...it's like TV Tropes, but LINKED DATA!
Siamese Twin Songs
- 499 statements
- 81 feature instances
- 135 referencing feature instances
| Siamese Twin Songs | type |
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| Siamese Twin Songs | label |
Siamese Twin Songs | |
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| Siamese Twin Songs | comment |
Siamese Twin Songs (or, if you prefer Conjoined Twin Songs, but it doesn't have the same ring) are those which are separate, consecutive tracks on an album where the first one leads into the second as if they were one song. If the first is played without the second, it sounds as if it has been cut off in the middle. If played on the radio, they are almost always played together. Many times the first track is an Epic Instrumental Opener. If downloaded, they generally come as separate files; if ripped from a CD, they always do. Fortunately, there is software to combine them into one file, at least if they are in either MP3 or open source formats, thus eliminating the annoyance of hearing what sounds like a song ending in the middle when playing songs in random order (shuffle mode). A very distant cousin to the Cliffhanger. Also compare Fading into the Next Song. Not to be confused with "We Are Siamese (If You Please)", or any songs about actual Siamese twins. |
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| Siamese Twin Songs | fetched |
2024-01-18T06:46:51Z | |
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| Siamese Twin Songs | isPartOf |
DBTropes | |
| Siamese Twin Songs / int_1253f289 | type |
Siamese Twin Songs | |
| Siamese Twin Songs / int_1253f289 | comment |
Dream Theater: "The Mirror" and "Lie." Also "Overture 1928" and "Strange Deja Vu" are frequently played together, like most songs from Metropolis, Pt. 2. Often subverted by "The Dance of Eternity" and "One Last Time". The first note of "One Last Time" resolves "The Dance of Eternity", but "Dance of Eternity" is often played alone, leaving the end hanging. While "Six Degrees of Inner Turbulence" is a single suite, "War Inside My Head" and "The Test That Stumped Them All" are usually played together. While also an example of Book Ends, if you have Octivarium on disc-repeat, the end of the last song on the disc plays into the first song on the disc. The song even mentions "the story ends where it begins." |
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| Siamese Twin Songs / int_1253f289 | featureApplicability |
-0.3 | |
| Siamese Twin Songs / int_1253f289 | featureConfidence |
1.0 | |
| Dream Theater (Music) | hasFeature |
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| Siamese Twin Songs / int_14587720 | type |
Siamese Twin Songs | |
| Siamese Twin Songs / int_14587720 | comment |
Bon Iver's "Creature Fear" and "Team", as well as "Lisbon OH" and "Beth/Rest." | |
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1.0 | |
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| Siamese Twin Songs / int_17d59b39 | type |
Siamese Twin Songs | |
| Siamese Twin Songs / int_17d59b39 | comment |
Professor Layton vs. Ace Attorney features remixes of songs from the first Phoenix Wright: Ace Attorney game exclusive to the first case. In the soundtrack, these songs are arranged so one flows directly into the next to create what is referred to as the "English Court Suite". The order of the songs is as follows: "Courtroom Lounge", "Court Begins", "Logic and Trick", "Suspense", "Cross Examination ~ Moderato", "Objection!", "Cross Examination ~ Allegro", "Confess the Truth", "Cornered", and "Won the Case". | |
| Siamese Twin Songs / int_17d59b39 | featureApplicability |
1.0 | |
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| Siamese Twin Songs / int_1913b4de | type |
Siamese Twin Songs | |
| Siamese Twin Songs / int_1913b4de | comment |
Next to Normal does this with "You Don't Know" into "I Am The One", as well as "Why Stay/A Promise" into "I'm Alive (Reprise)" into "The Break". | |
| Siamese Twin Songs / int_1913b4de | featureApplicability |
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| Siamese Twin Songs / int_1af6126b | type |
Siamese Twin Songs | |
| Siamese Twin Songs / int_1af6126b | comment |
The Fifth Dimension's cover of "Aquarius" (the opening number of Hair) combined it with "Let The Sun Shine In" (the final chorus of "The Flesh Failures", the closing number). | |
| Siamese Twin Songs / int_1af6126b | featureApplicability |
1.0 | |
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| Siamese Twin Songs / int_22724a3 | type |
Siamese Twin Songs | |
| Siamese Twin Songs / int_22724a3 | comment |
Syd Barrett managed one with "Waving My Arms In The Air/I Never Lied To You". | |
| Siamese Twin Songs / int_22724a3 | featureApplicability |
1.0 | |
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| Siamese Twin Songs / int_2283e4a | type |
Siamese Twin Songs | |
| Siamese Twin Songs / int_2283e4a | comment |
Underworld has "NUXX"->"Telematic" on the B-side of their Born Slippy EP, and "Crocodile"->"Beautiful Burnout" on Oblivion With Bells. | |
| Siamese Twin Songs / int_2283e4a | featureApplicability |
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| Siamese Twin Songs / int_24a26db1 | type |
Siamese Twin Songs | |
| Siamese Twin Songs / int_24a26db1 | comment |
"Last of the American Girls" and "Murder City" from 21st Century Breakdown sound incomplete when separated if you've previously heard them together, but they can work on their own if you like songs that end/start with a random burst of Morse Code. | |
| Siamese Twin Songs / int_24a26db1 | featureApplicability |
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| Siamese Twin Songs / int_319e201b | type |
Siamese Twin Songs | |
| Siamese Twin Songs / int_319e201b | comment |
Caravan have many suites each made up of several songs stitched together. Typically, they're indexed as one track, but the track's title often is made up of those of the individual songs; for example, the track "Can't Be Long Now / Françoise / For Richard / Warlock". | |
| Siamese Twin Songs / int_319e201b | featureApplicability |
1.0 | |
| Siamese Twin Songs / int_319e201b | featureConfidence |
1.0 | |
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| Siamese Twin Songs / int_33318a24 | type |
Siamese Twin Songs | |
| Siamese Twin Songs / int_33318a24 | comment |
Most of the score of Of Thee I Sing by George and Ira Gershwin consists of long musical scenes with several short, linked songs: the first-act finale begins with "The Supreme Court Judges," followed by a chorus praising the protagonist ("Hail! Hail!"), followed by a short song for the protagonist ("I have definite ideas...") followed by a longer song for the protagonist and chorus ("A Kiss for Cinderella"). | |
| Siamese Twin Songs / int_33318a24 | featureApplicability |
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| Siamese Twin Songs / int_35ebcc22 | type |
Siamese Twin Songs | |
| Siamese Twin Songs / int_35ebcc22 | comment |
In the Spamalot soundtrack, "Come With Me" leads directly into the "Laker Girls Cheer". | |
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| Siamese Twin Songs / int_3a82077a | type |
Siamese Twin Songs | |
| Siamese Twin Songs / int_3a82077a | comment |
Also, the Abbey Road medley, with "You Never Give Me Your Money", "Sun King", "Mean Mr. Mustard", "Polythene Pam", "She Came In Through the Bathroom Window", "Golden Slumbers", "Carry That Weight", and "The End" being a Siamese octet. (While "Her Majesty" is a ninth sibling on whom separation surgery was performed... not quite successfully.) | |
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| Siamese Twin Songs / int_3c53ffa8 | type |
Siamese Twin Songs | |
| Siamese Twin Songs / int_3c53ffa8 | comment |
Rush "Overture" and "The Temples of Syrinx" from 2112. While all 7 tracks that make up the 2112 suite are strung together (and are often recorded as a single track onto a CD rather than as separate parts) the "Overture" and "The Temples of Syrinx" are almost ALWAYS played together on the radio and in concert. | |
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| Siamese Twin Songs / int_3e169a5f | type |
Siamese Twin Songs | |
| Siamese Twin Songs / int_3e169a5f | comment |
Seussical features the songs "Alone in the Universe (Reprise)" and "Solla Sollew." The first is only a minute long and acts as a prelude for the second. Furthermore, the track break is put in the middle of a rising transition note. Five seconds later would've made the jump much less jarring. | |
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| Siamese Twin Songs / int_464d969d | type |
Siamese Twin Songs | |
| Siamese Twin Songs / int_464d969d | comment |
The Guess Who have "No Sugar Tonight" and "New Mother Nature". | |
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| Siamese Twin Songs / int_465ed759 | type |
Siamese Twin Songs | |
| Siamese Twin Songs / int_465ed759 | comment |
"Unquiet Slumbers For The Sleepers..." -> "...In That Quiet Earth" -> "Afterglow" from Wind And Wuthering, and "The Cinema Show" -> "Aisle Of Plenty" on Selling England By The Pound. "Fly on a Windshield" and "Broadway Melody of 1974" from The Lamb Lies Down on Broadway also qualify, although several CD releases have mis-indexed them to make "Broadway Melody" seem like a 33 second interlude, give or take (it actually starts right on the line "Echoes of the Broadway Everglades"). Actually, most of the first side of The Lamb and quite a few other songs on the other three sides could be considered to qualify for this trope, although just as often the band uses Fading into the Next Song. | |
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| Siamese Twin Songs / int_4ef1894e | type |
Siamese Twin Songs | |
| Siamese Twin Songs / int_4ef1894e | comment |
"Brain Stew" and "Jaded". They were even released as a single together as "Brain Stew/Jaded", shared a music video, and showed up in that sequence on International Superhits. | |
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| Siamese Twin Songs / int_514a6627 | type |
Siamese Twin Songs | |
| Siamese Twin Songs / int_514a6627 | comment |
The 12" version of Soft Cell's cover of "Tainted Love" segues into a cover of The Supremes' "Where Did Our Love Go?", although in this case the two are part of the same track. | |
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| Siamese Twin Songs / int_53cd7ffc | type |
Siamese Twin Songs | |
| Siamese Twin Songs / int_53cd7ffc | comment |
Cut Copy has "That Was Just a Dream" and "Zap Zap" on Bright Like Neon Love. | |
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1.0 | |
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| Siamese Twin Songs / int_550f0e16 | type |
Siamese Twin Songs | |
| Siamese Twin Songs / int_550f0e16 | comment |
The Silent City has two examples. The first is between "It's the Start/Overture" and "Commercial (Do It Anyway)," where the first song leaves you hanging for the conclusive note until the beginning of the next. The second is between "Set a Fire" and "The Riot," where the drum beat that leads into the second song starts at the ending of the first. | |
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| Siamese Twin Songs / int_55323a68 | type |
Siamese Twin Songs | |
| Siamese Twin Songs / int_55323a68 | comment |
"Holiday" and "Everybody", both from Madonna's debut Madonna, both about singing and partying and talking about "leaving troubles behind". | |
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| Siamese Twin Songs / int_56bfb8b6 | type |
Siamese Twin Songs | |
| Siamese Twin Songs / int_56bfb8b6 | comment |
"Dear Jessie" and "Oh Father" from Like a Prayer. Interestingly, both were released as singles, but in the opposite at which they play. | |
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1.0 | |
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1.0 | |
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| Siamese Twin Songs / int_58860d2f | type |
Siamese Twin Songs | |
| Siamese Twin Songs / int_58860d2f | comment |
Autobahn has "Kometenmelodie 1 & 2". | |
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1.0 | |
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1.0 | |
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| Siamese Twin Songs / int_5cb1d658 | type |
Siamese Twin Songs | |
| Siamese Twin Songs / int_5cb1d658 | comment |
"Brain Damage" and "Eclipse" off The Dark Side of the Moon. There is no title track for that album. | |
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1.0 | |
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| Siamese Twin Songs / int_5cd69926 | type |
Siamese Twin Songs | |
| Siamese Twin Songs / int_5cd69926 | comment |
Daniel Kahn and The Painted Bird does this twice; once in "Partisans & Parasites" with the songs "Khurbn Katrina" and "The Destruction of New Orleans", and again in "The Butcher's Share" with the songs "Shimke Khazer" and the eponymous "The Butcher's Share". | |
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System of a Down: "Thetawaves" and "Roulette" is an odd one. The former is a hard rock song and the latter is an acoustic ballad. Somehow they managed to blend them together to seem like one song. This actually applies to all the songs on Steal This Album, as the band had the CD deliberately pressed so there would be no track breaks (so it would seem like a home made CD-R). A particularly good example is "Pictures" into "Highway Song". "Pictures" ends abruptly, and immediately goes into the opening drum beats of "Highway Song", so well that you won't notice unless you know the album well. "Highway Song"'s verse begins at 18 seconds in and is more subdued than its intro. Same goes for much of the songs at the beginning of the Toxicity album. Also, Mesmerize album opener "Soldier Side" is treated as an intro to "B.Y.O.B" when played live. Also, from "Vicinity Of Obscenity" to "She's Like Heroin", combined by a loud beeping sound. It Makes Sense in Context. Also, Serj Tankian (The lead singer of SOAD) has an example too, from his third solo-album Harakiri, where "Deafening Silence" goes into "Forget Me Knot" (Even to the level that the first song's final note is played in the first split second of the other song). |
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Siamese Twin Songs | |
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RayStorm's OST segues the Final Boss's intro cue, "Heart Land", to its Battle Theme Music, "Intolerance". | |
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Siamese Twin Songs | |
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This also happens on XTRMNTR with the Jagz Kooner and The Chemical Brothers mixes of "Swastika Eyes". | |
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Siamese Twin Songs | |
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Heart has the acoustic instrumental "Silver Wheels" into "Crazy on You". | |
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Siamese Twin Songs | |
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The Radiators (US): "Nightmare on the Misery Train" into the Funkadelics' "Take Your Dead Ass Home" from their Bucket of Fish album. A siamese triplet with "Lucinda" into "The Theme from The Magnificent Seven" into a cover of The Meters' "Cissy Strut" from Live at the Great American Music Hall. |
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Siamese Twin Songs | |
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Journey recorded "Feeling That Way" segueing almost seamlessly into "Anytime", enough that radio stations almost always play them together. In an interesting aversion, the band originally paired "Lovin', Touchin', Squeezin'" and "City of the Angels" the same way, but many fans and radio programmers weren't interested in the second song. Consequently, in the days of vinyl, radio listeners would sometimes hear a tiny sliver of "City of the Angels" as the DJ rushed to replace the record. Journey's record label "solved" this on some CD releases by adding extra silence between the tracks. Thankfully more recent releases have gone back to the original mix. | |
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Siamese Twin Songs | |
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On Godsmack's independent demo album All Wound Up, the song "Get Up, Get Out!" was presented as a five minute track with an Epic Instrumental Opener; When they remixed and re-released most of the same material as their Self-Titled Album, the song was split into two parts, with the two minute intro getting its own separate track and title ("Someone In London"), resulting in this trope instead. | |
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Sgt. Pepper's Lonely Hearts Club Band has both "Sgt. Pepper's Lonely Hearts Club Band" and its reprise with "With a Little Help From My Friends" and "A Day In The Life", respectively. | |
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Area 11 do this with "Vectors" and "Euphemia" in their debut album, All the Lights in the Sky. | |
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Norrin Radd's "Battaglia Dietro la Cascata A" and "B" were originally a single track, but separated for their inclusion in Retro City Rampage. | |
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Most of Medal of Honor: Frontline's OST consists of suites running across two or more tracks, namely "Border Town->U-4902" (although they play in opposite order in-game), "Kleveburg->Manor House Rally->The Halftrack Chase" (again, in-game, "Halftrack" is heard before "Manor House"), "Nijmegen Bridge->Rowhouses", "Emmerich Station->Thuringer Wald Express->Sturmgeist's Armored Train", and "Approaching The Tarmac->Clipping Their Wings". | |
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Boney M.'s "Nightflight to Venus" and "Rasputin" are a downplayed example: the latter is most often performed on its own, but if you happen to hear the former, you can bet that "Rasputin" will follow right after (because of the shared drumming theme, borrowed from Cozy Powell's "Dance with the Devil"). | |
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Siamese Twin Songs | |
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Pendulum: "The Island" Part 1 (Dawn) and Part 2 (Dusk). "Prelude" and "Slam". Also "Genesis" and "Salt in the Wounds". |
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Siamese Twin Songs | |
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Sabaton's album The Last Stand: "Diary of an Unknown Soldier" is a spoken entry of a soldier's experiences during the Meuse-Argonne Offensive set over recordings of gunfire to create the beat for "The Lost Battalion." | |
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Siamese Twin Songs | |
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On Dookie, the ending breakdown of "Chump" goes straight into the intro to "Longview" with a fading guitar chord and a gradually shifting drumbeat. "Jinx" and "Haushinka" from nimrod. connect in the same way. | |
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| Siamese Twin Songs / int_84c499c4 | type |
Siamese Twin Songs | |
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"We Will Rock You" and "We Are The Champions", although they were separate songs on the single, opposite the album order on News of the World (Queen). Though both are definitely complete songs on their own, radio DJs (and listeners) nonetheless got accustomed to playing them together. | |
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| Siamese Twin Songs / int_85dfff38 | type |
Siamese Twin Songs | |
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Ludwig van Beethoven was very fond of this device. The most famous examples in Beethoven's work are Symphony No.5, in which the third movement leads directly into the fourth (and returns very briefly in the middle of the fourth) and Symphony No.6, in which the boisterous third movement scherzo cuts off just before the final note for the stormy fourth movement, which in turn ebbs gradually for the finale. Play any of these on their own, and they will sound as though they either cut off or start in the middle of something. Beethoven had used the device of having the penultimate movement of a piece lead straight into the finale multiple times in his piano sonatas by the time he composed Symphonies No.5 and 6. The first was the Piano Sonata Op.27 No.1, "Quasi una fantasia" - so named because its four movements (a slow rondo, a scherzo, a slow intermezzo, and a lively finale) are played as if the sonata was a fantasia, a single long-form work exploring many different melodic ideas and moods. While the first two movements reach final resolutions, the third ends with a short cadenza that leads straight into the finale. The slow movements of the Waldstein, Appassionata, and Les adieux sonatas likewise do not end on final resolutions, but rather lead straight into their respective finales. There are also multiple examples in Beethoven's works for soloist and orchestra; the slow movements of the triple concerto, the violin concerto, and the Emperor piano concerto all lead straight into their respective finales rather than ending on any sort of final resolution. The string quartets provide more examples. No.7 in F major has a slow movement that goes straight into the Russian-influenced finale without stopping. No.10 in E-flat major has a scherzo that makes a harmonic shift in the coda to lead directly into the concluding theme and variations. And No.14 in C-sharp minor features seven movements which all lead straight into each other without a break; the third, fifth, and sixth movements in particular do not end on final resolutions and would sound disconnected if played on their own. Beethoven's final violin sonata is in four movements, and in this case the slow movement leads directly not into the finale, but into the scherzo. |
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Savatage "Somewhere in Time / Alone You Breathe" from their Wake of Magellan album. | |
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Siamese Twin Songs | |
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"Ventilator Blues" and "I Just Want to See His Face" from The Rolling Stones' Exile on Main St.. | |
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Siamese Twin Songs | |
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The Broadway cast recording for Matilda divides the 9 1/2 minute long opening number "Miracle" into three tracks. Later, "Chalk Writing" segues to "Revolting Children". The London cast album has the Entr'acte lead into "When I Grow Up". | |
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Siamese Twin Songs | |
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On many soundtracks for The Wizard of Oz, most of the Munchkinland sequence is present, but cut into many smaller tracks (each less than a minute long), split by main singer. The tracks on one CD are "Come out, Come out" (Glinda), "It Really Was No Miracle" (Dorothy), "We Thank You Very Sweetly" (random Munchkins and Glinda), "Ding-Dong! The Witch is Dead" (Chorus), "As Mayor of the Munchkin City" (Mayor), "As Coroner, I Must Aver" (Coroner), "Ding-Dong! The Witch is Dead (Reprise)" (Chorus), "The Lullaby League" (Girls), "The Lollipop Guild" (Boys), and "We Welcome You To Munchkinland" (Chorus). Combined togeher it's only six minutes, so maybe a split just before "Ding-Dong! The Witch is Dead" is justified as there's the closest thing to a break at that point, but that's it. | |
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Jaga Jazzist: "Day" and "Another Day" from The Styx are sonically distinct, but the last echoing note of "Day" is audible as "Another Day" begins, and "Another Day" ends by reprising the main motif from "Day". | |
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Siamese Twin Songs | |
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Sparks has "Propaganda"/"At Home, At Work, At Play", which were written separately but found to work perfectly together. | |
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Siamese Twin Songs | |
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Johann Sebastian Bach's vocal and instrumental works feature multiple examples. Many oratorios feature movements that are technically separate from each other but are performed as though they are two halves of a whole. In Bach's output, many recordings of the Magnificat in D major split up the parts "Quia respexit humilitatem" and "Omnes generationes" into two distinct tracks, even though the former leads directly into the latter. The Mass in B minor has even more examples. If "Gloria in excelsis Deo" and "Et in terra pax" are played separately, the former sounds cut off at the end while the latter sounds as though it starts in the middle. The duet "Domine Deus" is nominally in G major but finishes on a B minor chord to lead straight into "Qui tollis peccata mundi". The bass aria "Quoniam tu solus sanctus" accompanied by hunting horn and two bassoons (a highly unusual combination of instruments in the Baroque era) leads straight into the exuberant "Cum Sancto Spiritu" finale of the "Gloria". And "Confiteor unum baptisma" leads straight into the finale of the "Credo", "Et exspecto resurrectionem mortuorum". Some recordings of J.S. Bach's organ toccatas and fugues or preludes and fugues cut off the last second of the toccata or prelude (which is usually just the reverb from the last notes) and stick it onto the beginning of the fugue, resulting in Siamese Twin songs. Usually this is just a result of poor editing, but with some recordings, the toccata or prelude is immediately followed by the fugue, with only a few fractions of a second of silence in between the two parts. |
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Siamese Twin Songs | |
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D's "Hikari no niwa" is the intro to "Namonaki mori no yumegatari"—they even share the same music video. One could be forgiven for listening to the album version of the latter and thinking "wait, what happened to the acoustic intro?" | |
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| Siamese Twin Songs / int_a4513ea8 | type |
Siamese Twin Songs | |
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Fez has "Sync" and "Glitch". | |
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Siamese Twin Songs | |
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Super Furry Animals with "Where Do You Wanna Go?" and "Lliwiau Llachar". | |
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| Siamese Twin Songs / int_b611aafc | type |
Siamese Twin Songs | |
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AC/DC's "Big Balls" and "Rocker", though they may have been separated some time after birth. | |
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Siamese Twin Songs | |
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Several songs on Korn's Life Is Peachy. They even used to play the opening tracks "Twist" and "Chi" (the former lasting less than a minute) together live (though they've started playing "Twist" on its own life in later years). | |
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Siamese Twin Songs | |
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On Second Person's The Elements, the end of "Fire" leads directly into the beginning of "Earth", and "Metal" leads into "Water". | |
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| Siamese Twin Songs / int_ba1083f7 | type |
Siamese Twin Songs | |
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Diver Down has two (which are even combined in Guitar Hero: Van Halen), "Intruder"/"(Oh) Pretty Woman" and "Little Guitars" and its acoustic intro. | |
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| Siamese Twin Songs / int_c1120877 | type |
Siamese Twin Songs | |
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Klaus Schulze's Irrlicht has "Ebene"->"Gewitter(Energy Rise - Energy Collapse)", which are effectively one continuous suite, on Side 1. | |
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| Siamese Twin Songs / int_c149f77c | type |
Siamese Twin Songs | |
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The suites 'The Afternoon' (Tuesday Afternoon/Time to Get Away) and 'Evening' (The Sunset/Twilight Time) from Days of Future Passed. These sets of two songs couldn't live without their counterparts, often get live radio play together, and might even argue as one, four long track as a whole. You could also count "Twilight Time" leading into "The Night: Nights In White Satin", if the last weren't so famous already. Though 'Nights in White Satin' could do fine on its own, the poem called 'Late Lament' was often played alongside it. | |
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Siamese Twin Songs | |
| Siamese Twin Songs / int_c331df2d | comment |
An odd example with Tom Petty. While it doesn't happen normally, we have a case with his 2019 Greatest Hits Album The Best of Everything. The compilations has the songs remastered and listed in a non-chronological order, and some songs fade into the next one ("Free Fallin'" into "Mary Jane's Last Dance", "Saving Grace" into "You Don't Know How It Feels", "The Waiting" into "Don't Come Around Here No More", "Even the Losers" into "Hungry no More"). | |
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Siamese Twin Songs | |
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Diablo Swing Orchestra's "How to Organize a Lynch Mob" and "Black Box Messiah". The former song is a brief cello solo which works better as an introduction than as a standalone song, and it gets briefly reprised at the end of the latter song. | |
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Siamese Twin Songs | |
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A rather large number of song transitions by Crass use either this or Fading into the Next Song; they were particularly fond of using guitar feedback to connect two songs. This reached a fever pitch on Yes Sir, I Will, where all the tracks were considered part of one lengthy composition that took up the entire album (a forty-three-minute running time). | |
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A siamese triplet with "Lucinda" into "The Theme from The Magnificent Seven" into a cover of The Meters' "Cissy Strut" from Live at the Great American Music Hall. | |
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Black Sabbath: "Behind the Wall Of Sleep" and "N.I.B." "Embryo" and "Orchid" are instrumentals that precede "Children of the Grave" and "Lord Of This World." On CD releases they're included as separate tracks. The band had many other examples, such as "Luke's Wall," "Jack the Stripper," "A Bit of Finger," "The Straightener" and "Death Mask." However, these were just subtitles tacked onto songs with longer instrumental sections in an attempt to invoke this trope and make it seem like the albums had more songs. |
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Dark Tranquillity's "Mine is the Grandeur..." and "... of Melancholy Burning" from The Gallery. Not only do they lead into one another, but the elipses make it clear they're supposed to be played together, and that the title is a single sentence. | |
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Badfinger have "Money" -> "Flying" from ''Straight Up". | |
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"Death On Two Legs", "Lazing On A Sunday Afternoon", and "I'm In Love With My Car" from A Night at the Opera. | |
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Genesis: "Unquiet Slumbers For The Sleepers..." -> "...In That Quiet Earth" -> "Afterglow" from Wind And Wuthering, and "The Cinema Show" -> "Aisle Of Plenty" on Selling England By The Pound. "Fly on a Windshield" and "Broadway Melody of 1974" from The Lamb Lies Down on Broadway also qualify, although several CD releases have mis-indexed them to make "Broadway Melody" seem like a 33 second interlude, give or take (it actually starts right on the line "Echoes of the Broadway Everglades"). Actually, most of the first side of The Lamb and quite a few other songs on the other three sides could be considered to qualify for this trope, although just as often the band uses Fading into the Next Song. Their self-titled album Genesis contains "Home By The Sea" and "Second Home By The Sea" which are intended to be listened to together as one 11-minute song. Duke has the opening medley of "Behind The Lines"->"Duchess"->"Guide Vocal" and the closers "Duke's Travels"->"Duke's End". Adding the song "Turn It On Again" in the middle creates the six-part, 28-minute "Duke Suite" which was intended to be placed on the album as one song but was split up to discourage comparisons to their major epic Supper's Ready. |
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From the South Park Christmas Album, "O Tannenbaum" (sung by Adolf Hitler) and "Christmastime in Hell" (with vocals led by Satan). (Though since "O Tannenbaum" and its English translation "O Christmas Tree" have been around much longer than South Park, it was not "born" a Siamese Twin and this example might be better described as a Frankenstein's Monster or Human Centipede song.) | |
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The first album, Get Equipped, has “Programmed To Fight� (Crashman) lead into the final track “Lamentations Of A War Machine� (Mega Man 2 Ending). Downplayed, as “Lamentations� starts cleanly when played separately. | |
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Siamese Twin Songs | |
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In The Hamilton Mixtape, "An Open Letter" begins with the instrumental to "Wait For It" fading out as Watsky addresses John Adams before ripping into him. | |
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The rock musical adaptation of American Idiot does this in spades; "Favorite Son" > "Are We the Waiting" > "St. Jimmy" and "Last of the American Girls" > "Last Night on Earth" are the most notable examples. | |
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Pop Will Eat Itself's "Wise Up! Sucker" and "Sixteen Different Flavours of Hell" on This Is the Day... This Is the Hour... This Is This!. Also, "Nightmare at 20,000 Feet" and "The Beat That Refused to Die" on Cure for Sanity. |
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Trans-Europe Express has "Trans Europe Express" and "Metal on Metal" on the English version.note The original German version and the international remaster list the bridge between the two as a third song in its own right, titled "Abzug". | |
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Afro Celt Sound System has several. From Sound Magic, there's "Dark Moon, High Tide" and "Whirl-y-Reel 2"—the instrumental motif from the former song is repeated at the beginning of the latter. Release has "Urban Aire", which is an ambient introduction for "Big Cats". Similarly, from Seed, "Rise" is an ambient introduction for "Rise Above It". | |
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On Furi's OST, the Final Boss suite by Danger is a Siamese Quartet comprised of the last four tracks: "7:53", "8:02", "19:06", and "19:07". | |
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Rod Stewart seems to have a Siamese pair with "Maggie May" and its guitar intro, but the whole thing actually is presented as a single song. The confusion is understandable, since Stewart also added a guitar intro to "You Wear It Well", but this time gave the intro its own name, "Interludings". | |
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Celeste's OST has "Madeline and Theo"—>"Starjump". | |
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Siamese Twin Songs | |
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ULTRAKILL's OST for Act II has both "Altars of Apostasy" mixed with "Hall of Sacrilegious Remains", and "The Death of God's Will" mixed with "Horns of Insurrection", respectively. | |
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THYX's "The Endless Journey" and "Network of Light". | |
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In the revised stage musical of The Little Mermaid (1989), Ariel's opening number "The World Above" segues directly to "Fathoms Below" (they were separate songs in the Broadway production and on its cast album), and at the end, "If Only (Reprise)" leads into the final reprise of "Part of Your World". | |
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On King Gizzard and the Lizard Wizard's masterpiece album Nonagon Infinity, every song on the album bleeds into the next one, and there are several callbacks and callforwards of lyrical and rhythmic quotes between songs, leading to a seamless listening experience. The outro of the closer directly leads into the intro of the opener. | |
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