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The Oner

1817 statements
344 feature instances
526 referencing feature instances

The Oner	type	FeatureClass
The Oner	label	The Oner
The Oner	page	TheOner
The Oner	comment	Called a "long take", this is one very long, uninterrupted camera shot. The camera moves, the actors move, things happen, the camera keeps shooting. Difficult. Expensive. Rarely makes it out of the editing room intact. It can also present a logistical challenge, as film cameras once lacked the storage capacity to run for more than 5 minutes at a time — if that. A screw-up means a lot more than just a re-shoot. But when done right, it can be hailed as a directorial triumph, a chance for the performers to show He Really Can Act, and just plain awesome. More so if it's a One-Take Wonder. This used to be much more common, since before Desi Arnaz's Three Cameras technique and pre-shooting on film became popular, most TV shows were done live with just one camera. Modern technology has made Oners easier, as digital cameras can hold much more footage compared to film (the longest magazines, at 2000' could still only hold 55 minutes), and the advent of CGI allows easier stitching of multiple takes, to the point where some are actually shot piecemeal in smaller takes. Significantly easier in animation, for obvious reasons, but even there, a long shot can still be a pain in the ass, since (1) you effectively have to work on the entire shot as a whole, effectively preventing most division of labor and making any editing rather troublesome and (2) the result almost always needs to be edited for pacing, leading back into problem 1. Compare Leave the Camera Running, which may also be a long single shot, but is really distinguished by its static-ness. Also compare Epic Tracking Shot, where the camera movements are virtually impossible without some sort of visual trickery. A Sub-Trope of Real Time. Compare with Unbroken First-Person Perspective.
The Oner	fetched	2024-04-09T18:01:45Z
The Oner	parsed	2024-04-09T18:01:45Z
The Oner	processingComment	Dropped link to Adele: Not an Item - IGNORE
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The Oner	processingComment	Dropped link to GodOfWar2018: Not an Item - UNKNOWN
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The Oner	processingComment	Dropped link to Macbeth: Not an Item - UNKNOWN
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The Oner	processingComment	Dropped link to Rope: Not an Item - UNKNOWN
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The Oner	processingComment	Dropped link to TheAbridgedHistory: Not an Item - FEATURE
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The Oner	processingComment	Dropped link to TheStinger: Not an Item - FEATURE
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The Oner	processingComment	Dropped link to TrackingShot: Not an Item - FEATURE
The Oner	processingComment	Dropped link to TropeMaker: Not an Item - UNKNOWN
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The Oner	processingUnknown	UruseiYatsura
The Oner	processingUnknown	Henry V 1944
The Oner	processingUnknown	Macbeth
The Oner	processingUnknown	Rope
The Oner	processingUnknown	TropeMaker
The Oner	processingUnknown	GodOfWar2018
The Oner	isPartOf	DBTropes
The Oner / int_10104627	type	The Oner
The Oner / int_10104627	comment	The Da Vinci's Inquest episode "It's Backwards Day" begins with a ten-minute scene that looks like a full oner, but has at least two edits (a whip pan just before Detective McNab arrives on the scene, and a shot following Officer McNab (the detective's daughter) when she is walking towards a witness for an interview). During this scene, Da Vinci is investigating a hit-and-run by talking to five different people (two uniformed officers, a paramedic, a detective, and an eyewitness), discussing the failure of his "safe injection site" plan with Detective McNab, and flirting with Officer McNab. Even though it's been edited, it's very well executed.
The Oner / int_10104627	featureApplicability	1.0
The Oner / int_10104627	featureConfidence	1.0
DaVincisInquest	hasFeature	The Oner / int_10104627
The Oner / int_1099a6ac	type	The Oner
The Oner / int_1099a6ac	comment	Fight Club has a scene which appears to show Tyler in two places at once, achieved by Brad Pitt running around the back of the camera very quickly as it pans round.
The Oner / int_1099a6ac	featureApplicability	1.0
The Oner / int_1099a6ac	featureConfidence	1.0
Fight Club	hasFeature	The Oner / int_1099a6ac
The Oner / int_10b03dcf	type	The Oner
The Oner / int_10b03dcf	comment	Batman: Arkham Asylum's opening sequence with Batman escorting the Joker into Arkham has a feel like this. Batman follows the Joker through multiple hallways and elevators, waits while the Joker is scanned for contraband and given a check-in by a doctor, and is taunted mercilessly by the Joker. Later, in a hallucination, this sequence repeats, only with Batman strapped to a gurney and the Joker escorting him.
The Oner / int_10b03dcf	featureApplicability	1.0
The Oner / int_10b03dcf	featureConfidence	1.0
Batman: Arkham Asylum (Video Game)	hasFeature	The Oner / int_10b03dcf
The Oner / int_10de015f	type	The Oner
The Oner / int_10de015f	comment	The German movie Kreuzweg (Stations of the Cross) is brought in 14 chapters, paralleling the 14 stations of the cross that Jesus encounters in his final days and hours. Each of these 14 scenes is brought in a single take, and all but two chapters (late in the film) are filmed with a fixed camera angle. The longest take is the first scene in a Sunday school class lasting for almost 14 min.
The Oner / int_10de015f	featureApplicability	1.0
The Oner / int_10de015f	featureConfidence	1.0
Stations of the Cross	hasFeature	The Oner / int_10de015f
The Oner / int_112ddf39	type	The Oner
The Oner / int_112ddf39	comment	The Game Changer opens with a minute-long uninterrupted shot of 1940s Shanghai, sweeping through the city's waterfront, the streets, rows and rows of cars, before finally having the camera going inside the limo where the female protagonist is seated.
The Oner / int_112ddf39	featureApplicability	1.0
The Oner / int_112ddf39	featureConfidence	1.0
The Game Changer	hasFeature	The Oner / int_112ddf39
The Oner / int_11330d39	type	The Oner
The Oner / int_11330d39	comment	Stranger by the Lake: The shot where Michel drowns his lover and then leaves the lake, walks back towards his clothes, gets dressed and then leaves, is all one continuous shot.
The Oner / int_11330d39	featureApplicability	1.0
The Oner / int_11330d39	featureConfidence	1.0
Stranger by the Lake	hasFeature	The Oner / int_11330d39
The Oner / int_11360412	type	The Oner
The Oner / int_11360412	comment	Elena Undone: The entire scene in which Elena first kisses Peyton, leading to an intense makeout session, is a oner clocking in at 3 minutes and 51 seconds.
The Oner / int_11360412	featureApplicability	1.0
The Oner / int_11360412	featureConfidence	1.0
Elena Undone	hasFeature	The Oner / int_11360412
The Oner / int_120e4a66	type	The Oner
The Oner / int_120e4a66	comment	The opening number of the film version of The Last Five Years is actually five shots: a crane in through a window on Cathy's face; a cut to the reverse shot of the letter Jame wrote her to say goodbye; several expositional shots of the Official Couple's photographs, showing the detritus of their now-sundered marriage; and back to Cathy. Only the transition between the first two shots is a clear edit; everything else is seamless.
The Oner / int_120e4a66	featureApplicability	1.0
The Oner / int_120e4a66	featureConfidence	1.0
The Last Five Years (Theatre)	hasFeature	The Oner / int_120e4a66
The Oner / int_12b2b8a6	type	The Oner
The Oner / int_12b2b8a6	comment	Unbreakable: Most scenes are shot entirely in one take.
The Oner / int_12b2b8a6	featureApplicability	1.0
The Oner / int_12b2b8a6	featureConfidence	1.0
Unbreakable	hasFeature	The Oner / int_12b2b8a6
The Oner / int_13197c51	type	The Oner
The Oner / int_13197c51	comment	Funny Games featured several of these throughout the film, including a 10-minute take of Anna and Georg cutting through their bonds and moving into the kitchen after the killers murder their son and seemingly leave them alone in their own house.
The Oner / int_13197c51	featureApplicability	1.0
The Oner / int_13197c51	featureConfidence	1.0
Funny Games	hasFeature	The Oner / int_13197c51
The Oner / int_13e1a2af	type	The Oner
The Oner / int_13e1a2af	comment	In The Long Good Friday, the final shot holds on Harold Shand (Bob Hoskins) as he's driven away, replaying the events of the last few days in his head. We see him run the gamut of emotions as everything becomes clear to him.
The Oner / int_13e1a2af	featureApplicability	1.0
The Oner / int_13e1a2af	featureConfidence	1.0
The Long Good Friday	hasFeature	The Oner / int_13e1a2af
The Oner / int_15795a69	type	The Oner
The Oner / int_15795a69	comment	The Wolf House is shot to look like the camera is continuously moving through the house in real time.
The Oner / int_15795a69	featureApplicability	1.0
The Oner / int_15795a69	featureConfidence	1.0
The Wolf House	hasFeature	The Oner / int_15795a69
The Oner / int_16676cab	type	The Oner
The Oner / int_16676cab	comment	Gun Crazy used a oner during a bank holdup filmed from the inside of the getaway car. The entire scene takes three-and-a-half minutes.
The Oner / int_16676cab	featureApplicability	1.0
The Oner / int_16676cab	featureConfidence	1.0
Gun Crazy	hasFeature	The Oner / int_16676cab
The Oner / int_17248cac	type	The Oner
The Oner / int_17248cac	comment	The short film Screen Play is, true to its title, set up like a stage play, with the camera aimed squarely at the performance. It's not until the film's Downer Ending kicks off about nine minutes in that a new shot is introduced, to show the breaking of the performance by the samurai's arrival and subsequent killing spree.
The Oner / int_17248cac	featureApplicability	1.0
The Oner / int_17248cac	featureConfidence	1.0
Screen Play	hasFeature	The Oner / int_17248cac
The Oner / int_1929cbce	type	The Oner
The Oner / int_1929cbce	comment	The Super Mario Bros. Movie: After Mario and Luigi's car breaks down, there is a long, uninterrupted shot of the bros running through Brooklyn to get to their customer, meant to emulate the look of World 1-1 from the first game. It lasts upwards of 20 seconds.
The Oner / int_1929cbce	featureApplicability	1.0
The Oner / int_1929cbce	featureConfidence	1.0
The Super Mario Bros. Movie	hasFeature	The Oner / int_1929cbce
The Oner / int_194d322	type	The Oner
The Oner / int_194d322	comment	Dead Again has a technically challenging continuous circular shot around a table featuring Derek Jacobi hypnotizing Emma Thompson with Branagh himself as witness, and they all deliver their very best in performance and timing.
The Oner / int_194d322	featureApplicability	1.0
The Oner / int_194d322	featureConfidence	1.0
Dead Again	hasFeature	The Oner / int_194d322
The Oner / int_1c029994	type	The Oner
The Oner / int_1c029994	comment	Gravity. There is only one cut in approximately the first thirty minutes. The remainder of the camera work is accomplished through continuous panning. The cinematography is done by the highly acclaimed cinematographer, Emmanuel Lubezki, a frequent collaborator of Cuaron, who also did the cinematography for Y Tu Mama Tambien, Great Expectations and Children Of Men, all which are mentioned above, so this isn't surprising.
The Oner / int_1c029994	featureApplicability	1.0
The Oner / int_1c029994	featureConfidence	1.0
Gravity	hasFeature	The Oner / int_1c029994
The Oner / int_1d1591e8	type	The Oner
The Oner / int_1d1591e8	comment	The opening of Rise of the Teenage Mutant Ninja Turtles is thirty seconds of action and wild camera rotations with zero cuts until the Title Card.
The Oner / int_1d1591e8	featureApplicability	1.0
The Oner / int_1d1591e8	featureConfidence	1.0
Rise of the Teenage Mutant Ninja Turtles	hasFeature	The Oner / int_1d1591e8
The Oner / int_1e81abe7	type	The Oner
The Oner / int_1e81abe7	comment	Aladdin (2019)'s opening has the camera pan from the narrator's boat into Agrabah and the Cave of Wonders, introducing every character in the movie.
The Oner / int_1e81abe7	featureApplicability	1.0
The Oner / int_1e81abe7	featureConfidence	1.0
Aladdin (2019)	hasFeature	The Oner / int_1e81abe7
The Oner / int_20409a0a	type	The Oner
The Oner / int_20409a0a	comment	The Defenders: There's a pretty impressive lengthy shot at the start of the team-up Hallway Fight, which starts with Matt and Jessica arriving, Luke and Danny's boardroom brawl with Hand henchmen breaking through the wall in front of them, both groups exchanging words with one another, and Matt sensing Elektra approaching.
The Oner / int_20409a0a	featureApplicability	1.0
The Oner / int_20409a0a	featureConfidence	1.0
The Defenders (2017)	hasFeature	The Oner / int_20409a0a
The Oner / int_2126592a	type	The Oner
The Oner / int_2126592a	comment	Girls und Panzer: The first scene of puts the camera in the POV of the main characters' tank, and stays in this view for about a minute and a half as they get in and drive past the rest of the team. At the end of the first episode, there is another epic Oner: tracking from the rusted hulk of the Pz.IV, out past the school grounds, down the street until we pull all the way back to find the whole city is on a gigantic aircraft carrier!
The Oner / int_2126592a	featureApplicability	1.0
The Oner / int_2126592a	featureConfidence	1.0
Girls und Panzer	hasFeature	The Oner / int_2126592a
The Oner / int_2172e43f	type	The Oner
The Oner / int_2172e43f	comment	The ending of Batman: Arkham Knight is a series of consecutive Oners that each have a core theme to tell, representing everything about the Arkham series in half an hour. Spoilers: First up, Batman's quiet introspection about how it all began is interrupted by Hallucination!Joker, who fights Batman with an army of clones until he snaps. This represents the Arkham series' deviation from Batman's core themes of crimefighting to a Beat-Em-Up of endless annoying thugs, which subverts the theme of mercy due to excessive violence. Next is Scarecrow finally defeating The Batman once and for all by forcing Gordon to unmask him. Live. The whole unmasking is a boring, clichÃ© infested B-movie script, downplaying the importance of Batman's secret identity. Next is Batman's worst nightmare played in his head: Hallucination!Joker takes control and kills everyone. You get to use live ammo from the Jokermobile on an entire army, shoot down, and watch Gotham literally burn as the Joker laughs. It's a deconstruction of third-person shooters, as you end up killing the Rogues with little to no effort, as opposed to fighting an army of mooks in strategic combat. Then Hallucination!Joker gets his worst nightmare. You end up shooting boring statues of Batman as Joker's memory is permanently erased from Gotham. This deconstructs First-Person horror games as you end up shooting the same, easy-to-kill enemy over and over. Then Batman and the Arkham Knight turn the tables on Scarecrow, subjecting him to his worst fears and giving us a glimpse of the terrifying Dark Knight that the series was originally famous for. And for the Grand Finale, Bruce Wayne blows up his house while the media watches. It's symbolic of cutting off all ties with Gotham and dying alone against the real enemy: human indulgence. The Stinger shows a new Batman, now with superpowers that are focused on a single trait only: FEAR.
The Oner / int_2172e43f	featureApplicability	1.0
The Oner / int_2172e43f	featureConfidence	1.0
Batman: Arkham Knight (Video Game)	hasFeature	The Oner / int_2172e43f
The Oner / int_21938c93	type	The Oner
The Oner / int_21938c93	comment	Avengers: Age of Ultron: The sequel starts with one, with the team fighting their way through the woods of Sokovia, assaulting a base of HYDRA. The scene of the Iron Man drones getting back to the Stark tower is also a long take, with the "camera" going through a glass ceiling to follow the Avengers. During the climactic final battle, we get one long beautiful rotating shot of all the Avengers taking down Ultron's drones.
The Oner / int_21938c93	featureApplicability	1.0
The Oner / int_21938c93	featureConfidence	1.0
Avengers: Age of Ultron	hasFeature	The Oner / int_21938c93
The Oner / int_21b21f35	type	The Oner
The Oner / int_21b21f35	comment	BoJack Horseman had a season 2 episode do this as its entire cold opening.
The Oner / int_21b21f35	featureApplicability	1.0
The Oner / int_21b21f35	featureConfidence	1.0
BoJack Horseman	hasFeature	The Oner / int_21b21f35
The Oner / int_2212773a	type	The Oner
The Oner / int_2212773a	comment	The intro of the Angel Investigations gang on their first day of work at Wolfram & Hart in "Conviction" is a oner, and featured every starring member of the cast.
The Oner / int_2212773a	featureApplicability	1.0
The Oner / int_2212773a	featureConfidence	1.0
Angel	hasFeature	The Oner / int_2212773a
The Oner / int_2297284d	type	The Oner
The Oner / int_2297284d	comment	There's a four-minute continuous take in The Stranger that starts in the middle of the road and then follows the actors through the forest.
The Oner / int_2297284d	featureApplicability	1.0
The Oner / int_2297284d	featureConfidence	1.0
The Stranger	hasFeature	The Oner / int_2297284d
The Oner / int_230ec9cf	type	The Oner
The Oner / int_230ec9cf	comment	The series 4 opener of Skins begins with one of these. It's comfortably the best thing about the episode.
The Oner / int_230ec9cf	featureApplicability	1.0
The Oner / int_230ec9cf	featureConfidence	1.0
Skins	hasFeature	The Oner / int_230ec9cf
The Oner / int_23553960	type	The Oner
The Oner / int_23553960	comment	Both games in the Metal Gear Solid V duology make extensive use of this trope. Kojima's intention was to have as few hard cuts as possible, while seamlessly transitioning to and from gameplay. The opening mission of Ground Zeroes, for instance, has a single, unbroken 8-minute cutscene which then flows seamlessly into gameplay, while the ending cutscene has a single cut (which is actually a Time Skip) over 22 minutes. Depending on how you play the mission, it's perfectly possible for there to be no hard cuts whatsoever until said Time Skip.
The Oner / int_23553960	featureApplicability	1.0
The Oner / int_23553960	featureConfidence	1.0
Metal Gear Solid V: The Phantom Pain (Video Game)	hasFeature	The Oner / int_23553960
The Oner / int_23f38913	type	The Oner
The Oner / int_23f38913	comment	Reece Mastin does this with his video for Rock Star.
The Oner / int_23f38913	featureApplicability	1.0
The Oner / int_23f38913	featureConfidence	1.0
Reece Mastin (Music)	hasFeature	The Oner / int_23f38913
The Oner / int_240ae60b	type	The Oner
The Oner / int_240ae60b	comment	Planet Earth included a shot of wild African dogs chasing a gazelle. While the pack strategies used by hunting canines was well understood, an entire hunt had never before been filmed from start to finish. The camera crew used a single camera to capture the hunt from a helicopter in one long shot, which is detailed in the "Making Of" featurette on the DVD.
The Oner / int_240ae60b	featureApplicability	1.0
The Oner / int_240ae60b	featureConfidence	1.0
Planet Earth	hasFeature	The Oner / int_240ae60b
The Oner / int_24ffd341	type	The Oner
The Oner / int_24ffd341	comment	The It's Always Sunny in Philadelphia episode "Charlie Work" features a seven minute-long sequence with the appearance of one shot following Charlie as he takes the health inspector around the bar and orchestrates the other characters to make the building seem up to code. There's some very seamless trickery to combine the footage together, as the Paddy Pub's interior set is not in the same location as its exterior.
The Oner / int_24ffd341	featureApplicability	1.0
The Oner / int_24ffd341	featureConfidence	1.0
It's Always Sunny in Philadelphia	hasFeature	The Oner / int_24ffd341
The Oner / int_2604077	type	The Oner
The Oner / int_2604077	comment	Obi-Wan Kenobi: The second shot of "Part I" follows the Jedi Minas Velti leading a group of Younglings through the halls of the Temple and defending them from the Clone Troopers until she's cut down by blaster fire. The shot continues with the Younglings realizing they need to run and heading off on their own as fighting continues all around them.
The Oner / int_2604077	featureApplicability	1.0
The Oner / int_2604077	featureConfidence	1.0
Obi-Wan Kenobi	hasFeature	The Oner / int_2604077
The Oner / int_2675c915	type	The Oner
The Oner / int_2675c915	comment	Agents of S.H.I.E.L.D.: The episode "The Dirty Half Dozen", which aired just a few weeks after the Daredevil season 1 one-take fight, contains a few minutes-long fight scene with the camera following Skye as she expertly cuts down an entire room of HYDRA agents. Bask in its glory for yourself. Even better, there was no stunt double. It was all Chloe Bennet. She messed up and broke her arm in the middle, but stayed in character long enough to finish the scene.
The Oner / int_2675c915	featureApplicability	1.0
The Oner / int_2675c915	featureConfidence	1.0
Agents of S.H.I.E.L.D.	hasFeature	The Oner / int_2675c915
The Oner / int_26bfe36a	type	The Oner
The Oner / int_26bfe36a	comment	Lisa Hannigan did this twice in support of her album Passenger: "Little Bird" — she lip-syncs the song at 4.5x speed while submerged in a bathtub in her mother's house. "Knots" — she performs the song against a white backdrop in a white dress while she gets progressively Covered in Gunge in real time.
The Oner / int_26bfe36a	featureApplicability	1.0
The Oner / int_26bfe36a	featureConfidence	1.0
Lisa Hannigan (Music)	hasFeature	The Oner / int_26bfe36a
The Oner / int_26cdaf0c	type	The Oner
The Oner / int_26cdaf0c	comment	Hal Ashby's Bound for Glory has a long shot, one of the first ever shots done with a Steadicam, following Woody Guthrie as he goes through a Depression-era shantytown.
The Oner / int_26cdaf0c	featureApplicability	1.0
The Oner / int_26cdaf0c	featureConfidence	1.0
Bound for Glory	hasFeature	The Oner / int_26cdaf0c
The Oner / int_27647a9	type	The Oner
The Oner / int_27647a9	comment	Casualties of War has two oners similar to The Untouchables (1987) that creates suspense and is seen through the eyes of an evildoer: when the soldiers are about to kidnap Oanh and when Clark tries to kill Eriksson.
The Oner / int_27647a9	featureApplicability	1.0
The Oner / int_27647a9	featureConfidence	1.0
Casualties of War	hasFeature	The Oner / int_27647a9
The Oner / int_278df229	type	The Oner
The Oner / int_278df229	comment	Superjail! loves doing shots like this, especially during long continues scenes of inmates getting horribly murdered during sprawling orgies of violence and gore that usually top off almost every episode of the show.
The Oner / int_278df229	featureApplicability	1.0
The Oner / int_278df229	featureConfidence	1.0
Superjail!	hasFeature	The Oner / int_278df229
The Oner / int_27e42502	type	The Oner
The Oner / int_27e42502	comment	Echo Chamber has an episode on Walk and Talk which was done in one take, except for The Stinger after the credits.
The Oner / int_27e42502	featureApplicability	1.0
The Oner / int_27e42502	featureConfidence	1.0
Echo Chamber (Web Video)	hasFeature	The Oner / int_27e42502
The Oner / int_282c9fd6	type	The Oner
The Oner / int_282c9fd6	comment	Every episode of One Take follows this format, the camera running uninterrupted for 5 minutes.
The Oner / int_282c9fd6	featureApplicability	1.0
The Oner / int_282c9fd6	featureConfidence	1.0
One Take (Web Video)	hasFeature	The Oner / int_282c9fd6
The Oner / int_28d8df0c	type	The Oner
The Oner / int_28d8df0c	comment	The first half of Theory of a Deadman's "Hate My Life" is a single shot of Tyler Connolly walking through the city and singing while the camera follows him and events around him reflect the lyrics. Then after the second chorus he joins the band on a parade float for the guitar solo and it becomes a more traditional performance video.
The Oner / int_28d8df0c	featureApplicability	1.0
The Oner / int_28d8df0c	featureConfidence	1.0
Theory of a Deadman (Music)	hasFeature	The Oner / int_28d8df0c
The Oner / int_298a47a9	type	The Oner
The Oner / int_298a47a9	comment	The Big Lebowski uses these, both running exactly two and a half minutes, in the two on-screen appearances of the narrating Stranger: In his first scene, after The Dude has been paid a visit by the nihilists "threatening castration", he, Walter, and Donny discuss the events at the bowling alley's bar before an argument has the latter two opting to go bowl. The camera closes in on The Dude getting another drink before pulling back and revealing the Stranger in the spot where Walter and Donny previously occupied. In the final scene of the movie, The Dude encounters The Stranger again and "abides", leaving The Stranger to monologue the movie to a close, finishing with an emphasized shot of a bowler in the background throwing an apparent strike with a Smash to Black.
The Oner / int_298a47a9	featureApplicability	1.0
The Oner / int_298a47a9	featureConfidence	1.0
The Big Lebowski	hasFeature	The Oner / int_298a47a9
The Oner / int_2a052648	type	The Oner
The Oner / int_2a052648	comment	The 1931 short Bimbo's Initiation has a 40-second scene of Bimbo running while trying to dodge various deathtraps, where even the scenery is animated with him.
The Oner / int_2a052648	featureApplicability	1.0
The Oner / int_2a052648	featureConfidence	1.0
Bimbo's Initiation	hasFeature	The Oner / int_2a052648
The Oner / int_2a1b28fc	type	The Oner
The Oner / int_2a1b28fc	comment	Smiling Friends: The entirety of "The Smiling Friends Go to Brazil!" is one long shot focused on the Smiling Friends left completely stranded inside of a Brazillian airport because Pim forgot to book a hotel room. The camera rests its position at the very end when they decide to fly back home as they walk out of frame.
The Oner / int_2a1b28fc	featureApplicability	1.0
The Oner / int_2a1b28fc	featureConfidence	1.0
Smiling Friends	hasFeature	The Oner / int_2a1b28fc
The Oner / int_2b60ae0f	type	The Oner
The Oner / int_2b60ae0f	comment	In Bruges homages Touch of Evil with a scene of Brendan Gleeson's character watching the appropriate scene from the film and then having a long phone conversation with Ralph Fiennes' character within a single shot.
The Oner / int_2b60ae0f	featureApplicability	1.0
The Oner / int_2b60ae0f	featureConfidence	1.0
In Bruges	hasFeature	The Oner / int_2b60ae0f
The Oner / int_2bbcacd9	type	The Oner
The Oner / int_2bbcacd9	comment	Looney Tunes: The final scene of Rabbit Stew and Rabbits, Too! Quick Brown Fox is prepping his outdoor kitchen with a Rube Goldberg Device. No sooner is the final component set into place than Rapid Rabbit honks his pocket horn behind him. The Fox gets Hoist by His Own Petard in the process, finally landing on the tablecloth. The Rabbit blows a balloon which he then attaches to the corners of the cloth. As the Fox goes up in the air, the Rabbit gives off one last blast of his horn, after which he pulls out a carrot to munch on to close the cartoon out.
The Oner / int_2bbcacd9	featureApplicability	1.0
The Oner / int_2bbcacd9	featureConfidence	1.0
Looney Tunes	hasFeature	The Oner / int_2bbcacd9
The Oner / int_2ca653c9	type	The Oner
The Oner / int_2ca653c9	comment	Jane the Virgin: The first episode of the fifth season has a long take as Jane totally loses her mind over the events of the beginning of the episode. In the fifth and final season there's one where Jane has a breakdown over the contents of her telenovela life, unanimously hailed as a career highlight for Gina Rodriguez.
The Oner / int_2ca653c9	featureApplicability	1.0
The Oner / int_2ca653c9	featureConfidence	1.0
Jane the Virgin	hasFeature	The Oner / int_2ca653c9
The Oner / int_2e28d3d5	type	The Oner
The Oner / int_2e28d3d5	comment	"Free As A Bird" from The Beatles Anthology by The Beatles is made to look like this, even though it would be utterly impossible for a number of reasons, chief among them the fact that they include old clips of The Beatles spliced in.
The Oner / int_2e28d3d5	featureApplicability	1.0
The Oner / int_2e28d3d5	featureConfidence	1.0
The Beatles Anthology (Music)	hasFeature	The Oner / int_2e28d3d5
The Oner / int_2e2efbf9	type	The Oner
The Oner / int_2e2efbf9	comment	Back to the Future begins with a pan through Doc Brown's laboratory that goes at least two minutes without a cut.
The Oner / int_2e2efbf9	featureApplicability	1.0
The Oner / int_2e2efbf9	featureConfidence	1.0
Back to the Future	hasFeature	The Oner / int_2e2efbf9
The Oner / int_2e9ef429	type	The Oner
The Oner / int_2e9ef429	comment	Batman: Arkham Series: Batman: Arkham Asylum's opening sequence with Batman escorting the Joker into Arkham has a feel like this. Batman follows the Joker through multiple hallways and elevators, waits while the Joker is scanned for contraband and given a check-in by a doctor, and is taunted mercilessly by the Joker. Later, in a hallucination, this sequence repeats, only with Batman strapped to a gurney and the Joker escorting him. Batman: Arkham City has a similar one, starting with Bruce Wayne attempting to break free from a chair, beating up a guard (and palming his radio's decryption chip), getting knocked around by a second guard, ordered through processing, going through the bulkhead doors into the city, countering some prisoners while handcuffed, and finally being grabbed and delivered to The Penguin. The ending of Batman: Arkham Knight is a series of consecutive Oners that each have a core theme to tell, representing everything about the Arkham series in half an hour. Spoilers: First up, Batman's quiet introspection about how it all began is interrupted by Hallucination!Joker, who fights Batman with an army of clones until he snaps. This represents the Arkham series' deviation from Batman's core themes of crimefighting to a Beat-Em-Up of endless annoying thugs, which subverts the theme of mercy due to excessive violence. Next is Scarecrow finally defeating The Batman once and for all by forcing Gordon to unmask him. Live. The whole unmasking is a boring, clichÃ© infested B-movie script, downplaying the importance of Batman's secret identity. Next is Batman's worst nightmare played in his head: Hallucination!Joker takes control and kills everyone. You get to use live ammo from the Jokermobile on an entire army, shoot down, and watch Gotham literally burn as the Joker laughs. It's a deconstruction of third-person shooters, as you end up killing the Rogues with little to no effort, as opposed to fighting an army of mooks in strategic combat. Then Hallucination!Joker gets his worst nightmare. You end up shooting boring statues of Batman as Joker's memory is permanently erased from Gotham. This deconstructs First-Person horror games as you end up shooting the same, easy-to-kill enemy over and over. Then Batman and the Arkham Knight turn the tables on Scarecrow, subjecting him to his worst fears and giving us a glimpse of the terrifying Dark Knight that the series was originally famous for. And for the Grand Finale, Bruce Wayne blows up his house while the media watches. It's symbolic of cutting off all ties with Gotham and dying alone against the real enemy: human indulgence. The Stinger shows a new Batman, now with superpowers that are focused on a single trait only: FEAR.
The Oner / int_2e9ef429	featureApplicability	1.0
The Oner / int_2e9ef429	featureConfidence	1.0
BatmanArkhamSeries	hasFeature	The Oner / int_2e9ef429
The Oner / int_2edf4d48	type	The Oner
The Oner / int_2edf4d48	comment	One Cut of the Dead: The film's first act is a single, 30-minute long continuous take of a zombie movie crew getting attacked by zombies, filmed without hidden edits. The film then reveals that this whole sequence was a Show Within a Show. The rest of the film is a flashback to a film crew planning and executing the single-take horror film to be broadcast live on television.
The Oner / int_2edf4d48	featureApplicability	1.0
The Oner / int_2edf4d48	featureConfidence	1.0
One Cut of the Dead	hasFeature	The Oner / int_2edf4d48
The Oner / int_30ac0866	type	The Oner
The Oner / int_30ac0866	comment	The Bad Guys (2022) opens as an homage to Pulp Fiction with Mr. Wolf and Mr. Snake talking to each other before they rob a bank. This is done as one continuous shot with no cuts lasting two minutes, 25 seconds and seven frames. The longest one-shot in Dreamworks Animation history.
The Oner / int_30ac0866	featureApplicability	1.0
The Oner / int_30ac0866	featureConfidence	1.0
The Bad Guys (2022)	hasFeature	The Oner / int_30ac0866
The Oner / int_3101911b	type	The Oner
The Oner / int_3101911b	comment	Hinatazaka46: "Konna ni Suki ni Natchatte Ii no?" and "Tsuki to Hoshi ga Odoru Midnight" have alternate long-take music videos.
The Oner / int_3101911b	featureApplicability	1.0
The Oner / int_3101911b	featureConfidence	1.0
Hinatazaka46 (Music)	hasFeature	The Oner / int_3101911b
The Oner / int_32a01588	type	The Oner
The Oner / int_32a01588	comment	Pinocchio has a spectacular multiplane scene where the camera journeys through the village at morning, starting from the top of a church's bell tower and ending at Gepetto's shop. A shorter one also appears during the "Hi-Diddle-Dee-Dee" number, an overhead shot of Honest John and Gideon leading Pinocchio down the street.
The Oner / int_32a01588	featureApplicability	1.0
The Oner / int_32a01588	featureConfidence	1.0
Pinocchio	hasFeature	The Oner / int_32a01588
The Oner / int_32c3af8c	type	The Oner
The Oner / int_32c3af8c	comment	Propaganda pic I Am Cuba has some incredibly long takes in which the camera floats around throughout the scene. In one sequence, it goes around a high-class pool party and even ducks under the water for a while before emerging again. In another, it follows the coffin of a dead student through crowded streets, up the sides of a building, through the top floor, and then out again along a balcony. These were often done by having the camera passed along a "bucket line" of cameramen!
The Oner / int_32c3af8c	featureApplicability	1.0
The Oner / int_32c3af8c	featureConfidence	1.0
I Am Cuba	hasFeature	The Oner / int_32c3af8c
The Oner / int_33837af1	type	The Oner
The Oner / int_33837af1	comment	The opening shot from The Place Beyond the Pines, which follows Luke from his trailer to the globe of death.
The Oner / int_33837af1	featureApplicability	1.0
The Oner / int_33837af1	featureConfidence	1.0
The Place Beyond the Pines	hasFeature	The Oner / int_33837af1
The Oner / int_33dd1d8f	type	The Oner
The Oner / int_33dd1d8f	comment	Half-Life is probably the most famous, and earliest (released in 1998) example. All the games directly follow one long shot from Gordon's point of view, differing from other games at the time (and still many now) due to lack of traditional cut scenes or even loading screens (instead simply showing the word "loading" in the center of your view while the next level loads — though this could technically be considered a disguised cut because of how the engine works). The only parts of the series that are less than seamless are when Gordon is knocked unconscious or teleported.
The Oner / int_33dd1d8f	featureApplicability	1.0
The Oner / int_33dd1d8f	featureConfidence	1.0
Half-Life (Video Game)	hasFeature	The Oner / int_33dd1d8f
The Oner / int_3558eaa2	type	The Oner
The Oner / int_3558eaa2	comment	In Community, the opening scene of Season 2 is a continuous panning shot over multiple sets as the characters wake up to the first day of the new college year.
The Oner / int_3558eaa2	featureApplicability	1.0
The Oner / int_3558eaa2	featureConfidence	1.0
Community	hasFeature	The Oner / int_3558eaa2
The Oner / int_35e05f2a	type	The Oner
The Oner / int_35e05f2a	comment	RWBY: The opening scene of Volume 6 begins with a very impressive continuous shot of a speeding train, the Argus Limited, being chased and assaulted by a pack of Manticore Grimm that is led by a Sphinx Grimm; it follows the perspective of one Manticore, from its approach to the train until it is killed by Ruby. The shot then focuses on each member of Team RWBY as they battle the Grimm atop the train before moving to Team JNR who do the same. This shot lasts over one minute and comprises a majority of the first scene of the chapter.
The Oner / int_35e05f2a	featureApplicability	1.0
The Oner / int_35e05f2a	featureConfidence	1.0
RWBY (Web Animation)	hasFeature	The Oner / int_35e05f2a
The Oner / int_37744bc6	type	The Oner
The Oner / int_37744bc6	comment	A Free Soul has a 14-minute continuous take courtroom scene. This was done by using two cameras and splicing the footage together.
The Oner / int_37744bc6	featureApplicability	1.0
The Oner / int_37744bc6	featureConfidence	1.0
A Free Soul	hasFeature	The Oner / int_37744bc6
The Oner / int_3840524e	type	The Oner
The Oner / int_3840524e	comment	In the film of the musical 1776, the opening scene of Adams descending the staircase from the bell tower, entering the Continental Congress, and delivering his opening monologue before the first song is all one take. The filmmakers note in the DVD commentary how difficult it was building a camera rig that would give a smooth transition from descending from the ceiling into the Congress chamber. There's a noticeable bump as the camera is wheeled off the extending platform used to film the stairs part of the shot.
The Oner / int_3840524e	featureApplicability	1.0
The Oner / int_3840524e	featureConfidence	1.0
1776 (Theatre)	hasFeature	The Oner / int_3840524e
The Oner / int_384a2157	type	The Oner
The Oner / int_384a2157	comment	For the final episode of its 31st season, and to commemorate the series' 30th anniversary, British hospital drama CASUAL+Y made British television history by recording a Oner... that was 48 minutes long. Even more impressive was the fact that they managed to switch cameramen halfway through (after about 20 minutes, the camera would just be too heavy) and that they managed to nail it in under ten takes.
The Oner / int_384a2157	featureApplicability	1.0
The Oner / int_384a2157	featureConfidence	1.0
CASUAL+Y	hasFeature	The Oner / int_384a2157
The Oner / int_38d295e3	type	The Oner
The Oner / int_38d295e3	comment	All segments of Haneke's Code Unknown are shot as long single takes, with the first one lasting over seven minutes.
The Oner / int_38d295e3	featureApplicability	1.0
The Oner / int_38d295e3	featureConfidence	1.0
Code Unknown	hasFeature	The Oner / int_38d295e3
The Oner / int_3953baf0	type	The Oner
The Oner / int_3953baf0	comment	In The Hunchback of Notre Dame (Disney), the song "Out There" ends with a long pan out on Quasimodo standing atop the cathedral, which then pans down to the Paris streets.
The Oner / int_3953baf0	featureApplicability	1.0
The Oner / int_3953baf0	featureConfidence	1.0
The Hunchback of Notre Dame (Disney)	hasFeature	The Oner / int_3953baf0
The Oner / int_39e3b5ff	type	The Oner
The Oner / int_39e3b5ff	comment	Kill Bill Vol. 2 captures The Bride's walk down the aisle, the reveal of the Vipers outside of the chapel and the ensuing massacre in a single shot.
The Oner / int_39e3b5ff	featureApplicability	1.0
The Oner / int_39e3b5ff	featureConfidence	1.0
Kill Bill	hasFeature	The Oner / int_39e3b5ff
The Oner / int_3b25040c	type	The Oner
The Oner / int_3b25040c	comment	The Happy Fits: Not only was the music video for "Go Dumb" filmed in one take, but it was filmed backwards. Lead singer Calvin Langman had to learn how to sing the song backwards before filming.
The Oner / int_3b25040c	featureApplicability	1.0
The Oner / int_3b25040c	featureConfidence	1.0
The Happy Fits (Music)	hasFeature	The Oner / int_3b25040c
The Oner / int_3bf5c9f7	type	The Oner
The Oner / int_3bf5c9f7	comment	In The Polar Express, the scene where Hero Boy loses a ticket is a oner as we follow the ticket's journey as it blows around in the wind as it returns to the inside of the train.
The Oner / int_3bf5c9f7	featureApplicability	1.0
The Oner / int_3bf5c9f7	featureConfidence	1.0
The Polar Express	hasFeature	The Oner / int_3bf5c9f7
The Oner / int_3cc61f13	type	The Oner
The Oner / int_3cc61f13	comment	The We Bare Bears short "The Cave" is entirely a shot of the exterior of the bears' house while they freak out about a bat getting into their home and trying to get rid of it. The only sign we see of the bears is Ice Bear rushing outside to get the hose when Grizzly starts a fire in the kitchen.
The Oner / int_3cc61f13	featureApplicability	1.0
The Oner / int_3cc61f13	featureConfidence	1.0
We Bare Bears	hasFeature	The Oner / int_3cc61f13
The Oner / int_3e0ce028	type	The Oner
The Oner / int_3e0ce028	comment	12 Angry Men has two—one towards the beginning, in which each of the jurors establishes himself as the camera pans around the room and focuses briefly on several different conversations; and one when Henry Fonda goes to wash his hands and other characters duck into the bathroom to chat with him.
The Oner / int_3e0ce028	featureApplicability	1.0
The Oner / int_3e0ce028	featureConfidence	1.0
12 Angry Men	hasFeature	The Oner / int_3e0ce028
The Oner / int_3e5de40b	type	The Oner
The Oner / int_3e5de40b	comment	Scrubs season one episode "My Student" began with a two-and-a-half minute Cold Opening. DVD special features show that the primary technical difficulty was actor Donald Faison's inability to sink a three-pointer on cue.
The Oner / int_3e5de40b	featureApplicability	1.0
The Oner / int_3e5de40b	featureConfidence	1.0
Scrubs	hasFeature	The Oner / int_3e5de40b
The Oner / int_3e8c09b9	type	The Oner
The Oner / int_3e8c09b9	comment	The first season of Attack on Titan gives us a GORGEOUS one in episode 11 showing Eren swinging and hurtling through Trost, ending with a mid-air titan transformation.
The Oner / int_3e8c09b9	featureApplicability	1.0
The Oner / int_3e8c09b9	featureConfidence	1.0
Attack on Titan (Manga)	hasFeature	The Oner / int_3e8c09b9
The Oner / int_3ebc1967	type	The Oner
The Oner / int_3ebc1967	comment	A quite powerful one near the end of Wall Street, as Charlie Sheen is arrested for insider trading and slowly breaks down in tears during the long walk out of the office.
The Oner / int_3ebc1967	featureApplicability	1.0
The Oner / int_3ebc1967	featureConfidence	1.0
Wall Street	hasFeature	The Oner / int_3ebc1967
The Oner / int_3f231b84	type	The Oner
The Oner / int_3f231b84	comment	Jurassic World: In the climatic battle, the moment Blue enters the fight till the I. Rex is defeated is one shot. You see Blue attacking the Indominus, then Rexy rejoining the fight, the protaganists trying to flee the scene and again the fight.
The Oner / int_3f231b84	featureApplicability	1.0
The Oner / int_3f231b84	featureConfidence	1.0
Jurassic World	hasFeature	The Oner / int_3f231b84
The Oner / int_3f4208eb	type	The Oner
The Oner / int_3f4208eb	comment	In Silver Lode, there is an uninterrupted shot lasting nearly a full minute following Ballard through the town on his way to the telegraph office as he does his best to avoid detection by the townspeople.
The Oner / int_3f4208eb	featureApplicability	1.0
The Oner / int_3f4208eb	featureConfidence	1.0
Silver Lode	hasFeature	The Oner / int_3f4208eb
The Oner / int_4132166	type	The Oner
The Oner / int_4132166	comment	The 2018 Norwegian film UtÃ¸ya: July 22 Based on a True Story about the Breivik Massacre in Norway, 2011, has the entire film being shot like this. The idea being to show in real-time how the shooting played out for some of its victims and how long it lasted, The Oner lasting for 72 minutes, just as long as the Real Life shooting did.
The Oner / int_4132166	featureApplicability	1.0
The Oner / int_4132166	featureConfidence	1.0
Utøya: July 22	hasFeature	The Oner / int_4132166
The Oner / int_4320d945	type	The Oner
The Oner / int_4320d945	comment	Darren Aaronofsky's The Wrestler has two extended sequences which follow its protagonist from just behind his shoulders.
The Oner / int_4320d945	featureApplicability	1.0
The Oner / int_4320d945	featureConfidence	1.0
The Wrestler	hasFeature	The Oner / int_4320d945
The Oner / int_43576f5	type	The Oner
The Oner / int_43576f5	comment	In the Supernatural episode "All Hell Breaks Loose, Part One" (S02, Ep21), there is a single long uncut shot after Jake enters the schoolroom. The camera pans across the empty chalkboard and then pans around the schoolroom in a circle until the chalkboard is seen again, but now the chalkboard is covered with the sentence "I will not kill" written over and over again.
The Oner / int_43576f5	featureApplicability	1.0
The Oner / int_43576f5	featureConfidence	1.0
Supernatural	hasFeature	The Oner / int_43576f5
The Oner / int_4368ec08	type	The Oner
The Oner / int_4368ec08	comment	Death Grips: "You Might Think..." starts with a 16-second clip of a fire in a fireplace, followed by an uninterrupted shot of MC Ride having a disturbing-looking Freak Out. "On GP" has the three band members sitting in an empty room, barely moving, as the song blares out of a large speaker. For six minutes. "I Break Mirrors With My Face In The United States" is uninterrupted footage of the band rehearsing the song using cameras attached to the band members' wrists. The same footage is shown twice: first from Zach's camera, and then again from MC Ride's camera.
The Oner / int_4368ec08	featureApplicability	1.0
The Oner / int_4368ec08	featureConfidence	1.0
Death Grips (Music)	hasFeature	The Oner / int_4368ec08
The Oner / int_44d349a1	type	The Oner
The Oner / int_44d349a1	comment	The Longest Day in Chang'an: The opening scene is two minutes long, only one shot, and moves all over the city.
The Oner / int_44d349a1	featureApplicability	1.0
The Oner / int_44d349a1	featureConfidence	1.0
The Longest Day in Chang'an	hasFeature	The Oner / int_44d349a1
The Oner / int_44d9deb1	type	The Oner
The Oner / int_44d9deb1	comment	Mundo Canibal: Happens in some occasions, the most notorious being Tomelirolla's solo animations; they tend to feature him humping a progressively larger group of people while passing through a long scenery, meaning the camera was kept in a single take for an extended period of time. In a 2009 blog post, Ricardo Piologo stated that Tomelirolla's animations were the hardest to produce for this exact reason, and that, although they appeared to be only one long take, he actually made discreet, seamless cuts whenever possible to animate the rest of the take, as it would be even harder for him to actually animate one long take.
The Oner / int_44d9deb1	featureApplicability	1.0
The Oner / int_44d9deb1	featureConfidence	1.0
Mundo Canibal (Web Animation)	hasFeature	The Oner / int_44d9deb1
The Oner / int_467c89f7	type	The Oner
The Oner / int_467c89f7	comment	Super Dimension Fortress Macross has an impressive one early in the series, where the arm of Hikaru's Valkryie is shot off in midair while carrying Minnmay. Hikaru manages to catch up to the falling arm, open the canopy, grab Minnmay and pull her into the cockpit, and bring it all safely to a landing.
The Oner / int_467c89f7	featureApplicability	1.0
The Oner / int_467c89f7	featureConfidence	1.0
Super Dimension Fortress Macross	hasFeature	The Oner / int_467c89f7
The Oner / int_47a34a01	type	The Oner
The Oner / int_47a34a01	comment	Kamen Rider: Episode 65 has an 80-second continuous shot of Hongo fighting his way through a line of Shocker goons below a miniature ski lift. The camera is mounted on one of the ski lift cars, following the action.
The Oner / int_47a34a01	featureApplicability	1.0
The Oner / int_47a34a01	featureConfidence	1.0
Kamen Rider	hasFeature	The Oner / int_47a34a01
The Oner / int_47a4daec	type	The Oner
The Oner / int_47a4daec	comment	Mission: Impossible â€“ Fallout has the HALO jump section, which stitched together three takesnote out of over 100 into a seemingly continuous sequence, where we follow Ethan every step of the way, from the initial jump, to him saving Walker, finally cutting when the chutes are deployed.
The Oner / int_47a4daec	featureApplicability	1.0
The Oner / int_47a4daec	featureConfidence	1.0
Mission: Impossible â€“ Fallout	hasFeature	The Oner / int_47a4daec
The Oner / int_49729b9c	type	The Oner
The Oner / int_49729b9c	comment	The opening scene in the original Halloween.
The Oner / int_49729b9c	featureApplicability	1.0
The Oner / int_49729b9c	featureConfidence	1.0
Halloween (1978)	hasFeature	The Oner / int_49729b9c
The Oner / int_4972ed78	type	The Oner
The Oner / int_4972ed78	comment	Michael's return to Haddonfield in Halloween (2018), in which he wanders through a block of houses and stabbing the inhabitants, is done as a one-take, albeit with some disguising edits.
The Oner / int_4972ed78	featureApplicability	1.0
The Oner / int_4972ed78	featureConfidence	1.0
Halloween (2018)	hasFeature	The Oner / int_4972ed78
The Oner / int_49addea2	type	The Oner
The Oner / int_49addea2	comment	Cry_Wolf has a rather impressive Oner with an extremely steady cameraman —- no dolly used, even. It goes over all sorts of rough terrain.
The Oner / int_49addea2	featureApplicability	1.0
The Oner / int_49addea2	featureConfidence	1.0
Cry_Wolf	hasFeature	The Oner / int_49addea2
The Oner / int_4ac68c19	type	The Oner
The Oner / int_4ac68c19	comment	Lindsey Stirling shot "Warmer in the Winter" as a oner, utilizing quick costume changes and clever set design to pull it off.
The Oner / int_4ac68c19	featureApplicability	1.0
The Oner / int_4ac68c19	featureConfidence	1.0
Lindsey Stirling (Music)	hasFeature	The Oner / int_4ac68c19
The Oner / int_4dd3bd93	type	The Oner
The Oner / int_4dd3bd93	comment	Waiting... has one very long and very impressive continuous shot, all done with a freehand camera to emphasis the chaoticness of the dinner rush, that pans through the entire restaurant with every major character actively doing something as it passes by and ends with Raddimus getting busy in the bathroom. During a rehearsal of it that was filmed (found in the extra scenes of the DVD), Ryan Reynolds who appears near the end of the shot remarks how badly he'd love to completely ruin the shot on purpose.
The Oner / int_4dd3bd93	featureApplicability	1.0
The Oner / int_4dd3bd93	featureConfidence	1.0
Waiting...	hasFeature	The Oner / int_4dd3bd93
The Oner / int_4e433e78	type	The Oner
The Oner / int_4e433e78	comment	Monty Python and the Holy Grail: The Overly Long Gag "make sure the prince doesn't leave the room until I come and get him" scene in Swamp Castle is one take.
The Oner / int_4e433e78	featureApplicability	1.0
The Oner / int_4e433e78	featureConfidence	1.0
Monty Python and the Holy Grail	hasFeature	The Oner / int_4e433e78
The Oner / int_507694ea	type	The Oner
The Oner / int_507694ea	comment	The Spectacular Now: Aimee and Sutter's first time is shot in one take lasting 3 minutes. Well, 30 seconds of coitus and the rest being buildup.
The Oner / int_507694ea	featureApplicability	1.0
The Oner / int_507694ea	featureConfidence	1.0
The Spectacular Now	hasFeature	The Oner / int_507694ea
The Oner / int_50e433bd	type	The Oner
The Oner / int_50e433bd	comment	The film Death Sentence has one which follows Kevin Bacon's character chasing a mook through several floors of a parking complex. As it was a handheld camera that covered a lot of distance both horizontally and vertically, it was literally handed off from one cameraman to another through the duration of the sequence.
The Oner / int_50e433bd	featureApplicability	1.0
The Oner / int_50e433bd	featureConfidence	1.0
Death Sentence	hasFeature	The Oner / int_50e433bd
The Oner / int_529ef2f7	type	The Oner
The Oner / int_529ef2f7	comment	When Robbie first comes to the beach in Atonement, there's a oner that follows him as he takes in all the carnage. It's five and a half minutes long, required a thousand extras to film, and Steadicam operator Peter Robertson collapsed after it was finished.
The Oner / int_529ef2f7	featureApplicability	1.0
The Oner / int_529ef2f7	featureConfidence	1.0
Atonement	hasFeature	The Oner / int_529ef2f7
The Oner / int_52ea9032	type	The Oner
The Oner / int_52ea9032	comment	Most Derrick Comedy videos employ this to some degree, with many of them being done in one shot.
The Oner / int_52ea9032	featureApplicability	1.0
The Oner / int_52ea9032	featureConfidence	1.0
Derrick Comedy (Web Video)	hasFeature	The Oner / int_52ea9032
The Oner / int_531c562b	type	The Oner
The Oner / int_531c562b	comment	Top Secret! contains a scene where the protagonists visit a Swedish bookstore to learn how they can make contact with the leader of the Resistance. It's a relatively short scene as far as oners go, but the actors performed everything in reverse, then the clip was spliced backward into the film, making the dialogue sound suitably foreign and resulting in some gravity-defying effects.
The Oner / int_531c562b	featureApplicability	1.0
The Oner / int_531c562b	featureConfidence	1.0
Top Secret!	hasFeature	The Oner / int_531c562b
The Oner / int_53a73ca0	type	The Oner
The Oner / int_53a73ca0	comment	Star Wars: The Clone Wars used these on occasion, usually for epic fight scenes. One of the best examples was in "The Unknown", where we follow a terrified Clone Trooper medic aboard a Republic shuttle as the Super Battle droids kill everyone aboard and kidnap Tup. (The shot starts at 2:38 and runs for the rest of the video.)
The Oner / int_53a73ca0	featureApplicability	1.0
The Oner / int_53a73ca0	featureConfidence	1.0
Star Wars: The Clone Wars	hasFeature	The Oner / int_53a73ca0
The Oner / int_54aab83e	type	The Oner
The Oner / int_54aab83e	comment	Murder on the Orient Express (2017) features three different instances: A nice one where Bouc negotiates with the porter to get Poirot a berth on the Orient Express, and then Poirot boards the train and meets some of the passengers while on his way to his berth, just over two minutes long and masterfully paced, with a good chunk of the scene filmed outside of the train with the camera following Poirot through the train windows. The scene where Ratchet's body is discovered is a continuous two-minute take with the camera shooting entirely overhead. Poirot leaving his berth and walking down the hallway to leave the train while mentally weighing the events of the case is also shot in one take of around 90 seconds.
The Oner / int_54aab83e	featureApplicability	1.0
The Oner / int_54aab83e	featureConfidence	1.0
Murder on the Orient Express (2017)	hasFeature	The Oner / int_54aab83e
The Oner / int_54cea28e	type	The Oner
The Oner / int_54cea28e	comment	Birdman or (The Unexpected Virtue of Ignorance), bar the opening and ending, appears as entirely one take, with scene transitions involving people walking down hallways or, in a couple of cases, being a timelapse of a building. Due to the style of shooting, the actors would have to remember up to 15 pages of dialogue at a time while hitting precisely timed choreography marks. Some CGI trickery is used.
The Oner / int_54cea28e	featureApplicability	1.0
The Oner / int_54cea28e	featureConfidence	1.0
Birdman or (The Unexpected Virtue of Ignorance)	hasFeature	The Oner / int_54cea28e
The Oner / int_56ce2da8	type	The Oner
The Oner / int_56ce2da8	comment	Jay Jay the Jet Plane: "Something Special" gives us a single shot of Brenda reading the newspaper to Jay Jay and Tracy at the hangar and the former voicing his issue at wanting to be special, all in the span of at least two and a half minutes with no cuts.
The Oner / int_56ce2da8	featureApplicability	1.0
The Oner / int_56ce2da8	featureConfidence	1.0
Jay Jay the Jet Plane	hasFeature	The Oner / int_56ce2da8
The Oner / int_56dce3c1	type	The Oner
The Oner / int_56dce3c1	comment	The title sequence for Guardians of the Galaxy Vol. 2 is a single take of Baby Groot dancing to "Mr. Blue Sky" while the rest of the Guardians fight the Abilisk in the background.
The Oner / int_56dce3c1	featureApplicability	1.0
The Oner / int_56dce3c1	featureConfidence	1.0
Guardians of the Galaxy Vol. 2	hasFeature	The Oner / int_56dce3c1
The Oner / int_585e6ed6	type	The Oner
The Oner / int_585e6ed6	comment	[REC] has a few, seeing how this is done in the style of a pseudo-documentary. A good example is the introductory scene, in which Ã�ngela and the firemen arrive outside, enter the lobby and speak with the tenants, ascend the stairs and talk with the policemen, break the door down and enter the apartment, and meet and get assaulted by the zombified woman.
The Oner / int_585e6ed6	featureApplicability	1.0
The Oner / int_585e6ed6	featureConfidence	1.0
[REC]	hasFeature	The Oner / int_585e6ed6
The Oner / int_5908ee91	type	The Oner
The Oner / int_5908ee91	comment	The opening quest of The Elder Scrolls V: Skyrim feels like one, even if you have full control over your character, since you're running for your life to escape a dragon that's burning the town around you, taking a long, circuitous route through the town that features no loading point breaks.
The Oner / int_5908ee91	featureApplicability	1.0
The Oner / int_5908ee91	featureConfidence	1.0
The Elder Scrolls V: Skyrim (Video Game)	hasFeature	The Oner / int_5908ee91
The Oner / int_5ada53ed	type	The Oner
The Oner / int_5ada53ed	comment	James Bond: You Only Live Twice: There's a extended helicopter tracking shot as Bond runs across a roof, beating up dock workers working for the villain. Several in Skyfall: The fight sequence between Bond and Patrice in Shanghai. Bond and Eve surveying the casino in Macau. Raoul Silva's introduction, where he steps out from an elevator at the end of a long hallway and slowly walks towards Bond, all while giving a long (yet intriguing) monologue. The director had the hallway constructed to accommodate the length of the speech. Two in Spectre: The one opening the movie following Bond's movements from the Day of the Dead procession as he stalks Sciarra, into the elevator of the hotel, into the room that he's sharing with the Bond Girl du jour, then out onto the rooftop. It is not actually a single take but four (for one thing, the last shot was filmed at Pinewood Studio in the UK) and you can see the joins if you know what to look for. Lucia Sciarra entering her apartment and walking to her outdoors fountain. No Time to Die has the stairwell action sequence — an apparently unbroken shot of Bond fighting his way up a staircase, exchanging bullets and punches with numerous heavily armed goons, avoiding grenades, and at one point going into Shell-Shock Silence.
The Oner / int_5ada53ed	featureApplicability	1.0
The Oner / int_5ada53ed	featureConfidence	1.0
James Bond	hasFeature	The Oner / int_5ada53ed
The Oner / int_5cdad167	type	The Oner
The Oner / int_5cdad167	comment	Minority Report had a Oner sequence that was copied/homaged by Kill Bill Vol.1 that involved the camera floating above the ceilings of the apartment building.
The Oner / int_5cdad167	featureApplicability	1.0
The Oner / int_5cdad167	featureConfidence	1.0
Minority Report	hasFeature	The Oner / int_5cdad167
The Oner / int_5ce238b3	type	The Oner
The Oner / int_5ce238b3	comment	Know Your Meme did a whole episode on this technique, including some of the above.
The Oner / int_5ce238b3	featureApplicability	1.0
The Oner / int_5ce238b3	featureConfidence	1.0
Know Your Meme (Website)	hasFeature	The Oner / int_5ce238b3
The Oner / int_5db577ba	type	The Oner
The Oner / int_5db577ba	comment	The Dark Knight, The Joker, a hospital, and a lot of bombs, some of them even going off.
The Oner / int_5db577ba	featureApplicability	1.0
The Oner / int_5db577ba	featureConfidence	1.0
The Dark Knight	hasFeature	The Oner / int_5db577ba
The Oner / int_5e2cf42	type	The Oner
The Oner / int_5e2cf42	comment	Serj Tankian's "Sky Is Over"
The Oner / int_5e2cf42	featureApplicability	1.0
The Oner / int_5e2cf42	featureConfidence	1.0
System of a Down (Music)	hasFeature	The Oner / int_5e2cf42
The Oner / int_5e9ea81e	type	The Oner
The Oner / int_5e9ea81e	comment	Black Panther: During the fight in the Korean illegal casino, one shot starts on the balcony with Okoye fighting Klaue's goons, moves down to the main floor where Nakia, T'Challa and Ross are tussling with their own foes, and then follow Klaue back to the balcony, pursued by T'Challa, with no visible cuts in the action.
The Oner / int_5e9ea81e	featureApplicability	1.0
The Oner / int_5e9ea81e	featureConfidence	1.0
Black Panther (2018)	hasFeature	The Oner / int_5e9ea81e
The Oner / int_602a0701	type	The Oner
The Oner / int_602a0701	comment	The 2019 war film 1917 is largely shot and edited to look like it was filmed in a single take, with cuts happening during moments of darkness or as the heroes pass through a doorway. The crew and actors spent six months rehearsing for their scenes, which required enormous sets (such as trenches, towns, and fields) to be hyper-specifically measured and built to accommodate the flow of the script.
The Oner / int_602a0701	featureApplicability	1.0
The Oner / int_602a0701	featureConfidence	1.0
1917	hasFeature	The Oner / int_602a0701
The Oner / int_605b841b	type	The Oner
The Oner / int_605b841b	comment	The Chemical Brothers' "Star Guitar" is also shown as a Oner, but again is obviously CGI. The various components of the song are displayed as objects passing by when looking out of a train window. Both this and the above example were directed by Michel Gondry, who seems to be fond of this trope.
The Oner / int_605b841b	featureApplicability	1.0
The Oner / int_605b841b	featureConfidence	1.0
The Chemical Brothers (Music)	hasFeature	The Oner / int_605b841b
The Oner / int_605dd875	type	The Oner
The Oner / int_605dd875	comment	Stargate-verse: In the Stargate SG-1 episode "Fallen", one of the first scenes follows Jonas from Level 18, into the elevator, down to Level 28, and into the briefing room, all in one continuous shot. One of the direct-to-video movies, Stargate: Continuum, opens with one of these directly, starting in the Gateroom as one team arrives from offworld, then travels through the base, and back to the Gateroom again as SG-1 prepare to leave.
The Oner / int_605dd875	featureApplicability	1.0
The Oner / int_605dd875	featureConfidence	1.0
Stargate-verse (Franchise)	hasFeature	The Oner / int_605dd875
The Oner / int_61a39969	type	The Oner
The Oner / int_61a39969	comment	Avengers: Infinity War has two essentially bookending the movie. The first comes when the Children of Thanos arrive in New York and Tony, Dr. Strange, Banner and Wong navigate a chaotic city street. The second is The Stinger, which features Nick Fury and Maria Hill driving down a street, and shows the immediate consequences of Thanos's snap. Interestingly, they're not very flashy scenes, to the extent that the viewer might not even notice they're long takes until it's pointed out.
The Oner / int_61a39969	featureApplicability	1.0
The Oner / int_61a39969	featureConfidence	1.0
Avengers: Infinity War	hasFeature	The Oner / int_61a39969
The Oner / int_641203c1	type	The Oner
The Oner / int_641203c1	comment	Schitt's Creek: The fourth season Christmas Episode opens with a Flashback to one of the Roses' famous Christmas Parties, and the single long shot contains a number of easter eggs.
The Oner / int_641203c1	featureApplicability	1.0
The Oner / int_641203c1	featureConfidence	1.0
Schitt's Creek	hasFeature	The Oner / int_641203c1
The Oner / int_64f8faea	type	The Oner
The Oner / int_64f8faea	comment	Tomorrowland features one as Casey takes her first full trip into the eponymous city.
The Oner / int_64f8faea	featureApplicability	1.0
The Oner / int_64f8faea	featureConfidence	1.0
Tomorrowland	hasFeature	The Oner / int_64f8faea
The Oner / int_6536962d	type	The Oner
The Oner / int_6536962d	comment	A Way Out showcases this beautifully during the escape from the hospital as the gameplay and camera seamlessly shifts between both protagonists while keeping the players on their toes. Leo even gets into a hallway fight that's a clear tribute to the Oldboy scene.
The Oner / int_6536962d	featureApplicability	1.0
The Oner / int_6536962d	featureConfidence	1.0
A Way Out (Video Game)	hasFeature	The Oner / int_6536962d
The Oner / int_66143187	type	The Oner
The Oner / int_66143187	comment	He used it in his adaptation of Much Ado About Nothing (1993) as well. Roughly the last eight minutes is one continuous shot.
The Oner / int_66143187	featureApplicability	1.0
The Oner / int_66143187	featureConfidence	1.0
Much Ado About Nothing (1993)	hasFeature	The Oner / int_66143187
The Oner / int_66600788	type	The Oner
The Oner / int_66600788	comment	Snake Eyes: The opening scene follows Nicolas Cage's character as he enters and walks through the casino to the boxing ring. Also, when Cage's character questions various suspects and witnesses to the murder about what they were doing, their flashbacks are shown via a continuous point of view shot while they narrate over it.
The Oner / int_66600788	featureApplicability	1.0
The Oner / int_66600788	featureConfidence	1.0
Snake Eyes	hasFeature	The Oner / int_66600788
The Oner / int_677ca86b	type	The Oner
The Oner / int_677ca86b	comment	A Christmas Carol (2009): The five-minute title scene starts with one conversation with Scrooge, flies all around London and then back down to the other side of the city, and finishes with him approaching his house. The entire Ghost of Christmas Past scene simply fades from time period to time period without any cuts.
The Oner / int_677ca86b	featureApplicability	1.0
The Oner / int_677ca86b	featureConfidence	1.0
A Christmas Carol (2009)	hasFeature	The Oner / int_677ca86b
The Oner / int_679fba8c	type	The Oner
The Oner / int_679fba8c	comment	Be Kind Rewind has a nice oner where we see a bunch of films getting edited simultaneously.
The Oner / int_679fba8c	featureApplicability	1.0
The Oner / int_679fba8c	featureConfidence	1.0
Be Kind Rewind	hasFeature	The Oner / int_679fba8c
The Oner / int_67cc40be	type	The Oner
The Oner / int_67cc40be	comment	The entire Mr. Robot episode "Eps3.4runtime-error.r00" appears to be this, and was aired without commercials, although there are cleverly hidden edits.
The Oner / int_67cc40be	featureApplicability	1.0
The Oner / int_67cc40be	featureConfidence	1.0
Mr. Robot	hasFeature	The Oner / int_67cc40be
The Oner / int_691be369	type	The Oner
The Oner / int_691be369	comment	The X-Files episode "Triangle", features an alternate-reality Scully and a modern-day Mulder thrown into her 1939 world. Though the show actually had a few cuts, each act was one continuous shot. This results in a beautiful moment in the first scene back with the original Scully. Skinner flubs a line, and manages to correct in character, but collects a Death Glare from Gillian Anderson along the way. Apparently she was really tired of doing that damned scene. It was the one shot in the episode where the camera was focused entirely on one character from start to finish. The camera tracked her for 10 minutes, 20 seconds as she engaged in separate but continuous conversations with The Lone Gunmen at her desk, Skinner in his office, Kirsh in his office, Spender in the X-Files office, and again with Skinner in the elevator (who managed to get to first base with Scully before Mulder) before escaping in The Lone Gunmen's van. Brilliant.
The Oner / int_691be369	featureApplicability	1.0
The Oner / int_691be369	featureConfidence	1.0
The X-Files	hasFeature	The Oner / int_691be369
The Oner / int_69d15cc0	type	The Oner
The Oner / int_69d15cc0	comment	Marvel Cinematic Universe: Daredevil: "Cut Man" ends with a five minute long fight scene in a hallway where Matt, already heavily injured, takes on a dozen men. It's not a true oner (a little digital trickery disguises the cuts) but it plays and looks exactly like one. "World On Fire" contains a long cut in a dark alleyway, with various actions and the tail-end of a fight scene between Matt and some of Vladimir's men taken in by a wide-angle camera inside a car. "New York's Finest" has a lengthy fight scene between Matt and a bunch of bikers, first in a hallway and then down a flight of stairs. Though there are several cuts, it's given the appearance of one take. "Blindsided" has an 11 minute-long continuous shot. Without the camera once changing angles, Matt fights off a bunch of inmates Wilson Fisk has hired to kill him, then takes down a pair of guards in Fisk's pocket, gets the Albanian mob boss in the jail to give up the name of the inmate Fisk paid to shank him, and convinces said inmate to have one of his men disguise himself as a guard to escort Matt out of the prison, fighting off other inmates and guards on Fisk's payroll, then follows Matt as he exits into the courtyard and into a waiting taxi, the single shot ending just as sedatives Matt was injected with at the start of the fight kick in. Production had to be stopped for a full day to allow the cast and crew to rehearse it. The directors actually designed the shot to allow some digital stitching if necessary, then went back and lightened the moments in question to make it clear to the audience that this hadn't happened. And whereas the "Cut Man" one-take saw Charlie Cox switch places with his stunt double Chris Brewster a few times, here Cox performs about 95% of the fight, only switching with Brewster for two points where Matt gets thrown through the air. Plus, it features firebombs and blood spray, increasing the technical difficulty. The Defenders: There's a pretty impressive lengthy shot at the start of the team-up Hallway Fight, which starts with Matt and Jessica arriving, Luke and Danny's boardroom brawl with Hand henchmen breaking through the wall in front of them, both groups exchanging words with one another, and Matt sensing Elektra approaching. Agents of S.H.I.E.L.D.: The episode "The Dirty Half Dozen", which aired just a few weeks after the Daredevil season 1 one-take fight, contains a few minutes-long fight scene with the camera following Skye as she expertly cuts down an entire room of HYDRA agents. Bask in its glory for yourself. Even better, there was no stunt double. It was all Chloe Bennet. She messed up and broke her arm in the middle, but stayed in character long enough to finish the scene. Loki: The climax of the episode "Lamentis" is filmed and stitched together to look like one shot. Ms. Marvel: In "Crushed", the Clique Tour scene starts on Bruno, Nakia and Kamala, then the camera makes fast-forward moves to focus on each of the described cliques in one uninterrupted shot. (Although some quick camera blurs may obfuscate a few cuts.)
The Oner / int_69d15cc0	featureApplicability	1.0
The Oner / int_69d15cc0	featureConfidence	1.0
Marvel Cinematic Universe (Franchise)	hasFeature	The Oner / int_69d15cc0
The Oner / int_6c6852c8	type	The Oner
The Oner / int_6c6852c8	comment	Yakuza 4 uses a long, interrupted shot to follow Tanimura in the cutscene where he first enters the Little Asia district of Kamurocho. The shot serves a dual purpose: highlighting the destitute and cramped living conditions of the residents as the camera is forced through narrow alleys and tight apartment corridors, and also showing Tanimura's intimacy with the place as he easily navigates through its confusing layout, showing him to be a native before it's brought up in text.
The Oner / int_6c6852c8	featureApplicability	1.0
The Oner / int_6c6852c8	featureConfidence	1.0
Yakuza 4 (Video Game)	hasFeature	The Oner / int_6c6852c8
The Oner / int_6e627c5c	type	The Oner
The Oner / int_6e627c5c	comment	In Halo 5: Guardians, Fireteam Osiris's opening cinematic, where Locke's team assaults a Covenant compound, with all four Spartans given time to shine, and the camera doesn't cut once. It also doubles as a Shout-Out to the opening of Avengers: Age of Ultron, with a huge team fight against an enormous army, the battle being in the snow, taking place in one long shot, plenty of vehicles exploding, and the team leaping up high to "pose" for the camera at the very end.
The Oner / int_6e627c5c	featureApplicability	1.0
The Oner / int_6e627c5c	featureConfidence	1.0
Halo 5: Guardians (Video Game)	hasFeature	The Oner / int_6e627c5c
The Oner / int_6ebddcd9	type	The Oner
The Oner / int_6ebddcd9	comment	His Oscar-winning film 12 Years a Slave uses several to disturbing effect, such as a shot where Northup has to stand on his tiptoes with a noose around his neck that lasts over 80 seconds.
The Oner / int_6ebddcd9	featureApplicability	1.0
The Oner / int_6ebddcd9	featureConfidence	1.0
12 Years a Slave	hasFeature	The Oner / int_6ebddcd9
The Oner / int_6ef7736a	type	The Oner
The Oner / int_6ef7736a	comment	Black Snake Moan: Rae grabs young Lincoln in a passionate embrace; we're outside as she slams the front door. The camera slowly pulls back, rises in the air (a crane shot), and stays there for about 45 seconds. It's not long as oners go, but there's a lot of tension as Lazarus, who'd been buying gifts for Rae, slowly drives into the yard, gets out, and enters the house.
The Oner / int_6ef7736a	featureApplicability	1.0
The Oner / int_6ef7736a	featureConfidence	1.0
Black Snake Moan	hasFeature	The Oner / int_6ef7736a
The Oner / int_6f96cb3d	type	The Oner
The Oner / int_6f96cb3d	comment	Sucker Punch features a futuristic fantasy sequence where the main characters storm a moving train, and have to fight a horde of gun-toting robots to get to a ticking time bomb. The next 2-and-a-half-minute fight scene is composed as one (mostly-CGI) shot, with the camera moving between each character, and even in and out of the train itself.
The Oner / int_6f96cb3d	featureApplicability	1.0
The Oner / int_6f96cb3d	featureConfidence	1.0
Sucker Punch	hasFeature	The Oner / int_6f96cb3d
The Oner / int_6ff8b00a	type	The Oner
The Oner / int_6ff8b00a	comment	Dora the Explorer: The Season 1-2 opening consists of a single, consecutive shot of a pan through a live-action playroom, zooming into a computer, and showing the main characters participating in a CD-ROM arcade game. The new intro introduced in Season 3 (which introduced the star catching gimmick) begins with a 30-second consecutive sequence of Dora and Boots swinging around the forest and meeting every supporting character introduced to that point, up until the line "You can lead the way!" which ends with them driving away in Tico's car. An in-episode example occurs in "Quack Quack!"; the entire scene at Rainbow Bridge is done in one long take that lasts a whole minute and a half.
The Oner / int_6ff8b00a	featureApplicability	1.0
The Oner / int_6ff8b00a	featureConfidence	1.0
Dora the Explorer	hasFeature	The Oner / int_6ff8b00a
The Oner / int_70814599	type	The Oner
The Oner / int_70814599	comment	In the Stargate SG-1 episode "Fallen", one of the first scenes follows Jonas from Level 18, into the elevator, down to Level 28, and into the briefing room, all in one continuous shot.
The Oner / int_70814599	featureApplicability	1.0
The Oner / int_70814599	featureConfidence	1.0
Stargate SG-1	hasFeature	The Oner / int_70814599
The Oner / int_7291539d	type	The Oner
The Oner / int_7291539d	comment	Batman: Arkham City has a similar one, starting with Bruce Wayne attempting to break free from a chair, beating up a guard (and palming his radio's decryption chip), getting knocked around by a second guard, ordered through processing, going through the bulkhead doors into the city, countering some prisoners while handcuffed, and finally being grabbed and delivered to The Penguin.
The Oner / int_7291539d	featureApplicability	1.0
The Oner / int_7291539d	featureConfidence	1.0
Batman: Arkham City (Video Game)	hasFeature	The Oner / int_7291539d
The Oner / int_735dc0dc	type	The Oner
The Oner / int_735dc0dc	comment	Stan & Ollie opens with the titular duo in their dressing room, tracks them as they walk across the busy studio lot, and then follows them onto a movie set where they proceed to film a scene.
The Oner / int_735dc0dc	featureApplicability	1.0
The Oner / int_735dc0dc	featureConfidence	1.0
Stan & Ollie	hasFeature	The Oner / int_735dc0dc
The Oner / int_7362e6cc	type	The Oner
The Oner / int_7362e6cc	comment	The pull-back from inside Audrey's apartment at the end of "Somewhere That's Green" and out into the street up to the top of a building for the beginning of "Some Fun Now" in Little Shop of Horrors was one continuous shot, achieved with a crane mounted on a crane.
The Oner / int_7362e6cc	featureApplicability	1.0
The Oner / int_7362e6cc	featureConfidence	1.0
Little Shop of Horrors	hasFeature	The Oner / int_7362e6cc
The Oner / int_73bd5338	type	The Oner
The Oner / int_73bd5338	comment	The final, Tarantino-directed segment of Four Rooms.
The Oner / int_73bd5338	featureApplicability	1.0
The Oner / int_73bd5338	featureConfidence	1.0
Four Rooms	hasFeature	The Oner / int_73bd5338
The Oner / int_753491f7	type	The Oner
The Oner / int_753491f7	comment	Fantasia: The final shot, during the "Ave Maria". A very complicated shot to film, comprising one of the biggest multiplane set ups ever devised, finished only hours before the movie's premiere. According to one article, the shot had to be done three times. The first time it was discovered that the entire shot had been filmed with the wrong lens on the camera, producing impromptu time lapse footage of the animators working around the edge of the frame. The second time there was an earthquake during shooting, which shook the planes out of alignment. The shot was eventually completed so close to the wire that the first print of it had to be spliced into the reel in the projection room of the premiere theater. The Astronomic Zoom that opens the "Rite of Spring" segment, although it consists of separate elements combined through cross-dissolves.
The Oner / int_753491f7	featureApplicability	1.0
The Oner / int_753491f7	featureConfidence	1.0
Fantasia	hasFeature	The Oner / int_753491f7
The Oner / int_75a67b30	type	The Oner
The Oner / int_75a67b30	comment	The Comedy Bang! Bang! episode "Tom Lennon Wears Black Slacks and a Black Skinny Tie" is made of long takes divided only by commercial breaks. In the episode, the editors go on strike, and Scott attempts to prove that he can do the show without any cuts or edits (and can also make a three pointer at the end of it).
The Oner / int_75a67b30	featureApplicability	1.0
The Oner / int_75a67b30	featureConfidence	1.0
Comedy Bang! Bang!	hasFeature	The Oner / int_75a67b30
The Oner / int_75f21786	type	The Oner
The Oner / int_75f21786	comment	In Good Will Hunting Robin Williams's famous monologue on the park bench is shot for roughly the first two thirds of it in a single take that lasts over three and a half minutes. The camera shot is a closeup of Williams's face as it very slowly pans around him. Notably this breaks one of the standard rules of filmmaking as he does ask brief questions from Matt Damon's character Will during it and he responds, but the camera does not cut to the other speaker.
The Oner / int_75f21786	featureApplicability	1.0
The Oner / int_75f21786	featureConfidence	1.0
Good Will Hunting	hasFeature	The Oner / int_75f21786
The Oner / int_761813a6	type	The Oner
The Oner / int_761813a6	comment	The penultimate Band of Brothers episode "Why we Fight" opens with a shot of a violin being taken out of a case. The camera pulls back to reveal the full string quartet playing in a bombed-out German town, and then executes a complicated maneuver around the town square, showing the townsfolk salvaging whatever they can from the rubble, before tilting up to reveal some members of Easy Company standing in what's left of the upper story of a house. The shot only lasts a couple of minutes, but must have taken ages to set up. (The violin also Bookends the end of the episode.)
The Oner / int_761813a6	featureApplicability	1.0
The Oner / int_761813a6	featureConfidence	1.0
Band of Brothers	hasFeature	The Oner / int_761813a6
The Oner / int_7712c331	type	The Oner
The Oner / int_7712c331	comment	Seitokai Yakuindomo: Played for Laughs in the opening scene of the second season which zooms through the sky, a plane, and a cityscape, before finally focusing on the face Suzu's pet dog Boa. The movie did this again, with the camera following a drone that Hata had stolen from the Robot Research Club as it flies past most of the cast in the hallways, once again stopping with Suzu's dog.
The Oner / int_7712c331	featureApplicability	1.0
The Oner / int_7712c331	featureConfidence	1.0
Seitokai Yakuindomo (Manga)	hasFeature	The Oner / int_7712c331
The Oner / int_775f9522	type	The Oner
The Oner / int_775f9522	comment	The remnants of one can still be seen in The Magnificent Ambersons during the ball scene where the camera originally tracked two characters walking up three floors on a staircase. Welles considered the shot the greatest technical achievement of the film, but Executive Meddling saw it (like the rest of the film) severely cut, with the single-shot aspect consequently lost.
The Oner / int_775f9522	featureApplicability	1.0
The Oner / int_775f9522	featureConfidence	1.0
The Magnificent Ambersons	hasFeature	The Oner / int_775f9522
The Oner / int_7777a79c	type	The Oner
The Oner / int_7777a79c	comment	The opening shot of The Day After Tomorrow is the longest CGI generated one-shot, it runs for just over two minutes.
The Oner / int_7777a79c	featureApplicability	1.0
The Oner / int_7777a79c	featureConfidence	1.0
The Day After Tomorrow	hasFeature	The Oner / int_7777a79c
The Oner / int_780bfe03	type	The Oner
The Oner / int_780bfe03	comment	Halo Infinite takes cues from the likes of Dead Space and God of War in maintaining a single smooth camera motion throughout the game's entire running time, with smooth transitions in and out of gameplay as well as the few camera cuts being disguised by panning across an object in the foreground or the extremely rare Fade to Black when a time jump is absolutely necessary. Even accessing the in-game menu doesn't break the single take, as it takes the form of a Diegetic Interface the Chief can pull up on his visor.
The Oner / int_780bfe03	featureApplicability	1.0
The Oner / int_780bfe03	featureConfidence	1.0
Halo Infinite (Video Game)	hasFeature	The Oner / int_780bfe03
The Oner / int_786a5a97	type	The Oner
The Oner / int_786a5a97	comment	Chicago P.D. Season 8, Episode 8 "Protect and Serve" features a 360 degree shot with members of the Intelligence Unit being asked questions by the shrink.
The Oner / int_786a5a97	featureApplicability	1.0
The Oner / int_786a5a97	featureConfidence	1.0
Chicago P.D.	hasFeature	The Oner / int_786a5a97
The Oner / int_7884e8d1	type	The Oner
The Oner / int_7884e8d1	comment	Pulp Fiction: The scene with Jules and Vincent in the apartment building hallway at the beginning is one shot. A shorter one follows Vince into and through Jackrabbit Slim's. The sequence when Butch goes from his car down an alley, through a hole in a fence, and across an empty lot to get to his apartment.
The Oner / int_7884e8d1	featureApplicability	1.0
The Oner / int_7884e8d1	featureConfidence	1.0
Pulp Fiction	hasFeature	The Oner / int_7884e8d1
The Oner / int_795497fd	type	The Oner
The Oner / int_795497fd	comment	The 2017 Chinese historical drama Youth (2017) has exactly one action scene in it, set during the 1979 Sino-Vietnamese War, and it is a 6 and a half-minute long continuous take.
The Oner / int_795497fd	featureApplicability	1.0
The Oner / int_795497fd	featureConfidence	1.0
Youth (2017)	hasFeature	The Oner / int_795497fd
The Oner / int_7c95f0c1	type	The Oner
The Oner / int_7c95f0c1	comment	The 2003 film Russian Ark was filmed in a single shot that lasted over 90 minutes. This historical drama took place in the Russian State Hermitage Museum and involved over 2,000 actors.
The Oner / int_7c95f0c1	featureApplicability	1.0
The Oner / int_7c95f0c1	featureConfidence	1.0
Russian Ark	hasFeature	The Oner / int_7c95f0c1
The Oner / int_7cf5a07	type	The Oner
The Oner / int_7cf5a07	comment	The Flash: In "Think Fast", although there is a brief transition at the beginning as DeVoe shrinks a guard and steps on him, the remainder of the scene—lasting for one minute and twenty-five seconds—is an extended tracking shot of DeVoe using his various powers to take out the A.R.G.U.S. facility guards in various ways. In "The Last Temptation of Barry Allen, Part 2" there is a roughly two-minute long, mostly uninterrupted camera take of Kamilla and Cecile fleeing Ramsey's zombified thralls in their office building.
The Oner / int_7cf5a07	featureApplicability	1.0
The Oner / int_7cf5a07	featureConfidence	1.0
The Flash (2014)	hasFeature	The Oner / int_7cf5a07
The Oner / int_7d1c83da	type	The Oner
The Oner / int_7d1c83da	comment	The Better Call Saul episode "Fifi" opens with a pretty impressive four minute long continuous shot created with the help of some CGI trickery, following Hector Salamanca's drug mule as his ice cream truck goes through a customs inspection at a United States border crossing.
The Oner / int_7d1c83da	featureApplicability	1.0
The Oner / int_7d1c83da	featureConfidence	1.0
Better Call Saul	hasFeature	The Oner / int_7d1c83da
The Oner / int_7dfa1cfd	type	The Oner
The Oner / int_7dfa1cfd	comment	It Follows: The very first shot after the opening titles starts with a pan across the street to Annie's house and ends with Annie driving off. A slow pan around a school corridor occurs when Jay and Greg try to track down Jeff/Hugh and you can see (though the camera shows it no favour) "It" walking off of the campus pavement toward the door of the hallway bearing the school records room in which Jay and her friends are doing research. Jay running from the beachhouse, getting in the car, driving off of the road, and having an accident all takes place during a single shot.
The Oner / int_7dfa1cfd	featureApplicability	1.0
The Oner / int_7dfa1cfd	featureConfidence	1.0
It Follows	hasFeature	The Oner / int_7dfa1cfd
The Oner / int_7e5c0a48	type	The Oner
The Oner / int_7e5c0a48	comment	His sequence in Paris, je t'aime, called "Parc Monceau." The whole short film was one continuous shot.
The Oner / int_7e5c0a48	featureApplicability	1.0
The Oner / int_7e5c0a48	featureConfidence	1.0
Paris, je t'aime	hasFeature	The Oner / int_7e5c0a48
The Oner / int_7f9dbbcc	type	The Oner
The Oner / int_7f9dbbcc	comment	Far Cry 2: A taxi drive after you arrive in Africa. It describes the setting, the current goings on, information on the game factions and antagonists.
The Oner / int_7f9dbbcc	featureApplicability	1.0
The Oner / int_7f9dbbcc	featureConfidence	1.0
Far Cry 2 (Video Game)	hasFeature	The Oner / int_7f9dbbcc
The Oner / int_80f63b6b	type	The Oner
The Oner / int_80f63b6b	comment	Charlie's Angels (2000) opens with one, which is actually three shots stitched together via hidden cuts. The shot goes from the Columbia logo to a plane in flight, through the window, down the aisle and back and ends when LL Cool J (actually Dylan in disguise) grabs a hijacker and pulls him out the door.
The Oner / int_80f63b6b	featureApplicability	1.0
The Oner / int_80f63b6b	featureConfidence	1.0
Charlie's Angels (2000)	hasFeature	The Oner / int_80f63b6b
The Oner / int_81692f99	type	The Oner
The Oner / int_81692f99	comment	Star Trek: The Star Trek: The Original Series episode "The Naked Time" has a long one-shot scene with Nimoy that is quite memorable. In the Star Trek: The Next Generation episode "Sarek", Picard mind-melds with Sarek to temporarily take on some of the burden of the latter's emotions, as he is losing his ability to suppress them. There is an incredible revolving shot of Picard as he experiences a breakdown under the influence of Sarek's emotions and thoughts. The Star Trek: Voyager episode "The Disease" features a one-take argument between Janeway and Harry that goes from the conference room to the bridge to Janeway's ready room.
The Oner / int_81692f99	featureApplicability	1.0
The Oner / int_81692f99	featureConfidence	1.0
Star Trek (Franchise)	hasFeature	The Oner / int_81692f99
The Oner / int_83ad2ee5	type	The Oner
The Oner / int_83ad2ee5	comment	There's a couple of sequences in Harry Potter and the Prisoner of Azkaban that use this: A panning shot starting outside Hogwarts and going inside to see our heroes around three-quarters of the way in. The Time-Turner scene. Hermione puts the Time-Turner around hers and Harry's necks. They go back in time and turn around to run out of the clock tower. The camera goes out through the clock and catches up with them in the courtyard. This all happens in one take which lasts for slightly longer than one minute. Chris Columbus was impressed by these because the length of the shots in the first film were literally how long the kids could stay in character. The kids improved a bit by the second film, so the shots are somewhat longer than on the first, but not by too much. So naturally Columbus found it impressive that they had come far enough to do an entire scene in one take by the third movie.
The Oner / int_83ad2ee5	featureApplicability	1.0
The Oner / int_83ad2ee5	featureConfidence	1.0
Harry Potter and the Prisoner of Azkaban	hasFeature	The Oner / int_83ad2ee5
The Oner / int_85d2ef01	type	The Oner
The Oner / int_85d2ef01	comment	His 1996 movie version of Hamlet features several entire scenes, including ones that span several rooms, shot in a single take as well as most of the soliloquies.
The Oner / int_85d2ef01	featureApplicability	1.0
The Oner / int_85d2ef01	featureConfidence	1.0
Hamlet	hasFeature	The Oner / int_85d2ef01
The Oner / int_86d915c3	type	The Oner
The Oner / int_86d915c3	comment	Discussed on Episode 57 of our own podcast, On the Tropes.
The Oner / int_86d915c3	featureApplicability	1.0
The Oner / int_86d915c3	featureConfidence	1.0
On the Tropes (Podcast)	hasFeature	The Oner / int_86d915c3
The Oner / int_86ed26ad	type	The Oner
The Oner / int_86ed26ad	comment	His directorial debut, Hunger, features an uninterrupted shot of two characters sitting at a table talking that lasts 17 and a half minutes.
The Oner / int_86ed26ad	featureApplicability	1.0
The Oner / int_86ed26ad	featureConfidence	1.0
Hunger	hasFeature	The Oner / int_86ed26ad
The Oner / int_87abfd63	type	The Oner
The Oner / int_87abfd63	comment	Near the beginning of Dua Lipa's "New Rules" video there's one that lasts for an entire minute, covering the first verse and hook in full.
The Oner / int_87abfd63	featureApplicability	1.0
The Oner / int_87abfd63	featureConfidence	1.0
Dua Lipa (Music)	hasFeature	The Oner / int_87abfd63
The Oner / int_886761ac	type	The Oner
The Oner / int_886761ac	comment	Abigail Thorn from Philosophy Tube is a professional actor, and tends to use this trope to show off. Her video "Men. Abuse. Trauma." was done in a single 31-minute long take in order to reference No Exit, a play that comprises a single uninterrupted scene and which is heavily referenced throughout the video.
The Oner / int_886761ac	featureApplicability	1.0
The Oner / int_886761ac	featureConfidence	1.0
Philosophy Tube (Web Video)	hasFeature	The Oner / int_886761ac
The Oner / int_88cf1845	type	The Oner
The Oner / int_88cf1845	comment	Outlaw King opens with an eight and a half minute single shot that starts with an extended monologue, follows the characters out into a swordfight, then returns to the tent for a conversation, and finally leaves the tent again for the firing of a trebuchet.
The Oner / int_88cf1845	featureApplicability	1.0
The Oner / int_88cf1845	featureConfidence	1.0
Outlaw King	hasFeature	The Oner / int_88cf1845
The Oner / int_8914362	type	The Oner
The Oner / int_8914362	comment	Migration: During their first foray into the city, the camera tracks behind the flock (Mostly Mack when they're split up) as they try to swerve around every obstacle, including briefly freefalling from a building.
The Oner / int_8914362	featureApplicability	1.0
The Oner / int_8914362	featureConfidence	1.0
Migration	hasFeature	The Oner / int_8914362
The Oner / int_894019b7	type	The Oner
The Oner / int_894019b7	comment	The first episode of The Girl I Like Forgot Her Glasses begins with a long tracking shot of the protagonist Kaede arriving at school, walking to his classroom and sitting down at his desk, with his love interest Ai bumping into him on the way there.
The Oner / int_894019b7	featureApplicability	1.0
The Oner / int_894019b7	featureConfidence	1.0
The Girl I Like Forgot Her Glasses (Manga)	hasFeature	The Oner / int_894019b7
The Oner / int_89d71fb5	type	The Oner
The Oner / int_89d71fb5	comment	Non-Stop: A particularly neat tracking shot following Marks as he "randomly" searches passengers. Obviously edited, since halfway through the camera moves through a window and reenters the plane at another one further down, but that doesn't mean it's not impressive.
The Oner / int_89d71fb5	featureApplicability	1.0
The Oner / int_89d71fb5	featureConfidence	1.0
NonStop	hasFeature	The Oner / int_89d71fb5
The Oner / int_89f6bbe1	type	The Oner
The Oner / int_89f6bbe1	comment	The opening scene of A Shot in the Dark is four minutes of people sneaking into each other's bedrooms, establishing that everyone in the Ballon household is having an affair with at least one other member of the household.
The Oner / int_89f6bbe1	featureApplicability	1.0
The Oner / int_89f6bbe1	featureConfidence	1.0
A Shot in the Dark	hasFeature	The Oner / int_89f6bbe1
The Oner / int_8a95e28c	type	The Oner
The Oner / int_8a95e28c	comment	In Reservoir Dogs, Mr. Blonde walking to his car to retrieve gasoline in order to light a captured, beaten, and tortured cop on fire.
The Oner / int_8a95e28c	featureApplicability	1.0
The Oner / int_8a95e28c	featureConfidence	1.0
Reservoir Dogs	hasFeature	The Oner / int_8a95e28c
The Oner / int_8a9df983	type	The Oner
The Oner / int_8a9df983	comment	Dr. Jekyll and Mr. Hyde (1931) begins with a three-minute continuous shot which moves between two interiors across a large set — both technically and aesthetically daring for the time. Even more impressively, this shot is from Jekyll's point of view. At one point the camera-as-Jekyll even looks in a mirror; the production had the actor standing on the other side of a glassless frame, with a duplicated section of room-scenery behind him.
The Oner / int_8a9df983	featureApplicability	1.0
The Oner / int_8a9df983	featureConfidence	1.0
Dr. Jekyll and Mr. Hyde (1931)	hasFeature	The Oner / int_8a9df983
The Oner / int_8ae1d11d	type	The Oner
The Oner / int_8ae1d11d	comment	Creed has a four-minute real boxing match between Adonis and Leo Sporino, spanning match introductions, two rounds, and the final victory, in order to make the fight feel more relentless and stress how it feels to be in the ring. The camera tracks both boxers and the referee, getting within feet of the actual punches being thrown. When fighters bob and slip, they disappear from the frame completely. Stereo audio is also implemented, where character voices come from the speaker or location that mimics their position relative to the sole camera. A stationary character, such as Rocky staying within Creed's corner, sound as if they're coming from left or right, in front or behind, relative to where the camera is pointing. Depth also comes into play, with characters fading out the farther they are from the filming. The audience's noise comes from all over, as well, but are quieter when the camera gets close to the fighters, to show how locked in they are to the fight.
The Oner / int_8ae1d11d	featureApplicability	1.0
The Oner / int_8ae1d11d	featureConfidence	1.0
Creed (2015)	hasFeature	The Oner / int_8ae1d11d
The Oner / int_8bbb2161	type	The Oner
The Oner / int_8bbb2161	comment	His adaptation of Henry V features the aftermath of the Battle of Agincourt with the soldiers picking up their wounded and dead, while singing "Non Nobis" all in one take.
The Oner / int_8bbb2161	featureApplicability	1.0
The Oner / int_8bbb2161	featureConfidence	1.0
Henry V (1989)	hasFeature	The Oner / int_8bbb2161
The Oner / int_8c264362	type	The Oner
The Oner / int_8c264362	comment	Several in Skyfall: The fight sequence between Bond and Patrice in Shanghai. Bond and Eve surveying the casino in Macau. Raoul Silva's introduction, where he steps out from an elevator at the end of a long hallway and slowly walks towards Bond, all while giving a long (yet intriguing) monologue. The director had the hallway constructed to accommodate the length of the speech.
The Oner / int_8c264362	featureApplicability	1.0
The Oner / int_8c264362	featureConfidence	1.0
Skyfall	hasFeature	The Oner / int_8c264362
The Oner / int_8c5a2dfa	type	The Oner
The Oner / int_8c5a2dfa	comment	In the Heights plays out Usnavi's and Vanessa's exchanges in "Blackout" and "Champagne" uninterrupted, complete with the actors singing on set.
The Oner / int_8c5a2dfa	featureApplicability	1.0
The Oner / int_8c5a2dfa	featureConfidence	1.0
In the Heights	hasFeature	The Oner / int_8c5a2dfa
The Oner / int_8c85e195	type	The Oner
The Oner / int_8c85e195	comment	The Chosen, "Matthew 4:24" opens with an impressive fifteen-minute tracking shot.
The Oner / int_8c85e195	featureApplicability	1.0
The Oner / int_8c85e195	featureConfidence	1.0
The Chosen (TV series)	hasFeature	The Oner / int_8c85e195
The Oner / int_8cd12547	type	The Oner
The Oner / int_8cd12547	comment	The video for the MC Lars song "The Top 10 Things to Never Say on a First Date" is all one shot.
The Oner / int_8cd12547	featureApplicability	1.0
The Oner / int_8cd12547	featureConfidence	1.0
MC Lars (Music)	hasFeature	The Oner / int_8cd12547
The Oner / int_8f4ee60f	type	The Oner
The Oner / int_8f4ee60f	comment	Back to the Future: The scene in Back to the Future Part II where the whole McFly family (including three characters played by Michael J. Fox) eats dinner was filmed as a oner to showcase the new technology that made it possible for three Michael J. Foxes to appear at once. When someone pointed out that you wouldn't film the scene that way under ordinary circumstances, Zemeckis decided to break it up. Back to the Future begins with a pan through Doc Brown's laboratory that goes at least two minutes without a cut.
The Oner / int_8f4ee60f	featureApplicability	1.0
The Oner / int_8f4ee60f	featureConfidence	1.0
Back to the Future (Franchise)	hasFeature	The Oner / int_8f4ee60f
The Oner / int_8fd499c	type	The Oner
The Oner / int_8fd499c	comment	Oners are discussed in the Every Frame a Painting episode, "The Spielberg Oner". In a twist, the focus is on oners that are (or try to be) less conspicuous.
The Oner / int_8fd499c	featureApplicability	1.0
The Oner / int_8fd499c	featureConfidence	1.0
Every Frame a Painting (Web Video)	hasFeature	The Oner / int_8fd499c
The Oner / int_90cb2bcc	type	The Oner
The Oner / int_90cb2bcc	comment	In Elephant (2003), for example, shots often show characters simply walking for several minutes of screen time, sometimes without the camera even following them (that is, they walk away and the camera remains stationary, with them shrinking into the scene's background).
The Oner / int_90cb2bcc	featureApplicability	1.0
The Oner / int_90cb2bcc	featureConfidence	1.0
Elephant (2003)	hasFeature	The Oner / int_90cb2bcc
The Oner / int_9137cdf6	type	The Oner
The Oner / int_9137cdf6	comment	Boogie Nights has several of these, including the opening, the pool party, the scene where Little Bill shoots his wife, her lover, and himself, and the ending.
The Oner / int_9137cdf6	featureApplicability	1.0
The Oner / int_9137cdf6	featureConfidence	1.0
Boogie Nights	hasFeature	The Oner / int_9137cdf6
The Oner / int_93939352	type	The Oner
The Oner / int_93939352	comment	Two in Spectre: The one opening the movie following Bond's movements from the Day of the Dead procession as he stalks Sciarra, into the elevator of the hotel, into the room that he's sharing with the Bond Girl du jour, then out onto the rooftop. It is not actually a single take but four (for one thing, the last shot was filmed at Pinewood Studio in the UK) and you can see the joins if you know what to look for. Lucia Sciarra entering her apartment and walking to her outdoors fountain.
The Oner / int_93939352	featureApplicability	1.0
The Oner / int_93939352	featureConfidence	1.0
Spectre	hasFeature	The Oner / int_93939352
The Oner / int_94cfab39	type	The Oner
The Oner / int_94cfab39	comment	All the President's Men has a six minute long shot of Redford talking on the phone with three different people, in a total of four phone calls, trying to track down Kenneth H. Dahlberg. Not only is there the challenge of making a phone call interesting to watch, there's also a ton of dialogue featuring some heavy exposition and the extras are making a lot of noise in the background. At one point Redford calls one of the people he's talking to by the wrong name, but keeps character and just goes with it.
The Oner / int_94cfab39	featureApplicability	1.0
The Oner / int_94cfab39	featureConfidence	1.0
All the President's Men	hasFeature	The Oner / int_94cfab39
The Oner / int_958ca8aa	type	The Oner
The Oner / int_958ca8aa	comment	The kiss under the rain in Great Expectations.
The Oner / int_958ca8aa	featureApplicability	1.0
The Oner / int_958ca8aa	featureConfidence	1.0
GreatExpectations	hasFeature	The Oner / int_958ca8aa
The Oner / int_95a665e8	type	The Oner
The Oner / int_95a665e8	comment	Issue #87 of Nightwing (Infinite Frontier) is drawn like this, depicting Dick Grayson trying to make it to his home after getting a hit placed on him, only to suit up and chase down some hitmen who took his dog, Haley.
The Oner / int_95a665e8	featureApplicability	1.0
The Oner / int_95a665e8	featureConfidence	1.0
Nightwing (Infinite Frontier) (Comic Book)	hasFeature	The Oner / int_95a665e8
The Oner / int_95ade6d	type	The Oner
The Oner / int_95ade6d	comment	In Ice Age: Collision Course, Buck is introduced by retrieving a stolen egg from a family of dromaeosaurs. His first appearance on screen, the chase to retrieve the egg and giving the egg back to its mother all take place in one singular shot.
The Oner / int_95ade6d	featureApplicability	1.0
The Oner / int_95ade6d	featureConfidence	1.0
Ice Age: Collision Course	hasFeature	The Oner / int_95ade6d
The Oner / int_9606931e	type	The Oner
The Oner / int_9606931e	comment	Phantom of the Paradise features a Split Screen version of this for the scene where the Phantom attempts to use a bomb hidden in a car that's to driven on stage for a performance to kill The Beach Bums.
The Oner / int_9606931e	featureApplicability	1.0
The Oner / int_9606931e	featureConfidence	1.0
Phantom of the Paradise	hasFeature	The Oner / int_9606931e
The Oner / int_974da1ae	type	The Oner
The Oner / int_974da1ae	comment	Rear Window sometimes shows occurrences in the apartments through unbroken pans past different tenants' windows.
The Oner / int_974da1ae	featureApplicability	1.0
The Oner / int_974da1ae	featureConfidence	1.0
Rear Window	hasFeature	The Oner / int_974da1ae
The Oner / int_976efc02	type	The Oner
The Oner / int_976efc02	comment	Mystery Science Theater 3000 is made of these — all the host segments are done in a mere one take, with the exceptions of ones featuring the Mads as they have the cheat of cutting back and forth between the Satellite of Love and the Mads' base. The theater segments, which usually last anywhere from ten to fifteen minutes depending on the placement of host segments and commercials, also have to be done in one take to maintain continuity. This can result in some Throw It In! moments; such as "Repticulus", where Jonah dropping the wooden monster cutouts was not in the script.
The Oner / int_976efc02	featureApplicability	1.0
The Oner / int_976efc02	featureConfidence	1.0
Mystery Science Theater 3000	hasFeature	The Oner / int_976efc02
The Oner / int_998cbda3	type	The Oner
The Oner / int_998cbda3	comment	Daredevil: "Cut Man" ends with a five minute long fight scene in a hallway where Matt, already heavily injured, takes on a dozen men. It's not a true oner (a little digital trickery disguises the cuts) but it plays and looks exactly like one. "World On Fire" contains a long cut in a dark alleyway, with various actions and the tail-end of a fight scene between Matt and some of Vladimir's men taken in by a wide-angle camera inside a car. "New York's Finest" has a lengthy fight scene between Matt and a bunch of bikers, first in a hallway and then down a flight of stairs. Though there are several cuts, it's given the appearance of one take. "Blindsided" has an 11 minute-long continuous shot. Without the camera once changing angles, Matt fights off a bunch of inmates Wilson Fisk has hired to kill him, then takes down a pair of guards in Fisk's pocket, gets the Albanian mob boss in the jail to give up the name of the inmate Fisk paid to shank him, and convinces said inmate to have one of his men disguise himself as a guard to escort Matt out of the prison, fighting off other inmates and guards on Fisk's payroll, then follows Matt as he exits into the courtyard and into a waiting taxi, the single shot ending just as sedatives Matt was injected with at the start of the fight kick in. Production had to be stopped for a full day to allow the cast and crew to rehearse it. The directors actually designed the shot to allow some digital stitching if necessary, then went back and lightened the moments in question to make it clear to the audience that this hadn't happened. And whereas the "Cut Man" one-take saw Charlie Cox switch places with his stunt double Chris Brewster a few times, here Cox performs about 95% of the fight, only switching with Brewster for two points where Matt gets thrown through the air. Plus, it features firebombs and blood spray, increasing the technical difficulty.
The Oner / int_998cbda3	featureApplicability	1.0
The Oner / int_998cbda3	featureConfidence	1.0
Daredevil (2015)	hasFeature	The Oner / int_998cbda3
The Oner / int_9a4a767b	type	The Oner
The Oner / int_9a4a767b	comment	The movie Postcards from the Edge starts with a scene lampshading this practice; a misspoken line threatens to ruin the entire shot.
The Oner / int_9a4a767b	featureApplicability	1.0
The Oner / int_9a4a767b	featureConfidence	1.0
Postcards from the Edge	hasFeature	The Oner / int_9a4a767b
The Oner / int_9a6329aa	type	The Oner
The Oner / int_9a6329aa	comment	The first sequence of Living in Oblivion is about an independent director's attempt to get an emotionally charged scene in one shot. He suffers every setback in the industry.
The Oner / int_9a6329aa	featureApplicability	1.0
The Oner / int_9a6329aa	featureConfidence	1.0
Living in Oblivion	hasFeature	The Oner / int_9a6329aa
The Oner / int_9a7088bc	type	The Oner
The Oner / int_9a7088bc	comment	The Star Trek: The Original Series episode "The Naked Time" has a long one-shot scene with Nimoy that is quite memorable.
The Oner / int_9a7088bc	featureApplicability	1.0
The Oner / int_9a7088bc	featureConfidence	1.0
Star Trek: The Original Series	hasFeature	The Oner / int_9a7088bc
The Oner / int_9ab064e6	type	The Oner
The Oner / int_9ab064e6	comment	This is particularly notable in Les MisÃ©rables, where the center portion of the stage is a giant turntable. Some of the transitional songs, such as "Valjean's Soliloquy", use it to achieve a neat effect in which the character walks in place as scenery and other characters rotate in and out around him. This creates the perception of the "camera" following the character as he travels over a long distance and/or time.
The Oner / int_9ab064e6	featureApplicability	1.0
The Oner / int_9ab064e6	featureConfidence	1.0
Les MisÃ©rables (Theatre)	hasFeature	The Oner / int_9ab064e6
The Oner / int_9c153d0c	type	The Oner
The Oner / int_9c153d0c	comment	Game Night has the sequence where the protagonists are attempting to steal the Faberge Egg from Donald Anderton's house, constantly tossing it to each other in order to stay ahead of the security guards chasing them.
The Oner / int_9c153d0c	featureApplicability	1.0
The Oner / int_9c153d0c	featureConfidence	1.0
Game Night	hasFeature	The Oner / int_9c153d0c
The Oner / int_9d41fc3c	type	The Oner
The Oner / int_9d41fc3c	comment	Pharrell Williams' promotion of "Happy", which he initially recorded for the soundtrack of Despicable Me 2. The website "24 Hours of Happy" was Exactly What It Says on the Tin; a 24-hour long interactive music video consisting of 360 different 4-minute long videos of "Happy" (15 per hour). Each video was shot in one take and set up to merge almost seamlessly to the next video, showing either Pharrell (starring in the first video of each hour) or a host of others dancing in various settings around Los Angeles. The performances range from children playing to some fairly sophisticated choreography, and include appearances by Magic Johnson, Jamie Foxx, Kelly Osbourne, Jimmy Kimmel, Steve Carell (the voice of DM2's Gru) and Gru's Minions. The site is no longer up, but the videos are available in 24 hour long blocks on YouTube. Start here at 12-1 am.
The Oner / int_9d41fc3c	featureApplicability	1.0
The Oner / int_9d41fc3c	featureConfidence	1.0
Despicable Me 2	hasFeature	The Oner / int_9d41fc3c
The Oner / int_9d7ec380	type	The Oner
The Oner / int_9d7ec380	comment	The Good Place: In the series finale, there is one long shot where Eleanor walks from the pizza place to her house to Michael's office and back to her house, without any visible cuts, all while still hiding how Janet comes and goes as she pleases.
The Oner / int_9d7ec380	featureApplicability	1.0
The Oner / int_9d7ec380	featureConfidence	1.0
The Good Place	hasFeature	The Oner / int_9d7ec380
The Oner / int_9d8c6a74	type	The Oner
The Oner / int_9d8c6a74	comment	Les Miserables had a couple of songs as one long take, most notably "I Dreamed a Dream" and Ã‰ponine's version of "On My Own".
The Oner / int_9d8c6a74	featureApplicability	1.0
The Oner / int_9d8c6a74	featureConfidence	1.0
Les Misérables (2012)	hasFeature	The Oner / int_9d8c6a74
The Oner / int_9eb9a191	type	The Oner
The Oner / int_9eb9a191	comment	The Train (black-and-white WWII film with Burt Lancaster) has some wonderful long tracking shots. They also wreck a lot of real trains.
The Oner / int_9eb9a191	featureApplicability	1.0
The Oner / int_9eb9a191	featureConfidence	1.0
The Train	hasFeature	The Oner / int_9eb9a191
The Oner / int_9eb9be9f	type	The Oner
The Oner / int_9eb9be9f	comment	The scene in The Trial where the police show up in Josef's apartment early in the morning, without any warning, and start interrogating him begins as a four-minute continuous take.
The Oner / int_9eb9be9f	featureApplicability	1.0
The Oner / int_9eb9be9f	featureConfidence	1.0
The Trial	hasFeature	The Oner / int_9eb9be9f
The Oner / int_9f624250	type	The Oner
The Oner / int_9f624250	comment	Negima!?: In episode 14, all the class 3-A students form a Pactio with Negi while free falling. All animated as a single continuous shot.
The Oner / int_9f624250	featureApplicability	1.0
The Oner / int_9f624250	featureConfidence	1.0
Negima!?	hasFeature	The Oner / int_9f624250
The Oner / int_9ff69ef4	type	The Oner
The Oner / int_9ff69ef4	comment	Hardcore Henry is filmed entirely in the protagonist's P.O.V. Cam, and while the film does have visual robotic glitches that act as cuts in a film, the great majority of the films' action setpieces are oners. Just as the Tagline says, doesn't stop for a single breath.
The Oner / int_9ff69ef4	featureApplicability	1.0
The Oner / int_9ff69ef4	featureConfidence	1.0
Hardcore Henry	hasFeature	The Oner / int_9ff69ef4
The Oner / int_a04b3d0d	type	The Oner
The Oner / int_a04b3d0d	comment	British rapper Stormzy has Know Me From, which has him walk down a street while the lyrics are illustrated with the help of plenty of friends. Played for Laughs when the video cuts to black halfway through to explain that two cars blocked the shoot, although the rest of the video is from the same take.
The Oner / int_a04b3d0d	featureApplicability	1.0
The Oner / int_a04b3d0d	featureConfidence	1.0
Stormzy (Music)	hasFeature	The Oner / int_a04b3d0d
The Oner / int_a0bb982	type	The Oner
The Oner / int_a0bb982	comment	There a few in Blow Out, such as the Slasher Movie sequence and the scene in Jack's studio where he realizes his tapes have been erased.
The Oner / int_a0bb982	featureApplicability	1.0
The Oner / int_a0bb982	featureConfidence	1.0
Blow Out	hasFeature	The Oner / int_a0bb982
The Oner / int_a17bbe03	type	The Oner
The Oner / int_a17bbe03	comment	The Last Airbender includes several, including: the whole earth bending battle, Aang and the Blue Spirit's escape of the Fire Nation camp, and the finale as Aang fights his way through a Fire Nation army in the Water Tribe's settlement. Note that Tropes Are Not Good: the Earth Kingdom fight, though technically impressive, also yielded a Fight Scene Failure due to strange tracking choices (see also: the Pebble Dance) and the sight of stuntmen standing around waiting for their moment in the fight — a thing which most directors hide by the simple expedient of not filming it.
The Oner / int_a17bbe03	featureApplicability	1.0
The Oner / int_a17bbe03	featureConfidence	1.0
The Last Airbender	hasFeature	The Oner / int_a17bbe03
The Oner / int_a29b0bea	type	The Oner
The Oner / int_a29b0bea	comment	Ms. Marvel: In "Crushed", the Clique Tour scene starts on Bruno, Nakia and Kamala, then the camera makes fast-forward moves to focus on each of the described cliques in one uninterrupted shot. (Although some quick camera blurs may obfuscate a few cuts.)
The Oner / int_a29b0bea	featureApplicability	1.0
The Oner / int_a29b0bea	featureConfidence	1.0
Ms. Marvel (2022)	hasFeature	The Oner / int_a29b0bea
The Oner / int_a32b6a64	type	The Oner
The Oner / int_a32b6a64	comment	The West Wing: The series opens with a long one (Leo arriving for work) and came close to closing the series with a similar one (POTUS Bartlet thanking all of the minor staffers, including a funny inside joke between Martin Sheen and his real-life daughter). Quite a few of their Walk and Talk scenes were done as Oners. The fourth episode, "Five Votes Down", includes a three-minute tracking shot of the senior staff leaving a venue after President Bartlet gives a speech. For added complexity the scene was shot on location rather than the usual soundstages and at some points required the cameraman to walk backwards to keep the cast in shot.
The Oner / int_a32b6a64	featureApplicability	1.0
The Oner / int_a32b6a64	featureConfidence	1.0
The West Wing	hasFeature	The Oner / int_a32b6a64
The Oner / int_a33c20a6	type	The Oner
The Oner / int_a33c20a6	comment	In the Covert Affairs season 2 episode "World Leader Pretend" there's a magnificent Oner where the heroine is trying to shepherd a defector to safety through a busy hotel kitchen (!). It looks like it would have been... challenging, to say the least!
The Oner / int_a33c20a6	featureApplicability	1.0
The Oner / int_a33c20a6	featureConfidence	1.0
Covert Affairs	hasFeature	The Oner / int_a33c20a6
The Oner / int_a413d7dd	type	The Oner
The Oner / int_a413d7dd	comment	The whole Bagghar chase scene in The Adventures of Tintin (2011) is a Oner, in which Tintin, his dog Snowy, and Captain Haddock are on a motorcycle chasing down a bird holding the three scrolls leading to Sir Francis Haddock's sunken treasure. They race through (as well as lay waste to) the entire town, and the camera shifts from person to person as they all get separated. The camera never cuts once, and it lasts for approximately two and a half minutes.
The Oner / int_a413d7dd	featureApplicability	1.0
The Oner / int_a413d7dd	featureConfidence	1.0
The Adventures of Tintin (2011)	hasFeature	The Oner / int_a413d7dd
The Oner / int_a485ad0f	type	The Oner
The Oner / int_a485ad0f	comment	The Angry Video Game Nerd's episode on The Immortal (NES version) was done in one shot. It was James stretching his muscles as a filmmaker.
The Oner / int_a485ad0f	featureApplicability	1.0
The Oner / int_a485ad0f	featureConfidence	1.0
The Angry Video Game Nerd (Web Video)	hasFeature	The Oner / int_a485ad0f
The Oner / int_a660fd96	type	The Oner
The Oner / int_a660fd96	comment	Avengers: Endgame: Ronin's assault on the Tokyo criminals is shot in a single long take. The scene from the initial clash between the two armies up to the Back-to-Back Badasses moment of Pepper and Tony is a continuous shot, and admittedly the most daunting for the SFX teams. Tony's funeral, starting at the floating wreath and ending at the front door with Fury, passing by every hero in attendance.
The Oner / int_a660fd96	featureApplicability	1.0
The Oner / int_a660fd96	featureConfidence	1.0
Avengers: Endgame	hasFeature	The Oner / int_a660fd96
The Oner / int_a6658fee	type	The Oner
The Oner / int_a6658fee	comment	The scene in The Hunt for Red October where the officers eat dinner is done as one take with the camera panning to follow the conversation like someone sitting at the table turning his head.
The Oner / int_a6658fee	featureApplicability	1.0
The Oner / int_a6658fee	featureConfidence	1.0
The Hunt for Red October	hasFeature	The Oner / int_a6658fee
The Oner / int_a695c23a	type	The Oner
The Oner / int_a695c23a	comment	The underwater setpiece in Mission: Impossible â€“ Rogue Nation is filmed featuring several individual Oners intersected with cuts to Benji and Ilsa.
The Oner / int_a695c23a	featureApplicability	1.0
The Oner / int_a695c23a	featureConfidence	1.0
Mission: Impossible â€“ Rogue Nation	hasFeature	The Oner / int_a695c23a
The Oner / int_a8442db2	type	The Oner
The Oner / int_a8442db2	comment	The Revenant has an incredibly impressive one in the beginning, depicting a battle between the trappers and Native American Arikara.
The Oner / int_a8442db2	featureApplicability	1.0
The Oner / int_a8442db2	featureConfidence	1.0
The Revenant	hasFeature	The Oner / int_a8442db2
The Oner / int_a8f96a70	type	The Oner
The Oner / int_a8f96a70	comment	The Secret in Their Eyes has a truly impressive Oner that starts high in the air, shot from a helicopter approaching a soccer stadium where a game is being played, pans over the players and zooms in on the crowd where Esposito and Sandoval are trying to find the suspect which they do right as a goal is converted and the crowd goes mad, causing them to lose him which in turns gives place to a chase scene through the inside of the stadium, up and down several levels of passages and staircases, inside a bathroom and back out, and eventually back out onto the playing field, where the suspect is finally captured. The whole scene lasts over five minutes.
The Oner / int_a8f96a70	featureApplicability	1.0
The Oner / int_a8f96a70	featureConfidence	1.0
The Secret in Their Eyes	hasFeature	The Oner / int_a8f96a70
The Oner / int_a933d048	type	The Oner
The Oner / int_a933d048	comment	Y tu mamÃ¡ tambiÃ©n: A Oner happens during the scene where the boys are driving the car. While less impressive from a technical point of view (there's no tracking), the scene where the boys are hitting on Luisa while watching the mariachis. Tenoche's sex scenes with his girlfriend (about 2 minutes) and Luisa (about 4 minutes).
The Oner / int_a933d048	featureApplicability	1.0
The Oner / int_a933d048	featureConfidence	1.0
Y tu mamÃ¡ tambiÃ©n	hasFeature	The Oner / int_a933d048
The Oner / int_aace9697	type	The Oner
The Oner / int_aace9697	comment	Solar Opposites: Discussed as an Offscreen Moment of Awesome in "The Sacred Non-Repeating Number". With arsenals of sci-fi weapons at the ready, Terry and Jesse and the other Shlorpian family charge at each other for possession of the Pupa, only for the scene to cut to an image of a sticky note saying, "Sydney— Please ask Hulu for an extra million $ so we can go over budget on a kick-ass action sequence! —Mike M." Terry then comments on the grandeur of the battle and the fact that it was done in one take.
The Oner / int_aace9697	featureApplicability	1.0
The Oner / int_aace9697	featureConfidence	1.0
Solar Opposites	hasFeature	The Oner / int_aace9697
The Oner / int_ace539b0	type	The Oner
The Oner / int_ace539b0	comment	Tyler Perry's Daddy's Little Girls had one in the scene where Monty and Julia arrive back at her house after a night out on the town.
The Oner / int_ace539b0	featureApplicability	1.0
The Oner / int_ace539b0	featureConfidence	1.0
Daddy's Little Girls	hasFeature	The Oner / int_ace539b0
The Oner / int_ad667eb3	type	The Oner
The Oner / int_ad667eb3	comment	Antebellum opens with a sweeping tracking shot that begins by coming across the lawns to the idyllic facade of the plantation manor house. The shot continues—growing darker both in lighting and subject matter—sweeping past the house and through the Confederate troops and house slaves, to the back the property where the field slaves labour; finishing with Captain Jasper swigging from his hip flask as he prepares to ride down a runaway slave.
The Oner / int_ad667eb3	featureApplicability	1.0
The Oner / int_ad667eb3	featureConfidence	1.0
Antebellum	hasFeature	The Oner / int_ad667eb3
The Oner / int_ae28302e	type	The Oner
The Oner / int_ae28302e	comment	Believe, being co-created by Alfonso Cuaron, naturally, has a few short oners in its pilot episode.
The Oner / int_ae28302e	featureApplicability	1.0
The Oner / int_ae28302e	featureConfidence	1.0
Believe (2014)	hasFeature	The Oner / int_ae28302e
The Oner / int_ae369c06	type	The Oner
The Oner / int_ae369c06	comment	A Clockwork Orange: The scene in which Alex's head is forced into an (obviously full) water trough while he is brutally beaten is filmed in one tank to maximize the effect of Alex never being allowed to come up for air. Instead, the filmmakers put a breathing apparatus under the water, but it failed to work properly and McDowell did, indeed, nearly drown. The film's opening shot is one of the most iconic oners in film history, showing Alex giving a menacing, unblinking Kubrick Stare to the viewer as the camera slowly pans out and he gives a voiceover monologue.
The Oner / int_ae369c06	featureApplicability	1.0
The Oner / int_ae369c06	featureConfidence	1.0
A Clockwork Orange	hasFeature	The Oner / int_ae369c06
The Oner / int_af42a07f	type	The Oner
The Oner / int_af42a07f	comment	Serenity introduces the crew by tracking through the ship in a oner. It actually needed two shots because of the configuration of the ship sets; the cut is disguised with a Whip Pan between Mal and Simon when they hit the staircase.
The Oner / int_af42a07f	featureApplicability	1.0
The Oner / int_af42a07f	featureConfidence	1.0
Serenity	hasFeature	The Oner / int_af42a07f
The Oner / int_afecd0bd	type	The Oner
The Oner / int_afecd0bd	comment	A scene near the beginning of Beowulf (2007) goes from inside a mead hall to above it, where a rat is caught by a bird and flown far away, to Grendel's lair.
The Oner / int_afecd0bd	featureApplicability	1.0
The Oner / int_afecd0bd	featureConfidence	1.0
Beowulf (2007)	hasFeature	The Oner / int_afecd0bd
The Oner / int_b000816b	type	The Oner
The Oner / int_b000816b	comment	The Memories segment "Cannon Fodder" is animated to seem like a continuous shot, though there's one cheated transition from a poster depicting the fat officer to the man himself striking the same pose. It's a roughly 22-minute-long short about the daily lives of people living in a city of cannons that is forever at war with an enemy that they don't even know anything about.
The Oner / int_b000816b	featureApplicability	1.0
The Oner / int_b000816b	featureConfidence	1.0
Memories	hasFeature	The Oner / int_b000816b
The Oner / int_b0bb89d8	type	The Oner
The Oner / int_b0bb89d8	comment	In the first Superman film, Superman flies off Lois' balcony and seconds later within the same shot Clark appears at her door. The part of the shot where Lois watches Superman fly away is actually Margot Kidder looking at a rear projection. It's also not a single take, but two shots very cleverly edited together.
The Oner / int_b0bb89d8	featureApplicability	1.0
The Oner / int_b0bb89d8	featureConfidence	1.0
Superman: The Movie	hasFeature	The Oner / int_b0bb89d8
The Oner / int_b0e508bf	type	The Oner
The Oner / int_b0e508bf	comment	One of the direct-to-video movies, Stargate: Continuum, opens with one of these directly, starting in the Gateroom as one team arrives from offworld, then travels through the base, and back to the Gateroom again as SG-1 prepare to leave.
The Oner / int_b0e508bf	featureApplicability	1.0
The Oner / int_b0e508bf	featureConfidence	1.0
Stargate: Continuum	hasFeature	The Oner / int_b0e508bf
The Oner / int_b1bd2dba	type	The Oner
The Oner / int_b1bd2dba	comment	The latest official TrackMania 2: Canyon trailers do this.
The Oner / int_b1bd2dba	featureApplicability	1.0
The Oner / int_b1bd2dba	featureConfidence	1.0
TrackMania (Video Game)	hasFeature	The Oner / int_b1bd2dba
The Oner / int_b1cbc51	type	The Oner
The Oner / int_b1cbc51	comment	The Untouchables (1987) includes a oner before Wallace and George get killed,
The Oner / int_b1cbc51	featureApplicability	1.0
The Oner / int_b1cbc51	featureConfidence	1.0
The Untouchables (1987)	hasFeature	The Oner / int_b1cbc51
The Oner / int_b24f49ab	type	The Oner
The Oner / int_b24f49ab	comment	The scene in Back to the Future Part II where the whole McFly family (including three characters played by Michael J. Fox) eats dinner was filmed as a oner to showcase the new technology that made it possible for three Michael J. Foxes to appear at once. When someone pointed out that you wouldn't film the scene that way under ordinary circumstances, Zemeckis decided to break it up.
The Oner / int_b24f49ab	featureApplicability	1.0
The Oner / int_b24f49ab	featureConfidence	1.0
Back to the Future Part II	hasFeature	The Oner / int_b24f49ab
The Oner / int_b30ae4db	type	The Oner
The Oner / int_b30ae4db	comment	Game of Thrones: Has practically become a tradition for their major battle sequences. During "The Watchers on the Wall", the penultimate episode of season 4, there is a continuous, unbroken shot of the battle happening in the center yard at Castle Black, which slowly pans in a complete circle showing how the battle is playing out for pretty much everyone at The Wall. In "Hardhome", we get one with Jon Snow moving from the wight-covered gate to the Wildlings' meeting hut in order to retrieve the dragonglass daggers he brought with him in order to emphasize how much of a massacre it is. In "Battle of the Bastards", directed by the same director as Hardhome, in the thick of the battle with the Boltons, there's a long shot of Jon on the battlefield killing as many soldiers as he can. Cavalry are charging everywhere, arrows are constantly falling and it's sometimes difficult to tell who's a foe and who's not. It's used to emphasize the utter chaos of such a battle as well as how most of the time, survival is based on luck as much as skill, as Jon only survives because of sheer luck multiple times. During "The Spoils of War", the camera focuses on Bronn's navigation through a battlefield, passing by screaming soldiers, fires everywhere and Drogon flying overheard, burning everything in his path, pushing the fact that for the Lannisters, this is less of a CMOA and more of horrific massacre. In the penultimate episode of the series, "The Bells," there's a striking and brutal long take following Arya as she tries to navigate her way through King's Landing while Daenerys attacks it from atop her dragon. The shot emphasizes the chaos and violence of the attack. House of the Dragon continues the tradition of long takes. The sixth episode, "The Princess and the Queen" begins with a long take of Rhaenyra Targaryen giving birth to her third son and being summoned by Queen Alicent immediately afterwards, followed by another, even longer take of her making the arduous walk from her chambers to the queen's. The switch in subject matter hammers home the running theme that the childbed is akin to the battlefield.
The Oner / int_b30ae4db	featureApplicability	1.0
The Oner / int_b30ae4db	featureConfidence	1.0
Game of Thrones	hasFeature	The Oner / int_b30ae4db
The Oner / int_b369b223	type	The Oner
The Oner / int_b369b223	comment	The film version of Doom, has a single continuous sequence seen from the first person, that due to filming requirements had to be done in this manner, with the actors for the monsters stacking up into a long line behind the camera, and staying outside of the shot the entire time. It took three weeks to make!
The Oner / int_b369b223	featureApplicability	1.0
The Oner / int_b369b223	featureConfidence	1.0
Doom	hasFeature	The Oner / int_b369b223
The Oner / int_b36bc401	type	The Oner
The Oner / int_b36bc401	comment	JCVD features a couple, opening with an extended parody of star Jean-Claude Van Damme's previous movies, with Van Damme roaming around an urban battlescape deploying every kind of weapon up to and including the kitchen sink. Later he floats up to ceiling (at least in his own mind) and engages in a heartfelt and extended soliloquy.
The Oner / int_b36bc401	featureApplicability	1.0
The Oner / int_b36bc401	featureConfidence	1.0
JCVD	hasFeature	The Oner / int_b36bc401
The Oner / int_b3c07071	type	The Oner
The Oner / int_b3c07071	comment	Shows up a few times very effectively in Frenzy: A woman enters a building where someone has just been murdered. We spend a good while just waiting outside, until we hear her scream as she discovers the body. The killer invites another victim into his apartment, followed by the camera retreating down the stairs as if afraid of what's going to happen, and ends up on the street as numerous people walk by, oblivious to what's happening in the building. The protagonist's sentencing after he's framed for the murders is filmed from outside the courtroom, as the soundproof doors only let us hear pieces of what the judge is saying as people walk in and out. They shut just before he states the sentence, but the furious shouting afterwards makes it clear what it was.
The Oner / int_b3c07071	featureApplicability	1.0
The Oner / int_b3c07071	featureConfidence	1.0
Frenzy (1972)	hasFeature	The Oner / int_b3c07071
The Oner / int_b4cd70c2	type	The Oner
The Oner / int_b4cd70c2	comment	The scene in Mission: Impossible III where Ethan Hunt runs through Shanghai is done in one long 20-second take, with the camera following his path while warning the citizens to move out of the way.
The Oner / int_b4cd70c2	featureApplicability	1.0
The Oner / int_b4cd70c2	featureConfidence	1.0
Mission: Impossible III	hasFeature	The Oner / int_b4cd70c2
The Oner / int_b565ccc5	type	The Oner
The Oner / int_b565ccc5	comment	Loki: The climax of the episode "Lamentis" is filmed and stitched together to look like one shot.
The Oner / int_b565ccc5	featureApplicability	1.0
The Oner / int_b565ccc5	featureConfidence	1.0
Loki (2021)	hasFeature	The Oner / int_b565ccc5
The Oner / int_b5a087d7	type	The Oner
The Oner / int_b5a087d7	comment	Robot Chicken has one starring the title Robot Chicken fighting through the various characters that have appeared in the show in the style of The Protector (which is itself lampshaded).
The Oner / int_b5a087d7	featureApplicability	1.0
The Oner / int_b5a087d7	featureConfidence	1.0
Robot Chicken	hasFeature	The Oner / int_b5a087d7
The Oner / int_b5ab36eb	type	The Oner
The Oner / int_b5ab36eb	comment	You Only Live Twice: There's a extended helicopter tracking shot as Bond runs across a roof, beating up dock workers working for the villain.
The Oner / int_b5ab36eb	featureApplicability	1.0
The Oner / int_b5ab36eb	featureConfidence	1.0
You Only Live Twice	hasFeature	The Oner / int_b5ab36eb
The Oner / int_b5f08143	type	The Oner
The Oner / int_b5f08143	comment	Saving Private Ryan has several, most notably the scene in which the squad enters Neuville, with the halftrack and a shot in the final battle where Mellish, Henderson and Upham move to the second floor of the cafe.
The Oner / int_b5f08143	featureApplicability	1.0
The Oner / int_b5f08143	featureConfidence	1.0
Saving Private Ryan	hasFeature	The Oner / int_b5f08143
The Oner / int_b6125f4a	type	The Oner
The Oner / int_b6125f4a	comment	Arca: "Reverie" is one full uninterrupted take of Arca, dressed in a matador's coat, walking on horse leg-like stilts, singing as a fleshy horn emerges from her genitalia, causing her to bleed until she collapses.
The Oner / int_b6125f4a	featureApplicability	1.0
The Oner / int_b6125f4a	featureConfidence	1.0
Arca (Music)	hasFeature	The Oner / int_b6125f4a
The Oner / int_b6b17592	type	The Oner
The Oner / int_b6b17592	comment	Kingsman: The Golden Circle has its final battle apparently filmed in a single take. It was actually a very complex, heavily digitally enhanced shot on a green screen set with switches between the actors and stunt doubles.
The Oner / int_b6b17592	featureApplicability	1.0
The Oner / int_b6b17592	featureConfidence	1.0
Kingsman: The Golden Circle	hasFeature	The Oner / int_b6b17592
The Oner / int_b6ce41c6	type	The Oner
The Oner / int_b6ce41c6	comment	Skylanders Academy: The series finale has one continuous take when the team fights the Arkeyan Conquertron Kaos is piloting.
The Oner / int_b6ce41c6	featureApplicability	1.0
The Oner / int_b6ce41c6	featureConfidence	1.0
Skylanders Academy	hasFeature	The Oner / int_b6ce41c6
The Oner / int_b7700c4a	type	The Oner
The Oner / int_b7700c4a	comment	Furious 7 opens with a long take of Deckard Shaw (Jason Statham) giving a monologue to his brother in a hospital, then casually walking out of said hospital, revealing that it had been almost completely destroyed in a firefight between him and a SWAT team.
The Oner / int_b7700c4a	featureApplicability	1.0
The Oner / int_b7700c4a	featureConfidence	1.0
Furious 7	hasFeature	The Oner / int_b7700c4a
The Oner / int_b7db5642	type	The Oner
The Oner / int_b7db5642	comment	Stranger Things: In the episode "Dear Billy" a shoot-out is done in a single take of just over the minute. "The Massacre at Hawkins Lab" has a "hidden cut" Oner in the scene where Steve, Robin, Nancy and Eddie are fighting Demobats.
The Oner / int_b7db5642	featureApplicability	1.0
The Oner / int_b7db5642	featureConfidence	1.0
Stranger Things	hasFeature	The Oner / int_b7db5642
The Oner / int_b7f04ccc	type	The Oner
The Oner / int_b7f04ccc	comment	The Patrick Star Show: "The Commode Episode" has two. There's a consecutive 97-second shot when Patrick gets locked in the bathroom, and the rest of his family enters for various reasons, repeatedly cutting him off before he can explain that he needs help. Later on, a shot of increasingly random people coming into the bathroom runs for 44 seconds.
The Oner / int_b7f04ccc	featureApplicability	1.0
The Oner / int_b7f04ccc	featureConfidence	1.0
The Patrick Star Show	hasFeature	The Oner / int_b7f04ccc
The Oner / int_b8c39fe6	type	The Oner
The Oner / int_b8c39fe6	comment	Dungeons & Dragons: Honor Among Thieves: Doricâ€™s shape-shifting escape from Sofina and the palace guards is edited into one shot.
The Oner / int_b8c39fe6	featureApplicability	1.0
The Oner / int_b8c39fe6	featureConfidence	1.0
Dungeons & Dragons: Honor Among Thieves	hasFeature	The Oner / int_b8c39fe6
The Oner / int_b91fac15	type	The Oner
The Oner / int_b91fac15	comment	Terrence Malick's The Thin Red Line uses the technique in some of the tracking shots during the hill assault scenes.
The Oner / int_b91fac15	featureApplicability	1.0
The Oner / int_b91fac15	featureConfidence	1.0
The Thin Red Line	hasFeature	The Oner / int_b91fac15
The Oner / int_b9f25961	type	The Oner
The Oner / int_b9f25961	comment	He also used it in his earlier Gerry, a lot. One of particular note is an extended shot of the two main characters walking through the desert, the camera in extreme close-up, with only the crunch of the rocks beneath their feet on the soundtrack.
The Oner / int_b9f25961	featureApplicability	1.0
The Oner / int_b9f25961	featureConfidence	1.0
Gerry	hasFeature	The Oner / int_b9f25961
The Oner / int_b9fe8fce	type	The Oner
The Oner / int_b9fe8fce	comment	Hanna has several long takes, including a 3-minute one happening in a busy bus station and ending in an underground tunnel brawl.
The Oner / int_b9fe8fce	featureApplicability	1.0
The Oner / int_b9fe8fce	featureConfidence	1.0
Hanna	hasFeature	The Oner / int_b9fe8fce
The Oner / int_ba44e049	type	The Oner
The Oner / int_ba44e049	comment	Almost all of 19-minute short film Madre is a single take of a woman pacing around her apartment while on the phone.
The Oner / int_ba44e049	featureApplicability	1.0
The Oner / int_ba44e049	featureConfidence	1.0
Madre	hasFeature	The Oner / int_ba44e049
The Oner / int_bbdf1b3b	type	The Oner
The Oner / int_bbdf1b3b	comment	The Mad About You episode "The Conversation" (Paul and Jamie are anguished about whether to leave Mabel alone through the night, not going to her when she cries) was filmed in a single shot, except for The Teaser and The Tag. They then apply Lampshade Hanging in The Tag, when Paul and Jamie are watching and discussing a movie filmed in that way - Paul points out how difficult this is for the actors, while Jamie (who had actually flubbed one of her lines) merely claims "It's their job!"
The Oner / int_bbdf1b3b	featureApplicability	1.0
The Oner / int_bbdf1b3b	featureConfidence	1.0
Mad About You	hasFeature	The Oner / int_bbdf1b3b
The Oner / int_bbe33e8a	type	The Oner
The Oner / int_bbe33e8a	comment	Northern Exposure: a rather memorable one occurs in the episode "Get Real." The scene begins with Joel in his truck; the camera is clamped to the door of the truck looking at Joel through the driver's side window. He offers Enrico Belotti (The Flying Man) a ride into town. When Mr. Belotti declines the offer, Joel drives off, drilling himself in preparation for his internal medicine Board exams as he goes. When he gets to town, there's Mr. Belotti waiting for him by the side of the road, looking like he's been through some vigorous exerciseâ€”and Joel realizes that they don't call Mr. Belotti "The Flying Man" for nothing.
The Oner / int_bbe33e8a	featureApplicability	1.0
The Oner / int_bbe33e8a	featureConfidence	1.0
Northern Exposure	hasFeature	The Oner / int_bbe33e8a
The Oner / int_bc24ac8e	type	The Oner
The Oner / int_bc24ac8e	comment	Crisis features a 7 and a half minute long fight sequence during Episode 8 when the SIT unit attacks the headquarters of the Light of God cult.
The Oner / int_bc24ac8e	featureApplicability	1.0
The Oner / int_bc24ac8e	featureConfidence	1.0
Crisis (2017)	hasFeature	The Oner / int_bc24ac8e
The Oner / int_bca4a91e	type	The Oner
The Oner / int_bca4a91e	comment	City Hunter: The Cupid's Perfume: The P.O.V. Cam scene, including Ryo's interrogation by the bad guys, then him managing to free himself and fight the henchmen, is at first a fairly long unique shot â€” for an extremely complex scene involving lots of fighting, special effects (the revolvers being caught by the scrapyard electromagnet) and concluding with a car crash. There is one cut to Kaori, before returning to the P.O.V. Cam again to finish the fight.
The Oner / int_bca4a91e	featureApplicability	1.0
The Oner / int_bca4a91e	featureConfidence	1.0
City Hunter: The Cupid's Perfume	hasFeature	The Oner / int_bca4a91e
The Oner / int_bcdb2a53	type	The Oner
The Oner / int_bcdb2a53	comment	Each The Television Ghost episode consisted of a single fifteen-minute shot of George Kelting's face as he told a story.
The Oner / int_bcdb2a53	featureApplicability	1.0
The Oner / int_bcdb2a53	featureConfidence	1.0
The Television Ghost	hasFeature	The Oner / int_bcdb2a53
The Oner / int_be805b18	type	The Oner
The Oner / int_be805b18	comment	IrrÃ©versible consists entirely of Oners shown in reverse order. One contains a murder, another a rape.
The Oner / int_be805b18	featureApplicability	1.0
The Oner / int_be805b18	featureConfidence	1.0
Irréversible	hasFeature	The Oner / int_be805b18
The Oner / int_bf797086	type	The Oner
The Oner / int_bf797086	comment	Children of Men features a number of these, with a degree of special effects assistance which has not been completely revealed. It's known that some of the shots used blue screen effects, and some were stitched together cleverly from short takes. The in-car sequence required a complex rig that was placed on top of the car so there would be no equipment in the car aside from the camera itself while it was moving. CGI was used heavily to add elements that would have been impossible to film traditionally, as well as replacing parts of the car that had to be removed.
The Oner / int_bf797086	featureApplicability	1.0
The Oner / int_bf797086	featureConfidence	1.0
Children of Men	hasFeature	The Oner / int_bf797086
The Oner / int_c02ce5b4	type	The Oner
The Oner / int_c02ce5b4	comment	House of the Dragon continues the tradition of long takes. The sixth episode, "The Princess and the Queen" begins with a long take of Rhaenyra Targaryen giving birth to her third son and being summoned by Queen Alicent immediately afterwards, followed by another, even longer take of her making the arduous walk from her chambers to the queen's. The switch in subject matter hammers home the running theme that the childbed is akin to the battlefield.
The Oner / int_c02ce5b4	featureApplicability	1.0
The Oner / int_c02ce5b4	featureConfidence	1.0
House of the Dragon	hasFeature	The Oner / int_c02ce5b4
The Oner / int_c06c3e0d	type	The Oner
The Oner / int_c06c3e0d	comment	LoadingReadyRun did this with "The Writers' Room", a sketch consisting of a single shot over six minutes in length. It was especially challenging as most of the actors had minimal stage experience and weren't used to memorizing all of their lines and cues. "Desert Bus Killed the Internet Star", while shorter, required actors entering and leaving the frame, hiding and passing quickly behind the camera in the middle of a small, furnished room.
The Oner / int_c06c3e0d	featureApplicability	1.0
The Oner / int_c06c3e0d	featureConfidence	1.0
LoadingReadyRun (Web Video)	hasFeature	The Oner / int_c06c3e0d
The Oner / int_c0b9fa2a	type	The Oner
The Oner / int_c0b9fa2a	comment	In Death Proof, a conversation in a coffee shop around half-way through.
The Oner / int_c0b9fa2a	featureApplicability	1.0
The Oner / int_c0b9fa2a	featureConfidence	1.0
Death Proof	hasFeature	The Oner / int_c0b9fa2a
The Oner / int_c18f1789	type	The Oner
The Oner / int_c18f1789	comment	Special case: Dancer in the Dark shoots all its Musical numbers as one continuous Long Take using up to 100 stationary cameras in Technicolor, then cuts between all the footage generated. The rest of the movie is filmed with blurry handheld cameras in the style of Dogme '95, to show how the protagonist is going blind and the musical numbers are what she sees in her head. The result is fascinating because you can tell all the footage of singing dancing was taken from multiple odd angles of one single take (under a desk, atop a railway car, etc.).
The Oner / int_c18f1789	featureApplicability	1.0
The Oner / int_c18f1789	featureConfidence	1.0
Dancer in the Dark	hasFeature	The Oner / int_c18f1789
The Oner / int_c1c2f3de	type	The Oner
The Oner / int_c1c2f3de	comment	Escape at Dannemora: Sweat's dry run of his prison escape is filmed in a single shot as he navigates the labyrinthine service corridors of the prison and through an incredibly long tunnel to the manhole cover outside the prison walls. There are a few disguised cuts as the camera spins back and forth to focus on Sweat and the path ahead.
The Oner / int_c1c2f3de	featureApplicability	1.0
The Oner / int_c1c2f3de	featureConfidence	1.0
Escape at Dannemora	hasFeature	The Oner / int_c1c2f3de
The Oner / int_c1c6431b	type	The Oner
The Oner / int_c1c6431b	comment	The final action scene of Hellboy is shot in one continuous take.
The Oner / int_c1c6431b	featureApplicability	1.0
The Oner / int_c1c6431b	featureConfidence	1.0
Hellboy (2019)	hasFeature	The Oner / int_c1c6431b
The Oner / int_c331df2d	type	The Oner
The Oner / int_c331df2d	comment	Tom Petty's "You Don't Know How It Feels" was once credited as the most expensive single-shot music video to date.
The Oner / int_c331df2d	featureApplicability	1.0
The Oner / int_c331df2d	featureConfidence	1.0
Tom Petty (Music)	hasFeature	The Oner / int_c331df2d
The Oner / int_c361604f	type	The Oner
The Oner / int_c361604f	comment	Many of the shots in La La Land are over thirty seconds long. The opening musical number is actually three shots, but edited with whip pans to make it seem like one continuous shot that lasts for six minutes. Also, Mia's final audition consists of one shot of a zoom into her face, a pan around her, and a zoom out, which last three minutes.
The Oner / int_c361604f	featureApplicability	1.0
The Oner / int_c361604f	featureConfidence	1.0
La La Land	hasFeature	The Oner / int_c361604f
The Oner / int_c380b436	type	The Oner
The Oner / int_c380b436	comment	Used for a roughly two minute long scene in Penguins of Madagascar where the penguins fall out of the cargo hold of one airplane, slam into another airplane, actually board another plane and mess around on it a little before deciding to leave it, then barely miss getting on yet another plane, and finally fall to the ground, with the shot ending just before they actually land.
The Oner / int_c380b436	featureApplicability	1.0
The Oner / int_c380b436	featureConfidence	1.0
Penguins of Madagascar	hasFeature	The Oner / int_c380b436
The Oner / int_c47a07c7	type	The Oner
The Oner / int_c47a07c7	comment	Most of the Sealab 2021 episode "Fusebox" is one long continuous shot of nothing but Sealab's exterior. It starts cutting more at the end when it's revealed to have all been a training video the crew was watching.
The Oner / int_c47a07c7	featureApplicability	1.0
The Oner / int_c47a07c7	featureConfidence	1.0
Sealab 2021	hasFeature	The Oner / int_c47a07c7
The Oner / int_c4a1d59e	type	The Oner
The Oner / int_c4a1d59e	comment	Call of Duty 4: Has the player in the shoes of overthrown President Al-Fulani, being captured, taken onto a car and driven around, you can see things like a family being killed, armed men breaking into houses, APC's firing on unarmed civilians, a group of your apparent supporters being lined up against a wall and shot, when you arrive, you are taken to a televised/filmed rally, tied to a post, then executed by Khaled Al-Asad.
The Oner / int_c4a1d59e	featureApplicability	1.0
The Oner / int_c4a1d59e	featureConfidence	1.0
Call of Duty (Video Game)	hasFeature	The Oner / int_c4a1d59e
The Oner / int_c4a7b5d3	type	The Oner
The Oner / int_c4a7b5d3	comment	Shaun of the Dead has two oners of Shaun walking from his flat, across the street to the store, and back. One of them takes place before the Zombie Apocalypse and one is during. Shaun had just woken up and is equally oblivious in both.
The Oner / int_c4a7b5d3	featureApplicability	1.0
The Oner / int_c4a7b5d3	featureConfidence	1.0
Shaun of the Dead	hasFeature	The Oner / int_c4a7b5d3
The Oner / int_c5ead8e8	type	The Oner
The Oner / int_c5ead8e8	comment	Goodfellas: The famous scene where Henry Hill takes his girlfriend to the nightclub, past the line at the door, in through the kitchen and out into the club where veteran comedian Henny Youngman peforms. It's made more impressive because the extras outside the club had to run inside to serve double-duty as the night club audience. Youngman proved to be the biggest liability, as he kept flubbing his lines at the very end.
The Oner / int_c5ead8e8	featureApplicability	1.0
The Oner / int_c5ead8e8	featureConfidence	1.0
GoodFellas	hasFeature	The Oner / int_c5ead8e8
The Oner / int_c712ff59	type	The Oner
The Oner / int_c712ff59	comment	The camera in 2:37 often follows a character through the school for extended periods of time, sometimes switching which character it follows mid-shot.
The Oner / int_c712ff59	featureApplicability	1.0
The Oner / int_c712ff59	featureConfidence	1.0
2:37	hasFeature	The Oner / int_c712ff59
The Oner / int_c720f71e	type	The Oner
The Oner / int_c720f71e	comment	Jon Cozart (on the YouTube channel Paint) combines this with Self-Backing Vocalist to carry this out four fold.
The Oner / int_c720f71e	featureApplicability	1.0
The Oner / int_c720f71e	featureConfidence	1.0
YouTube (Website)	hasFeature	The Oner / int_c720f71e
The Oner / int_c934c9ef	type	The Oner
The Oner / int_c934c9ef	comment	Beyond the Infinite Two Minutes: The whole film is shot to appear as one take, though there are hidden cuts throughout.
The Oner / int_c934c9ef	featureApplicability	1.0
The Oner / int_c934c9ef	featureConfidence	1.0
Beyond The Infinite Two Minutes	hasFeature	The Oner / int_c934c9ef
The Oner / int_c9a98ba0	type	The Oner
The Oner / int_c9a98ba0	comment	The end of the True Detective episode "Who Goes There?" In order to find a serial killer, Cohle goes back undercover with an East Texas biker gang the suspect is dealing meth to. The gang goes into the projects dressed as cops to rob a stash house. There is a six-minute long steadicam shot from where Cohle and the gang breaks into the drug den, hold the occupants there hostage as they rob the place, things go very wrong, Cohle incapacitates his contact and leaves, calls Hart to pick them up and tries to get out of the projects as the police arrive. You can watch it here.
The Oner / int_c9a98ba0	featureApplicability	1.0
The Oner / int_c9a98ba0	featureConfidence	1.0
True Detective	hasFeature	The Oner / int_c9a98ba0
The Oner / int_c9fecd11	type	The Oner
The Oner / int_c9fecd11	comment	British police series The Bill used it a lot in the very early days of its existence, when the remit was to create a kind of documentary effect. A good example is the 1995 episode "Good Intentions" which has 4 takes over the 22 minute episode. The first lasts approximately 6 minutes and follows characters outdoors and indoors and up and down stairwells. The second and third last approximately 3 minutes each. The fourth, which includes several parts of the police station set, lasts 12 minutes. Towards the end of the series the show tended to rely more on using Whip Pans and other camera tricks to break up scenes. However, the very final shot of the show is a classic Oner, going through the station and ceremonially saying goodbye to the characters.
The Oner / int_c9fecd11	featureApplicability	1.0
The Oner / int_c9fecd11	featureConfidence	1.0
The Bill	hasFeature	The Oner / int_c9fecd11
The Oner / int_cac1f772	type	The Oner
The Oner / int_cac1f772	comment	The two-part episode Quentin Tarantino directed for CSI includes such a shot. The camera first films the CSIs talking around a table, before following Sarah across the entire lab as she goes to fetch a suspect's file in another room.
The Oner / int_cac1f772	featureApplicability	1.0
The Oner / int_cac1f772	featureConfidence	1.0
CSI	hasFeature	The Oner / int_cac1f772
The Oner / int_caf76c89	type	The Oner
The Oner / int_caf76c89	comment	In The Happening, the camera follows a gun as one person after another picks it up and kills themselves.
The Oner / int_caf76c89	featureApplicability	1.0
The Oner / int_caf76c89	featureConfidence	1.0
The Happening	hasFeature	The Oner / int_caf76c89
The Oner / int_cb6abef3	type	The Oner
The Oner / int_cb6abef3	comment	The Avengers: The climactic battle, following each member of the team as they whoop the Chitauri's collective ass to hell and back. We start with Black Widow riding a hijacked Chitauri craft... to Iron Man covering her back by blasting chasing craft... to Iron Man landing next to Captain America and reflecting his beam off of Cap's shield to clear out enemies... to Hawkeye picking off Chitauri from nearby to afar... to Thor and the Hulk fighting on top of a Leviathan and ultimately using a concerted effort to bring the monster down. The scene can be viewed here. There's a less epic one earlier, when the team is arguing aboard the Helicarrier.
The Oner / int_cb6abef3	featureApplicability	1.0
The Oner / int_cb6abef3	featureConfidence	1.0
The Avengers (2012)	hasFeature	The Oner / int_cb6abef3
The Oner / int_cb6dff30	type	The Oner
The Oner / int_cb6dff30	comment	Unique, if somewhat short, variant: Silent Hill features one shot that starts directly behind the protagonists struggling to hold a door shut, facing a complete wall. It then rises until pointing downwards, over the wall and door, and then lowers until aiming straight-on again behind the men trying to break in. Obviously thrown together with just a bit of cheap bisecting CGI of the wall to cover the wipe, right? Nope; the entire wall was constructed to let the top open up, allow the camera through, and close back up before coming down on the other side.
The Oner / int_cb6dff30	featureApplicability	1.0
The Oner / int_cb6dff30	featureConfidence	1.0
Silent Hill	hasFeature	The Oner / int_cb6dff30
The Oner / int_cd899ed6	type	The Oner
The Oner / int_cd899ed6	comment	And for the Grand Finale, Bruce Wayne blows up his house while the media watches. It's symbolic of cutting off all ties with Gotham and dying alone against the real enemy: human indulgence.
The Oner / int_cd899ed6	featureApplicability	1.0
The Oner / int_cd899ed6	featureConfidence	1.0
Grand Finale	hasFeature	The Oner / int_cd899ed6
The Oner / int_cd95b8df	type	The Oner
The Oner / int_cd95b8df	comment	Dead Space: The series avoids ever "cutting" its camera, from the moment you start a new game to the ending. Even the sparse loading screens zoom the camera up to a computer panel, to zoom away when it's finished. The sequel does this as well: you've never not looking at Isaac. The remake continues this tradition.
The Oner / int_cd95b8df	featureApplicability	1.0
The Oner / int_cd95b8df	featureConfidence	1.0
Dead Space (Franchise)	hasFeature	The Oner / int_cd95b8df
The Oner / int_cf3f5e7	type	The Oner
The Oner / int_cf3f5e7	comment	Tom-Yum-Goong (aka The Protector): Features a four-minute note the time was chosen specifically because that was how much usable footage could be shot with a single canister of 35mm film one-shot elaborate fight sequence that reportedly took eight days to get right in which Tony Jaa fights his way up a building. Up multiple sets of stairs and through rooms, with occasional pans out and back again to show extras landing after being thrown over the railings. The only CGI in the whole sequence is a window breaking, and only because the real prop didn't work right and cheating it in with CGI was cheaper than rebuilding the entire set for another take. Another occurres during a fight in the old Redfern tram depot, against bikers, skateboarders, and roller-skaters.
The Oner / int_cf3f5e7	featureApplicability	1.0
The Oner / int_cf3f5e7	featureConfidence	1.0
Tom-Yum-Goong	hasFeature	The Oner / int_cf3f5e7
The Oner / int_d0beafcf	type	The Oner
The Oner / int_d0beafcf	comment	In Pride and Prejudice, right after Elizabeth and Mr. Darcy dance at the ball, a montage of the ball starts. It's easy to miss that this is really one long shot. After a bit of dialogue, Keira Knightley had to sprint through the house to pass a doorway before the camera got to it, and then steady her breathing for when the camera got to her in her next position.
The Oner / int_d0beafcf	featureApplicability	1.0
The Oner / int_d0beafcf	featureConfidence	1.0
Pride & Prejudice (2005)	hasFeature	The Oner / int_d0beafcf
The Oner / int_d14bb14a	type	The Oner
The Oner / int_d14bb14a	comment	The movie did this again, with the camera following a drone that Hata had stolen from the Robot Research Club as it flies past most of the cast in the hallways, once again stopping with Suzu's dog.
The Oner / int_d14bb14a	featureApplicability	1.0
The Oner / int_d14bb14a	featureConfidence	1.0
Call-Back	hasFeature	The Oner / int_d14bb14a
The Oner / int_d14c3aa1	type	The Oner
The Oner / int_d14c3aa1	comment	Ghostbusters has one in Louis's apartment during his party. The entire shot was also ad libbed by Rick Moranis.
The Oner / int_d14c3aa1	featureApplicability	1.0
The Oner / int_d14c3aa1	featureConfidence	1.0
Ghostbusters (1984)	hasFeature	The Oner / int_d14c3aa1
The Oner / int_d193f01	type	The Oner
The Oner / int_d193f01	comment	Big Fat Liar actually does one of these very well, in Jaleel White's introductory scene at an on-location film shoot. The DVD deleted scenes contain an even longer cut of the same shot.
The Oner / int_d193f01	featureApplicability	1.0
The Oner / int_d193f01	featureConfidence	1.0
Big Fat Liar	hasFeature	The Oner / int_d193f01
The Oner / int_d194b2db	type	The Oner
The Oner / int_d194b2db	comment	The trailers for Death Stranding, despite running on a different engine (Decima), have long takes in the same style as Metal Gear Solid V. The Game Awards 2016 trailer had a shot lasting 2.5 minutes, and the Game Awards 2017 trailer had one lasting 5.5 minutes.
The Oner / int_d194b2db	featureApplicability	1.0
The Oner / int_d194b2db	featureConfidence	1.0
Death Stranding (Video Game)	hasFeature	The Oner / int_d194b2db
The Oner / int_d29541d	type	The Oner
The Oner / int_d29541d	comment	STU48: "Kaze wo Matsu" is a long-take MV shot with a drone.
The Oner / int_d29541d	featureApplicability	1.0
The Oner / int_d29541d	featureConfidence	1.0
STU48 (Music)	hasFeature	The Oner / int_d29541d
The Oner / int_d343c983	type	The Oner
The Oner / int_d343c983	comment	The Haunting of Hill House (2018): Episode 6 has five long takes, the longest of which is 18 minutes. Because it covers two separate time periods and different locations, a rigged set was built with elevators and hidden doors for the crew and cast (and their body doubles) to run around. Episode 7 has a pretty long take just of Horace Dudley telling Hugh about his family's past with Hill House. It just slowly zooms in on him over the entire story.
The Oner / int_d343c983	featureApplicability	1.0
The Oner / int_d343c983	featureConfidence	1.0
The Haunting of Hill House (2018)	hasFeature	The Oner / int_d343c983
The Oner / int_d367776	type	The Oner
The Oner / int_d367776	comment	Spoon's "The Underdog" is one long tracking shot following several people through various halls and rooms of the studio passing the relevant musician as each new musical element is introduced.
The Oner / int_d367776	featureApplicability	1.0
The Oner / int_d367776	featureConfidence	1.0
Spoon (Music)	hasFeature	The Oner / int_d367776
The Oner / int_d383246	type	The Oner
The Oner / int_d383246	comment	Sting's video "Fortress Around Your Heart" is mostly a Oner. Most of the video is one long black & white shot mixed with a few "making-of" shots in color.
The Oner / int_d383246	featureApplicability	1.0
The Oner / int_d383246	featureConfidence	1.0
Sting (Music)	hasFeature	The Oner / int_d383246
The Oner / int_d461f757	type	The Oner
The Oner / int_d461f757	comment	The first post-credits sequence of the 2003 Battlestar Galactica mini-series is a 3 minute 15 second steadicam shot running around the upper levels of the ship, with almost every named crew member wandering through.
The Oner / int_d461f757	featureApplicability	1.0
The Oner / int_d461f757	featureConfidence	1.0
Battlestar Galactica (2003)	hasFeature	The Oner / int_d461f757
The Oner / int_d4fdfff4	type	The Oner
The Oner / int_d4fdfff4	comment	ER often used continuous tracking shots (achieved through extensive use of the Steadicam) to stress the intensity of the moment, during mass casualty incidents when the whole cast scrambles to save several lives simultaneously. Rather than cut between different events, the camera just follows characters between rooms and circle around them as they work. One of the earliest examples of this is the first season episode "Blizzard" which contains a five-and-a-half minute long mass casualty scene that contains just 16 cuts. It includes a very impressive 100-second long tracking shot that moves around the entire ER set and features every cast member. The frequency of these kinds of scenes inspired the cast and crew to broadcast an entire episode live from start to finish. The episode was called "Ambush", and while it did feature multiple cameras, it was essentially done in a single take (technically two takes, since they did the show twice, once for the East Coast timeslot, and once for the West Coast). In Season 4's "Exodus", we get the opposite of the usual use, as it features a quite haunting 40-second long tracking shot of a completely empty and abandoned ER.
The Oner / int_d4fdfff4	featureApplicability	1.0
The Oner / int_d4fdfff4	featureConfidence	1.0
ER	hasFeature	The Oner / int_d4fdfff4
The Oner / int_d54a63c9	type	The Oner
The Oner / int_d54a63c9	comment	The Longest Day has a long take showing French commandos storming a German strongpoint at Ouistreham. Although shorter than many other entries on this list (about ninety seconds), it still contains hundreds of extras coming in from multiple directions, over several city blocks, and lots of pyrotechnics, all of which had to be carefully choreographed. And it was filmed from a helicopter.
The Oner / int_d54a63c9	featureApplicability	1.0
The Oner / int_d54a63c9	featureConfidence	1.0
The Longest Day	hasFeature	The Oner / int_d54a63c9
The Oner / int_d78af2ac	type	The Oner
The Oner / int_d78af2ac	comment	The church battle in Kingsman: The Secret Service is designed to look like one, though there actually are several cuts hidden with whip pans (plus the inserts of the people watching). In an interview, Colin Firth claimed that the sequence was so carefully rehearsed and choreographed that they could have done it on stage in front of a live audience.
The Oner / int_d78af2ac	featureApplicability	1.0
The Oner / int_d78af2ac	featureConfidence	1.0
Kingsman: The Secret Service	hasFeature	The Oner / int_d78af2ac
The Oner / int_d79dc75f	type	The Oner
The Oner / int_d79dc75f	comment	being Hands is filmed continuously, without cuts or splices.
The Oner / int_d79dc75f	featureApplicability	1.0
The Oner / int_d79dc75f	featureConfidence	1.0
Being Hands	hasFeature	The Oner / int_d79dc75f
The Oner / int_d7cfe275	type	The Oner
The Oner / int_d7cfe275	comment	Boiling Point (2021) is presented in a single, unbroken takenote The director chose to use the third out of four completed run throughs. to show what happens over the course of a single night at a fine-dining restaurant. It is the expansion of a short film, also titled Boiling Point, that was also shot in a single take.
The Oner / int_d7cfe275	featureApplicability	1.0
The Oner / int_d7cfe275	featureConfidence	1.0
Boiling Point (2021)	hasFeature	The Oner / int_d7cfe275
The Oner / int_d8e8ac76	type	The Oner
The Oner / int_d8e8ac76	comment	High School Musical: The Musical: The Series has "Something in the Air", the musical number that opens season 2. It's almost seamless, with only two transition spots where they could hide the edits.
The Oner / int_d8e8ac76	featureApplicability	1.0
The Oner / int_d8e8ac76	featureConfidence	1.0
High School Musical: The Musical: The Series	hasFeature	The Oner / int_d8e8ac76
The Oner / int_d9bbe86e	type	The Oner
The Oner / int_d9bbe86e	comment	Spirit: Stallion of the Cimarron opens with one of these, following a bald eagle over various natural landmarks in America's Old West. It was one of the first sequences started during production and one of the last to be finished.
The Oner / int_d9bbe86e	featureApplicability	1.0
The Oner / int_d9bbe86e	featureConfidence	1.0
Spirit: Stallion of the Cimarron	hasFeature	The Oner / int_d9bbe86e
The Oner / int_da72f901	type	The Oner
The Oner / int_da72f901	comment	Jackie Brown: The opening credits with Jackie on a moving sidewalk were a single shot. The scene where she wanders through the mall working herself up into being panicked, and waiting an appropriate about of time before yelling for Ray in order for her scheme to work.
The Oner / int_da72f901	featureApplicability	1.0
The Oner / int_da72f901	featureConfidence	1.0
Jackie Brown	hasFeature	The Oner / int_da72f901
The Oner / int_daaafa37	type	The Oner
The Oner / int_daaafa37	comment	Episode 4 of Psychoville is a comic homage to Rope, but manages to one-up the original by shooting the entire 28-minutes of action in just two takes, the first of which was 17 minutes long - something that was only possible on video, since film cameras only contain 10-minute reels.
The Oner / int_daaafa37	featureApplicability	1.0
The Oner / int_daaafa37	featureConfidence	1.0
Psychoville	hasFeature	The Oner / int_daaafa37
The Oner / int_db96ded4	type	The Oner
The Oner / int_db96ded4	comment	There is a very epic 21-second single shot in the third book finale of The Legend of Korra, tracking main villain Zaheer flying at top speed while Korra chases and attacks him with earth and firebending; in the middle of the shot he stops, the camera passes him and turns around to watch him attack Korra. It's one of the most visually incredible moments of the show.
The Oner / int_db96ded4	featureApplicability	1.0
The Oner / int_db96ded4	featureConfidence	1.0
The Legend of Korra	hasFeature	The Oner / int_db96ded4
The Oner / int_dca041af	type	The Oner
The Oner / int_dca041af	comment	The Marvelous Mrs. Maisel is known for featuring continuous tracking shots. The second season opens with one of these to show Midge in her new job in the basement switchboard at B. Altman. It's not entirely a single oner, but rather, two separate shots stitched together with CGI (this being where we see the camera follow a letter sent down the mail chute to the basement). "We're Going to the Catskills" features a lengthy oner during the initial Steiner dance challenge. This one sees Midge race around the dance floor looking for dance partners with initials matching her own, during which she sets up one couple and has a chat with one of the Steiner employees. It even continues after the initial dance ends into the next dance, as Midge slowly waltzes with Joel. The season 4 episode "How Do You Get to Carnegie Hall?" has a three-minute oner where Midge, Lenny Bruce, and dozens of extras try to escape the backstage of a burlesque show during a police raid.
The Oner / int_dca041af	featureApplicability	1.0
The Oner / int_dca041af	featureConfidence	1.0
The Marvelous Mrs. Maisel	hasFeature	The Oner / int_dca041af
The Oner / int_dca2a470	type	The Oner
The Oner / int_dca2a470	comment	Touch of Evil The opening sequence features one of the most famous continuous camera shots. It's also an impressively long Tracking Shot. Also, the scene which takes place at the Sanchez residence where Menzies discovers two sticks of dynamite in a shoebox Vargas had just moments before seen to be empty. This was the first scene filmed. When Welles shot it in one continuous take, it put the film ahead of schedule which helped to placate studio execs nervous about having the meticulous director at the helm.
The Oner / int_dca2a470	featureApplicability	1.0
The Oner / int_dca2a470	featureConfidence	1.0
Touch of Evil	hasFeature	The Oner / int_dca2a470
The Oner / int_dde91ea5	type	The Oner
The Oner / int_dde91ea5	comment	A Knight's Tale has one that the director freely admitted was for a purely practical reason: he really wanted to film one scene in a certain cathedral and could only get permission to film there for one night. Since setting up individual shots always takes up a lot of extra time; he managed to film quickly by reducing the scene to three: a lengthy distance shot during which most of the scene takes place, and two brief close-ups for a dramatic exchange of final words at the end.
The Oner / int_dde91ea5	featureApplicability	1.0
The Oner / int_dde91ea5	featureConfidence	1.0
A Knight's Tale	hasFeature	The Oner / int_dde91ea5
The Oner / int_de386b52	type	The Oner
The Oner / int_de386b52	comment	In Teenage Mutant Ninja Turtles (1990), Shredder's introduction is done with a long, lingering shot down the corridor that swoops to the side as he walks down the hallway and meets his men, then goes behind him as his henchman helps with his cape.
The Oner / int_de386b52	featureApplicability	1.0
The Oner / int_de386b52	featureConfidence	1.0
Teenage Mutant Ninja Turtles (1990)	hasFeature	The Oner / int_de386b52
The Oner / int_de976635	type	The Oner
The Oner / int_de976635	comment	The Book of Boba Fett, "Return of the Mandalorian": From the moment Din Djarin takes the elevator, arrives at the bar, discusses with his employer (with an Orbital Shot around the table), departs through the same elevator and till he exits it, all of this is one uninterrupted continuous shot with the camera following him.
The Oner / int_de976635	featureApplicability	1.0
The Oner / int_de976635	featureConfidence	1.0
The Book of Boba Fett	hasFeature	The Oner / int_de976635
The Oner / int_ded9acbd	type	The Oner
The Oner / int_ded9acbd	comment	No Time to Die has the stairwell action sequence — an apparently unbroken shot of Bond fighting his way up a staircase, exchanging bullets and punches with numerous heavily armed goons, avoiding grenades, and at one point going into Shell-Shock Silence.
The Oner / int_ded9acbd	featureApplicability	1.0
The Oner / int_ded9acbd	featureConfidence	1.0
No Time to Die	hasFeature	The Oner / int_ded9acbd
The Oner / int_e21abc1	type	The Oner
The Oner / int_e21abc1	comment	The first version of EXO's music video for "Growl". Seeing as the only mistake in the final cut is that Kai's hat falls off (which he proceeds to smoothly pick up) about two/thirds of the way through, it was very well-performed.
The Oner / int_e21abc1	featureApplicability	1.0
The Oner / int_e21abc1	featureConfidence	1.0
EXO (Music)	hasFeature	The Oner / int_e21abc1
The Oner / int_e293455a	type	The Oner
The Oner / int_e293455a	comment	Buffy the Vampire Slayer: The filming of the song "The Parking Ticket" from "Once More, With Feeling" was done in one take. The camera starts on Giles, Xander and Anya, then pans over to Marti Noxon singing before rejoining the Scoobies' conversation. One of the opening scenes of "The Body" was shot as a oner, which adds to the realism of the episode. Maybe the first one to show up in the series is "Anne", as the gang returns to school; it runs for 3:30, features every main character plus all minor characters important for the episode, and is book-ended by two scenes showing Buffy in L.A., just to ram it home how utterly alone she is. Whedon actually uses one in the very first episode of the show and comments about this very fact in the DVD commentary.
The Oner / int_e293455a	featureApplicability	1.0
The Oner / int_e293455a	featureConfidence	1.0
Buffy the Vampire Slayer	hasFeature	The Oner / int_e293455a
The Oner / int_e3a1067	type	The Oner
The Oner / int_e3a1067	comment	The Panty & Stocking with Garterbelt episode "Nothing to Room" is a fixed shot with the two ladies on a couch.
The Oner / int_e3a1067	featureApplicability	1.0
The Oner / int_e3a1067	featureConfidence	1.0
Panty & Stocking with Garterbelt	hasFeature	The Oner / int_e3a1067
The Oner / int_e46187b	type	The Oner
The Oner / int_e46187b	comment	The 2015 film Victoria consists of a single take spanning 134 minutes, 22 locations, a bank robbery, car chases, a kidnapping, sunrise, and three character deaths. It reportedly required a digital handycam, three months' practice and three live runs to complete.
The Oner / int_e46187b	featureApplicability	1.0
The Oner / int_e46187b	featureConfidence	1.0
Victoria (2015)	hasFeature	The Oner / int_e46187b
The Oner / int_e4661745	type	The Oner
The Oner / int_e4661745	comment	The Bad Lieutenant: Port of Call New Orleans: When arresting a suspect who's holed up in his house, McDonaugh orders his unit to keep their guns trained on the front door. Then the camera follows him as he circles around through the neighbor's adjacent house, enters through the back door, puts his gun right against the back of the suspect's head, and marches him out through the front door.
The Oner / int_e4661745	featureApplicability	1.0
The Oner / int_e4661745	featureConfidence	1.0
The Bad Lieutenant: Port of Call New Orleans	hasFeature	The Oner / int_e4661745
The Oner / int_e49b0ff2	type	The Oner
The Oner / int_e49b0ff2	comment	One of the Greyshirt tales in Tomorrow Stories is told entirely from the unbroken POV of an unlicensed cab driver who accidentally hits Greyshirt — and is hijacked by a gangster who wants him to finish the job.
The Oner / int_e49b0ff2	featureApplicability	1.0
The Oner / int_e49b0ff2	featureConfidence	1.0
Tomorrow Stories (Comic Book)	hasFeature	The Oner / int_e49b0ff2
The Oner / int_e6e85a39	type	The Oner
The Oner / int_e6e85a39	comment	The opening scene of Strange Days, taking about five minutes with a handicam and several physical stunts (like climbing a ladder and jumping off a building) and ends with the POV cameraman/character falling off a roof and dying.
The Oner / int_e6e85a39	featureApplicability	1.0
The Oner / int_e6e85a39	featureConfidence	1.0
Strange Days	hasFeature	The Oner / int_e6e85a39
The Oner / int_e7e37776	type	The Oner
The Oner / int_e7e37776	comment	Firefly: In "Objects in Space", the second-to-last shot of the episode was one long shot over about a minute, showing each member of the crew. It was intended to show that River had been accepted onto the ship as one of the crew, as opposed to a passenger, by having her appear with everyone else on the ship. The scene ends with Summer Glau and Jewel Staite in the cargo bay of the ship. Because everything had to go right in one take, if anyone made a mistake, they'd have to start the whole scene over again. When Summer kept screwing up, forcing a reshoot because the very last part of the long scene (it's about 5-7 minutes long) was screwed up, it necessarily ended up frustrating the other cast members, who, from the other side of the set, would cry out "SUUUUMMER!" whenever she messed up. This became a behind-the-scenes running gag: whenever someone would screw up, they'd shout "SUUUUMMER!" An outtake had one of these as Nathan Fillion rushed around to appear in four places in a close-up rotation amongst the cast at a funeral, ending with him in the casket with the corpse. Suffice to say, the other actors quickly corpsed.
The Oner / int_e7e37776	featureApplicability	1.0
The Oner / int_e7e37776	featureConfidence	1.0
Firefly	hasFeature	The Oner / int_e7e37776
The Oner / int_e8f42ec9	type	The Oner
The Oner / int_e8f42ec9	comment	Kamen Rider ZO: The beginning of the last fight against Doras is a single take that last for 1 minute and 40 seconds. The camera isn't mounted, and they fight around a central pillar - at one point, the camera operator is lifted up onto a walkway 3 meters up and lowered again as the fight continues below him.
The Oner / int_e8f42ec9	featureApplicability	1.0
The Oner / int_e8f42ec9	featureConfidence	1.0
Kamen Rider ZO	hasFeature	The Oner / int_e8f42ec9
The Oner / int_e97e4f97	type	The Oner
The Oner / int_e97e4f97	comment	The climactic battle, following each member of the team as they whoop the Chitauri's collective ass to hell and back. We start with Black Widow riding a hijacked Chitauri craft... to Iron Man covering her back by blasting chasing craft... to Iron Man landing next to Captain America and reflecting his beam off of Cap's shield to clear out enemies... to Hawkeye picking off Chitauri from nearby to afar... to Thor and the Hulk fighting on top of a Leviathan and ultimately using a concerted effort to bring the monster down. The scene can be viewed here.
The Oner / int_e97e4f97	featureApplicability	1.0
The Oner / int_e97e4f97	featureConfidence	1.0
Black Widow / Comicbook	hasFeature	The Oner / int_e97e4f97
The Oner / int_e98de0bd	type	The Oner
The Oner / int_e98de0bd	comment	Knowing: The airplane crash sequence is one continuous shot that's over two minutes long.
The Oner / int_e98de0bd	featureApplicability	1.0
The Oner / int_e98de0bd	featureConfidence	1.0
Knowing	hasFeature	The Oner / int_e98de0bd
The Oner / int_e9a8ee1b	type	The Oner
The Oner / int_e9a8ee1b	comment	The intro to Drop the Dead Donkey follows Damien out of the editing suite, switches to other characters as they pass through the busy office (passing all the main characters), moves on to the news-desk set and ends just as they go on air.
The Oner / int_e9a8ee1b	featureApplicability	1.0
The Oner / int_e9a8ee1b	featureConfidence	1.0
Drop the Dead Donkey	hasFeature	The Oner / int_e9a8ee1b
The Oner / int_ea4f62db	type	The Oner
The Oner / int_ea4f62db	comment	An episode of Family Guy had Peter walking around his house with a representative of the Emmys.
The Oner / int_ea4f62db	featureApplicability	1.0
The Oner / int_ea4f62db	featureConfidence	1.0
Family Guy	hasFeature	The Oner / int_ea4f62db
The Oner / int_eb3eebd9	type	The Oner
The Oner / int_eb3eebd9	comment	Shredder Orpheus's climax has a continuous shot where Orpheus sees an Underworld pillar with the same logo as his skateboard, sees Hades in the distance, then walks along where Hades is right next to him as he passes a pillar, and continues to focus on both men as they confront each other and Hades drags Orpheus away. The director said it was one of the most difficult shots in the movie due to its unbroken length and tricky camerawork involved.
The Oner / int_eb3eebd9	featureApplicability	1.0
The Oner / int_eb3eebd9	featureConfidence	1.0
Shredder Orpheus	hasFeature	The Oner / int_eb3eebd9
The Oner / int_eb5d2678	type	The Oner
The Oner / int_eb5d2678	comment	Patriot occasionally films scenes in one continuous take: In season one, there is at least one instance of a depressed John sitting in a field as person after person stops by to deliver some bit of news, information or command that will make John's life more difficult. You can even see people in the background slowly making their way towards him long before they arrive. In season two, en Epic Tracking Shot follows John walking from a subway to a grocery store, where he and his friends rob the clerk and get shot, then nonchalantly walk back to the subway, all narrated by John in the form of a folk song.
The Oner / int_eb5d2678	featureApplicability	1.0
The Oner / int_eb5d2678	featureConfidence	1.0
Patriot	hasFeature	The Oner / int_eb5d2678
The Oner / int_eb76340f	type	The Oner
The Oner / int_eb76340f	comment	Third Watch's 100th episode, "A Call For Help" consisted of 4 Oners, each comprising about 10 minutes of screen time.
The Oner / int_eb76340f	featureApplicability	1.0
The Oner / int_eb76340f	featureConfidence	1.0
Third Watch	hasFeature	The Oner / int_eb76340f
The Oner / int_ed887e1f	type	The Oner
The Oner / int_ed887e1f	comment	Gangster Squad does this in the scene where Jerry Wooters goes to a nightclub of Cohen's to meet with Jack Whalen. It starts outside the nightclub, follows Jerry as he passes and pays off Pete the shoeshine boy, enters the club, hands his hat to one of the cigarette girls, then makes his way into the club, and eventually sits down with Whalen.
The Oner / int_ed887e1f	featureApplicability	1.0
The Oner / int_ed887e1f	featureConfidence	1.0
Gangster Squad	hasFeature	The Oner / int_ed887e1f
The Oner / int_ee7da84d	type	The Oner
The Oner / int_ee7da84d	comment	The entries of Marble Hornets vary in length from half a minute to seven minutes, and almost all of them are done in a single shot. It serves both to lend credibility to the premise that it was done hastily by film students on the fly and to make the entries almost unbearably suspenseful.
The Oner / int_ee7da84d	featureApplicability	1.0
The Oner / int_ee7da84d	featureConfidence	1.0
Marble Hornets (Web Video)	hasFeature	The Oner / int_ee7da84d
The Oner / int_ef076a36	type	The Oner
The Oner / int_ef076a36	comment	The Star Trek: Voyager episode "The Disease" features a one-take argument between Janeway and Harry that goes from the conference room to the bridge to Janeway's ready room.
The Oner / int_ef076a36	featureApplicability	1.0
The Oner / int_ef076a36	featureConfidence	1.0
Star Trek: Voyager	hasFeature	The Oner / int_ef076a36
The Oner / int_ef0cb827	type	The Oner
The Oner / int_ef0cb827	comment	One of the most memorable segments from the first season of Pop Team Epic, involves AC-bu (ACéƒ¨), the team behind the "Bob Epic Team" segments, telling the origin of Hellshake Yano using drawings from numerous sketchbooks. The following season, an entire episode is devoted to them telling a sequel story where everything was done using only sketchbooks. Break-off points were only limited to one take for the opening credits, one take for the main segment, and two separate takes for the ending credits connected with careful editing to make the episode capable in doing continuous loops when rewatching the episode.
The Oner / int_ef0cb827	featureApplicability	1.0
The Oner / int_ef0cb827	featureConfidence	1.0
Pop Team Epic (Manga)	hasFeature	The Oner / int_ef0cb827
The Oner / int_ef4bd96b	type	The Oner
The Oner / int_ef4bd96b	comment	Discussed in Anime Crimes Division as a prestige TV fight scene hallmark, unlike anime which usually settles for cutaways like Battle Discretion Shot.
The Oner / int_ef4bd96b	featureApplicability	1.0
The Oner / int_ef4bd96b	featureConfidence	1.0
Anime Crimes Division (Web Video)	hasFeature	The Oner / int_ef4bd96b
The Oner / int_ef894e37	type	The Oner
The Oner / int_ef894e37	comment	In the Crazy Ex-Girlfriend episode "Josh's Sister is Getting Married!," Greg has an entire song, "I Could If I Wanted To", done all in one take.
The Oner / int_ef894e37	featureApplicability	1.0
The Oner / int_ef894e37	featureConfidence	1.0
Crazy Ex-Girlfriend	hasFeature	The Oner / int_ef894e37
The Oner / int_efc16582	type	The Oner
The Oner / int_efc16582	comment	Mission: Impossible Film Series: The scene in Mission: Impossible III where Ethan Hunt runs through Shanghai is done in one long 20-second take, with the camera following his path while warning the citizens to move out of the way. The underwater setpiece in Mission: Impossible â€“ Rogue Nation is filmed featuring several individual Oners intersected with cuts to Benji and Ilsa. Mission: Impossible â€“ Fallout has the HALO jump section, which stitched together three takesnote out of over 100 into a seemingly continuous sequence, where we follow Ethan every step of the way, from the initial jump, to him saving Walker, finally cutting when the chutes are deployed.
The Oner / int_efc16582	featureApplicability	1.0
The Oner / int_efc16582	featureConfidence	1.0
Mission: Impossible Film Series	hasFeature	The Oner / int_efc16582
The Oner / int_f0a86c12	type	The Oner
The Oner / int_f0a86c12	comment	How I Met Your Mother: The two-minute date at the end of the episode "Ten Sessions" (better known as the one with Britney Spears). In the episode "The Naked Man," the camera pans away from Ted to follow another character; when it pans back ten seconds later he's managed to take off all his clothes. The episode "Gary Blauman" contains a 2 and a half minute guest star studded panning one shot.
The Oner / int_f0a86c12	featureApplicability	1.0
The Oner / int_f0a86c12	featureConfidence	1.0
How I Met Your Mother	hasFeature	The Oner / int_f0a86c12
The Oner / int_f0c816fb	type	The Oner
The Oner / int_f0c816fb	comment	Breaking Bad: Jesse goes through a long explanation of how he's expected to teach the Mexican Cartel how to cook Walt's meth, followed by Walt cruelly refusing to help him, all done in one take with some very impressive acting by Bryan Cranston and Aaron Paul. The final shot of "Crawl Space" is one long pull out shot, showing Walt lying in the titular crawl space after realizing that Gus plans to kill his entire family and he doesn't have the money he needs to run away from them. The crawl space almost looks like a grave. This has caused many fans to believe that Walter died in the crawl space, and only Heisenberg remained. The opening of season 2 episode "Better Call Saul" is a great example of a faked Oner: while it looks like a single, uninterrupted shot, the editors actually used people and cars passing through the foreground to hide the cuts between different takes.
The Oner / int_f0c816fb	featureApplicability	1.0
The Oner / int_f0c816fb	featureConfidence	1.0
Breaking Bad	hasFeature	The Oner / int_f0c816fb
The Oner / int_f12b8f23	type	The Oner
The Oner / int_f12b8f23	comment	He did this throughout the entire film of The Cook, the Thief, His Wife and Her Lover.
The Oner / int_f12b8f23	featureApplicability	1.0
The Oner / int_f12b8f23	featureConfidence	1.0
The Cook, the Thief, His Wife and Her Lover	hasFeature	The Oner / int_f12b8f23
The Oner / int_f2438694	type	The Oner
The Oner / int_f2438694	comment	Revenge: The is a single long tracking shot that starts when Richard hears a noise and steps out of the shower and picks up his shotgun. The shot then follows him as he prowls the house and the pool area in search of Jen. The long shot is useful as it establishes the exact layout of the corridors where Richard and Jen will later be playing cat-and-mouse.
The Oner / int_f2438694	featureApplicability	1.0
The Oner / int_f2438694	featureConfidence	1.0
Revenge (2017)	hasFeature	The Oner / int_f2438694
The Oner / int_f2ce02ea	type	The Oner
The Oner / int_f2ce02ea	comment	The Key & Peele sketch "How Not to Remember Where You Parked Your Car" appears to be an unbroken two-minute shot.
The Oner / int_f2ce02ea	featureApplicability	1.0
The Oner / int_f2ce02ea	featureConfidence	1.0
Key & Peele	hasFeature	The Oner / int_f2ce02ea
The Oner / int_f3870327	type	The Oner
The Oner / int_f3870327	comment	Stop Making Sense features many long takes, which is unique due to it being a Concert Film. The most famous one comes from Once in a Lifetime, where almost the entire song is shot in one angle, a medium shot of David Byrne singing. The first cut doesn't come until 4:30 into the song, and the sequence has just four cuts in total.
The Oner / int_f3870327	featureApplicability	1.0
The Oner / int_f3870327	featureConfidence	1.0
Stop Making Sense	hasFeature	The Oner / int_f3870327
The Oner / int_f5c936a3	type	The Oner
The Oner / int_f5c936a3	comment	Cloverfield has a lot of these, due to its premise of the camera being operated by one of the main characters.
The Oner / int_f5c936a3	featureApplicability	1.0
The Oner / int_f5c936a3	featureConfidence	1.0
Cloverfield	hasFeature	The Oner / int_f5c936a3
The Oner / int_f6eb1c14	type	The Oner
The Oner / int_f6eb1c14	comment	Ghost (1990) does this with its opening credits, an unbroken two-minute tour through the attic of Sam and Molly's new home.
The Oner / int_f6eb1c14	featureApplicability	1.0
The Oner / int_f6eb1c14	featureConfidence	1.0
Ghost (1990)	hasFeature	The Oner / int_f6eb1c14
The Oner / int_f74b5f80	type	The Oner
The Oner / int_f74b5f80	comment	In Babylon 5, they almost managed one but were foiled by a Special Effects Failure. In "Severed Dreams" Delenn's speech to the Grey Council is meant to be one continuous take, with the camera following her behind the councilors in a circle. And it almost worked... except when Mira Furlan attempted to break the staff in half ("then the Council should be broken!") the prop staff didn't break on the first take.
The Oner / int_f74b5f80	featureApplicability	1.0
The Oner / int_f74b5f80	featureConfidence	1.0
Babylon 5	hasFeature	The Oner / int_f74b5f80
The Oner / int_f7d93e4a	type	The Oner
The Oner / int_f7d93e4a	comment	Any sequence in the Assassin's Creed series where Altair/Ezio/Kenway is following someone down a street as they provide exposition creates this feel.
The Oner / int_f7d93e4a	featureApplicability	1.0
The Oner / int_f7d93e4a	featureConfidence	1.0
Assassin's Creed (Franchise)	hasFeature	The Oner / int_f7d93e4a
The Oner / int_f8eaad5b	type	The Oner
The Oner / int_f8eaad5b	comment	There are two long takes in Citizen Kane. It was the first time it had ever been done for narrative purposes rather than technical limitations. At the time, no one had ever thought to do it. As a newbie to film making, Welles didn't know that, and impressed everyone by pulling it off.
The Oner / int_f8eaad5b	featureApplicability	1.0
The Oner / int_f8eaad5b	featureConfidence	1.0
Citizen Kane	hasFeature	The Oner / int_f8eaad5b
The Oner / int_f9aa2c38	type	The Oner
The Oner / int_f9aa2c38	comment	Scaramouche features the longest continuous sword fight in film history. As it took place in a pre-Revolutionary France theatre, complete with over 600 extras in full costume, they had to get it done in one take. As it was so long the lead actors couldn't be trusted to do it, so the fight director and his assistant did it all in long-shot. After beginning the fight on the edge of the boxes, it moved to the corridor outside, then to the balconied foyer, where a single camera picks up the shot and follows them down the stairs, across the foyer, and back into the auditorium, roughly a third of the fight. The whole fight took over seven minutes, included two near-fatal accidents, and needed nine cameras to film, to cover the boxes, the corridor, the foyer, the auditorium, onstage, and backstage, none of which could be in shot for any other camera. After it was done, the leads did some close-ups of a few short sequences during the fight, and these close-ups cover the cuts between each camera.
The Oner / int_f9aa2c38	featureApplicability	1.0
The Oner / int_f9aa2c38	featureConfidence	1.0
Scaramouche (1952)	hasFeature	The Oner / int_f9aa2c38
The Oner / int_fa44b9bb	type	The Oner
The Oner / int_fa44b9bb	comment	Carrie (1976) features an extended tracking shot during the prom scene as the camera starts at Carrie and Tommy's table as they hand in their ballots, follows the ballots as they are switched for a fake stack to be handed to the teachers for counting, pans up to the bucket of pig's blood over the stage and the rope being held by Chris and Billy, and finally zooms in on Carrie and Tommy's table as they are declared prom king and queen.
The Oner / int_fa44b9bb	featureApplicability	1.0
The Oner / int_fa44b9bb	featureConfidence	1.0
Carrie (1976)	hasFeature	The Oner / int_fa44b9bb
The Oner / int_fa77d43c	type	The Oner
The Oner / int_fa77d43c	comment	John Connor's helicopter crash in the opening sequence of Terminator Salvation.
The Oner / int_fa77d43c	featureApplicability	1.0
The Oner / int_fa77d43c	featureConfidence	1.0
Terminator Salvation	hasFeature	The Oner / int_fa77d43c
The Oner / int_fb3d494	type	The Oner
The Oner / int_fb3d494	comment	The 2010 Uruguayan horror film The Silent House and along with its 2012 American remake are presented in one continuous shot in 80-minute long take.
The Oner / int_fb3d494	featureApplicability	1.0
The Oner / int_fb3d494	featureConfidence	1.0
The Silent House	hasFeature	The Oner / int_fb3d494
The Oner / int_fb7a5dcb	type	The Oner
The Oner / int_fb7a5dcb	comment	Ryan vs. Dorkman: Both of the fights open with one of these. 19 seconds in the first one, 30 seconds in the second. (To be sure, 20 seconds isn't that impressive... but all the other examples on here are actual films with actual budgets, as opposed to two untrained amateurs playing with sticks.) Topped by Ryan vs. Brandon 2, by the same team +1 (Dorkman did cinematography). A 23-second Orbital Shot Oner. (Clip starts at the shot, so just rewind to the beginning if you want the whole thing.)
The Oner / int_fb7a5dcb	featureApplicability	1.0
The Oner / int_fb7a5dcb	featureConfidence	1.0
Ryan vs. Dorkman	hasFeature	The Oner / int_fb7a5dcb
The Oner / int_fc28ae4e	type	The Oner
The Oner / int_fc28ae4e	comment	Carlito's Way uses one towards the end of the film, when Al Pacino's character enters Grand Central Station in an attempt to escape from his pursuers.
The Oner / int_fc28ae4e	featureApplicability	1.0
The Oner / int_fc28ae4e	featureConfidence	1.0
Carlito's Way	hasFeature	The Oner / int_fc28ae4e
The Oner / int_fc569e6	type	The Oner
The Oner / int_fc569e6	comment	Universal Soldier: Day of Reckoning utilizes this method more than once, to differentiate itself from the previous three installments. It opens with a first-person perspective scene of John being attacked in his house and watching his family die, while John's final rampage through the Unisol compound in particular is an uninterrupted 5-minute shootout against legions of mooks.
The Oner / int_fc569e6	featureApplicability	1.0
The Oner / int_fc569e6	featureConfidence	1.0
Universal Soldier: Day of Reckoning	hasFeature	The Oner / int_fc569e6
The Oner / int_fc8c44a1	type	The Oner
The Oner / int_fc8c44a1	comment	All Quiet on the Western Front, the 1930 version has a rather long shot of French soldiers getting mowed down.
The Oner / int_fc8c44a1	featureApplicability	1.0
The Oner / int_fc8c44a1	featureConfidence	1.0
All Quiet on the Western Front (1930)	hasFeature	The Oner / int_fc8c44a1
The Oner / int_ff9ab17f	type	The Oner
The Oner / int_ff9ab17f	comment	In the Star Trek: The Next Generation episode "Sarek", Picard mind-melds with Sarek to temporarily take on some of the burden of the latter's emotions, as he is losing his ability to suppress them. There is an incredible revolving shot of Picard as he experiences a breakdown under the influence of Sarek's emotions and thoughts.
The Oner / int_ff9ab17f	featureApplicability	1.0
The Oner / int_ff9ab17f	featureConfidence	1.0
Star Trek: The Next Generation	hasFeature	The Oner / int_ff9ab17f
The Oner / int_ffa16c99	type	The Oner
The Oner / int_ffa16c99	comment	In 19-2, a spine-chilling 13-minute tracking shot shows the comings and goings of multiple police agents trying to stop a school shooting.
The Oner / int_ffa16c99	featureApplicability	1.0
The Oner / int_ffa16c99	featureConfidence	1.0
19-2	hasFeature	The Oner / int_ffa16c99
The Oner / int_ffb43795	type	The Oner
The Oner / int_ffb43795	comment	Cobra Kai: The Season 2 finale features one during the school brawl between Cobra Kai and Miyagi-Do, showcasing the students of both dojos fighting in the hallway while the rest of the school watches and takes videos. There's another one in the Season 3 finale, tracking around the LaRusso's house during the fight between the invading members of Cobra Kai and the Miyagi-Do/Eagle Fang alliance.
The Oner / int_ffb43795	featureApplicability	1.0
The Oner / int_ffb43795	featureConfidence	1.0
Cobra Kai	hasFeature	The Oner / int_ffb43795

The following is a list of statements referring to the current page from other pages.

The Oner	processingCategory2	Camera Tricks
The Oner	processingCategory2	Music Video Tropes
The Oner	processingCategory2	Older Than Television
Maestro (Animation) / int_e7e558	type	The Oner
Belle (2021) / int_e7e558	type	The Oner
Castle in the Sky / int_e7e558	type	The Oner
Memories / int_e7e558	type	The Oner
My Hero Academia: World Heroes' Mission / int_e7e558	type	The Oner
Negima!? / int_e7e558	type	The Oner
One Piece Film: Z / int_e7e558	type	The Oner
Wolf Children / int_e7e558	type	The Oner
Nightwing (Infinite Frontier) (Comic Book) / int_e7e558	type	The Oner
Sonic: Mega Drive (Comic Book) / int_e7e558	type	The Oner
Bambi / Disney / int_e7e558	type	The Oner
Futari Wa Pretty Cure Times Two / Fan Fic	seeAlso	The Oner
A Christmas Carol: The Musical / int_e7e558	type	The Oner
A Clockwork Orange / int_e7e558	type	The Oner
A Free Soul / int_e7e558	type	The Oner
A Ghost Story / int_e7e558	type	The Oner
A Guide to Recognizing Your Saints / int_e7e558	type	The Oner
A.I.: Artificial Intelligence / int_e7e558	type	The Oner
A Knight's Tale / int_e7e558	type	The Oner
A Little Princess (1995) / int_e7e558	type	The Oner
A Shot in the Dark / int_e7e558	type	The Oner
Alice Doesn't Live Here Anymore / int_e7e558	type	The Oner
All Quiet on the Western Front (2022) / int_e7e558	type	The Oner
All the President's Men / int_e7e558	type	The Oner
Antebellum / int_e7e558	type	The Oner
Aquaman (2018) / int_e7e558	type	The Oner
Athena (2022) / int_e7e558	type	The Oner
Atomic Blonde / int_e7e558	type	The Oner
Atonement / int_e7e558	type	The Oner
Avengers: Age of Ultron / int_e7e558	type	The Oner
Ax 'Em / int_e7e558	type	The Oner
Baby Driver / int_e7e558	type	The Oner
Babylon (2022) / int_e7e558	type	The Oner
Back to the Future / int_e7e558	type	The Oner
Batman v Superman: Dawn of Justice / int_e7e558	type	The Oner
Battleship / int_e7e558	type	The Oner
Beasts of No Nation / int_e7e558	type	The Oner
Before Midnight / int_e7e558	type	The Oner
Being Hands / int_e7e558	type	The Oner
Big Fat Liar / int_e7e558	type	The Oner
Birdman / int_e7e558	type	The Oner
Birdman or (The Unexpected Virtue of Ignorance) / int_e7e558	type	The Oner
Birds of Prey (2020) / int_e7e558	type	The Oner
Black Panther (2018) / int_e7e558	type	The Oner
Blade: Trinity / int_e7e558	type	The Oner
Blow Out / int_e7e558	type	The Oner
Blue Is the Warmest Color / int_e7e558	type	The Oner
Bohemian Rhapsody / int_e7e558	type	The Oner
Booksmart / int_e7e558	type	The Oner
Bound (1996) / int_e7e558	type	The Oner
Brewster's Millions (1985) / int_e7e558	type	The Oner
Burning (2018) / int_e7e558	type	The Oner
BuyBust / int_e7e558	type	The Oner
Carrie (1976) / int_e7e558	type	The Oner
Carry On Spying / int_e7e558	type	The Oner
Casualties of War / int_e7e558	type	The Oner
Cat Ballou / int_e7e558	type	The Oner
Chariots of Fire / int_e7e558	type	The Oner
Charlie's Angels (2000) / int_e7e558	type	The Oner
Children of Men / int_e7e558	type	The Oner
Chinesisches Roulette / int_e7e558	type	The Oner
Cinderella (2015) / int_e7e558	type	The Oner
City Hunter: The Cupid's Perfume / int_e7e558	type	The Oner
Clerks / int_e7e558	type	The Oner
Climax / int_e7e558	type	The Oner
Code Unknown / int_e7e558	type	The Oner
Creed / int_e7e558	type	The Oner
Creed (2015) / int_e7e558	type	The Oner
Cruella / int_e7e558	type	The Oner
Cube / int_e7e558	type	The Oner
D.O.A. / int_e7e558	type	The Oner
Dancer in the Dark / int_e7e558	type	The Oner
Darling Lili / int_e7e558	type	The Oner
David Holzman's Diary / int_e7e558	type	The Oner
Dead Again / int_e7e558	type	The Oner
Death Sentence / int_e7e558	type	The Oner
Destination Wedding / int_e7e558	type	The Oner
Diner / int_e7e558	type	The Oner
Doctor Sleep / int_e7e558	type	The Oner
Don't Breathe / int_e7e558	type	The Oner
Don't Breathe 2 / int_e7e558	type	The Oner
Down with Love / int_e7e558	type	The Oner
Duel / int_e7e558	type	The Oner
Dungeons & Dragons: Honor Among Thieves / int_e7e558	type	The Oner
Elena Undone / int_e7e558	type	The Oner
Elephant / int_e7e558	type	The Oner
Elephant (2003) / int_e7e558	type	The Oner
Empire (1964) / int_e7e558	type	The Oner
Enter the Void / int_e7e558	type	The Oner
Everly / int_e7e558	type	The Oner
Excalibur / int_e7e558	type	The Oner
Extraction / int_e7e558	type	The Oner
Extraction 2 / int_e7e558	type	The Oner
Final Cut / int_e7e558	type	The Oner
Fistful Of Vengeance / int_e7e558	type	The Oner
48 Hrs. / int_e7e558	type	The Oner
Frenzy (1972) / int_e7e558	type	The Oner
Fright Night (2011) / int_e7e558	type	The Oner
Funny Games / int_e7e558	type	The Oner
Furie / int_e7e558	type	The Oner
Game Night / int_e7e558	type	The Oner
Gangster Squad / int_e7e558	type	The Oner
Gates of Heaven / int_e7e558	type	The Oner
Gerry / int_e7e558	type	The Oner
Get Out (2017) / int_e7e558	type	The Oner
Getaway / int_e7e558	type	The Oner
Ghost Dog: The Way of the Samurai / int_e7e558	type	The Oner
GoodFellas / int_e7e558	type	The Oner
Good Will Hunting / int_e7e558	type	The Oner
Gravity / int_e7e558	type	The Oner
Guardians of the Galaxy Vol. 2 / int_e7e558	type	The Oner
Guardians of the Galaxy Vol. 3 / int_e7e558	type	The Oner
Gun Crazy / int_e7e558	type	The Oner
Halloween (1978) / int_e7e558	type	The Oner
Halloween (2018) / int_e7e558	type	The Oner
Hanna / int_e7e558	type	The Oner
Hannah and Her Sisters / int_e7e558	type	The Oner
Hard Boiled / int_e7e558	type	The Oner
Hardcore Henry / int_e7e558	type	The Oner
Harry Potter and the Prisoner of Azkaban / int_e7e558	type	The Oner
Henry V (1989) / int_e7e558	type	The Oner
High Strung 1991 / int_e7e558	type	The Oner
Hunger / int_e7e558	type	The Oner
Hustlers / int_e7e558	type	The Oner
I, an Actress / int_e7e558	type	The Oner
In Bruges / int_e7e558	type	The Oner
In the Court of the Crimson King / int_e7e558	type	The Oner
In the Heights / int_e7e558	type	The Oner
Irréversible / int_e7e558	type	The Oner
It Follows / int_e7e558	type	The Oner
Jackie Brown / int_e7e558	type	The Oner
Jazz on a Summer's Day / int_e7e558	type	The Oner
John Wick: Chapter 4 / int_e7e558	type	The Oner
Jurassic World / int_e7e558	type	The Oner
Jurassic World: Fallen Kingdom / int_e7e558	type	The Oner
Kamen Rider ZO / int_e7e558	type	The Oner
Kill Bill / int_e7e558	type	The Oner
Kingsman / int_e7e558	type	The Oner
Kingsman: The Golden Circle / int_e7e558	type	The Oner
Kingsman: The Secret Service / int_e7e558	type	The Oner
Knowing / int_e7e558	type	The Oner
L'Enfant / int_e7e558	type	The Oner
La La Land / int_e7e558	type	The Oner
La notte / int_e7e558	type	The Oner
Lady and the Tramp (2019) / int_e7e558	type	The Oner
Last Days / int_e7e558	type	The Oner
L'eclisse / int_e7e558	type	The Oner
Legend (2015) / int_e7e558	type	The Oner
Lenny / int_e7e558	type	The Oner
Les Boys / int_e7e558	type	The Oner
Life (2017) / int_e7e558	type	The Oner
Living Out Loud / int_e7e558	type	The Oner
Logan / int_e7e558	type	The Oner
London Has Fallen / int_e7e558	type	The Oner
Love (2015) / int_e7e558	type	The Oner
Madre / int_e7e558	type	The Oner
Maestro / int_e7e558	type	The Oner
Mean Girls (2024) / int_e7e558	type	The Oner
Michael Clayton / int_e7e558	type	The Oner
Minority Report / int_e7e558	type	The Oner
Mission: Impossible â€“ Fallout / int_e7e558	type	The Oner
Mission: Impossible â€“ Rogue Nation / int_e7e558	type	The Oner
Monty Python and the Holy Grail / int_e7e558	type	The Oner
Monty Python's The Meaning of Life / int_e7e558	type	The Oner
Muppets Haunted Mansion / int_e7e558	type	The Oner
Murder on the Orient Express (1974) / int_e7e558	type	The Oner
Murder on the Orient Express (2017) / int_e7e558	type	The Oner
1917 / int_e7e558	type	The Oner
No Time to Die / int_e7e558	type	The Oner
Nobody / int_e7e558	type	The Oner
Non-Stop (2014) / int_e7e558	type	The Oner
Now You See Me / int_e7e558	type	The Oner
Obsession / int_e7e558	type	The Oner
Obsession (1976) / int_e7e558	type	The Oner
Oldboy (2003) / int_e7e558	type	The Oner
Oldboy (2013) / int_e7e558	type	The Oner
Once Upon a Time in Hollywood / int_e7e558	type	The Oner
One Cut of the Dead / int_e7e558	type	The Oner
One Night Stand (1997) / int_e7e558	type	The Oner
OneShot / int_e7e558	type	The Oner
Outbreak / int_e7e558	type	The Oner
Outlaw King / int_e7e558	type	The Oner
Overlord (2018) / int_e7e558	type	The Oner
Panic Room / int_e7e558	type	The Oner
Paper Moon / int_e7e558	type	The Oner
Paradise Now / int_e7e558	type	The Oner
Paris, Texas / int_e7e558	type	The Oner
Past Lives / int_e7e558	type	The Oner
Paths of Glory / int_e7e558	type	The Oner
Peter's Friends / int_e7e558	type	The Oner
Porky's / int_e7e558	type	The Oner
Postcards from the Edge / int_e7e558	type	The Oner
[REC] / int_e7e558	type	The Oner
Red, White & Royal Blue / int_e7e558	type	The Oner
Revenge (2017) / int_e7e558	type	The Oner
Road to Perdition / int_e7e558	type	The Oner
Rosemary's Baby / int_e7e558	type	The Oner
Ryan vs. Dorkman / int_e7e558	type	The Oner
Sailor Suit and Machine Gun / int_e7e558	type	The Oner
Saltburn / int_e7e558	type	The Oner
San Andreas / int_e7e558	type	The Oner
Saving Private Ryan / int_e7e558	type	The Oner
Scaramouche (1952) / int_e7e558	type	The Oner
Serenity / int_e7e558	type	The Oner
Serenity (2005) / int_e7e558	type	The Oner
Shame / int_e7e558	type	The Oner
Shaolin Soccer / int_e7e558	type	The Oner
Shaun of the Dead / int_e7e558	type	The Oner
Shock Treatment / int_e7e558	type	The Oner
Short Cuts / int_e7e558	type	The Oner
Shredder Orpheus / int_e7e558	type	The Oner
Silent House / int_e7e558	type	The Oner
Sinister / int_e7e558	type	The Oner
Skyfall / int_e7e558	type	The Oner
Snake Eyes / int_e7e558	type	The Oner
Sorority Row / int_e7e558	type	The Oner
Southland Tales / int_e7e558	type	The Oner
Spectre / int_e7e558	type	The Oner
Spider-Man: No Way Home / int_e7e558	type	The Oner
Stalker (1979) / int_e7e558	type	The Oner
Stan & Ollie / int_e7e558	type	The Oner
Star Theatre / int_e7e558	type	The Oner
Star Trek: First Contact / int_e7e558	type	The Oner
Star Trek II: The Wrath of Khan / int_e7e558	type	The Oner
Stargate: Continuum / int_e7e558	type	The Oner
Steel Magnolias / int_e7e558	type	The Oner
Stop Making Sense / int_e7e558	type	The Oner
Strange Days / int_e7e558	type	The Oner
Sunny Side Up / int_e7e558	type	The Oner
Swingers / int_e7e558	type	The Oner
Take Down / int_e7e558	type	The Oner
Talk to Me / int_e7e558	type	The Oner
TÃ¡r / int_e7e558	type	The Oner
Teenage Mutant Ninja Turtles (1990) / int_e7e558	type	The Oner
Terminator Salvation / int_e7e558	type	The Oner
The 47 Ronin / int_e7e558	type	The Oner
The Birdcage / int_e7e558	type	The Oner
The Bling Ring / int_e7e558	type	The Oner
The Bye Bye Man / int_e7e558	type	The Oner
The Day After Tomorrow / int_e7e558	type	The Oner
The Florida Project / int_e7e558	type	The Oner
The Force Awakens / int_e7e558	type	The Oner
The Forever Purge / int_e7e558	type	The Oner
The Game Changer / int_e7e558	type	The Oner
The Goat / int_e7e558	type	The Oner
The Godfather / int_e7e558	type	The Oner
The Great Beauty / int_e7e558	type	The Oner
The Great Ziegfeld / int_e7e558	type	The Oner
The Greatest Showman / int_e7e558	type	The Oner
The Green Hornet / int_e7e558	type	The Oner
The Green Knight / int_e7e558	type	The Oner
The Holdovers / int_e7e558	type	The Oner
The Invisible Man (2020) / int_e7e558	type	The Oner
The Killers / int_e7e558	type	The Oner
The Last Airbender / int_e7e558	type	The Oner
The Last Five Years / int_e7e558	type	The Oner
The Life and Death of Colonel Blimp / int_e7e558	type	The Oner
The Life Aquatic with Steve Zissou / int_e7e558	type	The Oner
The Long Good Friday / int_e7e558	type	The Oner
The Longest Day / int_e7e558	type	The Oner
The Man from Toronto / int_e7e558	type	The Oner
The Master / int_e7e558	type	The Oner
The Northman / int_e7e558	type	The Oner
The Nun's Story / int_e7e558	type	The Oner
The Passenger (1975) / int_e7e558	type	The Oner
The Place Beyond the Pines / int_e7e558	type	The Oner
The Post / int_e7e558	type	The Oner
The Producers / int_e7e558	type	The Oner
The Raid 2: Berandal / int_e7e558	type	The Oner
The Revenant / int_e7e558	type	The Oner
The Rules of the Game / int_e7e558	type	The Oner
The Sacrifice / int_e7e558	type	The Oner
The Secret in Their Eyes / int_e7e558	type	The Oner
The Shape of Water / int_e7e558	type	The Oner
The Silent House / int_e7e558	type	The Oner
The Smurfs / int_e7e558	type	The Oner
The Story of the Last Chrysanthemums / int_e7e558	type	The Oner
The Trial / int_e7e558	type	The Oner
The Tribe / int_e7e558	type	The Oner
The Verdict / int_e7e558	type	The Oner
The Villainess / int_e7e558	type	The Oner
The Wiz / int_e7e558	type	The Oner
Thir13en Ghosts / int_e7e558	type	The Oner
31 / int_e7e558	type	The Oner
This Means War (2012) / int_e7e558	type	The Oner
Thoroughbreds / int_e7e558	type	The Oner
Three Ages / int_e7e558	type	The Oner
Three Billboards Outside Ebbing, Missouri / int_e7e558	type	The Oner
Three... Extremes / int_e7e558	type	The Oner
300: Rise of an Empire / int_e7e558	type	The Oner
Thunder Road / int_e7e558	type	The Oner
Till / int_e7e558	type	The Oner
Tom-Yum-Goong / int_e7e558	type	The Oner
Tomorrowland / int_e7e558	type	The Oner
Top Secret! / int_e7e558	type	The Oner
Touch of Evil / int_e7e558	type	The Oner
Transformers: Rise of the Beasts / int_e7e558	type	The Oner
Triumph of the Will / int_e7e558	type	The Oner
12 Angry Men / int_e7e558	type	The Oner
12 Years a Slave / int_e7e558	type	The Oner
2:37 / int_e7e558	type	The Oner
Unbreakable / int_e7e558	type	The Oner
Unfriended / int_e7e558	type	The Oner
Universal Soldier: Day of Reckoning / int_e7e558	type	The Oner
Universal Soldier: Regeneration / int_e7e558	type	The Oner
Utøya: July 22 / int_e7e558	type	The Oner
Waiting... / int_e7e558	type	The Oner
Wall Street / int_e7e558	type	The Oner
Weekend (1967) / int_e7e558	type	The Oner
Werewolf by Night (2022) / int_e7e558	type	The Oner
West Side Story (2021) / int_e7e558	type	The Oner
What Lies Beneath / int_e7e558	type	The Oner
Who's That Knocking at My Door / int_e7e558	type	The Oner
Working Girl / int_e7e558	type	The Oner
Yankee Doodle Dandy / int_e7e558	type	The Oner
You Only Live Twice / int_e7e558	type	The Oner
Youth (2017) / int_e7e558	type	The Oner
Zombieland: Double Tap / int_e7e558	type	The Oner
Liquid Courage (Lets Play) / int_e7e558	type	The Oner
A Single Man / int_e7e558	type	The Oner
I Miss You, I Miss You / int_e7e558	type	The Oner
The Age of Innocence / int_e7e558	type	The Oner
The Bonfire of the Vanities / int_e7e558	type	The Oner
The Player / int_e7e558	type	The Oner
Red vs. Blue: The Project Freelancer Saga (Machinima) / int_e7e558	type	The Oner
LeavetheCameraRunning	seeAlso	The Oner
TheGleeProject	seeAlso	The Oner
Kimagure Orange Road (Manga) / int_e7e558	type	The Oner
Pop Team Epic (Manga) / int_e7e558	type	The Oner
The Girl I Like Forgot Her Glasses (Manga) / int_e7e558	type	The Oner
Tokyo Ghoul (Manga) / int_e7e558	type	The Oner
Adore (Music) / int_e7e558	type	The Oner
Arca (Music) / int_e7e558	type	The Oner
BROCKHAMPTON (Music) / int_e7e558	type	The Oner
BTS (Music) / int_e7e558	type	The Oner
Billie Eilish (Music) / int_e7e558	type	The Oner
Cavetown (Music) / int_e7e558	type	The Oner
clipping. (Music) / int_e7e558	type	The Oner
Cosmo Jarvis (Music) / int_e7e558	type	The Oner
Death Grips (Music) / int_e7e558	type	The Oner
Deep River (Music) / int_e7e558	type	The Oner
DEEP RIVER (Hikaru Utada album) (Music) / int_e7e558	type	The Oner
Dua Lipa (Music) / int_e7e558	type	The Oner
Everything but the Girl (Music) / int_e7e558	type	The Oner
Everything Everything (Music) / int_e7e558	type	The Oner
FEMM (Music) / int_e7e558	type	The Oner
Foo Fighters (Music) / int_e7e558	type	The Oner
Gotye (Music) / int_e7e558	type	The Oner
halfâ€¢alive (Music) / int_e7e558	type	The Oner
Hayley Kiyoko (Music) / int_e7e558	type	The Oner
Here It Goes Again (Music) / int_e7e558	type	The Oner
Hikaru Utada (Music) / int_e7e558	type	The Oner
Jusâ€ ice (Music) / int_e7e558	type	The Oner
Kalafina (Music) / int_e7e558	type	The Oner
Kent (Music) / int_e7e558	type	The Oner
Lindsey Stirling (Music) / int_e7e558	type	The Oner
Lola Indigo (Music) / int_e7e558	type	The Oner
Mamamoo (Music) / int_e7e558	type	The Oner
Mandatory Fun (Music) / int_e7e558	type	The Oner
Marco Mengoni (Music) / int_e7e558	type	The Oner
Mental As Anything (Music) / int_e7e558	type	The Oner
Mitski (Music) / int_e7e558	type	The Oner
Murder Ballads (Music) / int_e7e558	type	The Oner
Neon Indian (Music) / int_e7e558	type	The Oner
OK Computer (Music) / int_e7e558	type	The Oner
OneRepublic (Music) / int_e7e558	type	The Oner
PassCode (Music) / int_e7e558	type	The Oner
Passion Pit (Music) / int_e7e558	type	The Oner
Pat Metheny (Music) / int_e7e558	type	The Oner
Poppy (Music) / int_e7e558	type	The Oner
Postmodern Jukebox (Music) / int_e7e558	type	The Oner
SKYND (Music) / int_e7e558	type	The Oner
STU48 (Music) / int_e7e558	type	The Oner
Shawn Mendes (Music) / int_e7e558	type	The Oner
Single Ladies (Put a Ring on It) (Music) / int_e7e558	type	The Oner
Stromae (Music) / int_e7e558	type	The Oner
Sugababes (Music) / int_e7e558	type	The Oner
Tessa Violet (Music) / int_e7e558	type	The Oner
The Beatles Anthology (Music) / int_e7e558	type	The Oner
The Chariot (Music) / int_e7e558	type	The Oner
The Chemical Brothers (Music) / int_e7e558	type	The Oner
The Colour and the Shape (Music) / int_e7e558	type	The Oner
The Division Bell (Music) / int_e7e558	type	The Oner
The Downward Spiral (Music) / int_e7e558	type	The Oner
The Fat of the Land (Music) / int_e7e558	type	The Oner
The Piano Guys (Music) / int_e7e558	type	The Oner
The Wall (Music) / int_e7e558	type	The Oner
This Is America (Music) / int_e7e558	type	The Oner
Tom Petty (Music) / int_e7e558	type	The Oner
Tove Lo (Music) / int_e7e558	type	The Oner
Walk the Moon (Music) / int_e7e558	type	The Oner
Xzibit (Music) / int_e7e558	type	The Oner
Year Zero (Music) / int_e7e558	type	The Oner
All in the Family / int_e7e558	type	The Oner
All of Us Are Dead / int_e7e558	type	The Oner
Barry / int_e7e558	type	The Oner
Battlestar Galactica (2003) / int_e7e558	type	The Oner
Broadchurch / int_e7e558	type	The Oner
Cheers / int_e7e558	type	The Oner
ER / int_e7e558	type	The Oner
Echo (2024) / int_e7e558	type	The Oner
Fargo: Season Five / int_e7e558	type	The Oner
Fargo: Season One / int_e7e558	type	The Oner
Feud / int_e7e558	type	The Oner
Fraggle Rock / int_e7e558	type	The Oner
General Hospital / int_e7e558	type	The Oner
Gilmore Girls / int_e7e558	type	The Oner
Gracepoint / int_e7e558	type	The Oner
Halt and Catch Fire / int_e7e558	type	The Oner
High School Musical: The Musical: The Series / int_e7e558	type	The Oner
Homecoming / int_e7e558	type	The Oner
It's Always Sunny in Philadelphia / int_e7e558	type	The Oner
Kamen Rider / int_e7e558	type	The Oner
Kamen Rider OOO / int_e7e558	type	The Oner
Key & Peele / int_e7e558	type	The Oner
Legion (2017) / int_e7e558	type	The Oner
Limitless / int_e7e558	type	The Oner
Mad About You / int_e7e558	type	The Oner
Midnight Mass (2021) / int_e7e558	type	The Oner
MonkTropesK-R	seeAlso	The Oner
Mr. Robot / int_e7e558	type	The Oner
MythBusters / int_e7e558	type	The Oner
Narcos / int_e7e558	type	The Oner
19-2 / int_e7e558	type	The Oner
Northern Exposure / int_e7e558	type	The Oner
Psychoville / int_e7e558	type	The Oner
ReGenesis / int_e7e558	type	The Oner
Schitt's Creek / int_e7e558	type	The Oner
Schmigadoon! / int_e7e558	type	The Oner
Scrubs / int_e7e558	type	The Oner
So You Think You Can Dance / int_e7e558	type	The Oner
Star Trek: Enterprise / int_e7e558	type	The Oner
Strike Back / int_e7e558	type	The Oner
Studio C / int_e7e558	type	The Oner
The Armstrong and Miller Show / int_e7e558	type	The Oner
The Bear (2022) / int_e7e558	type	The Oner
The Book of Pooh / int_e7e558	type	The Oner
The Chair (2014) / int_e7e558	type	The Oner
The Comic Strip Presents / int_e7e558	type	The Oner
The Haunting of Hill House (2018) / int_e7e558	type	The Oner
The Marvelous Mrs. Maisel / int_e7e558	type	The Oner
The Pacific / int_e7e558	type	The Oner
The Sweeney / int_e7e558	type	The Oner
The Television Ghost / int_e7e558	type	The Oner
The West Wing / int_e7e558	type	The Oner
3rd Rock from the Sun / int_e7e558	type	The Oner
13 Reasons Why / int_e7e558	type	The Oner
True Detective / int_e7e558	type	The Oner
Van Helsing (2016) / int_e7e558	type	The Oner
You're the Worst / int_e7e558	type	The Oner
Grease (Theatre) / int_e7e558	type	The Oner
Miss Julie (Theatre) / int_e7e558	type	The Oner
Rope (Theatre) / int_e7e558	type	The Oner
1776 (Theatre) / int_e7e558	type	The Oner
Death Stranding (Video Game) / int_e7e558	type	The Oner
Emergency! (Video Game) / int_e7e558	type	The Oner
God of War (PS4) (Video Game) / int_e7e558	type	The Oner
Guitar Hero Live (Video Game) / int_e7e558	type	The Oner
Halo 5: Guardians (Video Game) / int_e7e558	type	The Oner
Halo Infinite (Video Game) / int_e7e558	type	The Oner
INSIDE (2016) (Video Game) / int_e7e558	type	The Oner
Just Cause 3 (Video Game) / int_e7e558	type	The Oner
Love Live! School Idol Festival ALL STARS (Video Game) / int_e7e558	type	The Oner
Metal Gear Solid V (Video Game) / int_e7e558	type	The Oner
Metal Gear Solid V: The Phantom Pain (Video Game) / int_e7e558	type	The Oner
Yakuza 4 (Video Game) / int_e7e558	type	The Oner
Gridiron Heights (Web Animation) / int_e7e558	type	The Oner
Mario Pissing (Web Animation) / int_e7e558	type	The Oner
Red vs. Blue: The Project Freelancer Saga (Web Animation) / int_e7e558	type	The Oner
Star Wars: Galaxy of Adventures (Web Animation) / int_e7e558	type	The Oner
Bad Movie Beatdown (Web Video) / int_e7e558	type	The Oner
Board James (Web Video) / int_e7e558	type	The Oner
commodoreHUSTLE (Web Video) / int_e7e558	type	The Oner
Echo Chamber (Web Video) / int_e7e558	type	The Oner
Epic Rap Battles of History (Web Video) / int_e7e558	type	The Oner
Every Frame a Painting (Web Video) / int_e7e558	type	The Oner
Jacksfilms (Web Video) / int_e7e558	type	The Oner
Jake and Amir (Web Video) / int_e7e558	type	The Oner
Lasagna Cat (Web Video) / int_e7e558	type	The Oner
Lindybeige (Web Video) / int_e7e558	type	The Oner
Marble Hornets (Web Video) / int_e7e558	type	The Oner
Movies with Mikey (Web Video) / int_e7e558	type	The Oner
Outside Xbox (Web Video) / int_e7e558	type	The Oner
Paint (Web Video) / int_e7e558	type	The Oner
Philosophy Tube (Web Video) / int_e7e558	type	The Oner
Suburban Knights (Web Video) / int_e7e558	type	The Oner
The Indiana Jones Interrogations (Web Video) / int_e7e558	type	The Oner
There Will Be Brawl (Web Video) / int_e7e558	type	The Oner
Video Game High School (Web Video) / int_e7e558	type	The Oner
VlogBrothers (Web Video) / int_e7e558	type	The Oner
Know Your Meme (Website) / int_e7e558	type	The Oner
A Christmas Carol (2009) / int_e7e558	type	The Oner
Bambi / int_e7e558	type	The Oner
Big City Greens / int_e7e558	type	The Oner
(blooper) Bunny! / int_e7e558	type	The Oner
Cheatin / int_e7e558	type	The Oner
Dora the Explorer / int_e7e558	type	The Oner
Get a Horse! / int_e7e558	type	The Oner
Ice Age: Collision Course / int_e7e558	type	The Oner
Looney Tunes Cartoons / int_e7e558	type	The Oner
Migration / int_e7e558	type	The Oner
My Little Pony: The Movie (2017) / int_e7e558	type	The Oner
Oswald / int_e7e558	type	The Oner
Penguins of Madagascar / int_e7e558	type	The Oner
Phineas and Ferb: Mission Marvel / int_e7e558	type	The Oner
Pib and Pog / int_e7e558	type	The Oner
Sealab 2021 / int_e7e558	type	The Oner
Smiling Friends / int_e7e558	type	The Oner
Spirit: Stallion of the Cimarron / int_e7e558	type	The Oner
Star Wars: Clone Wars / int_e7e558	type	The Oner
Star Wars: The Clone Wars (Revival) / int_e7e558	type	The Oner
Star Wars: The Clone Wars (Season 7) / int_e7e558	type	The Oner
TMNT / int_e7e558	type	The Oner
The Adventures of Tintin (2011) / int_e7e558	type	The Oner
The Bad Guys / int_e7e558	type	The Oner
The Bad Guys (2022) / int_e7e558	type	The Oner
The Polar Express / int_e7e558	type	The Oner
The Powerpuff Girls Movie / int_e7e558	type	The Oner
The Super Mario Bros. Movie / int_e7e558	type	The Oner
The Thief and the Cobbler / int_e7e558	type	The Oner
Girls und Panzer / int_e7e558	type	The Oner
Singin' in the Rain / int_e7e558	type	The Oner
Atonement / int_e7e558	type	The Oner

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