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Symbolic Serene Submersion
- 269 statements
- 50 feature instances
- 56 referencing feature instances
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Symbolic Serene Submersion is a versatile visual metaphor where a person is passively submerged in an ocean, pool, or other body of water for symbolic reasons. Something about their weightlessness, surrounded by calming cool blues and muffled sounds, suggests serenity — meditation, incipience, or a similar state of being. Water tends to be associated with emotion and the subconscious, and passive immersion can be a way to show a character settling down into their feelings and perhaps returning to a womb-like state. Their comfort in water may characterize them with an Elemental Personality. The stillness provides a pause for the audience as well, encouraging them to slow down and reflect on what the submerged character is experiencing. However, the lack of struggle is just as often played as Dissonant Serenity, especially if the character is drowning or in danger of drowning: It can signify overwhelm, isolation, helplessness, listlessness, capitulation, or emotional suffocation. Particularly unsettling examples will frame already drowned bodies this way, in which case their stillness is more than conscious passivity. While the most common variation is to show or describe the character floating completely motionless, some examples can include slight movement, provided the character is surrendering to, rather than struggling against, the water. The primary appeal of these shots in visual media is that they look really cool, especially if the character has clothes and/or hair billowing aesthetically around them. Has some inherent Fanservice potential, especially given that the character is often pictured in their sleep wear, for extra dreamlike quality of the scene, and occasionally nude. Often a Stock Visual Metaphor. Can overlap with a Fetal Position Rebirth, Symbolic Baptism, Suicide by Sea, or invocation of the Rule of Pool. Compare Underwater Kiss & Power Floats, which make use of similar aesthetics, and Candlelit Bath & Dive Under the Explosion for similar moments of aquatic respite. May overlap with Blood Is Squicker in Water. Contrast Hollywood Drowning, where the submerged individual is anything but calm. See also Super Not-Drowning Skills. |
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Divinity: Original Sin II opens with a playable prologue on a Prison Ship, which ends with the Kraken crushing said ship, throwing the Player Character into the water. Just before they drown, however, a mysterious voice speaks to them and warps them to the shore. This is a symbolic rebirth for the character, as it is later revealed that the voice belongs to their respective patron god, who, by saving them from drowning, sets them on the path to become the next Divine, i.e. avatar of the gods. | |
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Puella Magi Madoka Magica: The end of episode 9 shows Kyoko and Sayaka submerged in the water, symbolizing their newfound fondness for each other after a few episodes of them not getting along. | |
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Sleepless Domain: Undine's dream consists of her falling through a space of dimly lit water, inhabited by glowing jellyfish symbolizing the members of Team Alchemical, before falling through the floor and into the mysterious space where the Woman in White resides. This represents her (at the time) passive, non-confrontational personality and status as a support. | |
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The Shape of Water: Happens multiple times, all of which feature the main character Elisa. She has an unnatural level of comfort with water, and water generally symbolizes serenity and comfort in spite of a harsh outside world. The opening scene is a fantasy sequence showing Elisa's apartment submerged, objects in the room are floatingnote Most of these objects are heavier than water and should sink, but it's justified because it's a fantasy sequence, and Elisa is sleeping above her couch. After the Amphibian Man gets to Elisa's house, she floods her bathroom with water and hugs him while they're both naked. In the final scene, Elisa is in a flooded dry dock. Elisa's scars turn into gills, and she hugs the Amphibian Man in a way similar to how she did in her bathroom, this time while clothed. |
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Magia Record: Puella Magi Madoka Magica Side Story: Rena's transformation in episode 3 of the anime has her falling through water as mirrors splash over her, representing her issues with self-image and identity. | |
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BoJack Horseman: BoJack falling into his pool and floating powerlessly to the bottom is a constant of the show's opening, symbolizing his feelings of disconnectedness, loneliness, and personal struggles. | |
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Titanic (1997): During a montage driving home the destruction of the ship when it is partially submerged, one particularly artsy shot shows a woman's body floating weightless in the newly-subaquatic main hall, her face obscured by her billowing dress and hair. | |
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Doona! (2023): Doo-na's frustration with her K-pop celebrity is established in the opening minutes — while she's performing for a crowd, she imagines plunging into water and sinking. The second episode reveals that she fainted onstage during a performance. | |
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Gertrude describes Ophelia's death-by-drowning this way in Hamlet, and many, many art pieces exist demonstrating her helplessness and eventual surrender to the water. | |
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Hannibal: In the first episode of Season 3, Dr. Bedelia Du Maurier submerges herself in a bathtub and imagines herself sinking passively down into deep, dark water, possibly symbolizing her sense of being slowly drawn further into Hannibal's deluded games. (Water symbolism is used throughout the series to represent Hannibal's growing influence over those around him: both Will Graham and Alana Bloom have similar dreams or hallucinations shortly before awakening to the reality of Hannibal's manipulations.) In the next episode, Will imagines himself being drowned in the blood gushing from the black stag that represents his relationship with Hannibal. One shot shows him floating limply downward in the red water, much like Bedelia in the previous episode. |
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Lucy in the Sky: Played with. During Lucy's astronaut training, she is completing an underwater repair module when her suit ruptures and, because she is upside-down, her helmet begins to fill with water. She insists on finishing the job, simply holding her breath. When she is pulled out, the camera focuses on her completely serene expression, and later her boss comments while reviewing the footage that her heart rate never went above a hundred. This scene demonstrates her extreme self-control and commitment to the space program. The montage that plays near the end of the film while Lucy is delivering her monologue about the effect of being in space and seeing "the whole universe" includes a quick shot of her floating in water, eyes closed and arms outstretched, with stars superimposed over the image as though she were basking in the universe itself like she says she has. |
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Neon Genesis Evangelion uses images of the characters' passive submerged bodies a lot for advertising, especially for End of Evangelion. It symbolizes the Lotus-Eater Machine that everyone gets stuck in at the climax of the movie, and mostly is played for Surreal Horror (especially since the liquid everyone's suspended in is often red). | |
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Total Drama: In the exclusive clip for "Plains, Trains, and Hot Air Mobiles", Ezekiel arrives at Tijuana Beach, Mexico at sundown. He picks up the fresh scent of the contestants and as he gazes at the ocean's horizon the setting sun takes the appearance of a bag of money. Now more determined than ever, he rises back on two legs and calmly walks into the water to make his way to Hawaii. | |
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Harry Styles: The video to "Falling," where his parlor slowly fills up with water, contains several shots of Styles floating, singing under the water. He's wearing a frilly white blouse with a long train, clearly chosen to look good suspended around him. The song's lyrics describe slowly but inexorably becoming someone he doesn't want to be—a process, like the water flowing from his piano, which he fears but is powerless against. | |
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A.I.: Artificial Intelligence: When the android child protagonist jumps into his backyard swimming pool holding on to his human brother, only the human boy is rescued. The protagonist is left drifting at the bottom of the pool forlornly, symbolizing his impotent isolation from the human world. | |
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One of the iconic scenes from Ghost in the Shell (1995) shows the Major allowing herself to sink into the water while wearing diving gear. She comments that the ballast tanks keeping her heavy cyborg body from sinking into the depths provide her with a calmness that tells her that she's still a human inside. | |
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In Minority Report, the Precogs lie immersed in a cool blue pool, serenely dreaming their visions. The water is representative of their receptive, subconscious state as well, it turns out, as the unreliability of their predictions. | |
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Love, Death & Robots, "Zima Blue": A blue-tiled swimming pool represents the happiness and fulfilment that eluded the titular artist throughout his career. For his final work, he calmly immerses himself in the pool. He then reveals himself to be a pool cleaning robot who had grown beyond its programming, sheds his humanoid body and intelligence, and goes back to the simple pleasure of cleaning the pool. | |
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Encouraged (but at the player's discretion) in INSIDE. After the Player Character gains his Super Not-Drowning Skills, he traverses many vast, flooded areas, sometimes with fish in them. At any time the player can put down the controller and just watch him float as long as they'd like. This plays with the game's themes of depth, pressure, and control versus surrender. | |
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James Blake's "My Willing Heart": The Music Video features photography of Natalie Portman, pregnant with her second child. Some scenes show her relaxing, caressing her belly and Feeling the Baby Kick. In others, she is swimming and floating in dark water, spotlit and surrounded by blackness. Both mother and baby seem immersed in the watery feminine gentleness of the womb. Sometimes she seems suspended in outer space, as if she and her child are at peace together in their own little world. The imagery frames the lyrics as a Parental Love Song. | |
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The Silent Sea. Anyone exposed to lunar water has a hallucination of this happening just as they drown in their own body (as the water replicates on exposure to organic life). The trope has added poignancy as the characters live in a future suffering from a worldwide drought, so getting immersed in water is an unknown experience to them. | |
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The promotional materials for Hozier's second album, Wasteland, Baby!, heavily feature images and clips of Hozier in a flooded room, including some where he floats freely (white shirt and iconic long hair spreading out around him). Head photographer Andrew Hozier-Byrne (Hozier's brother) describes the thought process behind the imagery: | |
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At the end of The Lord of the Rings: The Fellowship of the Ring, Sam follows Frodo's boat into the water despite being unable to swim, desperate to remain by his side. When he inevitably goes underwater, he flails at first, but then he goes limp and his face assumes a serene expression, demonstrating his willingness to die for Frodo (who saves him, of course). | |
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The Wheel of Time: Nynaeve is usually only able to channel the One Power while angry. However, when she nearly drowns in a sinking ship, the strange serenity of the Near-Death Experience overcomes that mental block and allows her to channel freely from then on, saving her life. | |
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Played with in Ferris Bueller's Day Off: Cameron is too anxious to swim and sits poised by the side of the pool. However, he eventually lets himself drop into the pool on Ferris' urging . . . only to keep sinking and sinking until Ferris jumps in and grabs him. Cameron seems serene, but he is actually bordering on catatonic due to being overwhelmed by his own anxiety and fear. But the pool shows how much Cameron needs Ferris and how desperately he also needs to loosen up. | |
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Percy Jackson and the Olympians: In his first scene, Percy is sitting at the bottom of a pool, looking relaxed. Much later, after he learns that he's Poseidon's son and can breathe water, he sleeps in a motel pool. It's implied that being underwater helps him feel connected to his busy deity father. | |
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The video to Meghan Trainor's "Underwater" shows slow-mo shots of models suspended under the water with their hair and decorative scarves arrayed. The water, here, represents passion and love. | |
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The Hours: In Virginia Woolf's death scene at the end. The camera focuses on different parts of her body—the ring on her hand, her shoe slipping off—as her lifeless body is carried along with the current. | |
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In the finale to The Piano, Ada nearly drowns when she is pulled overboard by a piano. She does not struggle at first, and there are several shots showing her being pulled down, heavy skirts trailing up around her, with a calm, resigned expression on her face. The piano itself represents a past she is unwilling to let go of. | |
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In Round 3 of Record of Ragnarok, there are a couple of moments that show Kojiro sinking into the depths of the ocean as a metaphor for him struggling against Poseidon's torrent of strikes. They serve to signify how a mere mortal like him couldn't fathom the true depths of the sea god's might, as well as the hopelessness of experiencing nothing but loss for his entire life. The second submersion scene eventually gets Played With as it is capped off with Kojiro's blade touching the bottom of the abyss, leading to a "Hell, Yes!" Moment where Kojiro manages to turn the tables against Poseidon. | |
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Mary Magdalene (2018) begins with a long series of shots of Mary floating deep beneath the water, a loose garment clinging to her, while her opening monologue plays in voiceover. This seems to symbolize both her surrender to the higher powers guiding her and her own ability to dive deep into spirituality. The film ends with a repeat of some of these shots, except this time other figures can be seen in the water above Mary, suggesting that her testimony paved the way for others to find Christ. | |
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Man of Steel: After the oil rig Clark is on blows up, he floats down into the sea below it in a Crucified Hero Shot. His Flashbacks take enough time to justify two lovely shots—one of his silhouette against the explosion on the surface, and one where he is framed beside a whale and its baby. The immersion is a turning point in the story, prompting him to muster his resolve. | |
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The Lord of the Rings: The Rings of Power: During the typhoon, Galadriel is knocked down from the raft by a huge wave and loses her consciousness. The underwater is shown being dark and calm, while Galadriel sinks further into the depths of the ocean. | |
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Rada Nastase of The Secret World confesses to having a number of water-based dreams; before she was forced to join the Morninglight, she used to have dreams of floating peacefully in a warm ocean - symbolizing more innocent times, given that it reminds her of childhood holidays. However, after she joined the cult, the dreams changed to nightmares of her lost in a cold and unfamiliar ocean, sinking deeper and deeper... with something waiting for her below. This isn't just symbolic of innocence lost and the suffocating nature of the Morninglight, but an early indication that Rada's dreams are becoming prophetic as the drugs and stress erode her sanity. | |
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The Graduate: Several shots in the early part of the film feature Ben simply floating in his family's pool (lying either on an inflatable or simply in the water), symbolising his uncertainty about his future and feeling of simply being adrift at life. In another sequence when, at yet another party thrown by his parents, Ben is forced to display the scuba gear he recently received, despite his overall unwillingness to be there. The scene is shot from Ben's perspective inside the suit, making the voices and sight of the guests distorted and distant until Ben finally gets to the pool and is able to submerge himself, when it all goes silent, symbolising the disconnect he feels from his parents' social environment and lifestyle, and his subtle wish to escape it all. |
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Unsounded: When Duane jumps into Inaktown to save Sette's friends, only to find it flooded with none left alive he hallucinates Sara's body as his daughter's, as they're both girls whose deaths he could have prevented and which he feels guilty for. He has far more standing to feel guilty over Sara's death than what happened to Mikaila though. | |
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Twilight: New Moon: After Bella jumps off a sea cliff, she floats limply down through the water and hallucinates Edward floating beside her. It's not a genuine suicide attempt, but something of a cry for attention symbolizing the depths she is willing to reach for Edward. | |
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In Thoroughbreds, Lily and Amanda play a game to see who can hold their breath longest underwater. Lily holds hers for an extremely long time, and Amanda gets concerned and swims down to pull Lily up, which is symbolic of Lily's growing murderous feelings for her stepfather and foreshadowing that while Lily will eventually commit the murder, Amanda is the one who takes the fall for it, almost gladly. | |
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Dessa's "Sound the Bells" begins with a Crucified Hero Shot of the singer floating motionless below the water, barefoot, silhouetted against the sun, and surrounded by a loose garment. The video then flashes back, showing scenes of her staring at and touching the ocean, intercut with shots of the famous Molinere underwater statues, before she finally dives in as if to join them. The song's lyrics discuss the Rapture using nautical and sailing metaphors. | |
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An unsettling example is Ibeyi's "River" video, which is a single long shot showing the twin singers side by side, with their faces under the water. While the fists on their chests suggest they are being held down, both appear completely calm, periodically opening their eyes and lifting their faces out of the water to sing before returning to submersion. The song's lyrics speak of a desire to be washed clean by the waters of the river goddess Oshun. | |
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The Locked Tomb: Gideon the Ninth: Harrowhark confesses her family's Dark Secret, the source of her own misery and her lifelong torment of Gideon, while she and Gideon are treading water in a large pool. She goes still and calm when Gideon pulls her underwater... because she thinks Gideon is drowning her; she only starts to thrash when she realizes it's a hug. | |
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In the Grand Finale of The Owl House, Luz's soul is shown slowly sinking into the waters of the In-Between Realm following her death, with her sadly reflecting on what her final words to Eda and King should have been. | |
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A fairly traditional example occurs in You Were Never Really Here when the protagonist Joe attempts a Suicide by Sea following the murder of his mother. The camera holds on him slowly sinking for a long time as he empties his lungs, until a vision of Nina reminds him he still has something to live for and he triumphantly swims back up to the surface. The scene is shot as a heavy contrast between the black depths Joe is sinking into and the golden sunlight shining in from above, symbolically demonstrating the conflict between his suicidal impulses and his desire to do good in the world. | |
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The Night of the Hunter: After Harry has finished lying to the Spoons about Willa's apparent running away, the scene cuts abruptly to a long shot of Willa's body submerged in the water, her hair floating like the seaweed, after Harry has killed her. Since she allowed him to kill her, this reflects her passivity. | |
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The xx: The song "Chained" discusses a couple drifting apart and becoming more isolated from each other. In the music video, both vocalists are immersed in water, but whereas the frontman is shown swimming actively in a restless ocean, the frontwoman begins the video by jumping into a calm reservoir, and many shots show her floating passively down toward the bottom. At the end of the video, her bandmates jump in after her, and only once she sees them does she begin to swim up and resist the water. | |
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The official trailer for Gone Girl ends with a disturbing shot of Amy, hair arrayed, sinking slowly beneath the water, apparently having been murdered by her husband. This shot is not actually in the movie, where it turns out that Amy is not dead. The book connects this image to Amy's sense of drowning in her marriage to Nick, who is neglectful and cheats on her. | |
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The Arrangement (2017): After breaking up with her boyfriend in the pilot, Megan is seen submerging under the pool in a fetal position, to symbolize her mental state. | |
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The Lesear Effect in Blue Planet is this in-universe. On first entering the seas of Poseidon, aquaforms get a blissful sensation that feels like the planet itself is welcoming them, and just tend to hang there for a while. | |
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Breaking Bad S5E4, "Fifty-One": Skylar walks slowly into her backyard pool in what might be a genuine suicide attempt and might be a desperate ploy to get her children taken out of the house and away from Walt, and there are several beautiful shots showing her floating passively under the water with her hair and clothes billowing and a calm expression on her face. The pale blue she's surrounded by (which the show associates both with Walt's signature meth and with Skylar's optimism), coupled with the monologue Walt is delivering as she walks in (about everything she's done for him), creates the impression that she is literally drowning in Walt's criminal enterprises and her own failure to put a stop to them. | |
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The Kingdom Hearts series is famous for the imagery of characters calmly falling underwater, particularly in the opening movies of a majority of its titles | |
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