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Softer and Slower Cover

 Softer and Slower Cover
type
FeatureClass
 Softer and Slower Cover
label
Softer and Slower Cover
 Softer and Slower Cover
page
SofterAndSlowerCover
 Softer and Slower Cover
comment
A slower, quieter cover of a song. Musical directors can support a deeper, emotional moment in a work by using such an arrangement. It is common to take a famous song as source material. Predictably many movies play version of one of their songs during the end credits like this.
Sometimes used within a musical as a Dark Reprise of an earlier number.
A subtrope of The Cover Changes the Meaning. Compare Suspiciously Similar Song, In the Style of, The Elevator from Ipanema, Award-Bait Song. When used in advertising, see Moody Trailer Cover Song.

Examples
 Softer and Slower Cover
fetched
2024-02-27T17:30:55Z
 Softer and Slower Cover
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2024-02-27T17:30:55Z
 Softer and Slower Cover
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Dropped link to Adele: Not an Item - IGNORE
 Softer and Slower Cover
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TropeMaker
 Softer and Slower Cover
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BetteMidler
 Softer and Slower Cover
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SmileDk
 Softer and Slower Cover
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Drakengard2
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NiGHTS
 Softer and Slower Cover
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RaidenIII
 Softer and Slower Cover
isPartOf
DBTropes
 Softer and Slower Cover / int_10550610
type
Softer and Slower Cover
 Softer and Slower Cover / int_10550610
comment
Happy Days: Joanie and Chachi go on a local American Bandstand-esque show, but the trend is now for folk music and J and C do classic 50s rock. What to do? Sing "Come Go With Me" v-e-r-y s-l-o-w-l-y, using just a guitar rather than the full band.
 Softer and Slower Cover / int_10550610
featureApplicability
1.0
 Softer and Slower Cover / int_10550610
featureConfidence
1.0
 Happy Days
hasFeature
Softer and Slower Cover / int_10550610
 Softer and Slower Cover / int_164f12e6
type
Softer and Slower Cover
 Softer and Slower Cover / int_164f12e6
comment
The music played over the maps depicting Worlds 1 and S from Super Mario Galaxy 2 are actually slowed-down versions of the "Good Egg Galaxy" and "Gusty Garden Galaxy" levels from the first Super Mario Galaxy game. Also, the music played over the map depicting World 6 is a slowed-down version of the music played when you fight Bowser.
 Softer and Slower Cover / int_164f12e6
featureApplicability
1.0
 Softer and Slower Cover / int_164f12e6
featureConfidence
1.0
 Super Mario Galaxy 2 (Video Game)
hasFeature
Softer and Slower Cover / int_164f12e6
 Softer and Slower Cover / int_1fed53cb
type
Softer and Slower Cover
 Softer and Slower Cover / int_1fed53cb
comment
Jimmy Fallon and Bruce Springsteen performed a Neil Young-style cover of Willow Smith's "Whip My Hair".
Also on the same show, Alicia Keys did a soulful rendition of the Adventures of the Gummi Bears theme song.
 Softer and Slower Cover / int_1fed53cb
featureApplicability
1.0
 Softer and Slower Cover / int_1fed53cb
featureConfidence
1.0
 Late Night
hasFeature
Softer and Slower Cover / int_1fed53cb
 Softer and Slower Cover / int_2118f461
type
Softer and Slower Cover
 Softer and Slower Cover / int_2118f461
comment
Starting with the Yuki-chan era, the Inai Inai Baa! song "Genki Genki!" was sung at a slower pace than the original version, which appeared in the Fuuka-chan era and used a much faster pace.
 Softer and Slower Cover / int_2118f461
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1.0
 Softer and Slower Cover / int_2118f461
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1.0
 Inai Inai Baa!
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Softer and Slower Cover / int_2118f461
 Softer and Slower Cover / int_223c2a48
type
Softer and Slower Cover
 Softer and Slower Cover / int_223c2a48
comment
The Legend of Zelda: Breath of the Wild remixes a lot of classic Zelda tunes into slower piano pieces to emphasize the massive and melancholy After the End setting; much like the ruins of Hyrule itself, the songs are so bare and skeletal that it can be somewhat difficult to recognize what they once were. For example, here is the Temple of Time theme as it sounded in Ocarina of Time, and here is how it sounds in Breath of the Wild.
 Softer and Slower Cover / int_223c2a48
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1.0
 Softer and Slower Cover / int_223c2a48
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1.0
 The Legend of Zelda: Breath of the Wild (Video Game)
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Softer and Slower Cover / int_223c2a48
 Softer and Slower Cover / int_278df229
type
Softer and Slower Cover
 Softer and Slower Cover / int_278df229
comment
Superjail!: The opening song is given a slower, softer acoustic treatment when Jacknife is being sent to real jail in the season finale.
 Softer and Slower Cover / int_278df229
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1.0
 Softer and Slower Cover / int_278df229
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1.0
 Superjail!
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Softer and Slower Cover / int_278df229
 Softer and Slower Cover / int_2898a45e
type
Softer and Slower Cover
 Softer and Slower Cover / int_2898a45e
comment
Baz Luhrmann's William Shakespeare's Romeo + Juliet features an R&B gospel cover of Rozalla's 1991 dance hit "Everybody's Free (To Feel Good)", sung by Quindon Tarver.
 Softer and Slower Cover / int_2898a45e
featureApplicability
1.0
 Softer and Slower Cover / int_2898a45e
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1.0
 William Shakespeare's Romeo + Juliet
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Softer and Slower Cover / int_2898a45e
 Softer and Slower Cover / int_2feff3ce
type
Softer and Slower Cover
 Softer and Slower Cover / int_2feff3ce
comment
In Grey's Anatomy, Matthew proposes to April using The Proclaimers' "I'm Gonna Be (500 Miles)." In a later scene, Sleeping At Last's slower ballad version plays when Lauren and Arizona hook up.
 Softer and Slower Cover / int_2feff3ce
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1.0
 Softer and Slower Cover / int_2feff3ce
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1.0
 Grey's Anatomy
hasFeature
Softer and Slower Cover / int_2feff3ce
 Softer and Slower Cover / int_3063264a
type
Softer and Slower Cover
 Softer and Slower Cover / int_3063264a
comment
Crazy Train works surprisingly well as a sad, quiet, introspective ballad.
 Softer and Slower Cover / int_3063264a
featureApplicability
1.0
 Softer and Slower Cover / int_3063264a
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1.0
 Ozzy Osbourne (Music)
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Softer and Slower Cover / int_3063264a
 Softer and Slower Cover / int_309aea60
type
Softer and Slower Cover
 Softer and Slower Cover / int_309aea60
comment
German teen idol singer Loi covered The Weeknd's fast-paced synthpop hit "Blinding Lights" as a piano-backed soul ballad.
 Softer and Slower Cover / int_309aea60
featureApplicability
1.0
 Softer and Slower Cover / int_309aea60
featureConfidence
1.0
 The Weeknd (Music)
hasFeature
Softer and Slower Cover / int_309aea60
 Softer and Slower Cover / int_34f3d7a2
type
Softer and Slower Cover
 Softer and Slower Cover / int_34f3d7a2
comment
For their stint on Fox's Grease Live!, DNCE recorded a slow, doo-wop rendition of their Signature Song "Cake By The Ocean", which they played during the senior prom scene.
 Softer and Slower Cover / int_34f3d7a2
featureApplicability
1.0
 Softer and Slower Cover / int_34f3d7a2
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1.0
 Grease (Theatre)
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Softer and Slower Cover / int_34f3d7a2
 Softer and Slower Cover / int_380e9583
type
Softer and Slower Cover
 Softer and Slower Cover / int_380e9583
comment
Sally Shapiro's covers of Electric Youth's "The Best Thing", David Guetta's "Dangerous", and to a lesser extent the Pet Shop Boys' "Rent".
 Softer and Slower Cover / int_380e9583
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1.0
 Softer and Slower Cover / int_380e9583
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1.0
 David Guetta (Music)
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Softer and Slower Cover / int_380e9583
 Softer and Slower Cover / int_3a55bed1
type
Softer and Slower Cover
 Softer and Slower Cover / int_3a55bed1
comment
Many dance singles have ballad or "candlelight" remixes, such as "Cry (Unplugged)" by System F featuring Saskia Lie-Atjam, "Such is Life (Sunday afternoon rework)" by Rank 1 f/Shanokee, "Heaven (Candlelight Mix)" by DJ Sammy & Yanou f/DO, "Listen To Your Heart (Unplugged Edit)" by DHT, and "Let You Go (2005 rework)" by ATB.
And of course, more than a couple of those were covers; the Trope Maker in dance was probably the aforementioned Candlelight Mix of Heaven, previously by Bryan Adams. DHT's take on Listen To Your Heart actually reached the point where the stripped down version was more heavily promoted than the dance mix; either way, it was still more mellow than Roxette.
 Softer and Slower Cover / int_3a55bed1
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1.0
 Softer and Slower Cover / int_3a55bed1
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1.0
 Ferry Corsten (Music)
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Softer and Slower Cover / int_3a55bed1
 Softer and Slower Cover / int_3e5de40b
type
Softer and Slower Cover
 Softer and Slower Cover / int_3e5de40b
comment
Before the Scrubs episode gave it similar treatment, Obadiah Parker performed a slow, melancholy take of OutKast's "Hey Ya."
 Softer and Slower Cover / int_3e5de40b
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1.0
 Softer and Slower Cover / int_3e5de40b
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1.0
 Scrubs
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Softer and Slower Cover / int_3e5de40b
 Softer and Slower Cover / int_41e04ebb
type
Softer and Slower Cover
 Softer and Slower Cover / int_41e04ebb
comment
2012: A cover of Frankie Goes to Hollywood's "The Power of Love" by Gabrielle Aplin.
 Softer and Slower Cover / int_41e04ebb
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1.0
 Softer and Slower Cover / int_41e04ebb
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1.0
 Frankie Goes to Hollywood (Music)
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Softer and Slower Cover / int_41e04ebb
 Softer and Slower Cover / int_42cc8840
type
Softer and Slower Cover
 Softer and Slower Cover / int_42cc8840
comment
High School Musical
Case in point, "What I've Been Looking For", as performed by the Evanses in an uptempo arrangement (a change lamented by Kelsi) and then by Troy and Gabi as the slow ballad that was originally meant to sung.
The first film's "We're All in This Together", a cheerful "We Go Together"-esque song is replayed slowly in the third film in an attempt to make a sad, reminisent atmosphere. This version also qualifies as an Award-Bait Song.
 Softer and Slower Cover / int_42cc8840
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1.0
 Softer and Slower Cover / int_42cc8840
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1.0
 High School Musical
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Softer and Slower Cover / int_42cc8840
 Softer and Slower Cover / int_42ea9f40
type
Softer and Slower Cover
 Softer and Slower Cover / int_42ea9f40
comment
The Confession Executive Committee ~Love Series~ song "Right Now I'm in Love -triangle story-" serves as the softer and slower cover to the original "Right Now, I'm in Love". Both songs are about the singer experiencing heartbreak, but the -triangle story- version makes it sadder, considering that the singer is watching his crush fall in love with another boy from afar. Most other Love Series songs doing a Perspective Flip don't change the tempo at all, making this particular instance notable.
 Softer and Slower Cover / int_42ea9f40
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1.0
 Softer and Slower Cover / int_42ea9f40
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1.0
 Confession Executive Committee ~Love Series~ (Music)
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Softer and Slower Cover / int_42ea9f40
 Softer and Slower Cover / int_42efb78
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Softer and Slower Cover
 Softer and Slower Cover / int_42efb78
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In Deadpool 2, when Wade reunites with Vanessa in the afterlife, an acoustic guitar cover of "Take on Me" by a-ha is heard. In the Super Duper Cut, an acoustic cover of the main theme "Ashes" is heard playing.
 Softer and Slower Cover / int_42efb78
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1.0
 Softer and Slower Cover / int_42efb78
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1.0
 Deadpool 2
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Softer and Slower Cover / int_42efb78
 Softer and Slower Cover / int_4382a991
type
Softer and Slower Cover
 Softer and Slower Cover / int_4382a991
comment
Italian singer Giorgio Vanni, known for singing theme songs to animated shows (especially anime), included in his album - as well as in his concert where the cover was first heard - "Giorgio Vanni Project" this kind of cover of another song of his, "What'snote (Sung as "What is", but written as "What's". Spelt as such for the sake of it, apparently.) my destiny Dragon Ball" (opening/ending song for Dragon Ball Z, as the earlier Dragon Ball anime had another theme song, still sung by him). The long time that's passed between the original, dance-y version of the song and the way more somber version of it made the cover a Tear Jerker to many fans. Yes, even among the show's intended demographic.
 Softer and Slower Cover / int_4382a991
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1.0
 Softer and Slower Cover / int_4382a991
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 Giorgio Vanni (Music)
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Softer and Slower Cover / int_4382a991
 Softer and Slower Cover / int_43e9645a
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Softer and Slower Cover
 Softer and Slower Cover / int_43e9645a
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In 1976, Neil Sedaka released a slow ballad version of his 1962 hit "Breaking Up Is Hard To Do. It reached No. 8 on the charts, making him the first artist to reach the Top 10 with two different versions of the same song. The 1962 original is a typical breakup song of the era, with the protagonist reeling from a just-ended relationship; the 1976 hit version revisits the same breakup, and in essence is a reflection of the relationship years later.
 Softer and Slower Cover / int_43e9645a
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1.0
 Softer and Slower Cover / int_43e9645a
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 Neil Sedaka (Music)
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Softer and Slower Cover / int_43e9645a
 Softer and Slower Cover / int_46518682
type
Softer and Slower Cover
 Softer and Slower Cover / int_46518682
comment
They did the same thing to the Sesame Street theme song. It was horridly depressing, because of the context. (If you can't follow the link, an already sad and wistful cover is juxtaposed with a patient's death, JD reflecting on the lessons Sesame Street taught him, and evidence that the new interns haven't learned those lessons at all. Can you tell him how to get to Sesame Street?)
 Softer and Slower Cover / int_46518682
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1.0
 Softer and Slower Cover / int_46518682
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 Sesame Street
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Softer and Slower Cover / int_46518682
 Softer and Slower Cover / int_47929c54
type
Softer and Slower Cover
 Softer and Slower Cover / int_47929c54
comment
The soundtrack for Persepolis does this with "The Eye Of The Tiger," as opposed to... the movie version.
 Softer and Slower Cover / int_47929c54
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1.0
 Softer and Slower Cover / int_47929c54
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 Persepolis
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Softer and Slower Cover / int_47929c54
 Softer and Slower Cover / int_47c7e5f7
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Softer and Slower Cover
 Softer and Slower Cover / int_47c7e5f7
comment
Steve Earle's take on Townes Van Zandt's "Rake" is this.
 Softer and Slower Cover / int_47c7e5f7
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1.0
 Softer and Slower Cover / int_47c7e5f7
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1.0
 Steve Earle (Music)
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Softer and Slower Cover / int_47c7e5f7
 Softer and Slower Cover / int_47f83a11
type
Softer and Slower Cover
 Softer and Slower Cover / int_47f83a11
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The Story of Tracy Beaker had a slower, more sombre piano rendition of the theme song, that would play over more poignant moments, mostly revolving around Tracy and her absent mother.
 Softer and Slower Cover / int_47f83a11
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1.0
 Softer and Slower Cover / int_47f83a11
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1.0
 The Story of Tracy Beaker
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Softer and Slower Cover / int_47f83a11
 Softer and Slower Cover / int_4863e4c8
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Softer and Slower Cover
 Softer and Slower Cover / int_4863e4c8
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A trailer for horror movie Flight 7500, about a supernatural attack on a plane, plays a slow cover of John Denver's Leaving On A Jet Plane. The entire time. At the beginning, the passengers are boarding with no indication that anything is wrong, but the music plays all the way through the end, while the passengers and staff are terrorized and killed.
 Softer and Slower Cover / int_4863e4c8
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1.0
 Softer and Slower Cover / int_4863e4c8
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1.0
 Flight 7500
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Softer and Slower Cover / int_4863e4c8
 Softer and Slower Cover / int_4a510504
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Softer and Slower Cover
 Softer and Slower Cover / int_4a510504
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2009: A cover of Guns N' Roses' "Sweet Child of Mine" by Talking to Trees.
 Softer and Slower Cover / int_4a510504
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1.0
 Softer and Slower Cover / int_4a510504
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1.0
 Guns N' Roses (Music)
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Softer and Slower Cover / int_4a510504
 Softer and Slower Cover / int_4c3aa558
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Softer and Slower Cover
 Softer and Slower Cover / int_4c3aa558
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In Ys IV: Mask of the Sun, and the Perfect Collection soundtrack album, the music "Crimson Wings" was the standard RPG rock style, but in Ys IV: The Dawn of Ys, it was rearranged into a slow muzak-style bossa nova tune. "Sanctuary of Thunderstorms (Valley of Quicksand)" was given similar treatment. Likewise, "Subterranean Canals" from Ys II: Ancient Ys Vanished – The Final Chapter had a downtempo remix on that game's Perfect Collection album.
 Softer and Slower Cover / int_4c3aa558
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1.0
 Softer and Slower Cover / int_4c3aa558
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1.0
 Ys IV: Mask of the Sun (Video Game)
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Softer and Slower Cover / int_4c3aa558
 Softer and Slower Cover / int_4e45b093
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Softer and Slower Cover
 Softer and Slower Cover / int_4e45b093
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The series finale of The Big Bang Theory features an acoustic and slow cover of the show's theme song by the Barenaked Ladies.
 Softer and Slower Cover / int_4e45b093
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1.0
 Softer and Slower Cover / int_4e45b093
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1.0
 The Big Bang Theory
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Softer and Slower Cover / int_4e45b093
 Softer and Slower Cover / int_4fc3c258
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Softer and Slower Cover
 Softer and Slower Cover / int_4fc3c258
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Donnie Darko: the final credits are accompanied by Gary Jules' version of "Mad World," originally by Tears for Fears. Unlike the original upbeat and cheery new wave track, Jules's version is sombre and minimalist, featuring only his voice, a piano, and a cello.
 Softer and Slower Cover / int_4fc3c258
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Inverted in That Thing You Do! as the title song was written to be a ballad, but forced up tempo by the drummer the first time they played it live. It worked.
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Metal Gear:
Metal Gear Solid 4: Guns of the Patriots: The cover version of the Sacco e Vanzetti theme, "Here's To You", sung in its original movie as an ironic but genuine cheer, and screeched as a totally-unironic, tear-laden, but totally appropriate tune.
Metal Gear Solid 3: Snake Eater does it to its own title tune - Snake Eater is a bombastic pastiche of James Bond themes. It's played on a piano during The Reveal. Thing is, you probably wouldn't even notice unless you listened to the song itself.
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Fallout: New Vegas's credits music is a softer and slower version of the Fallout 3 theme.
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Undertale has "But Nobody Came", an ominous and creepy theme used during the Genocide route. Speeding it up reveals that it is a slowed down version of Flowey's theme.
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In Black Widow (2021), the opening credits sequence is set to Malia J's dark ballad cover version of "Smells Like Teen Spirit" by Nirvana.
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Metal Gear Solid 4: Guns of the Patriots: The cover version of the Sacco e Vanzetti theme, "Here's To You", sung in its original movie as an ironic but genuine cheer, and screeched as a totally-unironic, tear-laden, but totally appropriate tune.
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The trailer for Ghost in the Shell (2017) has a softer version of Depeche Mode's "Enjoy the Silence".
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 Ghost in the Shell (2017)
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Love Live!: Yume no Tobira, one of the featured songs from the original series, is an upbeat rock song about friendship and hope sung by the idol group μ's, which wouldn't sound out-of-place in a Magical Girl Warrior series. It gets reprised in the sequel series Love Live! Sunshine!! as a slow piano cover by Riko Sakurachi, who in-universe is a fan of μ's. Given that the song ends with "It's the prologue of our youth," this version takes on a more nostalgic, reminiscent tone.
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In an episode of The Odd Couple, Felix writes a bouncy, upbeat song for Jaye P. Morgan, but she performs it in a slow, dramatic style instead.
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The Special Mode in the PSX version of RayCrisis ends with a slow Reprise Medley of the series' highlight songs.
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Kyon from Haruhi Suzumiya gave the somewhat hyperkinetic end theme "Hare Hare Yukai" this treatment, making the ridiculously frantic original into something slow and melancholy. He also changed the lyrics to reflect his personality. That is to say, he complains about all the weird crap now happening. Actually, all of the last three character albums did this, but no one else sounded quite as emotionally distraught.
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The Cruxshadows recorded an acoustic folk ballad version of "Winterborn", which is a major Tear Jerker, in contrast with the angsty but upbeat original.
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At the end of Klonoa 2: Lunatea's Veil, a softer version of the "Windmill Song" from the first game plays as Klonoa walks into the portal.
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Frozen (2013): May J, the singer of Let It Go's pop version in Japan, later released "Let It Go ~�り����~ (Heartful Version)", an R&B cover of the song.
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The Doubleclicks' version of "The Middle", originally by Jimmy Eat World, turns it from an uptempo emo/pop-punk song to a folk-pop ballad based around acoustic guitar and cello. This is intended to make the Pep-Talk Song lyrics seem more poignant.
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Sonic Adventure: E-102 Gamma's Leitmotif is a moderately paced, militaristic techno tune with a piano melody in it. when Gamma is killed at the end of his story the leitmotif removes all but the piano melody, slows it down, and adds horns, making it into an extremely sad song.
Sonic and the Black Knight has acoustic versions of "It Doesn't Matter" and "Believe in Myself" from the Adventure games. The soundtrack also contains "Seven Rings in Hand ~ Fairytales in Trance", a slower, even melancholy version of the hard-rocking Secret Rings theme, now performed by Bentley Jones. The slower speed causes the lyrics to be sung more powerfully, which means they actually kinda make sense.
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Team America: World Police: Wonderfully parodied where the theme song (America, Fuck Yeah!) is given precisely this treatment during a big dramatic scene. It doesn't quite work, which is entirely the point.
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The Rolling Stones' rendition of Marianne Faithfull's "As Tears Go By" (although calling it a "cover" might be a stretch, since the song was written by Mick Jagger and Keith Richards).
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Most of Nicole Dollanganger's covers fall under this category.
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Glee
Rachel and Shelby singing their beautiful and slow rendition of..."Poker Face". Nobody's sure what the meaning was changed to, though, and it's still considered an incredibly odd choice for a girl and her surrogate mother to sing together.
Finn sings a version of "Girls Just Wanna Have Fun" (which was the original arrangement, although Cyndi Lauper's upbeat pop version is more popular).
Kurt sang Across the Universe (2007)'s version of "I Want to Hold Your Hand."
Blaine sang a slowed down version of Katy Perry's "Teenage Dream" in the fourth season.
During the season five episode "The Quarterback," Puck's tribute is the slow, acoustic version of Springsteen's "No Surrender."
Glee also copied Jonathan Coulton's arrangement (described below, under "Music") of Sir Mix-A-Lot's "Baby Got Back" without asking for permission or offering any compensation for its use. They even sang the name "Johnny C" instead of "Mix-A-Lot" in their version, just like Coulton did.
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The Lion King (1994) has its love song, "Can You Feel the Love Tonight?". In the context of the movie, it's actually pretty upbeat despite the minor key. The version of the song that plays over the credits is your typical sparkly 1990's Disney Award-Bait Song.
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 The Lion King (1994)
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The closing credits for Mystery Science Theater 3000 feature a slower tempo version of the main theme, called "The Love Theme from MST3K".
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Her cover of "Raining Blood" actually creeped out Slayer.
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Ally McBeal regularly features various famous songs redone by Vonda Shephard and performed on the show. Particularly notable was Bing Crosby's Swing On A Star, slowed down and emphasizing the "Pig" part of the song.
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Leading up to the climax in Promising Young Woman is a slow, spine-tingling strings ensemble cover of Toxic by Britney Spears.
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DanceDanceRevolution Party Collection uses an unplugged version of "Remember You" for its staff roll.
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Little Boots' live piano cover of Kate Bush's "Running Up That Hill".
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An unexpected case was on the album A Partridge Family Christmas Card, where David Cassidy sang the "jolly, happy" "Frosty the Snowman" as a slow, almost bittersweet ballad.
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Done for laughs in Paw Dugan's Lyrical Poetry, where he reads songs like poems - among others, "Down with the Sickness", "Raining Blood", and "I Am the Walrus".
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Sonic and the Black Knight has acoustic versions of "It Doesn't Matter" and "Believe in Myself" from the Adventure games. The soundtrack also contains "Seven Rings in Hand ~ Fairytales in Trance", a slower, even melancholy version of the hard-rocking Secret Rings theme, now performed by Bentley Jones. The slower speed causes the lyrics to be sung more powerfully, which means they actually kinda make sense.
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Near the end of The Muppets Take Manhattan, Kermit, with his memory restored, is asked if he remembers the opening number of Manhattan Melodies, and begins singing a slow, wistful version of "Right Where I Belong" (it speeds up as it goes, until it's at full tempo when they reach the stage and rest of the gang joins in). The funny part is that until now we've only heard a single line of the upbeat "original" version; they sing it when they're trying to sell the show, but keep getting interrupted. Movin' Right Along: A Muppet Movies Podcast calls it "a reprise of a song that doesn't exist".
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10,000 Maniacs' cover of Patti Smith's "Because The Night", from their MTV Unplugged session.
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bo en's "Pale Machine" has "Paler, still Paler", a melancholy self-cover where a sad and exhausted bo sings while accompanied by a piano.
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Panel de Pon plays a music box version of Lip's theme, Windy's theme, or Elias's theme when the player receives a Game Over in Vs. mode.
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Love Hina: The Tanabata episode had the girls singing the opening theme as a ballad.
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Syphon Filter: Logan's Shadow has a version of the series' theme in this style.
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 Syphon Filter (Video Game)
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Metal Gear Solid 3: Snake Eater does it to its own title tune - Snake Eater is a bombastic pastiche of James Bond themes. It's played on a piano during The Reveal. Thing is, you probably wouldn't even notice unless you listened to the song itself.
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In Shame Sissy sings an emotional, slowed down piano version of New York, New York by Liza Minnelli.
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John Henry and Savannah Weaver singing a bleak a capella version of "Donald Whaur's Yer Troosers" at the end of an episode of Terminator: The Sarah Connor Chronicles, which fooled a couple of fans into thinking it was a genuine archaic folk song.
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 Terminator: The Sarah Connor Chronicles
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Noah's cover of Chrisye's "Kala Cinta Menggoda" is a slow ballad as opposed to the original upbeat song.
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Doctor Who: If you listen closely, "The Doctor's Theme" from Series 1-4 is a an extremely slow version of the first several phrases of the show's Opening Theme.
From Matt Smith's run, "A Sad Man With a Box" is a slowed down version of "A Mad Man With a Box"
In "Mummy On The Orient Express", Foxes sings a mid-tempo jazz cover of "Don't Stop Me Now" by Queen.
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True Detective: One of the final scenes in the season 4 finale episode does this to The Beatles' "Twist and Shout" of all things.
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Jenny Owen Youngs also did a fantastic acoustic cover of Nelly's "Hot in Herre".
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Sunn O))) covered Metallica's "FWTBT" and Immortal's "Cursed Realms", and not surprisingly, both are nearly unrecognizable.
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Toad the Wet Sprocket did this to "Rock And Roll All Nite", of all songs, for an officially sanctioned KISS tribute album. Kiss fans had a pretty mixed opinion on this version, but Gene Simmons himself gave the band credit for their "balls-to-the-wall bravery" in drastically reinterpreting their Signature Song.
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Damone does this with their version of Iron Maiden's "Wasted Years". It sort of makes sense as an arrangement because lyrically the original is a bit on the melancholy side for sort of being a Rock-Star Song. Ryan Adams did much the same with his version of the song, recorded for Californication.
Speaking of Iron Maiden, Zwan recorded a slower and much creepier version of "The Number of the Beast".
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In The Hamilton Mixtape, "Dear Theodosia (Reprise)" is notably more somber than both the stage version of "Dear Theodosia" and the version performed by Regina Spektor earlier in the mixtape, which are sweet songs about dedicating yourself to a loved one. Not to say that the Reprise isn't just as sweet - Chance the Rapper reportedly specifically requested to do the song for the Mixtape, after seeing a performance of the show and being reminded of his relationship with his own daughter.
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The main theme to Dungeon Siege, which is normally a fast-paced orchestra and piano piece, gets a slower, mostly piano version with soft strings accompaniment for the music that plays while inside the nearly-overrun Fort Kroth. Conversely, a higher energy version with extra brass and vocals plays during the Final Battle theme music.
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James Taylor's 1985 version of "Everyday" is an Easy Listening contemporary to Buddy Holly's 1957 more upbeat version.
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Inverted by HIM's rousing cover of the very somber "Wicked Game" by Chris Isaak.
However, played straight by themselves, with the Baudelaire In Braille album, an album of Valo covering his own songs from Screamworks in acoustic, mellow slow versions.
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Boyce Avenue gave this treatment to, among others, Katy Perry's "Teenage Dream", making it much more romantic in tone and removing the Intercourse with You aspect of it. "Lets just talk all through the night, there's no need to rush." Works well.
Speaking of "Teenage Dream", Darren Criss in his concerts often performs a (different) slowed down version of the song that he arranged himself. The arrangement was given a wider exposure on Glee.
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Michelle Branch performed a softer and slower version of her song "Goodbye to You" for her guest appearance on the Buffy the Vampire Slayer episode "Tabula Rasa" - a version that actually fits the emotion of the lyrics better than the poppier radio/album version.
In the first season finale "Prophecy Girl", after Buffy defeats the Master, a slow-tempo version of the show's main theme plays on the soundtrack.
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Used tongue-in-cheek in Barkley, Shut Up and Jam: Gaiden, which has a Vonda Shepard version of Sweet Georgia Brown play after the defeat of Jordan.
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Shangri-La: The opening and first ending got their slow versions as insert songs.
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A Family Guy episode where Peter tries to help his father-in-law win back his wife by singing a dramatic rendition of "Surfin' Bird".
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Rage Against the Machine, of all bands, did a cover of Devo's "Beautiful World" on their album Renegades. Where the original song was ironically upbeat, the cover is antithetical to RATM's usual style, being slower and melodic, but simultaneously, angrier than the original.
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Played for laughs on Atlanta, when Paper Boi is appalled while listening to a cover of his rap song by a girl singing it on acoustic guitar.
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In Rocky Balboa, the iconic theme, "Eye of the Tiger" by Survivor, is given this treatment throughout the movie as both leitmotif and mood music.
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Inverted in Pixel Perfect. "Notice Me" was originally written as a soft guitar ballad, but winds up covered in a much more upbeat way by the Zettabytes.
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Kurt sang Across the Universe (2007)'s version of "I Want to Hold Your Hand."
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The opening theme song of The Man in the High Castle is a slow, creepy rendition of Rogers & Hamerstien's Edelweiss.
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Kamen Rider Double including acoustic renditions of four of it's five battle themes, three of which fit this trope, but special mention goes to the acoustic version of "Cyclone Effect", as it is played over Philip's death in episode 48.
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Cobra Kai has Kari Kimmel’s slow and somber (though also quite instrumentally bombastic) cover of Bananarama’s "Cruel Summer", which plays at the very end of season 2. It functions as a dark echo of the original song’s use in The Karate Kid, to which Cobra Kai is a Distant Sequel.
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The following is a list of statements referring to the current page from other pages.

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