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Take Our Word for It
- 500 statements
- 93 feature instances
- 423 referencing feature instances
| Take Our Word for It | type |
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| Take Our Word for It | label |
Take Our Word for It | |
| Take Our Word for It | page |
TakeOurWordForIt | |
| Take Our Word for It | comment |
When something is supposed to be breathtakingly good or astonishingly bad — such as a really moving poem or a really hideous person — a frequent strategy is to not show or describe it at all, to instead give us only the characters' reactions. This allows the audience to imagine exactly how good/bad it is, manipulating their emotions indirectly and relying on their minds to create something more effective than an actual example. It can come across as a violation of Show, Don't Tell if it is used poorly, and there's always the risk that The Reveal later on will be terribly underwhelming in the face of all that build-up, resulting in Humor Dissonance and/or Narm. A staple trope of comedy and horror genres, albeit for different reasons. In comedy, often the humour revolves around the characters' reactions instead of the item itself, such as their exaggerated disgust over something that couldn't possibly be that bad. In horror, this takes advantage of Nothing Is Scarier, fear of the unknown creating greater fear than actually showing the horrible thing, and a character reacting with terror at some unseen menace or horrific scene helps the audience to internalise that character's emotions. This can also be invoked in works — especially those which are "family-friendly" that wish to portray something in the story that could offend their target audience, so, in order to keep the show from being too salacious, if a scene is extremely disgusting or lewd, all we'll get is the characters describing it (or just their reactions) instead of actually seeing the scene play out. Smells and tastes are a common form in visual media, as the audience has no other way to detect these aside from character reactions. Literature doesn't have this limitation, although as everything needs to be described anyway it's usually less overt. This trope is relatively common in visual novels and games with such a storytelling, as action is often shown by the character sprites sliding across the screen and the description of their actions instead. Often, critical scenes are shown through static images of the impact. This trope is Older Than Feudalism, dating back to The Iliad where Helen is never fully described, especially by the standards of the rest of the work which has long, detailed descriptions of just about everything. See also Brown Note, Undisclosed Funds, Hiroshima as a Unit of Measure, Unseen Evil, Noodle Incident, Informed Attribute, Orphaned Punchline, Lost in Transmission, You Cannot Grasp the True Form, You Do Not Want To Know, Head-Tiltingly Kinky, Offscreen Afterlife, Offscreen Moment of Awesome, Narrative Profanity Filter, Nothing Is Scarier. Compare Showing Off the Perilous Power Source, where the characters are the ones who can't have the direct experience; Great Offscreen War, where a vast budget-busting world-changing war is only obliquely referred to as Backstory; Obscured Special Effects, where the special effects assets are partially concealed to prevent budget-busting; and Too Strange to Show when a concept cannot be depicted through any means in normal reality. |
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| Take Our Word for It | fetched |
2023-11-21T10:30:22Z | |
| Take Our Word for It | parsed |
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| Take Our Word for It | processingComment |
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| Take Our Word for It / int_11859033 | type |
Take Our Word for It | |
| Take Our Word for It / int_11859033 | comment |
In a fairly early strip from Narbonic, Dave's drunkenly expressed lustful desire for Helen is apparently not physically possible to realise. | |
| Take Our Word for It / int_11859033 | featureApplicability |
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| Narbonic (Webcomic) | hasFeature |
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| Take Our Word for It / int_13998e73 | type |
Take Our Word for It | |
| Take Our Word for It / int_13998e73 | comment |
In MapleStory, after the player had rescued a mushroom princess from an arranged marriage they get to see her face. The character's speech under their breath indicates that they're revolted and the princess's face is obscured by a text bubble reading "Oh~!!", implying that her race's standards for what qualifies as "beautiful" are far, far lower than the player's. (And considering that with the veil on, she looks like the male characters from the Kuso Miso Technique—a.k.a. the infamous "Yaranaika" meme faces—one can only imagine what she looks like without it.) | |
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| MapleStory (Video Game) | hasFeature |
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| Take Our Word for It / int_14f9297e | type |
Take Our Word for It | |
| Take Our Word for It / int_14f9297e | comment |
Gary Larson once drew a strip for The Far Side with the caption "Suddenly, two bystanders thrust their heads into the frame, ruining what would have been the funniest cartoon ever." Behind the huge heads of the waving "bystanders", all the reader can make out is a man sitting in a chair holding a chicken and a woman standing beside him. We are left to speculate as to what the strip might have involved. | |
| Take Our Word for It / int_14f9297e | featureApplicability |
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| The Far Side (Comic Strip) | hasFeature |
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| Take Our Word for It / int_18352179 | type |
Take Our Word for It | |
| Take Our Word for It / int_18352179 | comment |
Invoked and played for drama with a heel persona of Cody Rhodes. Originally, he had a "Dashing" gimmick, about how good looking he was. Then Rey Mysterio him in in the face with his 619 Finishing Move, and Cody said that the kick scarred his beautiful face, hiding it behind a brown paper bag. Once he actually showed his face, Rhodes looked the same as he always did. The implication was that Rhodes only thought he looked ugly, and he'd gone Ax-Crazy as a result of a minor slight. | |
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Take Our Word for It / int_18352179 | |
| Take Our Word for It / int_1e9b6aa9 | type |
Take Our Word for It | |
| Take Our Word for It / int_1e9b6aa9 | comment |
Sam & Max: In Sam & Max Hit the Road, If you try to get the main characters to go upstairs in their office building, they'll say they don't go upstairs, "not since the accident". Sam & Max: Freelance Police: In "Night of the Raving Dead", the episode is told in flashback as Sam is reminding Max of how they got here. When Sam gets to "the most epic battle of our career", Max interrupts and says that he remembers the rest now. |
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| Take Our Word for It / int_2192aeb3 | type |
Take Our Word for It | |
| Take Our Word for It / int_2192aeb3 | comment |
Fire Emblem: The Sacred Stones does not have a facial portrait for Orson's dead and reanimated wife. After beating Orson, our heroes are visibly disgusted when they find his wife and immediately destroy it. Orson never noticed, probably because he was mad with grief. In Path of Radiance, after rescuing Leanne and investigating the tower where she was imprisoned, the characters presumably stumble upon the results of the experiments done with the drug used to turn Laguz into insane killing machines. They are utterly horrified. |
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| Take Our Word for It / int_21e1640f | type |
Take Our Word for It | |
| Take Our Word for It / int_21e1640f | comment |
JonTron: In "Flex Tape II: The Flexening", Jon stares transfixed into the glowing toolbox at the indescribable Flex Seal product inside, which is a reference to the scene where Vincent Vega sees whatever was inside the briefcase in Pulp Fiction. | |
| Take Our Word for It / int_21e1640f | featureApplicability |
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| Take Our Word for It / int_27b0262b | type |
Take Our Word for It | |
| Take Our Word for It / int_27b0262b | comment |
In a radio commercial for GEICO, part of their rhetorical questions campaign is, "Could switching to GEICO really save you 15% or more on car insurance? Does a rolling stone gather no moss?" We hear the sounds of a stone rolling, then he says "No moss. You'll have to trust me on this one." (Well, MythBusters back them up, at least.) | |
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Take Our Word for It / int_27b0262b | |
| Take Our Word for It / int_2870bc3c | type |
Take Our Word for It | |
| Take Our Word for It / int_2870bc3c | comment |
Players of Knights of the Old Republic are treated to this little exchange on Dantooine: | |
| Take Our Word for It / int_2870bc3c | featureApplicability |
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Take Our Word for It / int_2870bc3c | |
| Take Our Word for It / int_28b2079a | type |
Take Our Word for It | |
| Take Our Word for It / int_28b2079a | comment |
In Ratchet & Clank: Going Commando, Clank asks the Female Info-Bot on what she'd like to do for fun, whatever she shows Clank on her monitor gets him very aroused. | |
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Take Our Word for It / int_28b2079a | |
| Take Our Word for It / int_2a4482ad | type |
Take Our Word for It | |
| Take Our Word for It / int_2a4482ad | comment |
The Secret of Monkey Island: The battle in the governor's mansion surely belongs here. All we see/hear are sound effects, and vague descriptions once the scene is over. Although we get a bit more than that, thanks to the status line showing up the various commands. Guybrush pushes a red button and uses the wax lips on the 500-pound yak, among other heroic actions... | |
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Take Our Word for It / int_2a4482ad | |
| Take Our Word for It / int_306b1ca9 | type |
Take Our Word for It | |
| Take Our Word for It / int_306b1ca9 | comment |
The NES game Nightshade (1992) includes a sequence where the titular hero rescues a cat from a lamp post it has climbed up. Though it is a graphic game, the cat's rescue (which involves amazing feats of acrobatics) is described all in text. | |
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Take Our Word for It / int_306b1ca9 | |
| Take Our Word for It / int_30d9627b | type |
Take Our Word for It | |
| Take Our Word for It / int_30d9627b | comment |
The Hitchhiker's Guide to the Galaxy (1978): At one point in the second series, we hear a version of the advertising jingle for the Sirius Cybernetics Corporation, infamous for their shoddy products, playing a flattened eighth out of tune and with bizarre lyrics. After it's over, the Guide states the actual lyrics are worse. | |
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Take Our Word for It / int_30d9627b | |
| Take Our Word for It / int_310d6df7 | type |
Take Our Word for It | |
| Take Our Word for It / int_310d6df7 | comment |
Stand Still, Stay Silent: Icelandic is this world's Common Tongue, and the cast has one native speaker (Reynir) and seven people who have it as a second language. Among the latter, Onni's is established to be quite bad via Onni himself describing it as "Some. Enough.", Reynir's reaction when speaking with him over the radio for the first time and author notes suggesting Onni has a horrible accent. However, all languages get Translation Convention into English, which causes Onni's Iclelandic to not be visibly different from Reynir's. | |
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Take Our Word for It / int_310d6df7 | |
| Take Our Word for It / int_31aedabc | type |
Take Our Word for It | |
| Take Our Word for It / int_31aedabc | comment |
We usually see very little of the terrible plays the core cast are involved in in the earlier years, and nothing of Aubrey's TV sitcom My Neighbour Cthulhu, which was so bad that the State of Massachusetts issued a restraining order to keep her away from cameras and production equipment. | |
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Take Our Word for It / int_31aedabc | |
| Take Our Word for It / int_334120fc | type |
Take Our Word for It | |
| Take Our Word for It / int_334120fc | comment |
8-Bit Theater: Thief and Fighter consider it unbelievable that Red Mage was capable of getting them out of a burning Deathtrap (an airship) with the use of an Ice spell, an immovable rod, and a Bag of Holding. The audience is left to wonder. The portable hole. Was it a portable hole, or portal? We will never know. Black Mage's true face is capable of destroying people's minds because it doesn't conform to conventional geometry. |
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Take Our Word for It / int_334120fc | |
| Take Our Word for It / int_35f5d687 | type |
Take Our Word for It | |
| Take Our Word for It / int_35f5d687 | comment |
In Shakespeare's Henry V, the Chorus specifically serves to stand on stage and basically say, "Look, we don't have enough space, not to mention enough money, to make it look like a real war is going on here, with thousands of soldiers and horses and a sea of tents and trenches and fortifications all that, so just take our words for it, okay?" | |
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Take Our Word for It / int_35f5d687 | |
| Take Our Word for It / int_36343514 | type |
Take Our Word for It | |
| Take Our Word for It / int_36343514 | comment |
Castlevania: Aria of Sorrow makes reference to the extremely epic Demon Castle's Wars in which Dracula was finally defeated and Castlevania was sealed in the eclipse. Apparently the thing was so awesome that, to this day, Konami thinks no game should represent those events as it ought to be the best Castlevania game ever made. In the same vein, Julius Belmont at full power. He is considered the most powerful and badass Belmont in history, though his powers are never shown in all their might thanks to Laser-Guided Amnesia). |
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Take Our Word for It / int_36343514 | |
| Take Our Word for It / int_3c4ddc1e | type |
Take Our Word for It | |
| Take Our Word for It / int_3c4ddc1e | comment |
For Better or for Worse: Lynn Johnston has Michael Patterson get some very sweet book deals from a book he wrote. You might think that Johnston would use this trope. Instead, she gave an excerpt of Michael's writing, which people will tell you stinks. So remember, folks! Sometimes it's better not to avert or subvert this trope! | |
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| Take Our Word for It / int_3ccfa555 | type |
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| Take Our Word for It / int_3ccfa555 | comment |
Trials and Tribulations: Godot apparently can do an excellent impression of a previous witness, but seeing as the games are text-based all that happens is that his Leitmotif changes. He gets to perform impressions of two witnesses. When he's impressioning a female witness, the speaking-beeps switch to the higher-pitched female ones too. | |
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Take Our Word for It / int_3ccfa555 | |
| Take Our Word for It / int_3f4a104b | type |
Take Our Word for It | |
| Take Our Word for It / int_3f4a104b | comment |
Dilbert: In early comics, whenever a woman was supposed to be stunningly beautiful, Scott Adams would only draw her at an angle where her large hairdo completely hid her face from the audience. Adams admitted in a retrospective book that he didn't think he could draw beautiful women if he tried, so hiding their faces and leaving it to the reader's imagination was his workaround. | |
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| Take Our Word for It / int_3fbd173e | type |
Take Our Word for It | |
| Take Our Word for It / int_3fbd173e | comment |
Sam Starfall's appearance, from Freefall | |
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| Take Our Word for It / int_400469e | comment |
Calvin and Hobbes: Calvin's favorite bedtime story, "Hamster Huey and the Gooey Kablooie". As Bill Watterson explains in the comic's 10th-anniversary book, "Hamster Huey and the Gooey Kablooie (like the Noodle Incident I've referred to in several strips) is left to the reader's imagination, where it's sure to be more outrageous." May be inspired by Emil, who's basically Calvin a hundred years earlier, and has been involved in one incident the narrator repeatedly informs us he or she "Has promised the parents not to talk about." Taken to another level where Calvin's father is frustrated with Calvin wanting to hear the story every night despite having heard it enough to have the whole thing memorized, so he changes it a bit. The only clue we get is a terrified Hobbes asking Calvin "Do you think the townspeople will ever find Hamster Huey's head?" One strip had Calvin and Hobbes about to sled down a hill, but at the last second, Hobbes jumps off. Then we see Hobbes looking down the hill, and his expression morphs several times as he watches the sled's journey, ending in a snow-and-stick-covered Calvin crawling angrily back up the hill. Another very similar strip had Calvin using a snowman on the sled as a test dummy to scout the hill first while he and Hobbes watched it, which ended with predictable results. |
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| Take Our Word for It / int_42ffb88e | comment |
SCP Foundation: A number of details about each SCP are covered up with Censor Boxes or deleted text marked with [REDACTED] or [DATA EXPUNGED]. These are usually the worst results of the SCP's unchecked behavior or influence because leaving them to the reader's imagination makes for better horror or comedy than pinning them down. | |
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Take Our Word for It / int_42ffb88e | |
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| Take Our Word for It / int_44e0b783 | comment |
Garfield's and Jon's reactions upon seeing the picture of Doc Boy's girlfriend. The only to clue to what Odie is barking to in this strip is Garfield saying "That cloud does look like a squirrel". |
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Take Our Word for It | |
| Take Our Word for It / int_4522fd1 | comment |
Whateley Universe example: Chaka's combat final happened all off-screen. | |
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Take Our Word for It / int_4522fd1 | |
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Take Our Word for It | |
| Take Our Word for It / int_4c44acb7 | comment |
The game Mornington Crescent, as featured on the Radio 4 comedy panel game I'm Sorry I Haven't a Clue, is played (allegedly) according to a set of arcane rules (several variants exist) which are never revealed to the audience except through gnomic and unrevealing references by the players. All we can be sure of is that it is based on a London Underground map, and the players have to jump from station to station, following these unknown rules, the goal being to reach the Mornington Crescent station first. At least one game was won by a participant shouting "MORNINGTON CRESCENT!" as soon as the game began. This led to some grumbling from the chairman, Humprey Lyttleton. "I can't stand frivolous Mornington Crescent." An ISIHAC special centers on finding the origins, and the rules, of the game. The outcome is, predictably, somewhat less than enlightening. |
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Take Our Word for It / int_4c44acb7 | |
| Take Our Word for It / int_4d1ba412 | type |
Take Our Word for It | |
| Take Our Word for It / int_4d1ba412 | comment |
In The Adventures of Dr. McNinja the Dinosaur/Human ambassador's speech isn't shown. Readers are informed that the text was omitted because of the effects it had on early readers, and if you had read it then best-case scenario, you would leave your family, and go do nothing but hug dinosaur bones. Or you'd be dead. | |
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Take Our Word for It / int_4d1ba412 | |
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Take Our Word for It | |
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At the end of Golden Sun: The Lost Age, the first town of the first game has been destroyed, but none of the effects are shown on-screen—only the characters' reactions are shown, and for that matter, purely as white text on a black background. | |
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Homestuck: Gamzee's and Dave's rap-off, stated to be "one of the best rap-offs in the history of paradox space". On the other hand, Gamzee's and Tavros' rap-off, stated to be "one of the worst rap-offs in the history of paradox space" is eventually shown. There is also a conversation between Jade and Dave that the former shares with Kanaya; the contents of daveisafunnyguy.txt are not shown, but Kanaya assures us that she is Laughing Pretty Hard At All That. The alternate timeline battle between God-Tier Vriska and Jack Noir is only alluded to, with Doc Scratch saying it would be epic enough to devote multiple animated segments to... but he's not going to show it because it's largely irrelevant to the main plot. The comic's commentary by Hussie admits that originally he was going to show the battle, but it kept growing in scope and scale and eventually he had to admit that it was just too much for him to do justice to, and gave up. |
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In a "This is SportsCenter" commercial, San Francisco Giants Pitcher Brian Wilson shows two sports anchors why people should "Fear the beard," after they say that it's not intimidating. We then go behind his head where we see tentacles coupled with a roaring sound. Apparently seeing the sight from the front is so scary, one of the sportscasters claims he's going to be sick. | |
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The Order of the Stick: In the prequel book Start of Darkness, we see varying reactions of a crowd seeing the Monster in the Darkness. Reactions range from vomiting to "Hideous, yet strangely beautiful..." All we see of Vaarsuvius using the spell Evan's Spiked Tentacles of Forced Intrusion ("Wait, what?") in this strip is the horrified reactions of the rest of the party and screams of the victim. Never mess with a wizard if they haven't used up all their spell slots. In the aptly named strip "Words Fail" about Roy and Celia's first date, we can see that they're having a great time talking to each other... but what they're actually saying is omitted. Lampshaded after Team Evil's exploration of one of the many dungeons at Kraagor's tomb. |
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The Elder Scrolls V: Skyrim: In the Dragonborn DLC, arch-wizard Neloth asks the player to help test a spell so he can study an eighth order of silence; however, the spell misfires and turns the player's eyeballs (and possibly their tongue) into writhing tentacles, which is so horrific that Neloth's apprentice pukes in the corner. Naturally, since the player's eyes are missing, you don't actually get to see any of this (and switching to a third-person perspective doesn't help, either). | |
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Persona 3: Chidori is supposedly an astonishingly good artist, eliciting surprised reactions from her peers and seniors. Even when one of her sketches becomes vital to the characterization, we only ever see her sketchbook from the back. (One of the Japan-only sourcebooks shows her sketch of Junpei. It is quite good.) Mitsuru's "execution," which has the effect of the victims "not wanting to talk about it" or simply describing it as a "fate worse than death." The Manga implies that the "Execution" is her freezing them. |
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Nodwick did it in this strip. They also had a story arc which revolved around "That Which Man Was Not Meant to Know", which reportedly made your head explode. It turned out that women could know what it was just fine, leading to the following exchange: | |
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In the WWE, before his climactic unmasking, the character of Kane was said to be hideously scarred by burns. Some characters had even seen him unmasked before (notably DX) and reacted, horrified. A later Retcon after his unmasking explained that his scars had healed, but that he can still see them in the mirror. | |
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In Turning Red, when Ming flips through Mei's notebook she expresses shock and disgust at what she sees but only a few pages are actually seen which are fairly tame. As for the others that aren't shown, though... | |
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Cave Story only makes a few oblique references to the war ten years ago, which nearly wiped out the Mimiga and scared the people of the surface so thoroughly they sent an army of Killer Robots to try and destroy everything on the island. The characters' reactions to the prospect of another war like it tells the player all they need to know. | |
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Silent Hill overlaps this trope with Nothing Is Scarier more often than one would care to count, for the purpose of making the player void themselves. The most famous example is whatever happens to Lisa near the end of the first game, the player only seeing blood oozing from her head before Harry flees and blocks the door. | |
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Princess Mononoke goes to great lengths to build up a climactic battle between the representative factions for man and nature near the end of the movie. They even go as far as to throw the title character into the fray. What the audience sees is a brief storm and the sound of gunfire in the distance after the scene switches back to the hero. The aftermath is what will stand out. A mound of rotting animal carcasses, lines of fallen men from Iron Town, the leader of the boars covered in blood... There may only be a few visions or flashbacks to give you an idea of what took place, but it was brutal. This was actually quite effective in staying true to the movie's theme of the horrors of war by simply giving you a few pieces and some enough grisly evidence to leave the rest to your imagination rather than actually depicting the kind of epic battle that few movies can resist. It's also a very spirited attempt at proving the old adage "You can't make an anti-war movie" wrong. If you don't show the actual battle, you can't make it accidentally seem glorious, which is a fairly clever way of getting around the problem. |
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The Cinema Snob: The Snob used this in an episode reviewing Caligula. Since he couldn't actually show the infamous orgy scene in a blip video, instead we just get shots of him reacting to it, along with various comments describing the action: "Wait... is that a fucking snake?" Also did it when discussing the depiction of a talking vagina in Pussy Talk, a certain sex act in Beaver and Buttface, and how he recognizes how the actor from Italian Batman is the same guy from Porno Holocaust. |
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Bob and George has an example where the creator admits that the best way to make something sound good is to not show it, and proceeds to say that he probably wouldn't be able to make it look as good as it sounds. Here's the quote: | |
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Snow White and the Seven Dwarfs: When Snow White eats the Poisoned Apple and succumbs to the "Sleeping Death", we never actually get to see her pass out, only getting commented upon by the disguised Evil Queen. All we see of Snow White after the effects is her hand on the floor dropping the apple as it rolls across to the Queen's feet, and her whole body is not seen until the ending scenes when the Seven Dwarfs are mourning her. | |
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There were two interesting cases in Something*Positive: Mike's baby has a gut-wrenchingly horrible face that only his parents can love. Davan, at one point, goes as far as comparing the baby's face to decomposition. Unfortunately, the example wasn't at all intentional — it's just that it took over six years for the artist to nail down a sufficiently hideous character design. The comic that reveals his face also has Meta Guy Silas musing that the unknown scares people to build it up to a greater horror, leading to disappointment when it comes to light. We usually see very little of the terrible plays the core cast are involved in in the earlier years, and nothing of Aubrey's TV sitcom My Neighbour Cthulhu, which was so bad that the State of Massachusetts issued a restraining order to keep her away from cameras and production equipment. |
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In Path of Radiance, after rescuing Leanne and investigating the tower where she was imprisoned, the characters presumably stumble upon the results of the experiments done with the drug used to turn Laguz into insane killing machines. They are utterly horrified. | |
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In the CLANNAD visual novel, we are told that Kotomi's violin playing is absolutely unbearable, but thankfully, the audience isn't privy. In the anime, we aren't so lucky. | |
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In Sam & Max Hit the Road, If you try to get the main characters to go upstairs in their office building, they'll say they don't go upstairs, "not since the accident". | |
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This can occur with Tali in Mass Effect 3. At the conclusion of the Rannoch arc assuming the player's decisions allow Tali to live, there's a scene where Tali takes off her helmet's mask but the cutscene only shows her from behind. Both versions of Shepard make a comment implying that they consider her beautiful. If Male!Shep has not romanced Tali or the player is Female Shep, her face is never revealed to the player. If the player is Male Shep who is in a romance with her, Shepard will eventually get a portrait of her in his cabin. | |
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Gunnerkrigg Court: Zimmy's science fair entry. Annie calls it "an abomination," none of the other students will even stand near it, a demon is afraid to touch it, and it eventually is carted off by a hazardous material response team (in spite of Zimmy's protests that it is not dangerous). All we ever see of it is a microscope on a bare table. Also, we don't see much of Annie's entry proposal, but the whole class reacted towards it with "Ewww!" We only see Annie's reaction to Jones's unsmile. Kat either can't or just doesn't perceive the ether the same way the other characters do. Sometimes the audience sees the outlandish sights that Kat can't see, other times we're limited to Kat's perspective and told that whatever Kat isn't seeing is amazing and indescribable. |
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Crash Tag Team Racing: | |
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When Penny Blackfeather, the plucky heroine, fights a villain, we mostly get to see the Adventurer's and Nathaniel's reactions-slash-commentary. | |
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In Runescape, player has to help a dwarf to get some rats out of his home. The dwarf is also a heavy smoker, and the player character has to help him to catch his breath, so the PC pats his back and he dislodges something nasty from his lungs then comments it to player that he does not want to look at it and we should take his word that you do not want to know about it. Also happens for certain "gore shots" that take place in certain quests. For example, in The Great Brain Robbery, instead of seeing our hero return the brains to the bodies of zombie monks (Long story), we're treated to pleasant imagery of kittens and soothing music, leaving us to imagine what a medieval brain surgery would look like... |
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Sega's games Project Rub and The Rub Rabbits have the lead characters as shadows. The idea behind this is that the gamer will think of the girl character as whatever is attractive to them, not what the developers thought was attractive. | |
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From The Onion: "New Study Too Frightening to Release." | |
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In the Game Grumps episode "Teenage Mutant Ninja Turtles IV: Turtles in Time Part 3", Jirard is shown a video off-screen called Pizza Time. "Okay, so we're looking at the pizza now, it's OH MY GOD. OH GOD! Oh God, it's just like—it's just paper! and they're just—they're, like, fake! They're so fake! But—OH WATERMELON! There's a WATERMELON involved?!?! Do turtles like watermelon?! Why are they boning a watermelon?!" Subverted as the video itself actually does exist and they tell you how to find it, they just don't want to edit the video into their own video. | |
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A critical portion of Danganronpa's backstory revolves around something called "The Worst, Most Despair-Inducing Event in the History of the Human Race." The nature of the event isn't elaborated upon, but purportedly it caused human civilization to collapse entirely. We do get to see parts of it throughout the series, and we might have seen what started it in the Despair Arc of Danganronpa 3, but we never see the whole event. | |
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Averted in a clever way with Lamiroir in Apollo Justice: Ace Attorney. She is considered a world-class singer, with an angelic voice. How do they put this on a DS game? They don't record vocals, and instead give her voice as a musical tone. The effect works, her voice sounds brilliant, but it isn't quite Show, Don't Tell, as it's clear each of those tones represents her voice. | |
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Most of the second half of Xenogears is told via narrative, sometimes using still pictures. There are only two navigable areas in the entire disc. This was due to budgetary constraints. | |
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Deltarune: In the SnowGrave Route, once Susie finds Noelle's room at Queen's mansion, she rushes in to save her. A few minutes later, Susie nervously pops out from the room and quickly urges to get moving to seal the Dark Fountain. When Ralsei asks what happened in there, Susie asserts that 'nothing' happened and all she did was assure to Noelle that its only a dream and persists on getting a move on. | |
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Disgaea: Laharl is blackmailed with a humiliating photo of himself that leaves both Flonne and Etna on the floor laughing. It's never shown, however, and the only hint we get is Flonne's, "I didn't know you were into that." (Fanon takes a stab at it in fanart here, at about 0:48.) In an earlier scene, Volcanus comes across a book with something both horrifying and fascinating on its pages. It's only until the Prinny Commentary from the Updated Re-release that we get a hint as just what was in there. |
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Hi-Fi RUSH: Chai's plan to commandeer a cannon ends with his arrival at the cannon, talking about how awesome the previous fight scene was, the one the audience didn't get to see. | |
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Near the end of Darths & Droids Revenge of the Sith arc, the characters roll a giant custom-made die. Since we only see what happens in-game, we never see this die, but it has to be taken outside to be rolled, the roller must wear gloves and goggles, and eventually the die falls apart and catches fire. | |
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The Most Popular Girls in School: In "The New Team USA", when Jeannie demonstrates her Supermodel Strut to the New Team USA team, she comically doesn't have any animation and her model just slides on the catwalk, but the others all act like she's doing it incredibly. The other auditions also occur the same, and we can only tell their supposed quality by the character's reaction to it. This is lampshaded by Britney, who's upset her catwalk was supposedly terrible, even though it looked the same as everyone else's. | |
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Invoked on this wiki's page for The Human Centipede. Trust us, you do not want to know. | |
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In Orbit, all we get to see is Moon's reaction to Earth's story of how he was created. Lampshaded by The Rant: | |
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In Tweep, Julie makes a list of things Milton could do if they hired someone new at the coffee shop. Thing #17 is apparently of some interest. | |
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In If the Emperor Had a Text-to-Speech Device, between episodes 12 and 13 the Emperor apparently told Kitten quite touching stories about the Primarchs, but we only have Kitten's word for it, and seeing how he's Emperor's Yes-Man... | |
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Peanuts: Linus supposedly painted a mural depicting the entire story of civilization on the ceiling of Snoopy's doghouse, Snoopy was once trying to beat Babe Ruth's home run record before Hank Aaron could, and Linus' grandmother is so addicted to coffee she once drank thirty-two cups in one sitting. We have to take the characters' word on all of this. | |
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Granblue Fantasy: The game renders scenes in a manner not unlike a Visual Novel, which means that most of its "action" can only be displayed to the player as static character images moving around, trembling or crashing into one another. Specific images for particular scenes do exist, but are very rare, so anything that features a fight or performance of any kind is bound to be mostly described and reacted to, not shown. | |
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While Saya no Uta shows plenty of Fuminori's warped vision after the surgery that causes him to perceive everything as gore, blood, and organs, we never get to fully see how he perceives humans (only describing them as "repulsive piles of flesh") nor does the game show Saya's true form, only being informed that most people who see it would go completely insane. | |
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El Goonish Shive: Spellbooks in are very dull and wordy. They seem to take on average 20 to 30 pages to describe a spell, and it's not like they spend all that time describing every possible interaction with other spells. It's just a simple description that rambles on and on. According to the author, we'll never see an excerpt longer than two or three words because he simply cannot write something so unreadable. Ellen's hair turns green due to some magic interactions, but as the comic is in greyscale, we can only tell this happened because Elliot and Kevin point it out. Kevin's dialogue is extremely emphatic about the hue change, and Dan notes in his commentary that he had to draw attention to the discrepancy because everyone would've noticed it anyway. |
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Grizzly Man mentions that there is an audio-only recording of the fatal bear attack that killed Timothy Treadwell and his girlfriend. Director Werner Herzog is the only one who listens to it. Herzog refused to put it into the film and informs Treadwell's ex-girlfriend to destroy the tape. There are some descriptions, including evidence of a desperate fight against the bear. | |
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The Sacred Stones does not have a facial portrait for Orson's dead and reanimated wife. After beating Orson, our heroes are visibly disgusted when they find his wife and immediately destroy it. Orson never noticed, probably because he was mad with grief. | |
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James & Mike Mondays: In the SNES Variety Pack episode, the two came across a game named Adult Manga. The gameplay footage isn't shown, but they quickly moved onto a different game because they couldn't show it anyway. | |
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In Quest for Glory IV, after retrieving Punny Bones' funny bone, he tells you the worlds funniest joke, that will make absolutely anybody fall into uncontrollable laughter (but only once). Instead of him telling you the joke audibly, the narrator mentions that he whispers it into your ear. Later, when you actually use the joke, since you don't have an actual voice, the narrator mentions that you tell him "the one about the wizard and the farmer's daughter" and can barely keep himself from falling into laughter. | |
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In Iolanta by Pyotr Ilyich Tchaikovsky, we never get to see or hear Matilda. We just have to believe Robert's famous aria on how no other woman could equal her. | |
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The song "Tribute" is about the Greatest Song in the World, but isn't itself the Greatest Song in the World, so we don't know what it sounds like. The original version of "Tribute" includes a sequence from "Stairway to Heaven" at the point in the story where the Greatest Song gets played, which tips their hand just a bit, and in Tenacious D in The Pick of Destiny the song is heavily implied to be Beezleboss. | |
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In The Legend of Zelda: Oracle of Ages, Link has to tell a joke. Since Link is a Heroic Mime, this results in a bizarre interpretive dance. | |
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Homestuck: In "GameGrl (Original 1993 Mix)" (from Homestuck Vol. 9), the crowd's wave and GameGrl's dance moves are not seen; only the in-universe reactions are heard. | |
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In APICO, the Captain's story of how he lost his leg to the Krakenbee is only mentioned to be so horrific, it leaves you staring at the sea in fear and wondering how you can describe this to "another living soul with enough gravitas to give it justice". | |
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Atlantis: The Lost Empire. Milo and his crew are sharing their personal stories around the campfire. The discussion ends with a cut to Mole excitedly lowering himself into a hole; Milo asks "What's Mole's story?" to which Dr. Sweet replies "Trust me on this one. You don't wanna know. Audrey, don't tell him. You shouldn't have told me, but you did, and now I'm tellin' you— you don't wanna know!" In the sequel, Audrey ultimately tells Milo Mole's story, which can induce a Double Take. | |
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In Little Busters!, if you choose to go on the test of courage with Kurugaya and Mio, you'll get this after Kurugaya decides to abandon Riki and Mio and scare them herself: | |
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Sam & Max: Freelance Police: In "Night of the Raving Dead", the episode is told in flashback as Sam is reminding Max of how they got here. When Sam gets to "the most epic battle of our career", Max interrupts and says that he remembers the rest now. | |
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The exact nature of "robot sex" in the Insecticomics has always been kept a secret from the humans (and thus, the readers). When Wreckage finally shows Sassy Devine one of the "Debbie Does Daebola" films, all we get is her reaction to the film (mostly confusion). | |
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Shantae and the Pirate's Curse has the Ammo Baron doing a quick sketch of the Ammo Town uniform he plans for Shantae. We don't get to see it, but we do see the deadpan reaction of the already Stripperific title character. | |
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"Beauty and the Beast": In the original tale, the Beast was not described so the reader would think of him as whatever scared them most. Of course, when the story was adapted to film and television, it became necessary to show him. | |
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Ace Attorney: Trials and Tribulations: Godot apparently can do an excellent impression of a previous witness, but seeing as the games are text-based all that happens is that his Leitmotif changes. He gets to perform impressions of two witnesses. When he's impressioning a female witness, the speaking-beeps switch to the higher-pitched female ones too. Averted in a clever way with Lamiroir in Apollo Justice: Ace Attorney. She is considered a world-class singer, with an angelic voice. How do they put this on a DS game? They don't record vocals, and instead give her voice as a musical tone. The effect works, her voice sounds brilliant, but it isn't quite Show, Don't Tell, as it's clear each of those tones represents her voice. |
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In Li'l Abner, a woman named Lena the Hyena showed up for one Story Arc. She was so ugly, so incredibly hideous, that her face was never shown because one look at her would cause anyone to go mad. In reality, Al Capp realized that this way would simply be funnier. Still, readers wanted to know what she looked like, so he held a contest where he picked a face summoned up by cartoonist Basil Wolverton, something that Don Markstien described as "a quasi-human creature that simply can't be described, the only way to do it justice is to show the picture itself." A toned-down version of Lena the Hyena showed up in Who Framed Roger Rabbit. | |
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Tales of the Abyss: Whatever happened in Keterburg Hotel, when Jade gets information about Mt. Roneal from Dist. | |
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Cyrano de Bergerac: Between Act I and Act II, Cyrano fights (and defeats!) one hundred thugs. Between Act II and III, he saves Ragueneau's life doing an Interrupted Suicide. Between Act III and IV, he manages to write love letters beautiful enough to make Roxane a heroine and to pick De Guiche's scarf from the battlefield. It would be impractical to show all those things in scene, so other characters refer it, and at Act I Cyrano has been firmly established like a character that can do every one of those things. | |
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My Little Pony: The Movie (2017): When Twilight is caught trying to steal the Pearl of Transformation resulting in the mane characters getting banished, we never get to see how they turned back to normal nor how they left Seaquestria afterward, as it cuts from Novo using the Pearl to the girls and Spike popping out of the water while gasping for air. | |
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In the Axe Ending of Nine Hours, Nine Persons, Nine Doors, Junpei finds Clover alone and questions her why the group she was with isn't with her. Her answer is to drop each of their bracelets in front of Junpei, fully stunning him with the horrifying realization that she murdered all of them. Their bodies aren't shown, but what Clover does to Junpei moments later doesn't hide much. | |
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The Goon Show used this trope for comedic effect on a number of occasions, for instance in The Spanish Suitcase, where Neddy Seagoon is smuggled into prison: | |
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