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Two Scenes, One Dialogue
- 608 statements
- 118 feature instances
- 122 referencing feature instances
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| Two Scenes, One Dialogue | comment |
A mode of exposition where the camera switches between two groups of people as they receive the same information. Lines of dialogue carry across the two scenes, sometimes to the point of the two scenes answering the other's questions or even Finishing Each Other's Sentences. For example: Bonus points if those sentences are going in completely different directions, Ã la Shrek 2. A variation seen in romances, usually just after He and She meet for the first time, has the camera switching between Her telling her friend(s) about Him, and Him telling his friend(s) about Her. Often, humor is generated by highlighting discrepancies between their accounts. Anime often mixes this with Inaction Sequence and the Combat Commentator. It's not uncommon for characters scattered far and wide to have the exact same conversation, explaining what's happening to the audience. The musical version is Distant Duet. See also News Monopoly. Compare One Scene, Two Monologues, One Dialogue, Two Conversations, Finishing Each Other's Sentences, Astonishingly Appropriate Interruption. Contrast Twisted Echo Cut. |
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| Two Scenes, One Dialogue / int_13652756 | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_13652756 | comment |
Quite a way into Marlin's adventure in Finding Nemo, many of the aquatic creatures (and some of the pelicans) start talking about this clown fish that's conquered such obstacles as sharks, exploding minefields, and anglerfish, and the scene keeps shifting from creature to creature as the exploits are recounted. | |
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The Thrilling Adventure Hour "Beyond Belief" episode "Art Imitates Life" features an alternate universe in which Sadie Doyle is an art thief alongside her fiancee Basil Valentine, rather than a drunken medium with her husband Frank. During the episode, Basil and Sadie have a talk about finally having the wedding, all during a montage of multiple daring robberies occurring weeks apart. This results in Lampshade Hanging when Sadie asks Basil whether or not he's noticed that their conversations held over various times and places happen in such a fashion that they seem to be a continuation of each other. Basil counters that they aren't having different conversations that blend together so much as having the same conversation over and over. The montage ends with Basil making the same observation about their conversations, asking Sadie about it, and Sadie excitedly declaring yes, she has noticed. | |
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Two Scenes, One Dialogue / int_154582d2 | |
| Two Scenes, One Dialogue / int_1cc09117 | type |
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| Two Scenes, One Dialogue / int_1cc09117 | comment |
In Bleach, used as the Hollow named Shrieker tells Ichigo while Yuichi tells Chad and Rukia about the arrangement in which Yuichi acts as Shrieker's accomplice in exchange for bringing his mother back to life. | |
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Two Scenes, One Dialogue / int_1cc09117 | |
| Two Scenes, One Dialogue / int_20098ea4 | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_20098ea4 | comment |
Often played with for laughs in the British sitcom Coupling, mostly to show different interpretations of events between the men and the women. | |
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Two Scenes, One Dialogue / int_20098ea4 | |
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Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_20409a0a | comment |
The Defenders (2017): Matt Murdock is introduced in his apartment rehearsing his cross-examination questions for an upcoming court case. He is briefly interrupted by the sound of a fight breaking out but relaxes when he hears the police arrive to defuse the situation. As he resumes rehearsing, we smash-cut to him in court doing the actual cross-examination, using the Match Cut of him putting a stack of Braille documents down on his apartment desk to him putting the stack down on the plaintiff's table in court. | |
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Two Scenes, One Dialogue / int_20409a0a | |
| Two Scenes, One Dialogue / int_2212773a | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_2212773a | comment |
Angel features this in the season 3 finale "Tomorrow". Angel and Cordelia get similar speeches, he from Lorne, she from the Groosalugg, that the two really are in love with each other, even if they haven't acknowledged it yet. | |
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Two Scenes, One Dialogue / int_2212773a | |
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Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_2275c659 | comment |
Used in the House episode "Maternity". Foreman and Cameron have to explain a treatment to two different couples in two different places and using different medicine names (because House still isn't sure which of the two is working). Used again in "Love Hurts" in the aftermath of House and Cameron's date. The scene switches between Cameron talking to Chase and Foreman and House talking to Wilson. |
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| Two Scenes, One Dialogue / int_22d87fc9 | comment |
A variation involving split-screen is used a lot on That '70s Show, having two people on each side (Such as Eric and Kelso/Donna and Jackie) discuss the same thing, sometimes echoing each other word for word. | |
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Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_230ec9cf | comment |
Skins did this in Katie and Emily's episode, with Katie and Emily, and Freddie and JJ, having the same conversation at the same time. There's even simultaneous spit takes from the potato moonshine they're both drinking. | |
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Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_23185c00 | comment |
Taken: In the final episode "Taken", John revealing the details of the aliens' Super Breeding Program to Charlie, Lisa and Allie is juxtaposed with Mary Crawford and Dr. Wakeman discussing the subject and coming to entirely accurate conclusions about the aliens' motivations to improve themselves by reintroducing emotion and a sense of morality to their nature. | |
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Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_246aca28 | comment |
Jackie Chan Adventures: Olympian Journey: The story of how Eris got sealed in the first place is portrayed this way in Chapter 2, with alternating scenes of Uncle and Eris explaining it to the other heroes and her minions, respectfully. | |
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Two Scenes, One Dialogue | |
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The Simpsons: In "Homer's Night Out", when Rev. Lovejoy receives a copy of a viral photograph showing Homer dancing with a stripper. | |
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The Hire. In "Ticker" a bullet hits the mysterious suitcase chained to the wrist of a courier, spraying fluid across the windshield. The Driver assumes it's a Weapon of Mass Destruction and shouts, "IS IT CHEMICAL? IS IT BIOLOGICAL?" The scene then cuts to a flashback of the courier apparently answering the same question by one of his bodyguards. | |
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| Two Scenes, One Dialogue / int_267e8ec5 | comment |
Done in Sympathy for Mr. Vengeance, when Ryu talks with his girlfriend about finding the black market organ dealers who ripped him off and ruined everything, and Park Dong-Kendall speaking with a police detective about finding the man who (accidentally) killed his daughter. When both characters are asked what they'll do when they find the people they're looking for, they respond "Kill them". | |
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Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_2a4c791e | comment |
One chapter of Ah! My Goddess has something along the lines of: | |
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| Two Scenes, One Dialogue / int_2e3e7ac2 | comment |
An episode of Justice League uses this to great effect as Cadmus has a board meeting to discuss how to deal with their Justice League problem, while the League simultaneously works through their Cadmus problem. The similarity in the meetings serves to demonstrate how similar the organizations are. | |
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Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_30a5ebfd | comment |
In Naruto's filler Kurama Clan arc, Yakumo tells her story to Naruto while Kurenai tells it to Kiba, Shino, and Hinata. There is an essential difference, though, Only Yakumo mentions that the Third Hokage ordered her powers to be sealed. Kurenai lies and says she did it out of jealousy. | |
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Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_32be643f | comment |
Crosswinds of Fate: The "camera" cuts back and forth mid-sentence between Rin and Albus as they explain the reasoning behind his decision to Shirou and Minerva, respectively. After the security guard evaluations, the "camera" repeatedly cuts mid-sentence from one conversation to another, related one. |
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The second scenes of Finale take place simultaneously, as similar fights between Dani & Liam and Noah & Krista occur. | |
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Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_32c541e6 | comment |
Fullmetal Alchemist: The Whole Volume Flashback is framed by three different people reminiscing about Ishbal. Also done in chapter 48 with Winry and Havoc making the same determined resolution (using the same word balloon, no less). |
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Two Scenes, One Dialogue | |
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In Nine to Nine Wolf sisters in two different situations in two different places (running to an auction through crowd and competing in Tetris final) are thinking the same words. Even better, both end up bested by their parents. | |
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Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_39f37adb | comment |
When Harry Met Sally...: After Harry and Sally sleep together in the third act, they call Marie and Jess, who are just waking up. A complicated four-way conversation follows. | |
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A Certain Holiday Season: Chapter 58: | |
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Two Scenes, One Dialogue | |
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First used in Fritz Lang's M, where the police and the mobsters have parallel discussions about the child murderer loose in the city. | |
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Two Scenes, One Dialogue / int_3ab29433 | |
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Two Scenes, One Dialogue | |
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In the very first scene of the first episode of Spaced, Tim and Daisy appear to be talking to each other, but are actually having two separate conversations with other people, who aren't seen until The Reveal at the end of the scene; Tim's splitting up with his long-term girlfriend, and Daisy's kicking out a one-night stand. The whole it-looks-like-they're-in-a-relationship-but-they-aren't nature of the scene sets the tone for the series, which crosses a Will They or Won't They? plot with a Three's Company-style fake relationship. | |
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Two Scenes, One Dialogue | |
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In "Thanksoitation Spectacular" of Rick and Morty, Rick and The President discussion their plans to outmaneuver each other in case of anticipating their opponent's strategy. | |
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Two Scenes, One Dialogue | |
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Happens in episode 12 of HeartCatch Pretty Cure!, in which both Tsubomi and Erika's families — which, as we know from the first episode, live right next door to each other — are consulted with one half of a pair of lovers who wants to prove they still have feelings for their other half, as the two have been distant due to work commitments. As the boyfriend asks Tsubomi's family for preserved flowers (flowers that are plucked at full bloom and treated in order to last longer than usual) to confess and propose to his girlfriend with, the girlfriend asks Erika's family for cute clothes so she can impress her boyfriend and show her devotion to him. It doesn't occur to either family until later, when they're all having a barbecue together, that the lovers were specifically talking about each other. | |
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The romantic version is used in the theatre adaptation of High School Musical with the introduction to "The Start of Something New", with Troy claiming he met Gabriella snowboarding. It may be directly inspired by the Grease example mentioned above. | |
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SCP Foundation: Counterpoint is two interview transcripts, of one suspected thief and a second apprehended suspect, side-by-side and staggered such that relevant information is side-by-side, with the main topic being the theft of SCP-012. | |
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Supernatural. In "First Blood", the Winchester brothers have been arrested and since no-one would believe them anyway, they just maintain an absolute silence. The FBI agent's speech is rendered as a single dialogue, with him cutting between Sam and Dean whom he's interrogating in separate cells. | |
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Two Scenes, One Dialogue | |
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The Powerpuff Girls The Beatles parody episode, "Meet the Beat-Alls", started off with Four Scenes, One Monologue. Used again in The Movie as Mojo Jojo rallies his many Monkey Minions to Take Over the World while, at the same time, the three girls wake The Professor to see "the good" Mojo Jojo has helped them to do for the town. |
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Jet Lag: The Game: When players are discussing their strategies, they will often be edited together as to form a unified thought. For example, season three has Adam mentioning a strategy he believes will catch Ben off guard, stating he hopes there's footage of Ben saying something "along the lines of—" which cuts to Ben saying he thinks he's in a safe spot. | |
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Near the end of Good Neighbors, Louise has two conversations with two characters. The two are intercut to show the parallels. Victor thinks that Spencer is the serial killer and is trying to convince Louise to set a trap with him as the bait. Spencer plans on pinning the killings on Victor, and is trying to convince Louise to set up a situation where Spencer can kill him. | |
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Two Scenes, One Dialogue | |
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Peter David's story "Coven" in Captain Marvel (not the one who is not Shazam) subverted this a few times by cutting off Rick Jones or Captain Marvel as they were saying something, then switching to the other to create a humorous non-sequitur. | |
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Two Scenes, One Dialogue | |
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In an episode of Columbo, the title character is interviewing a pair of actors that give identical stories in separate interviews framed as a single dialog. Columbo calls them out on having their stories match too perfectly. | |
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| Columbo | hasFeature |
Two Scenes, One Dialogue / int_5320ab5e | |
| Two Scenes, One Dialogue / int_5498bfdd | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_5498bfdd | comment |
In Suburban Knights, as the two groups of protagonists learn the location of the MacGuffin ("Oh, you..." "...got to be..." "... fucking..." "...KIDDING ME!") | |
| Two Scenes, One Dialogue / int_5498bfdd | featureApplicability |
1.0 | |
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Two Scenes, One Dialogue / int_5498bfdd | |
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Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_57280cac | comment |
Scene 5 of Where the Truth Lies (Animorphs) alternates between Dr. Ballard interrogating Jordan and Agent Michaels interrogating Kat about the Shape Shifters. | |
| Two Scenes, One Dialogue / int_57280cac | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_57280cac | featureConfidence |
1.0 | |
| Where the Truth Lies (Animorphs) (Fanfic) | hasFeature |
Two Scenes, One Dialogue / int_57280cac | |
| Two Scenes, One Dialogue / int_5755b96a | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_5755b96a | comment |
The Order of the Stick: The revelation of the secret behind the three empires of Blood, Sweat and Tears happens in two spots at the same time: on the celebration balcony between Elan and Tarquin, and in a Bloodstone prison cell between Ian, Geoff and Roy. | |
| Two Scenes, One Dialogue / int_5755b96a | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_5755b96a | featureConfidence |
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| The Order of the Stick (Webcomic) | hasFeature |
Two Scenes, One Dialogue / int_5755b96a | |
| Two Scenes, One Dialogue / int_5b8afa32 | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_5b8afa32 | comment |
In a GaoGaiGar lead-in, the heroes and villains speculated on the weaknesses of a new weapon. A split screen and the exact same words were used but with completely different connotations. | |
| Two Scenes, One Dialogue / int_5b8afa32 | featureApplicability |
1.0 | |
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Two Scenes, One Dialogue / int_5b8afa32 | |
| Two Scenes, One Dialogue / int_5c208620 | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_5c208620 | comment |
Superman: The Animated Series: In "Fun And Games", the Toyman tells Lois Lane his story of how Bruno Mannheim betrayed his father. At the same time, at the Daily Planet, Clark Kent and Jimmy Olsen piece together the same thing searching the newspaper's archives. | |
| Two Scenes, One Dialogue / int_5c208620 | featureApplicability |
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| Two Scenes, One Dialogue / int_5c208620 | featureConfidence |
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| Superman: The Animated Series | hasFeature |
Two Scenes, One Dialogue / int_5c208620 | |
| Two Scenes, One Dialogue / int_5d354f8 | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_5d354f8 | comment |
Red Dwarf did this during the time anomaly in "Future Echoes". Rimmer walks in and has a very weird conversation with Lister - then walks in again, and says the exact same things, except now they make sense. The previous Rimmer was an 'echo' of this one, and couldn't see or hear Lister at all. | |
| Two Scenes, One Dialogue / int_5d354f8 | featureApplicability |
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| Red Dwarf | hasFeature |
Two Scenes, One Dialogue / int_5d354f8 | |
| Two Scenes, One Dialogue / int_5db577ba | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_5db577ba | comment |
Used in the heist scene in The Dark Knight. | |
| Two Scenes, One Dialogue / int_5db577ba | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_5db577ba | featureConfidence |
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| The Dark Knight | hasFeature |
Two Scenes, One Dialogue / int_5db577ba | |
| Two Scenes, One Dialogue / int_6073c48d | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_6073c48d | comment |
Cross Ange The Knight Of Hilda: The bulk of Chapter 16 has Jill telling Ange the story about Embryo and the world before the Age of Mana, alternating with Rio doing the same with Hilda elsewhere. | |
| Two Scenes, One Dialogue / int_6073c48d | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_6073c48d | featureConfidence |
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| Cross Ange: The Knight of Hilda / Fan Fic | hasFeature |
Two Scenes, One Dialogue / int_6073c48d | |
| Two Scenes, One Dialogue / int_6505f7f3 | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_6505f7f3 | comment |
Molly of Denali: In "Mystery in the Night Sky," Molly, Tooey, and Trini each tell their families that aliens are coming, relaying the same information as the scene switches amongst them. | |
| Two Scenes, One Dialogue / int_6505f7f3 | featureApplicability |
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| Two Scenes, One Dialogue / int_6505f7f3 | featureConfidence |
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| Molly of Denali | hasFeature |
Two Scenes, One Dialogue / int_6505f7f3 | |
| Two Scenes, One Dialogue / int_65aabcf0 | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_65aabcf0 | comment |
Buso Renkin: The beginning of the L.X.E. arc sees the exposition on the Big Bad done as two simultaneous conversations: The main protagonists are informed on the subject by Captain Bravo, while Dr. Butterfly does the same for Anti-Villain Papillon. | |
| Two Scenes, One Dialogue / int_65aabcf0 | featureApplicability |
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| Two Scenes, One Dialogue / int_65aabcf0 | featureConfidence |
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Two Scenes, One Dialogue / int_65aabcf0 | |
| Two Scenes, One Dialogue / int_678f32e0 | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_678f32e0 | comment |
Big Hero 6: The Series's premiere ends with a replica of the original movie's ending, with a Freeze Frame Group Picture Ending and Hiro narrating to the audience. Except right after Hiro says "Who are we?", instead of a Close on Title, the image zooms out to show Obake staring at the image on a monitor and saying "Big Hero 6..." in a menacing voice. | |
| Two Scenes, One Dialogue / int_678f32e0 | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_678f32e0 | featureConfidence |
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| Big Hero 6: The Series | hasFeature |
Two Scenes, One Dialogue / int_678f32e0 | |
| Two Scenes, One Dialogue / int_6c9193a1 | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_6c9193a1 | comment |
In The Venture Brothers episode "SPHINX Rising", after the O.S.I. defectors who had become the new Team SPHINX return to O.S.I. under new management, Gary is left behind as the sole SPHINX member. Both teams do a recruitment drive, and their orientation speeches are presented simultaneously. The result is a parody of Two Scenes, One Dialogue built out of Twisted Echo Cuts to highlight the difference in priorities and seriousness. | |
| Two Scenes, One Dialogue / int_6c9193a1 | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_6c9193a1 | featureConfidence |
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Two Scenes, One Dialogue / int_6c9193a1 | |
| Two Scenes, One Dialogue / int_6df0c05a | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_6df0c05a | comment |
Waiting in the Summer: combines Two Scenes One Dialogue with I Have This Friend as the camera cuts back and forth between Kaito and Ichika discussing (with Tetsuro and Remon, repectively) the budding romantic feelings between "A" and "B" during the same lunch period. Bonus points because both Tetsuro and Remon realize that Kanna is "C" independently. | |
| Two Scenes, One Dialogue / int_6df0c05a | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_6df0c05a | featureConfidence |
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Two Scenes, One Dialogue / int_6df0c05a | |
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Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_6f734712 | comment |
The Smallville / Charmed crossover, Charmed: The Boy From Smallville. features a scene where The Charmed Ones and the forces of evil are separately briefed on Clark Kent's powers and abilities. Both sides mistakenly believe that he is a dangerous monster that needs to be taken out. | |
| Two Scenes, One Dialogue / int_6f734712 | featureApplicability |
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| Smallville | hasFeature |
Two Scenes, One Dialogue / int_6f734712 | |
| Two Scenes, One Dialogue / int_7041cf12 | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_7041cf12 | comment |
Kaguya-sama: Love Is War: Combined with I Have This Friend in chapter 38 when Kaguya and Shirogane ask Kashiwagi and Ishigami for help dealing with the fallout from the sick visit arc. Chapter 148 would repeat this as an Internal Homage, just with Ishigami replaced with Maki. Chapter 160 does a variation of this with Tsubame asking Papa Shirogane (working as a mall palm reader) for love advice and Kaguya and Shirogane trying to avoid being seen by anyone they know while on their first date. Tsubame and Papa Shirogane provide most of the dialoge as both scenes play out, with Shirogane and Kaguya each only having a single line. |
|
| Two Scenes, One Dialogue / int_7041cf12 | featureApplicability |
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| Two Scenes, One Dialogue / int_7041cf12 | featureConfidence |
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Two Scenes, One Dialogue / int_7041cf12 | |
| Two Scenes, One Dialogue / int_73b301db | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_73b301db | comment |
In Ivorycello's "Gaia's Vault", Ivory talks about the titular prison to Shiratori at the same time Sven is pitching it to Plumpkin. | |
| Two Scenes, One Dialogue / int_73b301db | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_73b301db | featureConfidence |
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| Ivorycello (Web Video) | hasFeature |
Two Scenes, One Dialogue / int_73b301db | |
| Two Scenes, One Dialogue / int_7460586f | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_7460586f | comment |
Archer is the absolute god king of this for comedic effect. Its spiritual predecessor Frisky Dingo is certainly no slouch either. | |
| Two Scenes, One Dialogue / int_7460586f | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_7460586f | featureConfidence |
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| Archer | hasFeature |
Two Scenes, One Dialogue / int_7460586f | |
| Two Scenes, One Dialogue / int_74a4c704 | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_74a4c704 | comment |
Early on in Kingdom Hearts, the game intercuts between two simultaneous scenes unfolding in Traverse Town: Aerith is providing plot exposition about Ansem, the other worlds, the Heartless, and the Keyblade to Donald and Goofy, while Sora's receiving similar exposition at the same time from Leon and Yuffie. Each listener's follow-up question cuts to a character in the other scene giving the answer. | |
| Two Scenes, One Dialogue / int_74a4c704 | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_74a4c704 | featureConfidence |
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Two Scenes, One Dialogue / int_74a4c704 | |
| Two Scenes, One Dialogue / int_76e88c0b | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_76e88c0b | comment |
Trainspotting, the scene in the night club with Spud and Tommy by the dance floor and Spud's "girlfriend" and Lizzie in the ladies' room. | |
| Two Scenes, One Dialogue / int_76e88c0b | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_76e88c0b | featureConfidence |
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| Trainspotting | hasFeature |
Two Scenes, One Dialogue / int_76e88c0b | |
| Two Scenes, One Dialogue / int_7c038c18 | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_7c038c18 | comment |
Phineas and Ferb does this in the episode "Cheer Up Candace" during the Mixer Mingler segment. And yes, they do it in song! | |
| Two Scenes, One Dialogue / int_7c038c18 | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_7c038c18 | featureConfidence |
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| Phineas and Ferb | hasFeature |
Two Scenes, One Dialogue / int_7c038c18 | |
| Two Scenes, One Dialogue / int_7f959890 | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_7f959890 | comment |
Barbie as Rapunzel has one such scene where while Rapunzel talks about her visit to the village after finding a way out, Otto reports to his mistress Gothel on the same thing. | |
| Two Scenes, One Dialogue / int_7f959890 | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_7f959890 | featureConfidence |
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| Barbie as Rapunzel | hasFeature |
Two Scenes, One Dialogue / int_7f959890 | |
| Two Scenes, One Dialogue / int_81692f99 | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_81692f99 | comment |
Used in the Star Trek fan-film Prelude to Axanar when both Captain Garth of Izar and the Klingon warlord Kharn the Undying discuss Kharn's status as an Ignored Expert in the Klingon Empire. | |
| Two Scenes, One Dialogue / int_81692f99 | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_81692f99 | featureConfidence |
1.0 | |
| Star Trek (Franchise) | hasFeature |
Two Scenes, One Dialogue / int_81692f99 | |
| Two Scenes, One Dialogue / int_8509db53 | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_8509db53 | comment |
The Summer Nights number at the start of the film Grease is a good example of the "romantic" variation. | |
| Two Scenes, One Dialogue / int_8509db53 | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_8509db53 | featureConfidence |
1.0 | |
| Grease | hasFeature |
Two Scenes, One Dialogue / int_8509db53 | |
| Two Scenes, One Dialogue / int_8756f1a5 | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_8756f1a5 | comment |
The Twelve Kingdoms has this when Youko and Yuka are simultaneously informed on the governmental structure of the 12 kingdoms. | |
| Two Scenes, One Dialogue / int_8756f1a5 | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_8756f1a5 | featureConfidence |
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| The Twelve Kingdoms | hasFeature |
Two Scenes, One Dialogue / int_8756f1a5 | |
| Two Scenes, One Dialogue / int_8ba4613a | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_8ba4613a | comment |
Done in Death Note, where the scene switches between both of the morally ambiguous main characters proclaiming that they'll hunt the other one down before claiming "I am justice". Also done in an earlier episode, where two main characters use the same dialogue to say that their respective worlds are rotting. The 'justice' example is doubly interesting given how they say it - Light says "I am justice", whereas L says "I am justice." Their choice of emphasis says a lot about both of them. Later in the show, L and Light have combined monologues - "Just one piece of evidence is all I need to find him" "Just one piece of evidence is all he needs to find me". |
|
| Two Scenes, One Dialogue / int_8ba4613a | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_8ba4613a | featureConfidence |
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| Death Note (Manga) | hasFeature |
Two Scenes, One Dialogue / int_8ba4613a | |
| Two Scenes, One Dialogue / int_903d6567 | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_903d6567 | comment |
The Goof Troop episode "Good Neighbor Goof" has one of these when Goofy and Pete forbid their sons from seeing each other and go over the ground rules with them, only Goofy's last rule is not only different from Pete's, but isn't even related to the situation. | |
| Two Scenes, One Dialogue / int_903d6567 | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_903d6567 | featureConfidence |
1.0 | |
| Goof Troop | hasFeature |
Two Scenes, One Dialogue / int_903d6567 | |
| Two Scenes, One Dialogue / int_905cf99c | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_905cf99c | comment |
This is done twice in The Fifth Element. The first involves the revelation that the four elemental Stones weren't stolen by the Big Bad's Mangalore mercenaries. The second intercuts between a spacecraft launch, the Big Bad killing a blundering subordinate, and a sidekick character having sex with a stewardess, all at the same time. From the first scene: | |
| Two Scenes, One Dialogue / int_905cf99c | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_905cf99c | featureConfidence |
1.0 | |
| The Fifth Element | hasFeature |
Two Scenes, One Dialogue / int_905cf99c | |
| Two Scenes, One Dialogue / int_924bb56e | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_924bb56e | comment |
Dollhouse, "Spy in a House of Love": | |
| Two Scenes, One Dialogue / int_924bb56e | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_924bb56e | featureConfidence |
1.0 | |
| Dollhouse | hasFeature |
Two Scenes, One Dialogue / int_924bb56e | |
| Two Scenes, One Dialogue / int_97a70962 | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_97a70962 | comment |
The Professionals. In "Mixed Doubles", Bodie and Doyle are spending the night in a Big Fancy House that's going to be used to host a visiting head of state the next day. Unknown to them, two hitmen are hiding elsewhere in the house, waiting to assassinate him. The conversation between Bodie and Doyle over why they do what they do is intercut with a similar conversation between the two hitmen. | |
| Two Scenes, One Dialogue / int_97a70962 | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_97a70962 | featureConfidence |
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| The Professionals | hasFeature |
Two Scenes, One Dialogue / int_97a70962 | |
| Two Scenes, One Dialogue / int_98744614 | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_98744614 | comment |
Brave has Queen Elinor practice her speech to her rebellious daughter Merida with her husband King Fergus pretending to be Merida (and understanding their daughter much better than his wife). Elinor's speech is overlaid with Merida practicing her speech to her mother... to a horse, while raking hay. The speeches are opposites in context. Elinor wants Merida to accept her role as princess and do her duty (by entering into an arranged marriage with one of the three lords' sons). Merida, however, tries to convince her mother that she's not ready for marriage. | |
| Two Scenes, One Dialogue / int_98744614 | featureApplicability |
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| Two Scenes, One Dialogue / int_98744614 | featureConfidence |
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| Brave | hasFeature |
Two Scenes, One Dialogue / int_98744614 | |
| Two Scenes, One Dialogue / int_98c961e2 | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_98c961e2 | comment |
Helluva Boss, episode "Loo Loo Land". Stolas calls Blitzo on the phone in the presence of his daughter Octavia. | |
| Two Scenes, One Dialogue / int_98c961e2 | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_98c961e2 | featureConfidence |
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| Helluva Boss (Web Animation) | hasFeature |
Two Scenes, One Dialogue / int_98c961e2 | |
| Two Scenes, One Dialogue / int_99055407 | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_99055407 | comment |
An episode of Family Matters has this, with Waldo and Maxine explaining their first date to Eddie and Laura, respectively. | |
| Two Scenes, One Dialogue / int_99055407 | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_99055407 | featureConfidence |
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| Family Matters | hasFeature |
Two Scenes, One Dialogue / int_99055407 | |
| Two Scenes, One Dialogue / int_9989595b | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_9989595b | comment |
W.I.T.C.H., a shapeshifter infiltrates the Magical Girls' school, and tells the principal she heard them bragging about a missing girl. (In reality, of course, the girl is missing because of the villains.) Cue a set of quick cuts between each one of the heroines answering the principal's questions, and each giving a different answer (they weren't prepared for this). Now the heroines have to bring her back to Earth or they're headed to jail. | |
| Two Scenes, One Dialogue / int_9989595b | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_9989595b | featureConfidence |
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| WITCH | hasFeature |
Two Scenes, One Dialogue / int_9989595b | |
| Two Scenes, One Dialogue / int_9a67b688 | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_9a67b688 | comment |
One episode of Case Closed involves both Shinichi and Heiji solving a case at the same time before they even met each other at all. So, it ends up with Heiji coming into the room to reveal the crime scene, and Shinichi phoning in at the same exact time. Then the two proceed to say the same exact thing about the crime scene, ultimately coming to the same exact conclusion at the same time. | |
| Two Scenes, One Dialogue / int_9a67b688 | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_9a67b688 | featureConfidence |
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Two Scenes, One Dialogue / int_9a67b688 | |
| Two Scenes, One Dialogue / int_9ce851a3 | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_9ce851a3 | comment |
A particularly adorable one was done on Malcolm in the Middle, showcasing the similarities between the father Hal and estranged son Francis. Hal is here at his house and Francis is hundreds of miles away in Alaska. | |
| Two Scenes, One Dialogue / int_9ce851a3 | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_9ce851a3 | featureConfidence |
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| Malcolm in the Middle | hasFeature |
Two Scenes, One Dialogue / int_9ce851a3 | |
| Two Scenes, One Dialogue / int_a0262740 | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_a0262740 | comment |
Once all five tickets have been found in Charlie and the Chocolate Factory, the scene switches between the five winners each reading the instructions on their Golden Tickets out loud as the fateful tour draws near. | |
| Two Scenes, One Dialogue / int_a0262740 | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_a0262740 | featureConfidence |
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| Charlie and the Chocolate Factory | hasFeature |
Two Scenes, One Dialogue / int_a0262740 | |
| Two Scenes, One Dialogue / int_a40b1126 | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_a40b1126 | comment |
During the preparation for the final campaign in Independence Day, the various Air Forces of the world lay out the battle plan they've received from the Americans, each scene showing combat planners from each Air Force discussing or briefing the next step of the plan. | |
| Two Scenes, One Dialogue / int_a40b1126 | featureApplicability |
1.0 | |
| Two Scenes, One Dialogue / int_a40b1126 | featureConfidence |
1.0 | |
| Independence Day | hasFeature |
Two Scenes, One Dialogue / int_a40b1126 | |
| Two Scenes, One Dialogue / int_a4a6b86a | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_a4a6b86a | comment |
Frequently used in Code Geass, especially in battle sequences that are juggling the many characters. Lelouch and Suzaku in particular have similar conversations very frequently, given that they're Foils to each other, with an early episode having the rivals each explain their motivations to their eventual partners (C.C. and Euphemia, respectively). They sometimes vary it by having the two start out on the same page but going in very different directions. In one instance, they achieve Three Scenes One Dialogue, when Zero lures Suzaku into a trap (a sand pit Zero's mecha can't move well in) using himself as bait, while Zero's scientist has rigged some technology that will paralyze Suzaku's mecha if it enters the pit. The Grand Finale features everyone in the cast getting in on the conversation about justice, society, etc. |
|
| Two Scenes, One Dialogue / int_a4a6b86a | featureApplicability |
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| Two Scenes, One Dialogue / int_a4a6b86a | featureConfidence |
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| Code Geass | hasFeature |
Two Scenes, One Dialogue / int_a4a6b86a | |
| Two Scenes, One Dialogue / int_a5d88e5c | type |
Two Scenes, One Dialogue | |
| Two Scenes, One Dialogue / int_a5d88e5c | comment |
Done in Annie Hall, in a pre-breakup variation: | |
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Used liberally in the last two episodes of Hellsing, where this is being used by several characters to talk to each other. | |
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The Most Popular Girls in School: This happens in Episode 10, and a three-way version of this occurs in Episode 55. | |
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Assassins. Two television journalists deliver exposition on Bain's target, an infamous reclusive billionaire who's turned up at his brother's funeral, with their speech-to-camera forming on dialogue. | |
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VeggieTales: "Larry-Boy and The Rumor Weed" does this between Larry-Boy and Alfred, ironically establishing that the radio isn't working and that they won't be able to communicate with one another. | |
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Parodied in the The Amazing World of Gumball episode, "The Tag". Richard and Mr. Robinson both seem to be doing this with identical explanations of their house arrest, and blame each other, but then: | |
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Batwoman (2019). A couple of episodes have Luke Fox briefing Kate Kane/Batwoman on the Villain of the Week, intercut with Commander Jacob Kane briefing CROW Security on the same case. Also after their Big Damn Kiss, Sophie Moore (with Mary Hamilton-Kane) and Kate Kane (with Luke Fox) are shown explaining the reason for their unusual happiness. | |
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Young Sheldon: In "Future Worf and the Margarita of the South Pacific", as Missy applies for a job at the comic book store, the manager asks her what her favorite comic book is. Missy flashes back to Sheldon talking about X-Men in the car, and then back to Missy finishing Sheldon's words. | |
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Game of Thrones sees Tyrion share different versions of his intentions for Myrcella with each of his three closest confidants. This is in order to see which story finds its way to his sister, and therefore, to know who he is unable to trust with secrets. The three conversations overlap each other in a single scene. | |
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In Help!, The Beatles go to an Eastern restaurant, where they're confronted by Eastern cultists who are after the ring on Ringo's finger. Clang and Bhuta explain the ring's significance to Ringo, George and John, while Ahme does the same to Paul. | |
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'Leverage'': In "The Two Crew Live Job", Nate and his team are preparing for the heist just as the rival team are doing the same. Both Nate and his Evil Counterpart are also stating that they each have the right to the painting in almost exactly the same way. | |
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Done as a time-saving measure in an episode of Young Justice. With the planet split into two Earths, one with only adults and the other only children, Captain Marvel has the ability to jump worlds by transforming back and forth with his 10-year-old Alter Ego. This allows him to pass messages between the Team and the Justice League, shown by the adults talking to Marvel, then switching to the Team responding to Billy Batson. | |
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A first season episode of Mad About You had Paul telling Selby the story of his third date with Jamie, intercut with Jamie telling Lisa the same story, but with one major difference. | |
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In El Goonish Shive, Helena and Demetrius whisper similar instructions to Elliot in one part of a room and to Dame Tara in another part of the room respectively at the same time. | |
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My Little Pony: Friendship Is Magic The season one finale has an impressive six scenes with one dialogue. From the Season 8 finale: |
|
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Doctor Who: "Last of the Time Lords": The identity of the Toclafane is revealed in both Martha's scene in Professor Docherty's workshop, and the Doctor's scene with the Master aboard the Valiant. "The Doctor's Daughter": Occurs when Martha with the Hath, and the Doctor and Donna with the humans, are looking at the holographic map of the city. |
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Shaun of the Dead features the titular character sitting down to watch television. A news report comes on about the rising zombie apocalypse, but he boredly starts flipping channels. No matter what comes on, it continues the sentence of the previous channel. He doesn't notice. | |
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Blake's 7: In "Seek Locate Destroy", Blake and Space Commander Travis tell their respective underlings why It's Personal with the Dragon by relating their Back Story in a cross-cut scene. | |
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Ben and Me: The film opens in present-day Philadelphia, where a tour guide is speaking to some children in front of a statue of Ben Franklin. The camera then zooms into the statue's hat to reveal a group of mice at a tiny statue of Amos Mouse, who played a big part in Franklin's accomplishments. | |
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Criminal Minds does this a lot to cut down on time during briefing or interview scenes. There's an especially neat version in "Nameless, Faceless", in which Reid, Prentiss, and Garcia make a decision not to tell the other team members that Hotch is missing in order to devote all of their concentration and resources to solving their current case quickly, instead of finding Hotch. As a result, Reid's explanation to the man they're trying to help plays very well over scenes of Prentiss searching Hotch's apartment for clues alone, without any help from the rest of the team: "This is about choice. The last time you made a choice, it devastated this killer, so this time, he's forcing you to choose again." |
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The Grand Finale features everyone in the cast getting in on the conversation about justice, society, etc. | |
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Used to good effect in Dragon Ball: both the Supreme Kai and his attendant, Kibito, explain the oncoming threat of Majin Buu and Babidi to the heroes at the same time, but in different places (the former with Goku and company, the latter with Gohan and Videl). The explanation of something of an Infodump, so the split scenes help to break up some of the dialogue while keeping the necessary characters in the loop. | |
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iCarly 2021: In "i'M Cursed," Carly talks to Millicent in the kitchen about how she wants a quiet birthday celebration to ease her out of her "birthday curse," while Spencer talks to Harper about how they should throw Carly a surprise party. The dialogue cuts back and forth as Carly and Spencer desire opposite things. | |
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In the Australian comedy Hercules Returns, the protagonists do a Gag Dub of an Italian sword-and-sandal movie. The villainous cinema owner discovers what they're doing and goes to the projection booth to stop them. Due to Rule of Funny, their dialogue keeps matching what's on the screen. | |
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The opening scene of Jasper in Deadland cuts between several different characters giving Jasper a "Reason You Suck" Speech. | |
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Battlestar Galactica (2003): The cliffhanger of "Resurrection Ship, Part 1" alternates between Commander Adama and Admiral Cain as they each give nearly identical orders to assassinate the other. | |
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Used frequently in Find Us Alive. The script for Episode 06 notes it as "[Each character speaks over different background noise, all in separate locations. Their interviews feed into each others']". | |
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Used in the opening scene of 50 First Dates, as several women are all talking on the phone with their friends describing their encounters with Adam Sandler's character, culminating in this: | |
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One of the snippets in the Holiday Special 2017 of Pokémon Reset Bloodlines alternates between Maxie and Archie as they talk to Courtney and Shelly respectively, with both of them being in a funk due to recalling their time together in Team Zenith before they split up to form Teams Magma and Aqua. | |
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Used for a Moment Of Heartwarming on a Las Vegas Christmas Episode, with several cast members simultaneously reading "Twas The Night Before Christmas" in separate scenes, all over the city. | |
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Spoofed at the beginning of the Homestar Runner cartoon "Date Nite". The camera constantly cuts between Homestar scolding Marzipan for dating The Cheat, and Strong Bad scolding The Cheat for dating Marzipan. Eventually, Homestar and Strong Bad end up in the same place, yelling at each other, then getting confused while Marzipan and The Cheat go on their date. | |
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Buffy the Vampire Slayer: It's featured prominently in "Graduation Day Part 2", where the camera cuts between the Scooby gang and the Mayor's evil army as they discuss and set up their battle plans for the moment of the Ascension. In "Doomed", to highlight the differences between the Scooby gang and The Initiative, Giles explains the ancient lore of this week's demon, while the Initiative is briefed on the nature of the same "HST" (Hostile Subterranean) in military jargon. "Hush" has a similar scene when the Monster of the Week steals everyone's voices, with the Scooby Gang writing their dialogue and the Initiative using a computer synthesizer. A variant in the season seven episode "Same Time, Same Place": for complicated reasons, Willow and Buffy are unable to see each other throughout most of the episode. In the school basement, Willow has a conversation with Spike. Suffering from a slight case of crazy at the time, Spike carries on what seems to be a disjointed dialogue with Willow, at times speaking randomly and out of turn. Then we see Buffy and Xander talking to Spike, in the same room, with Spike repeating the exact same responses as before, but making a lot more sense now that we know he was talking to two people at once. |
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Negima! Magister Negi Magi has an awesome example in chapter 314 when Fate and Negi simultaneously declare they're going to protect Negi's friends. | |
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Firefly: A Funny Moment in "Bushwhacked": when Zoe is asked about her marriage, she claims that she and Wash are "private people". Cut to Wash going on about what he likes about Zoe. | |
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Spoofed in Family Guy while parodying The Little Rascals. Both Peter and Quagmire cook up a plan to scare the other, and explain it to their two friends. However, the amount of dialogue they each say is disproportionate to the extent that Quagmire's scene only shows up for one second for him to say "The", where it then cuts back to Peter, who finishes off the rest of the exposition. | |
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In Antz, after Z and Princess Bala discover General Mandible's plan to drown a majority of the colony and build a new one with him as King, they split up to warn everyone, with Bala going to her mother, the Queen, and Z going to the workers digging the Mega Tunnel, which is connected to the lake. | |
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Disney's Austin & Ally has Austin mistakenly believing Ally has fallen for him when he reads her Secret Diary; meanwhile Ally elaborates on her crush on the Cell Phone accessory cart guy. | |
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In Mass Effect The Equestrian Equation, while Commander Shepard is learning the true nature of Equestria from Princess Luna, Twilight Sparkle is learning the same information from a recording that she made for herself before having her memory wiped. | |
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Flander's Company The beginning of season 4 episode "Memo to Human Resources", with scenes in the two separate universes, where Armand and Alternate George are having a complimentary conversation. Also, the lengthy exposition at the start of episode 18, "Born Villain", switch from one universe to the other, but the dialogue is still in continuity as the same plan is initiated on both sides. |
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Two Scenes, One Dialogue | |
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The very end of the Wander over Yonder episode "The Greater Hater" had a four scenes version when the main four are shaking in fear after their encounter with Lord Dominator: | |
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In one story of the Facing the Future Series, Team Phantom is split into two groups and encounter Freakshow's old circus troupe which has also been split up. Following that is the troupe members explaining to the members of Team Phantom what happened to them after the first encounter with Freakshow in the cartoon as the scene keeps going back and forth between the two groups. | |
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Happens in the Spongebob Squarepants episode "The Fry Cook Games" in which Mr. Krabs and Plankton convince SpongeBob and Patrick respectively to win the medal for them in spite of their friendship. Also occurs in "Band Geeks" as several characters read the flyers Squidward put out to get musicians for his marching band. |
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Occurs briefly in issue 3 of Mark Sable's Miskatonic. FBI Agent Miranda Keller is talking to Asenath Waite in one location while her partner is confronting Herbert West at another location, when both are interrupted by an explosion. | |
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The 2012 Action Comics Annual ends with scenes over a letter from John Henry Irons explaining that Superman's unstoppable urge to do good is what inspires him to try so hard. Half of the scenes are examples of people Superman defeated that day, explaining that because their nefarious deeds couldn't stop Superman, they will have to try harder. | |
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Star Trek: The Next Generation: In "All Good Things", as the Enterprises from the three time periods, past (season 1), present (season 7), and future (circa 2395), enter the temporal fissure, the crews note the same observations: | |
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