great Ape self overlays his regular voice (particularly when yelling).
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Reimagining the Artifact / int_8c71ca9e	type	Reimagining the Artifact
Reimagining the Artifact / int_8c71ca9e	comment	Monsterverse: Mothra is reimagined as an ancient superspecies with biological abilities, as opposed to an outright goddess with explicitly magical abilities. That said, depending on the audience's perspective, it can be seen as a case of Maybe Magic, Maybe Mundane. Mechagodzilla joins the franchise in the fourth entry Godzilla vs. Kong. With its original mecha-like form tonally clashing with the grittier, more-grounded Monsterverse, the mechanical monster receives a full-on redesign more closely resembling military weaponry crossed with the Terminator, and is depicted as a Composite Character with Mecha-King Ghidorah as he is controlled by Ghidorah's brain.
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Reimagining the Artifact / int_91e55472	comment	Total War: Warhammer III does this to one of the Kislevite Legendary Lords. Back in the early days of Warhammer Fantasy, one of the named characters mentioned in the Kislevite background was quite literally Baba Yaga lifted straight out of Slavic Mythology. With the massive lore update that Kislev received in the leadup to the game's release, this character was reintroduced into the lore as Mother Ostyanka. The Shadows of Change DLC would see this character become Unseen No More, and as a sign of her undergoing Derivative Differentiation she rides into battle not on a chicken-legged house but on a sleigh pulled by the monstrous Things in the Woods.
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Reimagining the Artifact / int_943b8e1	comment	In Osomatsu-kun, Iyami was a No Celebrities Were Harmed refence to Tony Tani, whose get-rich-quick schemes and loud attitude made him a Breakout Character among fans. When he was reintroduced in Osomatsu-san, the dated references were turned into him being a former star who clings to 60's humor as a reminder of his Glory Days, and his schemes were made a result of the Matsunos literally robbing him of house and home. "Iyami-san is Troubled" addresses this aspect of his character, and even further states that he was Demoted to Extra in season 2 because the writers couldn't figure out how to keep reimagining him.
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Reimagining the Artifact / int_98dc652b	comment	Goku becomes a Golden Great Ape in Dragon Ball GT after regaining his tail and using the Earth as a substitute for the Moon. Since it can only be used by Super Saiyans with their tails, Golden Great Apes are basically Super Saiyan Great Apes, but with the drawback of having near-uncontrollable rage. More importantly, controlling the rage is a necessary stepping stone to achieve the even greater power of Super Saiyan 4, which draws its strength by using the nature of the Great Ape form in a Saiyan's smaller humanoid state. Even still, Baby Vegeta as a Golden Great Ape is still more than a match for Super Saiyan 4 Goku.
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Reimagining the Artifact / int_993fbe31	type	Reimagining the Artifact
Reimagining the Artifact / int_993fbe31	comment	Soulcalibur VI The "Soul Charge" mechanic that had last been used in Soulcalibur III returns, but instead of providing a quick buff in attack power to a character's next attack, functions more akin to a Super Mode. It can only be activated at the cost of one bar of super meter, but provides various buffs for several seconds while active. This, in addition to its instant activation also makes it more practical, where Soul Charge in previous games were rarely used due to leaving players wide open to attack while charging. Soul Chronicle mode combines elements of single-player modes from previous games: in addition to having a main narrative in the same vein as "Story ~1607 A.D.~" from V, it also contains various side stories occurring in the same time frame as the main story that focuses on individual characters and their exploits, not unlike arcade modes from earlier games and "Tales of Souls" from III.
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Reimagining the Artifact / int_9a7088bc	comment	The old TOS-era Klingon foreheads were simply dismissed as old budget-level alien makeup effects and style evolution... until the DS9 episode "Trials and Tribble-ations" brought attention to it by juxtaposing Worf (undercover) next to some old-style Klingons. He said "It's a long story" and the Klingons "don't talk about it with outsiders", making the difference an in-universe affair. Come Star Trek: Enterprise, a season 4 episode finally gives an explanation: they are the result of a badly botched attempt to match human augments with Klingon augments of their own, but it went horribly awry and caused a terminal viral disease. The cure involved a blend of human DNA to undo the damage, which had the side effect of loss of cranial ridges for a few generations. Reconstructive surgery is mentioned, hence specific Klingons showing up in the TNG era with the forehead ridges they hadn't had in their original appearances.
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Reimagining the Artifact / int_9d34190a	comment	The Elder Scrolls: The Khajiit's appearance changed between Arena and Daggerfall, and again between Daggerfall and Morrowind, becoming steadily more cat-like. Lore from after Daggerfall explains this by establishing that there are 17 known distinct "sub-breeds" of Khajiit, and which sub-breed a Khajiit kitten will grow up to be depends on the phases of Nirn's two moons under which the kitten was born. A similar explanation exists to explain the changing appearance of the Argonians throughout over the course of the series. According to the lore, the Argonians worship a species of sentient (and possibly omniscient) trees known as the Hist. Argonian hatchlings drink the sap of the Hist to grow, and the Hist can communicate with the Argonians via visions transmitted in the sap. Sensing the upcoming Oblivion Crisis and the trials that would follow, the Hist recalled nearly all of the Argonians in Tamriel to their homeland and began to change them physically, making them into more effective weapons of war. Cyrodiil, the setting of Oblivion, was described a dense tropical jungle with Mayincatec elements in earlier games. The developers made the conscious decision to go against this established lore in order for Oblivion to have more of a Medieval European Fantasy feel, making the setting in a temperate forest land. In-universe, this change is explained in obscure texts as Talos terraforming the region as a reward for the Imperial Legions who served him so well in life as Emperor, making it a more comfortable place to live. When the developers of The Elder Scrolls Online, a prequel taking place roughly 500 years before the events of the main series, dismissed this inconsistency as a "transcription error", Fanon Discontinuity was declared among lore junkies. Others rationalized that Talos' changes to the landscape were retroactive, making it so that Cyrodiil had always been temperate.
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Reimagining the Artifact / int_a19a1ec9	comment	Tomoki Kuroki from No Matter How I Look at It, It's You Guys' Fault I'm Not Popular! was at the beginning of the story the protagonist's main confidant, being her brother and one of the few persons she could talk with (and the only male one at that). However, given their relationship was also very vitriolic, with Tomoki barely being able to stand her for more that a little while, he didn't have much of a role once more recurring characters were introduced and Tomoko actually managed to make friends so she didn't need to pester her brother anymore. As such, he went Out of Focus for many years until he became the romantic target of the Knight of Cerebus Sacchi, among other girls.
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Reimagining the Artifact / int_a81325d3	comment	Final Fantasy had earlier games featuring four Crystals which acted as MacGuffins, each attuned to an elemental force and being a source of great power. As this trope became stale, later games started to use them in more creative ways that allow Crystals to remain important to the story in a less-dated way. Final Fantasy VI has the Espers turn into shards of magical crystals when they die, which the party members can equip to learn magic. Final Fantasy VII did the same trick with Materia, described as crystallized Lifestream, the spiritual energy of the planet, and so does Final Fantasy X with Spheres formed from pyreflies. Final Fantasy IX uses a concept very similar to the Lifestream with a cycle of souls that are reborn over and over, and they originally came from a Crystal in the planet's core. Final Fantasy VIII referenced the Crystal mythos of Final Fantasy IV with a Crystal Pillar said to come from the moon, and it can summon monsters from the moon down to the planet. As part of Revisiting the Roots, Final Fantasy XI and Final Fantasy XII feature more traditional Crystals as gemstones that hold tremendous power. The main plot of XII actually centers on The Empire researching how to create artificial Crystals just as powerful as the original ones created by divine forces. The Fabula Nova Crystallis: Final Fantasy series focuses on Crystals in modern and sci-fi settings. The Final Fantasy XIII trilogy concerns fal'Cie, god-like beings who are implied to be sapient crystals at their cores and form bio-mechanical shells as defenses, and they grant l'Cie eidoloths, crystal shards that contain their Eidolons. Final Fantasy Type-0 depicts the traditional Four Crystals but associates them with The Four Gods instead of the elemental forces, and each grants its nation a particular boon, such as Concordia's crystal granting its people the ability to commune with and control dragons. Final Fantasy XV depicts the Crystal as a treasure from the Astrals gifted to the House of Lucis to use its power to rule over the world, and only those of royal blood or those who swear oaths to them may wield its powers. Dissidia Final Fantasy has Cosmos grant power to her chosen Warriors, which will eventually manifest for them in the form of a Crystal. As a Mythology Gag, each of the assembled hero's crystals resemble the kind from their original game, such as Terra from VI getting a Magicite shard while Cloud from VII gets a Materia orb.
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Reimagining the Artifact / int_a8ae62a	comment	The 2005 version of The Producers reimagines the actor playing Hitler in the play from the spaced out hippie LSD (Lorenzo St. DuBois) in the 1967 version to the Camp Gay director, Roger De Bris. LSD was such a product of late '60s counterculture that Mel Brooks thought he just wouldn't work in a modern context. De Bris is in the original movie but due to the time period, had to be more Ambiguously Gay and kept on the sidelines. Since having an explicitly gay character was more accepted in 2005, Brooks felt like it made more sense for him to play Hitler.
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Reimagining the Artifact / int_b55489e1	comment	Spider-Man: Turn Off the Dark had a very Troubled Production, undergoing a major Retool after the longest preview period in Broadway history. Presumably to save money, many aspects from the original show, directed by Julie Taymor, were reimagined after she was fired. The most notable is probably Arachne, a Canon Foreigner who originally got three songs, usurped Green Goblin as the villain, had a redemption arc and was in a Love Triangle with Peter and Mary Jane. Since the Green Goblin was the best-reviewed aspect of Taymor's version, the retool promoted him to Big Bad while Arachne became Peter's spirit guide.
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Reimagining the Artifact / int_babeae6a	comment	Mechagodzilla joins the franchise in the fourth entry Godzilla vs. Kong. With its original mecha-like form tonally clashing with the grittier, more-grounded Monsterverse, the mechanical monster receives a full-on redesign more closely resembling military weaponry crossed with the Terminator, and is depicted as a Composite Character with Mecha-King Ghidorah as he is controlled by Ghidorah's brain.
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Reimagining the Artifact / int_bcadd7cb	comment	Warhammer 40,000: In earlier editions, there was a half-Eldar Ultramarines Librarian by the name of Illiyan Nastase. As the setting developed and the Imperium's attitude of Absolute Xenophobe was codified, Illiyan was quietly dropped for no longer making sense (not only would the Ultramarines have struggled not kill such a hybrid on sight, let alone induct him into the Chapter, the vastly differing biologies between Eldar and Humans would have made such a hybrid impossible, and the Space Marines had been rewritten as surgically modified Super Soldiers making induction improbable even if the hybrid did exist). However, in the Dark Imperium trilogy an Aeldari Farseer liaison to Roboute Guilliman by the rather similar name of Illiyanne Natase is introduced. The name plus his role working closely with the Ultramarines cast Illiyanne as an attempt to update the Illiyan concept while working with the newer canon. Back when the game was simply a Setting Update to regular Warhammer Fantasy but IN SPACE!, there was a faction called the Squats, which were Biker Space Dwarfs which Games Workshop infamously discontinued and declared Canon Discontinuity for over two decades due to them feeling that they were not doing the archetype justice. While Squats would be quietly reintroduced to the setting through mentions in the background and miniatures in the Spin-Off Necromunda, a full Squat faction would not be properly reintroduced until 2022 with the Leagues of Votann, an offshoot faction and highly derived subspecies of humanity that has better preserved Lost Technology from the Dark Age of Technology, specifically supercomputers which they venerate as ancestor gods. It was also revealed that the name "Squat" was a pejorative term used by the Imperium, with the actual name they use for themselves being "Kin". As a telling sign that Games Workshop is trying to do the Space Dwarf archetype justice this time around, one of the first revealed units for the faction is the Hernkyn Pioneer, a reimagining of the infamous Squat trike as a more robust Hover Bike.
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Reimagining the Artifact / int_bd8b694d	comment	Codex Equus encourages originality in a collaborative attempt at Worldbuilding a unique depiction of Equestria and the world at large. Countless gimmick figures from G1 and G2 have been reimagined by countless writers as unique, varied subpony types: Sparkle Ponies are either mutants, or hybrids with the Visitors, and are major players in the setting once Dazzleglow returns. The Visitors themselves are based on the unmade Celestial Ponies. Secret Surprise Ponies are Mutants with a natural Bag of Holding in the form of a biological pouch on their back with magic similar to a giants' that contains a Pocket Dimension. This allows them to store basically anything they want in a given situation, and even act as living personnel carriers. Perfume Ponies have mutated scent glands which enable them to emit various smells. With training, this ability becomes Heart Is an Awesome Power (for instance, they can imitate the smell of Dragon Sneeze Trees, which dragons are, as the name indicates, allergic to). In canon, Happy Tail Ponies have special spinning tails. Codex Equus depicts them as having a mutation that allows them to magically manipulate their tails like an extra limb, which explains why certain ponies in the show have Prehensile Tails in contrast to most others. Applejack, Fluttershy, and Zecora are all Happy Tail Ponies, just to name a few. Rainbow Ponies have multi-coloured hair, and they can control light and rainbows, hence their name. Their hair and appearance are biological solar panels that absorb light and convert it into energies, but there are faulty genes that make this ability lethal to the individual. The majority of Rainbow Ponies are treated as heroes. The most famous of them is Rainbow Dash herself, though she doesn't know this. The Alicorn Amulet that Trixie found in "Magic Duel"? It was initially created to increase the strength of magically weak ponies so that they could stand equal to powerful-born ponies. It was supposed to just be an Amplifier Artifact... but its wearers would end up using their boosted magic to do evil deeds and blame something else for it, which eventually led to the Amulet itself becoming corrupted.
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Reimagining the Artifact / int_c4282b71	comment	The Friendship Reports in My Little Pony: Friendship Is Magic were originally meant as a recap of the episode's events, but began to be phased out near the end of Season 2 and were practically non-existent in Season 3. In Season 4, the concept was brought back after the main cast found the Princess' old diary and decided to keep one for themselves.
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Reimagining the Artifact / int_c43df4d8	comment	Doctor Who: A combination of this and Ascended Fanon lent plausibility to the biggest narrative conceit of Doctor Who: that even when the characters stop off somewhere for totally innocent reasons, they will inevitably encounter not just trouble, but extraterrestrial trouble. Fanon for years has been that the TARDIS, which is a living being, purposely drops the Doctor off in places and times where he is needed. This was heavily implied to be true throughout the revived series, and is eventually explicitly made canon in "The Doctor's Wife". The TARDIS' police box design. At first, in The '60s, it wasn't anachronistic, but nowadays, characters ask "What is a 'police public call box?'" and the broken chameleon circuit, though part of the setting from day one to a smaller degreenote The First Doctor noticed the TARDIS hadn't adapted to its new location once they left present-day Earth, and it was the first sign that something was wrong. They wound up with the more pressing problem of not being able to control their destination. Much of the black-and-white era of the series has a You Can't Go Home Again situation, as they make seemingly random jumps with no way home as we'd see in later shows like Quantum Leap or Sliders., is sometimes a running gag (It's fixed! ...and its new form is not under the Doctor's control, highly inconvenient, and at least you know where to enter the police box version. It's fixed! ...and when it scans the area and decides on an "appropriate" form, it's always a police box. Or Donna can fix it with her new Time Lord knowledge! ...which is about to burn out her brain, and what comes next is not funny.) and the Doctor has at least once admitted that he could probably fix it if he really wanted to, but likes it the way it is. They also introduced (and named) the idea that the TARDIS has a Perception Filter that makes people not notice it even if its apparent form isn't period-appropriate. The Daleks had suffered some extreme Villain Decay by the end of the Classic series, becoming quite easily explodable and harmless even in great numbers, as well as having no agency thanks to the introduction of their leader, Davros. This was not helped by the species being a UK cultural meme for forty years — impressions of their obnoxious, squawky voices and jokes about their use of plungers as weapons and (imagined) inability to climb stairsnote They went back and forth on the 'stairs' thing. "The Chase" featured three Daleks appearing on the same level, but one being seen at the top of some steps while the others were below later; how it got up there wasn't addressed but it was clear that no, stairs will not stop them. Yet, "Destiny of the Daleks" had them unable to make a similar climb and the Doctor needling them about it. We first see a Dalek hover in "Remembrance of the Daleks", very late in the original series' run. Of course, when you're dealing with time travel, such inconsistencies can perhaps be explained by Four having met an earlier model than One and Seven. were something of a hack comedian standard routine. The new series reintroduced the Daleks in "Dalek", in which we find out that the Dalek race was on the brink of annihilating the Doctor's race, and the Doctor had to commit genocide against both species in order to save the universe itself — the Dalek in the episode gets a much less shrill, much scarier and much more expressive voice than the original series Daleks had, is treated realistically as the death machine that it is, and incorporated elements from the very first Dalek serial (such as the idea of Daleks as objects of pity as well as revulsion) in order to make them just as terrifying as they had first been forty years ago. Throughout both Russell T. Davies' and Steven Moffat's showrunning of the revival era, there's also been an added emphasis on delving into the psychology of the Daleks and the Doctor's relationship with them. (For example, they claim they grew stronger in fear of him. He's tempted by them to lose his temper several times, and also ponders in private whether he could maybe redeem them one day, somehow.) This effort helped the Daleks return to the sort of nuance and cred they had as antagonists back in the 60s and 70s. And Davros, previously overused in the classic era after his first appearance, has had a guest role in only two revival-era stories so far, one in each showrunner's era. Tellingly, these Davros stories were critically well-received, both for Davros' rare resurgence and the quality of writing put into him as a villain. (Also, Davros sometimes overshadowed the Daleks, Dalek stories at the height of his overuse being more "Davros stories with Daleks as his Mooks." The revival appearances do the same for him as they did for the Daleks themselves, taking him back to his roots. Davros was introduced as the scientist who created the Daleks but was betrayed and killed by them, and reintroduced as the Daleks feeling they needed his genius as they had become creatively stagnant - his second story was more "scientific advisor" than "lord and master;" he was their weapon and not the other way around. Davros' new series appearances have him as very much the character from that second appearance - his knowledge is one of the best weapons in their arsenal, rather than them just carrying out his plans.) Several other classic-Who races that'd been fairly lame from the moment of introduction, such as the Silurians, Ice Warriors, and Zygons, have likewise been re-vamped into something much more formidable by the revived series, making them scarier in some cases and more tragic or multifaceted in others. The concept behind the Nimon - aliens based on the Minotaur of Classical Mythology - is used again for the central alien in "The God Complex", this time creating something more complex and tragic than the original take. "Cold War" is a whole episode written to explore the stereotype about Doctor Who monsters always being easily outrunnable Mighty Glacier creatures with movement impeded by the actors' unconvincing rubber suits. It reintroduces an Ice Warrior, an old-school monster who fits this description, and reveals that what was assumed to be his body is in fact his armour. The armour impedes his movement just like the monster costumes do in real life, and once he's shed it, he is a lot faster. The Cybermen started out fairly scary for the 60s, with their emotionless desire to convert other beings into more Cybermen. As time went by, less focus was put on the assimilation aspect of their personalities, and they became generic robotic soldiers, often openly displaying emotions as well. When they reappeared in the new series (as parallel universe counterparts that never had the originals' Weaksauce Weaknesses), much more focus was placed on the Body Horror and Loss of Identity aspects of their nature, making them scary once more. This includes a direct Internal Homage to their big moment of the Classic series (slowly emerging from tombs) in "Death in Heaven". The way of defeating them went from 'throw gold coins at them' to 'give them their emotions back,' creating heart-wrenching scenes of Cybermen screaming in agony, dropping dead, or outright exploding as they were destroyed by the sheer horror of what they'd become. (However, Villain Decay set in once again as this became easier and easier to do.) "The Celestial Toymaker" is generally considered an unfortunately racist episode, contaning as it does the only appearance of the n-word in Doctor Who as well as a villain played by a white guy dressed as a stereotyped Chinese mandarin (although possibly not actually in yellowface). Later appearances have tried to turn this into an issue with the character rather than the episode, with the narrator of the novelisation of the Missing Episode "The Nightmare Fair" sardonically referring to "a technician in a white coat who looked distinctly as though he had the better right to the eastern style wardrobe", while "The Giggle" outright portrays him as a racist who likes doing "comedy" accents.
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Reimagining the Artifact / int_c6b738c4	comment	"Women Of Honor" was a broad term referring to any woman working for Ring of Honor. There were always wrestlers among them, but women on ROH shows were better known for their scheming. Actual women's divisions did not get started until 2007 and 2008, both of which were mostly handled by SHIMMER. After Sinclair Broadcast Group purchased ROH in 2011, ROH and SHIMMER decided to operate separately and every woman, aside from Embassy hanger on Mia Yim, was dropped by ROH. SHIMMER still existed, but it turned out some women liked working for ROH and they had the support of a small but loud portion of fan base. ROH brought them back soon enough but took awhile finding a purpose for those more interested in wrestling than managing. It tried using Pro Wrestling Revolution's Women's Division in SHIMMER's place (didn't work out), it tried calling in competitors from SEAdLINNNG (didn't get many) and eventually settled on branding Women Of Honor as a competitive division with its own live shows and title belt.
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Reimagining the Artifact / int_cddb86b2	type	Reimagining the Artifact
Reimagining the Artifact / int_cddb86b2	comment	Ratchet & Clank Future: A Crack in Time features two of these: The Omniwrench, which had become useless since the second game, was given an overhaul in this one. The previous game, Quest for Booty, had already worked on this by giving it some gadget functionality, which was expanded here to allow you to pull Shields off enemies and have it involved in the Hydra Tank boss fights. In addition, Ratchet is now able to run and throw the wrench at the same time, which on top of a wider hitbox makes it much more useful for smashing crate stacks and small enemies. The Charge Boots were very useful when introduced in Going Commando, but by Tools of Destruction they were included more out of obligation than usefulness. Come A Crack in Time and they have been reimagined into the Hoverboots, able to be toggled with a single button press, can take turns much more naturally, and let you jump off ramps and pads for platforming action. In addition to being more interesting it allows them to be used in tight spaces (Full Frontal Assault kept the trend by reducing it to a single button press).
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Reimagining the Artifact / int_ce50887e	type	Reimagining the Artifact
Reimagining the Artifact / int_ce50887e	comment	In Dragon Ball, the Great Ape element of Saiyans largely disappeared after the end of the Saiyan Saga in Dragon Ball Z. Future Dragon Ball media brought it back in different ways. Goku becomes a Golden Great Ape in Dragon Ball GT after regaining his tail and using the Earth as a substitute for the Moon. Since it can only be used by Super Saiyans with their tails, Golden Great Apes are basically Super Saiyan Great Apes, but with the drawback of having near-uncontrollable rage. More importantly, controlling the rage is a necessary stepping stone to achieve the even greater power of Super Saiyan 4, which draws its strength by using the nature of the Great Ape form in a Saiyan's smaller humanoid state. Even still, Baby Vegeta as a Golden Great Ape is still more than a match for Super Saiyan 4 Goku. While Broly doesn't become a Great Ape in Dragon Ball Super: Broly, he's stated to have a unique genetic mutation that lets him tap into the power of one in his base form, which comes into play for his "Rage" form. And slightly earlier in Super, when Goku uses his Ultra Instinct form, the voice of his Great Ape self overlays his regular voice (particularly when yelling).
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Reimagining the Artifact / int_d461f757	type	Reimagining the Artifact
Reimagining the Artifact / int_d461f757	comment	Battlestar Galactica (2003) took some of the more "Aerith" names of the original series characters (Apollo, Starbuck, Boomer, etc) and turned them into fighter pilot callsigns.
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Reimagining the Artifact / int_d616724d	comment	League of Legends regularly gives updates to characters whose initial concept has ended up kind of out-of-place now that Runeterra has a detailed, worked-out history as opposed to being a place where slapped-together pop culture fantasy concepts beat each other up because Reasons. For example, Pantheon was hugely out of place, as an extra from 300 who drew his entire look from a culture that did not exist on Runeterra; he has since been tweaked so that he's still a buff dude with a spear, but he now looks like a character from Runeterra as opposed to a Spartan warrior who happened to find himself in Runeterra. Fiddlesticks, who did kind of have a place but wasn't particularly unique, was reworked from a fairly generic Scary Scarecrow to an Ancient Evil that has been feasting on fear since the dawn of humanity. League fans are still waiting on announcements for other reworks for characters seriously in need of them like Cho'gathnote who is basically the Violator from Spawn with a quick paint job and has nothing in common with the current aesthetic of the Void he hails from and Corkinote who is basically a goofy take on a WWI fighter pilot and doesn't even look like the species he's been Retconned into being.
Reimagining the Artifact / int_d616724d	featureApplicability	1.0
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League of Legends (Video Game)	hasFeature	Reimagining the Artifact / int_d616724d
Reimagining the Artifact / int_e5feb1e	type	Reimagining the Artifact
Reimagining the Artifact / int_e5feb1e	comment	In the Ace Attorney series, a frequent Running Gag that doubled as a plot point (or plot armor, in a sense) involved Phoenix coming out of devastating accidents or brushes with death with barely a scratch. Apparently, the developers grew bored of writing those gags, because by the time Spirit of Justice takes place, Nickâ€™s age has caught up to him and that gameâ€™s running gag is his constant back pain. He even goes so far as to take a dead manâ€™s painkiller medicineâ€¦ inadvertently giving himself and Apollo a Hail Mary that saves their defense in the final trial (even though it ends up being completely wrong).
Reimagining the Artifact / int_e5feb1e	featureApplicability	1.0
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Ace Attorney (Franchise)	hasFeature	Reimagining the Artifact / int_e5feb1e
Reimagining the Artifact / int_e9c7b01b	type	Reimagining the Artifact
Reimagining the Artifact / int_e9c7b01b	comment	Dissidia Final Fantasy has Cosmos grant power to her chosen Warriors, which will eventually manifest for them in the form of a Crystal. As a Mythology Gag, each of the assembled hero's crystals resemble the kind from their original game, such as Terra from VI getting a Magicite shard while Cloud from VII gets a Materia orb.
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Dissidia Final Fantasy (Video Game)	hasFeature	Reimagining the Artifact / int_e9c7b01b
Reimagining the Artifact / int_eb6719f6	type	Reimagining the Artifact
Reimagining the Artifact / int_eb6719f6	comment	Final Fantasy VIII referenced the Crystal mythos of Final Fantasy IV with a Crystal Pillar said to come from the moon, and it can summon monsters from the moon down to the planet.
Reimagining the Artifact / int_eb6719f6	featureApplicability	1.0
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Reimagining the Artifact / int_ebf1b702	type	Reimagining the Artifact
Reimagining the Artifact / int_ebf1b702	comment	Shin Ultraman: In the original series, the monster Zetton's most powerful attack was the "one trillion degree fireball". While it was was depicted as a simple ball of fire in the show, a one trillion degree hot fireball would have easily wiped out the entire solar system. In the movie, Zetton was reimagined as a robotic superweapon, designed to wipe out entire planetary systems using its fireball.
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Reimagining the Artifact / int_ed3f1e4f	type	Reimagining the Artifact
Reimagining the Artifact / int_ed3f1e4f	comment	Dice Funk's creator Austin Yorski has talked at length about how his campaigns frequently alter things from the normal Dungeons & Dragons books that he considers silly, problematic, or nonsensical. This is most notable in Season 5 which is based on Spelljammer and overhauled large parts of its lore, most notably changing the Witchlight Marauders from monsters made by Orc shamans, into Reigar who have been mutated by the World of Forms and renamed Maxwells.
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Dice Funk (Podcast)	hasFeature	Reimagining the Artifact / int_ed3f1e4f
Reimagining the Artifact / int_f367511c	type	Reimagining the Artifact
Reimagining the Artifact / int_f367511c	comment	Yu-Gi-Oh!: One of the main card types are Normal Monsters, given that they have their own card frame. There was a time when the bulk of your monsters were normal, and a time slightly more recent when you had a few to serve as muscle, but thanks to power creep that doesn't really happen anymore. Over the years there have been attempts to make them more relevant, such as Heart of the Underdog and the Hieratic and World Chalice archetypes. Their success has varied. Similarly, there are many iconic monsters that, due to Power Creep, are now laughably weak. Every so often, the game comes out with a "retrain" of one of them, which is a new, more powerful card representing the same character. In recent years, the game also has a tendency to create "legacy support" cards which are designed to work with these older monsters, with the intention of making them more relevant in the current metagame.
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Reimagining the Artifact / int_fb0c3aa4	type	Reimagining the Artifact
Reimagining the Artifact / int_fb0c3aa4	comment	In the original Voltron series, Nanny is Allura's overprotective Arusian caretaker who constantly fusses over the princess's safety and is bent on keeping her away from danger. Voltron: Legendary Defender re-imagines her as Dayak, the Galran governess who raised Prince Lotor, and a Blood Knight Sadist Teacher who considers skipping out on her lessons to be an insult worthy of a Duel to the Death.
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Voltron	hasFeature	Reimagining the Artifact / int_fb0c3aa4
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Reimagining the Artifact / int_fb9c177d	comment	Transformers: Megatron originally transformed into a highly realistic Walther P38, but due to a number of factors such as the in-universe impracticality of turning into a handheld weapon, several incidents of police offices mistaking the toy for a real gun, and realistic toy guns being less socially acceptable since the eighties, modern interpretations of Megatron will transform into a tank, a jet, or both. His tank vehicle mode is the most commonly used alt mode since a tank is basically a giant gun on wheels.
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The following is a list of statements referring to the current page from other pages.

Reimagining the Artifact	processingCategory2	Continuity Tropes
Reimagining the Artifact	processingCategory2	Derivative Works
Reimagining the Artifact	processingCategory2	Media Adaptation Tropes
PokÃ©mon: The First Movie / int_9ecb2ba8	type	Reimagining the Artifact
Trigun Stampede / int_9ecb2ba8	type	Reimagining the Artifact
Trampy Movies (Audio Play) / int_9ecb2ba8	type	Reimagining the Artifact
Army of Darkness (Comic Book) / int_9ecb2ba8	type	Reimagining the Artifact
Captain America Forever Allies (Comic Book) / int_9ecb2ba8	type	Reimagining the Artifact
Dawn of X (Comic Book) / int_9ecb2ba8	type	Reimagining the Artifact
GoBots (Comic Book) / int_9ecb2ba8	type	Reimagining the Artifact
Green Lantern: Rebirth (Comic Book) / int_9ecb2ba8	type	Reimagining the Artifact
Harley Quinn (Comic Book) / int_9ecb2ba8	type	Reimagining the Artifact
Harley Quinn (New 52) (Comic Book) / int_9ecb2ba8	type	Reimagining the Artifact
JLA (1997) (Comic Book) / int_9ecb2ba8	type	Reimagining the Artifact
Krypto the Superdog (Comic Book) / int_9ecb2ba8	type	Reimagining the Artifact
Prez (2015) (Comic Book) / int_9ecb2ba8	type	Reimagining the Artifact
Shazam! (2023) (Comic Book) / int_9ecb2ba8	type	Reimagining the Artifact
Sonic the Hedgehog (Archie Comics) (Comic Book) / int_9ecb2ba8	type	Reimagining the Artifact
The Shadow Hero (Comic Book) / int_9ecb2ba8	type	Reimagining the Artifact
The Transformers Megaseries (Comic Book) / int_9ecb2ba8	type	Reimagining the Artifact
Ultimate X-Men (2001) (Comic Book) / int_9ecb2ba8	type	Reimagining the Artifact
Wonder Woman (Infinite Frontier) (Comic Book) / int_9ecb2ba8	type	Reimagining the Artifact
World of Krypton (Comic Book) / int_9ecb2ba8	type	Reimagining the Artifact
Madam & Eve (Comic Strip) / int_9ecb2ba8	type	Reimagining the Artifact
Superman (Comic Book) / int_9ecb2ba8	type	Reimagining the Artifact
Beast Wars Prime (Fanfic) / int_9ecb2ba8	type	Reimagining the Artifact
Most Unlikely of Friends (Fanfic) / int_9ecb2ba8	type	Reimagining the Artifact
Most Unlikely of Friends (Fanfic) / int_9ecb2ba8	type	Reimagining the Artifact
Nobledark Imperium (Fanfic) / int_9ecb2ba8	type	Reimagining the Artifact
World War Etheria (Fanfic) / int_9ecb2ba8	type	Reimagining the Artifact
Aquaman (2018) / int_9ecb2ba8	type	Reimagining the Artifact
Bill & Ted Face the Music / int_9ecb2ba8	type	Reimagining the Artifact
Black Panther (2018) / int_9ecb2ba8	type	Reimagining the Artifact
Black Widow (2021) / int_9ecb2ba8	type	Reimagining the Artifact
Doctor Strange (2016) / int_9ecb2ba8	type	Reimagining the Artifact
Dora and the Lost City of Gold / int_9ecb2ba8	type	Reimagining the Artifact
Gaston Lagaffe / int_9ecb2ba8	type	Reimagining the Artifact
Jungle Cruise / int_9ecb2ba8	type	Reimagining the Artifact
Mean Girls (2024) / int_9ecb2ba8	type	Reimagining the Artifact
Power Rangers (2017) / int_9ecb2ba8	type	Reimagining the Artifact
Shang-Chi and the Legend of the Ten Rings / int_9ecb2ba8	type	Reimagining the Artifact
Shin Kamen Rider (2023) / int_9ecb2ba8	type	Reimagining the Artifact
Skyfall / int_9ecb2ba8	type	Reimagining the Artifact
Spider-Man: Far From Home / int_9ecb2ba8	type	Reimagining the Artifact
Spider-Man: Homecoming / int_9ecb2ba8	type	Reimagining the Artifact
Star Trek (2009) / int_9ecb2ba8	type	Reimagining the Artifact
The Batman (2022) / int_9ecb2ba8	type	Reimagining the Artifact
Underdog / int_9ecb2ba8	type	Reimagining the Artifact
V/H/S: Viral / int_9ecb2ba8	type	Reimagining the Artifact
Teenage Mutant Ninja Turtles (Franchise) / int_9ecb2ba8	type	Reimagining the Artifact
American Girls Collection / int_9ecb2ba8	type	Reimagining the Artifact
The Autobiography of Spock / int_9ecb2ba8	type	Reimagining the Artifact
The Baby-Sitters Club (2020) / int_9ecb2ba8	type	Reimagining the Artifact
Dominion (Tabletop Game) / int_9ecb2ba8	type	Reimagining the Artifact
Pathfinder (Tabletop Game) / int_9ecb2ba8	type	Reimagining the Artifact
An American in Paris (Theatre) / int_9ecb2ba8	type	Reimagining the Artifact
Mean Girls (Theatre) / int_9ecb2ba8	type	Reimagining the Artifact
Assassin's Creed: Unity (Video Game) / int_9ecb2ba8	type	Reimagining the Artifact
BETADCIU (Video Game) / int_9ecb2ba8	type	Reimagining the Artifact
Doom Eternal (Video Game) / int_9ecb2ba8	type	Reimagining the Artifact
Final Fantasy XV (Video Game) / int_9ecb2ba8	type	Reimagining the Artifact
Left 4 Dead 2 (Video Game) / int_9ecb2ba8	type	Reimagining the Artifact
Mega Man: Revenge of the Fallen (Video Game) / int_9ecb2ba8	type	Reimagining the Artifact
Soulcalibur VI (Video Game) / int_9ecb2ba8	type	Reimagining the Artifact
Star Ocean: The Second Story (Video Game) / int_9ecb2ba8	type	Reimagining the Artifact
Tekken 8 (Video Game) / int_9ecb2ba8	type	Reimagining the Artifact
Super Mario 64: CLASSIFIED (Web Video) / int_9ecb2ba8	type	Reimagining the Artifact
Super Mario 64 Lost Tapes (Web Video) / int_9ecb2ba8	type	Reimagining the Artifact
DC Showcase â€“ Batman: Death in the Family / int_9ecb2ba8	type	Reimagining the Artifact
DC Showcase: Green Arrow / int_9ecb2ba8	type	Reimagining the Artifact
Daisy Duck / int_9ecb2ba8	type	Reimagining the Artifact
DuckTales (2017) / int_9ecb2ba8	type	Reimagining the Artifact
Green Eggs and Ham (2019) / int_9ecb2ba8	type	Reimagining the Artifact
Justice League Action / int_9ecb2ba8	type	Reimagining the Artifact
Mickey and the Roadster Racers / int_9ecb2ba8	type	Reimagining the Artifact
The Dreamstone / int_9ecb2ba8	type	Reimagining the Artifact
The Lion King (2019) / int_9ecb2ba8	type	Reimagining the Artifact
The Super Mario Bros. Movie / int_9ecb2ba8	type	Reimagining the Artifact
reimaginingtheartifact	sameAs	Reimagining the Artifact

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