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Safety in Indifference

 Safety in Indifference
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This is when characters decide that it is indeed better never to have loved than to have loved and lost. They believe that if they don't feel or care, they can't be hurt. This decision is often initiated by either themselves or someone close to them crossing the Despair Event Horizon, but they choose to take the final step and how to express their despair.
This frequently results in/from them feeling that Hope Is Scary, as it threatens their indifference/safety and risks them feeling upset again, requiring them to either give up their defenses or go through the harrowing experience of re-erecting them.
Ice and stone imagery are often included and the character may sing an Ode to Apathy.
Characters who choose indifference most often end up as a Broken Bird; Sour Outside, Sad Inside; Emotionless Girl or Ice Queen; they will sometimes be cold or act like jerks on purpose to hide their emotions from both themselves and others while secretly Desperately Craving Affection. Where they are a significant character, expect a Defrosting Ice Queen or Break the Haughty plot, teaching them The Power of Friendship or love.
Compare Heroic BSoD and Heroic Safe Mode which are more temporary, and Despair Event Horizon, where the character is not actively choosing and maintaining their state. Compare The Stoic who shows little to no emotion for various reasons. Compare/contrast Straw Nihilist when their view goes beyond simply their own defence. When a character is worried about physical rather than emotional safety, may overlap with Bystander Syndrome.
See also Emotion Suppression where emotions are removed (often artificially) for a specific reason; either short-term or permanently. See Never Be Hurt Again for when a character's driving motivation is to never lose the things they care about. See Conditioned to Accept Horror for when a character simply gets used to the horrible things in their world. See Love Is a Weakness for when a character considers an emotional connection to be a dangerous vulnerability.
On a different note, see The Firefly Effect or Audience-Alienating Ending for when this attitude trips viewers investing in a franchise. Likewise, see Too Bleak, Stopped Caring for when a story gets too dark for the audience to feel invested in it, and Opening a Can of Clones for when viewers stop feeling tension or investment because they can no longer be certain that a given plot development will have lasting effects on the story's universe.
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DBTropes
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Safety in Indifference
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In Sherlock, Sherlock believes this. John doesn't.
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Puella Magi Madoka Magica: This is a large part of Homura's character. By the time the story begins, she's gone from being a shy girl cursed with non-offensive magic determined to save all her friends from a powerful (but still killable) Eldritch Abomination to a Broken Ace (with awesome powers) out to just save her very best friend from a much bigger problem than anyone knew existed. She still cares about that one friend, but can no longer afford to worry about anyone else.
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In Star Trek Online, this is Slamek's attitude towards life. He's been a slave for so long, he betrays the Reman Resistance to Hakeev and the Tal Shiar so that he can continue to live that life rather than join the fight for freedom.
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Wonder Woman (1942): After her husband's murder and daughter's abduction by the Nazis Paula decides she can only afford to be indifferent at most to the rest of humanity, her heart can't take any more heartbreak and she's decided that she's willing to damn everyone else to save her daughter Gerta so she cannot care about the many innocents whose lives she's going to ruin by allying herself with the Nazis to keep them from killing Gerta. By the end, she's even come to enjoy some of the sadistic torture she inflicts.
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Heralds of Valdemar:
In Magic's Pawn, Vanyel decides to cut himself off from all emotion as a way of dealing with his emotionally abusive father and his exile to a strange city. This starts to be reflected in Recurring Dreams in which he is slowly turning to ice until he eventually opens up to Tylendel.
The short story "Medic", based on her Filk Song of the same name, focuses on a combat medic who constantly transfers to new posts to avoid getting familiar enough with anyone to be hurt when they die.
A general theme is that monarchs, commanders, and others who might have to send soldiers to war have to assume some emotional distance as part of The Chains of Commanding. The kings and queens of Valdemar can unburden themselves on a particularly wise Herald, but others have to just cope as best they can.
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The main character of The Mental State lets out a Roaring Rampage of Revenge on the people who raped his girlfriend, but, in doing so, he makes her terrified of him. To cope with becoming a monster in her eyes, he switches off all but the most useful emotions, becoming a sociopath in the process.
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In a heartbreaking scene in The Walking Dead, Maggie announces to her boyfriend Glenn, "I don't think I'm going to love you anymore" because everyone she cares about in the Zombie Apocalypse dies, with a perfectly blank face as though she were announcing that she'd rather not have chicken for dinner. Fortunately, it doesn't last long before she reconsiders.
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Care Bears:
This is one of the many things that the Care Bears are trying to prevent by encouraging others to share their feelings.
This is the theme of Care Bears in the Land Without Feelings. A young boy named Kevin is so upset about moving and leaving his old neighborhood and best friend behind that he decides it's better not to care about anything or have any friends anymore. He runs away and is found by Professor Coldheart, who promises he can make that happen.
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Hercules: Meg refuses to admit that she may have feelings for Hercules because her previous boyfriend left her when she gave her soul to Hades to save his life.
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In House, this is Dr. Gregory House's MO; he says he only cares about solving medical puzzles and doesn't care about the patients themselves. He almost always ends up caring about the patients.
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Yu-Gi-Oh! Season 0: In the movie, Shougo is terrible at card games so when he obtains the rare Red-Eyes Dragon he prefers to just brag about it because he's scared he will lose even if he does use it in a duel.
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Lucinda Potter, the first mate of the villain crew in Archipelago, has made a Deal with the Devil to never feel anything again after a certain man seduced her, promised to come back to her, but never did, which broke her heart.
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Nahri in The Daevabad Trilogy. As a child, she was often rejected for her uncanny power to sense illness and became a con artist, with the only person she trusted being the doctor who taught her medicine. As a part of the Decadent Court in Daevabad, Nahri begins to feel that caring about anyone or anything will only result in their destruction before her eyes, and this fear is continually reinforced, so she tries very hard not to get attached.
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Dream SMP: In Week 5 of his 'lessons' with Slime (in the fourth "Las Nevadas" stream), Quackity preaches to "[c]reate no emotional attachments to anything [because] everything gets destroyed". Considering one of the examples he uses to illustrate this was him and El Rapids being "abandoned", it carries strong indication that he feels this way as a result of his Trauma Conga Line prior to this arc... though granted, he's a massive hypocrite in saying he lacks emotional attachment, and he gets better eventually.
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The virtuous pagans in The Divine Comedy live in the First Circle of Hell, where their only punishment is that they live without hope (of Heaven) or fear (of Hell). Even though they sigh and despair for missing Paradise, their fate is infinitely preferable to the eight torture chambers below them.
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In Date A Live, Mukuro sealed her emotions away completely with her angel (read: weapon) so she could never be hurt again. The result is a scary, amoral spirit who just wants to be left alone and is indifferent to the fate of those around her until Shido unlocks her feelings with Natsumi's angel (transformed to look and work like Mukuro's).
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Rick and Morty: This is the main reason Rick is as heartless as he is. Even if you ignore the countless amount of people and creatures that die whenever he's around, having access to The Multiverse makes attaching to people borderline impossible, what with the fact that there's trillions of copies of them out there that are, for the most part, identical.
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The Way of Kings (2010): Kaladin tries this to fight his Chronic Hero Syndrome because everyone he tries to help ends up dead.
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Lexa from The 100 lost someone close to her once, and decided the only way to get over the pain was to suppress her ability to love, believing it to be a weakness.
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Neon Genesis Evangelion:
Shinji Ikari tries to have this attitude due to his mother's death and his father abandoning him, but he isn't very successful at not caring or not getting attached. Having no expectations doesn't protect him from disappointment, and he sorely desires the human contact he tries to avoid.
Gendo is revealed to have chosen this route in End of Evangelion due to his inability to relate to other people. In particular, he feared hurting Shinji after Yui's death and being hurt in turn, so he chose to avoid him for both their sakes. Ironically, it was his abandonment of Shinji that ended up giving the boy one of his deepest emotional scars... although considering the job he did of raising Shinji's half-sister, in the very loosest sense of the word, you can't help but wonder if he did kind of have a point.
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Pirates SMP: Following the Whirlpool investigation of Day 36, in which the mysterious Corruption is released and everyone watches Aimsey die in front of them, Acho decides to get absolutely wasted, and what star says about the incident epitomizes this. Star gradually does begin to recover from this state later in the series, and has a perfectly understandable reason for holding and reinforcing such an attitude as of and after the Whirlpool incident.
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Fiyero from Wicked uses a much more upbeat version of this trope, complete with a whole musical number ("Dancing Through Life") cultivating his image as a Brainless Beauty ("...Life is painless, for the brainless..."), although a later conversation calls him out on it:
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The song "I'm Not Afraid of Anything" from Songs for a New World is about this trope. The singer tells of how she lacks the fears her family and friends have, but by the end, we realize that the reason for her "fearlessness" is that she refuses to get truly close to anyone.
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In Barbie in A Christmas Carol, this became Catherine'snote The Bob Cratchit character. attitude in "Eden Starling"'snote Look at her initials... Bad Future after she (Catherine) tried to save the orphanage after being fired on Christmas Day.
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Becca from Melody responded to the pain of her breakup with her former best friend-turned-boyfriend that she shunned social interactions with anyone outside her family.
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Chidori of Persona 3 has a shortened lifespan due to her artificial Persona, and copes by having nothing to live for. Until Junpei shows up and breaks through her shell. Now that she has something to care about, she's now afraid to die.
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In Mobile Suit Gundam AGE, Lord Ezelcant claims that this is the way the entire nation of Vagan feels; it's too painful to love others and have relationships when there's a very good chance that either you or those you care about will die young due to an incurable disease.
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Xane, from Fire Emblem: Shadow Dragon & the Blade of Light, is a Stepford Smiler Manakete who professes to hate humans, at least to the few people he trusts enough to tell he's not human and does his best to avoid forming any sort of connection with them. It's heavily implied in his conversations with Kris that he doesn't really hate humans but is instead closing himself off from them to avoid the pain of having to outlive another friend.
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Loki in the Marvel Cinematic Universe. After the events of Thor, he desperately tries but fails not to care. He disowns Frigga as his mother in Thor: The Dark World, but the words don't come easy, and he becomes a mess after her death. He repeatedly states that Odin is not his father, but is hurt when the latter says that Loki's birthright was to die, Dumb Struck when Odin reclaims him as his son in Thor: Ragnarok and ready to cry when Odin dies. He shouts that Thor is not his brother, tries to kill him, and then is angry that Thor doesn't visit him in his cell; says that they should part ways but is upset when Thor agrees; prompts Thanos to torture Thor in Avengers: Infinity War and then can't bear it.
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The Stormlight Archive:
The Way of Kings (2010): Kaladin tries this to fight his Chronic Hero Syndrome because everyone he tries to help ends up dead.
Also in Words of Radiance Lift mentions that at one point she tried to stop caring, presumably for this reason, but quit because "it wasn't even like being alive".
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Also in Words of Radiance Lift mentions that at one point she tried to stop caring, presumably for this reason, but quit because "it wasn't even like being alive".
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In Kaguya-sama: Love Is War, Kaguya's harsh upbringing and natural talents skewed her ability to relate to other people. She unintentionally hurt the feelings of several classmates who she tried to hold to the same standards she was expected to meet, leading to her only friend revealing she was only Kaguya's friend due to her family's orders. Kaguya then chose to isolate herself, as she was both safe from being hurt by others and safe from hurting them.
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In Sword Art Online Abridged, Kirito comes to this conclusion in Episode 3, after losing his first real friend and after an item rumored to be able to bring people back from the dead turns out to be "a goddamn hat". Much of his Character Development over later episodes comes from this sentiment interacting with the Chronic Hero Syndrome he developed from the same loss.
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Will in Good Will Hunting is an orphan whose adoptive father used to beat him. He learned to push people away when they get too close because he is afraid the relationship won't work out and they will hurt him. Thus, he falls in love with Skylar and then suddenly breaks up with her because of this. In the end, the psychiatrist, Sean, manages to get through to Will and make him understand that he has an attachment disorder. After fully realizing what he's been subconsciously doing, Will finally allows himself to cry like a child in Sean's arms and decides to abandon said behavior.
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Mega Man Star Force: In the first game, several characters assume Geo denies wanting to attend school as he's still in shock over the loss of his father. Geo reveals to Mega that he does not want to form bonds with anyone as he fears something would happen that will make him experience the same pain he felt when he lost his dad. After Pat, who reluctantly but willingly, betrayed Geo in an attempt gain the Andromeda Key, it sends him into a Heroic BSoD.
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Zootopia: After a traumatizing event in his childhood, Nick Wilde believes feigning this attitude is better than letting anyone see they "get to him" ever again.
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Our Miss Brooks: In the episode Trying to Forget Mr. Boynton, Miss Brooks tries to be indifferent and forget about love interest Mr. Boynton. It backfires spectacularly, as Miss Brooks sees Mr. Boynton's face on every new person she meets. Fortunately, the episode turns out to be All Just a Dream.
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Caitlin Snow in The Flash (2014) believes that indifference is the correct way to go and protect herself after Ronnie's (her ex-fiance and current husband) death, as evidenced by "My once-promising career in bioengineering is over, my boss in a wheelchair for life, the explosion that put you in a coma also killed my fiancé. So this blank expression kind of feels like the way to go. " This trope is subverted once Ronnie is revealed to be alive after all and is separated from Martin Stein, regaining the ability to control his own body.
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This is also Squall's viewpoint throughout most of Final Fantasy VIII. After growing up in an orphanage, and then watching everyone he cared about slowly go away one by one, he decided that if people were going to die or otherwise leave him alone, it was better to be alone in the first place to avoid the pain of losing them. He intentionally pushes everyone away to avoid developing bonds with them that would hurt to sever. It takes Rinoa to break him out of it.
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Frozen (2013): After an incident in her childhood when she accidentally hit her little sister in the head with her ice powers, Elsa detaches herself from her relatives and locks herself in her room, convinced that she should "conceal, don't feel" and is better off alone.
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Shadow implies that this is his philosophy in Final Fantasy VI when he warns Terra that some people kill their own emotions. Probably because of his guilt over being unable to give his old friend and partner a Mercy Kill.
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In Magic's Pawn, Vanyel decides to cut himself off from all emotion as a way of dealing with his emotionally abusive father and his exile to a strange city. This starts to be reflected in Recurring Dreams in which he is slowly turning to ice until he eventually opens up to Tylendel.
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The Tales of Beedle the Bard: The warlock in "The Hairy Heart" decides that love is a useless emotion that makes you stupid and weak, and so cut out his heart and kept it safe, completely immune to the local ladies' attempts to woo him. However, his self-image takes a nosedive after overhearing two servants think of him as lonely and miserable as opposed to wise and aloof.
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The Wheel of Time: Rand Al'Thor's struggles with The Chains of Commanding and the stress of being The Chosen One lead him to try to invoke this, believing he has to be dispassionate and "hard" to be strong. It only accelerates his Sanity Slippage. Ultimately, in his Darkest Hour, he defies the trope, realizing that love is itself a source of strength.
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Revolutionary Girl Utena: MAJOR spoiler warning! Anthy Himemiya is an Exaggerated take on this trope, with her passive, Emotionless Girl Extreme Doormat persona being the best defense she can muster against the long, long list of events that left her a Broken Bird. More insidiously, the Big Bad Akio deliberately invokes this trope to keep her passive by being her primary tormentor... which is sadly Truth in Television regarding Domestic Abuse.
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Eliot in The Magicians (2016) runs into this a couple times, most notably when Quentin suggests they try being together in the main timeline. He later admits that he rejected him not because he didn't want to be with Q, but because he was afraid.
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In Disgaea: Hour of Darkness, Demon Prince Laharl wakes up from a two-year sleep (more like a coma) to find out that his father is dead and that he is now inheritor to the throne of Overlord. Angel Trainee Flonne tries to console him about his father's death, but he brushes it off like nothing, which horrifies her. Later, we learn that Laharl ignores his emotions — especially empathy and love — because of the pain of losing his mother when he was young. Laharl actually cares a lot more than he lets on, but acts indifferent both because he hates the pain, and because he can't look weak as the Overlord.
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Rita Vrataski has this attitude in Edge of Tomorrow because she was once in control of a "Groundhog Day" Loop and had to watch someone she cared about (possibly a lover) die over 300 times. She's now a part of the main character's "Groundhog Day" Loop and distances herself from him to spare him from the same fate.
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Yellowjackets: Burial Shauna confesses to Lottie that she has always kept her daughter Callie at arm's length because after her experience with suffering a Tragic Stilbirth as a teenager while stranded for months in the wilderness she was always afraid Callie would disappear or never be real.
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In One Piece, this is the reason for Nico Robin's mannerisms, according to Word of God. She used to refer to her crewmates only by nickname or their title rather than their names because she didn't want to get attached to them after being used and betrayed by everyone else she associated with. She even freaked out when another character referred to them as her friends. She grew out of it when the Straw Hats proved she could trust them by demanding that she allow them to rescue her from the world government's capture.
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The Oh Hellos' song "Hello My Old Heart" is about this trope.
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Tsukishima Kei of Haikyuu!! is basically this trope. The reason for his detachment and indifferent attitude towards volleyball is that after a rather traumatic incident with his brother, he came to the conclusion that the more he cares about something, the more he will suffer if he doesn't succeed. He constantly tells himself (and others) that Karasuno is just a club and that anything that happens doesn't really affect him. That all changes when he manages to score a point against Shiratorizawa in the third season by blocking Ushijima's spike.
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Taako from The Adventure Zone falls into this a couple of times.
During "The Stolen Century", he and Barry talk about the relics and the damage they caused. Taako admits he finds it hard to care about this new world and delivers a harsh, angry rant when Barry pushes him on it.
After regaining his memories of Lup and her disappearance, Taako initially tries to kill Lucretia. When the others talk him down, he just gives up and walks away, and when asked to explain why Lucretia's plan to create a shield around the Prime Material Plane to protect it from the Hunger wouldn't work, he just quietly says he doesn't care anymore, and that she can do whatever she wants. His reply to Magnus's Rousing Speech is equally heartrending.
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Final Fantasy:
Shadow implies that this is his philosophy in Final Fantasy VI when he warns Terra that some people kill their own emotions. Probably because of his guilt over being unable to give his old friend and partner a Mercy Kill.
This is also Squall's viewpoint throughout most of Final Fantasy VIII. After growing up in an orphanage, and then watching everyone he cared about slowly go away one by one, he decided that if people were going to die or otherwise leave him alone, it was better to be alone in the first place to avoid the pain of losing them. He intentionally pushes everyone away to avoid developing bonds with them that would hurt to sever. It takes Rinoa to break him out of it.
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Kazuaki Nanaki in Hatoful Boyfriend lost someone years ago, and still felt strongly about them. But as the years went by love soured into a kind of resentment, and he resolved "I think it's better to love everyone around you just enough that you won't regret losing them."
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I Love Yoo: Rand presumably cares more about his children than he lets on, however, he pretends to be apathetic towards them as a way to prevent Yui from harming them.
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In Sailor Nothing, the main character feels like this during a Heroic BSoD.
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Mary Jane Watson from Spider-Man often acts as if she doesn't have a care in the world beyond dancing and partying. We later learn that it's largely an act to hide the pain brought on by her abusive father. A large part of her Character Development is learning that she doesn't have to wear the facade and overcoming the Commitment Issues associated with it.
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This is the theme of Care Bears in the Land Without Feelings. A young boy named Kevin is so upset about moving and leaving his old neighborhood and best friend behind that he decides it's better not to care about anything or have any friends anymore. He runs away and is found by Professor Coldheart, who promises he can make that happen.
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Doctor Who: At the start of "The Snowmen", the Doctor is suffering from this. With the Ponds, he has lost one too many companions and he is no longer willing to commit himself to help Earth and humans.
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Don't Toy with Me, Miss Nagatoro: Senpai's method to deal with bullying his entire life was, in his own words: "Avoid their gaze, close my heart, and let it pass. So I can't even remember the faces of those people I hated at all". Nagatoro challenges it by virtue of being the one person he can't ignore.
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Uprooted: The centuries-old witch Alosha warns Agnieszka that it's best not to care too closely about other people, since they're bound to outlive them all — and as a great-great-grandmother 67 times over, she has extensive experience in this.
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Invoked in Jasper in Deadland. Lethe-brand water makes the citizens of Deadland forget their lives, which makes it much easier to be carefree on account of the fact that nobody has any bad memories, nor can they remember anything worth caring about.
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Dumbing of Age: This trope is how Joe tries to explain himself to Joyce after his 'do' list gets leaked.
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Fi: Özge resolves to become apathetic at the start of the second season, having hit rock bottom after the events of season one. Fortunately, it doesn't stick.
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In the Mordant's Need books, Terisa Morgan's "fading" is a variation of this which she is able to invoke.
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Suspected by Shinra to be Izaya's reason for loving all humans in Durarara!!.
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From The Legendsong Saga, Dark Ember is the most obvious, dealing with the knowledge of her dying by pre-emptively withdrawing from life.
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Katawa Shoujo: Ever since the death of her father, Emi Ibarazaki is deathly afraid of forming close bonds with others. She starts to overcome this trope in the good ending of her route as she learns the value of others' help and companionship.
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Vampire: The Masquerade - Bloodlines: Implied with Trip the pawnbroker, who works the night shift in a vampire-infested city and has a working relationship with multiple human ghouls. His gripes about the worsening state of Los Angeles have hints that he's at least somewhat aware of the Masquerade but chooses to remain an Apathetic Citizen.
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This is why Arianna of Castoff plays up her No Social Skills. Having lost everyone she held dear, she's just tired of caring and generally angry at the world.
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Sousuke of Full Metal Panic! has developed a severe case of this from his life as a Child Soldier, never entertaining the idea of where he might be five years in the future because he can't even expect to survive to the end of the day. It's the first thing to go once he starts shedding his "mental permafrost", which isn't great for him because he quickly discovers that Love Hurts and Hope Is Scary as all hell.
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The following is a list of statements referring to the current page from other pages.

 Safety in Indifference
processingCategory2
Apathy Index
 Safety in Indifference
processingCategory2
Cynicism Tropes
 Safety in Indifference
processingCategory2
Despair Tropes
 Safety in Indifference
processingCategory2
Emotion Tropes
 Pokémon: The Power of Us / int_553aaabe
type
Safety in Indifference
 Yu-Gi-Oh! (first anime series) / int_553aaabe
type
Safety in Indifference
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type
Safety in Indifference
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type
Safety in Indifference
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type
Safety in Indifference
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Safety in Indifference
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Safety in Indifference
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Safety in Indifference
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Safety in Indifference
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Safety in Indifference
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Safety in Indifference
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type
Safety in Indifference
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type
Safety in Indifference
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Safety in Indifference
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Safety in Indifference
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Safety in Indifference
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Safety in Indifference
 86 EIGHTY-SIX / int_553aaabe
type
Safety in Indifference
 I Want to Eat Your Pancreas / int_553aaabe
type
Safety in Indifference
 Mordant's Need / int_553aaabe
type
Safety in Indifference
 Storybros Magically Lewd Adventures / int_553aaabe
type
Safety in Indifference
 The Divine Comedy / int_553aaabe
type
Safety in Indifference
 The Mental State / int_553aaabe
type
Safety in Indifference
 The Mime Order / int_553aaabe
type
Safety in Indifference
 The Murderbot Diaries / int_553aaabe
type
Safety in Indifference
 The Way of Kings (2010) / int_553aaabe
type
Safety in Indifference
 The Way Of Kings (2011) / int_553aaabe
type
Safety in Indifference
 The Wolf Den Trilogy / int_553aaabe
type
Safety in Indifference
 Upon This Pale Hill / int_553aaabe
type
Safety in Indifference
 Uprooted / int_553aaabe
type
Safety in Indifference
 We All Fall Down 2000 / int_553aaabe
type
Safety in Indifference
 Mother Keeper (Manga) / int_553aaabe
type
Safety in Indifference
 Dark Heaven (Manhwa) / int_553aaabe
type
Safety in Indifference
 El Cuarteto De Nos (Music) / int_553aaabe
type
Safety in Indifference
 The Crane Wives (Music) / int_553aaabe
type
Safety in Indifference
 The Wall (Music) / int_553aaabe
type
Safety in Indifference
 deathhunters (Roleplay) / int_553aaabe
type
Safety in Indifference
 W817 / int_553aaabe
type
Safety in Indifference
 Jasper in Deadland (Theatre) / int_553aaabe
type
Safety in Indifference
 Wicked (Theatre) / int_553aaabe
type
Safety in Indifference
 Disgaea: Hour of Darkness (Video Game) / int_553aaabe
type
Safety in Indifference
 Final Fantasy VI (Video Game) / int_553aaabe
type
Safety in Indifference
 Final Fantasy VIII (Video Game) / int_553aaabe
type
Safety in Indifference
 One Way Heroics (Video Game) / int_553aaabe
type
Safety in Indifference
 Melody (Visual Novel) / int_553aaabe
type
Safety in Indifference
 Where Was My Hero...? (Web Animation) / int_553aaabe
type
Safety in Indifference
 Anarchy Dreamers (Webcomic) / int_553aaabe
type
Safety in Indifference
 Care Bears in the Land Without Feelings / int_553aaabe
type
Safety in Indifference
 Ladybug & Cat Noir: The Movie / int_553aaabe
type
Safety in Indifference