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Tableau
- 125 statements
- 22 feature instances
- 13 referencing feature instances
Tableau | type |
FeatureClass | |
Tableau | label |
Tableau | |
Tableau | page |
Tableau | |
Tableau | comment |
A static scene. That is, the actors do not move around or speak. They are blocked (positioned) in ways meant to communicate the relationships between the characters at that moment. The entire scene need not necessarily be a tableau; scenes can open or close with one, often held as the curtain rises or falls. Although usually scripted, a tableau might appear due to a director's decision. The original French word "tableau" is usually used to mean "painting", which the trope is partially about. Not to be confused with what you put playing cards on in most solitaire games. See also Time Stands Still, Art Imitates Art, and the latter's subtrope "Last Supper" Steal. |
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Tableau | fetched |
2024-03-02T05:31:49Z | |
Tableau | parsed |
2024-03-02T05:31:49Z | |
Tableau | processingComment |
Dropped link to ArtImitatesArt: Not an Item - FEATURE | |
Tableau | processingComment |
Dropped link to MamaTurns100: Not an Item - UNKNOWN | |
Tableau | processingComment |
Dropped link to SeventeenSeventySix: Not an Item - UNKNOWN | |
Tableau | processingComment |
Dropped link to StarWars: Not an Item - CAT | |
Tableau | processingComment |
Dropped link to TheAccursedKings: Not an Item - UNKNOWN | |
Tableau | processingUnknown |
Mama Turns 100 | |
Tableau | processingUnknown |
SeventeenSeventySix | |
Tableau | processingUnknown |
TheAccursedKings | |
Tableau | isPartOf |
DBTropes | |
Tableau / int_10de015f | type |
Tableau | |
Tableau / int_10de015f | comment |
Every scene in Stations of the Cross is presented with a static shot of characters in dialogue in detailed sets with little to no movement. | |
Tableau / int_10de015f | featureApplicability |
1.0 | |
Tableau / int_10de015f | featureConfidence |
1.0 | |
Stations of the Cross | hasFeature |
Tableau / int_10de015f | |
Tableau / int_12069310 | type |
Tableau | |
Tableau / int_12069310 | comment |
The anime version of Thermae Romae uses this throughout the entire show. The vast majority of the characters have one 3/4 shot that is used repeatedly (with small changes, like eyes open, etc.) but often have animation that's used once and very rarely. When somebody walks across the screen the figure jumps across. | |
Tableau / int_12069310 | featureApplicability |
1.0 | |
Tableau / int_12069310 | featureConfidence |
1.0 | |
Thermae Romae (Manga) | hasFeature |
Tableau / int_12069310 | |
Tableau / int_1e015a5d | type |
Tableau | |
Tableau / int_1e015a5d | comment |
The Empire Strikes Back ends with the main characters gathered around a large window, looking out into space. | |
Tableau / int_1e015a5d | featureApplicability |
1.0 | |
Tableau / int_1e015a5d | featureConfidence |
1.0 | |
The Empire Strikes Back | hasFeature |
Tableau / int_1e015a5d | |
Tableau / int_2179055c | type |
Tableau | |
Tableau / int_2179055c | comment |
Cromartie High School uses tableaus with Running Gag frequency, both in the manga version, but also in the anime adaption — where it is completely lampshaded. | |
Tableau / int_2179055c | featureApplicability |
1.0 | |
Tableau / int_2179055c | featureConfidence |
1.0 | |
Cromartie High School (Manga) | hasFeature |
Tableau / int_2179055c | |
Tableau / int_40082174 | type |
Tableau | |
Tableau / int_40082174 | comment |
Le pupille: The orphans at the Catholic school put on a Nativity scene, in which they strike static poses as angels, shepherds, Wise Men, and the baby Jesus, everybody except Mary and Joseph who are played by nuns. This is expected by the parishioners, who come by at midnight to make special prayers, and it is also a big deal for the school, as Sister Fioralba is counting on the money and food they're supposed to get to stretch their inadequate supplies. | |
Tableau / int_40082174 | featureApplicability |
1.0 | |
Tableau / int_40082174 | featureConfidence |
1.0 | |
Le pupille | hasFeature |
Tableau / int_40082174 | |
Tableau / int_42d524bb | type |
Tableau | |
Tableau / int_42d524bb | comment |
Parodied in The Fantasticks. At the end of Act I, the song "Happy Ending" features young lovers Matt and Luisa and their fathers (who manipulated them into falling in love by appearing to forbid their romance) in a celebratory pose after foiling a fake kidnapping. After the song ends, El Gallo, who orchestrated the "kidnapping" at the fathers' request, wonders aloud to the audience how long they can hold their positions. Act II opens with the quartet still in the same tableau, but, as predicted, they struggle to maintain it and eventually give up, foreshadowing the impending collapse of the previous act's "happy ending". | |
Tableau / int_42d524bb | featureApplicability |
1.0 | |
Tableau / int_42d524bb | featureConfidence |
1.0 | |
The Fantasticks (Theatre) | hasFeature |
Tableau / int_42d524bb | |
Tableau / int_44fe781e | type |
Tableau | |
Tableau / int_44fe781e | comment |
Neon Genesis Evangelion used tableaus almost to excess, in part because it saved money and effort not to have the characters move around. They seem to pop up a lot in Hideaki Anno's work. | |
Tableau / int_44fe781e | featureApplicability |
1.0 | |
Tableau / int_44fe781e | featureConfidence |
1.0 | |
Neon Genesis Evangelion | hasFeature |
Tableau / int_44fe781e | |
Tableau / int_4da11f30 | type |
Tableau | |
Tableau / int_4da11f30 | comment |
Return of the Jedi features the main cast gathered around an Ewok campfire during its ending. | |
Tableau / int_4da11f30 | featureApplicability |
1.0 | |
Tableau / int_4da11f30 | featureConfidence |
1.0 | |
Return of the Jedi | hasFeature |
Tableau / int_4da11f30 | |
Tableau / int_53a73ca0 | type |
Tableau | |
Tableau / int_53a73ca0 | comment |
A few episodes of Star Wars: The Clone Wars end with the characters dramatically posed, usually watching ships take off or land. | |
Tableau / int_53a73ca0 | featureApplicability |
1.0 | |
Tableau / int_53a73ca0 | featureConfidence |
1.0 | |
Star Wars: The Clone Wars | hasFeature |
Tableau / int_53a73ca0 | |
Tableau / int_773bcbc6 | type |
Tableau | |
Tableau / int_773bcbc6 | comment |
A unique use of this trope in early silent film A Corner in Wheat (1909), to establish mood. Twice—once when the poor people are lining up for bread, and once when the financier's body is discovered—the actors remain motionless while the camera rows. The poor people in the breadline are presented frozen at the beginning, while the actors in the latter scene freeze upon discovering the body. The first scene is presented in contrast with the rich people having a fancy dinner. | |
Tableau / int_773bcbc6 | featureApplicability |
1.0 | |
Tableau / int_773bcbc6 | featureConfidence |
1.0 | |
A Corner in Wheat | hasFeature |
Tableau / int_773bcbc6 | |
Tableau / int_7c4f1adb | type |
Tableau | |
Tableau / int_7c4f1adb | comment |
Our Miss Brooks: When Head of the Board of Education, Mr. Stone, visits Mr. Conklin, he finds Conklin, Miss Brooks, Mr. Boynton, and Walter Denton motionless. They're stuck to the furniture. Walter Denton had unknowingly mixed his touch-up paint with liquid cement: | |
Tableau / int_7c4f1adb | featureApplicability |
1.0 | |
Tableau / int_7c4f1adb | featureConfidence |
1.0 | |
Our Miss Brooks (Radio) | hasFeature |
Tableau / int_7c4f1adb | |
Tableau / int_82439e64 | type |
Tableau | |
Tableau / int_82439e64 | comment |
In The Office (US) episode "Garden Party", Dwight interrupts some heartfelt toasts to do a live tableau reenactment of The Last Supper with Dwight as Jesus. | |
Tableau / int_82439e64 | featureApplicability |
1.0 | |
Tableau / int_82439e64 | featureConfidence |
1.0 | |
The Office (US) | hasFeature |
Tableau / int_82439e64 | |
Tableau / int_847a1ace | type |
Tableau | |
Tableau / int_847a1ace | comment |
Attack of the Clones closes with Padme and Anakin (along with R2D2 and C3PO) on a Naboo balcony being married. | |
Tableau / int_847a1ace | featureApplicability |
1.0 | |
Tableau / int_847a1ace | featureConfidence |
1.0 | |
Attack of the Clones | hasFeature |
Tableau / int_847a1ace | |
Tableau / int_8b157bc2 | type |
Tableau | |
Tableau / int_8b157bc2 | comment |
Stella: The first episode had the three principal characters form a tableau to greet the landlord. | |
Tableau / int_8b157bc2 | featureApplicability |
1.0 | |
Tableau / int_8b157bc2 | featureConfidence |
1.0 | |
Stella (US) | hasFeature |
Tableau / int_8b157bc2 | |
Tableau / int_8b7b9cd5 | type |
Tableau | |
Tableau / int_8b7b9cd5 | comment |
A New Hope and The Phantom Menace both end with the main characters standing on a raised platform in front of an audience, during a victory celebration. | |
Tableau / int_8b7b9cd5 | featureApplicability |
1.0 | |
Tableau / int_8b7b9cd5 | featureConfidence |
1.0 | |
A New Hope | hasFeature |
Tableau / int_8b7b9cd5 | |
Tableau / int_a58883ab | type |
Tableau | |
Tableau / int_a58883ab | comment |
The Iron Mask (1929) opens with Douglas Fairbanks (D'Artagnan) and The Three Musketeers posed in a tableau. Then Fairbanks steps down, whips his sword around, and delivers a little speech inviting the audience to join him on an adventure. Except for one similar scene halfway through, the rest of the film is silent. | |
Tableau / int_a58883ab | featureApplicability |
1.0 | |
Tableau / int_a58883ab | featureConfidence |
1.0 | |
The Iron Mask | hasFeature |
Tableau / int_a58883ab | |
Tableau / int_aa3f9ed9 | type |
Tableau | |
Tableau / int_aa3f9ed9 | comment |
The Inspector General ends with a tableau, described in detail in the script, showing the characters' Mass "Oh, Crap!" reaction to the news of the real Inspector General's arrival. | |
Tableau / int_aa3f9ed9 | featureApplicability |
1.0 | |
Tableau / int_aa3f9ed9 | featureConfidence |
1.0 | |
The Inspector General (Theatre) | hasFeature |
Tableau / int_aa3f9ed9 | |
Tableau / int_afeeacf6 | type |
Tableau | |
Tableau / int_afeeacf6 | comment |
The Force Awakens ends with Rey finding Luke atop a mountain island and holding his old lightsaber out toward him as he looks back at her. | |
Tableau / int_afeeacf6 | featureApplicability |
1.0 | |
Tableau / int_afeeacf6 | featureConfidence |
1.0 | |
The Force Awakens | hasFeature |
Tableau / int_afeeacf6 | |
Tableau / int_da0a70e2 | type |
Tableau | |
Tableau / int_da0a70e2 | comment |
The stage directions in The Importance of Being Earnest call for tableaus at the end of many scenes. | |
Tableau / int_da0a70e2 | featureApplicability |
1.0 | |
Tableau / int_da0a70e2 | featureConfidence |
1.0 | |
The Importance of Being Earnest (Theatre) | hasFeature |
Tableau / int_da0a70e2 | |
Tableau / int_ef976b11 | type |
Tableau | |
Tableau / int_ef976b11 | comment |
A Field in England begins several scenes with the characters standing in a stylised tableau pose. | |
Tableau / int_ef976b11 | featureApplicability |
1.0 | |
Tableau / int_ef976b11 | featureConfidence |
1.0 | |
A Field in England | hasFeature |
Tableau / int_ef976b11 | |
Tableau / int_ef9ba9b4 | type |
Tableau | |
Tableau / int_ef9ba9b4 | comment |
Revenge of the Sith closes with Uncle Owen and Aunt Beru, with baby Luke in their arms, Watching The Twin Sunset in a direct Shout-Out to an iconic tableau from the original film. | |
Tableau / int_ef9ba9b4 | featureApplicability |
1.0 | |
Tableau / int_ef9ba9b4 | featureConfidence |
1.0 | |
Revenge of the Sith | hasFeature |
Tableau / int_ef9ba9b4 | |
Tableau / int_ff1a7522 | type |
Tableau | |
Tableau / int_ff1a7522 | comment |
The characters in Sunday in the Park with George are based on figures who appear in the paintings of Georges Seurat. At the end of the first act, they assume their respective positions in Seurat's "A Sunday Afternoon on the Island of La Grande Jatte". | |
Tableau / int_ff1a7522 | featureApplicability |
1.0 | |
Tableau / int_ff1a7522 | featureConfidence |
1.0 | |
Sunday in the Park with George (Theatre) | hasFeature |
Tableau / int_ff1a7522 |
The following is a list of statements referring to the current page from other pages.
Tableau | processingCategory2 |
Script Speak | |
Tableau | processingCategory2 |
Trope Names from the French | |
Purple Days (Fanfic) / int_f4d8befd | type |
Tableau | |
A New Hope / int_f4d8befd | type |
Tableau | |
Attack of the Clones / int_f4d8befd | type |
Tableau | |
Le pupille / int_f4d8befd | type |
Tableau | |
The Empire Strikes Back / int_f4d8befd | type |
Tableau | |
The Iron Mask / int_f4d8befd | type |
Tableau | |
The Phantom Menace / int_f4d8befd | type |
Tableau | |
Dexter / int_f4d8befd | type |
Tableau | |
Stella (US) / int_f4d8befd | type |
Tableau | |
1776 (Theatre) / int_f4d8befd | type |
Tableau | |
The Fantasticks (Theatre) / int_f4d8befd | type |
Tableau |
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Copyright of data TVTropes.org contributors under Creative Commons Attribution-Share Alike 3.0 Unported License.