...it's like TV Tropes, but LINKED DATA!
The Western
- 242 statements
- 10 feature instances
- 72 referencing feature instances
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Any story set in the American West during the frontier era: A period of history generally marked from about 1865 (the end of The American Civil War) to 1890 (the year the US Census Bureau declared the frontier closed). Perhaps surprisingly, the Western genre is Older Than They Think; in fact, it predates the classic Western era. It has its roots in the early 19th-century novels of James Fenimore Cooper (set in the then-frontier, which was well east of the Mississippi at the time) and his imitators, as well as 19th-century "dime novels" — meaning that, like the gangster films of The '30s, the genre was originally pretty much contemporary with its source material. In fact, no less a figure than Wild Bill Hickok was already a star in dozens of embellished stories by the time he died in 1876. By the turn of the century, a lot of the stock Western tropes had already been established in popular imagination: see Western Characters. Westerns made a very early leap to film with The Great Train Robbery (1903). William S. Hart (Hell's Hinges and many other films) became the first big star of movie Westerns. Westerns remained popular throughout the next few decades, though their golden age truly arrived in the 1930s. What also comes to a surprise to many is that Westerns are almost as old as a literary genre in Europe as in America, due to the success of the aforementioned James F. Cooper spawning imitators starting with works like Tokeah (1829 in English, 1833 in German) by Austrian Charles Sealsfield (real name: Carl Anton Postl). Other pioneering European works were Die Regulatoren von Arkansas (1846) by German Friedrich Gerstäcker, Le Coureur de Bois (1850) by Frenchman Gabriel Ferry, and The Rifle Rangers (1850) by Thomas Mayne Read from Ulster. European film Westerns also date back to before World War I, one being made by Sergio Leone's father Vincenzo, who went by the name Roberto Roberti. This led to the beginnings of the "Kraut" and "Spaghetti Westerns" in the 1960s. Enormously popular on TV and in the movies in the 1950s and 1960s. In fact, there were about fifty American western TV series running at about the same time over when there were at most 3–4 TV networks, not including First-Run Syndication. The major series included: Gunsmoke, Bonanza, Wagon Train, Rawhide, Branded, The Wild Wild West, Have Gun – Will Travel, The Rifleman, The Big Valley... In recent decades, the genre has become increasingly rare on TV, though it has never entirely vanished from public view: The '70s had Kung Fu (1972), The Life and Times of Grizzly Adams and Little House on the Prairie; The '90s brought Dr. Quinn, Medicine Woman; Deadwood was a critical success in the Turn of the Millennium; and The New '10s have seen such efforts as Godless, Hell on Wheels, and HBO's Westworld. Common plotlines include a Cattle Drive, a Train Job, and a Bank Robbery. There's a "Wanted!" Poster on every wall and it's more savage the further south you go. The settings are the vast plains, cattle ranches, small, dusty frontier towns (either just-formed and lawless, or established), saloons, railways (often newly built), isolated wilderness, and remote military forts. Much has been made of the distinction between the "classic" Western and the "revisionist" Western, the former being shiny and heroic, the latter Darker and Edgier and often embodying a paradox: "Civilization can only be defended from barbarians by men with guns, but once you pick up a gun, you become a barbarian yourself." However, this distinction — which essentially arose in the 1970s, when a more serious and more political critique of mass entertainment arose — is only defined in the fuzziest of terms, and many of the conventions analyzed and criticized were not imposed by the genre itself but by the general self-censorship of the media, and thus the "classic Western" never remained static, while "revisionist" points of view and deconstructions of tropes would become mainstream soon enough. For instance, you can't get much more "classic" in a Western movie than Stagecoach (1939), but that already was an attempt by John Ford to turn as many of the then-existing conventions on their ear as possible and to go as far as he would be allowed to under the constraints of The Hays Code. It did not help to make the distinction any clearer that every decade some new Western will be promoted as "finally a realistic portrayal" of life in the Old West or among Native Americans, usually by implicitly or explicitly badmouthing all previous movies as "unrealistic" and "romanticized". For instance, one of the most famous modern examples of the Deconstruction of the genre is Little Big Man about a man adopted by a Native American tribe who are apparently the only "civilized" people depicted in the West, with the European colonizer population a bunch of violent idiots, with General George Custer being the worst of the murderous bunch. In fact, one of the major blows to the genre being taken seriously was the blockbuster success of Mel Brooks's celebrated comedy Blazing Saddles: not only did it mercilessly poke fun at the genre's conventions, but also spotlighted the historical elements of the period that most westerns chose to ignore like minority groups, systemic racial oppression and its brutalities. After that kind of hilarious ribbing allowing the exposure of historical truths to make its point easily, any attempt to produce a western without any mention of the latter risked coming off as ridiculous and blinkered. The Western is usually set on the American frontier, but sometimes go farther afield to places like Alaska (North to Alaska, The Far Country), Mexico (The Wild Bunch, Vera Cruz, The Professionals), Canada (North West Mounted Police), South America (Blackthorn, TheSettlers), and Australia (The Proposition, Quigley Down Under). In terms of time, there is a bit of debate over the start and end dates. The genre's heyday (as stated above) is a 25-year span in the 19th century, but there are examples set earlier (Drums Along the Mohawk takes place during The American Revolution when upstate New York was frontier country) and later into the early 20th century (Sam Peckinpah's The Ballad of Cable Hogue ends with the title character getting hit by a car, and his The Wild Bunch ends with a gunfight dominated by a World War I-era machine gun. Likewise, Red Dead Redemption features early automobiles, machine guns, oil rigs, and a World War I-era US Army). An increasingly common period for the genre is the 1850s or thereabouts, because it allows for stories dealing with the evils of slavery (Django Unchained). Of course, any work dealing with the Texas Revolution will be set in the 1830s. Regardless, it is generally accepted that the cut-off date for a "true" Western is 1920. For series that use Western tropes but are set in modern times, see New Old West. A subtrope of Period Piece. Often overlaps with Settling the Frontier. See also Western Characters, The Seven Western Plots, and Spaghetti Western. Also a reason why most people believe All Deserts Have Cacti — the majority of Westerns were filmed at Kirk's Rock. When a series that isn't a Western visits The Wild West or borrows heavily from its imagery for a story, it is a Cowboy Episode. Hybrid Genres based around Westerns |
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LonesomeDove | |
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The Western / int_19097137 | type |
Forty-Niner | |
The Western / int_19097137 | comment |
Many of Bret Harte's Gold Rush stories qualify, and are one of the earlier examples, since he wrote in the mid-to-late 1800s. Harte invented several Western character types including the Forty-Niner (naturally), Chinese Laborer and Chinese Launderer, the Schoolmarm, and the Professional Gambler. Harte's stories prefigure the kind of Western like Maverick or Support Your Local Gunfighter, which have a somewhat humorous tone but are set in a Wretched Hive. | |
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The Western / int_264431e9 | type |
Index of Film Westerns | |
The Western / int_264431e9 | comment |
See Index of Film Westerns for an index of movie westerns. | |
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Franco-Belgian Comics | |
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Another long-running Franco-Belgian series was the more serious and realistic Jerry Spring (1954-1978), originally created by Jijé. | |
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Western Series | |
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See also Western Series. | |
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Canadian Western | |
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The Challenge of the Yukon, a Canadian Western starring a mountie and his sled dog | |
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WEstern | |
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Known for epitomizing the hero of the modern Western, Clint Eastwood directed quite a few of them as well: Unforgiven is a Spiritual Successor to Clint Eastwood's many western characters. The Outlaw Josey Wales Pale Rider High Plains Drifter |
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Western Literature | |
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See also Western Literature. | |
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Mail-Order Bride | |
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Stephen Crane's story The Bride Comes to Yellow Sky is a humorous western, telling of a seedy town's marshal returning with a Mail-Order Bride, who while neither young nor that pretty is seen by him as cultured and sophisticated. He habitually has conflicts with a drunken Retired Outlaw, and the latter's plans to duel him to the death in the street falls apart because he's so discomfited learning that his rival has gotten married. | |
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Artistic License – Geography | |
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German comedian Otto Waalkes alludes to the genre in four words: "Westwärts, westwärts...bis Scharbeutz!" note The explaining note has to be a tad longer. A faithful translation might be "Westward Ho...until Gouldsboro!", since Scharbeutz is a one-horse town about as eastward you could get in pre-unification Germany. Also, this is only the prelude to a raunchy sketch about two horny prairie bulls, accompanied by a version of "I Was Born Under A Wandering Star". | |
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The Western |
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