...it's like TV Tropes, but LINKED DATA!
Seamless Scenery
- 246 statements
- 45 feature instances
- 18 referencing feature instances
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Advertisement:propertag.cmd.push(function() { proper_display('tvtropes_mobile_ad_1'); })Basically, this trope is where the scene transitions between, or characters/objects move between, two or more completely different locations in a seamless, fluid, or even surreal manner, as if the two locations are inexplicably connected. Like a visual Truck Driver's Gear Change, if you will. This can either be used as a Scene Transition, or as a serious Mind Screw, especially if the characters themselves are aware of this jump. |
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| Seamless Scenery | fetched |
2022-01-31T17:42:46Z | |
| Seamless Scenery | parsed |
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Dropped link to BigBad: Not an Item - FEATURE | |
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Dropped link to DestinationDefenestration: Not an Item - FEATURE | |
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Dropped link to Flashback: Not an Item - FEATURE | |
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Dropped link to Gorn: Not an Item - FEATURE | |
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Dropped link to MatchCut: Not an Item - FEATURE | |
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Dropped link to MyChemicalRomance: Not an Item - IGNORE | |
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Dropped link to NickiMinaj: Not an Item - IGNORE | |
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Dropped link to PlayedForLaughs: Not an Item - FEATURE | |
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Dropped link to RealLife: Not an Item - FEATURE | |
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Dropped link to SceneTransition: Not an Item - CAT | |
| Seamless Scenery | processingComment |
Dropped link to Teleportation: Not an Item - FEATURE | |
| Seamless Scenery | processingComment |
Dropped link to TheOner: Not an Item - FEATURE | |
| Seamless Scenery | processingComment |
Dropped link to TimeSkip: Not an Item - FEATURE | |
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Dropped link to exaggeratedtrope: Not an Item - FEATURE | |
| Seamless Scenery | isPartOf |
DBTropes | |
| Seamless Scenery / int_109f7814 | type |
Seamless Scenery | |
| Seamless Scenery / int_109f7814 | comment |
In Sherlock episode "A Scandal In Belgravia", the scene transitions fluidly from Irene Adler's apartment to some remote outdoor location as part of Sherlock's recap of how the crime was committed. Watch the scene here. | |
| Seamless Scenery / int_109f7814 | featureApplicability |
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| Seamless Scenery / int_109f7814 | featureConfidence |
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| Sherlock | hasFeature |
Seamless Scenery / int_109f7814 | |
| Seamless Scenery / int_10b03dcf | type |
Seamless Scenery | |
| Seamless Scenery / int_10b03dcf | comment |
This happens a few times across Batman: Arkham Asylum, with Batman getting poisoned by Scarecrow's fear toxin and having vivid hallucinations. In Asylum, a seemingly normal corridor gradually warps into a dirty alley way in a thunderstorm. In Batman: Arkham Knight, one ends when he reads some writing on Barbara Gordon's living room, only for the player to turn Batman around and find himself in his Clocktower Batcave. |
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Seamless Scenery / int_10b03dcf | |
| Seamless Scenery / int_20cb7506 | type |
Seamless Scenery | |
| Seamless Scenery / int_20cb7506 | comment |
In The Conjuring 2, Valak runs at Lorraine, who falls back into some boxes from a completely different scene. | |
| Seamless Scenery / int_20cb7506 | featureApplicability |
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| Seamless Scenery / int_20cb7506 | featureConfidence |
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| The Conjuring | hasFeature |
Seamless Scenery / int_20cb7506 | |
| Seamless Scenery / int_2172e43f | type |
Seamless Scenery | |
| Seamless Scenery / int_2172e43f | comment |
In Batman: Arkham Knight, one ends when he reads some writing on Barbara Gordon's living room, only for the player to turn Batman around and find himself in his Clocktower Batcave. | |
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| Batman: Arkham Knight (Video Game) | hasFeature |
Seamless Scenery / int_2172e43f | |
| Seamless Scenery / int_2213fdb6 | type |
Seamless Scenery | |
| Seamless Scenery / int_2213fdb6 | comment |
This is even present in the original, where Nancy inexplicably steps outside... from her mother's bedroom. | |
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| A Nightmare on Elm Street (1984) | hasFeature |
Seamless Scenery / int_2213fdb6 | |
| Seamless Scenery / int_22211d68 | type |
Seamless Scenery | |
| Seamless Scenery / int_22211d68 | comment |
Bones. In "Judas on a Pole", the camera whip pans from Booth in his car to Bones meeting with her father. | |
| Seamless Scenery / int_22211d68 | featureApplicability |
1.0 | |
| Seamless Scenery / int_22211d68 | featureConfidence |
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Seamless Scenery / int_22211d68 | |
| Seamless Scenery / int_343ad13c | type |
Seamless Scenery | |
| Seamless Scenery / int_343ad13c | comment |
In The Babadook, Amelia's opening nightmare ends with her falling onto her bed and waking up. | |
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| Seamless Scenery / int_3736ef8 | type |
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| Seamless Scenery / int_3736ef8 | comment |
In Hellraiser: Judgement, Watkins reads the letter from the Stygian Inquisition, he puts it down... revealing the address the letter gives him, and then he walks into frame from a completely different direction. | |
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Seamless Scenery / int_3736ef8 | |
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| Seamless Scenery / int_3c70bc2 | comment |
After Det. Riley is hospitalized in FeardotCom, Terry is walking through the hospital and begins to hallucinate, her hallucination begins in this manner. | |
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Seamless Scenery | |
| Seamless Scenery / int_3fa95a2d | comment |
At Home Among Strangers: Sarichev has just received word that Shilov's brother, who has been fighting for the Whites, has been killed in combat. He absorbs this while checking himself in a mirror in a dark hallway, then turns—and now he's in the banquet room next to that hallway obviously much later, as the attendees are debating what to do about Shilov. | |
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| At Home Among Strangers | hasFeature |
Seamless Scenery / int_3fa95a2d | |
| Seamless Scenery / int_4728c299 | type |
Seamless Scenery | |
| Seamless Scenery / int_4728c299 | comment |
The Naked Director: In episode 2.2 a porn star tells Toru, her director, via Flashback, about how she had sex with a Japanese pop star in a hotel. The camera zooms in on the actress pinching the pop star's nipples, then zooms back out—to Toru, in the same hotel room, filming the actress's story for one of his pornos. | |
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Seamless Scenery / int_4728c299 | |
| Seamless Scenery / int_47607004 | type |
Seamless Scenery | |
| Seamless Scenery / int_47607004 | comment |
Used frequently in The Closer and its spin-off, Major Crimes. One particularly extensive example is "Risk Assessment", where this is used to move between suspects in three separate interviews. | |
| Seamless Scenery / int_47607004 | featureApplicability |
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| Seamless Scenery / int_47607004 | featureConfidence |
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| The Closer | hasFeature |
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| Seamless Scenery / int_59140854 | type |
Seamless Scenery | |
| Seamless Scenery / int_59140854 | comment |
Jessica Jones (2015). At the start of "AKA Pork Chop", the camera pans from Alisa in prison to Trish auditioning for a TV show. | |
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| Jessica Jones (2015) | hasFeature |
Seamless Scenery / int_59140854 | |
| Seamless Scenery / int_5ce9e127 | type |
Seamless Scenery | |
| Seamless Scenery / int_5ce9e127 | comment |
In Pitch Perfect 3, while the rest of the Bellas are singing to distract Fergus, they are eclipsed by the glare of Fat Amy's flashlight, as she navigates the lower levels of the ship. | |
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Seamless Scenery / int_5ce9e127 | |
| Seamless Scenery / int_5d19671a | type |
Seamless Scenery | |
| Seamless Scenery / int_5d19671a | comment |
Happens twice in Lights Out (2016); The camera pans in on a family picture in Rebecca's apartment, before panning away from the same picture in Sophie's house. When Rebecca finds Diana's name carved into her floor, the environment around her goes dark and fades into her old bedroom. |
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Seamless Scenery / int_5d19671a | |
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Seamless Scenery | |
| Seamless Scenery / int_60bce256 | comment |
Daisies: The Maries are sitting around in bikinis in the opening scene. Marie I slaps Marie II, who falls over—and falls into a completely different scene, outdoors in a grassy field, wearing a dress. The film also shifts from black and white to color at that point. Marie I is on the floor of a restaurant. Marie II stands up from a chair. Marie I grabs her calf and yanks, and Marie II slips back down—onto a bench in a women's restroom, where she starts putting on makeup. |
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| Seamless Scenery / int_64347e57 | type |
Seamless Scenery | |
| Seamless Scenery / int_64347e57 | comment |
The trailer for season three of 13 Reasons Why is full of these transitions. | |
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Seamless Scenery | |
| Seamless Scenery / int_6c455cb7 | comment |
In the video for "Comeback Kid" by Sleigh Bells, one of the vignettes is Alexis dancing around seamlessly in multiple environments that cycle rapidly. | |
| Seamless Scenery / int_6c455cb7 | featureApplicability |
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| Sleigh Bells (Music) | hasFeature |
Seamless Scenery / int_6c455cb7 | |
| Seamless Scenery / int_7d1c83da | type |
Seamless Scenery | |
| Seamless Scenery / int_7d1c83da | comment |
In the Better Call Saul episode "Five O", the scene transitions fluently from a flashback of Mike at the vet, behind a character's back, to him being interrogated by police in the present. | |
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| Better Call Saul | hasFeature |
Seamless Scenery / int_7d1c83da | |
| Seamless Scenery / int_8095ea4e | type |
Seamless Scenery | |
| Seamless Scenery / int_8095ea4e | comment |
In Happy Death Day, Tree gets clocked with a baseball bat and falls into her bed... in the same shot. This kind of shot is repeated in Happy Death Day 2U; Tree jumps off the bell tower and lands in Alternate!Carter's bed. |
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Seamless Scenery | |
| Seamless Scenery / int_86a2e1b6 | comment |
There are a couple of points in the "Doki Doki Morning" video where the girls are shown dancing around seamlessly between a bedroom, and the dilapidated room where the rest of the band is performing. | |
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Seamless Scenery | |
| Seamless Scenery / int_87abfd63 | comment |
In the "New Rules'' video, Lipa rips open the curtains in her room, the next shot is Lipa opening the curtains to a booth at the pool outside. | |
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Seamless Scenery / int_87abfd63 | |
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Seamless Scenery | |
| Seamless Scenery / int_887acd55 | comment |
New Girl. In the episode "About Three Years Later", the elevator closes on Jess and Nick kissing, then reopens as Jess and a friend step out into a completely different building... three years later. | |
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| New Girl | hasFeature |
Seamless Scenery / int_887acd55 | |
| Seamless Scenery / int_8a568555 | type |
Seamless Scenery | |
| Seamless Scenery / int_8a568555 | comment |
While David and Griffin are fighting in Jumper, there are multiple shots of them teleporting seamlessly between locations. | |
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Seamless Scenery / int_8a568555 | |
| Seamless Scenery / int_8ae673e5 | type |
Seamless Scenery | |
| Seamless Scenery / int_8ae673e5 | comment |
Occurs a couple of times in Eternal Sunshine of the Spotless Mind as Joel jumps randomly between memories while undergoing a memory erasure procedure. Watch one example here. | |
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Seamless Scenery / int_8ae673e5 | |
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Seamless Scenery | |
| Seamless Scenery / int_98744614 | comment |
In Brave, after leaving the witch's shop, Merida turns to ask the witch a question and suddenly finds herself in another part of the forest. | |
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Seamless Scenery | |
| Seamless Scenery / int_989c429a | comment |
In Saw III: The camera follows Troy's body before panning to a rug in Kerry's apartment. And after Kerry is killed in a trap, the camera pans from that to Lynn's bedroom. In another scene, Amanda walks through the factory floor, passing the crate Jeff is trapped in... which is actually in another part of the building. |
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Seamless Scenery | |
| Seamless Scenery / int_99a4e164 | comment |
While India is brushing her mother's hair in Stoker, there's a close up of her hair... which turns into wheat, leading into a Flashback. | |
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Seamless Scenery | |
| Seamless Scenery / int_a1b9a8bb | comment |
In Spider-Man: Homecoming, during the Montage of Peter's classes, whenever he checks the time, it cuts to the clock in his next class, before finally cutting to the clock in the cafeteria. | |
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Seamless Scenery | |
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The Swimmer: Ned takes a dive into Betty and Howard's pool—and when he emerges he's getting out of a completely different pool, at Mrs. Hammar's house. | |
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This kind of shot is repeated in Happy Death Day 2U; Tree jumps off the bell tower and lands in Alternate!Carter's bed. | |
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Seamless Scenery | |
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In Help!, the Beatles escape a temple by diving into an underground pool, and somehow surfacing in a hotel pool in the Bahamas. | |
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Seamless Scenery | |
| Seamless Scenery / int_ba99ace0 | comment |
Surprisingly enough, it happens throughout Saw 3D (which wasn't directed by Bousman) as well. Exaggerated when the camera constantly pans between Bobby pulling his teeth and Gibson's squad raiding the asylum where Bobby's game is taking place. It also happens when Gibson finds the back room of the garage, which pans to Bobby finally reaching Joyce. |
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| Seamless Scenery / int_ba99af8f | comment |
In Saw II: Eric Matthews walks out of his bedroom... and right into the crime scene where the opening trap took place (pictured above). And that scene also ends this way, with the camera panning over the message left for Eric, over a beam, and then down into the precinct, where Kerry is analyzing Jigsaw's tape. After Xavier discovers the number on the back of Gus' neck, the camera pans from that... to Daniel and Amanda running down a hallway, as if the floor was part of the wall they're running past. |
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Seamless Scenery | |
| Seamless Scenery / int_ba99af9c | comment |
In Saw IV: Rigg literally throws Brenda through a mirror and into the next scene. In another scene, Hoffman turns to leave the precinct... and then Rigg walks right past him, putting a shirt on, which leads into the next scene. |
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Seamless Scenery / int_ba99af9c | |
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Seamless Scenery | |
| Seamless Scenery / int_c1fd7ec7 | comment |
In Grave Encounters 2, Alex and his crew go to their hotel, pack up all their things and take the elevator... which drops them right back at the asylum. Hotel security footage suggests that they really did leave the asylum, even if the asylum itself is an Eldritch Location. | |
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Seamless Scenery | |
| Seamless Scenery / int_c4282b71 | comment |
My Little Pony: Friendship Is Magic: The episode "Elements of Harmony" uses this to transport the main characters all the way across Ponyville in the middle of a line of dialogue. | |
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Seamless Scenery | |
| Seamless Scenery / int_cf66aa4c | comment |
In "Duck Amuck", the backgrounds keep changing behind Daffy, as part of the animator screwing with him. As soon as Daffy changes costumes to adapt to the new setting, he finds himself somewhere else and has to change again. | |
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| Seamless Scenery / int_d452935b | comment |
In Scott Pilgrim vs. The World. Dream!Scott sees Ramona at his doorstep and calls out to her, and then Real!Scott sits up right next to him and calls out to her as well, this happens in the same shot. | |
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Hudson Hawk. The audience first realizes that The Series Has Left Reality when Eddie and Tommy Five-Tone jump off the top of a tall building. Eddie suddenly falls into a chair in Gates's apartment and Tommy disappears (Eddie finds him back at the bar later), all with no explanation whatsoever. The movie only gets weirder from there. | |
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In one episode of Family Guy, Peter and Meg are walking down a New York street and suddenly find themselves in Bedrock. They look confused for a moment and then backtrack. | |
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In Coco, the moment Miguel tries to steal de la Cruz' guitar again, he ends up running right back into the Land of the Dead. | |
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Marble Hornets has this down to an art form, but one of the most extensive examples is "Entry #83", where Tim and Hoody/ Brian are shifted seamlessly across multiple locations while chasing, and eventually fighting each other. One such shift is how Tim discovers Jay's body. | |
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There are so many examples of this in the Saw series, mostly in the films Darren Lynn Bousman directed. In Saw II: Eric Matthews walks out of his bedroom... and right into the crime scene where the opening trap took place (pictured above). And that scene also ends this way, with the camera panning over the message left for Eric, over a beam, and then down into the precinct, where Kerry is analyzing Jigsaw's tape. After Xavier discovers the number on the back of Gus' neck, the camera pans from that... to Daniel and Amanda running down a hallway, as if the floor was part of the wall they're running past. In Saw III: The camera follows Troy's body before panning to a rug in Kerry's apartment. And after Kerry is killed in a trap, the camera pans from that to Lynn's bedroom. In another scene, Amanda walks through the factory floor, passing the crate Jeff is trapped in... which is actually in another part of the building. In Saw IV: Rigg literally throws Brenda through a mirror and into the next scene. In another scene, Hoffman turns to leave the precinct... and then Rigg walks right past him, putting a shirt on, which leads into the next scene. Surprisingly enough, it happens throughout Saw 3D (which wasn't directed by Bousman) as well. Exaggerated when the camera constantly pans between Bobby pulling his teeth and Gibson's squad raiding the asylum where Bobby's game is taking place. It also happens when Gibson finds the back room of the garage, which pans to Bobby finally reaching Joyce. |
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Most of the "A$AP Forever" video is a vertical Orbital Shot; the camera looping over each vignette before panning through the ground and into the next. | |
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