...it's like TV Tropes, but LINKED DATA!
Unbuilt Trope
- 371 statements
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An Unbuilt Trope is when a work makes it seem like a trope is deconstructed, Subverted, Justified, or even Played for Laughs, when in reality, it's the Trope Maker. Or at the very least, it's the work that popularized the trope, and the one that's often Misblamed for the current saturated use of the trope. Picture the following scenario: Because the work was the trope maker, it could freely explore the ramifications of the trope before it solidified (or in some cases, congealed) into its current form. It seems like a deconstruction, but at the time there was no trope to deconstruct, just an interesting idea to explore; it wasn't expected to conform to a certain pattern because the pattern had not yet been established. And only with the benefit of hindsight does it comes across as subversive. It's like showing a chair to someone who doesn't know a thing about the concept and asking them to describe it; without understanding the primary characteristics of what makes a chair a "chair," they draw from all of their observations, like the material it's made of or its specific shape — the fact that it makes for a nice sitting apparatus may cross their minds, but only as one factor among many. The trope could have taken on its current form for many reasons: the imitators could have been part of the Misaimed Fandom of the work they drew inspiration from; they may have consciously decided that the original was unsatisfying and thus needed to be Lighter and Softer or Darker and Edgier; later appearances of the trope may have decayed (or been Flanderized) compared to the original, defining appearance; they may simply have decided to take what they wanted from the story, and calling the original their inspiration caused people to assume the original was similar plotwise; or the imitators may not have had the talent required to depict the trope with the same depth that the original author did. After all, frequently a genius invents the trope and works it out with skill, and the hacks come after, only able to vaguely copy it or intentionally simplify it to make it easier to work with. It can also go the other way around: the original is bland and unappealing (even The Lord of the Rings was considered such, by some critics, when it first came out), and the later authors are the ones that constructed the mythos and the popular cliches. Alternatively, the deconstructed or parodic form of the trope, rather than the original, became more popular and accepted over the long run. Remember that this trope is not about gushing about "the original" and how the subsequent works "don't get" the genius. It is purely about the source of the conventions in a certain genre. Just because a work came early doesn't make it better or more genuine, in the same way that sketches are not better than the final work. If a work simply is an example of a trope that's more commonly associated with a later, more well known work, you may be looking for Older Than They Think or Ur-Example. The opposite of Once Original, Now Common. Compare and contrast with Dead Unicorn Trope. See Audience-Coloring Adaptation and Lost in Imitation for the process of how an idea can gradually lose nuance with new incarnations. Sister trope of Early-Installment Weirdness, though sometimes they can overlap. Related to Harsher in Hindsight (if it predicts a problem that won't be relevant until well after it's first shown) and Hilarious in Hindsight. Unbuilt Casting Type is this in regards to the Typecasting of certain actors. |
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| Unbuilt Trope / int_180a47e1 | type |
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Madame Butterfly is the Trope Codifier of the "exotic, submissive Asian woman falls in love with a Western man" plot. The opera itself is actually something of a deliberate deconstruction; the American Pinkerton is a total cad who ruins the Japanese Butterfly's life with his selfish nature and thoughtlessness. It’s topped off by Pinkerton abandoning Butterfly to marry an American woman, which was what he wanted to do all along. Both women also remain unaware of both each other and their relationship with Pinkerton until it's far too late. | |
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Brigadoon: In spite of being the Trope Codifier for Vanishing Village, the play spends a lot of time examining just how living in an isolated community like that affects someone, mostly through the character of Harry. Harry wants to get an education and marry the love of his life, but is forced by the setting to stay on his family's farm and watch his dream girl marry someone else. The rest of the cast are't completely unsympathetic, but their responses to his desire to get away are more or less sympathetic variations of "Suck it up, you big baby." By act three, Harry is more than willing to put the village out of his misery. | |
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| Unbuilt Trope / int_23945975 | type |
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Despite often being labeled as "cute and harmless", many of the classic movies from the Disney Animated Canon have dark elements, such as Family-Unfriendly Violence and nightmarish sequences. The first few movies of the canon, such as Snow White and the Seven Dwarfs, Pinocchio, and Bambi, have pretty dark atmospheres and are more focused on drama than on comedy, being considerably more serious than most of the animated movies that came later. Snow White in particular is noteworthy, since it actually ignited debate in some countries about whether it was appropriate for children to watch. The Night on Bald Mountain segment from Fantasia is exactly the opposite of what could be normally expected from a Disney film, being darker and edgier than most of the animations produced around the same time. It even goes so far as to unashamedly display female frontal nudity, something that not even the PG-rated Disney films of the 2000s and on would ever consider doing or be allowed to do. This is especially evident for Bambi which became the Trope Codifier for many "cutesy baby forest animal" franchises, so many forget how ominous the film can be, particularly the latter half where Bambi is no longer an innocent fawn, but a badass buck who nearly perishes repeatedly against a storm of rivals, hunting threats and natural disasters. There are also at least two deaths in the film, neither of which are a Disney Villain Death. It is telling that the midquel released over half a century later is Lighter and Softer with more cute banter, though even then it follows the unexpectedly dark construction of the original far more than nearly any of the film's copycats did within that time. |
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The very first evening gown match between Sable and Luna Vachon had a different 'psychology' than the Cat Fight the rest would become known for. As it was a Distaff Counterpart to the Tuxedo Match, the gowns were torn off piece by piece - rather than in one go as in later matches. | |
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Nuzlocke Comics invented and popularized a certain Self-Imposed Challenge for Pokémon players, along with the tradition of writing a webcomic about their Trainer OC's adventure. Ruby, the writer for the original, lost his first challenge to Steven Stone, his Fire Red version challenge ended in a Pyrrhic Victory over Mewtwo, and his White version storyline has N actively murdering Ruby's Pokemon to blame it on him and his challenge. | |
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Sleeping Beauty is the first Disney movie to use True Love's Kiss as the solution to a spell (earlier in Snow White, the cure was actually Love's First Kiss). But it has a completely justified in-story reason for it; as Maleficent has cursed the princess to die, Merriweather can only soften the spell by turning it into an enchanted sleep with the kiss as the escape clause. The fact that she is able to do this illustrates that Maleficent is so evil, she can't imagine someone saving the princess that way - the same reason they are able to successfully hide Aurora from her for sixteen years. So the kiss has a reason for working, rather than being the Deus ex Machina it would often be used as. | |
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Carmen can be viewed as a deconstruction of the Manic Pixie Dream Girl trope, as noted on that trope's page. The uptight Don José's life is ruined by his love for the free-spirited Carmen, not made better, and their clashing lifestyles and values eventually drive her to leave him for another man and him to murder her in a jealous rage. The story made its debut in novella form in 1845 and premiered on the opera stage in 1875, long before the familiar happy version of the Manic Pixie Dream Girl trope was widespread. | |
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Fallout: Equestria is known widely for being the Trope Maker for grimdark My Little Pony: Friendship Is Magic epics, immensely long stories featuring horrible things happening to cartoon ponies that openly reject the themes of the show. However, while the fic's depiction of Equestria is a Crapsack World and most have given up on friendship and love, the protagonist's nature as a Determinator is what gives the fic its heart. Watcher tells her at the very beginning that living life without a virtue like friendship, generosity, or honesty makes you an empty shell with no purpose or drive. The main characters from the original show are all depicted as dying horribly in the past, but it's only because they gave up on their own virtues and became convinced themselves that such gushy themes were holding them back; an understandable belief, considering they were forced into the roles of generals for Equestria's first ever war. Only one of them, Fluttershy, held onto her virtue of kindness for her entire life. People mocked and derided her for her belief that good people existed on both sides of the war, but she was the one who ultimately turned out to be right; By the end of the story, the Wastelanders have risen up in unity against a common foe, and while everything isn't suddenly better and things will never be like they were pre-war, a community is beginning to form and hope is once again commonplace among ponies. The kicker is, Fluttershy is rewarded for her omnipresent kindness by living to see this. | |
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There is a play in which the rich, eccentric protagonist brings the plot to a screeching halt to address the real-life competition between the theater in which his show is playing, and the theater across the street. Beyond that, the play is suffused from beginning to end with theatrical metaphors, and one of the most famous sequences includes the characters onstage watching a play even as the audience is watching them. A radical new experiment in metatheater, playing now at your favorite off-Broadway location, and critiquing the excess of artificiality in contemporary theater? No – it's Hamlet, and it's been around a while. Hamlet himself is one of the first instances of an Anti-Hero. An Anti-Hero who ends up getting dozens of people killed out of petty revenge, most of whom had absolutely nothing to do with the conspiracy he's taking revenge against. He's so obsessed with his vengeance that he ends up abusing/neglecting his girlfriend to the point of driving her over the Despair Event Horizon and into madness and suicide. Indeed, Hamlet comes off as Lethally Stupid at times. |
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Twitch Plays Pokémon had a good chunk of the lore written for Red focus on aspects of the series that would later be taken for granted by its characters. The protagonist was often seen as either a loon or a remote-controlled Ridiculously Human Robot instead of just a quirky individual, the voices in his head were very much a bad influence rather than a fun companion, centering the blame for most mishaps on someone who happened to be there was shown to hurt the poor 'mon they inflicted it on, and it was said that the moment Red returned home he collapsed from lack of sleep. His appearance in Crystal was split between isolating himself from Kanto since he was paranoid it would happen to him again, trying to fight AJ on the grounds that the voices in their heads would leave if he won, and foregoing all of it to have a friendly competition with someone for once instead of being forced to do it. | |
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The Tempest: One notable scene between Gonzalo, Antonio and Sebastian is essentially a cynical deconstruction of Anarchism... written more than two centuries before it was a recognized philosophical system. While awed by the beauty of Prospero's island, Gonzalo waxes lyrical about the perfect self-governing utopia that he would build if he were allowed to stay there forever, before Antonio (the villain) points out that one can't force a whole population to conform to a "perfect" system unless one is willing to impose it on them by force - which contradicts the notion of a world with no authority figures. With his reverence for nature, Gonzalo's aforementioned utopian speech almost sounds like something out of Henry David Thoreau... but it's delivered by a drunken Absent-Minded Professor who's unaware that his "utopian" island is actually home to a temperamental sorcerer who rules it with an iron fist. And said speech comes in a play where the very first words spoken onstage are a dialogue about how humankind will always be vulnerable to nature's fury, delivered by a crew of frazzled sailors as they weather a storm. |
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Terkel in Trouble is a relatively obscure Danish movie from 2004 in a similar vein to South Park, but if you were to mistake it for a movie made today (discounting how the animation very obviously dates it to the early 2000s), it would be very easy to interpret it as a parody of the usage of Evil All Along in animated movies, a trend that didn't really kick off until The New '10s. Justin is friendly and likable on the surface, but he is in fact an Ax-Crazy murderer on a mission to kill Terkel for the crime of sitting on a spider. | |
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Little Red Riding Hood is often portrayed as the archetypal "Stranger Danger" story. However, it features elements that nowadays seem like not only a deconstruction, but a particularly angry one at that. The attack happens not outside, but in a house belonging to the girl's grandmother, a place where one would think she'd be safe, and the Big, Bad Wolf preys on her by assuming the grandmother's identity. Furthermore, the attacker gaining entry into said house is not the sole responsibility of the girl; early versions also had the wolf kill the grandmother, trick Red into drinking her blood and eating her flesh, and, ultimately, eat Red. Had it been written today, "Little Red Riding Hood" would've been seen as a stinging critique of the idea of "Stranger Danger", a reminder that most child predators are relatives of the children they prey on. | |
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Heimatfront can be seen as one to the "girls in World War II" Fandom-Specific Plot for Girls und Panzer fanfics. Rather than being an Alternate History in which the girls are fighting on the front lines with everyone else, the girls aren't even supposed to be fighting in the first place. The characters whose Heimatfront equivalents are soldiers have their name and genders changed as appropriate- for example, Miho Nishizumi's older sister Maho becomes Maria Nitzschmann's older brother Marco. Rather than making Miho's equivalent a skilled Panzer ace, the fic has her be a BDM volunteer with as little fighting experience as the rest of her friends- her only qualification is knowing more about tanks than is socially acceptable for a woman in Nazi Germany. | |
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I'm Sorry I Haven't a Clue comes across as a Deconstructive Parody of the comedy Panel Game format, with (implicitly) cheap production values, a Lovely Assistant who Really Gets Around and never shows up, a panel lineup that's barely changed since 1972, players who don't even get points, games that range from Hurricane of Puns to excuses to force the panelists to sing (with one regular guest being genuinely tone-deaf) to pure Calvinball, impenetrable Running Gags and a host who loathes everyone and everything on the show and spends most of his/her time subjecting it all to the most withering snark imaginable. It even bills itself as 'the antidote to panel games'. It was actually one of the first comedy panel games to get big in the UK. Its original parodic target were the contemporary serious panel shows, and the original joke was that it used the format as a space for doing silly and rude things rather than witty and erudite ones. Nowadays, the panel show format is almost exclusively a comedy genre and the serious games have either got Denser and Wackier (Just a Minute) or just disappeared, changing the central joke to be a swipe at the format itself. | |
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Unbuilt Trope | |
| Unbuilt Trope / int_543bfacd | comment |
Dracula (which codified so many of the characteristics of modern vampires) had Drac running around in the daylight note More specifically, daylight hindered most of Dracula's powers but did not kill him. The whole "vampires die in sunlight" thing occurred in 1922 when the director of Nosferatu couldn't figure out how to kill Orlock, so he finally just decided to have him burst into flames when the sun came up –- just about every vampire in fiction's been vulnerable ever since. and being killed by a couple of knives. He was also described as hairy (even hairy palms!), moustachioed, and rather brutish-looking, rather than the suave aristocrat he's been commonly depicted as after Bela Lugosi; he could pull off a more handsome body, but it required magic to shapeshift and he rarely bothered. His breath stank of rotting corpse, too. There are also other ways it comes off as subversive: Renfield isn't quite The Renfield: although more-or-less controlled by Dracula, he's not willingly so, and even tries to kill him. The original Van Helsing isn't portrayed in the same way as later iterations of the character; he's not a Vampire Hunter or even all that action-oriented, just a scholar who happens to know a good deal about vampires. Even then, he doesn't immediately figure out that Lucy's illness was caused by a vampire and is heavily implied to not have any personal experience with vampires before he comes into conflict with Dracula. Dracula has a trio of vampire women who serve and live with him. Sounds like a typical Vampire's Harem, right? Except it isn't; there's no confirmation that the "brides" (who are never actually called that in the original book) are romantically or sexually involved with him, and it's implied that at least two of them are actually related to the Count. They also unbuild the idea of the sexually alluring female vampire; Jonathan is terrified of them despite acknowledging their attractiveness, and their attempted "seduction" of him comes off as more like harassment if not outright sexual predation. While Dracula is a villain who dreams to Take Over the World, he has also grown weary with his immortality and wants to end it all. So he's planning to create a vampire army to march on the rest of the world, figuring that he'll either win or be destroyed trying, either outcome of which he'd be happy with. |
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Unbuilt Trope / int_543bfacd | |
| Unbuilt Trope / int_5755b96a | type |
Unbuilt Trope | |
| Unbuilt Trope / int_5755b96a | comment |
Things like turnstiles or gift shops in the dungeon, or monsters giving out T-shirts, while these days associated with April Fools' Day or parodies like The Order of the Stick or Nodwick, were also present in the very first Blackmoor campaign. After all, it still was a game played by young people. | |
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1.0 | |
| Unbuilt Trope / int_5755b96a | featureConfidence |
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| The Order of the Stick (Webcomic) | hasFeature |
Unbuilt Trope / int_5755b96a | |
| Unbuilt Trope / int_5aa9bb49 | type |
Unbuilt Trope | |
| Unbuilt Trope / int_5aa9bb49 | comment |
Peace on Earth portrays a world where human beings wiped each other out through war, with the sentient animals learning from humanity's failure and building a peaceful world. It was released in 1939, two years before America entered the war. | |
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1.0 | |
| Unbuilt Trope / int_5aa9bb49 | featureConfidence |
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Unbuilt Trope / int_5aa9bb49 | |
| Unbuilt Trope / int_5e629cf6 | type |
Unbuilt Trope | |
| Unbuilt Trope / int_5e629cf6 | comment |
Lady and the Tramp unbuilds the Pounds Are Animal Prisons trope. The movie is probably the Trope Codifier for the concept, up to and including euthanasia being treated as equivalent to Death Row, but it also provides a subversion in that the pound workers themselves are gentle dog lovers, Lady is quickly reunited with her owners via her license, and a sign on the door reads "give a dog a happy home." | |
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1.0 | |
| Unbuilt Trope / int_5e629cf6 | featureConfidence |
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| Lady and the Tramp | hasFeature |
Unbuilt Trope / int_5e629cf6 | |
| Unbuilt Trope / int_62758d41 | type |
Unbuilt Trope | |
| Unbuilt Trope / int_62758d41 | comment |
Inanimate Insanity: Taco can today be seen as a brutal subversion of the Too Quirky to Lose Cloudcuckoolander relying on Word-Salad Humor prevalent in Object Shows such as Toaster and Gold — with her revealed to have been completely lucid the whole time and exploiting her apparent silliness to curry favor with others. But as the second major object show and thus cementing many of the tropes that Battle for Dream Island conceptualized, Inanimate Insanity was free to experiment with its character archetypes. Balloon deconstructed the "overbearing leader" archetype common in other object shows, as seen with Object Overload's Clock, as Balloon deliberately put on the appearance of being a jerk to try and ensure his progression, only for him to develop a 0% Approval Rating that ended with his own team mutinying against him, and his efforts to make up for his actions falling on deaf ears. Again, this came from the second major object show, before many of Balloon's imitators were conceptualized. |
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| Inanimate Insanity (Web Animation) | hasFeature |
Unbuilt Trope / int_62758d41 | |
| Unbuilt Trope / int_6276800c | type |
Unbuilt Trope | |
| Unbuilt Trope / int_6276800c | comment |
A lot of the review shows that arose on the Internet during the late 2000s were inspired by The Nostalgia Critic and The Angry Video Game Nerd. However, in mirroring their use of Alter-Ego Acting, many imitators tended to not notice that both reviewers were deconstructive parodies of the Caustic Critic trope. The Nerd is stuck in the past (the first time he reviewed a newer generation game, he was utterly bamboozled by it) and has major anger issues that seem to get worse as the show goes on, while the Critic is a bitter jerk who became a caustic critic largely because of his incredibly screwed-up childhood which was plagued with parental abuse. Both are the Butt Monkeys of their own shows. | |
| Unbuilt Trope / int_6276800c | featureApplicability |
1.0 | |
| Unbuilt Trope / int_6276800c | featureConfidence |
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| The Nostalgia Critic (Web Video) | hasFeature |
Unbuilt Trope / int_6276800c | |
| Unbuilt Trope / int_6415526 | type |
Unbuilt Trope | |
| Unbuilt Trope / int_6415526 | comment |
A Trekkie's Tale is the Trope Namer for Mary Sue, as it featured the eponymous character in the story. If anything, Mary Sue lacked most Sueish traits typically associated with the character type, and was a Parody Sue in a Self-Insert Fic. In the early 1970s, fan fiction was emerging onto the scene by being published in fan-made magazines and distributed at fan conventions. Fic author Paula Smith was a fan who happened to notice that many of the bad Star Trek: The Original Series fan stories had the same plot — a female Original Character, who is the youngest whatever in Starfleet. Everyone falls in love with her and they go on adventures with her, typically ending with her meeting a tragic death to be mourned by all. After seeing a particularly egregious example of this storyline, Paula Smith wrote a parody, which features all of those tropes at once but in only four paragraphs. And yet, the titular Mary Sue went on to name the character type that she was openly and mercilessly mocking.invoked | |
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Unbuilt Trope / int_6415526 | |
| Unbuilt Trope / int_65a21d7e | type |
Unbuilt Trope | |
| Unbuilt Trope / int_65a21d7e | comment |
Carmilla is the Trope Maker for Lesbian Vampire, but it's not sexploitation. Instead, it's written more as a standard "vampire victim" story, just with the victim and the aggressor sharing the same gender. It's not really a Romance either, although Carmilla can be interpreted sympathetically. At most you could call Carmilla a stalker or sexual predator. | |
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1.0 | |
| Unbuilt Trope / int_65a21d7e | featureConfidence |
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Unbuilt Trope / int_65a21d7e | |
| Unbuilt Trope / int_695297c6 | type |
Unbuilt Trope | |
| Unbuilt Trope / int_695297c6 | comment |
The Clouds has one of the earliest examples of a NEET in Strepsiades' lazy, horse-obsessed son Pheidippides. But his father's attempts to break him of being one are rather unconventional by modern standards. Strepsiades sends him to a school called the Thinkery, not to learn anything useful, but to learn "philosophy and rhetoric" (read: Insane Troll Logic) so the boy can help him weasel his way out of having to pay his debts. Not only that, but having him get off his ass and get educated ends up working too well. | |
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| Unbuilt Trope / int_695297c6 | featureConfidence |
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Unbuilt Trope / int_695297c6 | |
| Unbuilt Trope / int_6ac55ec7 | type |
Unbuilt Trope | |
| Unbuilt Trope / int_6ac55ec7 | comment |
Dungeons & Dragons: One of the earliest settings, created by Gary Gygax himself, is Greyhawk - a setting which spotlighted a lot of military conflicts and citystate-based realpolitik (think the Renaissance) in its background. One of its adventures, The City of Skulls, is kicked off when the good-aligned king recruits adventurers to go on a politically motivated rescue mission (the pregenerated PCs even have political ambitions and personal grudges as their motivations for accepting the mission). This is a stark contrast to the cliché assumption of adventurers being noble, heroic figures — or at least that their dungeon-crawls have no significant political impact. Early D&D has a lot of this going on, due to its true roots being in pulpy sword-and-sorcery rather than the Tolkien-esque aesthetic that many people ascribed to it. Motivations were often nakedly mercenary, characters were expected to assume meaningful responsibilities as they grew stronger, combat was grungy and lethal, and many dungeons were designed with thoughtful solutions in mind. Some of the first player characters created were Mordenkainen and Robilar, a Well-Intentioned Extremist and a Blood Knight, respectively. The idea that player characters were expected to be straightforward heroes was later codified in 2nd Edition, as a reaction to the Satanic Panic, and has been the default assumption (to greater or lesser degrees) ever since. For all its role in codifying Medieval Stasis, the aforementioned Greyhawk featured both a crashed alien spaceship and an order of paladins wielding guns. Things like turnstiles or gift shops in the dungeon, or monsters giving out T-shirts, while these days associated with April Fools' Day or parodies like The Order of the Stick or Nodwick, were also present in the very first Blackmoor campaign. After all, it still was a game played by young people. In relations to the discourse on monsters—especially Orcs and Drows—and monocultures related to them, such deconstruction was already prevalent in Forgotten Realms in 2E where there were diverse sets of Drow cultures (one city having male rulers while others—especially Eilistraee and Vhaerun worshippers—rejected Lolth's influence) and instances where many Orcs lived in peace with non-Orcs (former mercenaries and their descendants in Thesk) and even embraced pacifism (Ondonti tribes). |
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Unbuilt Trope / int_6ac55ec7 | |
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Unbuilt Trope | |
| Unbuilt Trope / int_6b3cfe38 | comment |
Bob and George codified many of the tropes for Sprite Comics, but reading it now makes it read like a big deconstruction of the very tropes it so codified. The Author Avatar constantly gets abused, kidnapped or exploited for his control, and having him gone throws everything into chaos. The massive amounts of stupidity displayed by the cast makes them all but useless when a real threat shows up. The same characters' obsession with ice cream also leads them to making things worse when they would rather eat ice cream than stop Dr. Wily. Having No Fourth Wall means the characters constantly complain about being in a comic at all, insulting both the comic creator and its readership. Finally, the entire comic turns out to be a "Shaggy Dog" Story when it's revealed that Bob and George's mom set the whole comic up as a gigantic Gambit Roulette so that George would be willing to kill Bob if it came to that, both to scare Bob into not being such a Jerkass, and to toughen up George. The ending also skewers the inevitable, tragic deaths of the cast, which the comic ended up popularizing as a theory for what actually happened to the cast, by having them all fake their deaths because Dr. Wily found out how he dies and they move to Acapulco, where they live happily ever after. | |
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Unbuilt Trope / int_6b3cfe38 | |
| Unbuilt Trope / int_71858a87 | type |
Unbuilt Trope | |
| Unbuilt Trope / int_71858a87 | comment |
Education for Death avoids portraying Germans as fanatically evil. Rather, it portrays the Germans themselves as victims of the Nazi regime. The main character, Hans, starts out as a decent kid, but a mixture of peer pressure and propaganda turn him into a merciless tool for the state. | |
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Unbuilt Trope / int_71858a87 | |
| Unbuilt Trope / int_73d4b351 | type |
Unbuilt Trope | |
| Unbuilt Trope / int_73d4b351 | comment |
Desert Bus for Hope is essentially a parody of video-gaming marathons for charity that started years before any normal ones, like GDQ, existed. The only "game" they play is a ridiculously boring bus-driving simulator—ostensibly, viewers donate to torment the hosts by making them play it longer, but the actual attractions are the sketch comedy, nerd-celebrity guests, and prize giveaways. | |
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| Unbuilt Trope / int_76e7de99 | type |
Unbuilt Trope | |
| Unbuilt Trope / int_76e7de99 | comment |
In relations to the discourse on monsters—especially Orcs and Drows—and monocultures related to them, such deconstruction was already prevalent in Forgotten Realms in 2E where there were diverse sets of Drow cultures (one city having male rulers while others—especially Eilistraee and Vhaerun worshippers—rejected Lolth's influence) and instances where many Orcs lived in peace with non-Orcs (former mercenaries and their descendants in Thesk) and even embraced pacifism (Ondonti tribes). | |
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Unbuilt Trope / int_76e7de99 | |
| Unbuilt Trope / int_78dd42f4 | type |
Unbuilt Trope | |
| Unbuilt Trope / int_78dd42f4 | comment |
For example, Rapunzel clearly got knocked up by the prince while she was in her tower, since she gives birth to twins during her banishment to a desert. The original version published by The Brothers Grimm even had the witch figure out about Rapunzel's affair when her belly started growing larger. | |
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Unbuilt Trope / int_78dd42f4 | |
| Unbuilt Trope / int_798e6a69 | type |
Unbuilt Trope | |
| Unbuilt Trope / int_798e6a69 | comment |
DM of the Rings is considered the Trope Maker for the Campaign Comic, but it doesn't make use of the tropes a campaign comic is usually known for. Usually in a Campaign Comic, the players have identities and distinct personalities that affect how they play their characters, and the game tries to parse the distinctions of the setting into gaming terms that become a theme (for example, the over-the-top One Piece fighting antics and idiocy of the protagonists turns into a theme of absurd Min-Maxing and Lethal Joke Character builds). DM of the Rings is largely built around how the setting and story of The Lord of the Rings is an awful choice for traditional gaming and how dysfunctional the group is; we learn next to nothing about the people playing the game and even Gimli's initial introduction as The Roleplayer is quickly forgotten. | |
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| DM of the Rings (Webcomic) | hasFeature |
Unbuilt Trope / int_798e6a69 | |
| Unbuilt Trope / int_7f6eb95d | type |
Unbuilt Trope | |
| Unbuilt Trope / int_7f6eb95d | comment |
Romeo and Juliet is the Trope Codifier for Star-Crossed Lovers, but the play also works as a Genre Deconstruction of the more upbeat typical Commedia dell'Arte plot. So the Zany Scheme doesn't work out, and five young people come to die. The survivors get at best a Bittersweet Ending, as the sudden deaths of their beloved children can finally make the two families lay their stupid feud to rest. | |
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Unbuilt Trope / int_7f6eb95d | |
| Unbuilt Trope / int_89ce309d | type |
Unbuilt Trope | |
| Unbuilt Trope / int_89ce309d | comment |
Macbeth: Lady Macbeth defined the trope for women who drive their less ambitious husbands to villainy, but the Trope Namer is quickly driven mad by her guilt, and the pressure of intrigue. It gets especially bad when the walls start closing in around the two of them, and Lady Macbeth realizes that her "perfect" murder wasn't so perfect. Both the guilt and the pressure drive her into insanity, culminating in her "Out, damned spot!" line in which she hallucinates blood on her hands that she can't wash off, no matter how hard she tries, which eventually makes her Driven to Suicide when she knows she's done for. The soliloquy about life being "a walking shadow" and "a tale told by an idiot, full of sound and fury, signifying nothing" inspired countless Straw Nihilist Anti-Hero characters since who've quoted it to justify their actions, and it's essentially the speech that made nihilism cool. Except that the people who write those characters tend to forget that Macbeth is the bad guy, and all the things that have driven him over the edge (like his wife's suicide) have happened as a direct consequence of his own selfish actions. It's not the speech of an aggrieved, noble man unjustly tormented by the universe at large, but the bitter ramblings of a mad, petty tyrant who sees himself as the victim because he can't accept that what he's done is wrong. This play has one of the most iconic and influential examples of the Wicked Witch trope with regards to the three weird sisters. But rather than being Obviously Evil, they're merely a source of dangerous wisdom, and the text doesn't state whether they actually are evil. It's telling that many modern productions - inspired by the trope - expand them into being chessmasters who orchestrated the whole thing. |
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Unbuilt Trope / int_89ce309d | |
| Unbuilt Trope / int_8bf470e9 | type |
Unbuilt Trope | |
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Lysistrata created and named the Lysistrata Gambit. However, the play was written as a farce; the point was to ridicule the idea of women in politics, an inconceivable concept in Ancient Greece. A modern audience might read the feminist interpretation as Serious Business. While many depictions of this portray the Gambit as easy for the women, due to the ideas All Men Are Perverts and All Women Are Prudes, the women in Lysistrata find it just as difficult as the men, and when Lysistrata first suggests the idea, they are horrified. The play also shows that the sex strike on its own isn't enough to stop the war; the women also seize the treasury to prevent the war from progressing, the idea being that the war is being prolonged by corrupt politicians so they have opportunities to enrich themselves. The sex strike helps, but there are other factors. | |
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Unbuilt Trope / int_8bf470e9 | |
| Unbuilt Trope / int_92916f5a | type |
Unbuilt Trope | |
| Unbuilt Trope / int_92916f5a | comment |
Shrek changed the landscape of animated films during the 2000s with its fresh style of humor: irreverent, vulgar and heavy on the pop culture references. But what many of its imitators failed to grasp was that much of its humor had a purpose: to make a Deconstructive Parody of Disney Renaissance films. Not only that, but for all its humor, it dealt with some pretty heavy themes, such as prejudice and alienation. | |
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Unbuilt Trope / int_92916f5a | |
| Unbuilt Trope / int_935f154 | type |
Unbuilt Trope | |
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But at least Rapunzel presumably consented. One of the older versions of Sleeping Beauty, called Sun, Moon, and Talia, had the slumbering princess be raped by a king while she was still asleep. Darker and Edgier versions that take the nonconsensual kiss and turn it into a rape are less original than the author might think. | |
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| Sleeping Beauty | hasFeature |
Unbuilt Trope / int_935f154 | |
| Unbuilt Trope / int_95226eb6 | type |
Unbuilt Trope | |
| Unbuilt Trope / int_95226eb6 | comment |
Cyberpunk: It was the Trope Codifier, if not Trope Maker, for Cybernetics Eat Your Soul. Unlike its successors, it does not just treat this as a game balance issue or a matter of course, but delves fairly deeply into exactly what psychological impact replacing parts of your body with metal to give yourself superpowers would have on a person's psyche. In essence Cyberpunk treats cyberpsychosis (as it's called) as a natural effect of dealing with the nerve damage, body dysmorphia issues, and increasing alienation from the rest of humanity brought on by shoving metal into yourself to boost your abilities beyond those of everyone else. It also treats the causes of cyberpsychosis as fully treatable, and with proper psychiatric care and by choosing a cybernetic surgeon who can keep the neurological damage to a minimum, nearly all effects of cyberpsychosis can be avoided. The video game adaptation Cyberpunk 2077, which is also canon, backs away from this with the revelation (or retcon) that cyberpsychosis doesn't even exist in the first place, but is rather a collective name for "mental breakdowns by people with cyberware" that the media finds easier to report. In short, it's a media-driven moral panic brought on by suspicion of people with cybernetic enhancements. Whether this makes it timelier or undercuts the game's themes is up to the player. Cyberpsychosis and cyberware resistance were brought back in the 2.0 version of the game, so whether this interpretation was actual canon or an attempt by the devs to justify not including cyberpsychosis as a mechanic in the base game is increasingly unclear. Cyberpunk also deconstructed Everything Is Online a mere six years after the first appliance was given online functionalitynote A vending machine at Carnegie-Mellon was connected to ARPANET and equipped with sensors to track what drinks were available and if they were properly chilled and three years before Mark Weiser's paper "The Computer of the 21st Century" that coined the term "ubiquitous computing" was published. Rache Bartmoss found out, to his horror, that a huge number of things that had no business being online, like the ESA lunar mass driver (technically used to send minerals to Earth, but could easily wipe a city off the map) and the airlocks on space stations, could be controlled from his home computer. That was when he decided that the only way out was to destroy the Internet in its entirety, though that too went horribly right. |
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| Unbuilt Trope / int_99a46421 | type |
Unbuilt Trope | |
| Unbuilt Trope / int_99a46421 | comment |
The Draco Trilogy codified and named the Draco in Leather Pants trope, in which a villainous or otherwise unlikable character from canon is depicted in a more flattering light. However, unlike most later examples, this story explains why he's hanging out with the good guys and why he's getting the treatment - Draco's arc in the first part of the trilogy involves him pulling a Heel–Face Turn. It also uses some omniscient narration to show Draco's thought pattern, showing his change gradually towards being a better person, and even after his turn, he remains a snarky Anti-Hero - a plausible portrayal for a redeemed Draco. Many later examples would just have Malfoy be a good guy (often opposite Ron the Death Eater) for no reason at all, often turning him into a total woobie in the process. | |
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Unbuilt Trope / int_99a46421 | |
| Unbuilt Trope / int_a59597f2 | type |
Unbuilt Trope | |
| Unbuilt Trope / int_a59597f2 | comment |
Some early versions of Cinderella had the wicked stepsisters mutilate their own feet in an attempt to make them fit the slipper. As if the foot-mutilation weren't enough, the original Grimm version had the Wicked Stepmother and the evil stepsisters get their eyes pecked out by birds at the end. | |
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Unbuilt Trope / int_a59597f2 | |
| Unbuilt Trope / int_af104bc5 | type |
Unbuilt Trope | |
| Unbuilt Trope / int_af104bc5 | comment |
Pygmalion is the Trope Maker for the Pygmalion Plot, but George Bernard Shaw's view of Eliza's transformation is more cynical satire than Romantic Comedy. Unlike in the adaptations, the play's Eliza has no final reconciliation scene with Henry Higgins. Although Shaw remained as the writer for both the play and film versions, the 'happy' ending in the film is a case of Executive Meddling. | |
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Unbuilt Trope / int_af104bc5 | |
| Unbuilt Trope / int_b79b343a | type |
Unbuilt Trope | |
| Unbuilt Trope / int_b79b343a | comment |
The villain of the very first vampire novel, aptly-named The Vampyre by John Polidori, did not have fangs. He did bear an uncanny and insulting resemblance to Polidori's boss, though. It wasn't until Varney the Vampire that fangs showed up, but that was a weird book, too: it ends with Varney killing himself at the crater of Vesuvius. Varney was also the first morally-ambiguous and conflicted vampire, before Dark Shadows, The Vampire Chronicles and Angel came along. | |
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Unbuilt Trope / int_b79b343a | |
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Unbuilt Trope | |
| Unbuilt Trope / int_c9280e49 | comment |
An American Tail had "Somewhere Out There", which was the Trope Maker for the Award-Bait Song. Unlike most subsequent examples, however, a large part of its charm came from the fact that it was sung by amateur singers, giving it a kind of sincerity that many would say is lacking in many other "Oscar Bait songs" (as well as the Breakaway Pop Hit version). | |
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1.0 | |
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Unbuilt Trope / int_c9280e49 | |
| Unbuilt Trope / int_c9850bbd | type |
Unbuilt Trope | |
| Unbuilt Trope / int_c9850bbd | comment |
Pokémon Black is an incredibly mundane story by today's standards. Right off the bat, the protagonist knows that the eponymous game is a ROM hack and that there's nothing supernatural about it. Rather than be scared by what the game presents, they're intrigued and try to replay it to find out if there's any alternate endings. By the end, they're not killed or psychologically scarred, just a bit sad. The only truly mysterious element is the unanswered question of who made the ROM and why. | |
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1.0 | |
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Unbuilt Trope / int_c9850bbd | |
| Unbuilt Trope / int_c9e9858e | type |
Unbuilt Trope | |
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Most people know Ventrilo Harassment videos for featuring uptight gamers getting irrationally upset over soundboards early on, while later installments feature all but one person having a good time (or in a few rare cases, everyone's having a good time). However, in the first one (with Duke Nukem soundclips) only Peggy gets upset; the others find it amusing until she starts screaming her head off. | |
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1.0 | |
| Unbuilt Trope / int_c9e9858e | featureConfidence |
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Unbuilt Trope / int_c9e9858e | |
| Unbuilt Trope / int_cde50842 | type |
Unbuilt Trope | |
| Unbuilt Trope / int_cde50842 | comment |
The poetry-spouting "Superstar" Billy Graham defied the Dumb Muscle stereotype as early as 1977, despite being one of the first major bodybuilders in wrestling. Suddenly Triple H's "blue-blood" gimmick from the mid-'90s doesn't seem so weird, does it? | |
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1.0 | |
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hasFeature |
Unbuilt Trope / int_cde50842 | ||
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Unbuilt Trope | |
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Prior to Twilight's vegetarian vampires, The Vampire Chronicles skewered the concept of a "vegetarian" vampire in the first book, Interview with the Vampire, with its protagonist Louis. Although he tried to retain his humanity and survive on the blood of animals, his efforts were in vain and his creator scolds him for his hypocrisy of loathing the downsides of being a vampire while enjoying its benefits. In general, Louis is regarded with mild contempt by most vampires for trying to remain human to begin with and is generally considered the weakest of Lestat's children. | |
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Unbuilt Trope / int_d1fbfbbc | |
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Unbuilt Trope | |
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Aladdin: The Sultan is the Trope Namer for Horrible Judge of Character, as-in nobody in their right mind would trust someone like Jafar, which nowadays makes him come off more foolish than he perhaps actually is. However, the very first scene with Jafar and the Sultan together features Jafar hypnotizing him with his staff, making it clear that Jafar's ability to have the Sultan's ear is much more than the Sultan's foolishness. Outside of this so-called lapse in judgement, the Sultan is clearly a capable ruler and considerate person, so being so foolish would be pretty out-of-character for him. It also should be pointed out that when Aladdin breaks Jafar's staff & thus his hold over him, the Sultan immediately orders Jafar to be arrested (which the vizier narrowly escapes from with his sorcery). | |
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1.0 | |
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Unbuilt Trope / int_d4f9ccf | |
| Unbuilt Trope / int_d55b8d2 | type |
Unbuilt Trope | |
| Unbuilt Trope / int_d55b8d2 | comment |
The NES Godzilla Creepypasta admittedly indulged in cliches such as "hyper-realistic graphics" and the player being forced to continue playing unwillingly. However, it also subverted some of the cliches that its imitators mostly played straight: some of the supernatural phenomena in the cartridge was on the player's side, and it ended with a Surprisingly Happy Ending. | |
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-0.3 | |
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1.0 | |
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Unbuilt Trope / int_d55b8d2 | |
| Unbuilt Trope / int_dc3cc0a7 | type |
Unbuilt Trope | |
| Unbuilt Trope / int_dc3cc0a7 | comment |
Money in the Bank as a gimmick match is known for featuring a couple of wrestlers that everyone knows won't win the briefcase or get pushed as a serious title contender, but will provide some nice highspots in that kind of match. The first MITB match at WrestleMania 21, however, is notable in that its only participants were guys who had either already held the title or been pushed as title contenders. Shelton Benjamin was the only mid-carder in the match, and even he was enjoying a bit of a serious push as the Intercontinental Champion. | |
| Unbuilt Trope / int_dc3cc0a7 | featureApplicability |
1.0 | |
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1.0 | |
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Unbuilt Trope / int_dc3cc0a7 | |
| Unbuilt Trope / int_e9fd9789 | type |
Unbuilt Trope | |
| Unbuilt Trope / int_e9fd9789 | comment |
The Sacred and the Profane would read as a Deconstruction Fic of "Crowley never Fell and Aziraphale became the demon instead" Alternate Universe Fics if it weren't the first well-known fic in the Good Omens fandom to explore that premise, long before the TV adaptation made that plot more popular. Instead of merely flipping Crowley and Aziraphale's Noble Demon and Just-Enough-of-a-Bastard Angel roles, the fic shows just how psychologically broken an angel like Aziraphale could become by Falling without warning and how Crowley's devotion to Aziraphale becomes much darker and sadder when Aziraphale is a manipulative demon who isn't above exploiting Crowley's affection for him to get away with heinous acts. | |
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1.0 | |
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Unbuilt Trope / int_e9fd9789 | |
| Unbuilt Trope / int_ec80dae4 | type |
Unbuilt Trope | |
| Unbuilt Trope / int_ec80dae4 | comment |
Zero Punctuation, meanwhile, is probably the Trope Codifier for caustic criticism on the Internet, especially in the video game community. But its causticity is almost always amped up to an absurd degree — even while implying that he actually liked the game in question — and Yahtzee frequently diverges into ranting about his own fans or himself, or rambling incoherently. The character comes off as more of an eloquent Talkative Loon than a critical genius. This is further exemplified by the fact that he coined the phrase "Glorious PC Master Race" sarcastically as a way of mocking elitist PC players, before said players adopted the mantle completely unironically. | |
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1.0 | |
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| Zero Punctuation (Web Animation) | hasFeature |
Unbuilt Trope / int_ec80dae4 | |
| Unbuilt Trope / int_edb4e494 | type |
Unbuilt Trope | |
| Unbuilt Trope / int_edb4e494 | comment |
If you saw a Buried Alive match end with six men taking forever to fill the grave by hand rather than just dumping a truckload of dirt in, you would likely assume it was a parody of the stipulation put together by some comedy indie fed. Except, that is exactly how it went for the very first Buried Alive match, as WWE critically underestimated how long it took to fill a grave. For well over five minutes Mankind, soon joined by The Executioner, Hunter Hearst Helmsley, Crush, Justin "Hawk" Bradshaw, and Goldust, frantically shovelled dirt while Paul Bearer mugged for the crowd to try to make it interesting. | |
| Unbuilt Trope / int_edb4e494 | featureApplicability |
1.0 | |
| Unbuilt Trope / int_edb4e494 | featureConfidence |
1.0 | |
| Mick Foley (Wrestling) | hasFeature |
Unbuilt Trope / int_edb4e494 | |
| Unbuilt Trope / int_ee384546 | type |
Unbuilt Trope | |
| Unbuilt Trope / int_ee384546 | comment |
The video game adaptation Cyberpunk 2077, which is also canon, backs away from this with the revelation (or retcon) that cyberpsychosis doesn't even exist in the first place, but is rather a collective name for "mental breakdowns by people with cyberware" that the media finds easier to report. In short, it's a media-driven moral panic brought on by suspicion of people with cybernetic enhancements. Whether this makes it timelier or undercuts the game's themes is up to the player. | |
| Unbuilt Trope / int_ee384546 | featureApplicability |
1.0 | |
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Unbuilt Trope / int_ee384546 | |
| Unbuilt Trope / int_ee7da84d | type |
Unbuilt Trope | |
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Marble Hornets: Many of the problems stem from how the protagonist lacks discretion and publicly broadcasts all his findings, actions, and plans online in a way that anyone and everyone can see what he's up to, including his (potential) enemies and allies. It would be considered a Deconstruction of the various web series in The Slender Man Mythos if it wasn't the progenitor of them and is largely what the rest all follow. With the use of the Ax-Crazy masked people stalking the protagonists and Totheark sending confusing and vaguely threatening video messages, it became popular in other web series to give the Slender Man proxies who acted in a similar manner. However, in Marble Hornets, it turns out the crazy masked people are not necessarily working for the Operator, whereas those who take the closest thing to its proxies are more lucid. The tendency for people in Slender Man stories to film everything is called out by another character when it's pointed out in-universe that the protagonist has no plan beyond "film everything and see what happens." Not only does this not really give them any answers, it ruins the lives of everyone around him over his insistence on doing it. Given what happens to the characters throughout the story, it's pretty hard to argue with that. |
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Unbuilt Trope | |
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The Silver Kiss reads like a deconstruction of the teen vampire romance narrative popularized by Twilight, with its exploration of grief and the main character choosing NOT to become a vampire (and the transformation process freezing a person in time, meaning that any illness they have won't be cured), then the vampire love interest commits suicide by exposing himself to sunlight at the very end | |
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1.0 | |
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| The Silver Kiss | hasFeature |
Unbuilt Trope / int_eee2df4f | |
| Unbuilt Trope / int_ef4fd083 | type |
Unbuilt Trope | |
| Unbuilt Trope / int_ef4fd083 | comment |
The Brave Little Toaster: The film seems like a pretty chilling deconstruction of movies about living inanimate objects such as Toy Story. The main characters, most of whom are the typical household appliances, are in constant peril in their journey, from dismantlement, obsolescence, and disposal. The climax takes place in a junkyard and includes a song where at least eight still-living cars get destroyed, a stark reminder that for many kinds of inanimate object, the most likely ultimate fate is deliberate destruction. This may sound like an examination of the often-ignored implications of such movies in the vein of Sausage Party, but it came out in 1987, well before such movies were popular. | |
| Unbuilt Trope / int_ef4fd083 | featureApplicability |
1.0 | |
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Unbuilt Trope / int_ef4fd083 | |
| Unbuilt Trope / int_f0aae232 | type |
Unbuilt Trope | |
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Pagliacci concludes with a Monster Clown stabbing people to death in front of a live audience, but the reason the drama is so effective is precisely because the trope is unbuilt and nobody expects a clown to be scary, let alone murder anyone. In fact, Canio (the clown) is trying to play a Non-Ironic Clown, while he is actually a Sad Clown but The Show Must Go On. He's not a psychopath or a monster, just a guy trying to bring a little laughter into people's hearts on the stage who finally snaps when his wife turns against him. | |
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1.0 | |
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Unbuilt Trope / int_f0aae232 | |
| Unbuilt Trope / int_f2638929 | type |
Unbuilt Trope | |
| Unbuilt Trope / int_f2638929 | comment |
The Virgin vs. Chad meme is commonly used as a plain "bad vs good" template where the Virgin is something they don't like and the Chad is something they do like. However, the original comparison that started it all◊ actually had a purpose which was to mock the original "Virgin Walk" post by creating its foil, the "Chad Stride". It showed how the Virgin and the Chad both exaggerate stereotypes of "beta" and "alpha" males with the former being easy to be around but boring, and the latter being fun but extremely obnoxious and undesirable to be around. Most comparisons just take the format but not really the message. | |
| Unbuilt Trope / int_f2638929 | featureApplicability |
1.0 | |
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| Unbuilt Trope / int_f609482b | type |
Unbuilt Trope | |
| Unbuilt Trope / int_f609482b | comment |
Don Giovanni has an example of Playing Cyrano that predates Cyrano de Bergerac by a century. The example is pretty complicated, but what it boils down to is that Giovanni acts as Playing Cyrano to his servant, Leporello, and Donna Elvira. The only reason he does this, though, is so that he can get Elvira out of the way; he wants to seduce her chambermaid. What's more, Leporello doesn't even want Elvira; Giovanni is forcing him to seduce her. Might be worth noting that Rostand, the author of Cyrano, wrote a Fan Sequel to Moliere's Don Juan which has substantially the same plot. While this work was written several decades after Cyrano, it could have been in his mind when writing Cyrano. The trope Playing Cyrano is Lost in Imitation: always A Simple Plan that inevitably crashes because Who Would Be Stupid Enough? to fall for it? The Trope Codifier is the only work that really explores that question: the ruse works Despite the Plan for more than a decade, setting Cyrano and Roxanne to a sad, unfulfilled life. This is because Cyrano is so ugly he cannot conceive Roxanne could love him, Roxanne is a monomaniacal fan of beauty that cannot think the fair Christian could be the Brainless Beauty, and Christian, the Only Sane Man in this Love Triangle, dies before he can save his best friends from their own hypocrisy. |
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| Unbuilt Trope / int_f609482b | featureApplicability |
1.0 | |
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| Unbuilt Trope / int_f7ed2fd7 | type |
Unbuilt Trope | |
| Unbuilt Trope / int_f7ed2fd7 | comment |
Parts of The Little Mermaid make it feel almost like a Reconstruction of later Disney Princess films that follow it. For one, the musical elements are purposely integrated into the story so as not to feel out of place: the heroine having a beautiful singing voice is actually a plot point rather than a stock character trait, and the elaborate musical numbers are fully justified by having Sebastian be a concert composer. For another thing, Eric is one of the straightest examples of Prince Charming in the Disney Animated Canon since Sleeping Beauty, only differing from previous princes in that he has more Character Development. But The Little Mermaid was the film that started Disney's renaissance in the 1980s: it set the template for what became the "standard" Disney movie by being an elaborate Broadway-style musical (with the music being the primary storytelling method) rather than a simple fantasy story with a few musical numbers note Case in point: the Villain Song didn't really become a Disney tradition until Ratigan’s Villain Song and Ursula's "Poor Unfortunate Souls", since most previous Disney movies didn't feel the need to give every major character their own song, and it came out before later movies like Aladdin and Beauty and the Beast started purposefully subverting the Prince Charming trope. So it reconstructed the Disney formula before anyone thought to deconstruct it. | |
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| The Little Mermaid (1989) | hasFeature |
Unbuilt Trope / int_f7ed2fd7 | |
| Unbuilt Trope / int_f9657dcd | type |
Unbuilt Trope | |
| Unbuilt Trope / int_f9657dcd | comment |
Space Hulk, the 1989 board game spinoff of Warhammer 40,000, takes the time to deconstruct the Rule of Cool that would later come to define the series. The huge bulky Terminator Armor suits were originally designed for servicing plasma reactors, not military boarding actions, which you can imagine is a problem when the marines are trying to navigate claustrophobic service tunnels. The suits look awesome, sure, but that isn't doing squat against the Genestealers. What's more, the armor doesn't even work, and the Genestealers can tear right through it. It wasn't until later editions that a justification was thought up: most space hulks are filled with radiation far more lethal than the Genestealers, so the Terminator Armor is seen as a necessary handicap on the occasion it's used at all. It also lets each soldier carry much heavier weapons than their normal armor, and in the tight corridors they're stuck in single file either way. | |
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