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Uncommon Time

934 statements
158 feature instances
320 referencing feature instances

Uncommon Time	type	FeatureClass
Uncommon Time	label	Uncommon Time
Uncommon Time	page	UncommonTime
Uncommon Time	comment	In music, the most encountered time signature is 4/4, boring old Common Time. There's also 2/4 and 2/2 ("cut time"), which aren't much different - all the bars still divide evenly into two, which makes these useful meters for marches; two beats per measure equals one measure per pair of steps. 3/4, sometimes called "three-quarter time" and the canonical meter for waltzes, is also fairly intuitive - if you've ever been taught to waltz by counting "step, two, three, step, two, three" then you know how it works. Regular time signatures are divided into the categories of 'simple' and 'compound' time. Simple has each beat divide into two, compound has each beat divide into three. 4/4 is referred to as 'simple quadruple time' (4/2 would also be this), 2/4 is 'simple duple' (along with 2/2, 2/1, 2/8, you get the idea); 6/8 is 'compound duple' (equivalent to 2/4 in simple), 9/8 'compound triple' (equivalent to 3/4) and 12/8 compound quadruple (equivalent to 4/4). Note that 9/8, depending on how it is divided, can be either an example of this trope or compound time.note within a note9/8 is by far most commonly seen in its compound triple form, where three beats of dotted crotchets divide into three quavers each. Music in Uncommon Time, however, does away with regular meters, and instead opts for totally unconventional rhythms that are often based on higher prime numbers, or at least that are not divisible by two or three. This can be done by choosing an oddball time signature such as 5/4 or 7/8 (most common of the irregular meters) and/or by switching time signatures rapidly. It can be done throughout the length of an entire song, or used as an effect in an otherwise common-time song. Still confused? Let's relate it to Poetry Forms. Poetry typically has "meter," described as the pattern of stressed and unstressed syllables in the verse's "feet" — for instance, the "iambic" in Gratuitous Iambic Pentameter is a "foot" of one unstressed syllable followed by one stressed syllables: "I want to be the one who licks those frogs. I've learned I hate the taste of cats and dogs." Uncommon Meter is when the number of syllables-per-feet changes over the course of the line: "Will you be my running mate? It would help me concentrate." In poetic terms, this would be two trochees followed by a dactyl. In musical terms, this would be 7/4 or 7/8, depending on how precisely the composer decided to engrave the work. (This is why 9/8 only sometimes counts: it can be three dactyls ("I do not understand music stuff") or three trochees and a dactyl ("It is going to drive me up the wall, then I'll lose my balance and then fall").) For those who have difficulty determining the meter of a song, try paying attention to its percussion track: In many songs the bass and snare drums are perfectly timed with each beat, because this establishes a metronome that the other singers/players rely on to keep their parts of the song in sync to. This, of course, does not help when the song uses polyrhythms (that is, having different instruments playing in conflicting rhythms that are not readily perceived as deriving from one another, or as simple manifestations of the same meter), as bands such as Meshuggah are known for. This trope is heavily associated with the Math Rock, Progressive Rock, Progressive Metal, and Technical Death Metal genres, to the point where there are only a handful of prominent acts in any of these genres who have never used it. It is also common in modern Classical Music, which is often credited as being due to the influence of Igor Stravinsky, particularly in The Rite of Spring. (Stravinsky was a rather large influence on many of these prog groups as well). By virtue of being strongly influenced by both progressive rock and classical music, it's also noticeably common in video game soundtracks. See also Wikipedia's list of musical works in unusual time signatures.
Uncommon Time	fetched	2024-04-18T11:02:09Z
Uncommon Time	parsed	2024-04-18T11:02:10Z
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Uncommon Time	processingUnknown	UrbanLegend
Uncommon Time	processingUnknown	OCRemix
Uncommon Time	isPartOf	DBTropes
Uncommon Time / int_1253f289	type	Uncommon Time
Uncommon Time / int_1253f289	comment	Mike Portnoy of Dream Theater, Liquid Tension Experiment, Transatlantic, etc. frequently plays with odd signatures as well.
Uncommon Time / int_1253f289	featureApplicability	1.0
Uncommon Time / int_1253f289	featureConfidence	1.0
Dream Theater (Music)	hasFeature	Uncommon Time / int_1253f289
Uncommon Time / int_160c1407	type	Uncommon Time
Uncommon Time / int_160c1407	comment	Metallica used a lot of this too. For example, the verses of "...And Justice for All" are in 7/4, while the verses of "Welcome Home (Sanitarium)" are in 10/4 divided into five measures of 2/4. "Blackened" frequently shifts between 7/4, 5/4 and 6/4 while also throwing in the occasional 5/8 and 7/8 towards the end. The "mystery bar" in the main riff of "Master of Puppets" is noted as 5/8 in the official transcription, but someone measured it and found out it's actually in 21/32â€¦ most likely accidentally.
Uncommon Time / int_160c1407	featureApplicability	1.0
Uncommon Time / int_160c1407	featureConfidence	1.0
Metallica (Music)	hasFeature	Uncommon Time / int_160c1407
Uncommon Time / int_16861a09	type	Uncommon Time
Uncommon Time / int_16861a09	comment	Michael Giacchino's main theme from Pixar's The Incredibles (the one you hear when the credits begins; fittingly enough it's called "The Incredits") is a pretty direct homage to Mission: Impossible, and appropriately is mostly in 5/4, but also jumps to 3/4 and 4/4 in some parts.
Uncommon Time / int_16861a09	featureApplicability	1.0
Uncommon Time / int_16861a09	featureConfidence	1.0
The Incredibles	hasFeature	Uncommon Time / int_16861a09
Uncommon Time / int_17df9c83	type	Uncommon Time
Uncommon Time / int_17df9c83	comment	Underoath's "We Are the Involuntary" jumps between 5/4, 4/4, and 3/4. "The Created Void" is in 5/4 with some 3/4.
Uncommon Time / int_17df9c83	featureApplicability	1.0
Uncommon Time / int_17df9c83	featureConfidence	1.0
Underoath (Music)	hasFeature	Uncommon Time / int_17df9c83
Uncommon Time / int_1913b4de	type	Uncommon Time
Uncommon Time / int_1913b4de	comment	"Superboy and the Invisible Girl" from Next to Normal is 6/8 followed by 5/8 most of the time. "Wish I Were Here" is 4/4 for most of the song, but at one part it switches to 7/8, then back to 4/4.
Uncommon Time / int_1913b4de	featureApplicability	1.0
Uncommon Time / int_1913b4de	featureConfidence	1.0
Next to Normal (Theatre)	hasFeature	Uncommon Time / int_1913b4de
Uncommon Time / int_1af3cde6	type	Uncommon Time
Uncommon Time / int_1af3cde6	comment	Cats has pieces of "Mungojerrie and Rumpleteaser" and "Skimbleshanks" in 7/8 and 13/8, respectively.
Uncommon Time / int_1af3cde6	featureApplicability	1.0
Uncommon Time / int_1af3cde6	featureConfidence	1.0
Cats (Theatre)	hasFeature	Uncommon Time / int_1af3cde6
Uncommon Time / int_1ba5d454	type	Uncommon Time
Uncommon Time / int_1ba5d454	comment	In The Hunger Games: Catching Fire, the theme playing just after the Hunger Games have begun is in 7/4.
Uncommon Time / int_1ba5d454	featureApplicability	1.0
Uncommon Time / int_1ba5d454	featureConfidence	1.0
The Hunger Games: Catching Fire	hasFeature	Uncommon Time / int_1ba5d454
Uncommon Time / int_1fc3ec4d	type	Uncommon Time
Uncommon Time / int_1fc3ec4d	comment	Here's a relatively simple example in comparison to some of this chaos: During the verses of "That's What You Get" by Paramore, the drummer plays in 4/4 under instruments and vocalist running 3/4.
Uncommon Time / int_1fc3ec4d	featureApplicability	1.0
Uncommon Time / int_1fc3ec4d	featureConfidence	1.0
Rock Band (Video Game)	hasFeature	Uncommon Time / int_1fc3ec4d
Uncommon Time / int_1fe6252d	type	Uncommon Time
Uncommon Time / int_1fe6252d	comment	Wardruna's "Fehu" utilizes 5/4 meter throughout.
Uncommon Time / int_1fe6252d	featureApplicability	1.0
Uncommon Time / int_1fe6252d	featureConfidence	1.0
Wardruna (Music)	hasFeature	Uncommon Time / int_1fe6252d
Uncommon Time / int_20b19f8	type	Uncommon Time
Uncommon Time / int_20b19f8	comment	The chorus to "Blue Memories" by Patty Loveless ends with a line that's in 10/4 (4+2+4).
Uncommon Time / int_20b19f8	featureApplicability	1.0
Uncommon Time / int_20b19f8	featureConfidence	1.0
Patty Loveless (Music)	hasFeature	Uncommon Time / int_20b19f8
Uncommon Time / int_22724a3	type	Uncommon Time
Uncommon Time / int_22724a3	comment	"Scream Thy Last Scream", written during Syd Barrett's Sanity Slippage and never officially released, features several time signature changes which throw it into this trope.
Uncommon Time / int_22724a3	featureApplicability	1.0
Uncommon Time / int_22724a3	featureConfidence	1.0
Syd Barrett (Music)	hasFeature	Uncommon Time / int_22724a3
Uncommon Time / int_24d953d0	type	Uncommon Time
Uncommon Time / int_24d953d0	comment	While the original Metroid soundtracks occasionally contained examples of this trope (see below under video game soundtracks), Stemage's metal arrangements of them, solo and with his band Metroid Metal, take this trope up a notch, with nearly every song containing complicated time signature changes wherever Stemage thinks they will make the song flow more naturally. As a result, any given song is liable to have a section in 4/4 that changes to 7/8 for a couple of measures before going back to 4/4. This is a characteristic of nearly every song he has arranged for the project to the point where it could be considered a Signature Style and probably appears once a song or more.
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Uncommon Time / int_27a1c485	type	Uncommon Time
Uncommon Time / int_27a1c485	comment	Cyriak: cows & cows & cows is mostly in 6/4 time, but there's a segment in the middle which uses 7/4.
Uncommon Time / int_27a1c485	featureApplicability	1.0
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Uncommon Time / int_27f14435	type	Uncommon Time
Uncommon Time / int_27f14435	comment	"On the Willows" from Godspell is in 5/4, and "Alas For You" from the same show is... all over the place.
Uncommon Time / int_27f14435	featureApplicability	1.0
Uncommon Time / int_27f14435	featureConfidence	1.0
Godspell (Theatre)	hasFeature	Uncommon Time / int_27f14435
Uncommon Time / int_299c659b	type	Uncommon Time
Uncommon Time / int_299c659b	comment	In Joseph and the Amazing Technicolor Dreamcoat, "Who's The Thief?" starts in 7/8.
Uncommon Time / int_299c659b	featureApplicability	1.0
Uncommon Time / int_299c659b	featureConfidence	1.0
Joseph and the Amazing Technicolor Dreamcoat (Theatre)	hasFeature	Uncommon Time / int_299c659b
Uncommon Time / int_2a707678	type	Uncommon Time
Uncommon Time / int_2a707678	comment	"Stay" in AmÃ©lie alternates between measures of 6/4 and 5/4.
Uncommon Time / int_2a707678	featureApplicability	1.0
Uncommon Time / int_2a707678	featureConfidence	1.0
AmÃ©lie (Theatre)	hasFeature	Uncommon Time / int_2a707678
Uncommon Time / int_2a77a546	type	Uncommon Time
Uncommon Time / int_2a77a546	comment	Inside Out has "We Can Still Stop Her", which is in 9/4 and plays as Riley leaves home for the bus station.
Uncommon Time / int_2a77a546	featureApplicability	1.0
Uncommon Time / int_2a77a546	featureConfidence	1.0
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Uncommon Time / int_2a8e6980	type	Uncommon Time
Uncommon Time / int_2a8e6980	comment	Moonsorrow, another progressive folk metal band (this one from Finland), also like this trope a lot. "Tuleen ajettu maa", for example, is in 5/4 for most of its first several minutes, while "Karhunkynsi" extensively uses 10/4. This is nowhere close to being a complete list.
Uncommon Time / int_2a8e6980	featureApplicability	1.0
Uncommon Time / int_2a8e6980	featureConfidence	1.0
Moonsorrow (Music)	hasFeature	Uncommon Time / int_2a8e6980
Uncommon Time / int_2b7e8363	type	Uncommon Time
Uncommon Time / int_2b7e8363	comment	The frequency of this trope in this musical genre is parodied by Clickhole with Christ Cometh to My House and Eats All of My Food, which has nothing resembling rhyme or rhythm at all, yet still somehow manages to sound good, in the same way anti-humour is funny or Dadaist art is beautiful.
Uncommon Time / int_2b7e8363	featureApplicability	1.0
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Uncommon Time / int_2c9fb302	type	Uncommon Time
Uncommon Time / int_2c9fb302	comment	The main groove in "Message II (Survival)" by Grandmaster Flash and the Furious Five is 5/8 against 4/4.
Uncommon Time / int_2c9fb302	featureApplicability	1.0
Uncommon Time / int_2c9fb302	featureConfidence	1.0
Grandmaster Flash and the Furious Five (Music)	hasFeature	Uncommon Time / int_2c9fb302
Uncommon Time / int_2dc2a93e	type	Uncommon Time
Uncommon Time / int_2dc2a93e	comment	HÃ¼sker DÃ¼'s "Masochism World" jumps all over the place (its verses use (4+5+4+4)/4, or 17/4, for example). Some of their other songs use it, too, though not as extensively; a few examples can be found on their page here.
Uncommon Time / int_2dc2a93e	featureApplicability	1.0
Uncommon Time / int_2dc2a93e	featureConfidence	1.0
HÃ¼sker DÃ¼ (Music)	hasFeature	Uncommon Time / int_2dc2a93e
Uncommon Time / int_30a5ebfd	type	Uncommon Time
Uncommon Time / int_30a5ebfd	comment	The first ending theme of Naruto ("Wind" by Akeboshi) is in 5/8 (alternating between 3/8 and 2/8).
Uncommon Time / int_30a5ebfd	featureApplicability	1.0
Uncommon Time / int_30a5ebfd	featureConfidence	1.0
Naruto (Manga)	hasFeature	Uncommon Time / int_30a5ebfd
Uncommon Time / int_319e201b	type	Uncommon Time
Uncommon Time / int_319e201b	comment	English 70s stoner band Caravan have a song called "Hoedown" which does sound a lot like a hoedown, with upbeat key signatures, excited guitars, a country and western-sounding guitar solo, and... 7/8 time.
Uncommon Time / int_319e201b	featureApplicability	1.0
Uncommon Time / int_319e201b	featureConfidence	1.0
Caravan (Music)	hasFeature	Uncommon Time / int_319e201b
Uncommon Time / int_32768882	type	Uncommon Time
Uncommon Time / int_32768882	comment	The song "You" has three bars of 6/8 followed by one bar of 5/8, a phrase which repeats throughout the song. Ironically, this song is on their least experimental album which is highly unpopular amongst fans, Pablo Honey.
Uncommon Time / int_32768882	featureApplicability	1.0
Uncommon Time / int_32768882	featureConfidence	1.0
Pablo Honey (Music)	hasFeature	Uncommon Time / int_32768882
Uncommon Time / int_39338fc3	type	Uncommon Time
Uncommon Time / int_39338fc3	comment	Much of "Bike" is in 4/4 time, but due to extra syllables thrown irregularly into its lyrics, the song is peppered with an unpredictable pattern of 5/4, 6/4 and 7/4 bars.
Uncommon Time / int_39338fc3	featureApplicability	1.0
Uncommon Time / int_39338fc3	featureConfidence	1.0
The Piper at the Gates of Dawn (Music)	hasFeature	Uncommon Time / int_39338fc3
Uncommon Time / int_3c53ffa8	type	Uncommon Time
Uncommon Time / int_3c53ffa8	comment	Rush makes use of several unusual time signatures. Moving Pictures alone has examples of 7/4, 5/4, and 3/4 time. Really, Rush is the poster band for this trope - it's all too easy to buy the folk myth that Neil Peart CAN'T play in 4/4. Part of Neil Peart's drum solo for many years was a section called "The Waltz", where he would play a 3/4 pattern with his feet and throw as many time signatures as he could over it with his hands. Including 4/4. "YYZ" has an intro in 10/8 time, but this could just be incidental, as the Morse code for YYZ (dah-dit-dah-dah, dah-dit-dah-dah, dah-dah-dit-dit) happens to fit into said time signature. "Subdivisions" seems to alternate between 7/8, 4/4, and 6/4 time signatures. Some time signatures only last a few bars before switching. "Losing It" has verses in 5/8, the chorus in 4/4, and alternating bars of 5/8 and 6/8 in the bridge.
Uncommon Time / int_3c53ffa8	featureApplicability	1.0
Uncommon Time / int_3c53ffa8	featureConfidence	1.0
Rush (Band) (Music)	hasFeature	Uncommon Time / int_3c53ffa8
Uncommon Time / int_41052e2e	type	Uncommon Time
Uncommon Time / int_41052e2e	comment	The title song in Sunset Boulevard is in 5/8.
Uncommon Time / int_41052e2e	featureApplicability	1.0
Uncommon Time / int_41052e2e	featureConfidence	1.0
Sunset Boulevard	hasFeature	Uncommon Time / int_41052e2e
Uncommon Time / int_42bb8b78	type	Uncommon Time
Uncommon Time / int_42bb8b78	comment	The main theme of Ã†on Flux is in 7/4.
Uncommon Time / int_42bb8b78	featureApplicability	1.0
Uncommon Time / int_42bb8b78	featureConfidence	1.0
Æon Flux	hasFeature	Uncommon Time / int_42bb8b78
Uncommon Time / int_43d5d8e7	type	Uncommon Time
Uncommon Time / int_43d5d8e7	comment	In Pippin, "Welcome Home" is in 5/4. "Love Song" disrupts its otherwise Common Time refrain of sorts with a bar of 6/4, and also uses 3/4 and 7/8 in the verse.
Uncommon Time / int_43d5d8e7	featureApplicability	1.0
Uncommon Time / int_43d5d8e7	featureConfidence	1.0
Pippin (Theatre)	hasFeature	Uncommon Time / int_43d5d8e7
Uncommon Time / int_46196a4	type	Uncommon Time
Uncommon Time / int_46196a4	comment	A short tune from The Kindaichi Case Files is mostly in 5/4, but switches to 8/4 for a couple bars.
Uncommon Time / int_46196a4	featureApplicability	1.0
Uncommon Time / int_46196a4	featureConfidence	1.0
The Kindaichi Case Files (Manga)	hasFeature	Uncommon Time / int_46196a4
Uncommon Time / int_47f0eac3	type	Uncommon Time
Uncommon Time / int_47f0eac3	comment	Metalocalypse: Dethklok occasionally uses odd time signatures. "I Tamper With the Evidence at the Murder Site of Odin" is primarily in 7/8, with the bridge in 4/4; "Dethsupport" constantly switches between 6/8 and 7/8; and "Go Forth and Die" features parts in 5/8. Dethalbum III continues this trend, where "I Ejaculate Fire" has a mid-section that switches between 7/4 and 8/4, and "Starved" is pretty much all over the place, including an intro with intermittent bars of 9/8 and a breakdown in 9/4 - and an outro that switches between these two riffs, with an additional beat thrown in each time it repeats.
Uncommon Time / int_47f0eac3	featureApplicability	1.0
Uncommon Time / int_47f0eac3	featureConfidence	1.0
Metalocalypse	hasFeature	Uncommon Time / int_47f0eac3
Uncommon Time / int_4924a2b1	type	Uncommon Time
Uncommon Time / int_4924a2b1	comment	In his collaborations with the Melvins, Jello Biafra has "Enchanted Thoughtfist" with verses in 7/4 and "Dawn of the Locusts" with significant portions of the song in 13/8. When industrial hip-hop group DÃ¤lek remixed the latter track, they put a 4/4 drumbeat under the whole song just to make it even more disorienting. Meanwhile, from his Nomeansno collaboration, "Sharks in the Gene Pool" goes through several time signature changes, with one of its riffs in 7/4, and several of his tracks with Lard (a collaboration with Ministry, who have also been known to use this trope) also provide examples (for example, "Sylvestre Matruschka" has verses in 5/4).
Uncommon Time / int_4924a2b1	featureApplicability	1.0
Uncommon Time / int_4924a2b1	featureConfidence	1.0
Melvins (Music)	hasFeature	Uncommon Time / int_4924a2b1
Uncommon Time / int_4ac68c19	type	Uncommon Time
Uncommon Time / int_4ac68c19	comment	Lindsey Stirling and The Piano Guys recorded a version of the Mission Impossible theme, which also incorporated Mozart's Piano Sonata in C, rearranged in a 5/4 time.
Uncommon Time / int_4ac68c19	featureApplicability	1.0
Uncommon Time / int_4ac68c19	featureConfidence	1.0
Lindsey Stirling (Music)	hasFeature	Uncommon Time / int_4ac68c19
Uncommon Time / int_4c394497	type	Uncommon Time
Uncommon Time / int_4c394497	comment	"Cause Disarray" from Mnemosyne has a section in 5/4.
Uncommon Time / int_4c394497	featureApplicability	1.0
Uncommon Time / int_4c394497	featureConfidence	1.0
Mnemosyne	hasFeature	Uncommon Time / int_4c394497
Uncommon Time / int_4fc1c922	type	Uncommon Time
Uncommon Time / int_4fc1c922	comment	"Thank Goodness" in Wicked sounds like mostly 5/8. "I Couldn't Be Happier" is in 5/8 mixed with 6/8, 3/4, 4/4, 2/4 and other time signatures.
Uncommon Time / int_4fc1c922	featureApplicability	1.0
Uncommon Time / int_4fc1c922	featureConfidence	1.0
Wicked (Theatre)	hasFeature	Uncommon Time / int_4fc1c922
Uncommon Time / int_5018e5dd	type	Uncommon Time
Uncommon Time / int_5018e5dd	comment	The choruses of "Shipoopi" from The Music Man - and, perhaps more notably, Family Guy - are in 10/4.
Uncommon Time / int_5018e5dd	featureApplicability	1.0
Uncommon Time / int_5018e5dd	featureConfidence	1.0
The Music Man (Theatre)	hasFeature	Uncommon Time / int_5018e5dd
Uncommon Time / int_5022a2c4	type	Uncommon Time
Uncommon Time / int_5022a2c4	comment	The theme song to Xena is in 7/8 time with a break around the bridge of 9/8.
Uncommon Time / int_5022a2c4	featureApplicability	1.0
Uncommon Time / int_5022a2c4	featureConfidence	1.0
Xena: Warrior Princess	hasFeature	Uncommon Time / int_5022a2c4
Uncommon Time / int_583fae84	type	Uncommon Time
Uncommon Time / int_583fae84	comment	The bridge of "Hey Jude" (Past Masters) could be counted a number of ways. One way to count it is eleven measures of 4/4 followed by one of 2/4.
Uncommon Time / int_583fae84	featureApplicability	1.0
Uncommon Time / int_583fae84	featureConfidence	1.0
Past Masters (Music)	hasFeature	Uncommon Time / int_583fae84
Uncommon Time / int_58808436	type	Uncommon Time
Uncommon Time / int_58808436	comment	A couple of character songs from Higurashi: When They Cry have sections written in Uncommon Time, namely, Takano Miyo's "Bon ~Karma~" and Fuurude Rika's "Mugen Kairou". "Mugen Kairou" is in 5/4 except for its bridge and chorus, which is in 3/4; while the verse of "Bon ~Karma~" alternates between 3/4 and 4/4 measures -significant in that Miyo's name is written with the kanji for 3 and 4.
Uncommon Time / int_58808436	featureApplicability	1.0
Uncommon Time / int_58808436	featureConfidence	1.0
Higurashi: When They Cry (Visual Novel)	hasFeature	Uncommon Time / int_58808436
Uncommon Time / int_58f9634	type	Uncommon Time
Uncommon Time / int_58f9634	comment	The DVD insert for one pressing of This is Spın̈al Tap state that one of the band's drummers quit, saying he "couldn't take this 4/4 shit".
Uncommon Time / int_58f9634	featureApplicability	1.0
Uncommon Time / int_58f9634	featureConfidence	1.0
This is Spın̈al Tap	hasFeature	Uncommon Time / int_58f9634
Uncommon Time / int_5bc055d7	type	Uncommon Time
Uncommon Time / int_5bc055d7	comment	Brad Fiedel's main theme to The Terminator is in 13/16 (by accident).
Uncommon Time / int_5bc055d7	featureApplicability	1.0
Uncommon Time / int_5bc055d7	featureConfidence	1.0
Brad Fiedel (Music)	hasFeature	Uncommon Time / int_5bc055d7
Uncommon Time / int_5c600b17	type	Uncommon Time
Uncommon Time / int_5c600b17	comment	In the English dub of the Digimon Adventure episode "The Dancing Digimon", Joe's chant, "Bakemon, lose your power," repeats every three-and-a-half strikes of Sora's hat, and thus resembles 7/8 time.
Uncommon Time / int_5c600b17	featureApplicability	1.0
Uncommon Time / int_5c600b17	featureConfidence	1.0
Digimon Adventure	hasFeature	Uncommon Time / int_5c600b17
Uncommon Time / int_5df659bf	type	Uncommon Time
Uncommon Time / int_5df659bf	comment	Penguin Cafe Orchestra's "Perpetuum Mobile" is based on a 15/8 ostinato.
Uncommon Time / int_5df659bf	featureApplicability	1.0
Uncommon Time / int_5df659bf	featureConfidence	1.0
Penguin Cafe Orchestra (Music)	hasFeature	Uncommon Time / int_5df659bf
Uncommon Time / int_5e2cf42	type	Uncommon Time
Uncommon Time / int_5e2cf42	comment	"Question!" by System of a Down continually shifts between 9/8, 10/8, 6/8 and 3/4, to the point that the band has had trouble playing it live. In general the band tends to use this pretty liberally, although "Question!" is probably their most extreme example.
Uncommon Time / int_5e2cf42	featureApplicability	1.0
Uncommon Time / int_5e2cf42	featureConfidence	1.0
System of a Down (Music)	hasFeature	Uncommon Time / int_5e2cf42
Uncommon Time / int_61b2927c	type	Uncommon Time
Uncommon Time / int_61b2927c	comment	"Everybody's Got Something to Hide Except for Me and My Monkey" (The White Album), at the end of its refrain, uses patterns of 3+3+4/4, or 10/4.
Uncommon Time / int_61b2927c	featureApplicability	1.0
Uncommon Time / int_61b2927c	featureConfidence	1.0
The White Album (Music)	hasFeature	Uncommon Time / int_61b2927c
Uncommon Time / int_61e6f70d	type	Uncommon Time
Uncommon Time / int_61e6f70d	comment	Oneohtrix Point Never's "Cryo" is in 17/16.
Uncommon Time / int_61e6f70d	featureApplicability	1.0
Uncommon Time / int_61e6f70d	featureConfidence	1.0
Oneohtrix Point Never (Music)	hasFeature	Uncommon Time / int_61e6f70d
Uncommon Time / int_62a7de21	type	Uncommon Time
Uncommon Time / int_62a7de21	comment	The opening theme of Azumanga Daioh, "Soramimi Cake", is mostly in common time, but spends most of its chorus in 7/4.
Uncommon Time / int_62a7de21	featureApplicability	1.0
Uncommon Time / int_62a7de21	featureConfidence	1.0
Azumanga Daioh (Manga)	hasFeature	Uncommon Time / int_62a7de21
Uncommon Time / int_6600bef5	type	Uncommon Time
Uncommon Time / int_6600bef5	comment	Pain of Salvation have several songs with uncommon time signatures. Notable examples include New Year's Eve whose opening riff starts in 21/16, a lot of The Perfect Element is in 7/8 (with interspersed 6/8 and 4/4), Idioglossia includes 15/16, 17/16, 7/16 and 10/16 measures. Rope Ends even has a guitar solo in 17/16! There are far too many songs to list here, so just check out their entire opus!
Uncommon Time / int_6600bef5	featureApplicability	1.0
Uncommon Time / int_6600bef5	featureConfidence	1.0
Pain of Salvation (Music)	hasFeature	Uncommon Time / int_6600bef5
Uncommon Time / int_679bcc34	type	Uncommon Time
Uncommon Time / int_679bcc34	comment	The main 'call-and-response' section in "Black Dog" from Led Zeppelin IV is in what sounds like (3/4 + 4/4 + 5/4).
Uncommon Time / int_679bcc34	featureApplicability	1.0
Uncommon Time / int_679bcc34	featureConfidence	1.0
Led Zeppelin IV (Music)	hasFeature	Uncommon Time / int_679bcc34
Uncommon Time / int_686cfaba	type	Uncommon Time
Uncommon Time / int_686cfaba	comment	Journey had "I'm Gonna Leave You" and "Nickel and Dime" back before they shifted to pop.
Uncommon Time / int_686cfaba	featureApplicability	1.0
Uncommon Time / int_686cfaba	featureConfidence	1.0
Journey (Band) (Music)	hasFeature	Uncommon Time / int_686cfaba
Uncommon Time / int_6a4e2e01	type	Uncommon Time
Uncommon Time / int_6a4e2e01	comment	Avenged Sevenfold usually sticks to good ol' 4/4, with the occasional 6/8 (in "Acid Rain", the beginning or "Buried Alive" or most of "Save Me"), but they do have a couple of punctual examples, usually to create a slight sense of unease or unbalance. Being a more prog-oriented album, The Stage plays with this in several songs. The intro of "Almost Easy" and the verses of the aforementioned "Save Me" are in 6/4 (2+2+2); the actual time signature is given away by the kick pattern. The bridge of "A Little Piece of Heaven" just before the final chorus is in 5/4 to make it sound creepier. On The Stage, "Angels" (which is partly about the loss of faith in God) has verses in 7/4. Similarly, "Simulation", where the narrator is starting to realize he lives in a literal simulation, has verses in 15/8, making the tempo slightly off, like something's amiss. "Exist" has a part between the 3rd and 5th minute where each portion is composed of three 4/4 bars followed by a 5/4 bar, culminating in a polyrhythmic part where the guitars keep the aforementioned pattern while the drums stay in 5/4, which gives it a chaotic feel. The quiet middle-section guitar solo has no time signature.
Uncommon Time / int_6a4e2e01	featureApplicability	1.0
Uncommon Time / int_6a4e2e01	featureConfidence	1.0
Avenged Sevenfold (Music)	hasFeature	Uncommon Time / int_6a4e2e01
Uncommon Time / int_6cc3e430	type	Uncommon Time
Uncommon Time / int_6cc3e430	comment	The theme to Room 222, by Jerry Goldsmith, is written in 7/4.
Uncommon Time / int_6cc3e430	featureApplicability	1.0
Uncommon Time / int_6cc3e430	featureConfidence	1.0
Room 222	hasFeature	Uncommon Time / int_6cc3e430
Uncommon Time / int_6eb8058d	type	Uncommon Time
Uncommon Time / int_6eb8058d	comment	In The Most Happy Fella, when Tony is learning to walk again, his limping walk is accompanied by incidental music in 5/4 time.
Uncommon Time / int_6eb8058d	featureApplicability	1.0
Uncommon Time / int_6eb8058d	featureConfidence	1.0
The Most Happy Fella (Theatre)	hasFeature	Uncommon Time / int_6eb8058d
Uncommon Time / int_7149a731	type	Uncommon Time
Uncommon Time / int_7149a731	comment	The theme to Wonder Woman, first heard in Batman v Superman: Dawn of Justice, is a keening electric cello against emphatic drums in 7/4.
Uncommon Time / int_7149a731	featureApplicability	1.0
Uncommon Time / int_7149a731	featureConfidence	1.0
Wonder Woman (2017)	hasFeature	Uncommon Time / int_7149a731
Uncommon Time / int_744874cd	type	Uncommon Time
Uncommon Time / int_744874cd	comment	Gentle Giant's music has been parodied with this image◊. Not too far off from the actual content of their songs; they don't have a reputation as one of the most complex prog bands for nothing.
Uncommon Time / int_744874cd	featureApplicability	1.0
Uncommon Time / int_744874cd	featureConfidence	1.0
Gentle Giant (Music)	hasFeature	Uncommon Time / int_744874cd
Uncommon Time / int_7528682b	type	Uncommon Time
Uncommon Time / int_7528682b	comment	"Within You Without You" (Sgt. Pepper's Lonely Hearts Club Band) perhaps takes the cake; it's based on Indian ragas with cycles of 10 and 16 beats. There's a more upbeat epic (sitar) rocking section that works out to be about in 5/4, but not always.
Uncommon Time / int_7528682b	featureApplicability	1.0
Uncommon Time / int_7528682b	featureConfidence	1.0
Sgt. Pepper's Lonely Hearts Club Band (Music)	hasFeature	Uncommon Time / int_7528682b
Uncommon Time / int_770040a9	type	Uncommon Time
Uncommon Time / int_770040a9	comment	"She Said She Said" (Revolver) switches liberally between 3/4 and 4/4.
Uncommon Time / int_770040a9	featureApplicability	1.0
Uncommon Time / int_770040a9	featureConfidence	1.0
Revolver (Beatles Album) (Music)	hasFeature	Uncommon Time / int_770040a9
Uncommon Time / int_7832b74c	type	Uncommon Time
Uncommon Time / int_7832b74c	comment	From Steven Universe, Malachite's Leitmotif is a minimal classical sting with pulses in 7/8.
Uncommon Time / int_7832b74c	featureApplicability	1.0
Uncommon Time / int_7832b74c	featureConfidence	1.0
Steven Universe	hasFeature	Uncommon Time / int_7832b74c
Uncommon Time / int_7ce87095	type	Uncommon Time
Uncommon Time / int_7ce87095	comment	The "Tar Sequence" from Cool Hand Luke is in 5/4, by Lalo Schifrin (who also created the Mission: Impossible theme in 5/4)
Uncommon Time / int_7ce87095	featureApplicability	1.0
Uncommon Time / int_7ce87095	featureConfidence	1.0
Cool Hand Luke	hasFeature	Uncommon Time / int_7ce87095
Uncommon Time / int_7e155b68	type	Uncommon Time
Uncommon Time / int_7e155b68	comment	Clutch has "The Elephant Riders". The intro and chorus are in 7/8 and the bridge alternates between 4/4 and 5/4.
Uncommon Time / int_7e155b68	featureApplicability	1.0
Uncommon Time / int_7e155b68	featureConfidence	1.0
Clutch (Music)	hasFeature	Uncommon Time / int_7e155b68
Uncommon Time / int_7e63a2e3	type	Uncommon Time
Uncommon Time / int_7e63a2e3	comment	Todd Rundgren used this a lot in his prog days. Two examples: his cover of "Cool Jerk" is in 7/8 (as a pun on its title), and the intro of "Don't You Ever Learn?" (which returns in the middle of the song) drops several beats at various points. The early Utopia albums also feature a lot of this; "Freak Parade" is a good example.
Uncommon Time / int_7e63a2e3	featureApplicability	1.0
Uncommon Time / int_7e63a2e3	featureConfidence	1.0
Todd Rundgren (Music)	hasFeature	Uncommon Time / int_7e63a2e3
Uncommon Time / int_7ed8c561	type	Uncommon Time
Uncommon Time / int_7ed8c561	comment	Given that Burt Bacharach's songs are considered definitive middle-of-the-road pop, he played around with tempo to a surprising extent, but in a way that casual listeners wouldn't pick up on. Many of his songs even change time signatures from one bar to the next.
Uncommon Time / int_7ed8c561	featureApplicability	1.0
Uncommon Time / int_7ed8c561	featureConfidence	1.0
Burt Bacharach (Music)	hasFeature	Uncommon Time / int_7ed8c561
Uncommon Time / int_80e4ec46	type	Uncommon Time
Uncommon Time / int_80e4ec46	comment	Saves the Day's "Rise" is mostly in 7/4, and "Tomorrow Too Late" mostly 10/4.
Uncommon Time / int_80e4ec46	featureApplicability	1.0
Uncommon Time / int_80e4ec46	featureConfidence	1.0
Saves The Day (Music)	hasFeature	Uncommon Time / int_80e4ec46
Uncommon Time / int_81b433f7	type	Uncommon Time
Uncommon Time / int_81b433f7	comment	Jekyll & Hyde has a great many in songs in 4/4 or 3/4, but the intro to "No One Must Ever Know" is 12/8.
Uncommon Time / int_81b433f7	featureApplicability	1.0
Uncommon Time / int_81b433f7	featureConfidence	1.0
Jekyll & Hyde (Theatre)	hasFeature	Uncommon Time / int_81b433f7
Uncommon Time / int_81e9453a	type	Uncommon Time
Uncommon Time / int_81e9453a	comment	"Kashmir" from Physical Graffiti has in the main section the drums playing in straight 4/4, while the strings, guitar and bass all play in 3/4. There's also a bar of 9/8 before the bridge.
Uncommon Time / int_81e9453a	featureApplicability	1.0
Uncommon Time / int_81e9453a	featureConfidence	1.0
Physical Graffiti (Music)	hasFeature	Uncommon Time / int_81e9453a
Uncommon Time / int_86c9f9de	type	Uncommon Time
Uncommon Time / int_86c9f9de	comment	Hozier's "From Eden" is in 5/4.
Uncommon Time / int_86c9f9de	featureApplicability	1.0
Uncommon Time / int_86c9f9de	featureConfidence	1.0
Hozier (Music)	hasFeature	Uncommon Time / int_86c9f9de
Uncommon Time / int_8ac10717	type	Uncommon Time
Uncommon Time / int_8ac10717	comment	Matilda has a couple. In "Revolting Children," the bridge and the "Never again!" section at the beginning are three measures of 7/8 followed by one 4/4. "The Hammer" starts in 5/4 before switching to 3/4; the chorus is in common time.
Uncommon Time / int_8ac10717	featureApplicability	1.0
Uncommon Time / int_8ac10717	featureConfidence	1.0
Matilda (Theatre)	hasFeature	Uncommon Time / int_8ac10717
Uncommon Time / int_8b1deb48	type	Uncommon Time
Uncommon Time / int_8b1deb48	comment	Many Kansas songs. "The Spider", for example, begins in 11/16 and goes just about everywhere from there. Another example is "Miracles out of Nowhere", which follows a seemingly random pattern consisting of 4/4, 7/8, 9/8, 11/8, and 13/8 in the intro; there's also an instrumental break halfway through the song that is in 7/8 before a reprise of the intro. "Point of Know Return", one of their most famous songs, changes time signatures liberally; verses have 4+4+4+3/4 while choruses have 7+7+4+4/4, though there are some measures of straight 4/4 before the choruses.
Uncommon Time / int_8b1deb48	featureApplicability	1.0
Uncommon Time / int_8b1deb48	featureConfidence	1.0
Kansas (Music)	hasFeature	Uncommon Time / int_8b1deb48
Uncommon Time / int_8ba4613a	type	Uncommon Time
Uncommon Time / int_8ba4613a	comment	In Death Note, the first section of L's theme alternates time signatures for each measure in patterns of 4: the first measure is 7/8, the second is 3/4, the third is 7/8, and the fourth is 4/4. This rather unique pattern is repeated in Near's theme, further cementing the connection between the two.
Uncommon Time / int_8ba4613a	featureApplicability	1.0
Uncommon Time / int_8ba4613a	featureConfidence	1.0
Death Note (Manga)	hasFeature	Uncommon Time / int_8ba4613a
Uncommon Time / int_8cb0da79	type	Uncommon Time
Uncommon Time / int_8cb0da79	comment	The "Mexican Dance" in Aaron Copland's Billy the Kid music is in 5/8, alternating with the occasional bar of 4/8.
Uncommon Time / int_8cb0da79	featureApplicability	1.0
Uncommon Time / int_8cb0da79	featureConfidence	1.0
Aaron Copland (Music)	hasFeature	Uncommon Time / int_8cb0da79
Uncommon Time / int_8e1ff6b8	type	Uncommon Time
Uncommon Time / int_8e1ff6b8	comment	ONE: Several of the songs composed for the show fall under this category; the most extreme case of this is Whiskey Lounge, which uses a time signature of 13/16.
Uncommon Time / int_8e1ff6b8	featureApplicability	1.0
Uncommon Time / int_8e1ff6b8	featureConfidence	1.0
ONE (Web Animation)	hasFeature	Uncommon Time / int_8e1ff6b8
Uncommon Time / int_8e8c73c6	type	Uncommon Time
Uncommon Time / int_8e8c73c6	comment	Mayhem's "Slaughter of Dreams" is mostly in 7/4, which isn't all that surprising since it's from their days as a progressive black metal band, but what is susprising is that "Deathcrush" and "Chainsaw Gutsfuck", both from the incredibly primitive Deathcrush EP, both have segments in 5/4.
Uncommon Time / int_8e8c73c6	featureApplicability	1.0
Uncommon Time / int_8e8c73c6	featureConfidence	1.0
Mayhem (Music)	hasFeature	Uncommon Time / int_8e8c73c6
Uncommon Time / int_909ca4b1	type	Uncommon Time
Uncommon Time / int_909ca4b1	comment	The main theme of ReBoot is also 5/4.
Uncommon Time / int_909ca4b1	featureApplicability	1.0
Uncommon Time / int_909ca4b1	featureConfidence	1.0
ReBoot	hasFeature	Uncommon Time / int_909ca4b1
Uncommon Time / int_90f7114	type	Uncommon Time
Uncommon Time / int_90f7114	comment	Sweeney Todd: The Demon Barber of Fleet Street has two sections in (mostly) 5/8: the introductions to "Ladies in their Sensitivities" and "Pretty Women".
Uncommon Time / int_90f7114	featureApplicability	1.0
Uncommon Time / int_90f7114	featureConfidence	1.0
Sweeney Todd: The Demon Barber of Fleet Street (Theatre)	hasFeature	Uncommon Time / int_90f7114
Uncommon Time / int_9284ad43	type	Uncommon Time
Uncommon Time / int_9284ad43	comment	The cross-examination themes for Phoenix Wright: Ace Attorney â€“ Dual Destinies, both the Moderato and Allegro variants, are in 7/4.
Uncommon Time / int_9284ad43	featureApplicability	1.0
Uncommon Time / int_9284ad43	featureConfidence	1.0
Phoenix Wright: Ace Attorney – Dual Destinies (Visual Novel)	hasFeature	Uncommon Time / int_9284ad43
Uncommon Time / int_9959e0f9	type	Uncommon Time
Uncommon Time / int_9959e0f9	comment	Slayer does this occasionally. "Metal Storm/Face the Slayer" starts in 4/4, transitions to 9/8, and then goes back to 4/4. "At Dawn They Sleep" starts in 5/4, then transitions to 4/4. Their usage of this trope has dropped off over time.
Uncommon Time / int_9959e0f9	featureApplicability	1.0
Uncommon Time / int_9959e0f9	featureConfidence	1.0
Slayer (Music)	hasFeature	Uncommon Time / int_9959e0f9
Uncommon Time / int_9a0cb5f4	type	Uncommon Time
Uncommon Time / int_9a0cb5f4	comment	Bob's Burgers: In "Presto Tina-O", Tina tries to sabotage Jimmy Jr.'s dancing-oriented magic act by replacing his dance music with a CD of nigh-undanceable "polyrhythmic synth jazz", which Tina describes as being in 9/8 time.
Uncommon Time / int_9a0cb5f4	featureApplicability	1.0
Uncommon Time / int_9a0cb5f4	featureConfidence	1.0
Bob's Burgers	hasFeature	Uncommon Time / int_9a0cb5f4
Uncommon Time / int_9ab064e6	type	Uncommon Time
Uncommon Time / int_9ab064e6	comment	A section of "The Barricade" in Les MisÃ©rables (you at the barricade listen to this...) changes its time signature every measure (6/8, 9/8, 9/8, 6/8, 12/8, IIRC).
Uncommon Time / int_9ab064e6	featureApplicability	1.0
Uncommon Time / int_9ab064e6	featureConfidence	1.0
Les MisÃ©rables (Theatre)	hasFeature	Uncommon Time / int_9ab064e6
Uncommon Time / int_9c2c7fc	type	Uncommon Time
Uncommon Time / int_9c2c7fc	comment	Pat Metheny embraces every time signature known to man. Not only does much of his work modulate through varying common times, but through multiple uncommons. For example, one of his earlier compositions in Pat Metheny Group, "The First Circle", cycles around a 22/8 riff with 12/8, 6/8 and 4/4 utilized. Two consecutive songs on Letter from Home are titled "45/8" after its uncommon time (which, for an exercise in how far they could stretch the concept, is pretty catchy); and '5-5-7", after the 5/4 - 5/4 - 7/4 pattern of the main riff (the song also uses 6/4, 6/8 and 3/4.)
Uncommon Time / int_9c2c7fc	featureApplicability	1.0
Uncommon Time / int_9c2c7fc	featureConfidence	1.0
Pat Metheny (Music)	hasFeature	Uncommon Time / int_9c2c7fc
Uncommon Time / int_9e6d1645	type	Uncommon Time
Uncommon Time / int_9e6d1645	comment	In Teletubbies, the music that plays during the Magic Tree event is in 5/4 time.
Uncommon Time / int_9e6d1645	featureApplicability	1.0
Uncommon Time / int_9e6d1645	featureConfidence	1.0
Teletubbies	hasFeature	Uncommon Time / int_9e6d1645
Uncommon Time / int_a38296c0	type	Uncommon Time
Uncommon Time / int_a38296c0	comment	In Peter Grimes, the round "Old Joe has gone fishing" is in 7/4.
Uncommon Time / int_a38296c0	featureApplicability	1.0
Uncommon Time / int_a38296c0	featureConfidence	1.0
Peter Grimes (Theatre)	hasFeature	Uncommon Time / int_a38296c0
Uncommon Time / int_a502f630	type	Uncommon Time
Uncommon Time / int_a502f630	comment	In BÃ©la BartÃ³k's music, this frequently occurs under the heading "Bulgarian Rhythm": The Six Dances in Bulgarian Rhythm from Mikrokosmos are respectively in (4+2+3)/8, (2+2+3)/8, (2+3)/8, (3+2+3)/8, (2+2+2+3)/8 and (3+3+2)/8. The Scherzo alla bulgarese from the Fifth String Quartet is in (4+2+3)/8; its trio varies between (3+2+2+3)/8, (2+3+2+3)/8 and (2+3+3+2)/8, but is really too fast for the average listener to bother counting metrical divisions. The Intermezzo interrotto from the Concerto for Orchestra has a main theme alternating between 2/4 and 5/8. It rather sneakily shifts into Common Time after a modulation, but this turns out to be the setup for a musical joke.
Uncommon Time / int_a502f630	featureApplicability	1.0
Uncommon Time / int_a502f630	featureConfidence	1.0
Béla Bartók (Music)	hasFeature	Uncommon Time / int_a502f630
Uncommon Time / int_a506a38b	type	Uncommon Time
Uncommon Time / int_a506a38b	comment	Wayne's World features two versions of the Mission: Impossible theme in 5/4.
Uncommon Time / int_a506a38b	featureApplicability	1.0
Uncommon Time / int_a506a38b	featureConfidence	1.0
Wayne's World	hasFeature	Uncommon Time / int_a506a38b
Uncommon Time / int_a695c23a	type	Uncommon Time
Uncommon Time / int_a695c23a	comment	One of the chase scenes in Mission: Impossible â€“ Rogue Nation has a segment in 7/4. "Here it is"
Uncommon Time / int_a695c23a	featureApplicability	1.0
Uncommon Time / int_a695c23a	featureConfidence	1.0
Mission: Impossible â€“ Rogue Nation	hasFeature	Uncommon Time / int_a695c23a
Uncommon Time / int_a80d6aec	type	Uncommon Time
Uncommon Time / int_a80d6aec	comment	Krallice, being a Progressive Black Metal band, use this a lot; it kind of comes with the territory. One example is "Over Spirit", which contains a riff in 5/4. Similarly, "Wretched Wisdom" contains a riff in 9/4. Other songs get more complicated, which has earned them comparisons to Math Rock in some circles. A variant of this trope that also sometimes shows up is the usage of patterns of unusual numbers of Common Time measures (e.g., patterns of five, seven, or nine measures). And at other times they'll subvert it; for example, "Intraum" contains one segment with alternating bars of 9/8 and 7/8... which add up to 16/8.
Uncommon Time / int_a80d6aec	featureApplicability	1.0
Uncommon Time / int_a80d6aec	featureConfidence	1.0
Krallice (Music)	hasFeature	Uncommon Time / int_a80d6aec
Uncommon Time / int_a8150af4	type	Uncommon Time
Uncommon Time / int_a8150af4	comment	"The Mystics" theme in The Lord of the Rings: The Rings of Power has no melody and features just whispered vocals in the 3/4 time signature.
Uncommon Time / int_a8150af4	featureApplicability	1.0
Uncommon Time / int_a8150af4	featureConfidence	1.0
The Lord of the Rings: The Rings of Power	hasFeature	Uncommon Time / int_a8150af4
Uncommon Time / int_a8d08998	type	Uncommon Time
Uncommon Time / int_a8d08998	comment	Dennis Linde was fond of slipping 6/4 and 7/4 bars into his usually 4/4 songs, including "Janie Baker's Love Slave" and "Heaven Bound (I'm Ready)" by Shenandoah; "Queen of My Double Wide Trailer" by Sammy Kershaw; "Night Is Fallin' in My Heart" by Diamond Rio; "Down in a Ditch" by Joe Diffie; etc.
Uncommon Time / int_a8d08998	featureApplicability	1.0
Uncommon Time / int_a8d08998	featureConfidence	1.0
Shenandoah (Music)	hasFeature	Uncommon Time / int_a8d08998
Uncommon Time / int_aafcffd	type	Uncommon Time
Uncommon Time / int_aafcffd	comment	In the musical verson of Titanic, the intro to "Staircase" and its accompanying underscoring are in 7/8. The song itself is a frenetic 4/4 that feels more like 8/8 in practice.
Uncommon Time / int_aafcffd	featureApplicability	1.0
Uncommon Time / int_aafcffd	featureConfidence	1.0
Titanic (Theatre)	hasFeature	Uncommon Time / int_aafcffd
Uncommon Time / int_ab923e30	type	Uncommon Time
Uncommon Time / int_ab923e30	comment	"Desperately Wanting" by Better Than Ezra goes into 7/4 during part of the bridge.
Uncommon Time / int_ab923e30	featureApplicability	1.0
Uncommon Time / int_ab923e30	featureConfidence	1.0
Better Than Ezra (Music)	hasFeature	Uncommon Time / int_ab923e30
Uncommon Time / int_b30ae4db	type	Uncommon Time
Uncommon Time / int_b30ae4db	comment	Game of Thrones: At certain points during the Battle Of Castle Black, the soundtrack goes from the regular 4/4 to a descending 5/4. And it is awesome.
Uncommon Time / int_b30ae4db	featureApplicability	1.0
Uncommon Time / int_b30ae4db	featureConfidence	1.0
Game of Thrones	hasFeature	Uncommon Time / int_b30ae4db
Uncommon Time / int_b368933c	type	Uncommon Time
Uncommon Time / int_b368933c	comment	In Babe, composer Nigel Westlake adapted the fourth movement of the Camille Saint-SÃ¤ens' third symphony as the main theme, which often switches between 4/4 and 7/4, as opposed to the original 9/4 and 6/4.
Uncommon Time / int_b368933c	featureApplicability	1.0
Uncommon Time / int_b368933c	featureConfidence	1.0
Babe	hasFeature	Uncommon Time / int_b368933c
Uncommon Time / int_b36eacfb	type	Uncommon Time
Uncommon Time / int_b36eacfb	comment	As mentioned in the Film tab, "When Your Mind's Made Up" from Once is in 5/4.
Uncommon Time / int_b36eacfb	featureApplicability	1.0
Uncommon Time / int_b36eacfb	featureConfidence	1.0
Once	hasFeature	Uncommon Time / int_b36eacfb
Uncommon Time / int_b3d5552a	type	Uncommon Time
Uncommon Time / int_b3d5552a	comment	The second half of Panopticon's "The Long Road, Pt. II: Capricious Miles" is in 7/4.
Uncommon Time / int_b3d5552a	featureApplicability	1.0
Uncommon Time / int_b3d5552a	featureConfidence	1.0
Panopticon (Music)	hasFeature	Uncommon Time / int_b3d5552a
Uncommon Time / int_b3f687d1	type	Uncommon Time
Uncommon Time / int_b3f687d1	comment	In one FoxTrot strip, Jason changes all of Peter's guitar music to 400,000/4 time, so when Peter counts off, he has to go all the way to 400,000 before he can begin playing.
Uncommon Time / int_b3f687d1	featureApplicability	1.0
Uncommon Time / int_b3f687d1	featureConfidence	1.0
FoxTrot (Comic Strip)	hasFeature	Uncommon Time / int_b3f687d1
Uncommon Time / int_b4737fde	type	Uncommon Time
Uncommon Time / int_b4737fde	comment	Tower Heist's main theme is written in 7/4.
Uncommon Time / int_b4737fde	featureApplicability	1.0
Uncommon Time / int_b4737fde	featureConfidence	1.0
Tower Heist	hasFeature	Uncommon Time / int_b4737fde
Uncommon Time / int_b616c936	type	Uncommon Time
Uncommon Time / int_b616c936	comment	The Kid A song "In Limbo" uses... several time signatures... simultaneously.
Uncommon Time / int_b616c936	featureApplicability	1.0
Uncommon Time / int_b616c936	featureConfidence	1.0
Kid A (Music)	hasFeature	Uncommon Time / int_b616c936
Uncommon Time / int_b6172f9c	type	Uncommon Time
Uncommon Time / int_b6172f9c	comment	Most of MGMT's "Electric Feel" is in 6/4, along with an instrumental bridge in 4/4.
Uncommon Time / int_b6172f9c	featureApplicability	1.0
Uncommon Time / int_b6172f9c	featureConfidence	1.0
MGMT (Music)	hasFeature	Uncommon Time / int_b6172f9c
Uncommon Time / int_b6173fe7	type	Uncommon Time
Uncommon Time / int_b6173fe7	comment	The bridges of Live's "Shit Towne," while perhaps not strictly Uncommon, are in 9+9+12/4 (a total of 30/4), all triple-compounds. The rest of the song is in 3/4 and 4/4.
Uncommon Time / int_b6173fe7	featureApplicability	1.0
Uncommon Time / int_b6173fe7	featureConfidence	1.0
Live (Music)	hasFeature	Uncommon Time / int_b6173fe7
Uncommon Time / int_b618276f	type	Uncommon Time
Uncommon Time / int_b618276f	comment	The main riff for the song "Ithyphallic" by Nile is in 7/4, but the song has numerous time changes and tempo changes, using 4/4, 5/4, 3/4, 6/4, and 7/4, and tempos ranging from 255 BPM to 60 BPM. Also, the song "Papyrus Containing the Spell to Preserve Its Possessor Against Attacks From He Who Is in the Water" has, as its most odd time signatures, 11/8, 5/8, 9/8, 7/8, and a couple of bars of 17/16.
Uncommon Time / int_b618276f	featureApplicability	1.0
Uncommon Time / int_b618276f	featureConfidence	1.0
Nile (Music)	hasFeature	Uncommon Time / int_b618276f
Uncommon Time / int_b82b4cc	type	Uncommon Time
Uncommon Time / int_b82b4cc	comment	Mahavishnu Orchestra's "Vital Transformation" from The Inner Mounting Flame is mostly in 9/8, as is the title track from Birds of Fire. Then "Celestial Terrestrial Commuters", on the latter album, is in 19/16, while "The Dance of Maya" from the former album opens with a segment in (3+4+3)/4 or 10/4 before switching to a segment in (3+3+3+3+3+3+2)/8 or 20/8, before it overlays the two in a particularly confusing segment. This is far from an exhaustive list, even on these two albums; the first Mahavishnu Orchestra (which also recorded The Lost Trident Sessions) was pretty much one of those bands that preferred to use compound meters to anything resembling Common Time. There are at most a handful of tracks in their recorded output that don't use compound meters. (One of the band members reportedly commented that none of them knew for sure what time signature any of their songs were in, because they were too busy keeping track of the rhythms of their own parts to pay attention to such trivialities as what time signatures anyone else's were in.)
Uncommon Time / int_b82b4cc	featureApplicability	1.0
Uncommon Time / int_b82b4cc	featureConfidence	1.0
John McLaughlin (Music)	hasFeature	Uncommon Time / int_b82b4cc
Uncommon Time / int_ba084d45	type	Uncommon Time
Uncommon Time / int_ba084d45	comment	Hamilton has "Meet Me Inside", which starts out in 7/8, giving the sense that each measure is cut off by the next and everyone's talking over each other. The signature abruptly switches over to 4/4 at the Title Drop, signaling that Washington's arrival has shaken things up, and that the action's over.
Uncommon Time / int_ba084d45	featureApplicability	1.0
Uncommon Time / int_ba084d45	featureConfidence	1.0
Hamilton (Theatre)	hasFeature	Uncommon Time / int_ba084d45
Uncommon Time / int_ba211c5d	type	Uncommon Time
Uncommon Time / int_ba211c5d	comment	In Funny Girl, the patter sections from "I'm the Greatest Star" and "Don't Rain on My Parade" (the music for both being recycled from the Subways are for Sleeping Cut Song "A Man with a Plan") have one bar of 1/2 following every two bars of 2/2; these 2/2 bars are themselves irregularly divided by a 3-3-2 rhythm.
Uncommon Time / int_ba211c5d	featureApplicability	1.0
Uncommon Time / int_ba211c5d	featureConfidence	1.0
Funny Girl (Theatre)	hasFeature	Uncommon Time / int_ba211c5d
Uncommon Time / int_bd0677	type	Uncommon Time
Uncommon Time / int_bd0677	comment	Traffic comes in with parts of Roll Right Stones.
Uncommon Time / int_bd0677	featureApplicability	1.0
Uncommon Time / int_bd0677	featureConfidence	1.0
Traffic (Band) (Music)	hasFeature	Uncommon Time / int_bd0677
Uncommon Time / int_beff0ed5	type	Uncommon Time
Uncommon Time / int_beff0ed5	comment	Hans Zimmer's theme for Angels & Demons, 160 BPM was written in 7/8 with sections of 4/4 and 6/8.
Uncommon Time / int_beff0ed5	featureApplicability	1.0
Uncommon Time / int_beff0ed5	featureConfidence	1.0
Hans Zimmer (Music)	hasFeature	Uncommon Time / int_beff0ed5
Uncommon Time / int_bf6380e	type	Uncommon Time
Uncommon Time / int_bf6380e	comment	Ralph Vaughan Williams in his youth wrote Heroic Elegy and Triumphal Epilogue in 7/8 time. Not so bad, except that it also starts with a syncopated triplet and another syncopated quaver immediately following, and keeps this up as an ostinato for over ten minutes. Unsurprisingly, it never became a favorite of any conductor.
Uncommon Time / int_bf6380e	featureApplicability	1.0
Uncommon Time / int_bf6380e	featureConfidence	1.0
Ralph Vaughan Williams (Music)	hasFeature	Uncommon Time / int_bf6380e
Uncommon Time / int_bf6690ba	type	Uncommon Time
Uncommon Time / int_bf6690ba	comment	In Rainbow Rocks, the Dazzlings' final song "Welcome to the Show" starts off in 15/8 and stays there for about a minute before switching to 4/4.
Uncommon Time / int_bf6690ba	featureApplicability	1.0
Uncommon Time / int_bf6690ba	featureConfidence	1.0
My Little Pony: Equestria Girls â€“ Rainbow Rocks	hasFeature	Uncommon Time / int_bf6690ba
Uncommon Time / int_c006ffb1	type	Uncommon Time
Uncommon Time / int_c006ffb1	comment	Blondie, believe it or not, has an example here, and in one of their best known songs to boot. One part of the instrumental section of "Heart of Glass" skips a beat in three out of eight measures, meaning that there is a popular disco song with a few measures of Uncommon Time in it. (The exact pattern, if you're wondering, is 4+3+4+3+4+3+4+4/4, meaning that there's a 29-beat pattern instead of the standard 32. This no doubt tripped up quite a few people on the dance floor without them knowing exactly why).
Uncommon Time / int_c006ffb1	featureApplicability	1.0
Uncommon Time / int_c006ffb1	featureConfidence	1.0
Blondie (Band) (Music)	hasFeature	Uncommon Time / int_c006ffb1
Uncommon Time / int_c01df100	type	Uncommon Time
Uncommon Time / int_c01df100	comment	Pink Floyd also has "Mother" and "Two Suns in the Sunset" (both 5/4).
Uncommon Time / int_c01df100	featureApplicability	1.0
Uncommon Time / int_c01df100	featureConfidence	1.0
The Wall (Music)	hasFeature	Uncommon Time / int_c01df100
Uncommon Time / int_c43df4d8	type	Uncommon Time
Uncommon Time / int_c43df4d8	comment	Doctor Who The music playing as the "ghosts" shimmer into Cybermen in "Army of Ghosts" is in 5/4. The Eleventh Doctor's theme is almost entirely in 7/4. 7 + 4= 11.
Uncommon Time / int_c43df4d8	featureApplicability	1.0
Uncommon Time / int_c43df4d8	featureConfidence	1.0
Doctor Who	hasFeature	Uncommon Time / int_c43df4d8
Uncommon Time / int_c55c0e7	type	Uncommon Time
Uncommon Time / int_c55c0e7	comment	Cream's "White Room" has an intro and bridge in 5/4. The verses are in Common Time. "Deserted Cities of the Heart"'s verses have two measures of 4/4, one of 3/4, and one of 4/4.
Uncommon Time / int_c55c0e7	featureApplicability	1.0
Uncommon Time / int_c55c0e7	featureConfidence	1.0
Cream (Music)	hasFeature	Uncommon Time / int_c55c0e7
Uncommon Time / int_c73d2aa	type	Uncommon Time
Uncommon Time / int_c73d2aa	comment	"The Money Kept Rolling In" from Evita is similarly in 7/8.
Uncommon Time / int_c73d2aa	featureApplicability	1.0
Uncommon Time / int_c73d2aa	featureConfidence	1.0
Evita (Music)	hasFeature	Uncommon Time / int_c73d2aa
Uncommon Time / int_c75d67d	type	Uncommon Time
Uncommon Time / int_c75d67d	comment	Ramin Djawadi's score for Person of Interest really likes unusual time signatures, especially 5/4.
Uncommon Time / int_c75d67d	featureApplicability	1.0
Uncommon Time / int_c75d67d	featureConfidence	1.0
Person of Interest	hasFeature	Uncommon Time / int_c75d67d
Uncommon Time / int_c7b62e5f	type	Uncommon Time
Uncommon Time / int_c7b62e5f	comment	"What Does He Want Of Me?" from Man of La Mancha is in 7/8.
Uncommon Time / int_c7b62e5f	featureApplicability	1.0
Uncommon Time / int_c7b62e5f	featureConfidence	1.0
Man of La Mancha (Theatre)	hasFeature	Uncommon Time / int_c7b62e5f
Uncommon Time / int_c9fecd11	type	Uncommon Time
Uncommon Time / int_c9fecd11	comment	The original version of the theme music to The Bill was in 7/4, or (6/8 + 4/4). Listen to it here.
Uncommon Time / int_c9fecd11	featureApplicability	1.0
Uncommon Time / int_c9fecd11	featureConfidence	1.0
The Bill	hasFeature	Uncommon Time / int_c9fecd11
Uncommon Time / int_cc22fae4	type	Uncommon Time
Uncommon Time / int_cc22fae4	comment	"Sensitivity" from Once Upon a Mattress is in 5/4.
Uncommon Time / int_cc22fae4	featureApplicability	1.0
Uncommon Time / int_cc22fae4	featureConfidence	1.0
Once Upon a Mattress (Theatre)	hasFeature	Uncommon Time / int_cc22fae4
Uncommon Time / int_cc32f7c3	type	Uncommon Time
Uncommon Time / int_cc32f7c3	comment	Black Sabbath has "Sabbra Cadabra," which is mostly in 12/8, except for the intro riff, which is actually (and surprisingly) in alternating bars of 35/24 and 12/8.
Uncommon Time / int_cc32f7c3	featureApplicability	1.0
Uncommon Time / int_cc32f7c3	featureConfidence	1.0
Black Sabbath (Music)	hasFeature	Uncommon Time / int_cc32f7c3
Uncommon Time / int_cd83267d	type	Uncommon Time
Uncommon Time / int_cd83267d	comment	"What We Ain't Got" by Jake Owen is largely 7/4 (3+4).
Uncommon Time / int_cd83267d	featureApplicability	1.0
Uncommon Time / int_cd83267d	featureConfidence	1.0
Jake Owen (Music)	hasFeature	Uncommon Time / int_cd83267d
Uncommon Time / int_cdafa8c	type	Uncommon Time
Uncommon Time / int_cdafa8c	comment	Common in Zeuhl, which probably isn't surprising as the music is deliberately intended to feel alien. It is not uncommon for songs to change meter and tempo every four measures or more frequently. Magma naturally use it a lot, as the genre's progenitors, but perhaps the most ridiculous examples are found in Japanese band Koenji Hyakkei's discography, in which apparently some segments of songs are intended to be counted with beats of varying lengths. One example of this is in the song "Ozone Fall" (which is coincidentally one of the band's few songs to have a comprehensible title, though the lyrics are in the band's usual Conlang). "Fettim Paillu" is apparently another. Sister band Ruins does this a lot too, to the point where it often seems like they have more segments in 7/4 than in any other meter.
Uncommon Time / int_cdafa8c	featureApplicability	1.0
Uncommon Time / int_cdafa8c	featureConfidence	1.0
Magma (Music)	hasFeature	Uncommon Time / int_cdafa8c
Uncommon Time / int_d0743f3	type	Uncommon Time
Uncommon Time / int_d0743f3	comment	"Chameleon" by Petra opens with a riff in 5/4 time, then jumps into 7/8, before transitioning into ordinary 4/4 for the vocal parts. The 7/8 part comes back for the guitar solo before the last verse.
Uncommon Time / int_d0743f3	featureApplicability	1.0
Uncommon Time / int_d0743f3	featureConfidence	1.0
Petra (Music)	hasFeature	Uncommon Time / int_d0743f3
Uncommon Time / int_d0877eb	type	Uncommon Time
Uncommon Time / int_d0877eb	comment	For added fun, the Leo Kottke and Mike Gordon song "The Collins Missile" has the vocals in 4/4 but the music in 5/4, such that the point at which the vocals come in constantly shifts.
Uncommon Time / int_d0877eb	featureApplicability	1.0
Uncommon Time / int_d0877eb	featureConfidence	1.0
Phish (Music)	hasFeature	Uncommon Time / int_d0877eb
Uncommon Time / int_d0efee3a	type	Uncommon Time
Uncommon Time / int_d0efee3a	comment	"All You Need Is Love" (Magical Mystery Tour) alternates between 7/4 during the verses and 4/4 in the chorus.
Uncommon Time / int_d0efee3a	featureApplicability	1.0
Uncommon Time / int_d0efee3a	featureConfidence	1.0
Magical Mystery Tour (Music)	hasFeature	Uncommon Time / int_d0efee3a
Uncommon Time / int_d15bc24d	type	Uncommon Time
Uncommon Time / int_d15bc24d	comment	BIGMAMA's "Royalize" is in 11/8. For most of the song, it switches between 6+5/8 and 5+6/8 every measure; it ends up sounding like it's switching between 6/8 and 5/8 every two measures, but the pattern is consistent. The outro is still in 11/8, but is consistently 6+5/8.
Uncommon Time / int_d15bc24d	featureApplicability	1.0
Uncommon Time / int_d15bc24d	featureConfidence	1.0
BIGMAMA (Music)	hasFeature	Uncommon Time / int_d15bc24d
Uncommon Time / int_d383246	type	Uncommon Time
Uncommon Time / int_d383246	comment	Sting loves this trope. In the ending of "Walking on the Moon" by The Police, the guitar and bass maintain their 4/4 riff while the drums go into a triplet-based time signature. It fits smoothly from a listening standpoint, but would be hell to play. "Straight To My Heart" on his second solo album ...Nothing Like the Sun is in 7/4 Fourth album Ten Summoner's Tales has plenty: "Love Is Stronger Than Justice (The Munificent Seven)" has the verses in 7/4 (as a nod to the Magnificent Seven), but the chorus in 4/4, to make it a country song "St. Augustine in Hell" is in 7/8, with a spoken interlude in 3/4 Despite all of this, "Seven Days" is, of course, in 5/4. "I Hung My Head" from the album Mercury Falling is in 9/8 time that sounds like alternating 4/4 and 5/4. Brand New Day is similarly full of this stuff: "Big Lie Small World" is in 9/8 time with the occasional extra bar just for fun. The middle eight starts off in 4/4 but reverts back to 9/8 quickly. "Fill Her Up" starts in 4/4 time and then shifts into 7/4 halfway through. "Like a Beautiful Smile", from the UK-only version of Sacred Love, is mostly in 7/4 apart from every fourth bar in the verse and the chorus, which revert to 4/4.
Uncommon Time / int_d383246	featureApplicability	1.0
Uncommon Time / int_d383246	featureConfidence	1.0
Sting (Music)	hasFeature	Uncommon Time / int_d383246
Uncommon Time / int_d38ae6d	type	Uncommon Time
Uncommon Time / int_d38ae6d	comment	The intro to Sum 41's "Nothing on My Back" is in 7/4.
Uncommon Time / int_d38ae6d	featureApplicability	1.0
Uncommon Time / int_d38ae6d	featureConfidence	1.0
Sum 41 (Music)	hasFeature	Uncommon Time / int_d38ae6d
Uncommon Time / int_d40d7dea	type	Uncommon Time
Uncommon Time / int_d40d7dea	comment	The second half of OxygÃ¨ne Part 5 has a 5/8 meter(or perhaps a polyrhythm of 5/8 against 2/4).
Uncommon Time / int_d40d7dea	featureApplicability	1.0
Uncommon Time / int_d40d7dea	featureConfidence	1.0
OxygÃ¨ne (Music)	hasFeature	Uncommon Time / int_d40d7dea
Uncommon Time / int_d461f757	type	Uncommon Time
Uncommon Time / int_d461f757	comment	The Battlestar Galactica (2003) score by Bear McCreary uses some unusual time signatures for leitmotifs. The most prominent is Six's theme, which is in 9/8 time (although it's worth noting that Richard Gibbs actually wrote this leitmotif). An example of a McCreary piece that uses Uncommon Time is "Black Market", which is (if memory serves) in 7/4.
Uncommon Time / int_d461f757	featureApplicability	1.0
Uncommon Time / int_d461f757	featureConfidence	1.0
Battlestar Galactica (2003)	hasFeature	Uncommon Time / int_d461f757
Uncommon Time / int_d46cc708	type	Uncommon Time
Uncommon Time / int_d46cc708	comment	Ed, Edd n Eddy has Double D playing the steel pedal guitar, an instrument he hates but his mom enjoys (according to the series bible). He's amazingly skilled as it goes from 12/16 to 2/4 to 7/16 in the span of a second and goes from there.
Uncommon Time / int_d46cc708	featureApplicability	1.0
Uncommon Time / int_d46cc708	featureConfidence	1.0
Ed, Edd n Eddy	hasFeature	Uncommon Time / int_d46cc708
Uncommon Time / int_d7cb75d7	type	Uncommon Time
Uncommon Time / int_d7cb75d7	comment	Arcata, CA's Ash Borer have "Lacerated Spirit", of which at least one section has three measures of 4/4 followed by a measure of 3/4, amounting to 15/4. A later section of the same song is in 7/8.
Uncommon Time / int_d7cb75d7	featureApplicability	1.0
Uncommon Time / int_d7cb75d7	featureConfidence	1.0
Ash Borer (Music)	hasFeature	Uncommon Time / int_d7cb75d7
Uncommon Time / int_d8c2cfe4	type	Uncommon Time
Uncommon Time / int_d8c2cfe4	comment	A few of the main themes in Ant-Man are in 7/4. This time signature also features heavily in Ant-Man and the Wasp, including on the standout track "Hot Wheels", while the main theme to that film is in 5/4.
Uncommon Time / int_d8c2cfe4	featureApplicability	1.0
Uncommon Time / int_d8c2cfe4	featureConfidence	1.0
Ant-Man	hasFeature	Uncommon Time / int_d8c2cfe4
Uncommon Time / int_d93841e2	type	Uncommon Time
Uncommon Time / int_d93841e2	comment	Kayo Dot really likes this trope. Almost every song on Hubardo has at least one compound meter section. Other albums use it, too, though maybe not to the same extent.
Uncommon Time / int_d93841e2	featureApplicability	1.0
Uncommon Time / int_d93841e2	featureConfidence	1.0
Kayo Dot (Music)	hasFeature	Uncommon Time / int_d93841e2
Uncommon Time / int_d99024a2	type	Uncommon Time
Uncommon Time / int_d99024a2	comment	Genesis: The Peter Gabriel era has "Firth of Fifth," which goes all over the place. It starts in 2/4, then every couple of measures or so switches between that, 16/16, 13/16, and 15/16. When the lyrics start it goes into the standard 4/4 time. Then there's a flute solo that briefly slides into 5/4. Then another instrumental switching between the original 4 time signatures again before settling back on 4/4. The song then ends on a 13/16 piano solo into the fade-out. The Phil Collins era has "Turn It On Again", which is written in 13/8. The song was originally conceived as part of a side-length suite that was broken up to avoid comparisons to "Supper's Ready".
Uncommon Time / int_d99024a2	featureApplicability	1.0
Uncommon Time / int_d99024a2	featureConfidence	1.0
Genesis (Band) (Music)	hasFeature	Uncommon Time / int_d99024a2
Uncommon Time / int_dbb1ca7f	type	Uncommon Time
Uncommon Time / int_dbb1ca7f	comment	The Promenade from Pictures at an Exhibition by Modest Mussorgsky (no, that's not a descriptor. That's his name) alternates between 5/4 and 6/4 for its first few measures. Word of God says that this meter is supposed to simulate a natural walking pattern.
Uncommon Time / int_dbb1ca7f	featureApplicability	1.0
Uncommon Time / int_dbb1ca7f	featureConfidence	1.0
Pictures at an Exhibition (Music)	hasFeature	Uncommon Time / int_dbb1ca7f
Uncommon Time / int_dce379bf	type	Uncommon Time
Uncommon Time / int_dce379bf	comment	Some of Philip Glass' score to Koyaanisqatsi uses this trope. For example, there are segments of "Pruitt Igoe" in 7/4 and other strange metres. Its sequel, Powaqqatsi, takes it further. Anthem Part 1 is in 5/4 time; Anthem Part 3 goes back in forth between 5/4 and 13/8 (3+3+3+2+2). And it's glorious.
Uncommon Time / int_dce379bf	featureApplicability	1.0
Uncommon Time / int_dce379bf	featureConfidence	1.0
Philip Glass (Music)	hasFeature	Uncommon Time / int_dce379bf
Uncommon Time / int_ddfd12ff	type	Uncommon Time
Uncommon Time / int_ddfd12ff	comment	Kendrick Lamar's song "For Free?" off of To Pimp a Butterfly is a spoken-word rap over jazz instrumentation- though the transcription notates it as common time with nintuplets over the entire song, so basically 9/8, it might make more sense to notate it without a time signature.
Uncommon Time / int_ddfd12ff	featureApplicability	1.0
Uncommon Time / int_ddfd12ff	featureConfidence	1.0
Kendrick Lamar (Music)	hasFeature	Uncommon Time / int_ddfd12ff
Uncommon Time / int_e1f3a6b1	type	Uncommon Time
Uncommon Time / int_e1f3a6b1	comment	"Autopsy" by Fairport Convention is in 3/4, 4/4 and 5/4. Their version of "Tam Lin" alternates between 7/4 and 6/4. The instrumental coda to "Matty Groves" also seems to use this, but is in a much more complicated time signature.
Uncommon Time / int_e1f3a6b1	featureApplicability	1.0
Uncommon Time / int_e1f3a6b1	featureConfidence	1.0
Fairport Convention (Music)	hasFeature	Uncommon Time / int_e1f3a6b1
Uncommon Time / int_e25322af	type	Uncommon Time
Uncommon Time / int_e25322af	comment	Strong Bad's "Trogdor" is partly in 9/4.
Uncommon Time / int_e25322af	featureApplicability	1.0
Uncommon Time / int_e25322af	featureConfidence	1.0
Homestar Runner (Web Animation)	hasFeature	Uncommon Time / int_e25322af
Uncommon Time / int_e293455a	type	Uncommon Time
Uncommon Time / int_e293455a	comment	Buffy the Vampire Slayer's Musical Episode "Once More With Feeling" is mostly sane... except for the deliberately off-kilter "Something To Sing About". The cast noted that nobody told Joss that you're not supposed to go from 4/4 to 7/8 (and 5/8, and a bit of 2/4, and 6/8 at the end) mid-song - or, for that matter, mid-line... "The Parking Ticket" is mostly in 3/2.
Uncommon Time / int_e293455a	featureApplicability	1.0
Uncommon Time / int_e293455a	featureConfidence	1.0
Buffy the Vampire Slayer	hasFeature	Uncommon Time / int_e293455a
Uncommon Time / int_e4733a2e	type	Uncommon Time
Uncommon Time / int_e4733a2e	comment	One riff of Immortal's "Cold Winds of Funeral Dust" has a measure of 6/4 followed by a measure of 7/4.
Uncommon Time / int_e4733a2e	featureApplicability	1.0
Uncommon Time / int_e4733a2e	featureConfidence	1.0
Immortal	hasFeature	Uncommon Time / int_e4733a2e
Uncommon Time / int_e6eba2f5	type	Uncommon Time
Uncommon Time / int_e6eba2f5	comment	Jesus Christ Superstar has a portion of "Heaven on their Minds" (the opening number) in 7/8, the entirety of "Everything's Alright" in 5/4, and parts of "The Temple" in 7/4. "Trial Before Pilate (Including the Thirty-Nine Lashes)" goes through 41 different time signature changes, from 4/4 to 5/4 to 7/8 to 2/8 to nearly everything in between.
Uncommon Time / int_e6eba2f5	featureApplicability	1.0
Uncommon Time / int_e6eba2f5	featureConfidence	1.0
Jesus Christ Superstar (Music)	hasFeature	Uncommon Time / int_e6eba2f5
Uncommon Time / int_e80048fd	type	Uncommon Time
Uncommon Time / int_e80048fd	comment	Sister project Silver Mt. Zion also uses this from time to time. "13 Blues for Thirteen Moons" opens in 5/4 before switching to 9/4 for the latter two-thirds of the song. "Iron Bridge to Thunder Bay" is in 7/4. "Microphones in the Trees" is in 5/4.
Uncommon Time / int_e80048fd	featureApplicability	1.0
Uncommon Time / int_e80048fd	featureConfidence	1.0
Silver Mt. Zion (Music)	hasFeature	Uncommon Time / int_e80048fd
Uncommon Time / int_e8c34944	type	Uncommon Time
Uncommon Time / int_e8c34944	comment	The opening section for Mike Oldfield's "Tubular Bells" switches between 7/8 and 8/8. This opening riff is used as a soundtrack in The Exorcist.
Uncommon Time / int_e8c34944	featureApplicability	1.0
Uncommon Time / int_e8c34944	featureConfidence	1.0
Mike Oldfield (Music)	hasFeature	Uncommon Time / int_e8c34944
Uncommon Time / int_eb068245	type	Uncommon Time
Uncommon Time / int_eb068245	comment	Schoolhouse Rock!: "Naughty Number Nine", appropriately enough, is played in a 9/8 time signature.
Uncommon Time / int_eb068245	featureApplicability	1.0
Uncommon Time / int_eb068245	featureConfidence	1.0
Schoolhouse Rock!	hasFeature	Uncommon Time / int_eb068245
Uncommon Time / int_ec6b71cf	type	Uncommon Time
Uncommon Time / int_ec6b71cf	comment	Rage Against the Machine have "Year of tha Boomerang", which has a riff in 5/4.
Uncommon Time / int_ec6b71cf	featureApplicability	1.0
Uncommon Time / int_ec6b71cf	featureConfidence	1.0
Rage Against the Machine (Music)	hasFeature	Uncommon Time / int_ec6b71cf
Uncommon Time / int_ecde384c	type	Uncommon Time
Uncommon Time / int_ecde384c	comment	School-Live! has a track called "Reitan na Senkoku", which is in 6/4.
Uncommon Time / int_ecde384c	featureApplicability	1.0
Uncommon Time / int_ecde384c	featureConfidence	1.0
School-Live! (Manga)	hasFeature	Uncommon Time / int_ecde384c
Uncommon Time / int_ef38cbdd	type	Uncommon Time
Uncommon Time / int_ef38cbdd	comment	Venetian Snares is the all-time king of this, having used it so much he damn near inverts it. How crazy does he get? "Nineteen 1319" alternates 13/4 and 19/4 time. "Mercy Funk" has probably more time signature changes than any other Venetian Snares' song. Running at a high speed 180 bpm, it starts with 8 bars of 11/4 then switches to alternating bars of 5/4 and 13/8 (or 23/8 together) until 2'32". It then holds 5/4 until 3'50", where a single 7/4 bar is followed by 7 bars of the 23/8 plus one 19/8 bar. At 4'23" there follows a sequence of 16 bars of 13/8, 8 bars of 7/4, a cycle of 3 bars of 7/4 and a bar of 15/8 (or 57/8 together), repeated twice, then 7/4 until the end. For him, Common Time is the least common signature—he prefers 7/4. He appears to have a follower in Scottish musician Acrnym.
Uncommon Time / int_ef38cbdd	featureApplicability	1.0
Uncommon Time / int_ef38cbdd	featureConfidence	1.0
Venetian Snares (Music)	hasFeature	Uncommon Time / int_ef38cbdd
Uncommon Time / int_ef9246b4	type	Uncommon Time
Uncommon Time / int_ef9246b4	comment	"The Rite of Spring" is a good example of him playing havoc with time signatures: "The Naming and Honoring of the Chosen One" changes, in consecutive measures, from 9/8 to 5/8 to 7/8 to 3/8 to 4/8 to 7/4 to 3/4. The theme of the concluding "Sacrificial Dance" uses an irregular mixture of 2/16, 3/16, 4/16 (or 2/8) and 5/16.
Uncommon Time / int_ef9246b4	featureApplicability	1.0
Uncommon Time / int_ef9246b4	featureConfidence	1.0
The Rite of Spring (Theatre)	hasFeature	Uncommon Time / int_ef9246b4
Uncommon Time / int_f029a63f	type	Uncommon Time
Uncommon Time / int_f029a63f	comment	halfâ€¢alive's "Move Me" is mostly in 7/4 with the second half switching to 4/4.
Uncommon Time / int_f029a63f	featureApplicability	1.0
Uncommon Time / int_f029a63f	featureConfidence	1.0
halfâ€¢alive (Music)	hasFeature	Uncommon Time / int_f029a63f
Uncommon Time / int_f0a21fcc	type	Uncommon Time
Uncommon Time / int_f0a21fcc	comment	Part of "Network" by Skaven of the Future Crew, featured in Bejeweled, has a polyrhythm of 7/16:3/8.
Uncommon Time / int_f0a21fcc	featureApplicability	1.0
Uncommon Time / int_f0a21fcc	featureConfidence	1.0
Bejeweled (Video Game)	hasFeature	Uncommon Time / int_f0a21fcc
Uncommon Time / int_f0c816fb	type	Uncommon Time
Uncommon Time / int_f0c816fb	comment	The theme playing for a while around 40 minutes through in the Breaking Bad episode "...And the Bag's in the River" is in 11/8 (6+5).
Uncommon Time / int_f0c816fb	featureApplicability	1.0
Uncommon Time / int_f0c816fb	featureConfidence	1.0
Breaking Bad	hasFeature	Uncommon Time / int_f0c816fb
Uncommon Time / int_f1da64b5	type	Uncommon Time
Uncommon Time / int_f1da64b5	comment	The Uruk-Hai theme from Howard Shore's The Lord of the Rings score, heard most prominently in the track "Amon Hen" on The Fellowship of the Ring OST, has 5/4 time. Shore explained that he was aiming to give Saruman's army a mechanical-sounding accompaniment. At one point in The Two Towerswhen? As the Three Hunters chase the Uruks (after the scene where Ã‰omer is banished). It's not on the OST, but you can hear it in The Banishment of Ã‰omer in the Complete Recordings, and a previous version in The Eaves of Fangorn in the Rarities Archive. this theme is combined with others giving us a 5/4 version of the Fellowship theme.
Uncommon Time / int_f1da64b5	featureApplicability	1.0
Uncommon Time / int_f1da64b5	featureConfidence	1.0
The Lord of the Rings	hasFeature	Uncommon Time / int_f1da64b5
Uncommon Time / int_f53fe2fa	type	Uncommon Time
Uncommon Time / int_f53fe2fa	comment	The theme to the Mission: Impossible TV series is in 5/4, with composer Lalo Schofrin saying only someone with odd-numbered legs could dance to it properlynote 4/4 is often used for dance music as two partners have four legs to move to the beat. 5/4 would require a fifth to somehow be added to the mix. It was changed to 4/4 for the movies. Lindsey Stirling and The Piano Guys recorded a version of the Mission Impossible theme, which also incorporated Mozart's Piano Sonata in C, rearranged in a 5/4 time.
Uncommon Time / int_f53fe2fa	featureApplicability	1.0
Uncommon Time / int_f53fe2fa	featureConfidence	1.0
Mission: Impossible	hasFeature	Uncommon Time / int_f53fe2fa
Uncommon Time / int_f554e011	type	Uncommon Time
Uncommon Time / int_f554e011	comment	Emi's theme from Katawa Shoujo, "Standing Tall," is in 9/4 time.
Uncommon Time / int_f554e011	featureApplicability	1.0
Uncommon Time / int_f554e011	featureConfidence	1.0
Katawa Shoujo (Visual Novel)	hasFeature	Uncommon Time / int_f554e011
Uncommon Time / int_f6c25e1b	type	Uncommon Time
Uncommon Time / int_f6c25e1b	comment	In the opera The Turn of the Screw, Variation V and the ensuing Latin lesson scene are scored in a brisk 5/4.
Uncommon Time / int_f6c25e1b	featureApplicability	1.0
Uncommon Time / int_f6c25e1b	featureConfidence	1.0
The Turn of the Screw	hasFeature	Uncommon Time / int_f6c25e1b
Uncommon Time / int_f6e5bd7f	type	Uncommon Time
Uncommon Time / int_f6e5bd7f	comment	The intro to Repo! The Genetic Opera's "Legal Assassin" is in 5/4, and the verses are in 9/4. The chorus and post-verse sections are in Common Time.
Uncommon Time / int_f6e5bd7f	featureApplicability	1.0
Uncommon Time / int_f6e5bd7f	featureConfidence	1.0
Repo! The Genetic Opera	hasFeature	Uncommon Time / int_f6e5bd7f
Uncommon Time / int_f9025486	type	Uncommon Time
Uncommon Time / int_f9025486	comment	In West Side Story, the "Scherzo" section of the Dream Ballet uses a mixture of time signatures. "America" is entirely in 6/8, but it uses a musical technique called "hemiola" that alters the emphasis of the measure, making it sound like it's switching into 3/4 and back out again (or, to continue our poetic analogy, from two dactyls to three trochees).
Uncommon Time / int_f9025486	featureApplicability	1.0
Uncommon Time / int_f9025486	featureConfidence	1.0
West Side Story (Theatre)	hasFeature	Uncommon Time / int_f9025486
Uncommon Time / int_fb173de	type	Uncommon Time
Uncommon Time / int_fb173de	comment	The song "Notes" from The Phantom of the Opera is partly in 15/16. The obligatory 7/8 section comes from the Don Juan Opera Within An Opera.
Uncommon Time / int_fb173de	featureApplicability	1.0
Uncommon Time / int_fb173de	featureConfidence	1.0
The Phantom of the Opera (Theatre)	hasFeature	Uncommon Time / int_fb173de
Uncommon Time / int_fca0567c	type	Uncommon Time
Uncommon Time / int_fca0567c	comment	The main section of Conan the Barbarian (1982)'s main theme alternates between 6/4 and 5/4, with the percussionless middle section in 4/4.
Uncommon Time / int_fca0567c	featureApplicability	1.0
Uncommon Time / int_fca0567c	featureConfidence	1.0
Conan the Barbarian (1982)	hasFeature	Uncommon Time / int_fca0567c
Uncommon Time / int_fed7cb7a	type	Uncommon Time
Uncommon Time / int_fed7cb7a	comment	Even by metal standards, the avant-garde black metal band Jute Gyte takes this to an extreme, frequently using polyrhthms of multiple simultaneous tempi. The liner notes to 2017's Oviri explain the shenanigans on that album (note that Jute Gyte also employs a 24-note scale, rather than the 12-note scale found in nearly all Western music):
Uncommon Time / int_fed7cb7a	featureApplicability	1.0
Uncommon Time / int_fed7cb7a	featureConfidence	1.0
Jute Gyte (Music)	hasFeature	Uncommon Time / int_fed7cb7a

The following is a list of statements referring to the current page from other pages.

Uncommon Time	processingCategory2	Music Tropes
Ant-Man / int_38da8916	type	Uncommon Time
Ant-Man / int_38da8916	type	Uncommon Time
Ant-Man and the Wasp / int_38da8916	type	Uncommon Time
Conan the Barbarian (1982) / int_38da8916	type	Uncommon Time
Cool Hand Luke / int_38da8916	type	Uncommon Time
Halloween (1978) / int_38da8916	type	Uncommon Time
Harry Potter and the Philosopher's Stone / int_38da8916	type	Uncommon Time
On the Waterfront / int_38da8916	type	Uncommon Time
Once / int_38da8916	type	Uncommon Time
Sunset Boulevard / int_38da8916	type	Uncommon Time
The Dark Knight Rises / int_38da8916	type	Uncommon Time
The Exorcist / int_38da8916	type	Uncommon Time
The Terminator / int_38da8916	type	Uncommon Time
Tower Heist / int_38da8916	type	Uncommon Time
Whiplash / int_38da8916	type	Uncommon Time
Classical Music / int_38da8916	type	Uncommon Time
JohnMackey	seeAlso	Uncommon Time
Jubeat	seeAlso	Uncommon Time
Mario4812LikedTropes3	seeAlso	Uncommon Time
A Fever You Can't Sweat Out (Music) / int_38da8916	type	Uncommon Time
A Night at the Opera (1975) (Music) / int_38da8916	type	Uncommon Time
A Quick One (Music) / int_38da8916	type	Uncommon Time
Aaron Copland (Music) / int_38da8916	type	Uncommon Time
Abbey Road (Music) / int_38da8916	type	Uncommon Time
Agalloch (Music) / int_38da8916	type	Uncommon Time
Alcest (Music) / int_38da8916	type	Uncommon Time
American Football (Music) / int_38da8916	type	Uncommon Time
Amnesiac (Music) / int_38da8916	type	Uncommon Time
Amniote (Music) / int_38da8916	type	Uncommon Time
...And Then There Were Three... (Music) / int_38da8916	type	Uncommon Time
Andrew Bird (Music) / int_38da8916	type	Uncommon Time
Aphrodite's Child (Music) / int_38da8916	type	Uncommon Time
Atheist (Music) / int_38da8916	type	Uncommon Time
BTS (Music) / int_38da8916	type	Uncommon Time
BABYMETAL (Music) / int_38da8916	type	Uncommon Time
Bathory (Music) / int_38da8916	type	Uncommon Time
Beck (Musician) (Music) / int_38da8916	type	Uncommon Time
Big Big Train (Music) / int_38da8916	type	Uncommon Time
Black Sabbath (Music) / int_38da8916	type	Uncommon Time
Blondie (Band) (Music) / int_38da8916	type	Uncommon Time
Blut aus Nord (Music) / int_38da8916	type	Uncommon Time
Brad Fiedel (Music) / int_38da8916	type	Uncommon Time
Burt Bacharach (Music) / int_38da8916	type	Uncommon Time
Californication (Music) / int_38da8916	type	Uncommon Time
Cannibal Corpse (Music) / int_38da8916	type	Uncommon Time
Caravan (Music) / int_38da8916	type	Uncommon Time
Caroline Polachek (Music) / int_38da8916	type	Uncommon Time
Cellar Darling (Music) / int_38da8916	type	Uncommon Time
Chicago (Band) (Music) / int_38da8916	type	Uncommon Time
clipping. (Music) / int_38da8916	type	Uncommon Time
Clutch (Music) / int_38da8916	type	Uncommon Time
Converge (Music) / int_38da8916	type	Uncommon Time
Cormorant (Music) / int_38da8916	type	Uncommon Time
Cream (Music) / int_38da8916	type	Uncommon Time
Creed (Band) (Music) / int_38da8916	type	Uncommon Time
Crosby, Stills, Nash & Young (Music) / int_38da8916	type	Uncommon Time
DJ Rozwell (Music) / int_38da8916	type	Uncommon Time
Dance Gavin Dance (Music) / int_38da8916	type	Uncommon Time
Danny Brown (Music) / int_38da8916	type	Uncommon Time
Deadsy (Music) / int_38da8916	type	Uncommon Time
Death Grips (Music) / int_38da8916	type	Uncommon Time
Desperate Straights (Music) / int_38da8916	type	Uncommon Time
Despised Icon (Music) / int_38da8916	type	Uncommon Time
Diablo Swing Orchestra (Music) / int_38da8916	type	Uncommon Time
Diamond Dogs (Music) / int_38da8916	type	Uncommon Time
Double Experience (Music) / int_38da8916	type	Uncommon Time
Dream Theater (Music) / int_38da8916	type	Uncommon Time
Duke (Music) / int_38da8916	type	Uncommon Time
Elio e le Storie Tese (Music) / int_38da8916	type	Uncommon Time
Endtroducing..... (Music) / int_38da8916	type	Uncommon Time
Enslaved (Music) / int_38da8916	type	Uncommon Time
Epica (Music) / int_38da8916	type	Uncommon Time
Evile (Music) / int_38da8916	type	Uncommon Time
Fairport Convention (Music) / int_38da8916	type	Uncommon Time
Fleshgod Apocalypse (Music) / int_38da8916	type	Uncommon Time
Foo Fighters (Music) / int_38da8916	type	Uncommon Time
Foreigner (Band) (Music) / int_38da8916	type	Uncommon Time
Foxtrot (Album) (Music) / int_38da8916	type	Uncommon Time
Frankenchrist (Music) / int_38da8916	type	Uncommon Time
Freelance Whales (Music) / int_38da8916	type	Uncommon Time
Genesis (Band) (Music) / int_38da8916	type	Uncommon Time
Gigan (Music) / int_38da8916	type	Uncommon Time
Gorguts (Music) / int_38da8916	type	Uncommon Time
Greek Fire (Music) / int_38da8916	type	Uncommon Time
Gunfighter Ballads and Trail Songs (Music) / int_38da8916	type	Uncommon Time
Guy Sebastian (Music) / int_38da8916	type	Uncommon Time
GYARI (Music) / int_38da8916	type	Uncommon Time
Hail to the Thief (Music) / int_38da8916	type	Uncommon Time
Haken (Music) / int_38da8916	type	Uncommon Time
halfâ€¢alive (Music) / int_38da8916	type	Uncommon Time
Harry Nilsson (Music) / int_38da8916	type	Uncommon Time
Hate Eternal (Music) / int_38da8916	type	Uncommon Time
Hella (Music) / int_38da8916	type	Uncommon Time
Homestuck (Music) / int_38da8916	type	Uncommon Time
Hourglass (Music) / int_38da8916	type	Uncommon Time
Houses of the Holy (Music) / int_38da8916	type	Uncommon Time
Hozier (Music) / int_38da8916	type	Uncommon Time
HÃ¼sker DÃ¼ (Music) / int_38da8916	type	Uncommon Time
Illinois! (Music) / int_38da8916	type	Uncommon Time
Immortal (Band) (Music) / int_38da8916	type	Uncommon Time
In Rainbows (Music) / int_38da8916	type	Uncommon Time
Innuendo (Music) / int_38da8916	type	Uncommon Time
Insomnium (Music) / int_38da8916	type	Uncommon Time
Iron Maiden (Music) / int_38da8916	type	Uncommon Time
JakProgresso (Music) / int_38da8916	type	Uncommon Time
Jeff Wayne's Musical Version of The War of the Worlds (Music) / int_38da8916	type	Uncommon Time
Jesus Christ Superstar (Music) / int_38da8916	type	Uncommon Time
Joe's Garage (Music) / int_38da8916	type	Uncommon Time
John Mackey (Music)	seeAlso	Uncommon Time
Joji (Music) / int_38da8916	type	Uncommon Time
Jónsi (Music) / int_38da8916	type	Uncommon Time
Jordan Rudess (Music) / int_38da8916	type	Uncommon Time
Kamelot (Music) / int_38da8916	type	Uncommon Time
Kid A (Music) / int_38da8916	type	Uncommon Time
King Gizzard and the Lizard Wizard (Music) / int_38da8916	type	Uncommon Time
La Dispute (Music) / int_38da8916	type	Uncommon Time
Laughing Stock (Music) / int_38da8916	type	Uncommon Time
Laurie Anderson (Music) / int_38da8916	type	Uncommon Time
Led Zeppelin (1969) (Music) / int_38da8916	type	Uncommon Time
Led Zeppelin IV (Music) / int_38da8916	type	Uncommon Time
Lemon Demon (Music) / int_38da8916	type	Uncommon Time
Leprous (Music) / int_38da8916	type	Uncommon Time
Let It Be (Music) / int_38da8916	type	Uncommon Time
Magical Mystery Tour (Music) / int_38da8916	type	Uncommon Time
Malignancy (Music) / int_38da8916	type	Uncommon Time
Master of Puppets (Music) / int_38da8916	type	Uncommon Time
Mayhem (Music) / int_38da8916	type	Uncommon Time
Merriweather Post Pavilion (Music) / int_38da8916	type	Uncommon Time
Metallica (Music) / int_38da8916	type	Uncommon Time
Metropolis Pt. 2: Scenes from a Memory (Music) / int_38da8916	type	Uncommon Time
Michael Giacchino (Music) / int_38da8916	type	Uncommon Time
Mike Oldfield (Music) / int_38da8916	type	Uncommon Time
Minutes to Midnight (Music) / int_38da8916	type	Uncommon Time
Miracle Musical (Music) / int_38da8916	type	Uncommon Time
Mitski (Music) / int_38da8916	type	Uncommon Time
Morbid Angel (Music) / int_38da8916	type	Uncommon Time
Moving Pictures (Album) (Music) / int_38da8916	type	Uncommon Time
Ne Obliviscaris (Music) / int_38da8916	type	Uncommon Time
Neal Morse (Music) / int_38da8916	type	Uncommon Time
Necrophagist (Music) / int_38da8916	type	Uncommon Time
Negura Bunget (Music) / int_38da8916	type	Uncommon Time
Nevermore Band (Music) / int_38da8916	type	Uncommon Time
90125 (Music) / int_38da8916	type	Uncommon Time
Nobuo Uematsu (Music) / int_38da8916	type	Uncommon Time
Nokturnal Mortum (Music) / int_38da8916	type	Uncommon Time
Nothingface (Music) / int_38da8916	type	Uncommon Time
OK Computer (Music) / int_38da8916	type	Uncommon Time
Origin (Music) / int_38da8916	type	Uncommon Time
Pale Saints (Music) / int_38da8916	type	Uncommon Time
Pantera (Music) / int_38da8916	type	Uncommon Time
PassCode (Music) / int_38da8916	type	Uncommon Time
Pat Metheny (Music) / int_38da8916	type	Uncommon Time
Penisland (Music) / int_38da8916	type	Uncommon Time
Physical Graffiti (Music) / int_38da8916	type	Uncommon Time
Pixies (Music) / int_38da8916	type	Uncommon Time
Poodle Hat (Music) / int_38da8916	type	Uncommon Time
Pretenders (album) (Music) / int_38da8916	type	Uncommon Time
Queen (Band) (Music) / int_38da8916	type	Uncommon Time
Rage Against the Machine (Music) / int_38da8916	type	Uncommon Time
Ramones (Music) / int_38da8916	type	Uncommon Time
Remain in Light (Music) / int_38da8916	type	Uncommon Time
Revocation (Music) / int_38da8916	type	Uncommon Time
Revolver (Music) / int_38da8916	type	Uncommon Time
Revolver (Beatles Album) (Music) / int_38da8916	type	Uncommon Time
Rush (Band) (Music) / int_38da8916	type	Uncommon Time
Seal (Music) / int_38da8916	type	Uncommon Time
Selling England by the Pound (Music) / int_38da8916	type	Uncommon Time
Sgt. Pepper's Lonely Hearts Club Band (Music) / int_38da8916	type	Uncommon Time
SiIvaGunner (Music) / int_38da8916	type	Uncommon Time
Sigh (Music) / int_38da8916	type	Uncommon Time
Signals (Music) / int_38da8916	type	Uncommon Time
69 Love Songs (Music) / int_38da8916	type	Uncommon Time
Skylarking (Music) / int_38da8916	type	Uncommon Time
Slayer (Music) / int_38da8916	type	Uncommon Time
Sleepytime Gorilla Museum (Music) / int_38da8916	type	Uncommon Time
Songs in the Key of Life (Music) / int_38da8916	type	Uncommon Time
Songs of Faith and Devotion (Music) / int_38da8916	type	Uncommon Time
Spiderland (Music) / int_38da8916	type	Uncommon Time
Station to Station (Music) / int_38da8916	type	Uncommon Time
Steven Wilson (Music) / int_38da8916	type	Uncommon Time
Sting (Music) / int_38da8916	type	Uncommon Time
Suffocation (Music) / int_38da8916	type	Uncommon Time
Sum 41 (Music) / int_38da8916	type	Uncommon Time
Supper's Ready (Music) / int_38da8916	type	Uncommon Time
Synchronicity (Music) / int_38da8916	type	Uncommon Time
System of a Down (Music) / int_38da8916	type	Uncommon Time
Tesseract (Music) / int_38da8916	type	Uncommon Time
The 77s (Music) / int_38da8916	type	Uncommon Time
The Astonishing (Music) / int_38da8916	type	Uncommon Time
The Band (Music) / int_38da8916	type	Uncommon Time
The Colour and the Shape (Music) / int_38da8916	type	Uncommon Time
The Dark Side of the Moon (Music) / int_38da8916	type	Uncommon Time
The Downward Spiral (Music) / int_38da8916	type	Uncommon Time
The Fall Of Troy (Music)	seeAlso	Uncommon Time
The Final Cut (Music) / int_38da8916	type	Uncommon Time
The Freewheelin' Bob Dylan (Music) / int_38da8916	type	Uncommon Time
The Ocean (Music) / int_38da8916	type	Uncommon Time
The Pogues (Music) / int_38da8916	type	Uncommon Time
The Reign of Kindo (Music) / int_38da8916	type	Uncommon Time
The Rise and Fall of Ziggy Stardust and the Spiders from Mars (Music) / int_38da8916	type	Uncommon Time
The Stranglers (Music) / int_38da8916	type	Uncommon Time
The Turtles (Music) / int_38da8916	type	Uncommon Time
The Turtles Present the Battle of the Bands (Music) / int_38da8916	type	Uncommon Time
The Wall (Music) / int_38da8916	type	Uncommon Time
The White Album (Music) / int_38da8916	type	Uncommon Time
Theatre of Tragedy (Music) / int_38da8916	type	Uncommon Time
Thursday (Music) / int_38da8916	type	Uncommon Time
Todd Rundgren (Music) / int_38da8916	type	Uncommon Time
Toxicity (Music) / int_38da8916	type	Uncommon Time
Traffic (Band) (Music) / int_38da8916	type	Uncommon Time
Trophy Scars (Music) / int_38da8916	type	Uncommon Time
Tubular Bells (Music) / int_38da8916	type	Uncommon Time
Unhalfbricking (Music) / int_38da8916	type	Uncommon Time
Venetian Snares (Music) / int_38da8916	type	Uncommon Time
Viva la Vida or Death and All His Friends (Music) / int_38da8916	type	Uncommon Time
Weakling (Music) / int_38da8916	type	Uncommon Time
Weasels Ripped My Flesh (Music) / int_38da8916	type	Uncommon Time
Wild Honey (Music) / int_38da8916	type	Uncommon Time
Wish You Were Here (Music) / int_38da8916	type	Uncommon Time
Wish You Were Here (1975) (Music) / int_38da8916	type	Uncommon Time
Wormed (Music) / int_38da8916	type	Uncommon Time
Young Americans (Music) / int_38da8916	type	Uncommon Time
Young Americans (1975) (Music) / int_38da8916	type	Uncommon Time
Battlestar Galactica (2003) / int_38da8916	type	Uncommon Time
Between the Lions / int_38da8916	type	Uncommon Time
Mission: Impossible / int_38da8916	type	Uncommon Time
Rölli / int_38da8916	type	Uncommon Time
Teletubbies / int_38da8916	type	Uncommon Time
The Letter People / int_38da8916	type	Uncommon Time
AmÃ©lie (Theatre) / int_38da8916	type	Uncommon Time
Avenue Q (Theatre) / int_38da8916	type	Uncommon Time
Dear Evan Hansen (Theatre) / int_38da8916	type	Uncommon Time
Hamilton (Theatre) / int_38da8916	type	Uncommon Time
Heathers (Theatre) / int_38da8916	type	Uncommon Time
Heathers: The Musical (Theatre) / int_38da8916	type	Uncommon Time
Man of La Mancha (Theatre) / int_38da8916	type	Uncommon Time
Riverdance (Theatre) / int_38da8916	type	Uncommon Time
The Rite of Spring (Theatre) / int_38da8916	type	Uncommon Time
13 (Theatre) / int_38da8916	type	Uncommon Time
West Side Story (Theatre) / int_38da8916	type	Uncommon Time
Arcaea (Video Game) / int_38da8916	type	Uncommon Time
Arzette: The Jewel of Faramore (Video Game) / int_38da8916	type	Uncommon Time
Balatro (Video Game) / int_38da8916	type	Uncommon Time
Batman (Sunsoft) (Video Game) / int_38da8916	type	Uncommon Time
beatmania (Video Game) / int_38da8916	type	Uncommon Time
Braid (Video Game) / int_38da8916	type	Uncommon Time
Bravely Default II (Video Game) / int_38da8916	type	Uncommon Time
Castlevania: Symphony of the Night (Video Game) / int_38da8916	type	Uncommon Time
Cho Ren Sha 68k (Video Game) / int_38da8916	type	Uncommon Time
Chrono Cross (Video Game) / int_38da8916	type	Uncommon Time
Chrono Trigger (Video Game) / int_38da8916	type	Uncommon Time
Contra (Video Game) / int_38da8916	type	Uncommon Time
Cyber Shadow (Video Game) / int_38da8916	type	Uncommon Time
DJMAX (Video Game) / int_38da8916	type	Uncommon Time
DanceDanceRevolution (Video Game) / int_38da8916	type	Uncommon Time
Etrian Odyssey IV: Legends of the Titan (Video Game) / int_38da8916	type	Uncommon Time
Etrian Odyssey V: Beyond the Myth (Video Game) / int_38da8916	type	Uncommon Time
FTL: Faster Than Light (Video Game) / int_38da8916	type	Uncommon Time
Factorio (Video Game) / int_38da8916	type	Uncommon Time
Fashion Police Squad (Video Game) / int_38da8916	type	Uncommon Time
Final Fantasy IV (Video Game) / int_38da8916	type	Uncommon Time
Final Fantasy VI (Video Game) / int_38da8916	type	Uncommon Time
Final Fantasy VIII (Video Game) / int_38da8916	type	Uncommon Time
Friday Night Funkin' (Video Game) / int_38da8916	type	Uncommon Time
Groove Coaster (Video Game) / int_38da8916	type	Uncommon Time
Iji (Video Game) / int_38da8916	type	Uncommon Time
Ketsui (Video Game) / int_38da8916	type	Uncommon Time
Kirby 64: The Crystal Shards (Video Game) / int_38da8916	type	Uncommon Time
Kirby Super Star (Video Game) / int_38da8916	type	Uncommon Time
Kirby: Triple Deluxe (Video Game) / int_38da8916	type	Uncommon Time
Light Crusader (Video Game) / int_38da8916	type	Uncommon Time
maimai (Video Game) / int_38da8916	type	Uncommon Time
Marathon (Video Game) / int_38da8916	type	Uncommon Time
Mario Kart 64 (Video Game) / int_38da8916	type	Uncommon Time
Mario Kart 8 (Video Game) / int_38da8916	type	Uncommon Time
Mario Party (Video Game) / int_38da8916	type	Uncommon Time
Mega Man X4 (Video Game) / int_38da8916	type	Uncommon Time
Metal Slug (Video Game) / int_38da8916	type	Uncommon Time
Monster Party (Video Game) / int_38da8916	type	Uncommon Time
Mother 3 (Video Game) / int_38da8916	type	Uncommon Time
Pikmin 2 (Video Game) / int_38da8916	type	Uncommon Time
Pizza Tower (Video Game) / int_38da8916	type	Uncommon Time
PokÃ©mon Scarlet and Violet (Video Game) / int_38da8916	type	Uncommon Time
Pokémon X and Y (Video Game) / int_38da8916	type	Uncommon Time
pop'n music (Video Game) / int_38da8916	type	Uncommon Time
Rhythm Doctor (Video Game) / int_38da8916	type	Uncommon Time
Risk of Rain 2 (Video Game) / int_38da8916	type	Uncommon Time
Secret of Mana (Video Game) / int_38da8916	type	Uncommon Time
Sonic Adventure (Video Game) / int_38da8916	type	Uncommon Time
Sonic Adventure 2 (Video Game) / int_38da8916	type	Uncommon Time
SoulBlazer (Video Game) / int_38da8916	type	Uncommon Time
Splatoon 2 (Video Game) / int_38da8916	type	Uncommon Time
Splatoon 3 (Video Game) / int_38da8916	type	Uncommon Time
Star Ocean: Till the End of Time (Video Game) / int_38da8916	type	Uncommon Time
Super Mario RPG (Video Game) / int_38da8916	type	Uncommon Time
Super Metroid (Video Game) / int_38da8916	type	Uncommon Time
Tadpole Treble (Video Game) / int_38da8916	type	Uncommon Time
Terraria Calamity (Video Game) / int_38da8916	type	Uncommon Time
The Amazon Trail (Video Game) / int_38da8916	type	Uncommon Time
The Legend of Zelda: A Link to the Past (Video Game) / int_38da8916	type	Uncommon Time
The Legend of Zelda (Video Game) / int_38da8916	type	Uncommon Time
The Legend of Zelda: Majora's Mask (Video Game) / int_38da8916	type	Uncommon Time
The Legend of Zelda: Spirit Tracks (Video Game) / int_38da8916	type	Uncommon Time
30XX (Video Game) / int_38da8916	type	Uncommon Time
Touhou Chireiden ~ Subterranean Animism (Video Game) / int_38da8916	type	Uncommon Time
Treasure Master (Video Game) / int_38da8916	type	Uncommon Time
Turbo Overkill (Video Game) / int_38da8916	type	Uncommon Time
Unreal Tournament (Video Game) / int_38da8916	type	Uncommon Time
Xenoblade Chronicles X (Video Game) / int_38da8916	type	Uncommon Time
Yellow Taxi Goes Vroom (Video Game) / int_38da8916	type	Uncommon Time
The Legend of Zelda: The Wind Waker (Video Game) / int_38da8916	type	Uncommon Time
ULTRAKILL (Video Game) / int_38da8916	type	Uncommon Time
Phoenix Wright: Ace Attorney â€“ Justice For All (Visual Novel) / int_38da8916	type	Uncommon Time
Umineko: When They Cry (Visual Novel) / int_38da8916	type	Uncommon Time
Supermarioglitchy4's Super Mario 64 Bloopers (Web Animation) / int_38da8916	type	Uncommon Time
The 8-Bit Drummer (Web Video) / int_38da8916	type	Uncommon Time
My Little Pony: Equestria Girls â€“ Rainbow Rocks / int_38da8916	type	Uncommon Time
Schoolhouse Rock! / int_38da8916	type	Uncommon Time
The Nightmare Before Christmas / int_38da8916	type	Uncommon Time

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