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The Generation Gap
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A trope commonly from the period in which it was named, The '60s. The Generation Gap is the idea that the psychological differences between members of the "G.I./Greatest Generation"note Born between 1901 and 1927 approximately; see The Other Wiki's article on generations and the citations on there for generally agreed upon generation spans for the Western world as applied to this and other notes on this page that lived through The Great Depression and fought in World War II and their "Baby Boomer" childrennote Born between 1946 and 1964 were so significant that they were incapable of understanding each other, and so were in conflict, often devolving into Kids Versus Adults. This mostly occurred because, at the time, the United States' political climate was changing, with many boomers vehemently protesting things like racism and the Vietnam War, all the while using rock-and-roll as a weapon against these issues. Many World War II-era adults disapproved of this (as did many Moral Guardians), so the generational gap became a widespread phenomenon. Earlier (and somewhat milder) variants of this gap occurred when the "Lost Generation"note The first "officially-designed" cohort, born between 1883 and 1900 approximately rebelled against Victorian societal norms as it came of age during The Roaring '20s, and thirty years later as those in the "Silent Generation"note Born between 1928 and 1945 approximately questioned the Red Scare, segregationnote Which actually had been wiped out after WWII... except in the Deep South of course and the conformism of their parents, who in turn chastised them for their culture, especially their music. This latter gap might be considered as a preview of sorts of what happened during the 1960s. However, there have been signs of a renewed Generation Gap between the jaded, conservative younger "Boomers" and older "Gen-X'ers" squabbling with the idealistic, progressive younger members of the latter generation as well as "Millennials"/"Gen-Y'ers" and "Gen-Z'ers"/"Zoomers", with "Gen-Z'ers" also mocking "Millennials" in the process,note Based on The Other Wiki's article mentioned in the first note, Generation X were born between 1965 and 1980, Millennials/Generation Y between 1981 and 1996, Generation Z between 1997 and 2012 (as defined by Pew Research Center, with the U.S. Library of Congress and Statistics Canada citing Pew's definition for Gen Z's span), and the most recent generation, Generation Alpha, born beginning from the early 2010s and expected to end in the mid-2020s. this essentially being another far-reaching confrontation between those over 45-50 and those younger the main difference being that the late-2000s financial crisis and the resulting strain on welfare state has put economics on a prominent position, whereas it had been a non-issue during the 60s (to say nothing of how most Western institutions failed to account for inflation rates over the course of roughly half a century, give or take a decade). Gun control, a minor issue for most of the 20th century (save for a brief flareup after the failed assassination attempt on Ronald Reagan in 1981 and the 1994 ban on assault weapons), has become more prominent as well thanks to a multitude of high-profile mass shootings from 1999 onwards getting lots of attention from the mainstream media. Many social historians will tell you that the Generation Gap was always to a large degree a "manufactured controversy", and that most of the cultural clashes between young people and old people were concerned not as much with values and belief systems as with codes of decorum and behavior. It's been noted, for example, that most members of the WWII generation disapproved of racism; it's just that they disapproved even more of the (to them) radical tactics used to combat it. Same with the Vietnam War, although at least there was a fairly solid consensus behind that. The values of baby boomers weren't that liberal to start with: many polls in the late '60s and early 70s saw a rather large proportion of young adults espousing relatively conservative views, with members of the "Silent" Generation having far more liberal opinions, also being the ones to lead the numerous protests of the '60s. To boot, most people between 18 and 25 voted for Richard Nixon of all people in the 1972 election,note The first since the voting age was reduced from 21 to 18 something that contributed to his landslide win, and high rates of conservatism among the baby boomer generation can also be attributed as a factor in the rise of the "conservative revolution" of the 1980s. The trope seems to be very common in 1960s and 1970s science fiction; see Films of the 1960s and Films of the 1970s. However, it also continued well into 1980s/'90s family sitcoms (even though the trope was beginning to die around that time). Note: A "generation gap" is a significant difference in values and ideas between two generations. A simple parent/child conflict (such as a parent disapproving of the music their child enjoys) is not an example of this. |
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Planet of the Apes has some offhand comments from the younger ape about "adults... always ordering you about". | |
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Years of Grace: A running theme, as Jane watches the strict Victorian morality that she grew up in the 1890s and early 1900s give way to the hard-drinking, hard-partying, sexually liberated 1920s. Jane, who gave up a youthful romance with Andre and an adulterous romance with Jimmy because old-school morality dictated it, is irritated to see her daughter Cicily making exactly the opposite decisions. | |
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Charly, the movie version of Flowers for Algernon, has a sequence where Charly rejects society and goes living a freelovin' lifestyle. | |
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Also the theme of Crosby, Stills, Nash & Young's "Teach Your Children". | |
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Third Girl: Agatha Christie takes on The '60s and swinging London. She does so by having her old detective Hercule Poirot and her Author Avatar Ariadne Oliver interact with a bunch of drug-using hippie artists, with the old folks boggling about the strange ways of Kids Today. In the first chapter Poirot evaluates Norma Restarick's short skirt, high boots, and unkempt hair: "She wore what were presumably the chosen clothes of her generation....Anyone of Poirot's age and generation would have had only one desire—to trop the girl into a bath as soon as possible." Mrs. Oliver nicknames David Baker "the Peacock" for his long curly hair and flashy dress, although Poirot notes that long hair and frilly cuffs and collars are Older Than They Think and that David would look perfectly at home in Regency-era England. | |
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A Good Scent from a Strange Mountain: In "Crickets" a Vietnamese man—actually, an exile from South Vietnam living in Louisiana—tries to get his completely Americanized son interested in the Vietnamese boys' game of fighting crickets. The boy is completely indifferent and his father is disappointed. | |
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Wonder Woman Vol 2: Julia Kapatelis finds herself out of touch with her daughter because of their significant gap in age and her inability to relate to the issues and interests her daughter is facing and concerned with. While Julia considers this to be due to how much of a gap there is between their ages her daughter and other characters feel that the disconnect is caused by Julia focusing far more on her work and letting her relationship with her daughter fall by the wayside. | |
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The White Lotus: Albie is a modern young man with more progressive views on things like gender. He makes critical comments about his father and grandfather's love for The Godfather, believing this reflects the patriarchal values of their generations. They both express dismay at this, saying he was brainwashed by being taught at Stanford. | |
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The Andy Griffith Show: The Season 7 episode "The Senior Play" presents modern issues that Mayberry Union High School principal Mr. Hampton and other conservative members of the community object to. Helen Crump gets the administration to see -– through a presentation of popular music and dances from the 1920s –- that even the "Greatest Generation" were victims of the Generation Gap by older, more conservative people of their day. Hampton and the others relent, and the play is a success. | |
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Family Ties is the Generation Gap after the generation that caused the first Gap... The hippie parents now have a conservative, money-obsessed Yuppie son. | |
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A major theme of Monster Loving Maniacs. Elderly Hunter of Monsters Arthur van Alten has earned a reputation for himself as an all-around Cool Old Guy, but is increasingly out of touch and has become deeply stuck in his ways. In contrast to his aggressive method of dealing with monsters, his grandkids Edith, Ernest, and Bo have adopted a more humanitarian approach in rehabilitating the monsters. And while Arthur often scoffs at their ideals as naive and childish, the kids succeed more often than not, on top of also discovering new information about monsters Arthur himself was previously unaware of because of their willingness to help monsters instead of just dispatching them. | |
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Wings: One of the themes is the gap between the generation that suffered through World War II and the new generation of Soviet youth, growing up in the 1960s with no experience of sacrifice and less of a sense of duty. When Tanya suggests that her mother Nadya quit her boring job and let other people teach the snot-nosed punks, Nadya is appalled. | |
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The Generation Gap is... well, about the generation gap. The protagonists are runaways after their romance gets rejected by their respective families, and have to survive on their own. | |
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Dazed and Confused, although the issue is only a small part of the movie. | |
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Kingdom Come: Invoked by Batman's faction: | |
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Vida: Eddy is confused by younger LGBT people, as they embrace "queer" as a self-descriptor (it was a dire insult to her generation) while not understanding the idea of being non-binary, which has become a common identity in theirs. They in turn view her as an out of touch "elder". | |
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New Hope University: Major In Murder forgoes two of the recurring themes of the Danganronpa series- the battle between hope and despair, as well as the question of what value talent has- in favor of showing conflict between the generations. The killing game takes place in a college that is ostensibly meant to weed out potentially dangerous Ultimates, established by someone who doesn't think much of millennials. The ultimate villain is a member of Generation X (who'd hid his own age in order to conceal his identity) who hates both Baby Boomers and millennials. | |
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Ferris Bueller's Day Off: In the shooting script, Ferris sees himself as part of the second wave of this, and regrets that his parents' generation could not maintain their (supposedly) revolutionary ideals. | |
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Millennials webcomics often shows the gap between Gen X and the titular generation, like in the "Technology gap" and the "Vote" episodes. | |
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Rebel Without a Cause: Probably the first major movie to explore and deconstruct this. | |
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The theme of The Who's "My Generation". | |
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The Lord of the Rings: The Rings of Power: Durin and his father, the king, have a strong fight over his refusal to help the Elves. Durin is fed up with his father willingness to just stay stuck in the past, and not let Durin take his own decisions. Disa considers that the king must be removed from his position if necessary because he has grown too old and suspicious of anything new. | |
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The Executioner. In "Chicago Wipeout", a Crusading Lawyer scoffs at a recent academic study that The Mafia is dying out in the Generation Gap. As The Sopranos shows, change does not mean extinction. | |
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All in the Family was heavily fueled by this trope. | |
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A Clockwork Orange, not helped by how the younger generation there has a tendency for crime. | |
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The Full Matilda, which partially takes place in The '60s, shows this between Matilda and her nephews David and Rodrick. Matilda is an old-fashioned black woman of the World War II generation, David is a hip baby boomer involved in the Civil Rights Movement, and Rodrick falls in love with a white woman. | |
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Game of Thrones: A major reason why Renly doesn't get along with either of his older brothers Robert and Stannis is that both of them are over a decade older than him. | |
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The Monkees was undeniably symbolic of this trope. At the time, it was radical to even think about placing youth rebellion (with no parental figures) as protagonists on a prime time sitcom. However, the show attempted to create an understanding between the gap, and prove that America's youth wasn't all that it seemed, despite outside appearances. Their groovy theme tune (written by Tommy Boyce and Bobby Hart) says it all: | |
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The Graduate | |
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Freaks and Geeks exemplifies the Generation Gap in its late stages. The Weir parents are clearly early Boomers while the kids are early Generation X'ers. Needless to say, when it comes to issues like sex and drug use, the Weir parents are little (if any) help. And let's not forget Mr. Weir's blind bitterness towards Sex Pistols! | |
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Samurai Gourmet is subtly about the Generation Gap, from a specifically Japanese point-of-view. It's especially highlit in "Yakiniku Her Way", where protagonist Kasumi has to confront his twenty-one-year-old niece about her career choices over dinner. Since the series' point of view is a sixty-year-old Japanese man, the reasonable compromise is to insist that deciding to be a musician is fine, but not against your father's wishes. | |
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Teen Titans: Most of the Silver Age Teen Titans stories would feature the Titans helping bridge the Generation Gap between some small-town teens and their parents. | |
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The Catcher in the Rye is a pre-gap example. Holden is disgusted with the superficiality (ie "phoniness") of the World War II generation and decides to embark on a life of rough living and debauchery. | |
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Ads for The Great Indoors play up Joel McHale's jaded, cynical, worldly Gen-X-er's distaste for his idealistic but clueless, shallow, immature, distracted, and downright odd Millennial hipster coworkers (Stephen Fry is there too). | |
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South Park: The ability of the adults to be unearthly clueless and allow the children to be Wise Beyond Their Years is due to that gap, which breaks the possibility of the two parties to share the same wave-length; the show puts this one into an extreme as it exhibits the children's point of view; essentially: Because the show is about the children, and the children cannot comprehend how adults behave; they perceive them to be stupid. Actual example from the show would be "You're getting old"; The parents perceive the children's music to literally be shit, while the children hear literal bowel movements during the adult's music. |
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Reboot (2022): There's a contrast between the old-school writers of Gordon's generation, who prefer simpler storytelling, physical comedy, and punchlines, and the newer writers of Gordon's daughter Hannah's generation, who prefer social commentary, complex characters, and deeper themes. | |
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The Generation Gap | |
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Angle of Repose: One of the themes, as Lyman is a cranky old professor who has nothing but contempt for the spirit of the 1960s, hippies and free love and such. His caretaker's daughter Shelley irritates him with her use of phrases like "having sex" (instead of "making love"), and her ridicule of old-timey Victorian values. | |
| The Generation Gap / int_e93ed301 | featureApplicability |
1.0 | |
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The Generation Gap / int_e93ed301 | |
| The Generation Gap / int_ed4a44cf | type |
The Generation Gap | |
| The Generation Gap / int_ed4a44cf | comment |
Logan's Run has the youths living in a derelict part of the complex, attacking the adults. | |
| The Generation Gap / int_ed4a44cf | featureApplicability |
1.0 | |
| The Generation Gap / int_ed4a44cf | featureConfidence |
1.0 | |
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The Generation Gap / int_ed4a44cf | |
| The Generation Gap / int_f290d752 | type |
The Generation Gap | |
| The Generation Gap / int_f290d752 | comment |
Is It Always Right to Be Right?: Discussed Trope, as the parable says that "a gap appeared between the generations" and the animation shows a literal gap between old and young, followed by several more gaps as the various factions of society split off from each other. | |
| The Generation Gap / int_f290d752 | featureApplicability |
1.0 | |
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The Generation Gap / int_f290d752 | |
| The Generation Gap / int_fe5f9efb | type |
The Generation Gap | |
| The Generation Gap / int_fe5f9efb | comment |
Quatermass: In The Quatermass Conclusion, it turns out that the Generation Gap is caused by the malign influence of aliens. | |
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1.0 | |
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The Generation Gap / int_fe5f9efb |
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