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The Nothing After Death
- 600 statements
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The Nothingness is an afterlife where souls go to a bleak, featureless Plane of (Non) Existence. Whether or not this "non-existence" involves the souls existence and whether or not souls are consciously aware of the lack of existence around them is Depending on the Writer. Not to be confused with the idea that there is literally nothing after death: no darkness, no featureless planes, no conscious awareness, simply a Cessation of Existence. Some people find that thought comforting; to others, it is worse. This trope is when there is something after death, and that something is empty space. Sometimes this is used as an Ironic Hell against a Flat-Earth Atheist, but just as frequently, Nothingness does not discriminate and everyone, good and bad, goes there. This one of many ways to depict Hell, since isolation isn't exactly peachy. A step below Purgatory and Limbo, within which, bleak or dull though it may be, at least there's something. A possible explanation for Death Amnesia, and a possible destination for those who are Barred from the Afterlife. Compare Void Between the Worlds, another type of empty dimension. See also White Void Room, which may be the easiest visual way to depict the Nothingness. A frequent purpose for people who try to build an Artificial Afterlife is to avoid this or the Cessation of Existence. As this is a Death Trope, unmarked spoilers abound. Beware. |
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The Nothing After Death / int_10d303a2 | type |
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Shin Megami Tensei IV describes the afterlife as "Where the dead endure nothingness while awaiting reincarnation". But before you can even get that, you have to wait in line, and the line is long. So long, that Charon asks for a bribe so he can just revive you. | |
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The Nothing After Death / int_11d0af1 | type |
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In His Dark Materials, The afterlife is a flat, featureless plane where the only thing that breaks up the monotony is random harpy attacks. Will and Lyra arrange for everyone in there to get oblivion instead, which is a far better (in the protagonists' opinions) fate, as it allows the atoms making up a person's ghost to distribute themselves back into the physical world. Oblivion of consciousness, yes, but a roundabout return to life. Those who fall into the Abyss in the world of the dead experience almost exactly this. Their souls continue to fall into the nothingness for eternity. |
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Zigzagged in Divinity: Original Sin II. There is an afterlife, known as the Hall of Echoes, and mortals tend to hang around a bit as spirits before finally crossing over. However, once they do so, the gods stand ready to consume them, completely annihilating their souls. | |
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Abraxas (Hrodvitnon): When San attempts to view Vivienne's memories of her first death and subsequent revival, due to her apparently having had a temporary Cessation of Existence when dead, San instead just sees a Nothing. San is subsequently terrified of the prospect that he might enter such a Nothing if he and Vivienne die permanently. | |
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The Thornton Wilder play Our Town depicts the afterlife in this manner. There is no Heaven. There is no Hell. Every spirit, good and bad, is stuck together, sitting on their tombstone for all eternity. And even though you are given Mental Time Travel powers that let you relive any day of your life, all this does is further drive home to you how much of your life was wasted. | |
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The Beyond, by Lucio Fulci. The afterlife is depicted as a blank gray wasteland littered with corpses. | |
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Played with in an episode of Batman (1966), believe it or not. In "The Riddling Controversy", the Riddler — who has already come close to crossing the Moral Event Horizon by stealing money intended for starving children — buys a device from a Mad Scientist that the scientist claims causes matter to completely disappear. The Riddler tries out the device on his hat — and once it has disappeared, he tells the scientist "Make it come back now"... only to be told that the technology to reverse the device's effects has not been created yet. So the things — and, potentially, people — that the Riddler causes to disappear are still somewhere, but it's obviously some place no one on Earth can see (and assuming the scientist never completes his research, they will stay in that strange place forever). Delighted with the results, the Riddler threatens to make Gotham City Police Headquarters disappear unless City Hall legalizes all crime in Gotham. When he hears that Commissioner Gordon, Chief O'Hara, and their bomb squad have refused to evacuate the building, the Riddler is completely without remorse: "Let [Gordon] go down with his building". Pretty grim for a series that was essentially a comedy, and on which only two characters ever died onscreen. | |
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Terror Island: Aorist's afterlife is the sit around doing nothing forever variety. Uniquely for something like this, it's blue. It's the infinite blue plane of death. | |
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In The Witch and the Beast, all souls are bound in a cycle of reincarnation. When a necromancer raises a zombie, the soul is forcibly drawn back into the body which permanently severs them from the cycle. On their second death, they will instead enter the Void, an empty plane where the soul will exist alone, its mind aware enough to perceive itself but unable to do anything else for all eternity. | |
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The Elven afterlife, the "Halls of Mandos", is described in much these terms in The Silmarillion, though it's usually temporary, more of a holding cell before elves are reincarnated. Except for the really weary elf and the really sinful elf. For Dwarves, though, this is indeed their fate. They remain in the halls, waiting till Doomsday. Humans go to the Timeless Halls of Ilúvatar (God) until doomsday, when all the afterlifes will merge into the New Arda. | |
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Invoked in The Legend of Zelda: Breath of the Wild; there is one character you come across who claims to be a fortune teller. He says that sees a future of "Blackness, a dark, endless void that you will soon occupy!" He then reveals himself as a Yiga clan member and tries to kill you. | |
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In Runaways, Alex, and later the Gibborim, end up in an empty whiteness after kicking the bucket. Alex suggests it's a minimalist form of Hell - he tried to earn his way out by advising Molly (who thought he was Gert), but is still trapped at the end of the original run. | |
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Umineko: When They Cry has the depths of oblivion, a horrible, horrible, horrible place where pieces go when they die. There isn't much information about it, but it is known that being locked in a small room for thousands and thousands of years until you manage to fix a logic error in your story is like jumping off a ten-story building compared to it, which is like jumping off a hundred story building. Erika doesn't seem fazed by it though. It's described as an endless dark dessert that those with the willpower or imagination can use it as a tool, with Maria drawing from it to create life, Erika using it to image new lockroom mysteries and solve the previous games, and Featherine placing the Golden Land in it to make it impossible for anyone to interfere the world, suggesting it's closer to a blank canvas then true nothingness. | |
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The Simpsons: In Holiday of Future Passed, Ned mentions that he remarried Maude's ghost who lamentably informs him that there's nothing but a meaningless void on the other side. Ned just brushes it off. | |
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In Death Parade, people who die are judged by arbiters who decide whether they will be reincarnated or not. The people who are denied reincarnation are sent here. Notably, the main character from the above-listed Death Note makes a cameo at one point, where it is implied he is chosen to be sent here. |
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Gotham: After Jerome is brought back from the dead, he describes the afterlife as a place of absolute and featureless darkness. | |
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This is the entirety of Hell in the Old World of Darkness game Demon: The Fallen. The ultimate punishment to the fallen angels was to be left in a sensationless, featureless void for all eternity. They made it even worse soon enough. While not quite the Nothing "After Death", since it isn't the afterlife (the fallen didn't die and humans don't go there), it's the same idea. | |
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Inferno (Larry Niven and Jerry Pournelle), a book by Larry Niven and Jerry Pournelle as a 20th century update of Dante, has the protagonist stuck in his own pocket universe of nothingness after death until he finally breaks down and calls out to God to rescue him. | |
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In the Earthsea series, the land of death is presented as a dark, dry, unchanging place where the dead keep their names, but not their spirit. | |
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Eberron: Dolurrh, the only provable afterlife, is like this. Souls go there and slowly lose their memories and waste away, until they eventually fade into nothingness. Most religions either claim they have some way of avoiding it (the Silver Flame claims its worshipers join the Flame on death, while seekers of the Blood of Vol work to obtain divine apotheosis) or that there's something that comes after the fading (vassals of the Sovereigns believe that after fading from Dolurrh souls will join the Sovereigns beyond). To make this even bleaker, unlike in most Dungeons & Dragons settings, religions in Eberron are truly based on faith, rather than verifiable fact. So no one has any actual proof that there's anything waiting for them besides emptiness. | |
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In The Divine Comedy this is how Limbo, the first circle of Hell, is described. An utterly dark land of no pain, no harm... and no hope. All you can hear are the sighs of the virtuous non-christians: trapped because they were virtuous enough to avoid Hell, but did not give themselves to God to meet him in Heaven (whether they have to climb). Dante downplays the "nothingness" here since there's a city in this wasteland, full of the Light of Human Reason, where all the pre-Christian philosophers and scientists have built a home for themselves. However, while it's nice, it's not Heaven nor can the people there hope to reach it because The Light of Human Reason is not a true substitute for God's divine salvation. | |
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In Mystery Babylon, Red saved Kick Girl from getting sucked into the Pit along with every other demon on Earth by removing her Mark of the Beast. As a consequence of this, however, if she dies by non-mortal means before earning a new Mark, her soul will go to an infinite void rather than to Heaven or Hell. Kick Girl has had nightmares about this, and regards it as a worse fate than going to Hell. | |
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I'm the Grim Reaper: This is the Ninth Circle of Hell; an empty void of deep space, without air or light, that a soul can exist in for eternity. It's as horrifying as it sounds. | |
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The main antagonists in Planescape Survival Guide are tied to the Nothing, a force of ultimate destruction that once held sway over all existence, but was defeated by the Eldest, the first God. | |
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The Warner Brothers (and sister) of all people ends up in one of these, when Wakko dies after eating too many meatballs in an eating contest in Sweden, and is claimed by The Grim Reaper from The Seventh Seal. Mind you, the Warners dont stick around for long. | |
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One Tale from the SCP Foundation revealed what happens when SCP-447 makes contact with dead bodies; it brings them back to life. They tell that there's simply nothing there for anyone, and the reason 447 isn't allowed to go near dead bodies is because people can't accept how pointless it all is. An odd example, considering one of the characters from the original SCP article is literally Satan and has had several conversations with God. Another SCP is forbidden knowledge of what happens after you die. The Foundation brought a man back from the dead and at first he claimed that he experienced nothing, but after he was caught trying to make a deal for immortality, he admitted that he experienced something far worse than Hell that made him want to never die again. He was trapped in his corpse the entire time he was dead, completely conscious and experiencing everything that happened to his body as it rotted away in agonizing detail. Anybody who learns about this must either be killed or have their memories of it erased. It is possible however that this isn't what happens to everyone when they die and that he only experienced this as a side effect of the method used to resurrect him. An apparently significant phrase in the article, "Belief is the key" suggests an alternate, more uncomfortable possibility. What happened to the resurrected 05 may ''not'' be the default afterlife for all human beings. Just those who learn about it by, say, reading about his experience. |
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Supernatural: Season 11 reveals the existence of "the Empty", a void separate from the other afterlife dimensions (Heaven, Hell, etc.) that is implied to be this. In the episode "Form and Void", the Reaper Billie tells Sam that the Reapers are all fairly pissed that the brothers killed their boss (Death himself) at the end of the last season, not to mention they've been sick of the two of them repeatedly dying and coming back to life for a good while now, so the next time they die, Billie will personally send their souls to the Empty to ensure they'll never be able to come back again. It's later confirmed that the Empty is a black void predating God and Amara and all of reality, and that it's actually where the consciousnesses of angels, demons and The Soulless go when they die, where they sleep for eternity. The Empty is also itself sentient, although it doesn't like it when forces within reality force it to awaken from its slumber. | |
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In the final episode of Tales from the Borderlands, after Helios has crashed and Jack has tried one last time to kill Rhys by forcing him to strangle himself to death with his own arm, Rhys begins ripping out all his cybernetics to get Jack out of his body for good, effectively killing him. Jack realizes what Rhys is doing, and starts frantically begging him in earnest to stop, even dropping to his knees, saying that he doesn't want to go back to being dead. | |
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Several Terry Pratchett Discworld novels have the dead transported to a featureless desert of black sand, leaving you alone with your beliefs. This may not be a true example, because it's implied that there is an afterlife at the end of the desert. On the other hand, for souls that are too afraid of being alone with their beliefs to cross the desert, this can act as The Nothing After Death. Meanwhile, at least one golem that ended up in this desert has simply laid back and relaxed, finding a nothingness with no work to do a true paradise. It is, however, confirmed that the afterlife contains no pickles or chutneys. There's jam. Jam works. | |
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The Nothing After Death | |
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World of Warcraft: Arthas' last words are thought to refer to this. In Cataclysm, Sylvanas gets killed after being ambushed in Silverpine. Once resurrected by her Val'kyr, she describes her afterlife as "nothing", citing it as the reason for why the Forsaken need to avoid the Undeath Always Ends trope. Sylvanas's short story on the official website reveals that after the Lich King's death, she committed suicide and found herself in a void where her soul was being torn apart. Arthas was there, and he had been reduced to the equivalent of a little boy huddling in the corner and crying. Then the val'kyr revived her, forming their bond that comes into play in Silverpine.note Sylvanas' short story even mentions she experienced the true afterlife when she was killed by Arthas. Being torn from it when she was raised as a banshee for the first time was what twisted her into the bitter leader of the Forsaken. The Shadowlands expansion reveals that the nothingness is intentionally artificial; Arthas and Sylvanas ended up in the Maw, the Warcraft version of Hell dedicated to devouring the power of its prisoners' souls by isolating them in sensory-deprivation chambers, while spiritual abominations eat their essence. Slowly. While the Maw is intended for the blackest of hearts, something happened that forced everyone who died afterward to be Rerouted from Heaven and go straight into the Maw. This may explain the undead's instant emo attitude when they're resurrected. |
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Pierre Tombal: A particularly odd example. God and the Grim Reaper apparently exist in this universe, but the dead don't seem to go to either Heaven, Purgatory, Hell or any other sort of afterlife. They just spend their days and nights on the cemetery as residents. | |
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Torchwood: In "They Keep Killing Suzie", after bringing Suzie back, she explains that the afterlife consists of total darkness, with nothing but the footsteps of an ominous creature that lurks within The Rift. In "Dead Man Walking", Owen notes that there was nothing he can remember, raising the possibility of Death Amnesia. That also may have been an effect of the resurrection gauntlet, since Owen experienced the same thing after he was brought back, albeit with a different glove, but since the only person who ever comes back from death without the gauntlet is Jack, and his description of death is just that there's nothing, it's possible that normal death is literally nothing rather than a featureless plane. Suzie and Owen weren't especially nice people, however, so there is another interpretation. In series eight of the parent show Doctor Who, however, this is all vaguely contradicted. There are a bunch of deceased people in a matrix, but even after that matrix ceases function, there seems to be ... a somewhere after — though considering that it is the Time Lords, they might have simply been moved to another version of the matrix through the use of time-travel. |
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Esther of [un]Divine claims there's no Heaven of Hell, just simply nothing when you die. Being a demon, she likely knows from experience. | |
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The eponymous character of Murphy Brown spends an entire episode asking people about their thoughts on the afterlife after asking herself what she will tell her son when he is old enough to ask where people go where they die. Miles ends up having a freak-out after speculating that it may be this trope, described in terms much like the ones at the top of the page. | |
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In The Sculptor, Death shows David a vision of the afterlife, represented by two pages of blank, white paper. | |
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Madison from American Horror Story: Coven claims this is what's in store for people in the afterlife - a cold nothingness void. This is one of the reasons why she's so empty after being revived. She seeks comfort in Kyle, because he also experienced that empty void. Ultimately averted when the existence of hell is confirmed. Though it is possible that those not wicked enough simply go to the cold, empty void. | |
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The Nothing After Death / int_5022a2c4 | comment |
Xena: Warrior Princess: After realizing that she will never get the satisfaction she desires no matter how much revenge she gets, this is Callisto's one desire. Subverted quite ironically, as she experiences more versions of the afterlife than any other character except for this. | |
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Irregular Webcomic!: The Infinite Featureless Plane. Though it's more of a transitional phase, and we're never shown the real afterlife. | |
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Tolkien's Legendarium: The Elven afterlife, the "Halls of Mandos", is described in much these terms in The Silmarillion, though it's usually temporary, more of a holding cell before elves are reincarnated. Except for the really weary elf and the really sinful elf. For Dwarves, though, this is indeed their fate. They remain in the halls, waiting till Doomsday. Humans go to the Timeless Halls of Ilúvatar (God) until doomsday, when all the afterlifes will merge into the New Arda. The first Dark Lord Morgoth often tries to convince humans that there is nothing beyond the physical world, and "God" (Eru) does not exist, so therefore his followers should worship Morgoth himself. Particularly, in The Children of Húrin he taunts the captive hero Húrin that there is nothing in the void beyond the world, and he knows because he has been there. Even after Morgoth's defeat, his right-hand lieutenant Sauron adamantly denies Eru, and sets up temples for Morgoth-worship. As Tolkien himself pointed out, Word of God on God as it were, this is inherently hypocritical: it is impossible for either Morgoth or Sauron to be a "true atheist", because they are fallen Angels that have literally met and interacted with God (Eru) in the past. Peter Jackson's live-action adaptation gives Sauron new lines, when he's talking to Frodo when he puts the Ring on at Bree. The lines aren't from Sauron in the book, though they do echo what Morgoth said to Húrin in the Silmarillion: "There is no life in the Void! Only death!" |
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Invoked in Fallout: New Vegas: Mr. House's dying curse to the Courier if they choose to kill him has him wishing them this. | |
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Fallout: New Vegas (Video Game) | hasFeature |
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The Nothing After Death | |
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In Hoshin Engi, when Taikobo is apparently killed, he finds himself in this sort of situation and wonders if this is what death is. However, it was something else entirely. | |
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Neverwhere: When asked what death is like, the Marquis de Carabas says "It's very cold, my friend. Very dark and very cold". | |
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One of the Ebon Dragon's powers in Exalted can do this to anyone he kills. | |
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Though we know thanks to other entries in the Marvel Cinematic Universe that there is an afterlife, and more than one, Shuri tragically comes to believe this is the case during the events of Black Panther: Wakanda Forever. Not only did her prayer to save T'Challa's life from his illness go unanswered, but her loved ones did not appear to reunite with her once she took the synthetic heart-shaped herb, leaving only the monstrous Killmonger to confront her. With this, she bitterly laughs off being asked to respect her brother and mother's memories, since as far as she is concerned, they are dead and their souls and ideals with them. Ramonda finally appears to Shuri during the climax from the Ancestral Plane, however, finally convincing Shuri that her loved ones are still there for her. | |
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Moon Knight (2022) | hasFeature |
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The Nothing After Death | |
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Reynaldo The Assassin: Demons go to "The Abyss" when they die. They are, however, allowed to bring one item with them (possibly even a Get out of the Abyss Free Card). | |
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After Slade's death in Cleverman, his soul is seen vanishing into a black void. This might be because of a side-effect of his occult dabblings, or it might be simply that the afterlife despised him. | |
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In Wednesday and the Weeping Angel, Wednesday believes that angels give people false hope that there is something besides oblivion after death. | |
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In I Will Fear No Evil, the protagonist – a voluntary brain transplant donor – thinks he may be in this state, until his sensory nerves reconnect. | |
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Disney Ducks Comic Universe: In a parody/adaptation of Moby-Dick, the main characters are at one point swallowed by the white whale, Pinocchio style. Since at first it's very dark inside the whale's belly, one of the characters, not realizing that he's still alive — though inside the whale: | |
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Played with in The Lion King Adventures. While good people go to Heaven/the Great Beyond upon death, this is the fate that awaits evil-doers. | |
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Dungeons & Dragons: The 3.5 Tome of Magic introduces a class called Binders whose shtick is dealing with souls who have experienced this. For whatever reason, they are barred from any sort of afterlife and exist in a state of nothingness, and are thus willing to "bind" to the Binder and grant him some of their power in return for getting to exist once more. Two examples of beings this happened to are Acererak from Tomb of Horrors (serves him right for what he put a generation of gamers through), and a thief who thought it would be funny to repent at the last moment, thus "stealing" his soul from Olidammara the god of thieves. Olidammara was impressed, but couldn't very well let such a great thief belong to any other deity, so he banished him from existence instead. | |
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At the end of The Tale of the Princess Kaguya the People of the Moon come to get Kaguya and place a Cloak of Forgetfullness above her, which symbolizes a young woman dying tragically young and experiencing a featureless Limbo. | |
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The Saga of Biorn: This is the fate that the old Viking warrior Biorn wants to avoid, determined to die in glorious battle and go to Valhalla rather than die of old age and go to the blank, featureless Helheim, where the souls of the dead stand around doing absolutely nothing, bored out of their minds. Unfortunately, the nuns he saved during the battle that killed him give him a Christian burial, which acts as a Post-Mortem Conversion and sends him to Fluffy Cloud Heaven instead... which is exactly like Helheim except fluffier and cloudier (and full of nuns). | |
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The Sea Inside: That's what Ramon (who is going to kill himself) believes is waiting for him, after Rosa asks him to show her a sign from the grave if there's life after death. | |
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This seems to be the standard fate of supernatural beings in The Vampire Diaries. To be specific, the souls anyone who died while existing in a supernatural state (i.e. vampire, werewolf, witch, hybrid, etc) goes to a place known simply as the "Other Side". In this state, while one can see and hear the living world around them, they are entirely unable to interact with those who are still alive and are implied to have little to no contact with those also trapped in this situation. | |
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If the medium is to be believed then this is what befell the murdered husband in Rashomon. | |
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Iron Fist (2017): After the resurrected Harold Meachum kills his assistant Kyle in a random outburst, he says to the corpse, "It's okay. I've been where you're going. It's not so bad. It's just... nothingness." In a later episode, Harold elaborates to Joy on what it was like for him in between his death from cancer and his resurrection by the Hand. | |
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When Matriarch Benezia lies dying in Mass Effect, she expects to see light, like the millenia old Asari religion promised her, but instead sees and feels nothing. | |
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A deleted scene from Mass Effect 3 would have had Ashley asking Shepard about what he experienced while he was dead before Cerberus brought him back. Shepard could have answered with this trope. | |
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One theological position derived from The Four Gospels is that the suffering of Hell comes from its utter isolation, emptiness and separation from God after glimpsing His incredible glory. See The Outer Darkness for more. | |
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Psychonauts 2: This is what the brains preserved by the Hall of Brains experience. When Raz enters the brain of Helmut Fullbear, it's a void of total darkness inhabited by only his sense-deprived consciousness with almost none of his memories. When placed inside a host body, Helmet is overwhelmed by all the sensations he's missed out on and Raz must help him reconnect with all of his lost senses to remember who he is. | |
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Mass Effect: When Matriarch Benezia lies dying in Mass Effect, she expects to see light, like the millenia old Asari religion promised her, but instead sees and feels nothing. A deleted scene from Mass Effect 3 would have had Ashley asking Shepard about what he experienced while he was dead before Cerberus brought him back. Shepard could have answered with this trope. |
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In The Reader (2016), most people in the book's setting believe in this, and that the only way a soul carries on is by telling their stories. | |
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In the Warehouse 13 episode "Time Will Tell", MacPherson claims to have experienced this between burning to death in a house fire and resurrecting. He's shocked to learn that Artie experienced a more pleasant afterlife following his own temporary death. | |
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The queen in Fairest of All: A Tale of the Wicked Queen has a nightmare where the Odd Sisters tell her that this is her fate if she doesn't kill her daughter Snow White. Her soul will rot and after years of misery she will die, however not even in death will she find peace. The Magic Mirror will keep her alive even in death. She'll be stuck in perpetual darkness forever and be unable to escape. This all foreshadows the Queen's spiral from Beauty to Beast and the ending where she becomes trapped in the mirror after her suicide. | |
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Anyone who dies in Immortality Syndrome and is brought back claims this. They usually end up deciding that life is nothing but pain and misery and the best option is to kill everyone everywhere to put an end to the torment of existence. However, this is proven to be a side effect of being resurrected. Bubbles is killed and brought back, but it has little effect on her as she knows that there's more to life than misery. The sequel, Immortality Relapse, reveals that this outlook can be countered by using Antidote X to bring the resurrected back to their senses, implying that the "doom and gloom" outlook they'd gained might be more of an evil driving force than an out and out decision. | |
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In Mind Game, this is where the souls of the dead are dumped by God. | |
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The Nothing After Death | |
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The first Dark Lord Morgoth often tries to convince humans that there is nothing beyond the physical world, and "God" (Eru) does not exist, so therefore his followers should worship Morgoth himself. Particularly, in The Children of Húrin he taunts the captive hero Húrin that there is nothing in the void beyond the world, and he knows because he has been there. Even after Morgoth's defeat, his right-hand lieutenant Sauron adamantly denies Eru, and sets up temples for Morgoth-worship. As Tolkien himself pointed out, Word of God on God as it were, this is inherently hypocritical: it is impossible for either Morgoth or Sauron to be a "true atheist", because they are fallen Angels that have literally met and interacted with God (Eru) in the past. | |
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Final Fantasy IX has the infamous Necron, who isn't exactly foreshadowed all that well by any account; but as the True Final Boss this seems to be what most agree that, at best, is what it's supposed to represent. | |
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In Final Fantasy VI, if you die during the opening segment, you see Terra on a black screen, as she basically sums up that she's trapped in a cold, dark nothingness, before offering you the opportunity to load your save. It is for practically everyone after they die, the only difference is the lead character will be on the screen instead of Terra. |
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In the Harry Potter and the Methods of Rationality Recursive Fanfiction Following the Phoenix, this is what all human souls ended up experiencing after Atlantis disappeared without building a decent afterlife or resurrection method, even though they had already created souls. They just… float… in some unspecified dimension/region of space called the Ether by Cadmus Peverell, in a sleep-like state. They can be called back thanks to the Resurrection Stone or end up as ghosts, but in either case, those thus brought back are unable to form original thoughts or change their minds about anything, though they can chat about when they were alive. | |
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Not shown or even explicitly described as such, but perhaps evoked in Full Metal Jacket: | |
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In Vinland Saga, a dying viking is disturbed to find no valkyries coming for him despite the great deeds he accomplished just before collapsing from his wounds, only greater darkness. In his last moments he concludes that there is no Valhalla or any afterlife at all. It's not known for sure if this is true or not for the setting, as earlier Thorfinn had a vision of Valhalla during a dream... except it wasn't the glorious, fun loving Warrior Heaven people imagine, but a land where the dead are gruesome, rotting corpses eternally battling and hacking each other apart. | |
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In The Gods of Arr-Kelaan, the dead are placed in an endless, flat plain, punctuated only by an impassable chasm until the person's god makes a way to pass the chasm and a custom afterlife on the other side. | |
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It's suggested Ulquiorra wound up here in the opening chapter of A Hollow in Equestria before Discord found him and brought him to Equestria. At times he wonders if he was better off in the nothingness. | |
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In Life, the Universe and Everything, this is how Arthur Dent experiences death when he hasn't died or even been injured in any way but is just caught unawares when he stumbles into an immersive VR room while it is powering on. | |
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Death Note: At the end of the series Ryuk is shown to have told Light in a flashback that there's no Heaven or Hell for anyone; at the beginning of the series, he had told him that this was the case only for Death Note users. In the Anime, this is shown through an eyecatch, where it's said that the place people go after they die is Mu, "Nothingness". It's not clear if this means this trope or Cessation of Existence, and it seems up to the audience to decide, but either way it's a rather bleak peek into existentialism. Interestingly, while the human afterlife is not known for certain, the Shinigami World is depicted exactly like the classical Hades, Yomi, or Sheol: a bleak and dreary place with not much happening, something that bores Ryuk enough for him to drop the Death Note to the Human World and cause the events of the series to happen in the first place. |
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In Being Human (UK), undead characters tell outsiders that heaven is like your typical Fluffy Cloud Heaven, but confide amongst each other that it's more like a long, dark corridor, where the only other people are "the men with sticks and ropes" who wait at the end. In the Series 1 finale, Annie (the ghost) realizes that she is about to "move on" when a literal door to the afterlife materializes. One of her friends asks her if the door leads to "something good, or... something else?" Annie replies, "I think it's something else". In Series 2, after Annie has been dragged through the door against her will, she complains of having to fill out forms. By the end of Series 4, both a good and bad afterlife have been strongly hinted at; Word of God has further confirmed that the original cast was reunited in the afterlife. |
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After being paralyzed in a cave-in, Batwoman commits suicide so her teammates can heal her in a nearby Lazarus Pit. After being revived, she describes death as being "like riding a roller coaster in the dark". | |
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In SaGa Frontier, near the end of Blue's game, you're told that trying to use Gate magic, which normally allows you to teleport between the regions, will result in you being "cast away into the eternal oblivion". | |
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In Pony POV Series, this technically exists, but it's only one of several afterlives and not the one most end up it. It is the domain of Entropy, the Concept of Heat Death and the End of All Things, and is were half of the souls of those erased from existence end up (their Shadow of Existence to be exact, their light returning to Fauna Luster to be reborn). It's implied those who strongly desire to no longer exist after death end up here as well, but that's only implied and never shown. | |
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He also offers a more nightmarish subversion in Perelandra: Weston becomes possessed by Earth's Oyarsa (Satan) and subsequently becomes an animated corpse. Towards the climax, Weston resurfaces, apparently having experienced damnation. His description matches this trope, but Ransom also infers the added twist that the damned all eventually merge with Satan for eternity. Ransom also comes to doubt Weston's account—it's possible that the demon was simply imitating Weston in an attempt to discourage Ransom. The speaker referring to Perelandra as "Perelandra" instead of "Venus" might seem to be a clue in favor of this, except that the real Weston is also on record as saying that the Old Solar names for the planets are their "real names," and so he prefers to use these. |
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The Elder Scrolls series generally averts it. The souls of the deceased can go to a number of different afterlives, largely depending on what deities the deceased in question worshiped or swore servitude to in life. These range from a couple types of Spirit World to variants of a Warrior Heaven to the Daedric Planes to even reincarnation via the "Dreamsleeve". There are a few known exceptions, however: The worshipers of Sithis, referred to as a "great void" and a primordial force representing chaos, join him in the "The Void" surrounding creation. Joining Sithis in "The Void" is the desired afterlife for members of the Dark Brotherhood, an organization of assassins which doubles as a cult to Sithis. Sentient beings who have had their souls trapped end up in in the Soul Cairn, an unaligned plane of Oblivion ruled by the mysterious Ideal Masters. It is a barren wasteland the souls are forced to wander for all eternity. |
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In the Moral Orel episode "Grounded": Orel has a near-death experience where he finds himself floating in nothing, although he ends up in a replica of his church. He's brought back to consciousness, but keeps having NDEs in an attempt to find more. | |
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In Paprika, death is symbolized as a black hole if you're in the dying person's mind. And due to the MacGuffin's Assimilation power, things get worse from there. | |
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Game of Thrones: The Red Priestess Melisandre is shown Beric Dondarrion, a knight-turned-outlaw who has been killed and resurrected six times. Jon Snow also describes this as being the case after Melisandre brings him back from the dead in Season 6. |
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The Night House: Beth says that when she died she saw nothing, and this leads her to term her and Owen's existential fear "the Nothing". | |
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The Neverending Story: "The Nothing". Characters from Fantastica who are swallowed are "reborn" in the real world - as lies (at least that's what Gmork claims). It's implied that The Nothing is caused by people in the real world becoming less honest and happy. | |
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Batman Vampire: Dracula claims this is the case, and that between death and reawakening as a vampire is just blackness. Then again, this IS a setting with vampires, werewolves and werecats so who knows what the truth is. Batman certainly can't tell, since he wasn't vampirized through regular means. Horrifyingly played straight for vampires who are staked but whose heads are not cut off — they're trapped in a Fate Worse than Death, stuck in a kind of twilight nightmare state in their own decaying bodies, aware only of a bloodlust they have no way of quenching. They can be revived from this state by removing the stake. |
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Chrono Trigger: Marle's temporary "death" is described like this, but it's not clear whether it was really death, since she never existed at the time; Chrono Cross later hints that she was in the Tesseract (AKA The Darkness Beyond Time), a place where erased timelines go when they are superseded. Later on you can find a "Book of Life", opened to a page that reads "All life begins and ends with Nu", a rather silly pun on "Mu" (Nothingness) and made sillier by the fact that there's a Nu standing right next to the book. |
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In the Team Fortress 2 supplementary comic Loose Canon, Mr. Blutarch Mann knows there's nothing after death because he is hooked up to a machine that revives him daily. However, various other material shows different perspectives of the afterlife, including a traditional Fluffy Cloud Heaven and Fire and Brimstone Hell, suggesting that this nothingness might've been an Ironic Hell crafted for Blutarch personally. | |
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King's short story "The Jaunt" is about a teleportation machine which transports the body instantly from one location to another, but consciousness takes what seems like millions of years to get there. For this reason, anyone who uses it has to be rendered unconscious before teleportation. They found out the hard way by offering a convicted murderer his freedom in exchange for testing it after it killed a lab rat; he managed to say "it's eternity in there" before dying of a heart attack. A man disposed of his cheating wife by pushing her in with no destination; his defense at his murder trial was that she wasn't actually dead, but the jury thought that was actually worse. The Mafia used it as a "Jimmy Hoffa" machine, but their victims had the considerable fortune of already being dead. | |
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Dracula claims this is the case, and that between death and reawakening as a vampire is just blackness. Then again, this IS a setting with vampires, werewolves and werecats so who knows what the truth is. Batman certainly can't tell, since he wasn't vampirized through regular means. | |
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Featured rather ironically (heaven, purgatory and hell are all identical, except that the TV explaining the situation is increasingly cheaper in the worse afterlives) in Fifty Percent Grey. | |
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In series eight of the parent show Doctor Who, however, this is all vaguely contradicted. There are a bunch of deceased people in a matrix, but even after that matrix ceases function, there seems to be ... a somewhere after — though considering that it is the Time Lords, they might have simply been moved to another version of the matrix through the use of time-travel. | |
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In The Dark Tower series by Stephen King, "todash space" is the void outside the universes. People don't usually go there at death, but they can be trapped there, and the entire multiverse is in danger of collapsing into it. The occasional Eldritch Abomination roams through it eating the unfortunate—or maybe that's better than staying out there forever? King's short story "The Jaunt" is about a teleportation machine which transports the body instantly from one location to another, but consciousness takes what seems like millions of years to get there. For this reason, anyone who uses it has to be rendered unconscious before teleportation. They found out the hard way by offering a convicted murderer his freedom in exchange for testing it after it killed a lab rat; he managed to say "it's eternity in there" before dying of a heart attack. A man disposed of his cheating wife by pushing her in with no destination; his defense at his murder trial was that she wasn't actually dead, but the jury thought that was actually worse. The Mafia used it as a "Jimmy Hoffa" machine, but their victims had the considerable fortune of already being dead. |
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Dragon Ball: This is what happens to anyone killed by King Piccolo and his creations (until they're brought back at least), since they are creatures of pure evil. The first sign of Piccolo Junior's dangerously approaching Heel–Face Turn is that Goku and Raditz were allowed to pass on to the afterlife (King Kai's planet and Hell respectively) in Dragon Ball Z. | |
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Nasuverse: The concept of The Origin is fundamentally similar to this, expounded on by The Garden of Sinners. After death, souls just exist in the Origin, waiting to be recycled. | |
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Invoked in BlazBlue by Ragna during his Astral finish: | |
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At least one afterlife of League of Legends is like this. While happens to those claimed by Kindred is up in the air, Mordekaiser notably expected to pass into the "Hall of Bones," a warrior's afterlife alongside his gods and victims, but instead found himself in a barren, sandy wasteland devoid of anything except the shades of the dead. Through force of will, he was able to build the nothingness into a fortress, and Mordekaiser now works to stock the afterlife with as many raw materials and slaves as possible. | |
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Hellblazer: John Constantine runs across a fallen angel turned Eldritch Abomination ruling over one of these. Expressly stated to be worse than Hell, it is a grey waste full of the souls of suicides, lining up to be devoured by the creature inhabiting that plane. | |
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The musical adaptation of Beetlejuice plays with this. While the Netherworld has some sort of a hierarchy and day-to-day life, it is described by Juno as a numb, lonely "endless abyss of nothingness" where everybody who has ever died eventually ends up. There is the implication the only beings who can freely come and go are humans who accidentally wander in or demons. When Lydia goes into the Netherworld to avoid her fate with Beetlejuice, she tries to find her mother and is shocked to find the Netherworld is so big and empty that she could search for all eternity and never find her, even comparing it to the "emptiness of space". | |
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Portal: GLaDOS suggests this or worse. | |
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Fallen London: The bodily soulsnote If you sell your soul, this residual soul is the player character. of those who permanently die end up in the Far Shore, a realm of far too many bodies and far too little space. Whatever was originally there has since been long buried under mountains of decaying corpses. Meanwhile, their spiritual souls are devoured by gods or used to power A Hell of a Time. |
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Fallen London (Video Game) | hasFeature |
The Nothing After Death / int_dc72c82f | |
The Nothing After Death / int_df277244 | type |
The Nothing After Death | |
The Nothing After Death / int_df277244 | comment |
In American Gods, people who pass judgement are permitted to choose their destination. Shadow asks for Cessation of Existence but ends up with a version of this trope where he's mindlessly happy. He ends up getting brought back to life anyway. | |
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American Gods | hasFeature |
The Nothing After Death / int_df277244 | |
The Nothing After Death / int_e6275a02 | type |
The Nothing After Death | |
The Nothing After Death / int_e6275a02 | comment |
Looking for Group: The Demiplane of Suck might qualify as this, being naught but empty white space. | |
The Nothing After Death / int_e6275a02 | featureApplicability |
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The Nothing After Death / int_e6275a02 | featureConfidence |
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Looking for Group (Webcomic) | hasFeature |
The Nothing After Death / int_e6275a02 | |
The Nothing After Death / int_e7e62758 | type |
The Nothing After Death | |
The Nothing After Death / int_e7e62758 | comment |
This is what awaits everyone in Lamentations of the Flame Princess, according to the description of the Speak With Dead spell. | |
The Nothing After Death / int_e7e62758 | featureApplicability |
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The Nothing After Death / int_e7e62758 | featureConfidence |
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Lamentations of the Flame Princess (Tabletop Game) | hasFeature |
The Nothing After Death / int_e7e62758 | |
The Nothing After Death / int_ebcb7d65 | type |
The Nothing After Death | |
The Nothing After Death / int_ebcb7d65 | comment |
Cruel and Unusual: Doris believed when she died there would be just blackness and silence, but instead has been stuck reliving her suicide for decades in the afterlife. | |
The Nothing After Death / int_ebcb7d65 | featureApplicability |
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The Nothing After Death / int_ebcb7d65 | featureConfidence |
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Cruel and Unusual | hasFeature |
The Nothing After Death / int_ebcb7d65 | |
The Nothing After Death / int_ef076a36 | type |
The Nothing After Death | |
The Nothing After Death / int_ef076a36 | comment |
Star Trek: Voyager: When Neelix is brought back from the dead in "Mortal Coil", he remembers nothing of the afterlife. Since he was expecting to be reunited with his family, you kinda feel sorry for him... Followed up on in the 5th season premiere "Night", in which Voyager is traveling through an area of space without any stars, and the Doctor gives Neelix a diagnosis of his fear: |
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The Nothing After Death / int_ef076a36 | featureApplicability |
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Star Trek: Voyager | hasFeature |
The Nothing After Death / int_ef076a36 | |
The Nothing After Death / int_f00d733b | type |
The Nothing After Death | |
The Nothing After Death / int_f00d733b | comment |
In the New World of Darkness, this is what all dead face. While the Underworld isn't exactly featureless, it's so empty and devoid of anything meaningful that it hardly makes a difference. Some who know about this find it kinder merely to destroy the dead and send them into oblivion than to help them pass on... to a world far worse than the one they were clinging to. The good news is that the Underworld isn't permanent, and can be avoided entirely — it's where ghosts go when they lose all their anchors but still aren't ready to let go of existence. If a ghost in the Underworld does stop trying to cling to existence — for example, because someone completed its Unfinished Business for it — it moves on from the Underworld. The bad news is that no-one is sure where they move on to. In truth, souls are supposed to return to the Supernal World upon death, thereafter to be reincarnated with no memories. The souls of Mages do this automatically, but others have a more difficult time of it. The Underworld was not part of the original cosmic order, but came into existence when the Abyss did; as the Abyss lay between the normal world and the Supernal Realms, it made contact with the Supernal difficult and usually one-way (souls come from the Supernal World.) Well, that's what the Mages think. According to Imperial Mysteries, even the archmages have never seen any soul return to the Supernal Realms. Some Mages suspect that some souls go to the Empyrean, and others think that some souls of particularly heinous individuals go to the Lower Depths or maybe the Inferno (some think that they're the same thing). However, no one is really sure. |
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The Nothing After Death / int_f00d733b | featureApplicability |
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New World of Darkness (Tabletop Game) | hasFeature |
The Nothing After Death / int_f00d733b | |
The Nothing After Death / int_f4a1d45b | type |
The Nothing After Death | |
The Nothing After Death / int_f4a1d45b | comment |
In Crisis on Infinite Earths, after the surviving positive-matter universes are merged into one, the two Supermen of Earths-1 and 2 as well as Jay Garrick and Wally West use Barry Allen's Cosmic Treadmill to find out what has happened to Earth-2 after they awakened to find themselves on a merged Earth. They soon discover their answer when the Cosmic Treadmill leads them into a dark black void of nothingness. Earth-2 Superman feels himself being pulled into this void as if that's where he truly belongs, but Earth-1 Superman pulls him back and the four of them use the Cosmic Treadmill to return to the merged Earth, where the Cosmic Treadmill was destroyed. | |
The Nothing After Death / int_f4a1d45b | featureApplicability |
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Crisis on Infinite Earths (Comic Book) | hasFeature |
The Nothing After Death / int_f4a1d45b | |
The Nothing After Death / int_f74b5f80 | type |
The Nothing After Death | |
The Nothing After Death / int_f74b5f80 | comment |
One episode of Babylon 5 warns telepaths not to linger in a dying person's mind, lest they be pulled into the black void that is death. | |
The Nothing After Death / int_f74b5f80 | featureApplicability |
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Babylon 5 | hasFeature |
The Nothing After Death / int_f74b5f80 | |
The Nothing After Death / int_f849875f | type |
The Nothing After Death | |
The Nothing After Death / int_f849875f | comment |
The afterlife in It's Walky! looks something like this, with the only point of interest being the other people who are still there. It's suggested that this is either just Purgatory or just the last hurrah before Cessation of Existence; what's certain is that souls don't stay in this state forever. | |
The Nothing After Death / int_f849875f | featureApplicability |
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The Nothing After Death / int_f849875f | featureConfidence |
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ItsWalky | hasFeature |
The Nothing After Death / int_f849875f | |
The Nothing After Death / int_fa3ca713 | type |
The Nothing After Death | |
The Nothing After Death / int_fa3ca713 | comment |
Wishbone and the Amazing Odyssey: Agamemnon thinks of the Elysium fields as this — he was sent there because he was a hero, but there's nothing to actually do. He ended up entertaining himself by inventing a game based on the Trojan War, and Wishbone has to face him in a round. | |
The Nothing After Death / int_fa3ca713 | featureApplicability |
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Wishbone and the Amazing Odyssey (Video Game) | hasFeature |
The Nothing After Death / int_fa3ca713 |
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